- 3 hours ago
Emily in Paris - Season 5 Episode 3 - ENGSUB
Category
🎥
Short filmTranscript
00:00I want to stay in bed all day.
00:20Whatever you said, I liked it.
00:25It translates to the one who sleeps catches no fish.
00:32Well, I hate to see you go, but I like to watch you leave.
00:43That translates to I like your butt.
00:49Oh, my God.
00:51Mindy's on the couch.
00:54Yeah.
01:01You don't have to go, man.
01:03No, it's all good.
01:04Bilondo offered to put me up in a nice hotel, so why not?
01:08To spend time with your best friend.
01:10A best friend who I don't want to keep cock-locking.
01:13Marcello was basically chewing me away with his dick this morning.
01:16It does have a mind of its own.
01:18Okay.
01:19So what hotel are they putting you in?
01:21The Orient Express La Minerva.
01:23Oh, nice.
01:24Oh, I think Alfie's staying there.
01:26You should text him.
01:27No, no, no.
01:28I've got so much choreo to learn for the show, and it's tomorrow.
01:31Emily, I can't believe I agreed to do this.
01:33Sorry again, Mindy.
01:35No big D.
01:36No big D.
01:39As in deal.
01:40No big deal.
01:41Your D was perfect.
01:45You know what?
01:46I'm going to go.
01:47You know what?
01:48I'm going to go.
01:49You know what?
01:50I'm going to go.
01:51You know what?
01:52I'm going to go.
01:53I'm going to go.
01:54I'm going to go.
01:55I'm going to go.
01:56I'm going to go.
01:57I'm going to go.
01:58I'm going to go.
01:59I'm going to go.
02:00Do you have enough of this summer?
02:01Oh, yes.
02:02Thank you, sister.
02:03It's okay.
02:04Hi Celestino, how are you sleeping?
02:08Hi Viviana, how are you?
02:10Good day.
02:12Do you have enough of this son?
02:14Oh yes, thank you Sisteretta, everything is fine.
02:22Hi, buongiorno, do you mind if we sit?
02:27Oh yeah, no, not at all, please, please.
02:29I told you you speak English.
02:31Hi, I'm David, this is my wife Katie.
02:33Nice to meet you, I'm Luke.
02:35Americans?
02:36Ohioans, our first time to Europe.
02:38Can you believe how cheap this place is?
02:41Aside from the 11 o'clock curfew and the shared bathrooms,
02:44it's as good as any hotel.
02:46Exactly, that's why I'm here.
02:49And Sister Christina's frittata is...
02:53I heard the eggs are blessed.
02:55Eggs Benedictine, huh?
02:58The commercial starts on a beautiful woman sitting alone in a movie theater.
03:07When the lights go down, she's joined by a man.
03:10He puts his hand on her knee and it's clear they know each other.
03:13The movie playing on the screen will be a series of quick cuts.
03:17First of a little boy and a little girl chasing each other through Solitano.
03:22Then it's the little girl and the little boy as teenagers flirting, stealing glances.
03:28And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:34On the screen, we see the teenagers walking through the village, unable to keep their hands off each other.
03:41Eventually, they're sharing their first kiss.
03:43We cut back to the theater and it's just a beautiful woman watching the film alone, smiling at the memories.
03:50Or was it just a fantasy?
03:55It's so good.
03:56Feels classically Italian.
03:58Almost like Cinema Paradiso.
03:59That's true.
04:00Cinema Paradiso is one of my favorite films.
04:03Umberto's, too.
04:05He loved movies.
04:07That's why we had the theater built.
04:08Well, then maybe we could call the fragrance Muratori Paradiso.
04:12Muratori Paradiso.
04:15I like that.
04:17I like it, too.
04:18But if the goal is for the brand to appeal to a global audience, then maybe the commercial should be more cosmopolitan.
04:25Maybe we shoot it in Rome or Milan or even New York.
04:28No.
04:29It doesn't feel right at all.
04:32Well, we...
04:34We do want to make sure that the commercial is something that people from all over can connect with.
04:39That's why you hired me.
04:41Don't worry, it's gonna be beautiful.
04:44I know how smitten you are, but Antonia's the one we have to please, not Marcello.
04:49I'm trying to please both.
04:51Well, just the one we'll do.
04:53Don't be our liability, Emily.
04:56It's been here for a while.
04:59Knowing soon it will be time to go.
05:03Again?
05:04Di nuovo.
05:05Okay.
05:06You know what?
05:07Let's call it.
05:08Proviamo dall'inizio.
05:09Okay.
05:10Mm-hmm.
05:11Mm-hmm.
05:12Giro.
05:13Fuori.
05:14La mano.
05:15La mano.
05:16Tre.
05:17Due.
05:18Uno.
05:19Oh!
05:20Oh!
05:21Sorry, I'm so sorry.
05:22Oh, Cristo!
05:23I know my knees are really sharp.
05:24Gianna, ti prego, vieni qua!
05:25No.
05:26Sto cercando di ballare con un frigorifero.
05:27È una principiante.
05:28Okay.
05:29Hi, Mindy!
05:30Ciao!
05:31Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:33In alto?
05:34Sì, una liva del primo anno potrebbe farla.
05:35Una cantante su TikTok.
05:36Me ne rendo conto.
05:37Me ne rendo conto.
05:38Guarda.
05:39Facile.
05:40Cool, facile!
05:41I know what that means.
05:42Dai, vieni qua!
05:43Sto cercando di ballare con un frigorifero!
05:44È una principiante!
05:46Hi, Mindy!
05:47Ciao!
05:48Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:50In alto?
05:51Sì, una liva del primo anno potrebbe farla.
05:52Una cantante su TikTok.
05:53Me ne rendo conto.
05:54Guarda.
06:04Facile.
06:05Cool, facile!
06:06Do you know what that means?
06:07Dai!
06:08Di nuovo!
06:09Dai!
06:10Ti aiuto!
06:11Oh, I don't speak Italian.
06:12Oh, I guess I can sense...
06:14Cinque, sei, sette, otto!
06:17Arm!
06:19Wow!
06:20That's low!
06:21Jeez!
06:22This and this.
06:24Maybe, maybe we can think of another end of the dance.
06:28Yeah, maybe, maybe we do like a deep bow.
06:31Di nuovo!
06:33Di nuovo!
06:34Di nuovo!
06:35Di nuovo!
06:38Okay.
06:39Di nuovo!
06:40Di nuovo!
06:42Di nuovo!
06:43Di nuovo!
06:44Di nuovo!
06:45Di nuovo!
06:46Di nuovo!
06:47Di nuovo!
06:48Di nuovo!
06:49Di nuovo!
06:50Di nuovo!
06:51Di nuovo!
06:52Di nuovo!
06:53Di nuovo!
06:54Di nuovo!
06:55Di nuovo!
06:56Di nuovo!
06:57Di nuovo!
06:58Di nuovo!
06:59Di nuovo!
07:00Di nuovo!
07:01Di nuovo!
07:02Di nuovo!
07:03Di nuovo!
07:04Di nuovo!
07:05Di nuovo!
07:06Di nuovo!
07:07Di nuovo!
07:08Di nuovo!
07:09Di nuovo!
07:10Di nuovo!
07:11Di nuovo!
07:12Di nuovo!
07:13Di nuovo!
07:14Di nuovo!
07:15Di nuovo!
07:16Di nuovo!
07:17Di nuovo!
07:18Di nuovo!
07:19Di nuovo!
07:20Di nuovo!
07:21Di nuovo!
07:22Di nuovo!
07:23Di nuovo!
07:24Di nuovo!
07:25Di nuovo!
07:26Di nuovo!
07:27Di nuovo!
07:28Di nuovo!
07:29Di nuovo!
07:30Di nuovo!
07:31Di nuovo!
07:32Di nuovo!
07:33Di nuovo!
07:34Di nuovo!
07:35Di nuovo!
07:36Have you ever tried any?
07:37Surprisingly, no.
07:38Panties on me is like putting a muzzle on a polar bear.
07:41But I think I should be considered for decant.
07:44I already have some ideas.
07:47Something dark and sexy.
07:49Do you remember the film The Light Polar with Charlotte Rampling?
07:53Huh?
07:54Uh-uh.
07:55It's about a former SS officer and she was his prisoner.
07:58We could explore themes of fascism and submission.
08:03That would be a hot take for lingerie.
08:05I'm feeling it.
08:07Really?
08:08I think Emily is the right person for the account.
08:11You got a chance to redeem yourself after the Fendi fiasco.
08:14Boy, as my Jewish grandmother would say.
08:16Go home, think about it.
08:18Maybe try some things on.
08:20Send us some pictures.
08:22No.
08:23I want to prove the French can sell sex better than the Italians.
08:27But I'm American.
08:29Oh, that's your problem.
08:30Don't make it ours.
08:35Thanks for helping me.
08:36It's better than another night watching Anton chew his wine.
08:38You're really good.
08:39I was forced to take ballroom lessons as a kid.
08:40Oh.
08:41My mum said they'd pay off one day.
08:42I can't actually believe she was right.
08:43You ready for the leap?
08:44Maybe.
08:45No, I can't do this.
08:46You can do this.
08:47I don't think I can.
08:48I really don't.
08:49No, just stop thinking about it.
08:50Turn off your brain.
08:51And jump.
08:52Oh.
08:53Oh.
08:54Oh.
08:55Oh.
08:56Oh.
08:57Oh.
08:58Oh.
08:59Oh.
09:00Oh.
09:01Oh.
09:02Oh.
09:03Oh.
09:04Oh.
09:05Oh.
09:06Oh.
09:07Oh.
09:08Oh.
09:09Oh.
09:10Oh.
09:11Oh.
09:12Oh.
09:13Oh.
09:14Oh.
09:15Oh.
09:16Oh.
09:17Okay.
09:21Let's take it from the head flicky thingy.
09:24Oh, you're gonna start with a sassy bit.
09:27Oh, stop going, man.
09:47Ready?
09:49Yeah.
09:56Oh my god!
09:58I told you!
09:59I did it!
10:04Finally.
10:06Finally.
10:17We can't.
10:36Get it on so he can get it off.
10:41Or how about just get it on.
10:43Intimacy me.
10:45Get it on.
10:46Are you working right now?
10:48Well, I could go sit alone in an office
10:50and try coming up with a lingerie campaign,
10:52but I thought this would be more fun.
10:54How about Intimissimi?
10:56Better on the floor?
10:58Hmm, not bad.
10:59Eh?
11:00What about...
11:02Make four-play last.
11:05Make it five-play.
11:07Hmm. Non bene.
11:09Yeah.
11:10Yeah, non bene.
11:11See? Good ideas and good taste.
11:14No wonder you're a titan of industry in the making.
11:16Yeah.
11:17Tell that to my mother.
11:18She has no faith in me.
11:20Otherwise, I'd be running Muratori by now.
11:22Yeah, well, she's probably just having trouble letting go of the reins.
11:26Yeah, because she still thinks of me as the wild, responsible kid who was always in trouble with the nuns.
11:32Yeah, but you know, parents sometimes project their own fears onto their kids.
11:36Seems like it's just me.
11:38I'm sorry. I know how that feels.
11:45Your parents are like that too?
11:48Not exactly. I was thinking more Sylvie.
11:51I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith in my ability to actually run it.
11:56Sylvie and my mother definitely have one thing in common.
12:00I don't want to think about either of them right now.
12:05Me neither.
12:07Is it time to take the lingerie off yet?
12:12I still have to figure out this campaign.
12:14Fine. If it's better for work, you can leave the lingerie off.
12:18It might be even sexier.
12:21That's not a bad idea.
12:27Mm-hmm.
12:28Sexier than naked.
12:33Sexier than naked.
12:35Yes.
12:36We see a couple kissing passionately.
12:39She goes to take off her lingerie, but he stops her.
12:42Leave it on, he says.
12:45Is he gay?
12:46What? No.
12:48No, the lingerie is just so beautiful, it takes center stage.
12:52You want to see it.
12:53We want this lingerie to make people connect.
12:55This is to a surface.
12:57And a little confusing.
12:59Well, how about I take all these notes and rethink?
13:03I could have you something by...
13:05We can meet tomorrow at the same time.
13:08We are on a deadline to make our decision.
13:11Great. Well, let's make that happen.
13:13I'm not going to be able to meet tomorrow.
13:15Oh.
13:16We'll miss you.
13:18I'm losing my touch.
13:28You know, I...
13:29I don't think my ideas are translating in Rome.
13:31I mean, I thought Italians liked sex.
13:33Actually, they are very repressed.
13:35Oh, well, that hasn't been my experience so far.
13:37What's going on in here?
13:40Nothing.
13:41Just Emily intimacy issues.
13:43Oh, we are finally talking about it.
13:47From the moment you walked into the office in Paris, I noticed you had a wallop.
13:52No, Luke.
13:53No, who could blame you?
13:55I mean, a young woman in a foreign land, in a foreign office.
13:59But as time went on, I saw it was more than that.
14:02The very curated online presence.
14:04The bold outfits stealing focus from what's underneath.
14:07Maybe you've been hurt in the past.
14:09Luke, I don't have a problem with intimacy, okay?
14:11I have a problem with intimacy with the brand.
14:13Oh, I'm misunderstood.
14:18Yeah.
14:19Or maybe not.
14:28I still have my night partner idea.
14:30Great.
14:43One more, just like that.
14:45No, the boy's attitude.
14:47He seems to feed it.
14:48He should act like they're playing a game.
14:51Keep rolling or cut?
14:53Uh, cut.
14:54Cut!
14:55The little boy is sad at first, and then he realized it's a game.
14:59I think we should keep it light from the beginning.
15:07I can do a take where it starts to play for.
15:10Sure.
15:14Okay, let's do it again.
15:16Okay, back to one.
15:22Grazie.
15:29Ah.
15:30Italian women, you're always late.
15:34Yes.
15:35But we're always supposed to wait.
15:37Sorry, my sweet.
15:38Is that for me?
15:39Yes.
15:40It's gorgeous.
15:41Should we go see how it fits?
15:42It's your place.
15:43I have to be back at the office.
15:44But I can come over tonight after balando, balando, balando.
15:46Can I go to my place?
15:47My father's staying with me now.
15:48And his breathing machine is very loud.
15:49But I can come to your hotel.
15:50Okay.
15:51But you have to be there before 11.
15:52Don't be late.
15:53I will.
15:54I will.
15:55I don't know.
15:56You have to be there before 11.
15:57I don't want to swim on that.
15:58Yes.
16:16You're welcome.
16:18Ted's foot is like a walker.
16:20What tips do during Jirene?
16:21According to Jirene God usted,
16:23are you enjoying this or are you anxious for it to be over i just wonder what umberto
16:32would think this would all be a little hollywood to him you always agree with what umberto
16:38almost never but it was nice to have someone to push back against the success or failure
16:46of the company is all in my hands now it's a lot of responsibility and a little lonely
16:51i know that feeling
16:54what if we ended the commercial on the idea of the couple together rather than the woman alone
17:04oh i like that brava excuse me
17:13it's totally different from what i planned
17:19yeah but i think it works better i spoke to antonio she actually refers this version
17:25so then i guess i don't have a choice oh still your vision it's not if the ending's different
17:31i didn't realize you were so precious about this i didn't realize we were directing by committee
17:35jancarlo we're here to please the client and that's what the client wants i think it's what
17:40you want and you always do what you want isn't that right jancarlo basta you're behaving like one
17:46of the children on set do you want me to ask one of them to direct instead i have better idea
17:51tomaso she's directing this now
17:57jancarlo doesn't feel great to be left does it
18:03oh my god she looks like she's already won oh i know
18:29and this is the girl who had debilitating stage fright she used to have to get one before
18:34performing just to calm down get one you know orgasm is that what you said
18:42maybe
18:43what is it i'm just gonna meet you in the seats
18:53okay when i get nervous i sweat and then things scoot around
18:59so i just need you to spray my butt with glue
19:02honestly i'm relieved that's all you're asking oh thank you i just i'm gonna make a fool out of
19:08myself emily you're gonna be great i don't think so there's a big leap at the end and i've only
19:13gotten it right one time okay well do you remember what you did that one time
19:16yes yes i do well then just do that oh right yeah yeah okay yeah yes i that's good just breathe
19:24okay maybe don't breathe really get in there luke said i have intimacy issues if only he could see me
19:36now well you definitely don't have intimacy issues with me what you think i have intimacy issues with
19:41other people well i just think you need to be pushed slightly to open up like if someone were to
19:45share something personal with you then i think you'd share something personal about yourself
19:49yeah exactly but i didn't do that marcella opened up to me about his mom but then i sort of pivoted
19:56to work oh that's fine you really think that's fine no i don't but can we talk about this another
20:03time please i have to leap over a man's head engage my core point my toes and then try not to
20:07pee when his thumbs jab into my bladder so it's hard for me to think about anything else right now
20:11copy
20:12don't worry i practiced all night i've got it
20:35a ballare il tango con il suo partner orlando ehi e la tentatrice l'inni c'è
20:42ã‚’
20:51ber 가족
20:51先生
20:52me
20:52me
20:53me
20:54me
20:55me
22:19Oh, good.
22:21Oh, good.
22:23Oh, good.
22:25Oh, good.
22:27Oh, good.
22:29Oh, good.
22:31Oh, good.
22:33Oh, good.
22:35Oh, good.
22:37I hate to dash off, but Bianca is coming over and I have a curfew.
22:41So, ciao, ragazzi.
22:43It doesn't mean a curfew.
22:45No, sometimes it's better not to know.
22:47Um, I'm going to go to give her a hug for me.
22:51Hey.
22:52How are you doing?
22:53I don't want to talk about it.
22:55I don't want to think about it.
22:57I don't want to think about it.
22:58I'm fine.
22:59Orlando may have slipped his spell.
23:01Well, it was all his fault, right?
23:03Look, it didn't even look like he was trying to catch her.
23:05I don't want to talk about it.
23:07I don't want to talk about it.
23:08I don't want to think about it.
23:09I'm fine.
23:10Orlando may have slipped his spell.
23:12Well, it was all his fault, right?
23:26It didn't even look like he was trying to catch her.
23:27Yeah, he wasn't.
23:29I love how a translator suddenly appears after there's an incident,
23:33but not a second before!
23:35What if we walk around the city and forget about the day,
23:37and forget about the day, create some new memories.
23:40Oh, I'm exhausted.
23:42I think I just got to go back to the hotel.
23:44We could share a cab.
23:48Marjorie?
23:49Great. Nice.
23:51Okay.
23:52See you later, mate.
23:52Bye.
23:54Thanks for coming.
24:00So, how did the pitch 20 minutes ago?
24:03Not my finest moment, but I have some more ideas.
24:08Do you want to tell them to me?
24:11Actually, I'd rather not talk about work, if that's okay.
24:15Va benissimo.
24:33Sister, please.
24:51Can you wait just a few minutes, please?
24:53The Lord shows no partiality, Luke.
24:56But could you?
24:58Just this once.
24:59Come on.
25:10C'è qualcuno?
25:18It's past curfew, my dear.
25:20Curfew?
25:21I cannot let you in.
25:23God bless.
25:23Bianca!
25:34Bianca!
25:35Up here!
25:36Are you staying in a convent?
25:38Yes.
25:39It's a really good rate.
25:40Very central.
25:41Okay.
25:42Yeah, I am so sorry.
25:44The curfew is very inconvenient.
25:46And I so badly want to lay eyes on you.
25:49But I also want to respect the sisters.
25:52You know what I mean?
25:53Well, you're such a sweet mind.
25:56I don't want to leave without showing you your surprise.
26:05Oh, que bella!
26:08Mamma mia, ma...
26:09Sister, please!
26:12Oh, please!
26:13Jesus loved prostitutes.
26:17But the curfew is a curfew.
26:18David, get out here quick!
26:22There's a hooker trying to get in.
26:25This makes up for no TV.
26:27This is Mercati di Traiano.
26:38Built between the years 100 and about 120-ish.
26:42It's world's first shopping mall.
26:45Are you serious?
26:46Mm-hmm.
26:47Ha!
26:48Oh!
26:49Oh!
26:50Okay!
26:51Oh, my God!
26:51I totally see it!
26:53Versace.
26:54Armani.
26:55Muratori.
26:56Ah!
26:58Dancing fountain over there.
27:00Ooh, food court over there.
27:02It's beautiful.
27:09Hey.
27:10Is there a problem?
27:16I've just...
27:16I've been thinking a lot about what you said about your mom.
27:20My family's not so different.
27:23They always made me feel like, um...
27:27I had to succeed in life to matter.
27:30Good grades, good job.
27:33Yeah, and they're good people, you know?
27:36Don't get me wrong.
27:36It's just existing was never going to be enough.
27:38Achieving is what life is about.
27:44So I...
27:45I try really hard.
27:49And I push to make everything work.
27:51And I want to be perfect, you know?
27:54And then I come to a place like this, and it is just...
27:56It's so beautiful.
27:58It takes my breath away.
28:01And it's...
28:03You know, it's because of all the imperfections.
28:05The cracks, and the crumbling columns, and I...
28:11It just...
28:12It makes me think that maybe I don't have to push,
28:17or fix, or try so hard.
28:20Maybe I can just let things be, and it will all be fine.
28:24Maybe even better than fine.
28:26I don't know.
28:27Let's...
28:30I don't know.
28:38I don't know.
28:42I don't know.
28:43I don't know.
29:13Oh, I'm going to make us some espresso.
29:24Wait, so now you're wearing underwear?
29:36Hi, Rumi.
29:37I miss you.
29:38I miss you.
29:40I didn't like leaving you alone last night without a shoulder to cry on.
29:43I feel like a horrible best friend.
29:45No, I didn't cry much.
29:47It's okay.
29:48How about I'll FaceTime you when I'm getting ready?
29:50Okay.
29:51Ciao for now.
29:53Ciao.
29:55There's Amity.
29:57This campaign is about one of the most intimate things you can do with your partner.
30:14Talk.
30:14Guess what?
30:28We got another client.
30:30No more intimacy problems.
30:32Ah, fantastic.
30:35Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
30:41What charity is that?
30:43Saint Luke's house of fetishes?
30:45No, for the nuns in the convent I'm staying in.
30:48They're big fans.
30:48Where are you staying?
31:08What?
31:09Good news.
31:11Intimisium U wants to work with us.
31:16Is everything okay?
31:16Giancarlo walked off set and refused to come back.
31:24And I had to finish directing the entire shoot.
31:28What happened?
31:33It's a mess, Amity.
31:34It's a mess.
31:35After all the work we've done, I might have ruined this entire campaign.
31:39It's a mess.
31:57It's a mess.
31:59It's a mess.
32:00It's a mess.
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