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00:00Rob and I are back.
00:06It looks a bit like you're my guide.
00:10Throwing ourselves into the biggest challenges.
00:12Check, check, check.
00:14With the help of the world's best.
00:17He's the only office.
00:20Together we're going on a journey of discovery.
00:22No, no, no.
00:25To find out what we like.
00:27Oh wow, Rob, that's amazing.
00:29And what we don't.
00:30Because your film's like it's all going to come out.
00:33This week, we're going Elizabethan and taking on Shakespeare.
00:37There's a lot to take in.
00:38As we prepare to perform Romeo and Juliet.
00:41A plague of both your houses.
00:43With the help of some of our finest actors.
00:45Before putting it all on the line at the world famous Globe Theatre in London.
00:50Come sir, your passado.
00:59So, Rob.
01:04Yes.
01:05We have been invited to perform Shakespeare at the Globe Theatre.
01:11It's highly prestigious, according to my wife, the drama teacher.
01:13About time and all.
01:14That's what I said.
01:15Does the telegram man be running late, one thinks?
01:21For I have been waiting for this moment upon a time.
01:25It's the kind of thing, isn't it?
01:26The irony of two jesters driving through South London, setting up an episode of a Sky presentation.
01:34And the question the public asks themselves.
01:37Are the two jesters possible to once again scratch the gooch of mirth as they descend into one other episode of the famous Rob and Romesh versus Shakespeare?
01:50Piece of piss, Shakespeare, isn't it?
01:51Oh my God.
01:52I've only just done about 12 sonnets, eh?
01:57I don't know any Shakespeare.
01:58I've heard of Macbeth, Hamlet, Midsummer's Night's Dream.
02:03Yeah.
02:03Othello.
02:04Let's see Hamlet.
02:06I'm going to read out some.
02:07You tell me if you've heard of them, okay?
02:09Romeo and Juliet.
02:10Yeah.
02:11King Lear.
02:12No.
02:12The Tempest.
02:13No.
02:14Julius Caesar.
02:15That's a bloke, isn't it?
02:16Yeah, but it's based on his life.
02:17No, I haven't seen Gladiator, but that's separate.
02:20That is a different story, yeah.
02:21Taming of the Shrew.
02:23No, what's that?
02:24What's a shrew?
02:25A little mouse thing, isn't it?
02:26Yeah.
02:26As you like it.
02:27What the fuck's that about?
02:28It's like, um, it's sort of like the original...
02:30Springwatch special.
02:31It's the original version of Ratatouille.
02:33Right.
02:34Are you a fan of Shakespeare?
02:38No.
02:39Okay.
02:40Okay, this is what I think of Shakespeare, and I'm going to get a little bit annihilated
02:43for this.
02:44Go on.
02:45I think it's overrated.
02:46Yep.
02:46And we're constantly being told it's brilliant, without any real evidence of that.
02:51What is brilliant about it?
02:52Nobody can answer that question.
02:53Yeah, but...
02:54Why do we all have to study Shakespeare?
02:56Like, what is this?
02:58Are you all right?
02:58No, I just think it's a bit...
03:00It's just a bit annoying.
03:01Really?
03:01I've never known you to be so passionate about something.
03:03I just think it just is too much.
03:07My problem with it is, I struggled to learn to read at school, and then once I got an
03:11handle on it, they gave me Shakespeare, it was all written wrong.
03:14Right.
03:15I just think we need someone that knows what's going on and can explain why it's good.
03:20Yeah.
03:20Because you get good actors that do it, and they're normal people, and they must like
03:23it.
03:23Yeah.
03:24Okay.
03:25Deal?
03:25Deal.
03:26So, to start our Shakespearean journey, we were heading to the Globe, the legendary
03:34open-air theatre in the heart of London, dedicated to the works of William Shakespeare.
03:39It's a modern-day recreation of the very place where Shakespeare staged his plays, and offers
03:44a proper old-school Elizabethan experience.
03:48There you go.
03:49Oh, wow.
03:52No, isn't it?
03:53It's amazing, isn't it?
03:54Treading the boards.
03:55Yeah, very good.
03:57The theatre's first artistic director was the Oscar-winning actor, Sir Mark Rylance,
04:02and now it's in the hands of Olivier Award-winning Michelle Terry, who today would be deciding
04:07which scene Rom and I would be performing.
04:09How much is it delivered out here?
04:11Oh, give it some on the edge.
04:13He loves it, can't he?
04:15How dare you?
04:18What do you think?
04:19That was excellent.
04:20Oh, hello.
04:20It's really good.
04:22You're basically ready.
04:23Michelle, Rob, lovely to meet you.
04:24Nice to meet you.
04:25Hello, Rob.
04:25How's it going?
04:26You all right?
04:26Very good.
04:27How are you?
04:27It's amazing.
04:28I've never been here before.
04:29Welcome.
04:30So, you're going to perform here.
04:32You're going to do a scene from one of the plays.
04:35Yeah.
04:35You're going to be coming on after a full house performance, so 1,600 people will have just
04:41watched the play, and then you're the encore.
04:44But normally the encore is they cheer for the people they've just seen to see more of it.
04:48Well, they'll do that.
04:49Yeah.
04:49Oh, they'll do that, and then there'll be an extra.
04:51Yeah, a bonus.
04:52No, but what you don't do is reward that enthusiasm by bringing on something shit.
04:57So, you're going to go and do some workshops on Shakespeare.
05:01Okay.
05:01One on using your voice in this space without amplification, and one on combat, stage combat,
05:07a bit of fighting.
05:08And you're also going to go get into a bit of costume, Elizabethan costume, because
05:11on the night, that's what you'll be wearing, so you need to get used to it.
05:14Okay.
05:15Okay.
05:15Brilliant.
05:15Thanks, Michelle.
05:16Have fun.
05:16See you later.
05:16Cheers.
05:17We'll do.
05:20Today's workshops are all about helping Michelle decide which scene would be right for us.
05:24They were taking place on the Globe's sister stage, the candle-lit Sam Wanamaker Playhouse,
05:30modelled on the intimate indoor theatres of Elizabethan London.
05:34And Rom and I were already looking right at home.
05:37What do you think?
05:45It's a lot to take in.
05:46Um, I feel like I'm in, like, a Shakespearean basic instinct.
05:50You know, things are riding up so high.
05:52Sorry.
05:53Why?
05:53Sorry.
05:54It's like, you don't, you forget how stuff fit right.
05:57Yeah, yeah, that's like, legs of Kimbo.
06:00Sorry.
06:01Just want to give me one.
06:03I don't know how to sit.
06:04Yeah.
06:04Look, if you don't mind me saying, you are now at the most attractive I've ever known you.
06:09Right?
06:10Because I walked up here expecting to find it funny.
06:13And I did find it funny because you were like Shakespeare and Sharon Stone.
06:16But apart from that, you actually look, you suit sit.
06:20Well, the thing is to me, Rob, even if I do look more attractive, I'll always sit like a bit of a slag.
06:25Hmm.
06:25And that's me.
06:27You're your mother's son.
06:29You're...
06:29Hi, guys.
06:35Oh, hello.
06:36Hiya.
06:36Hello.
06:37Oh, Rob, nice to meet you.
06:38I'm Liz.
06:39I'm a Globe voice coach.
06:40Nice to meet you too.
06:41So, we're going to be starting with a vocal workshop.
06:45Oh, great.
06:45To get you on voice for the big Globe stage.
06:47Okay.
06:48Would you like to make your way?
06:49Yes, certainly.
06:49Just like in Shakespeare's time, any actor performing at the Globe has to rely solely on the power of their voice to reach the audience.
07:00If you take a big breath into these ribs and then rise up towards the ceiling and breathe out on a...
07:05Oh, fucking hell.
07:09So, Liz was putting us through a series of vocal exercises designed to help us project properly across the vast theatre space.
07:16So, we're powering from your belly.
07:20If you power from your belly, you can do eight shows a week, which equates to about 24 hours in a week.
07:25Okay.
07:26Give me a...
07:26More...
07:27Nice moment.
07:29More...
07:31Okay.
07:33Give me a...
07:33Open up your mouth a little bit more for that one.
07:38How about a...
07:38James Brown would be turning in his grave.
07:45Gorgeous.
07:46Fabulous.
07:47Ramos, do you want to give it a go?
07:48What am I doing?
07:49A ha.
07:49Ha.
07:50And a ho.
07:51Ha.
07:51And a he.
07:52Good girl.
07:55Goddamn.
07:56Straight back.
07:57Well done.
07:58Good stuff.
07:59Genuine, I'm not just saying this.
08:00I feel like I can speak better than I ever have been able to in my entire life.
08:04So, we're going to say the words, no, no, no.
08:08No, no, no.
08:10Beautiful support.
08:11Just doing an impression of Lou.
08:12I feel so verbally dexterous.
08:18Honestly, I feel like I could say anything.
08:20No, no, no.
08:22Fantastic vocal production.
08:24Lovely.
08:24Nice long neck.
08:25No.
08:25Very good.
08:26No.
08:26No.
08:27I want a day off.
08:27No.
08:28No.
08:29No to another series.
08:31No.
08:32He doesn't need to learn that word.
08:34No more, Judge Romesh.
08:36Get the gout out.
08:38No.
08:39It felt empowering.
08:40No.
08:42I feel like it's something I should say more in everyday life.
08:45Like, Romesh, do you think for the rehearsals and the vocal warm-ups you should be in costume?
08:49No.
08:49No.
08:50No.
08:52We were now loose-lipped and warmed up, and ready to get to grips with the language.
08:57Yea, all which it inherits shall dissolve.
09:00And I was starting to get into it.
09:02We're all spirits and are melted into air.
09:06Into thin air.
09:08It's quite yappy there, isn't it?
09:09It's quite shouty.
09:10Yeah.
09:11But it's a nice volume.
09:12I enjoyed the volume.
09:13Personally, I thought I nailed it.
09:14Yeah.
09:15We always do.
09:17But then, Michelle had arranged for us to crank things up a gear with some Elizabethan action.
09:21Oh, I don't like it.
09:30I don't like it.
09:31Oh, my God.
09:33Really don't want to do that sword fighting.
09:35Do you know what I mean?
09:35We could take an eye out, and we ain't got a lot to play with.
09:37There's three between us.
09:40Hello, both.
09:41Amazing.
09:41This is Sam.
09:42We're going to do some combat stuff today.
09:44Mainly, we're going to be focusing on rapier, because as you are beautifully dressed, it was the main weapon in Shakespearean.
09:51So, this was actually happening when Shakespeare was alive?
09:54Yeah.
09:55He's fucking well old.
09:56When was this?
09:57This is mental.
09:581600s.
09:591600s?
10:00When was that?
10:01Long time ago.
10:02When was that?
10:02You're asking when are time doing this?
10:04I get it.
10:05It was a 1600s.
10:05I get it.
10:06I can't get me edge.
10:08Should we let you two fight each other?
10:08Was there trains?
10:10Was there trains?
10:11Trains?
10:11Yeah.
10:12How old are they?
10:12I've just got to book a train to my rapier fight.
10:18Bendy the legs.
10:19One foot first.
10:20Before we were allowed to duel it out, Rom and I had to master the footwork.
10:25Do-dum, do-dum, do-dum.
10:27Beautiful.
10:27Yeah.
10:28And it didn't take long to see which one of us had the killer instinct.
10:31I'm back.
10:32Why are you going so quickly and far?
10:35Oh, do we have to fight slowly?
10:37Do-dum, do-dum, do-dum.
10:39Oh, I'd kill him immediately.
10:40Beautiful.
10:41And then backwards.
10:42Do-dum, do-dum, do-dum.
10:44Yeah, lovely.
10:44It's like a ferry, that.
10:46What do you mean?
10:47Beautiful and light.
10:47Slow.
10:48Rom is just quite a slow mover with the sword work.
10:51I think if it was a vehicle, there'd be a beep as he returns from the duel.
10:55Beep, beep, beep, beep, beep.
10:59And then...
10:59And not being fast on my feet was going to be a problem with my sparring partner.
11:04And, Rob, you go for the chest first.
11:06Oh, Jesus.
11:06And we're going to block.
11:08That's it.
11:08And then go down to the hips.
11:10And then...
11:10Okay, whoa.
11:11Wait for the fucking cue.
11:13Yeah, thanks.
11:14Why are you further on where Sam is?
11:17Jesus.
11:18I thought I was actually in a row then.
11:21Maisie was saying, can you follow me step by step?
11:24We'd finish the fight before she got into the second step because Rob just decided it's go time.
11:29Going backwards.
11:30Literally the same thing.
11:31I don't retreat, mate.
11:32I'm a forward fighter.
11:33You're going to retreat.
11:33I'll cut the ring off, get him in the cold, I'll fucking walk off.
11:37Luckily, I had the wherewithal to actually properly defend myself.
11:40Otherwise, you'd be fucking...
11:41I'd be talking to you with a rapier out of my chest.
11:45By some miracle, I'd made it through training without a scratch.
11:49And now it was finally time to find out what we'd be performing.
11:52Michelle had spoken to our coaches, and together, they'd picked a scene for us.
11:57We had a really good chat about the scene that you're going to do.
11:59Okay.
12:00What we've got is a scene from the most famous play in the canon,
12:03Romeo and Juliet.
12:04Mmm.
12:05So you're going to do a friendship scene.
12:07Oh.
12:09Not the one at the end where I kiss him when he's dead.
12:12No, not that one.
12:13Well, you could, if you wanted to put it in.
12:15But...
12:15Don't he kiss...
12:16He kisses her when she's dead.
12:18Yeah, but who describes that as a friendship scene?
12:22Why would that be called a friendship scene?
12:24I don't know.
12:25I'll give you a little kiss.
12:26If you were dead, I'd give you a little kiss.
12:27Fine, but you wouldn't describe it as a friendship scene.
12:28If you were dead now, I'd give you a little kiss on your forehead,
12:30and then ring my agent, and then the ambulance.
12:38Anyway.
12:38You're going to do the other friendship scene without the kissing.
12:41Right.
12:42There's quite a lot of fights in it.
12:43A fight?
12:43Oh, okay.
12:44We're fighting in it.
12:44Yeah.
12:44The scene Michelle had chosen was a pivotal fight of the play,
12:50which Romeo's best friend, Mercutio, was killed.
12:53It was classic Shakespearean tragedy,
12:56and somehow Michelle expected us
12:58to pull off one of the most dramatic scenes in history,
13:00with me playing Mercutio and Rob as Romeo.
13:04I was hurt under your arm.
13:05I thought all for the best.
13:07And the toughest part was,
13:09we only had a week before we had to perform it.
13:12So basically, I think, between now and when you do it,
13:15like, if you can just learn the lines
13:16and say the lines in the right order, that's successful.
13:19Okay, great.
13:20Thanks so much.
13:20We'll try our best.
13:21Yeah, thank you.
13:22We'll see you.
13:22We might come back and do it.
13:24Bye-bye.
13:25Bye-bye.
13:25All the best.
13:27They made worms meat of me.
13:29We're fucked.
13:29Yeah.
13:34In just a week's time,
13:38Rob and I will be taking on one of the most dramatic scenes
13:40in all of history,
13:41when we perform Shakespeare in the iconic Globe Theatre.
13:45Help me in some house, Benvolio.
13:47I shall faint.
13:48I've played on both your houses.
13:49They've made worms meat of me.
13:51And we were completely out of our depth.
13:53And then go down for the hips.
13:55And then...
13:55Okay, whoa, wait for the fucking cue.
13:59So to help us get ready,
14:01our mentor, Michelle Terry,
14:02had invited us back to watch Romeo and Juliet
14:05performed by the pros.
14:07But first,
14:08I wanted to see if Rob had any experience
14:10treading the boards.
14:12I dressed up as Emma Bunton once
14:14for a school play
14:14when we were doing the Spice Girls.
14:16Well, that was a play?
14:18Mm, I don't know.
14:19It was like an assembly,
14:20not really a play.
14:20We were on stage, weren't you?
14:21Yeah, but it was more like,
14:22oh, now we've got the Spice Girls performing.
14:24We just dumped her as well.
14:24Okay, that's not...
14:25Okay, well, now we get into the nub of the fact that
14:27I don't think you know what a play is.
14:29I've not been in a play.
14:30Right.
14:32That's the correct answer to that question.
14:35That's the correct answer to that question.
14:35That's the correct answer to that question.
14:35I don't think I've even seen one.
14:36No, I don't think you have either.
14:38Romeo and Juliet, Leonardo DiCaprio.
14:40That's a film.
14:41Right, but it's Shakespeare.
14:43Yeah.
14:44Pantomime?
14:45That's a play?
14:46I've seen the play.
14:47That's a play.
14:47Okay.
14:49I mean, it is the...
14:50You know,
14:51what I would say is
14:51if you didn't know the person,
14:53they said,
14:53have you been to see any plays?
14:54Yeah.
14:54And you go,
14:56oh, you know,
14:56I went to see Dick Whittington
14:58at the hall.
14:59I would say keep that to yourself.
15:05Each year,
15:05the Globe puts on
15:06hundreds of performances
15:07of Shakespeare's plays,
15:09and none are more famous
15:10than Romeo and Juliet.
15:12Tonight's performance
15:13was our chance
15:13to get a handle on the play
15:15and see the scene
15:16we'd be performing
15:16in this unique venue.
15:19I've geeked in theatres
15:20all over the world,
15:20as you have.
15:21I've never seen one like this.
15:22No.
15:23It feels like you're...
15:24It feels like you've been
15:25transported back in time.
15:26But what Michelle
15:27had failed to mention
15:28was exactly what time period
15:30we'd be transported back to.
15:35Bang!
15:37I kind of feel
15:38a little bit ignorant
15:39because I didn't realise
15:39that Romeo and Juliet
15:40was a Western.
15:41It turned out
15:45the Globe
15:45was putting on
15:45a Wild West-themed
15:46interpretation
15:47of Shakespeare's classic.
15:49They're all coming
15:50in through saloon doors,
15:52and then they're talking
15:52like a Shakespeare play,
15:54but it's a Western.
15:55It's about
15:56seven different time periods
15:57you're experiencing
15:58in one performance.
16:01I'm half expecting
16:02a DeLorean to come out.
16:04Emmett Brown gets out.
16:05Marty!
16:06And, just as we got
16:09used to the setting,
16:10next, we were hit
16:11with a language.
16:13With purple fountains
16:14history from your veins.
16:16What's the purple fountain?
16:18By me.
16:19Oh, jeez.
16:20I don't know
16:21what's going on in there.
16:23It's like having fondue.
16:24Have you ever had fondue?
16:25I don't know
16:26what's going on with that,
16:27but it's fun.
16:28But the fun stopped
16:29the moment our scene started.
16:32And for the very first time,
16:34Rom and I could see
16:35just how much trouble
16:36we were really in.
16:45The more I'm exposed
16:46to what we're doing,
16:47the less I think
16:48it's a good idea.
16:50What the devil
16:51can you between us?
16:52I think people
16:53are going to throw
16:54their shit at us.
16:57Thankfully,
16:57we wouldn't be dressing up
16:59as cowboys
16:59when we performed.
17:01And although it had been
17:01useful watching the pros
17:03in action,
17:04there was still a personal
17:05hurdle we needed
17:06to get past.
17:07Are you a fan of Shakespeare?
17:09Um, no.
17:10Okay.
17:10We're constantly being told
17:11it's brilliant.
17:12What is brilliant about it?
17:13Nobody can answer
17:14that question.
17:14We needed someone
17:17to explain to us
17:18why it was so good.
17:19So the next day,
17:20we were off to meet
17:21a Shakespeare expert,
17:23Oscar-nominated film star
17:24Jessie Buckley.
17:27Jessie's acting career
17:28kicked off by studying
17:29the Bard,
17:30and with multiple adaptations
17:31of his work under her belt,
17:33including appearances
17:34at the Globe,
17:35she was the perfect person
17:37to help us get our heads
17:38around Shakespeare.
17:38We need your help,
17:41Jessie.
17:41We're struggling.
17:42How come?
17:43It's just that whole thing
17:44of being forced
17:45to learn it at school,
17:46and then it's lots of people
17:48telling you it's really good
17:50without, for me,
17:51feeling like there's
17:52any concrete evidence.
17:53Yeah, yeah, yeah.
17:54I felt like that
17:55in school, too.
17:56It was kind of just words
17:57that went way past me,
18:00and then when I moved
18:01over to London,
18:02I did a three-week
18:03Shakespeare course,
18:04and I fell in love with it.
18:08I mean,
18:08I still don't fully understand it.
18:11That's good.
18:13I'm being completely honest.
18:15But as you work on it,
18:16you get to know it.
18:17It's like he's condensed
18:19the most epic feelings
18:20of being a human
18:22into, like, his text.
18:25All the lines in it, right,
18:27obviously it's old English,
18:29but even for that time
18:30was Shakespeare
18:31a little bit flamboyant with it.
18:33But even back then,
18:34they'd go,
18:35calm down, mate.
18:36Yeah.
18:36He invented so many words.
18:38At the time,
18:39I'm asking...
18:40I bet they didn't know
18:40what was going on either.
18:41That's what I'm asking, yeah.
18:42Definitely.
18:42It's a bit like listening
18:43to an E40 record, you know?
18:44He just makes up, you know...
18:45Who's E40?
18:47The rapper.
18:47Because you know about E45?
18:49Most of his stuff,
18:50you can't understand
18:50what he's saying.
18:51Right.
18:51Because he makes up slang,
18:52so I think...
18:52But what does it make you...
18:53Do you feel like something from it?
18:55Well, you feel like
18:56you need to try and find out
18:57what it means.
19:00There you go.
19:01Oh, wow.
19:02He's cracked the code.
19:03He cracked it.
19:04I hope that's in light.
19:05That's the widest
19:06that way it's been open
19:06for a while.
19:09Keep it going.
19:10I might stay that way.
19:12Give me some other stuff.
19:13Give me some more epiphanies.
19:14Things seem like they were
19:17starting to click for Rom,
19:19but I had my own problem
19:20I needed Jessie's help with.
19:22Well, we've got to do
19:23a performance at the Globe.
19:25Are you?
19:25And I've got to be really sad.
19:27What are you doing
19:27in our show play?
19:28Yes.
19:29There.
19:29Okay.
19:29I'll be honest with you,
19:30the tone's not that encouraging.
19:33We do the scene
19:34where I am sad
19:36because Mercutio,
19:37I'm playing Romeo,
19:38Mercutio dies, right?
19:39Yeah.
19:39I'm sad.
19:40Yes.
19:40The problem is,
19:41Rob has to deliver a line
19:42with emotion
19:43that he doesn't fully understand
19:44what the line means.
19:45What is the line?
19:46So basically,
19:47I say...
19:49Look him in the eyes
19:50and imagine your best friend
19:52has died.
19:58I thought I'm at Madam Tussauds.
20:01I wish they'd put me
20:02at Madam Tussauds.
20:04Anyway, go on.
20:06Okay.
20:06This day's black fate
20:09on more days
20:10doth depend
20:11but this begins
20:13the woes
20:14others must end.
20:15Okay, so...
20:16And what do you think
20:17that means?
20:18It's a bad day.
20:20Very bad.
20:22Yeah.
20:23It's going to get worse.
20:24Yeah, that's basically it.
20:25Yeah.
20:25You have to work
20:26at figuring out
20:27what it means to you.
20:28Yeah.
20:29What you're saying is
20:30you don't have to know
20:30exactly what is meant
20:32by every one of those words
20:33but you know
20:34what the sentiment
20:35of that line is
20:36so you can deliver it
20:37with that intent, right?
20:39That's exactly what it is.
20:41Yeah.
20:41If we feel like
20:42it's all going wrong
20:43on the night
20:43what would your advice be
20:44if your head starts
20:45to go in that negative way?
20:47What I would probably
20:48think of doing
20:48is just like
20:49show people
20:50you know
20:51flash or something
20:52but that's not what you should do.
20:54Sorry, your tip
20:55if it's going badly
20:57and we get a negative
20:58in the voice
20:58is to get our dicks out.
21:00That's what my
21:01bad part of my brain
21:02wants to do.
21:03Right, right, right.
21:04But don't say
21:04you're saying
21:04don't do that.
21:05Don't do that.
21:05Oh, sorry.
21:06Right, okay.
21:06They're like
21:06there's no right or wrong
21:08just like
21:08go and do it
21:10and I bet
21:10you'll be brilliant.
21:12Thank you
21:12until you make it.
21:12Exactly.
21:13I think you're going
21:14to be great.
21:15You're going to take
21:15the globe by storm.
21:22Rob and I
21:23are only days away
21:24from performing
21:24Romeo and Juliet
21:25at the globe.
21:27And whilst I was
21:28starting to understand
21:29what made Shakespeare great
21:30Do you feel like
21:31something from it?
21:32Well, you feel like
21:33you need to try
21:34and find out
21:34what it means.
21:35There you go.
21:37Rob was still having
21:37trouble accessing
21:38his emotions.
21:40What do you think
21:40that means?
21:41It's a bad day.
21:43Very bad.
21:46Rob and I
21:47have separate
21:48challenges
21:49that we have to
21:49master for our
21:50performance.
21:51Mine is
21:52to die convincingly.
21:55But
21:56I'm not as worried
21:57about myself
21:57as I am worried
21:58about Rob.
21:59The problem
21:59that Rob has got
22:00is Rob has to
22:01connect from his
22:01feelings.
22:02Rob has not done
22:03that for a long
22:04time.
22:05So the fear
22:06is that he might
22:07have a breakdown
22:08when he sort of
22:08finally reconnects.
22:09It's like
22:10when they plug the
22:11thing in the back
22:12of Neo's head
22:12in the Matrix
22:13and then upload
22:14emotion and
22:15empathy.
22:16He might just
22:16shit himself
22:17and start crying.
22:19Which is bad
22:20for him and Lou
22:21and his children
22:21but great for the
22:22show.
22:25So today
22:25we're at the
22:26Regents Park
22:27Open Air Theatre
22:27in London
22:28to hopefully turn
22:29us two clowns
22:30into serious actors
22:32with a masterclass
22:33from one of our
22:34country's finest.
22:37Martin Freeman
22:37is a national
22:38treasure.
22:39He first shot to
22:40fame as the
22:40beloved Tim in the
22:41smash hit series
22:42The Office
22:42before taking the
22:44world by storm
22:44is billed by
22:45Baggins in the
22:46blockbuster Hobbit
22:47trilogy.
22:47Hello Martin.
22:50Hello.
22:51Nice to see you.
22:52Yeah and you.
22:52You're looking very
22:53cool today.
22:54But most importantly
22:55for us he's no
22:56stranger to Shakespeare
22:57having played the
22:59title role in the
23:00critically acclaimed
23:01sellout run of
23:02Richard III.
23:03So if anyone can
23:04bring out our
23:04interactors it's
23:05Martin.
23:07We need help.
23:07How can I help you?
23:08Yeah we need help.
23:08Basically we are doing
23:09a performance at the
23:10Globe Shakespeare
23:11Romeo and Juliet.
23:12I'm playing Romeo
23:13you're Mercutio.
23:15I've got to be sad.
23:17Jeez.
23:17I mean that's
23:18quite a task.
23:19And as well as me
23:20being sad Rom's
23:21got to die which
23:21is obviously difficult
23:22to do without
23:23looking too eggy.
23:23Yeah and it's
23:24difficult to sort of
23:25draw on memories of
23:26dying previously.
23:27It is.
23:27Well you're a comic.
23:28Okay nice.
23:29Come on.
23:30Alright I'm glad you
23:32two are getting on.
23:34So how comfortable
23:37are you at the
23:37moment with saying
23:38these words?
23:39I feel a bit like
23:41a football manager
23:42that's gone to
23:43Holland to manage
23:44and then he starts
23:44to impress conferences
23:45and because he's
23:47been so used to
23:47talking slowly to
23:48the Dutch players
23:49he has a sort of
23:50foreign lilt.
23:51Like who had that?
23:52Steve McClellan.
23:53Yes.
23:54You know that
23:54thou shall pick
23:56best 11
23:57at a two-win game
23:58and then the other
24:00challenge is having
24:01to look at that
24:02in a rough
24:04dying and be like
24:05how am I going to
24:07not laugh?
24:08Is it okay to say
24:08that?
24:10No but I'd say
24:11I will
24:12so the bit where
24:14I'm getting aggy
24:14I can do that
24:15villain am I
24:16and all that
24:16kind of stuff
24:17it's the sad bit
24:18I'm struggling with.
24:19And the truth is
24:20that different people
24:20have different ways
24:21of doing it.
24:22Some people will do
24:22sense memory.
24:23Your breath,
24:24your breathing
24:25can get you there.
24:26You know.
24:27Because I saw a thing
24:28where someone would
24:29cut a hole in their
24:29trousers and pull a
24:30pube of a tweezer.
24:31I've seen that.
24:32Have you?
24:32Yeah man.
24:33I have seen that.
24:34Yeah just to get tears.
24:35But the problem is
24:36you've only got so many
24:37pubes.
24:37I mean if you're
24:38especially your
24:39these days.
24:39If you're performing
24:40every night and mine
24:41pubes do fall off of them.
24:42Yeah also mine have
24:43got a lot less
24:43resistance than they
24:44used to.
24:45Yeah oh so they just
24:45fall off.
24:46You could blow on mine
24:47like a dandelion.
24:51Before Martin could
24:52start working on our
24:53performances first off
24:55we needed to warm up.
24:56I'm doing the play at
24:58the moment and still to
24:59this day I still do
25:00sort of articulation
25:01exercises to make sure
25:02that all your teeth,
25:04your lips, everything
25:05is warmed up and as
25:06malleable as possible.
25:06So you just want to
25:08shake that out.
25:10Really?
25:14Wow.
25:14Why are you laughing?
25:16That was too loose.
25:17Your arms are too
25:18long for that.
25:18That was too loose.
25:20Okay so here's another
25:21little one.
25:22Get your tongue all the
25:26way clockwise, all the
25:29way around your lips.
25:31After a while you will
25:32feel it, it does actually
25:33got quite a tone because
25:33you don't give it.
25:34It does, isn't it?
25:34Stretch it out.
25:35Yeah you do feel it.
25:36Do that on Lou's
25:37birthday.
25:40Wow.
25:41Used to do that in the
25:42office.
25:44It worked very well.
25:45It's still good.
25:4624 years later it still
25:48works.
25:49Clearly Martin had
25:52still got it and now
25:54it was our turn to show
25:55him exactly where we
25:56were at.
25:57Let's try from there,
25:58right?
25:59Courage man, the hurt
26:00can't be much.
26:02A plague of both your
26:03houses, why the devil
26:03came in between us?
26:05I was hurt under your
26:06arm.
26:07I thought for all the
26:08best.
26:08Help me to somehow
26:09spin volio.
26:11A plague of both your
26:12houses, they've made
26:14worms meat of me.
26:15So you're going to
26:18dust it up?
26:18No, well I'm going to
26:19walk off.
26:20Oh right, you're going to
26:20walk off.
26:21But I mean for this, I don't
26:23know what I'm going to do.
26:23Right, okay.
26:25But then I've got to
26:25Okay, but no, carry on.
26:26Okay, sorry, yeah.
26:28My very friend hath got his
26:29mortal hurt in my behalf.
26:32Oh Romeo.
26:33Romeo, brave Mercutio's
26:34dead.
26:35This day's black fate or
26:37more days doth depend.
26:39This but begins the
26:40woe others must end.
26:42I think we got it.
26:43Yeah?
26:44Yeah.
26:44Are you ready?
26:45Yeah man.
26:46Totally.
26:47And I think if you just
26:48stand there with your
26:48script in your hand, laughing,
26:51I think genuinely the
26:52audience will not have
26:53seen anything like it.
26:55Erm.
26:56Can I tell you something?
26:57You really had me.
26:58You bastard.
26:59You're so...
27:00You really good at acting
27:01bastard.
27:01That was such a rollercoaster.
27:03Horrible.
27:03No, I thought, I assumed
27:04that would be obvious.
27:05No, we're believers.
27:06I just thought, wow,
27:07brilliant, I'm going into this
27:08full of confidence.
27:09Now I'm in pieces.
27:09I feel absolutely rock bottom
27:11now.
27:11Sorry.
27:12I hope you've got time to
27:13reconstruct us.
27:14Yeah, okay.
27:16First things first, we needed
27:17to tackle how Ron was going
27:19to die.
27:20And after seeing what he was
27:21working with, Martin had an
27:23idea.
27:24So how are you feeling about
27:25the death?
27:26Well, I don't know what to do.
27:27To save you from the thing of
27:29dying.
27:30Yeah.
27:30I think when people die
27:31offstage and it's reported,
27:33that can be just as
27:34effective.
27:35Yeah.
27:35Whoever Benvolio is can
27:36take you off.
27:36Yeah.
27:37And the reporting comes
27:38back.
27:39Ah, reporting is
27:39sh-reporting.
27:40Are you acting or are you
27:41fucking a journalist?
27:43Why don't I go home in a cab
27:45and then someone tells him
27:46I'm sad about it?
27:47But the only issue with
27:47that is I sort of then
27:49have a sword fight and go
27:50offstage.
27:50Yes.
27:50He's left on his own.
27:52No curtain.
27:53Now.
27:53No curtain.
27:55What then?
27:56Fine.
27:57What, he's going to have to
27:57lay there until they all
27:58leave?
27:59That's quite a long time.
28:00Come on, are we acting or
28:01not?
28:02The only thing.
28:03Listen.
28:03What are we doing here?
28:04Let me just tell you
28:05something.
28:05The relish that you're
28:06putting into this, I will be
28:08putting into you crying.
28:09No.
28:10Can I do it?
28:11Yeah.
28:12So you want me to just
28:13lie on the stage?
28:14Until they all leave?
28:15I think that, what a
28:16commitment.
28:17There's some breath in it.
28:18Okay, sorry.
28:19So you want me to just
28:20stay on the stage while
28:21they leave?
28:23No breath.
28:24No breath.
28:25Watch.
28:25Okay.
28:26Oh, so you think I'll
28:27just stay on the stage,
28:28no curtain, while there's a
28:29ten minute pause?
28:31I think the mouth has to be
28:33I think the mouth has to be
28:34Oh, that was so good.
28:35That was the best one I've
28:36ever seen.
28:36You are so good.
28:38Thanks.
28:39Rom definitely needed some
28:40convincing, so the only way to
28:42settle this was to give it a go.
28:44The plague of both your houses,
28:47they've made worms meet of me.
28:48My very friend hath got his mortal
28:52heart in my behalf.
28:55Oh, Romeo.
28:57Romeo, brave Mercutio's dead.
28:59This day's black fate, and more days
29:04doth depend.
29:05This but begins the woe.
29:07Others must end.
29:11You're off as well, Martin.
29:13Oh, sorry.
29:14And we can, I tell you what,
29:16what?
29:16Yeah.
29:17Let's have a little look around.
29:18Yeah.
29:20Brilliant.
29:20As a mate, I'll try and keep
29:21that down.
29:23You cannot accruci-
29:24Apart from that, I'm sorry.
29:26I think that's good, because
29:26that's like a rictus grin.
29:28Yeah.
29:29You can't tell whether he's
29:29laughing or dying.
29:30No.
29:31And then, Christ.
29:32I mean, it hurts quite a lot.
29:40But it is very, it's very moving.
29:42Yeah.
29:43Because I've never been near a dead ball.
29:44You don't move it immediately, do you?
29:46Just walk away, go back.
29:47I'm all right.
29:48Yeah, I'm fine.
29:49No, I'm fine.
29:50I'm fine.
29:50Don't worry about it.
29:51Don't you get hurt?
29:52What, another series?
29:54I think that's a bad idea, by the way,
29:55the dragon.
29:56I think you might be right.
29:57Yeah.
29:57No, worth a try.
29:58It's worth a look, wouldn't it?
29:59No, definitely worth a try.
30:00Now.
30:00Was it?
30:00Now.
30:01There.
30:01So you go, definitely worth a try.
30:04Oh, yeah.
30:05Come on.
30:07You're the best in the business.
30:08Oh, wow.
30:09So, do you think you should leave?
30:10Do you want to just leave?
30:11Well, I mean, based on how that went,
30:13I think leaving is probably better.
30:14Leaving is probably better.
30:14Okay, fine.
30:17Now we decided once and for all
30:18I was going to die off stage,
30:20it was Rob's turn in the spotlight.
30:22Don't pre-empt the sad, okay?
30:24Just try and play the sentiment of it
30:26and the feeling of it.
30:27Right, okay.
30:27Right, okay.
30:28And I, for one,
30:30couldn't wait to watch him bear his soul.
30:33From my very friend.
30:34You've just seen him go off.
30:36Yeah.
30:36And he's in a bad way.
30:38My very friend hath got his mortal hurt
30:40in my behalf.
30:42Oh, Romeo.
30:44Romeo, brave Mercutio's dead.
30:46This day's black fate.
30:51Whoa.
30:58No, listen, man, it's hard.
31:00It's hard.
31:00It is hard.
31:01It's hard.
31:01That is...
31:02It's difficult.
31:03It's difficult.
31:03And I don't even...
31:05I don't even...
31:06I'm not even going to tell you how it's hard.
31:07This day's...
31:08This day's...
31:08No, not that.
31:10When you hear the news,
31:12this doesn't help.
31:15That.
31:15It doesn't...
31:16And that's a common mistake.
31:17It's a common mistake, right?
31:18Yeah, absolutely.
31:18I won't do that.
31:20Rob was having an absolute nightmare.
31:23My very friend.
31:26And he just couldn't get his head around it.
31:28Okay.
31:29I just keep smiling.
31:31It's difficult, this,
31:32because Rob can't do it at all.
31:36And I think even if this show was like,
31:39Rob got six months of intensive training,
31:40he still couldn't do it.
31:41He cannot do it.
31:43And so desperate times called for desperate measures.
31:47Um, can I make a suggestion?
31:48Yes.
31:49Why don't we shortcut it
31:50and you just pull out some pubes?
31:52I can't believe that's the best option, but, yeah.
31:55Well, what do you think, Mel?
31:55I think it is the best option.
31:57Well, I don't know if it's the best option.
31:58It's an option.
31:59Yeah.
31:59It's an option.
32:00Just try it.
32:01Don't do something you think
32:02you might accidentally start enjoying.
32:05It's really into death.
32:07That's my kink.
32:08Okay.
32:09Oh, Romeo.
32:11Oh, yeah.
32:11Romeo.
32:12Look at that again.
32:13Yeah.
32:13Brave.
32:14Sorry.
32:14Brave Mercutio's dead.
32:17This day's black fate
32:18on more days
32:20doth depend
32:23doth depend
32:25but this begins a woe
32:26that others ascend.
32:28I actually...
32:29I think that was your best performance.
32:30I don't genuinely think that was.
32:31I actually...
32:32I do think that was your best performance.
32:34I definitely won't think about the words anymore.
32:37No.
32:37Fuck you.
32:38I got about eight a go there.
32:40But did you notice what was happening when you were doing that?
32:42Your breath was changing.
32:43Yeah.
32:43Yeah.
32:43Your breath was changing.
32:44Yeah.
32:45Breath is a massive, massive part of emotional connection.
32:48Right?
32:49So, there's a thing that I can sometimes access
32:51where you just...
32:52You don't allow yourself easy breath in and out.
32:54So, it's a bit...
32:55Sounds a bit stuttered.
32:56Yeah.
32:56Don't worry about the sound.
32:57Yeah.
32:57Don't worry about your face.
32:58Right, okay, let me try with doing...
33:00None of that.
33:00I can't believe we went for pubes before breath.
33:03Why did you not do the breath?
33:04Well, the pubes were the gateway to the breath.
33:07Come on.
33:08It had been a painful process to get there,
33:11but it felt like we were on to something.
33:14My very friend hath got his mortal hurt in my behalf.
33:18Oh, Romeo.
33:20Romeo, brave Mercutio's dead.
33:24This day's black fate...
33:26or more days doth depend...
33:28Doth.
33:29Doth.
33:32This but begins the woes that others must end.
33:36I think we got it.
33:37Yeah.
33:37Yeah?
33:38Yeah.
33:39I'd err on the side of finding it very hard to get this stuff out.
33:44Very hard, yeah.
33:44Do you know what I mean?
33:45Yeah.
33:46Okay.
33:48Robert finally found a method that worked for him,
33:51and thanks to Martin, for the first time this week,
33:53we had a real shot of not embarrassing ourselves
33:56in front of 1,600 Shakespeare fans.
33:59Well, I hope...
34:00I hope I've been of some use.
34:02You've been amazing.
34:04I didn't...
34:04I feel way more confident now.
34:06Really?
34:07Well, like, yeah, good luck.
34:08I really hope it goes well.
34:09You'll be fine.
34:10And the audience will be behind you.
34:11They will enjoy it.
34:13This will be way funnier.
34:14And luckily it's short.
34:15Funnier?
34:15Huh?
34:16Funnier?
34:16No.
34:17No?
34:17No.
34:18Can't do it.
34:19More moving.
34:19I said more...
34:20Go on, do it.
34:29Go on, do it.
34:30Go on, do it.
34:30Yeah, do it.
34:31Do the thing.
34:31Go on, Martin.
34:32You want to do it.
34:33You want to do it.
34:34Yeah, yeah.
34:34For the last week, Rob and I have been rehearsing intensely for our Shakespearean debut.
34:47Courage, man.
34:48The hurt cannot be much.
34:49To see if we had what it takes to perform one of the Bards' most dramatic plays.
34:54What the devil can you between us?
34:56And after training with some of the best in the business...
34:59I think genuinely the audience will not have seen anything like it.
35:04The following day we had spent working on our performance with the team at the Globe.
35:08I'm hurt!
35:11But now we'd finally run out of time.
35:16It was the day of our big performance at the Globe.
35:20With just a few hours to go, our mentor, Globe's artistic director, Michelle Terry,
35:24had organised a final rehearsal to iron out any last bumps.
35:28Why don't we slowly walk it from the top?
35:31She'd also brought in her husband, actor Paul Reddy, who'd be joining us on stage later.
35:36Nice to see you again.
35:37I'm, as you know, I'm going to be in the scene with you playing Benvolio.
35:40And this is Paul Reddy, who will be your tibble.
35:43I'm Rob and I'll be your Romeo.
35:44Yeah.
35:45I'm Ramesh and I'll be Mercutio.
35:47We'd met our co-stars, but there was one big question on Michelle's mind.
35:52Do you know your lines?
35:53I do, yeah.
35:54I'm struggling because, obviously, it's Shakespeare, so all the words are mental.
35:59Michelle looked well worried.
36:00But what I'd found out from rehearsals yesterday was Shakespearean lingo and my brain just don't get on.
36:06Villain am I not?
36:09I do protest I never injured thee, but love thee better than thou can devise.
36:14I felt like I needed another week to learn my lines.
36:17We had less than three hours.
36:18And Michelle, clearly trying to give me a fighting chance, had stuck them on the wall.
36:22Romeo, thou art a villain.
36:25Villain am I none.
36:27I do protest I never injured thee, but love thee better than thou can devise.
36:32But even with the words in front of him...
36:34A plague on both your houses, Rob was struggling.
36:38My very friend hath got this mortal hurt in my behalf.
36:44And it felt like his final line was going to give him nightmares.
36:47Brave Mercutio's dead.
36:49This day's black fate on more days doth depend.
36:54This but begins there, my lovers must end.
36:57It's horrible, isn't it?
36:58It's absolutely horrible.
37:00It's going to be perfect.
37:01I know, I just, yeah.
37:03Rob's struggling.
37:04I've, let's be clear, I've fucking nailed it.
37:07I'll come, dishonorable submission.
37:10I am for you.
37:11Come, sir.
37:12Your posado.
37:14I know the lines, I know I did the sword fight.
37:16Like, it wouldn't have surprised me if they actually cast me as Mercutio.
37:19Why the devil came in between us?
37:21I was hurt under your arm.
37:24I thought, I thought all for the best.
37:27Have I heard a single word of praise?
37:29No.
37:30Michelle came over to me after one rehearsal.
37:32I thought she was going to go, well done.
37:32She goes, do you think Rob's okay?
37:35But I'm chill about it, it's fine.
37:36You know, we've got to look after Rob and stuff.
37:38And who cares?
37:39I've spent my time learning the lines.
37:40I haven't received even a pat on the back.
37:43Is that all right?
37:44Really good.
37:46I struggled through an hour of rehearsals, and now the globe was filling up, ready for
37:53the main performance.
37:55I had about 90 minutes to try and get the lines in my head.
37:58Villain and my mum.
38:00I do protest.
38:01I never, I never injure.
38:04To move is to star, and to be valiant.
38:08The show had started.
38:101,600 people were watching.
38:12Suddenly, I was very motivated not to make a mug of myself.
38:15I think I've got it.
38:17Do you want me to show you?
38:18Yeah, go on, show me.
38:19Rob, he's anxious about it now.
38:21But when he gets on stage, just the fact that there's a crowd there will just buoy him through.
38:26What I'm slightly nervous about is it'll walk out there, he'll forget a line, his arse will go, start doing some crowd work.
38:32Oh, Romeo, Romeo, brave my cushy is dead.
38:37This day's black fate on others doth depend.
38:40On more days.
38:41Back off.
38:41I need a little kick up the arse from Dr. Showbiz.
38:46And when I walk out there and there's loads of people, hopefully something happens.
38:49It may or may not, but all I've got now is the lap of the gods.
38:55Our curtain call was around the corner, so we were off to costume to get stuffed into some Elizabethan gear.
39:01But the outfits definitely weren't helping our nerves.
39:13What do I look so fucking fat in this?
39:17Mental.
39:19I think these trousers aren't doing you any factors.
39:22We were meant to be delivering a serious Shakespearean tragedy, and I was starting to worry about how the audience would react.
39:28My ears are poking out.
39:29My ears.
39:30Is that right, like Legolas?
39:34Is this, is it supposed to be like that?
39:36My ears are supposed to be like that.
39:38How have I pulled Juliet?
39:42The play had hit its tragic climax.
39:45For never was a story of more woe.
39:48And now, it was our turn to follow.
39:56That's all set.
39:57I don't like it.
39:59I could shit myself and vomit.
40:01What notice on this.
40:04We were about to step out in front of a packed globe audience.
40:08Bill and I am none.
40:09Am I none?
40:10Shit.
40:11And all I could think of was, could Rob and I truly convince the crowd that we could pull off a serious Shakespearean tragedy?
40:18I stepped on stage for a massive cheer, but then, they must have cropped my costume.
40:34Thankfully, we had Michelle and Paul to add some much-needed gravitas.
40:38Good in.
40:40A word with one of you.
40:43And but one word with one of us.
40:45Couple it with something.
40:46Make it a word and a blow.
40:48We talk here in the public haunt of men, hear all eyes gaze on us.
40:53Men's eyes were made to look.
40:56And let them gaze!
40:59Rob came out to a raucous cheer.
41:01And now, with both of us on stage, looking like a pair of extras from Blackadder, all sense of seriousness had evaporated.
41:10Romeo!
41:12Thou art a villain.
41:14Villain am I no.
41:15I do protest I never injured thee, but I love thee better than thou devise.
41:21Oh, calm, dishonourable, vile submission.
41:24Even Rob was struggling to keep a straight face.
41:27Never mind a Shakespearean tragedy.
41:29This was fast becoming a personal one.
41:33Come, sir.
41:34Yo pasado.
41:35We needed something dramatic to turn this round.
41:37Hold on!
41:41Good, Patricia!
41:51I'm hurt!
41:51A plague on both your houses, I'm sped!
41:55What?
41:57A scratch, a scratch.
41:58Merit is enough.
42:00Courage, man.
42:01The hurt cannot be much.
42:03A plague on both your houses!
42:05Why the devil come here between us?
42:06I was hurt under your arm!
42:08I thought all for the best!
42:11Help me into some house, Benvolio.
42:15A plague on both your houses!
42:18It was time to make my exit.
42:23And as I staggered off in my death throes, now it was all up to Rob.
42:27Could he get his last line?
42:30My very friend hath got this mortal hurt in my behalf.
42:35Oh, Romeo.
42:37Romeo.
42:38Romeo.
42:40Brave Mercutio's dead.
42:42This day's black fate, on more days, doth depend.
42:51But that begins the woe.
42:54Others must end.
42:58Yeah!
42:58Yeah!
42:59Yeah!
42:59Yeah!
43:05Yeah!
43:06Get out of here!
43:07Oh!
43:08Oh!
43:09Yeah!
43:09Yeah!
43:10Yeah!
43:10Yeah!
43:10Yeah!
43:11Yeah!
43:11Yeah!
43:12Yeah!
43:15Rom and I had pulled off one of Shakespeare's most dramatic scenes, and the crowd loved it.
43:23And what made it even better was, I hadn't forgotten a single line.
43:27That's it.
43:28That was, um, I think the hardest thing we've ever done.
43:44Yeah.
43:44Yeah.
43:45Yeah.
43:45Yeah.
43:46Yeah, it was up there.
43:46Did you say?
43:47It was up there.
43:47We did it, and that was hard, to be fair.
43:49Look, I don't wanna, I don't wanna blow smoke up your pipe, but that was difficult, wasn't it?
43:52Yeah, I don't want you to blow smoke up my pipe either.
43:54I couldn't get to it.
43:55You couldn't get to it.
43:56Verily, we started this Shakespeare journey.
43:57Oh, why?
43:58There were many challenges that lay before us.
44:00For us, the challenge is complete.
44:02Upon many of the problems, one included the impossibility for you to etch the lines upon
44:07your cerebellum.
44:08Verily, though, you were able to remember, nay, recite the very lines that you were acquired
44:15to by the owners of the Globe Theater.
44:18The worms.
44:19I mean, German.
44:20The worms.
44:21It was difficult to do the Shakespeare, but we managed it.
44:31Okay.
44:32Come on, then.
44:33Let's go.
44:34Come on.
44:35Oh, God.
44:36I'm gonna go.
44:37I open the bedroom door and go, Lisa, verily, I would like to mount you.
44:43You and me always.
44:53But you and me always.
45:04If there's always you and me, always
45:10And forever you and me, always
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