Stranger Things S05(EP1 - EP7)- Episodio 4- Subtítulo español and inglés - Stranger Things S05 - Drama Koreano
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00:00:00Hey, I know you're scared, and I know you're angry, but I promise you, we are here to help you.
00:00:20Derek, Derek.
00:00:22If you keep doing that, you're just going to hurt yourself.
00:00:24You just calm down so we can talk, okay?
00:00:27Do you know who I am?
00:00:31An evil child kidnapper.
00:00:34Okay, I understand why you would think that, but I'm not evil.
00:00:39I'm just a mom, a regular mom.
00:00:42That's my son, Will.
00:00:45Zombie boy.
00:00:47You know why they call him that?
00:00:48Because he died and came back to life.
00:00:50But what people don't know is that when he went missing, he was taken by a terrible, scary monster.
00:00:58And now that scary monster is after you.
00:01:02Yeah, I know.
00:01:02Mr. What's It told me.
00:01:03Which is why you need a...
00:01:04No, no.
00:01:06Mr. What's It is not who he says he is, okay?
00:01:09He is lying to you.
00:01:10All these monsters, they work for him.
00:01:12Now, that's why we took you here to this barn.
00:01:14We thought this barn was safe, but he's found us, so we have to move you again somewhere he can't find you.
00:01:19So if I untie you, will you cooperate and come with us?
00:01:25Please?
00:01:27Okay, great.
00:01:29You're a very brave kid, Derek.
00:01:31I want you to know that.
00:01:33Very brave kid.
00:01:34Let me go!
00:01:43Get off of me!
00:01:44Please, the door!
00:01:45Get the door!
00:01:46Let me go!
00:01:48Help me!
00:01:49Get away!
00:01:51Somebody else might be a kid now!
00:01:53Get away from me!
00:01:55Let me go!
00:01:56Mom, the rope!
00:01:57I need the rope!
00:01:58Let me go!
00:02:00Eat dirt!
00:02:04Come try us, dipshit!
00:02:06Shit!
00:02:18Dude!
00:02:19She's not lying to you, okay?
00:02:21Mr. What's It is a very bad guy.
00:02:22He sent the monsters after you.
00:02:24You suck my fat one!
00:02:26Jesus, what?
00:02:27You just signed your death warrant, dipshit.
00:02:29You're just a psycho and you're going to jail!
00:02:31There is a monster coming.
00:02:33I'm not lying to you!
00:02:34Eric, please!
00:02:36You've got to go down!
00:02:37I'm not listening!
00:02:38I'm not listening!
00:02:38Actually, I'm not the dare!
00:02:42I'm not listening!
00:02:43Come on, go!
00:02:46Come on, come on, go!
00:02:47Stay back!
00:03:12You want him?
00:03:14You're going to have to come through me!
00:03:17You're going to have to come through me!
00:03:19You're going to have to come through me!
00:03:41Damn, we got him!
00:03:44Oh, my God!
00:04:03It flipped! It's headed back towards us!
00:04:05Come on. What are you doing, man? We gotta turn around.
00:04:07Wait, the gates are kinda like peanut butter boppers, right?
00:04:09What?
00:04:10The outside is, like, crunchy and tough,
00:04:12and you bite down on it, it gives way to a gooey, creamy core.
00:04:14Dude, what the hell are you talking about?
00:04:16I drive fast enough.
00:04:17I think the Beamer could punch a hole straight into the gate,
00:04:19and then we can track the demo on its home turf
00:04:21in the upside down, follow it straight back to hull.
00:04:23We're losing the signal!
00:04:24We're not gonna be able to follow anything if we crash.
00:04:26We're not gonna crash if it's like a bopper.
00:04:28It's almost gone!
00:04:32Do it.
00:04:37Oh, my God! Oh, my God!
00:04:39I got it! I got it! I got it!
00:04:41Oh, my God!
00:04:43It's not gonna work. It's not gonna work.
00:04:44It's not gonna work.
00:04:45We're not gonna make it!
00:04:46It's not gonna work. It's not about it. Stop!
00:04:47Oh, no! Jesus Christ!
00:04:48Jesus Christ!
00:04:49Oh, my God!
00:04:50Come on!
00:04:58You did it!
00:04:59Woo!
00:05:00Woo!
00:05:01Woo!
00:05:02Signal?
00:05:04Stop!
00:05:05Oh, my God!
00:05:06Get, you son of a bitch! We got you!
00:05:08I got you!
00:05:25Wooow!
00:05:26Will!
00:05:28Hey, you ain't got what are you doing.
00:05:30It's okay.
00:05:32I got you!
00:05:33I got you!
00:06:03I got you!
00:06:33I got you!
00:06:43Uh... Hockety Pockety?
00:06:45Oh, yes, yes, that's right.
00:06:47Hockety Pockety Wockety Wack!
00:06:49Hards and hens and prick-a-pock!
00:06:51We'll be with you in just a minute, son!
00:06:53It's almost done!
00:06:57Shush!
00:06:59Jelly!
00:07:03Shush!
00:07:07Alan Miller?
00:07:09I'm sorry, what is this about?
00:07:11It's your daughter, sir.
00:07:33It looks like our boy's taking us on the shortcut through our own cemetery.
00:07:45That's the most of the county lying.
00:07:47Doesn't this thing ever get tired?
00:07:49Uh, unfortunately, it looks like the opposite.
00:07:51I think he's speeding up.
00:07:52Wait, what?
00:07:53I'm losing the signal.
00:07:54You gotta be shitting me, man.
00:07:55Can you go faster?
00:07:56Let's see.
00:08:01Henderson, you gotta talk to me here.
00:08:02What do you got, man?
00:08:03Henderson!
00:08:04Wait, I'm picking up some interference.
00:08:05How is that important right now?
00:08:06It means I can't hear the signal.
00:08:07Well, then listen harder, Henderson.
00:08:09You wanna try to put these on?
00:08:10I'm driving!
00:08:11You do the driving!
00:08:12I'm driving, man!
00:08:13What is that?
00:08:14I don't know.
00:08:15Steve, go down.
00:08:16Steve!
00:08:17Steve!
00:08:18Steve!
00:08:19Steve, watch out!
00:08:20Steve, watch out!
00:08:21Steve, watch out!
00:08:28Jonathan, it's Mom.
00:08:29Answer me, please.
00:08:30Over.
00:08:31Jonathan, please answer.
00:08:33Jonathan, Nancy, Dustin, it's Joyce.
00:08:37Please answer me.
00:08:39Hey, any luck?
00:08:42On the plus side, I guess that means they made it through.
00:08:46You wanna see where they're headed?
00:09:07What is it?
00:09:08I don't know, but I could feel it's important to him.
00:09:28It's Mr. What's it?
00:09:31His real name is Henry.
00:09:32A.K.A. Vecna.
00:09:33A.K.A. One.
00:09:34That's too many names.
00:09:36Why won't you just zip it and listen, dipshit?
00:09:39I had this feeling he didn't want me there.
00:09:43I wasn't supposed to see it.
00:09:46You've never been this close to the hive mind before.
00:09:49I mean, that thing was, like, feet away.
00:09:53Sometimes at the squawk, when a signal comes in too strong,
00:09:57it overloads the whole system.
00:09:59I think that's what this was, an overload.
00:10:01You didn't just tap into the hive mind.
00:10:04You jacked right into the goddamn control center.
00:10:07And Holly.
00:10:08Where was Holly?
00:10:10Holly.
00:10:11Holly, she was...
00:10:12She was attached to this...
00:10:14This spire.
00:10:16She became a part of it somehow, like it was doing something to her.
00:10:23And there were others.
00:10:25There were three others.
00:10:27I thought Vecna was just coming for dipshit.
00:10:32So did I.
00:10:33But I only knew about Derek because he walked right past me.
00:10:35Serendipitous timing.
00:10:36You hear that?
00:10:37Serendipitous.
00:10:38I don't know what that means.
00:10:39I am really not loving all of these extra spires.
00:10:42I mean, night one, Vecna kidnaps Holly.
00:10:44Night two, he takes three more.
00:10:45He's escalating.
00:10:46And he's coming for more.
00:10:47Yeah, eight more, if this is accurate,
00:10:49which brings him to a total of 12.
00:10:50What does he want with them?
00:10:52And why kids?
00:10:53And why swell?
00:10:54I don't know.
00:10:55But we have to stop him before he takes any more,
00:10:57and buy Dustin and the others' time to find this place,
00:10:59to find a house.
00:11:00I don't know.
00:11:01But we have to stop him before he takes any more,
00:11:02and buy Dustin and the others' time to find this place,
00:11:04to find Holly.
00:11:05Maybe if we can pinpoint his exact targets,
00:11:07we could get them out of Hawkins.
00:11:09And out of Vecna's reach.
00:11:10Did you forget we're quarantined?
00:11:12That's not all.
00:11:13There's another problem.
00:11:14On the way here,
00:11:15we saw soldiers load Debbie Miller onto a bus
00:11:17with a bunch more kids.
00:11:18And then we followed them for two blocks more,
00:11:20and they loaded more kids onto it.
00:11:21I don't think they were taking them to school.
00:11:24Vecna's not the only one that wants these kids.
00:11:2711 was at the Wheeler house the same night Holly was taken.
00:11:3724 hours later, we've got three more missing kids.
00:11:40There are 73 children in Hawkins between the age of 9 and 10.
00:11:44If the pattern holds, our next target will be from this group.
00:11:48And you believe 11 has taken these kids?
00:11:52For what purpose?
00:11:53Killing them, protecting them, the reason doesn't matter.
00:11:56And these children, where are they now?
00:11:58Arriving at the Max Z any moment, which is where I want you.
00:12:02I should be looking for Lieutenant Akers.
00:12:03I find Akers, I find...
00:12:05You'll find a dead man.
00:12:07Report to the Max Z, Colonel.
00:12:09That's an order.
00:12:17Major General!
00:12:20With all due respect, these kids are in danger.
00:12:23To use them as bait seems...
00:12:26Seems...
00:12:28What, Sergeant?
00:12:31Reckless.
00:12:34It's only reckless if you fail to protect them.
00:12:39Are you telling me you can't protect them, Sergeant?
00:12:42No, ma'am.
00:12:46Good.
00:13:01I'm sorry for scaring you.
00:13:04I haven't seen anyone in a really long time, so...
00:13:10I guess I got excited.
00:13:13Good news is, it doesn't look that deep.
00:13:16Not enough for stitches.
00:13:18I bet it stings though, huh?
00:13:22You can talk to me, you know.
00:13:25I won't bite.
00:13:26You do remember me, right?
00:13:29I've been to your house.
00:13:31Like, a lot.
00:13:35You're Max.
00:13:36Max Mayfield.
00:13:37You skateboard and never take off your Walkman.
00:13:39That's me.
00:13:40But...
00:13:41How am I in here when I'm in a coma in Hawkins General?
00:13:44That's a very reasonable question.
00:13:47We should get going.
00:13:48It's not safe here.
00:13:49Come on.
00:13:50Where are we going?
00:13:51My home.
00:13:52I can't go far.
00:13:53I came here to meet Henry.
00:13:54Do you know Henry?
00:13:55Yeah, you could say that.
00:13:56Well, he left me this note here, see?
00:13:57And he told me to meet him right here at the X, right here.
00:13:58I think he's in trouble with the monsters.
00:13:59Henry is a lot of things, but in trouble with the monsters is not one of them.
00:14:00No, but look.
00:14:01Look, the note says...
00:14:02Holly, I know what the note says.
00:14:03Then how do you know he's not in trouble?
00:14:04Holly!
00:14:05He said hurry!
00:14:06Holly, I know what the note says because Henry didn't write it.
00:14:07I did.
00:14:09I...
00:14:10I...
00:14:11I...
00:14:12I don't...
00:14:13I don't...
00:14:14I don't want to go.
00:14:15I don't want to go.
00:14:16I don't want to go.
00:14:17I don't want to go.
00:14:18I don't want to go.
00:14:19I don't want to go.
00:14:25I don't understand.
00:14:27I'm sorry.
00:14:29I didn't want to lie.
00:14:30I...
00:14:31I just...
00:14:32I had to make sure that you came here.
00:14:34You're one of them, aren't you?
00:14:36One of what?
00:14:37The monsters.
00:14:38Do I look like a monster?
00:14:39I don't know.
00:14:40Maybe you're in disguise, you're dressed weird, and you're in a coma.
00:14:43Okay.
00:14:45Well, would a monster know that your brother tried to get a mohawk until your sister stopped him?
00:14:50Saving him from possibly the greatest social humiliation that a freshman has ever experienced at Hawkins High?
00:14:57What color was this mohawk?
00:14:59Hot orange.
00:15:00And personally, I think the use of the word hot is a bit ironic, but people say I'm too negative.
00:15:06I just think I'm honest.
00:15:20Come on.
00:15:31Come on.
00:15:41Welcome.
00:15:50Hey.
00:15:51It even comes with a view.
00:16:20Where are we?
00:16:28In a memory, which exists inside a world of a thousand memories.
00:16:35I know it might look nice, but it's not.
00:16:39This place, this world, it's a prison.
00:16:50Henry's prison.
00:16:51Henry's prison.
00:16:52Henry's prison.
00:16:53Henry's prison.
00:17:18It's okay, sweetie.
00:17:20These are the good guys. They're gonna keep everyone safe.
00:17:23Just try and think of this as a field trip.
00:17:27Mm-hmm.
00:17:28A learning expedition.
00:17:42Cargo has arrived. I repeat.
00:17:45Cargo has arrived.
00:17:50They're taking them into a barrack second from the library.
00:18:01Tunnels.
00:18:07Yeah, see? The north tunnel of the Mach Z runs right underneath the barracks.
00:18:12Lucky break.
00:18:13Well, not having one of these days.
00:18:15We're gonna need a lot more luck if we want this plan to work.
00:18:17If we're right, the military is trying to protect these kids, so this barracks is gonna be heavily guarded.
00:18:21I mean, we have to dig up into the barracks unnoticed, grab the kids, get them to Murray, smuggle them out of Hawkins.
00:18:26All before anyone notices they're gone.
00:18:28Dick.
00:18:29What?
00:18:30What?
00:18:31Oh.
00:18:32Sorry, did I say that out loud? I thought I was talking in my head, but you guys know Tom, Dick, and Harry, right?
00:18:38Seriously? None of you have seen The Great Escape?
00:18:43Well, basically, it's about these POWs, right?
00:18:46And they're stuck in a barracks just like this one, and they need to escape.
00:18:50So they dig these tunnels, and they call their tunnels Tom, Dick, and Harry.
00:18:53They have to hide the tunnels from the Nazis, so they put Tom in this dark corner, and they put Harry under the stove, and they put Dick in the washroom.
00:19:00And personally, for us, I like Dick.
00:19:03Oh, um, sorry. The washroom. I actually don't even... Never mind.
00:19:10Okay. Say we go with Dick. How do we find the washroom?
00:19:15And how do we get the kids to it?
00:19:16How do we even know which kids are being targeted by Vecna?
00:19:19We use an inside man. Someone who could get into the barracks, measure the distance of the washroom,
00:19:24find out which kids have actually seen Mr. What's It, and somehow avoid the military altogether.
00:19:28Well, that's a lovely plan, but isn't it a tad...
00:19:31Mission impossibly.
00:19:32Yeah. I mean, Mike, who are you gonna get to do this? Bond? Magnum?
00:19:36No, no. We don't want a super spy. We want the opposite. We want someone no one would suspect.
00:19:41Someone that could just walk in, no questions asked. The one kid the military failed to wrangle.
00:19:54What?
00:20:02Two grunts in the tower by the west gate. One more in the tower by the east gate.
00:20:20One, two, three, four on the ground. I hope to God you're right and Vecna is in there, because we might just die trying to break in.
00:20:39I am right.
00:20:40Well, you can't be right about everything, because your theories aren't exactly lining up.
00:20:44Why not?
00:20:45You heard Kryptonite. He's affecting us in there. He doesn't have his powers, and if he doesn't have his powers, how could he have anything to do with Holly's kidnapping?
00:20:52You can ask him before I kill him.
00:20:54How high is that fence?
00:20:56Hey, you're not jumping that.
00:20:59Why not?
00:21:00Because this is not training. This is a real-world situation. And that roof is metal. You hit that on a jump, you can alert the whole damn base.
00:21:10Not if I time it with the thunder.
00:21:12Yeah.
00:21:13It's seven seconds.
00:21:15One, two, three, four, five, six, seven.
00:21:30Okay, you got lucky.
00:21:32Hopper, you copy.
00:21:35Dustin!
00:21:36Hopper, you copy. Dustin.
00:21:39Hey, hey, uh, it's Hop. I copy.
00:21:42Who is it?
00:21:43Okay. Well, they're alive!
00:21:45El! Talk about El!
00:21:46Uh, El. El. Is El with you? Over.
00:21:47Yes. I'm here. Over.
00:21:49Okay. Yay. Terrific.
00:21:51I don't know what you're doing right now, or if you're caught up in something important, but...
00:21:54Dustin, meet us.
00:21:55Meet us at Rhone Cemetery Church, please.
00:21:57Rhone Cemetery? How the hell are you contacting us?
00:21:59I'm there.
00:22:00Right. You don't know. We're in the Upside Down.
00:22:04What?
00:22:05Long story short, we're in here to track a Demogorgon using our telemetry tracker, only to then hit a wall. Literally.
00:22:10Now, Steve's Beamer is stuck, so we need El to come and pry it loose using her power so we can then resume the search for said Demogorgon, which will, in theory, lead us to Holly.
00:22:17Does any of this make sense? Do you need additional details? Questions? Concerns? Over.
00:22:22You hit a wall. What kind of wall exactly?
00:22:27Uh... It's a bit... hard to describe. Sort of...
00:22:33Huge.
00:22:35Disgusting.
00:22:36Smells like Henderson's armpit.
00:22:38Yeah, we hit the same thing, but not at the Rhone Cemetery. We hit it about a quarter mile southeast of the Old Hagen Bridge.
00:22:44That's the opposite side of town.
00:22:48Fascinating.
00:22:49We don't know what it is, but we think that Holly's behind it.
00:22:51Don't bother trying to break through. You... you can't.
00:22:55We're working on a solution.
00:22:57Needs.
00:22:58Solution? What kind of solution?
00:23:01Wait, what kind of solution?
00:23:03Hopper!
00:23:04Listen, we gotta keep the airwaves clear, alright?
00:23:06We'll come get you. Just stay put.
00:23:08You think they're safe?
00:23:11I mean, compared to us? Yeah.
00:23:14Okay.
00:23:16Let's go see if that training is paid off.
00:23:18You're gonna let me jump?
00:23:21Let's go. Before I change my mind.
00:23:24Oh, my God.
00:23:32Vecna's curse.
00:23:34It never goes away.
00:23:36It never leaves you.
00:23:38With each victim that he took, he created a new gate.
00:23:42A gate to the Upside Down?
00:23:44When he took me, he opened the fourth, final gate.
00:23:49Splitting Hawkins in two.
00:23:51Wait, but if Mr. What's It, I mean, Henry, took you...
00:23:57How are you here?
00:23:59You mean shouldn't I be dead?
00:24:01It's okay. It's a fair question.
00:24:04I definitely should be.
00:24:06And for a moment...
00:24:09I was.
00:24:13I don't know how long I was gone,
00:24:15but then I felt something...
00:24:19calling to me.
00:24:21What?
00:24:23What?
00:24:25What?
00:24:27What?
00:24:29What?
00:24:31What?
00:24:33What?
00:24:35What?
00:24:37What?
00:24:39What?
00:24:40What?
00:24:42What?
00:24:43What...
00:24:48What?
00:24:49What is it?
00:24:51What?
00:25:07What?
00:25:09What?
00:25:10One night only. Don't miss it. Tickets are only 50 cents.
00:25:23That's two quarters for you point, Dexter.
00:25:25Joyce! Is that stupid play of yours?
00:25:28Better see you there, Harrington.
00:25:30Friday night? You wish.
00:25:35Nice shot, jerk.
00:25:40Somehow, I was in another time, Hawkins, 30 years ago.
00:25:48Time travel. Only, I wasn't actually there.
00:25:53Not really. I was just an observer.
00:26:00And that's when I understood.
00:26:03I was trapped inside Henry's mind.
00:26:05His memories. Like a nightmare prison world ruled by an evil, psychopathic piece of shit.
00:26:15Like Camazots.
00:26:16Cam-
00:26:17What?
00:26:18Camazots. From Wrinkle in Time.
00:26:21Never read it.
00:26:21You should. It's amazing. Camazots is like this dark planet that's under the control of It, which is this giant disembodied evil brain.
00:26:28Anyways, Meg's dad, Meg's the main character, he gets taken prisoner fare. So Henry's kind of like it, and you're kind of like Meg's dad.
00:26:35Okay, well, I don't know if Meg's dad would agree, but the way I see it, when you're a prisoner in a messed up prison world, you really only have a few doors open to you.
00:26:47Door one, you take your own life.
00:26:51Door two, accept your fate.
00:26:53Or door three.
00:26:55You escape.
00:26:56I chose door three. That seems like the best door.
00:27:00So, I kept moving from memory to memory. Only this place is a maze. I became lost. Turned around. I got so turned around, I actually ended up right back at the beginning.
00:27:16And that's when I heard her.
00:27:28I heard Kate Bush.
00:27:33Is she one of your friends?
00:27:35You could say that.
00:27:38Music has a way of finding you, even in the darkest of places.
00:27:46Lucas had used it before, to reach me, to guide me out of Vecna's mind.
00:27:51Back to the light.
00:27:52So, this music was coming from Lucas. From the real world.
00:28:08Even after all this time, he hadn't given up on me.
00:28:17If you followed this music...
00:28:21Then what?
00:28:23Then it would lead me out of here?
00:28:25Back home?
00:28:28At least that's what I thought.
00:28:35Then...
00:28:37Everything went wrong.
00:28:41Come on.
00:29:07Hey!
00:29:09What the hell are you doing?
00:29:11Can't you read, kid?
00:29:13No trespassing.
00:29:15Right. I see that, officer.
00:29:17It's just... my school is missing.
00:29:26Let's go.
00:29:37Move it.
00:29:44Holy shit, are those laser blasters?
00:29:47Might just be.
00:29:48And they'll blaster if you don't keep it moving.
00:29:55Boys.
00:29:56Boys.
00:30:00All right, absolutely nothing.
00:30:03Whoa, whoa, whoa, whoa, whoa, whoa.
00:30:05This is a private chat.
00:30:07You do exactly as he says.
00:30:09Got any questions, direct them to him.
00:30:11Where might I relieve myself?
00:30:17Braking bar.
00:30:19Shovel.
00:30:21Five safety goggles.
00:30:24A surveyor's wheel and...
00:30:27Hold for applause.
00:30:29Santa's sleigh is ready for his reindeer.
00:30:35We got built-in benches, seat belts, foam padding.
00:30:39Everything a kidnapped child could desire.
00:30:42Foam padding.
00:30:43Don't want to break any eggs en route now, do we?
00:30:47I'm in.
00:30:49You copy.
00:30:50Repeat, I'm in.
00:30:51You copy.
00:30:52Yes, yes, we copy.
00:30:53We copy.
00:30:54Where are you?
00:30:55Bathroom.
00:30:56Back stall.
00:30:5745 of my patients on the front entrance.
00:30:58Good job.
00:30:59Now round up anyone who's seen Mr. Wetted.
00:31:01And we'll be there soon.
00:31:02And remember, you're not dipshit Derek.
00:31:05You're delightful Derek.
00:31:07Okay, once you get that gate open and I'm inside...
00:31:23You lead.
00:31:24That's right.
00:31:25And you?
00:31:27I will destroy your crypt tonight.
00:31:30Don't worry.
00:31:32Okay.
00:31:37make sense to pursue 댄 Дианова.
00:31:42Step three when Will äungen vosges.
00:31:44Step two.
00:31:46Step one.
00:31:47The room will be house two.
00:31:48ap Wisconsin.
00:31:49Step two.
00:31:50You will lose all of these friends.
00:31:51Step two.
00:31:52Step two.
00:31:53Step three house seven.
00:31:54Step four.
00:31:55Step two.
00:31:56Step three.
00:31:57Step four.
00:31:58Step three.
00:31:59Step three.
00:32:00Step four.
00:32:02Step two.
00:32:03Step three.
00:32:04Step two.
00:32:05Step two.
00:32:06All right, come on. Come on, you got this, you got this.
00:32:36Wait, you're too early, you're too early.
00:32:57God.
00:33:01Sorry.
00:33:06You're trying to give your old man a heart attack? Nice job, by the way.
00:33:18Pop.
00:33:20Yeah?
00:33:23For what?
00:33:25For teaching me.
00:33:28And trusting me.
00:33:31Always.
00:33:36The day of reckoning has arrived. With this in mind, I've been sent by Mr. What's-It to gather the Chosen Ones. If you've been visited by Mr. What's-It, speak now. And when night falls, follow me to the latrine. And I will lead you to our savior. To safety.
00:33:54Derek's gone mental.
00:33:58Monsters are coming and you're all gonna die. Ha, ha, ha, ha, ha.
00:34:02Derek?
00:34:05Were you talking about Henry?
00:34:06Anywhere from Derek yet?
00:34:19Not yet.
00:34:20Give him time. It hasn't been that long.
00:34:23I just can't get over the fact that the fate of the world rests on Derek freaking Turnbow.
00:34:29Derek freaking Turnbow.
00:34:30When you look in the mirror, do you see a Navy SEAL looking back at you?
00:34:34Sometimes people need someone to believe in them.
00:34:38And they can do amazing things.
00:34:41Your mom and Robin are getting along better.
00:34:44Well, it didn't hurt that mom scared off that demo. Saved Robin's life. Everybody's life.
00:34:50So, when your mom, when she had her axe, you could see her? Like, through the demo's eyes?
00:35:00Yeah. And I was so close to the hive. It's like I could feel what it was feeling. Like this anger.
00:35:07But I was still in there too. And I was afraid. I was afraid for my mom.
00:35:12You wanted to protect her.
00:35:13Yeah. But I just couldn't. It was like this scary movie you just can't turn off.
00:35:19Open sesame.
00:35:24Well, have fun. Thanks.
00:35:32Are you positive you didn't?
00:35:34Didn't what?
00:35:35Turn off the scary movie. Protect your mom. Not the other way around. I mean, no offense. I know she's badass and everything, but you know.
00:35:40Yeah, she's five foot three.
00:35:41Yeah. And Vecna likes to control the hive mind like a puppet master. So maybe when you tap into the hive, you can pull the strings too.
00:35:48Except I'm not Vecna.
00:35:50You sort of are.
00:35:51You're trying to say that I'm evil and hell-bent on destroying the world?
00:35:55Totally. No. I'm just saying that, you know, you're like a wizard. Like him.
00:35:59In D&D, Mike. Not in real life.
00:36:01True. In real life, you're more like a sorcerer. Because your powers don't come from a book of spells. They're innate.
00:36:07Listen, as far as crazy theories go, I've had crazier. And with Eleven in the Upside Down, we really need some magic up here.
00:36:37You're working on a solution? I mean, if Hopper has a solution to get through this and to get to Holly, he should share it with us.
00:37:00No, I just say we ignore the old man. We keep moving. Look for a door or something.
00:37:05Yeah, and, um, just curious. This door of yours, why it's soft like a peanut butter bopper?
00:37:10You got something to say, Bars? Why don't you just come out and say it, man?
00:37:12I'm just saying that maybe you shouldn't be making the calls from now on.
00:37:15It was not just his call. It was mine. Because it's my sister. And I agree with Steve. Okay, we can't just sit here. I don't know about a door, but this wall can't go on forever. There has to be a way around it.
00:37:30There isn't. This wall is a circle. A circle completely surrounding the Upside Down.
00:37:37Oh, yeah? And how exactly do you figure that? Because unlike you, I didn't sleep through Algebra 1.
00:37:44So my telemetry tracker picked up a weird frequency coming from the wall, and it took me a bit to place, but I've heard it before. Rather, we have.
00:37:53You remember when we were out looking for Hopper and you heard that sound off of Irwin Road?
00:37:56Yeah, you said it was an interference. It was. But this interference, it wasn't coming from a military broadcast or an EMI.
00:38:02It was coming from this wall, which is important because that gives us three known locations.
00:38:07So, I connected the dots, measured the midpoints, drew the perpendicular bodies.
00:38:12All right, yeah, we're not your teachers. We don't need to see your work. We get it. You think it's all a big circle?
00:38:17I don't think. I know. I triple checked and my calculations are correct.
00:38:20Jesus, whatever. I still don't see how this gets us any closer to finding Holly.
00:38:24Because it's not about the circle. It's about the center.
00:38:29The DOE. The Department of Energy.
00:38:32That's...
00:38:33Hawkins Lab.
00:38:35What are the chances that the center of this wall just so happens to be in the very place where all of this started?
00:38:40Where the Upside Down was created?
00:38:41So, the lab created the wall?
00:38:43No idea. But I think we should find out. Don't you?
00:38:55The music, it led me to a new memory. Only something was different about this memory.
00:39:02I was there.
00:39:05It was the day that Henry cursed me. It was his first memory of me.
00:39:10I know, as if this goddamn place wasn't heady enough, right?
00:39:14But, I still had the music to guide me. So, I followed it.
00:39:20And, it led me through new memories.
00:39:31Terrible memories.
00:39:32Let's go!
00:39:34Follow me... into death.
00:39:51And, it felt like they would never end.
00:39:56But then, eventually... they did.
00:39:59It was... the night that Vecna killed me.
00:40:07The night he took me prisoner.
00:40:14I finally found it.
00:40:21The way out.
00:40:29And, I was so close.
00:40:42And, I was so close.
00:40:47So close that I could feel his hand on mine.
00:40:50I was so close.
00:40:52I was so close.
00:40:53And, it was like I was there.
00:40:55Like I was with him.
00:40:57In that hospital.
00:40:58And, it was like I was there.
00:41:00Like I was with him.
00:41:01In that hospital.
00:41:02No, no, no, no.
00:41:32I ran and I kept running
00:42:02I'll never forget the look on his face that day
00:42:30he was scared more than scared he was terrified there's something about this
00:42:38cave this memory he won't come in and here I'm safe so I turned it into my
00:42:53sanctuary my home
00:43:01I took door to shitty door to except your fate that was until you showed up and now
00:43:17door three is back escape I have a plan a plan to get us out of here and it's
00:43:25gonna take time more time than we have now Henry will return to his house soon
00:43:30and when he does he cannot know that you're gone you you want me to go back
00:43:35there back to him back to Henry no I know it's scary but if you want to get out of
00:43:41here if you want to escape Kama's odds this is the only way it's the only way
00:43:55tell me what I need to do
00:44:15do you play any chance remember Tammy Thompson yeah isn't she that terrible
00:44:27singer yeah but in the ninth grade I thought that she sounded like Whitney
00:44:32goddamn Houston I mean the first time I saw her oh my god like time slowed down it
00:44:40was like a scene from some label movie you know her hair blew in the wind and she
00:44:45just looked perfect so goddamn perfect and it was right then and there that I
00:44:51knew she was the one that with Tammy I would finally be able to be myself you
00:44:57know all of myself because there was always this part of me that kind of scared me
00:45:02you know but I thought that if Tammy loved me all of me you know I wouldn't be so
00:45:10scared anymore and then he showed up Steve the hair Harrington you probably can't
00:45:16guess the rest Tammy fell for him hard and my entire fantasy life with her along
00:45:24with the rest of my life pretty much imploded before my eyes I mean my grades
00:45:29plummeted I got grounded I had to stay home every weekend doing chores but then
00:45:33one day I was cleaning patch it out of my parents garage and I found this this this
00:45:37eight millimeter film reel you know and it was just from the silly movie that I
00:45:40made in the fourth grade but I got it up on the projector and all of a sudden I was
00:45:46looking at this little version of myself and that little me I could hardly
00:45:51recognize her you know she was so carefree
00:45:57like fearless she just loved every part of herself and that's when it hit me it was never about don't have to him it was always just about me I was looking for answers in somebody else but I had all the answers just needed to stop being so goddamn scared scared of who I really was
00:46:26once I really was once I did that I felt so for me it's like I could fly you know like like I could finally be rock and robin
00:46:40rock and robin
00:46:42hey guys
00:46:44take your time will you
00:46:46you finally hit dick
00:46:52hit the dick yep let's just hope it's not too hard
00:46:55if it is
00:46:57I'll soften it
00:46:59hey
00:47:01hey
00:47:03hey
00:47:05hey
00:47:07hey
00:47:08hey
00:47:09hey
00:47:10hey
00:47:11hey
00:47:12hey
00:47:13hey
00:47:14hey
00:47:15hey
00:47:16hey
00:47:17hey
00:47:18hey
00:47:19hey
00:47:20hey
00:47:21hey
00:47:22hey
00:47:23hey
00:47:24hey
00:47:25hey
00:47:26hey
00:47:27hey
00:47:28hey
00:47:29Damn it! Damn it!
00:47:41Make a sound, it'll be your last.
00:47:43Not if you understand.
00:47:49Come on, let's go.
00:47:51Come on!
00:47:54It's not working.
00:47:56How do we get through?
00:47:57I don't have clearance.
00:47:58I didn't ask if you had clearance.
00:48:00I asked how do we get through?
00:48:01You can't.
00:48:03Dr. K, your boss.
00:48:05She got clearance?
00:48:06I don't know.
00:48:08I don't know.
00:48:09Thanks for your help.
00:48:12Plan B.
00:48:28I don't know.
00:48:34Come on come on.
00:48:42Come on!
00:48:42No!
00:49:12We're through.
00:49:42Oh, shit.
00:50:01Close your eyes and focus on your breathing.
00:50:04Breathe in and out.
00:50:07As you continue breathing, I want you to picture yourself on a beach.
00:50:11The water is blue, blue as a smurf.
00:50:15You listen to it lap the sandy shore, like a dog slurping from his bowl.
00:50:27It's called visualization.
00:50:30Mom does it when she's out of Valium.
00:50:41Whoa.
00:50:43Go.
00:50:45No!
00:51:15Howdy.
00:51:36Feel the sand under your butt.
00:51:39It feels cool and soft.
00:51:42Time. There you go.
00:51:45Good job, good job.
00:51:46All right.
00:51:48Hey, sweetie.
00:51:50What's your name?
00:51:51Debbie.
00:51:52Do you work for Mr. What's It?
00:51:55Mr. What's It?
00:51:56Oh, yes, of course.
00:51:58I'm one of his elves.
00:51:59You know, like a magic elf.
00:52:12Right here.
00:52:13Couple more steps.
00:52:14All right.
00:52:15Nice.
00:52:16Good?
00:52:17All right.
00:52:18Great job.
00:52:19Step by step.
00:52:20Shit!
00:52:21Shit!
00:52:22What was it?
00:52:23I'm gonna have to do it.
00:52:25I was like, what's it?
00:52:26I don't know.
00:52:27I'm gonna have to do it.
00:52:28I'm gonna have to do it.
00:52:29We're done here.
00:52:30Couple more steps.
00:52:31All right.
00:52:32Nice.
00:52:33You good?
00:52:34All right.
00:52:35Great job.
00:52:36Step by step.
00:52:37Shit!
00:52:38Shit!
00:52:43Shit!
00:52:50Oh, my God.
00:53:20Eleven.
00:53:23I have been looking for you for a very long time.
00:53:30My name is Dr. K.
00:53:34I know who you are.
00:53:38Know who you've taken.
00:53:44And I also know
00:53:46that you and your men
00:53:50are going to die.
00:53:54Okay.
00:53:54Okay.
00:53:59Okay.
00:54:00What the hell?
00:54:30What the hell?
00:55:00What the hell?
00:55:30It's best not to struggle.
00:55:33The greater the perceived threat, the more aggressive its response.
00:55:44Miss Robin, what about the others?
00:55:46Uh, just Robin, and don't worry, they're right behind us.
00:55:48Something's wrong, isn't it?
00:55:50No, no, Siree. Everything is going exactly according to plan.
00:55:52Here, hold it, hold it, hold it, hold it, hold it.
00:55:58Sorry, I'm going to have a plumbing problem here.
00:56:05Are you by chance looking for Mr. What's-It?
00:56:07Right through there.
00:56:17There's a little breeze in the air.
00:56:22I'm telling you to see it.
00:56:24You look up at the sky, searching for clouds, but all...
00:56:27Mr. What's-It?
00:56:46Officer! Officer!
00:56:53Whoa, whoa, whoa. Hey, calm down.
00:56:55What was going on?
00:56:55Shitballs.
00:56:56Good job, man.
00:56:57Lucas! We've been spotted!
00:56:59Oh, no, no!
00:57:00Just get him out of here.
00:57:01Just go!
00:57:01What about the others?
00:57:02Just go! Go, go, go, go!
00:57:03Okay, cool, guys.
00:57:13Hey, stop right there!
00:57:15Ashley Clyde is a snitch!
00:57:26Open up that damn door!
00:57:33So you're the reason, the reason she's been so hard to track.
00:57:41The thorn in my side.
00:57:45And after all that effort to hide her, you bring her here, of all places?
00:57:54Why?
00:57:56Why risk her life for the other?
00:57:59What do you know that I don't?
00:58:10It's actually holding back, if you can believe it.
00:58:14That heat you feel...
00:58:18Weakens it.
00:58:23But in the cold, it thrives.
00:58:29I can stop it.
00:58:34But you're gonna have to start talking.
00:58:55Good hell.
00:58:59Not the sharpest, are we?
00:59:26We're too late.
00:59:47Cavalry's on its way.
00:59:49That's all right.
00:59:51I'll be quick.
00:59:52I'll be quick.
01:00:05Grocery delivery.
01:00:07Where's everyone else?
01:00:08Coming.
01:00:12Come on, sweetie.
01:00:13Come on down.
01:00:15Come on.
01:00:16You get down here right now, or a monster's gonna eat you.
01:00:19Where do you think you're going?
01:00:37That's good.
01:00:38Good, good.
01:00:39Hey there.
01:00:40Where do you think you're going?
01:00:41What are you doing?
01:00:57Hey, you gotta go.
01:00:59Oh, you gotta go.
01:01:00Come on.
01:01:04We're gonna get to the woods?
01:01:06This kryptonite shit can't get you there.
01:01:09We can't.
01:01:10We can't leave.
01:01:11We came for Henry.
01:01:12Hey, you take this compass.
01:01:13You're gonna follow it northeast.
01:01:15That'll take you to the graveyard.
01:01:16You're gonna find Nancy and the others.
01:01:18Whoa, whoa, whoa.
01:01:19Hey, hey, hey.
01:01:20What is it?
01:01:22It's just a failsafe, okay?
01:01:24It's a failsafe.
01:01:25If anything happens, I gotta make sure that he goes down with me.
01:01:27No.
01:01:28No, I'll...
01:01:28It's the only way.
01:01:28It's the only way.
01:01:29I'm not gonna risk losing you.
01:01:31I will not risk it.
01:01:33Oh, no.
01:01:35I want you to know something.
01:01:36From here on out, I want you to know how proud I am of you.
01:01:39I am so proud of you.
01:01:41I am so proud of what you've overcome.
01:01:43No.
01:01:45I'm proud of who you are.
01:01:47No.
01:01:49No.
01:01:50No, I...
01:01:51Hopper.
01:01:52I love you, Jane.
01:01:54Hopper.
01:01:55Hopper.
01:01:56Hopper.
01:01:57Hopper.
01:02:01Hopper.
01:02:02Hopper.
01:02:03Hopper.
01:02:04Hopper.
01:02:05Hopper.
01:02:06Hopper.
01:02:09Hopper.
01:02:13Hopper.
01:02:18Hopper.
01:02:19Hopper.
01:02:21Hopper.
01:02:22Hopper.
01:02:31On the other hand, um...
01:02:33I'm so glad I went.
01:02:34All right, kids, come on, find a seat in the back.
01:03:04All right, okay, let's have some fun, huh?
01:03:11This is going to be great, huh?
01:03:13Okay, let's get our seat belts on, hmm?
01:03:15Safety first, come on, time's a-wastin'.
01:03:17Pretty comfy, huh?
01:03:19Not really.
01:03:20Oh, sorry.
01:03:22Robin, Lucas, do you copy?
01:03:24Over.
01:03:25Copy, it's Robin.
01:03:26Lucas, I copy!
01:03:28We've got a problem here at the Mac.
01:03:30What kind of problem?
01:03:31Let go of me, you asshole!
01:03:35You want to explain to me what new guy's name is going on here?
01:03:38Get the hell off me!
01:03:38We've got five missing kids, sir.
01:03:40You've lost five kids?
01:03:42How is that possible?
01:03:42This woman...
01:03:43Joy Spires!
01:03:44She broke into the barracks.
01:03:45She's been helping them escape through some kind of tunnel.
01:03:48I'm sorry.
01:03:49Can you repeat that?
01:03:50Listen, these kids, they are not safe, okay?
01:03:54They are in danger.
01:03:55And why exactly do you think they're here, ma'am?
01:03:57They're under our protection.
01:03:59If I may reject, officer, I've seen what's coming.
01:04:02And no disrespect meant, but you and your men can't protect shit!
01:04:06Hey, get off!
01:04:08Hey, get off!
01:04:09Hey, get off!
01:04:10Hey, get off!
01:04:11Hey, get off!
01:04:13Hey, get off!
01:04:19Hey, kid!
01:04:20Will!
01:04:21Will!
01:04:22Will!
01:04:23Will!
01:04:24Are you okay?
01:04:25Baby, are you okay?
01:04:32They're here.
01:04:36Oh wait real quick!
01:04:40Oh wait, the hoje is it!
01:04:42I have no idea why.
01:04:43Here come!
01:04:44Oh my god...
01:04:54Anybody see who lives...
01:04:56Oh no!
01:04:57Ahhhh!
01:05:00Oh no!
01:05:01Oh no...
01:05:03Take the nearest threat! Engage on sight!
01:05:12We're all gonna die! We're all gonna die!
01:05:20Get behind me! Get behind me!
01:05:33Get behind me!
01:05:45I'm in the back! I'm in the back! I'm in the back! I'm in the back!
01:06:03Stay behind me! Stay behind me!
01:06:06Move! Move! Move!
01:06:09No! No!
01:06:21We are under attack! I repeat, we are under attack!
01:06:33We gotta go! We gotta go!
01:06:37What about the other kids? Shit!
01:06:51Go! Go! Go! Go! Go! Go!
01:06:55Come on, shall we?
01:06:56Get out!
01:07:03Come on!
01:07:29Hey, we're getting out of here! All right?
01:07:31Hey, we're getting out of here, alright? Eyes on me! Stay close!
01:07:34We'll see. Come on, come on.
01:07:42Wait, wait, wait, wait, wait!
01:07:44I'm not ready to die! I'm not ready to die!
01:07:46Wait up, wait up!
01:07:48Stay close, stay close!
01:07:49Derek, hurry up!
01:07:55Is everybody okay? Are you guys okay?
01:07:57Get into heaven!
01:08:00The radio shack. If we move quick enough, I think we can make it.
01:08:03Get into the tunnels and get the hell out of here.
01:08:05Okay.
01:08:06Okay? Eyes on me, remember?
01:08:12Go, go, go, go!
01:08:16Alright, go!
01:08:21Good job!
01:08:24Go, go, go!
01:08:26Go, go, go!
01:08:33Go, go, go, go!
01:08:34Go, go, go, go!
01:08:35Go, go!
01:08:37Go, go, go, go, go!
01:08:52No!
01:08:56What the hell just happened?
01:09:07I have no idea, but I love it!
01:09:26I have no idea.
01:14:02Stay away from him!
01:14:23You stay away!
01:14:53Can you see them?
01:14:55Can you see the children?
01:15:03Can you see them?
01:15:09Can you see them?
01:15:11Can you see the children?
01:15:15You know why?
01:15:17You know why?
01:15:21Why I chose them to reshape the world?
01:15:25It's because they are weak?
01:15:33It's because they are weak.
01:15:35Weak in body and mind.
01:15:43Weak in body and mind.
01:15:45Please!
01:15:47Please!
01:15:48Please!
01:15:49Easily broken.
01:15:51Easily broken.
01:15:53Easily beshamed.
01:15:55Controlled.
01:15:57The world.
01:15:58The world.
01:15:59The world.
01:16:01The perfect missiles.
01:16:05And you...
01:16:07Well...
01:16:09You were the first.
01:16:11And you broke...
01:16:13And you broke...
01:16:15So...
01:16:17Easily...
01:16:19You showed me...
01:16:21What...
01:16:23What...
01:16:24Was...
01:16:25Possible...
01:16:26What...
01:16:27Was...
01:16:28Possible...
01:16:29What I...
01:16:31Could achieve...
01:16:32Some minds, it turns out...
01:16:34Simply do not belong in this world.
01:16:36They belong in my world.
01:16:40They belong in my world.
01:16:42The world.
01:16:44The world.
01:16:45The world.
01:16:46The world.
01:16:47The world.
01:16:48The world.
01:16:49They belong in my world.
01:17:19The world.
01:17:20The world.
01:17:21The world.
01:17:22The world.
01:17:23The world.
01:17:24The world.
01:17:25The world.
01:17:26The world.
01:17:27I was looking for the answers in somebody else but...
01:17:42than somebody else, but I had all the answers.
01:18:00Do you want to be friends?
01:18:06I just need to stop being so goddamn scared.
01:18:12I'm so scared of who I really was.
01:18:26Wow, it's so good.
01:18:42And once I did that, I was so free.
01:18:58It's like I couldn't fly.
01:19:00It's like...
01:19:02Oh, God.
01:19:03Oh, God.
01:19:04Oh, God.
01:19:09Oh, God.
01:19:11Oh, my God.
01:19:41Oh, my God.
01:20:11Oh, my God.
01:20:41Oh, my God.
01:21:11Oh, my God.
01:21:41Oh, my God.
01:22:11Oh, my God.
01:22:41Oh, my God.
01:23:11Oh, my God.
01:23:41Oh, my God.
01:24:11Oh, my God.
01:24:41Oh, my God.
01:25:11Oh, my God.
01:25:41Oh, my God.
01:26:11Oh, my God.
01:26:13Oh, my God.
01:26:15Oh, my God.
01:26:17Oh, my God.
01:26:19Oh, my God.
01:26:21Oh, my God.
01:26:23Oh, my God.
01:26:25Oh, my God.
01:26:27Oh, my God.
01:26:31Oh, my God.
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