- 5 saat önce
Emily in Paris - Season 5 Episode 08- Fashion Statement
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04:15Candy had to DJ.
04:17Well, he's under consideration to replace me too.
04:20So, did you come to pay your respects?
04:24Actually, we came to get you out of here.
04:28Oh.
04:31I started working with the label right out of school,
04:34so this is my first big breakup.
04:36Now, I'm completely distrustful.
04:38I was discarded for some child actor turned pop star.
04:42Oh my god, it is Drake?
04:43No, it's this Zaptic German rapper
04:46who has 200 million Instagram followers.
04:49Oh, Baby Jay.
04:50And no more from Dusseldorf.
04:51He's so not a designer.
04:54No.
04:55They're going to call him a creative director.
04:59Total bullshit.
05:00There is no craftsmanship anymore.
05:02My dad always said that the only thing
05:05that makes clothing distinct
05:06is the quality of the craftsmanship.
05:08Your father was an inspiration to a lot of us.
05:12Thank you.
05:13That's very kind.
05:14It is my inspiration as well.
05:15I'm feeling sparked.
05:17Me too.
05:18So, can we have a more serious conversation
05:21about what Marcello has been envisioning from the line?
05:24As off tomorrow morning,
05:26I'm officially unemployed, so why not?
05:28Should I set it up with Ramona?
05:30Forget Ramona.
05:32Chauncey never liked her anyway.
05:34He's got a good instinct for people I can trust.
05:37He's got a good instinct for people I can't believe it.
05:50He's got a good instinct for people I can't believe it.
05:52He's got a good instinct for people I can't believe it.
05:53He's got a good instinct for people I can't believe it.
05:55He's got a good instinct for people I can't believe it.
05:57He's got a good instinct for people I can't believe it.
06:00He's got a good instinct for people I can't believe it.
06:02I'm having a good instinct for people I can't believe it.
06:03I'm sorry.
06:04I'm sorry.
06:05I can't believe it.
06:07You're not looking for it.
06:09I have a life outside of the plumeur.
06:11Me too?
06:12No, not...
06:13Not...
06:14Not the confidence.
06:15To me,
06:16it's just...
06:19two corps who are trying to do well.
06:22Like a good friend.
06:23A big day.
06:26I'm still there?
06:27No, I'm working.
06:29Okay.
06:30Why don't you send me photos?
06:33To me to spend time?
06:34Oh, no.
06:37What? Just like that?
06:38No, I won't send you photos.
06:42You're so sexy.
07:01It is so much easier for guys to do a walk of shame.
07:04Look at you.
07:05Same clothes as yesterday, but who notices?
07:08You just did.
07:10You know, on the charcuterie board of life, men are the bread.
07:15Oh, okay.
07:16And what are women?
07:17Everything else.
07:18The brie, the honeycomb, the salami roses.
07:21The bread is the only thing that looks edible the morning after.
07:25The rest is just loose fruit and cheese rinds.
07:29Mindy, stop.
07:30You look good.
07:31No one could tell you I went out in those clothes last night.
07:33Oh, my God.
07:34Are you okay?
07:36Is your dress on backwards?
07:38What?
07:40Oh, my...
07:42Why didn't you tell me?
07:43I didn't notice.
07:44Okay.
07:46Come here.
07:49I think Marcello and I are sleeping in the wrong places.
07:52I mean, it doesn't make sense for us to go back and forth every day.
07:57Yeah, I see your point.
07:58So, while Marcello's in town, your boyfriend should stay with you, and I'll stay with mine.
08:03Okay, but it's only temporary, right? Like, you're not moving out.
08:05Oh, my God, no. Temporary.
08:09Okay.
08:10Okay, deal. Fine, let's do it.
08:11Cute.
08:12Cute.
08:15You don't mind switching, do you?
08:16Yeah, yeah. Thanks for asking.
08:21He doesn't mind.
08:29So, how are you preparing for your wedding anniversary?
08:33Good.
08:34I don't want you to come a little earlier, because it will only have family, people with children.
08:39I really need you to laugh a little.
08:41Oh, chérie.
08:42Mais oui, je vais faire un petit effort.
08:46Comment va ton 5 à 7 ?
08:48Non, mais c'est dingue.
08:50C'est devenu un 5 à 7 heures du matin.
08:53Il ne veut plus partir maintenant.
08:54Ah, mais vous êtes à fond.
08:55Oui.
08:56Oh.
08:57C'est lui.
08:58C'est dur d'être loin de toi.
08:59Oh.
09:00C'est dur d'être loin de toi.
09:03Oh.
09:07Très dur.
09:08Oh, bob, bob, bob, bob, bob, bob, bob.
09:12Qu'est-ce qu'il dit?
09:13Oh.
09:14Oh.
09:15Oh.
09:16Oh.
09:17Quoi?
09:18C'est une photo.
09:19De quoi?
09:20De...
09:21De sa queue?
09:22Non, mais je peux voir.
09:23Non.
09:24Je vais demander à Guillaume pour votre anniversaire de mariage.
09:26Alors, Guillaume, le cadeau ce serait de plus jamais voir la sienne.
09:29Oh.
09:30Oh, arrête.
09:33On peut voir.
09:38The inspiration for the line is...
09:40Il Palio di Siena.
09:42The horse race.
09:43Uh-huh.
09:44Okay.
09:45Interesting.
09:46So, sportswear.
09:48Like an Italian raffle run.
09:50Timeless but not stuffy.
09:52Here, I have sketches.
09:56Oh.
09:59Hmm.
10:00Who did these?
10:01They're not bad.
10:02I had them commissioned to give you a visual sense of the line.
10:06I see.
10:07Buttons up, but playful too.
10:10I don't hate it.
10:11Not hating is good.
10:13Very good.
10:14And...
10:15What's your role in the company, Emily?
10:18Besides Chauncey's new favorite obsession?
10:21Marketing.
10:23Unofficially.
10:24We need to convince Sylvie.
10:26Well, I'm glad you're part of the team in whatever capacity.
10:30I like you guys.
10:31And I feel like you guys like each other.
10:33Yeah.
10:34No drama.
10:35No politics.
10:36And I need a creative palette cleanser.
10:43I'm in.
10:44Let's do it.
10:45We want your credits.
10:46Yay.
10:47Shake my hand.
10:48Bonjour Sylvie.
10:49Belle journée Nespa.
10:50Oh, oh, oh.
10:51It's never good news when you greet me in French.
10:52What's wrong?
10:53What?
10:54Nothing.
10:55I got us a meeting with the new company that Noah Moreau is designing for.
11:10Interesting.
11:11Who are they?
11:12Who are they?
11:13I heard Chloe was courting him.
11:15Well, it's actually, drum roll please, Marcello Muratori.
11:20And Nicola de Leon is going to finance him.
11:22Well, I'm sure everyone in town is clamoring to meet with the two black sheep of major fashion families.
11:27Just hear them out, okay?
11:29The worst you can say is no.
11:31That's not the worst I could say.
11:34Can't you just, please?
11:37You're helping Marcello and Nicola.
11:39Interesting.
11:40Is it safe to say you and Marcello are back together?
11:44This is about business, not my personal life.
11:46Emily, when isn't business about your personal life?
11:49When I'm happy for you.
11:50You're doubling down.
11:52What does that mean?
11:53Once you break up with someone and get back together, you're making a big statement of commitment.
11:59You're basically saying this is the one.
12:02And there's no going back.
12:04Yeah, it's why I don't do relationships. Period.
12:09There is only one happiness in life.
12:16To love and be loved.
12:18Exactly, Emily.
12:20Exactly.
12:29So, how did you all land at Noah Moreau? Every big label is after him.
12:38Noah had the rug pulled out from under him by a brand that he's been committed to for years,
12:42so I think he feels pretty burned by big labels.
12:44And Emily made friends with his dog.
12:46Huh.
12:47Is that supposed to be some sort of expression like, Bob's your uncle or...?
12:51No, he has a beautiful Weimaraner named Chauncey that will probably take up a significant portion of the budget.
12:56Super.
12:57How is Antoine dealing with you being here, Alfie?
13:01This is a side hustle for now, until things take off.
13:04And it will take off.
13:06Marcello and Nicolas grew up in the business.
13:08Combined with Noah, they've spent over 70 years in luxury fashion.
13:12They've got a distinct edge.
13:14Sounds like you're already working for them.
13:17We've been lucky to have Emily's help.
13:19We know there is no success without a team like Agence Crateau behind us.
13:23We've seen first-hand how our parents build successful fashion businesses.
13:28We want to build it differently.
13:30Meaning?
13:3120% of luxury textiles is thrown away during the production.
13:36We plan on using dead stock fabric in our collections, which is not only sustainable,
13:41but makes each collection truly one of a kind.
13:44Saves money as well.
13:45Yeah, I like the ethos, but it's the fashion that's gonna sell your line.
13:49Of course.
13:54Oh, Marcello Muratori.
13:58I see you didn't spend much time coming up with a name.
14:01Actually, I did.
14:02In the end, I wanted to pay homage to my family, but also stand apart.
14:09Yeah, well, it is quite engaging, sort of prestige sportswear.
14:15But I've been burnt in the past.
14:17So why would I trust working with a Muratori or a De Leon?
14:22Because you wouldn't be working for us.
14:25You'd be working with us.
14:27We'd bring you in as a full partner.
14:29When this is a success, you'll gain as much as we will.
14:33And if it isn't, it's going to be, Sylvie.
14:42Well, I guess we're gonna have to make sure it is.
14:45You're in?
14:46She's in!
14:49I think you're gonna be leaving Anton soon, my friend.
14:51Yeah, I'm gonna need the same deal as Sammy.
14:55We're gonna have to put out a press release immediately.
14:57Oh, actually, I had another idea.
14:59The fastest route to people's hearts is through their stomachs.
15:01So what about throwing a luncheon for the press?
15:03Bravo, bonne idée.
15:05Merci, Sylvie.
15:06You won't be sorry, I promise.
15:07You're welcome.
15:08You're welcome.
15:14Oh my God, are we power couples now?
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25:46My sister, my mother won't speak to me.
25:49My family thinks I want to steal the business.
25:52I don't want to steal from anyone else.
25:53All I want to do is create my own thing.
25:55I know.
25:56How am I going to find another designer?
26:10No one is going to want to work with us now.
26:14This might sound crazy, but what about the person who did these?
26:27They're really good.
26:28No.
26:29Why?
26:36That was me.
26:37I did those.
26:38You?
26:43My dad taught me how to sketch like he did.
26:46He created all of the original moratori designs.
26:49Just like you.
26:53You did these sketches and you came up with the concept.
26:57I mean, we don't need to look for anyone else.
27:01Okay?
27:01You're the designer, Marcello.
27:03No, Emily.
27:04I cannot do this.
27:05Yes, you can.
27:08Yes, you can.
27:10I know you can.
27:11I know you can.
27:13Double espresso coming up.
27:29Get to work.
27:30There's nowhere, nowhere else to go.
27:37No escape, no denial.
27:41No escape, no escape, no escape.
28:11No escape, no escape.
28:16Deep within you.
28:19Yeah.
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