- 3 hours ago
Emily in Paris - Season 5 Episode 9 - ENGSUB
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Short filmTranscript
00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:26we are spending too much on attorneys already i know money's been tight so i called in a favor
00:32from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so
00:41generous i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:48uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:55fashion industry literally oh this is scary exciting how soon can we move in how about
01:09now am i doing this right i've never been a fit model before you're perfect okay
01:23pierre cadeau is ready to zoom he has news go go go hi sorry guy
01:29there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:38this changed everything you said you had some news any luck on paris fashion week
01:43despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:50into paris fashion week especially when he's being sued by his own mother
01:55you said you had good news i found you a much more suitable event venice fashion week
02:02venice has a fashion week it's more for emerging designers well then that's perfect an italian
02:09newcomer making a splash in venice literally you'll sink or swim either way prepare to show
02:16in two weeks what that's not possible oh my darling boy fashion is all about making the impossible
02:23possible possible bonne chance mes amis
02:26cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:39le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:45there'll be concon dancers as well as waiters in period costumes and no absinthe party is complete
02:52without a visit from the green fairy herself nice touch when guests arrive we greet them with a
02:58shot of le rêve vert served on sugar cubes but just a splash we can't have anyone going mad
03:03that's just a myth right is it really a hallucinogen no it's real absinthe was banned for
03:11almost a century in france it was the molly of the belle époque what do you know about molly
03:16it's a strong drink but i assure you le rêve vert is nothing like molly it will not make you lose
03:25your mind during the belle époque regulations weren't strict we weren't there so who can say
03:31i wish i had been there la belle époque wasn't about restriction it was about experimentation about
03:38progress in art in technology in science in everything it was the birth of cinema it was the birth of la
03:44tour eiffel and the epicenter of it all was maxim's so i'm very very glad you were able to book the
03:50venue for the event we did oh yeah we did of course
03:57luc why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect fit
04:11for the party and you could use the business i called to reserve the space but i was told it
04:15isn't available we even offered to change the date but they said no should we ask again
04:20no no no too late anyway amelie are you free tonight i'm feeling nostalgic and i would love
04:29to show you my belle époque paris oh that sounds lovely marcello is busy working tonight so count
04:35me in an artist working late into the night it is just like the belle époque without all the syphilis
04:42and the smells do you know about the great stink of 1880 what ew no the city was unbearable
04:49i can't wait to tell you all about it hello have fun
04:55yes i can have a marketing plan ready by tomorrow but if they get two weeks for the line can i please
05:04just at least get two days to prep the rollout okay thank you
05:10sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:20little slack money's really tight right now he's worried about money really yeah oh do you not know
05:28that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:33that his grandfather gave him so he's basically betting his whole inheritance on marcello's
05:38business wow i had no idea it's gonna be fine he knows what he's doing but i feel like i need to
05:44start contributing more you know i mean if i nail this audition tomorrow i can cover his rent
05:49do you have an audition for what did i not tell you so these movie producers saw me at crazy horse
05:56and they want me to read for satine in an animated moulin rouge oh my god i love that movie
06:02you'll be an amazing satine oh thanks okay how do i say break a leg in french the french version
06:09is married okay well then married i'll take it i need all the marriage i can get
06:16and i'll take it to the end of the day
06:21and i'll take it to the end of the day
06:22I'll give you a little bit. Thank you.
06:31I'm very happy that you were able to leave you.
06:34You're very busy.
06:36Oh, I can't imagine.
06:38I'm sorry for your absence.
06:41We're reserved for weeks.
06:43But it's okay.
06:44Are you good news?
06:46Yeah.
06:48You missed me.
06:53You asked me, I was given you.
06:57But I was very happy that you called me.
07:01I was also happy.
07:04I was happy to see you.
07:07And you were where all these times?
07:09In the South, especially.
07:12Paris works very well, but there's nothing to do with Saint-Tropez.
07:16I found a little thing.
07:21It's the date of the opening.
07:25It was you who made the photo, right?
07:27Yes.
07:28I put it, I put the timer, I made the flyer, I made it.
07:31You were incredible.
07:34You always did it.
07:37We were in fusion at the time.
07:39We couldn't separate each other.
07:41I suppose it was our time.
07:44So...
07:47Who knows?
07:48Maybe the best is the future.
07:52It's just to love it.
07:53Ok.
07:54At the time,
07:55It's just bleeding.
07:56That's amazing.
07:58And you forgot to do it.
08:00And a whole day�.
08:01It was eventually to save the naissance.
08:05That's all I know!
08:06It's chị-
08:09I mean it was lovely.
08:14So this was my neighborhood when I first moved in Paris.
08:33I wanted to be in the world of Toulouse-Lautrec, where the artists I read about used to paint
08:38and write and drink and screw their brains out until sunrise.
08:42I fancied myself quite the painter.
08:45Well, that doesn't surprise me at all.
08:47You have an artist's soul.
08:50Come on.
08:53So this is Le Bateau Lavois.
08:56Matisse, Cocteau, Modigliani, they all gathered here.
08:59Oh, and Picasso too.
09:01Wow.
09:02I would have killed to be among them, but I was more like him, selling my works by day
09:08and painting new ones at night.
09:10You really were an artist.
09:12How romantic.
09:13It was a brutal existence.
09:15No money, no sleep, just me and my art.
09:23I was never happier.
09:25Oh.
09:26Do you still have any of your paintings?
09:28No.
09:29I sold a few.
09:31The rest I used as firewood when I realized I had no talents.
09:35Oh.
09:36What did you used to paint?
09:37Oh.
09:38My speciality was portraits.
09:41Oh, cool.
09:43Self-portraits.
09:44New self-portraits, to be precise.
09:48Oh.
09:49Oh.
09:50I wish you could have seen them.
09:51I got a striking figure in my youth.
09:53Oh.
09:54My loss.
09:55Okay.
09:56Final absinthe.
09:58Yes.
09:59Merci.
10:00Merci.
10:01Merci.
10:02This is my last one.
10:03Anymore and I'll start hallucinating.
10:06Are you feeling it too?
10:08I am feeling a little tipsy.
10:09Oh.
10:10Oh.
10:11Oh.
10:12And maybe I am hallucinating.
10:13Gabrielle.
10:14Gabrielle.
10:15No way.
10:16You have to answer.
10:17Hi.
10:18Gabrielle.
10:19How are you?
10:20Where are you?
10:21Are you still on the yacht?
10:22I'm actually in Amsterdam.
10:23The yacht is in dry dock for repair.
10:25So we're moving to Edderton's summer home in Monaco.
10:28Oh.
10:29Oh.
10:30Oh.
10:31Oh.
10:32Oh.
10:33Oh.
10:34Oh.
10:35Oh.
10:36Oh.
10:37Sounds fancy.
10:39It is.
10:40But I didn't call to brag.
10:42Um.
10:43Listen.
10:44I left in such a rush that I forgot some of my knives.
10:47I'll be passing through Paris tomorrow, but I don't have much time in between trains,
10:52so I was wondering if you would be willing to come to the train station and bring them
10:57to me.
10:58I know it's a big ask.
11:00Uh, what time?
11:02I'll be there at 1 o'clock for about an hour.
11:04We could have a quick lunch if you'd like.
11:06It would be nice to see you.
11:09Yeah, yeah, I think I could do that.
11:12Thank you, Emily. Honestly, you're a lifesaver.
11:15Listen, I'll shoot you a picture so you know what to look for
11:18and make sure the Guardian knows to let you in.
11:20Okay, I'll see you tomorrow at Le Trembleu, Gare de Lyon at 1 p.m.
11:25Okay, yeah. Yeah, I'll see you tomorrow. Bye.
11:31Just in case you were wondering, you were not hallucinating,
11:35that call was very real.
11:37It definitely was.
11:47Marcello?
11:48Livia?
11:49What are you doing here?
11:50So it's true. You're working at Pierre Cardot's atelier.
11:53Ciao.
11:56Nicola, this is my sister, Livia.
11:58Ciao, Livia. Nice to meet you.
12:00So you're the one behind this.
12:02This was my decision.
12:04Did Mama send you?
12:06She doesn't know I'm here.
12:07Don't agree with what she's doing, but...
12:09What?
12:10I don't know what you're doing.
12:12You never designed anything in your life,
12:14and suddenly you're doing a whole collection.
12:16If I may, your brother is very talented.
12:20Clearly it runs in the family.
12:22Why don't you take a look at the line?
12:25We'd love to get an outside opinion.
12:27Good idea.
12:28I'd love to know what you think.
12:30Hmm?
12:37Hmm.
12:38They're beautiful.
12:40Really well constructed.
12:42But, Marcello, why do we want to tear a familiar part of this?
12:47It's not even that different from our own brand.
12:49You just put a colorful horse on it.
12:52You're not seeing the whole picture.
12:54Neither are you.
12:55Please stop this before it's too late.
13:01Excuse me.
13:02Aw, hey you, what's up?
13:12Emily, I need you to cancel Venice.
13:14What?
13:15What do you mean?
13:16We have to shut everything down.
13:18What's going on?
13:19It was a huge mistake.
13:21I'm not a designer.
13:23Of course you are.
13:24Just because you keep saying it doesn't mean it's true.
13:27We've wasted so much money.
13:28I can't show this collection.
13:29I never should have listened.
13:31Wait.
13:33What happened?
13:34Where is this coming from?
13:36My sister came here to see the line.
13:38And she said it's not good enough.
13:40And she's right.
13:41She's right.
13:42I'm going to humiliate myself.
13:44That's not true, okay?
13:46Don't let her get into your head.
13:47The line is great.
13:48Emily, stop.
13:49She's right.
13:50It's boring crap.
13:52No, it's not.
13:53Maybe we can add some accessories to liven it up.
13:56I said stop.
13:57You always want to fix everything, but there are some things you can't fix.
14:07Just stop.
14:08Please.
14:09Okay.
14:10Let me see what I can do.
14:14Emily.
14:15Emily.
14:46like nothing I've ever seen before but I think my favorite place was Thailand the
14:50people are so friendly and the food your episode of chef's table is gonna be
14:56incredible I still can't believe you just packed up and left it was a crazy
15:02thing to do but I had to do it I'd gotten everything I thought I wanted I
15:08was miserable so I decided to do the exact opposite instead of stability and
15:14routine I I ran for the unknown he just woke me up I don't know I I'm talking
15:24too much how have you been oh um I'm fine yeah the usual
15:32Marcello and I are back together how you guys doing we don't have to talk about
15:36it if no no no it's okay um we're good well he's starting a fashion company he's
15:42actually designing the line himself I didn't know he was a designer well he
15:47wasn't but then we lost the one that we had and I saw his sketches which were
15:50incredible so I insisted that he take over and we're supposed to show it
15:57fashion week but now he wants to trash the entire collection so oh I missed so
16:03much it all happened so fast you know maybe a little too fast maybe I
16:08shouldn't have pushed him to do it
16:13can I ask you something of course did I push you for the Michelin star the
16:22Michelin star was my dream but you were miserable and you ran halfway across the
16:26world to escape from it and I don't know maybe from me
16:35Emily all I can tell you is that you supported me you had faith in me probably
16:41more than I ever deserved that's a good thing I just don't think that's how
16:46Marcello feels he's so upset and I feel like it's my fault although maybe that
16:55could be because of the lawsuit because on top of everything else his mom is suing
16:59him that's terrible and his business partner Nico oh yeah Mendy's boyfriend you
17:03remember him the billionaire well no not anymore it's a really long story you
17:10know what I forgot a dramatic Paris can get
17:16this restaurant is so gorgeous we should have had our Bella pop party here
17:21art nouveau right you know what I believe it is I look at you you're such a
17:27cultured Parisian now there was a time where you didn't even know which floor you
17:31were on oh god remember when that was my biggest problem oh I feel like that was
17:38my Bella pop everything was so new and exciting like a fantasy now it all just
17:46feels it's a difficult and real we tend to romanticize the past things are pretty
17:55hard back then too you didn't know what you were doing at work you're kissing people that had
18:02girlfriends which I didn't know and they were kissing back by the way very true but not only that there
18:08were secrets and packs and fake Michelin inspectors also good memories like sex on the roof now who's
18:18romanticizing you know when I left for the yacht I thought my best days were behind me but no I'm excited for
18:30the future wherever it brings me I I think you should be too
18:37never knew I could feel like this like I've never seen the sky before I want to vanish inside your kiss
18:44every day I love you more and more
18:51every day I love you more and more listen to my heart can you hear it sound like I've never seen the sky before I want to vanish inside your kiss
19:03every day I love you more and more
19:06every day I love you more and more listen to my heart can you hear it sing telling me to give you everything
19:24seasons may change winter to spring
19:29thank you for meeting me
19:31it was good to see you
19:34give Marcella some time you two are good together
19:38what makes you say that
19:40because I saw the two of you in Rome
19:44when were you in Rome?
19:47after you decided to leave Paris I had this crazy idea to follow you and
19:54I saw you with them
19:57why didn't you ever tell me?
19:59because you looked happy
20:02and that's all I ever wanted for you
20:08it's all I ever wanted for you too
20:12for both of us
20:16you know they didn't start calling it like Belly Puck until after it had passed
20:25nobody knows if they're living their golden age maybe we're living ours now
20:30just send me a postcard okay?
20:35a real one with a stamp
20:40and there's no mountain too high
20:45no river to wide
20:50sing out this song and die
20:53no more
20:55bye
21:04oh my god you
21:06Gabrielle your knives
21:08wait
21:11Gabrielle
21:12Gabrielle
21:16your knives
21:17oh
21:18thank you
21:19thank you
21:25you're a good friend
21:26hey
21:37where is everyone?
21:39i send them home
21:52did you cancel the show in Venice?
21:54not yet
21:56are you sure that's what you want to do?
21:58it's what needs to be done
22:03you know sometimes when things don't work out it helps to look at it from a different perspective
22:11do the opposite
22:13like if i'm thinking black i run towards white
22:17what? black is white, up is down
22:20something like that, yeah
22:23all i can think of is how i'm disappointing everyone
22:27well then think of the opposite
22:30listen i don't need you to be a designer
22:34or a titan of industry
22:38or anything other than the wonderful man that you are
22:41whatever you decide i'm with you
22:48whatever you decide i'm with you
22:54finally
22:57finally
22:58finally
22:59maman
23:00you called me
23:01it's just an hour
23:02but i told you it was urgent
23:05i'm happy to see you too
23:07what's this urgent
23:08is it you saw your husband last night
23:11yes just i saw him last night
23:12he had a little bit of distance
23:14but
23:15we are reconnecting
23:17ah ah ah ah ah
23:18merveilleux
23:19can you tell me to connect with me also
23:21to explain why his clientele is taking care of me
23:24pardon
23:25he is in charge of payment
23:27his license of alcohol
23:28his fournisseur
23:29even some of his employees
23:31but no but wait
23:32i don't understand maman
23:33he told me that the business works super well
23:34ah bon
23:35he told you also that he had to pay 2 millions
23:36in the pot in the house
23:37what i'm using
23:39mon avocat vient de me
23:40maman t'es sûretes
23:41de ce que tu dises
23:42évidemment que je suis sûre
23:43il n'a plus d'argent
23:44alors c'est à moi qu'il t'en prenne
23:47tu aurais
23:47jamais dû me compromettre avec ce type
23:49et toi non plus
24:20Thank you all so much.
24:31It's perfect.
24:32It's exactly how I pictured Maxime's during the Belle Époque.
24:35Merci.
24:36It's been our pleasure.
24:38Now, if you'll excuse me, I have a date with the green fairy.
24:41She's in love with me.
24:43Are we sure this doesn't make you hallucinate?
24:51Mm-hmm.
24:54Is everything okay?
24:57I thought you'd have the time of your life here.
24:59No, c'est magnifique, but being here amid all this beauty, I wish I hadn't given up on my art.
25:08Luke, I think you're romanticizing the past.
25:11Do you remember how hard it was?
25:13And look at you, okay?
25:14You have a great life.
25:16You have great friends and a great job.
25:19And, well, you live on a boat.
25:24Yes, it's true.
25:26But I wasn't talented enough anyway.
25:30Just another dream of dying.
25:34Luke, there is something you have to see.
25:36Oh, my God, is that...
25:50It's me.
25:53All of these years have been hanging in Maxime's.
25:56Maybe a little too well hung.
25:59Artistic license.
26:00I can't believe it.
26:01I did make it as an artist.
26:04Emily, can you take a photo of me with my masterpiece, please?
26:06Oh, of course, yeah.
26:08Okay, let's see.
26:10Uh, oh, you know what?
26:11Here, you want to just hold this?
26:13Okay.
26:14Um, just a little higher.
26:16Tilt it to the left.
26:17Yeah, up, up, up.
26:19Perfect.
26:24Hello.
26:25May I join you?
26:27Uh, sure.
26:28But no dancing tonight.
26:30Deal.
26:31I can't do the tank in any way.
26:36You all right?
26:39It's so stupid.
26:41Try me.
26:43Well, I guess I have to tell somebody.
26:46I booked the role of Satine in Moulin Rouge.
26:48It's an animated movie musical.
26:51Well, congratulations.
26:52That's great.
26:53Isn't it?
26:55It is.
26:56I mean, I could use the cash, because I was really excited to tell Nico that I could cover the
27:00rent for a while.
27:01But?
27:02But they just sent me the script and some sketches, and the full title is Mulan Rat.
27:09I'm a rat.
27:11Hold on, hold on, hold on.
27:12That can't be the right translation.
27:14I mean, what's French for rat?
27:16It's fucking rat.
27:17What?
27:17I'm rat-teen.
27:20Who's rat-teen?
27:21A cartoon rat prostitute.
27:23No, see, this is why I didn't want to tell Nico.
27:25This is so humiliating.
27:27Who cares?
27:28Cash that check.
27:29That rat sex worker would.
27:32Honestly, yeah.
27:34Yeah.
27:35That's what?
27:36Oh, you're right, mate.
27:37What's so funny?
27:41I booked a job.
27:44I'm rat-teen.
27:45That's great.
27:46Wait, who?
27:49A rat prostitute in a top hat.
27:50Stop.
27:52No, no, no.
27:53It's Moulin Rouge with rats.
27:57Ah, I get it.
27:59Funny.
27:59No, no, no, it's not that funny, but the salary's great, and rent is on me.
28:05That's amazing.
28:07Yeah.
28:11Mmm.
28:13I'm gonna go grab another drink.
28:15Congrats.
28:18Congrats.
28:28Emily.
28:30Did Laurent check-in?
28:32I didn't see him yet, but I was only at the check-in for the first hour, so...
28:35Oh, I think he just walked in.
28:37Hmm.
28:40Laurent.
28:40My sister.
28:46You lied to me.
28:51I know about the loan.
28:53I can explain.
28:54I need to pay off some debts in Saint-Tropez.
28:56I don't care why you did it.
28:58You took advantage of my mother.
29:01I'm so done with you.
29:03Sylvie, please.
29:03I want a divorce.
29:12No, it must be ready.
29:13It must be ready.
29:14I don't want to hear the reasons.
29:15Okay?
29:15Clear?
29:16Come on.
29:16Bye.
29:16Bye.
29:17Bye.
29:17Hey, what's going on?
29:18Oh, Emily.
29:19Emily, I'm sorry about earlier.
29:20You've been so supportive during this.
29:22It's been so difficult, and I need to tell you something.
29:27I love you.
29:28You're cancelling the line.
29:29What?
29:31No, say your thing again.
29:33I love you, Emily.
29:35I love that you believe in my crazy dream even when I don't.
29:38I love that you won't let me give up.
29:40I love you, too.
29:43And like I told you before, none of this business stuff matters to me.
29:47I hope that's not true.
29:50Come.
29:55What is all of this?
29:57I took your advice about thinking differently, and I'm doing the opposite.
30:01The paleo is bright and loud.
30:03That's what the collection should be.
30:04Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:09But who were you on the phone to before?
30:12I thought you were so upset.
30:13Oh, that was my textile supplier, and I wasn't angry.
30:17I was excited.
30:20If we are going to make it to Venice, we don't have much time.
30:25We're going to Venice?
30:26No.
30:27No!
30:30We're going to Venice!
30:31No!
30:39We're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice
31:09Oh
31:39Let's get it, let's get it, let's get it, let's get it.
32:09Let's get it.
32:39Let's get it.
33:09Let's get it.
33:39Let's get it.
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