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Away from opening-weekend tallies and streaming charts, a different story of 2025 cinema took shape. Across languages and regions, filmmakers returned to people, pressure, and consequence. Lokah Chapter 1: Chandra reimagined myth through a regional lens. Nishaanchi 1 and Nishaanchi 2 followed a family shaped by ambition and survival. The Girlfriend traced power within everyday relationships. Bison Kaalamaadan examined endurance within systems. Bad Girl turned its attention to youth and choice. These are Outlook’s Picks for Indian cinema in 2025.

Script/VO: Sakshi Salil Chavan
Editor: Madiha Shakeel

#Cinema #Films #Cinema2025 #IndianCinema

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Transcript
00:00From intimate character studies to stories that confront society head-on,
00:05this year witnessed films like Dharak 2, Cactus Pears, Homebound and Jhugnuma to name a few.
00:11However, the best films are only the ones with more heart than merely box office numbers.
00:17Welcome to Outlook's Picks, where we unveil the year's 5 best Indian films.
00:22First up is Loka Chapter 1 Chandra by Dominic Arun.
00:30A defining moment for Indian regional cinema, nobody anticipated Loka to become the beloved hit that it did.
00:37Kalyani Priyadarshan's powerful performance as the mystical Chandra dominated screens with ferocity and heart.
00:44Critics applauded the film's technical ambition, calling it a league apart in franchise debuts.
00:50An audience has celebrated Chandra as a rare, powerful female lead in Indian superhero storytelling.
00:57Then we have
00:57Anurag Kashyap's Nishanchi Part 1 and 2
01:04With Nishanchi, Kashyap reaches back towards the chaotic energy of a small-town Bollywood masala.
01:11At its center are identical twins Bablu and Dablu, both played by Aishwarya Thakre,
01:16and Rinku, played by Vedika Pinto.
01:18Caught in the cycles of love, betrayal, and political machinery,
01:23Monica Panwa delivers a career-defining performance as Manjari the matriarch.
01:29The first film charts the collapse of a family,
01:31and the sequel studies the aftermath and survival.
01:35It is uneven at times, but its ambition and emotional reach remain undeniable.
01:40Then comes The Girlfriend by Rahul Ravindran.
01:53Rashmika Mandana plays Bhuma Devi, a young woman navigating college life, desire, and power in
02:00Hyderabad, when Vikram slowly tightens his grip on her life.
02:04Rahul Ravindran's film truly understands how women's identities are eroded way before they are even formed.
02:12Mandana delivers what many are calling her career-best performance.
02:16And for right reasons, she's emotionally fluent here,
02:20and supported by a script that finally gives her room to reclaim her acting prowess.
02:25Next up is Bison by Mari Selvaraj.
02:36In his characteristic style, Selvaraj uses sports as a lens to examine caste, power, and dignity.
02:43Bison draws from the life of Manathi Ganeshan, but it never limits itself to a biography.
02:49Dhruv Vikram delivers one of his strongest performances to date.
02:52And this is a film that really mourns the effort wasted under an unequal order.
02:58And it does so with devastating clarity.
03:01As far back as I can remember, I've always wanted a boyfriend.
03:07Last but not the least is Bad Girl by Varsha Bharat.
03:11Bad Girl is one of the most honest coming-of-age films this year.
03:15It understands that growing up is rarely neat or polite.
03:18Anjali Shivaraman's Ramya is unbelievably radiant, reckless, and deeply vulnerable.
03:26And that is quite the film's unique strength.
03:29Audiences and critics rightly praised Shivaraman's performance among the year's finest.
03:34It's a film that truly trusts messiness and earns its tenderness wholeheartedly.
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