Emily in Paris S05(EP1 - EP10)- Episodio 9- Subtítulo español and inglés - Emily in Paris S05 - Drama Koreano
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00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:21we are spending too much on attorneys already i know money's been tight so i called in a favor
00:27from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:37i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:43uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:50fashion industry literally oh this is scary exciting how soon can we move in how about
01:04now am i doing this right i've never been a fit model before you're perfect okay
01:18pierre cadeau is ready to zoom he has news go go go hi sorry guy
01:25there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:33this changed everything you said you had some news any luck on paris fashion week
01:38despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:45into paris fashion week especially when he's being sued by his own mother
01:50you said you had good news i found you a much more suitable event venice fashion week
01:57venice has a fashion week it's more for emerging designers
02:02well then that's perfect an italian newcomer making a splash in venice literally
02:07you'll sink or swim either way prepare to show in two weeks
02:11what that's not possible oh my darling boy fashion is all about making the impossible possible
02:19good luck my friends
02:29cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:34le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:40there'll be con-con dancers as well as waiters in period costumes and no absinthe party is complete
02:47without a visit from the green fairy herself nice touch when guests arrive we'll greet them with
02:53a shot of le rêve vert served on sugar cubes but just a splash we can't have anyone going bad
02:58that's just a myth right is it really hallucinogen no it's real absinthe was banned for
03:06almost a century in france it was the molly of the belle époque what do you know about molly
03:11it's a strong drink but i assure you le rêve vert is nothing like molly it will not make you lose your
03:20mind during the belle époque regulations weren't strict we weren't there so who can say i wish i had
03:28been there la belle époque wasn't about restriction it was about experimentation about progress in art in
03:34technology in science in everything it was the birth of cinema it was the birth of la tour eiffel
03:40and the epicenter of it all was maxim's so i'm very very glad you were able to book the venue for
03:46the event we did oh yeah we did of course
03:52look why is pascal's party at maxine's i thought you were booking laurel's club i mean it's a perfect fit
04:06for the party and he could use the business i called to reserve the space but i was told it is
04:11unavailable we even offered to change the date but they said no should we ask again no no too late
04:18anyway amy are you free tonight i'm feeling nostalgic and i would love to show you my belle époque paris
04:26ah that sounds lovely martello is busy working tonight so count me in an artist working late into the
04:33night it is just like the belle époque without all the syphilis and the smells do you know about the
04:39great stink of 1880 what ew no the city was unbearable oh yeah i can't wait to tell you all about it
04:48hello have fun
04:50yes i can have a marketing plan ready by tomorrow but if they get two weeks for the line can i please
04:59just at least get two days to prep the rollout
05:02okay thank you
05:05sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:15little slack money's really tight right now he's worried about money really yeah oh do you not know
05:23that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks that
05:29his grandfather gave him so he's basically betting his whole inheritance on marcello's business
05:34wow i had no idea it's gonna be fine he knows what he's doing but i feel like i need to start
05:40contributing more you know i mean if i nail this audition tomorrow i can cover his rent you have an
05:45audition for what did i not tell you so these movie producers saw me at crazy horse and they want me to
05:53read for sateen in an animated moulin rouge oh my god i love that movie you'll be an amazing sateen
05:59aww thanks okay how do i say break a leg in french the french version is married okay well then
06:07married i'll take it i need all the marriage i can get
06:11a two-year-old
06:25and i'm really pleased to have been forced to have been able to leave a pair of
06:27I'm very happy that you could be able to get rid of it.
06:30It seems that you are very busy.
06:32Oh, I can't imagine.
06:34I'm sorry for your absence.
06:37We're reserved for weeks.
06:39Well, it's not good.
06:40Are you good news?
06:42Yes.
06:47You were missing me.
06:50You asked me, I gave you the air.
06:53I was very happy that you called me.
06:57Me too.
06:59I'm happy to see you.
07:03And you've been where all these times?
07:05In the south, especially.
07:07Paris works very well, but it's nothing next to Saint-Tropez.
07:11What about Saint-Tropez?
07:15I found a little thing.
07:19It dates to the opening.
07:21It was you who made the photo, I think?
07:23Yes, I put it, I put the timer, I made the flyer.
07:26I did everything.
07:27You were incredible.
07:31You were always.
07:34We were fusion at the time.
07:35We couldn't separate each other.
07:37I think it was our time.
07:43Who knows?
07:44The best remains to be here.
07:45It's just a moment to try.
07:46It's just a moment to try.
07:47What about Saint-Tropez?
07:48What about Saint-Tropez?
08:19So this was my neighborhood when I first moved in Paris.
08:28I wanted to be in the world of Toulouse-Lautrec, where the artist I read about used to paint
08:33and write and drink and screw their brains out until sunrise.
08:37I fancied myself quite a painter.
08:40Well, that doesn't surprise me at all.
08:42You have an artist's soul.
08:45Come on.
08:49So this is Le Bateau Lavoie.
08:51Matisse, Cocteau, Modigliani, they all gathered here.
08:54Oh, and Picasso, too.
08:56Wow.
08:57I would have killed to be among them.
08:59But I was more like him, selling my works by day and painting new ones at night.
09:05You really were an artist.
09:08How romantic.
09:09It was a brutal existence.
09:10No money, no sleep, just me and my art.
09:18I was never happier.
09:20Oh.
09:21Do you still have any of your paintings?
09:22No.
09:23I sold a few.
09:25The rest I used as firewood when I realized I had no talent.
09:30Oh.
09:31What did you use to paint?
09:33Oh.
09:34My speciality was portraits.
09:36Oh.
09:37Cool.
09:38Self-portraits.
09:39New self-portraits, to be precise.
09:41Oh.
09:42I wish you could have seen them.
09:43I got a striking figure in my youth.
09:44Oh.
09:45My loss.
09:46Okay.
09:47Final absente.
09:48Merci, merci.
09:49This is my last one.
09:50Any more and I'll start hallucinating.
09:53Are you feeling it, too?
09:54I am feeling a little tipsy.
09:55Oh.
09:56Oh, and maybe I am hallucinating.
09:59Gabriel!
10:00Gabriel!
10:01No way!
10:02No way!
10:03No way!
10:04No way!
10:05No way!
10:06No way!
10:07No way!
10:08No way!
10:09No way!
10:10No way!
10:11No way!
10:12No way!
10:13No way!
10:14No way!
10:15No way!
10:16No way!
10:17No way!
10:18No way!
10:19No way!
10:20No way!
10:21No way!
10:22You have to answer!
10:23Hi, Gabriel.
10:24How are you?
10:25Where are you?
10:26Are you still on the yacht?
10:27I'm actually in Amsterdam.
10:28The yacht is in dry dock for repair.
10:30So we're moving to Edderton's summer home in Monaco.
10:32Hmm.
10:33Sounds fancy.
10:34It is.
10:35But I didn't call to brag.
10:37Um, listen, I...
10:38I live in such a rush that I forgot some of my knives.
10:42I'll be passing through Paris tomorrow,
10:44but I don't have much time in between trains,
10:46so I was wondering if you would be willing to come to the train station
10:51and bring them to me.
10:52I-I know it's a big ask.
10:54Uh, uh, what time?
10:57I'll be there at one o'clock for about an hour.
10:59We could have a quick lunch if you'd like.
11:01It would be nice to see you.
11:03Um, yeah, yeah, I think I could do that.
11:06Thank you, Emily.
11:07Honestly, you're a life saver.
11:09Um, listen, I'll shoot you a picture so you know what to look for
11:12and make sure the Guardian knows to let you in.
11:14Okay.
11:15I'll see you tomorrow at Le Trembleu, uh, Gare de Lyon at 1 p.m.
11:19Okay.
11:20Yeah.
11:21Um, yeah, I'll see you tomorrow.
11:23Bye.
11:24Just in case you were wondering, you were not hallucinating.
11:29That call was very real.
11:31It definitely was.
11:41Marcello?
11:42Livia?
11:43Cosa ci fai qua?
11:45Quindi è vero.
11:46Stai lavorando all'atelier di Pierre Cadot.
11:48Ciao.
11:49Nicolà, this is my sister, Livia.
11:53Ciao, Livia.
11:54Nice to meet you.
11:55So you're the one behind this.
11:57This was my decision.
11:59Did Mama send you?
12:00She doesn't know I'm here.
12:02Don't agree with what she's doing, but...
12:04But?
12:05I don't know what you're doing.
12:07You never design anything in your life,
12:09and suddenly you're doing a whole collection.
12:11If I may, your brother is very talented.
12:15Clearly, it runs in the family.
12:18Why don't you take a look at the line?
12:20We'd love to get an outside opinion.
12:22Good idea.
12:23I'd love to know what you think.
12:25Hmm?
12:32Hmm.
12:33They're beautiful.
12:35Really well constructed.
12:37But, Marcello, why do you want to tear a familiar part of this?
12:42It's not even that different from our own brand.
12:44You just put a colorful horse on it.
12:47You're not seeing the whole picture.
12:49Neither are you.
12:50Please stop this before it's too late.
12:56Excuse me.
12:57Aw, hey you. What's up?
12:58Emily.
12:59I need you to cancel Venice.
13:00What?
13:01What do you mean?
13:02We have to shut everything down.
13:03What's going on?
13:04It was a huge mistake.
13:05I'm not a designer.
13:06Of course you are.
13:07Just because you keep saying it doesn't mean it's true.
13:08We've wasted so much money.
13:09I can't show this collection.
13:10I never should have listened.
13:11Wait.
13:12What happened?
13:13Where is this coming from?
13:14My sister came here to see the line.
13:15And she said it's not good enough.
13:16And she's right.
13:17She's right.
13:18I'm going to humiliate myself.
13:19That's not true.
13:20Okay.
13:21Don't let her get into your head.
13:22The line is great.
13:23Emily.
13:24Emily.
13:25Emily.
13:26Emily.
13:27Emily.
13:28Emily.
13:29Emily.
13:30Emily.
13:31Emily.
13:32Emily.
13:33Emily.
13:34Emily.
13:35Emily.
13:36Emily.
13:37Emily.
13:38Emily.
13:39Emily.
13:40Emily.
13:41Emily.
13:42Emily.
13:43Emily.
13:44Emily.
13:45Emily.
13:46Emily.
13:47Emily.
13:48Emily.
13:49Emily.
13:50Emily.
13:51Emily.
13:52Emily.
13:53Emily.
13:54Emily.
13:55Emily.
13:56Emily.
13:57Emily.
13:58Emily.
13:59Emily.
14:00Emily.
14:01Emily.
14:02Emily.
14:03Emily.
14:04Emily.
14:05Emily.
14:06Emily.
14:07Emily.
14:08Emily.
14:09Emily.
14:10Emily.
14:11Emily.
14:12Emily.
14:13Emily!
14:40Sri Lanka was so beautiful.
14:41Like nothing I've ever seen before.
14:43But I think my favorite place was Thailand.
14:45The people are so friendly.
14:47And the food, ugh.
14:49Your episode of Chef's Table is going to be incredible.
14:53I still can't believe you just packed up and left.
14:56It was a crazy thing to do, but I had to do it.
15:01I'd gotten everything I thought I wanted and I was miserable.
15:06So I decided to do the exact opposite.
15:08Instead of stability and routine, I ran for the unknown.
15:11It just woke me up.
15:15I don't know.
15:17I'm talking too much.
15:19How have you been?
15:21Oh, I'm fine.
15:23Yeah, the usual.
15:25Marcello and I are back together.
15:29How are you guys doing?
15:30We don't have to talk about it if...
15:31No, no, no.
15:32It's okay.
15:33We're good.
15:34Well, he's starting a fashion company.
15:36He's actually designing the line himself.
15:38I didn't know he was a designer.
15:40Well, he wasn't.
15:42But then we lost the one that we had, and I saw his sketches, which were incredible.
15:46So I insisted that he take over.
15:49Mm-hmm.
15:50And we're supposed to show at Fashion Week, but now he wants to trash the entire collection.
15:54So...
15:55Well, I missed so much.
15:58It all happened so fast.
16:00You know, maybe a little too fast.
16:02Maybe I shouldn't have pushed him to do it.
16:09Can I ask you something?
16:11Of course.
16:12Did I push you for the Michelin star?
16:17The Michelin star was my dream.
16:18But you were miserable.
16:20And you ran halfway across the world to escape from it.
16:24And...
16:25I don't know.
16:28Maybe from me.
16:31Emily, all I can tell you is that you supported me.
16:34You had faith in me.
16:36Probably more than I ever deserved.
16:39And that's a good thing.
16:40I just don't think that's how Marcello feels.
16:43He's so upset, and I feel like it's my fault.
16:48Although...
16:50Maybe that could be because of the lawsuit.
16:52Because on top of everything else, his mom is suing him.
16:54That's terrible.
16:55And his business partner, Nico.
16:57Oh, um, Mendy's boyfriend, you remember him?
16:59The billionaire?
17:00Well, no, not anymore.
17:01It's a really long story.
17:03You know what I forgot a dramatic Paris can get?
17:07Yeah.
17:12This restaurant is so gorgeous.
17:14We should have had our Belle Epoque party here.
17:16It's Art Nouveau, right?
17:18You know what?
17:19I believe it is.
17:20I look at you, you're such a cultured Parisian now.
17:24There was a time where you didn't even know which floor you were on.
17:27Oh, God, remember when that was my biggest problem?
17:29Oh, I feel like that was my Belle Epoque.
17:34Everything was so new and exciting, like a fantasy.
17:39Now it all just feels so difficult and real.
17:46We tend to romanticize the past.
17:49Things were pretty hard back then, too.
17:51You didn't know what you were doing at work.
17:54You were kissing people that had girlfriends.
17:57Which I didn't know.
17:59And they were kissing back, by the way.
18:01That's very true.
18:02But not only that, there were secrets and pacts
18:06and fake Michelin inspectors.
18:08And also good memories, like sex on the roof.
18:12Now who's romanticizing the vibe?
18:14You know, when I left for the yacht,
18:19I thought my best days were behind me.
18:22But no, I'm excited for the future.
18:25Wherever it brings me, I think you should be, too.
18:31Never knew I could feel like this.
18:42Like I've never seen the sky before.
18:50I want to vanish inside your kiss.
18:57Every day I love you more and more.
19:03Listen to my heart, can you hear it sing?
19:11Telling me to give you everything.
19:18Seasons may change, winter to spring.
19:24Thank you for meeting me.
19:27It was good to see you.
19:30Give Marcello some time.
19:32You two are good together.
19:34What makes you say that?
19:37Because I saw the two of you in Rome.
19:41When were you in Rome?
19:45After you decided to leave Paris,
19:46I had this crazy idea to follow you.
19:49And I saw you with them.
19:53Why didn't you ever tell me?
19:55Because you looked happy.
20:01And that's all I ever wanted for you.
20:05It's all I ever wanted for you, too.
20:10For both of us.
20:11You know, they didn't start calling it La Belly Puck until after it had passed.
20:20Nobody knows if they're living their golden age.
20:22Maybe we're living ours now.
20:24You would love to hang out with her.
20:27Yeah.
20:27Yeah.
20:31Just send me a postcard, OK?
20:32A real one with a stamp.
20:35And there's no mountain too high
20:40And a river too wide
20:44Sing out this song and I'll be there
20:49Never you sighed
20:52Stone clouds may gather
20:55And stars may collide
20:59Oh! Oh my God! You...
21:01Gabrielle, you're knives!
21:03Wait!
21:05Gabrielle! Gabrielle!
21:10You're knives!
21:12Oh, thank you.
21:19You're a good friend.
21:20Hey. Where is everyone?
21:33Oh, suddenly the world seems such a perfect place.
21:44Hey. Where is everyone?
21:47I sent them home.
21:50Did you cancel the show in Venice?
21:52Not yet. Are you sure that's what you want to do?
21:57It's what needs to be done.
22:01You know, sometimes when things don't work out,
22:03it helps to look at it from a different perspective.
22:06Do the opposite.
22:08Like if I'm thinking black, I run towards white.
22:11What?
22:12Black is white.
22:14Up is down.
22:16Something like that, yeah.
22:18All I can think of is how many I'm pointing at everyone.
22:22Well, then think of the opposite.
22:25Listen, I don't need you to be a designer
22:28or a titan of industry
22:32or anything other than the wonderful man that you are.
22:42Whatever you decide, I'm with you.
22:44Finally, Maman, tu m'as appelée, il y a à peine une heure.
22:56Mais je t'ai vu que c'était urgent.
23:00Moi aussi, je suis ravie de te voir.
23:02C'est quoi cette urgence?
23:04Est-ce que tu as vu ton mari dernièrement?
23:06Oui, justement, je l'ai vu hier soir.
23:07Il avait un peu pris cette distance, mais on a reconnecté.
23:11Ah, ah, ah, ah, merveilleux.
23:13Est-ce que tu peux me dire de se connecter avec moi aussi
23:15afin de m'expliquer pourquoi ces créanciers s'en prennent à moi?
23:19Pardon?
23:19Il est en retard de paiement surtout.
23:22Sa licence d'alcool, ses fournisseurs,
23:24il y a même certains de ses employés.
23:26Mais non, mais attends, Maman, je comprends pas.
23:27Il m'a dit que le business marchait super bien.
23:29Ah bon?
23:29Il t'a dit aussi qu'il avait emprunté 2 millions
23:31en hypothéque en immeuble.
23:33Mon avocat vient de nous la prendre.
23:34Maman, t'es sûre de ce que tu dis?
23:36Évidemment que je suis sûre.
23:38Il n'a plus d'argent, alors c'est à moi qu'il s'en prenne.
23:42J'aurais jamais dû me compromettre avec ce type
23:44et toi non plus.
23:44Sous-titrage Société Radio-Canada
23:51Sous-titrage Société Radio-Canada
24:21Bravo, oui, bravo.
24:24Merci beaucoup.
24:25C'est parfait.
24:27C'est exactement comment j'ai pictured Maxime
24:29lors de la Belle Époque.
24:30Merci.
24:31C'est notre plaisir.
24:33Si vous m'aideriez,
24:34j'ai un date avec la Belle Fairie.
24:36Elle est en train de me.
24:38Sous-titrage Société Radio-Canada
24:44Are we sure this doesn't make you hallucinate?
24:46Mm-hmm.
24:49Is everything okay?
24:52I thought you'd have the time of your life here.
24:54Non, c'est magnifique,
24:56but being here made all this beauty.
24:59I wish I hadn't given up on my art.
25:03Luc, I think you're romanticizing the past.
25:06Do you remember how hard it was?
25:08And look at you, okay?
25:09You have a great life.
25:11You have great friends
25:12and a great job
25:14and, well, you live on a boat.
25:19Yes, it's true.
25:21But I wasn't talented enough anyway.
25:25Just another dream that dying.
25:29Luc,
25:30there's something you have to see.
25:31Oh, my God, is that?
25:46It's me.
25:48All of these years
25:49I've been hanging in Maxime's.
25:51Maybe a little too well-hung.
25:54Artistic license.
25:55I can't believe it.
25:57I did make it as an artist.
25:59Emily, can you take a photo of me
26:00with my masterpiece, please?
26:01Oh, of course, yeah.
26:03Okay, let's see.
26:05Uh, oh, you know what?
26:07Here, you want to just hold this?
26:08Okay.
26:09Um, just a little higher.
26:11Tilt it to the left.
26:12Yeah, up, up, up.
26:14Perfect.
26:19Hello.
26:21May I join you?
26:22Uh, sure.
26:24But no dancing tonight.
26:25Deal.
26:26I can't do the can-can anyway.
26:28You all right?
26:33Uh, it's so stupid.
26:35All right, try me.
26:38Well, I guess I have to tell somebody.
26:41I booked the role of Satine in Moulin Rouge.
26:43It's an animated movie musical.
26:46Well, congratulations.
26:47That's great.
26:48Isn't it?
26:50It is.
26:51I mean, I could use the cash
26:53because I was really excited to tell Nico
26:54that I could cover the rent for a while.
26:56But?
26:57But they just sent me the script
26:59and some sketches
27:00and the full title is Moulin Rat.
27:04I'm a rat.
27:06Hold on, hold on, hold on.
27:07That can't be the right translation.
27:09I mean, what's French for rat?
27:11It's fucking rat.
27:12What?
27:13I'm rat-teen.
27:15Who's rat-teen?
27:16A cartoon rat prostitute.
27:18Oh, shit.
27:19No, see, this is why I didn't want to tell Nico.
27:20This is so humiliating.
27:22Who cares?
27:23Cash that check.
27:24That rat sex worker would.
27:25Honestly, yeah.
27:30Yeah.
27:30That's what?
27:31Oh, you're right, mate.
27:32What's so funny?
27:36I booked a job.
27:39I'm rat-teen.
27:40That's great.
27:42Wait, who?
27:44A rat prostitute in a top-up.
27:45Stop.
27:47No, no, no.
27:48It's Moulin Rouge with rats.
27:52Ah, I get it.
27:54Funny.
27:54No, no, no, no, it's not that funny.
27:56But the salary's great, and rent is on me.
28:00That's amazing.
28:02Yeah.
28:08I'm gonna go grab another drink.
28:10Congrats.
28:21Emily.
28:25Did Laurent check in?
28:27I didn't see him yet, but I was only at the check-in for the first hour, so...
28:30Oh, I think he just walked in.
28:31Oh, my dear.
28:32Who?
28:35Laurent.
28:38Laurent.
28:40My dearie.
28:44You lied to me.
28:46I know about the loan.
28:48I can explain.
28:49I need to pay off some debts in Saint-Tropez.
28:51I don't care why you did it.
28:53You took advantage of my mother.
28:56I'm so done with you.
28:58Sidi, please.
28:59I want a divorce.
29:07No, deve essere pronto, deve essere pronto.
29:09Non voglio sentire ragioni, ok?
29:10Chiaro?
29:11Dai, ciao, ciao, ciao, ciao.
29:12Hey, what's going on?
29:13Oh, Emily, I'm sorry about earlier.
29:16You've been so supportive during this.
29:17It's been so difficult, and...
29:19I need to tell you something.
29:22You're cancelling the line...
29:24Cancelling?
29:26No, say your thing again.
29:28I love you, Emily.
29:30I love that you believe in my crazy dream, even when I don't.
29:33I love that you won't let me give up.
29:36I love you, too.
29:38And like I told you before, none of this business stuff matters to me.
29:42I hope that's not true.
29:45Come.
29:50What is all of this?
29:52I took your advice about thinking differently, and I'm doing the opposite.
29:56The paleo is bright and loud.
29:58That's what the collection should be.
29:59Not a colorful pony on neutral fabrics, but a neutral pony on big, bold, colorful designs.
30:05But who were you on the phone to before?
30:07I thought you were so upset.
30:09Oh, that was my textile supplier, and I wasn't angry.
30:12I was excited.
30:15If we are going to make it to Venice, we don't have much time.
30:20We're going to Venice?
30:21No.
30:21No.
30:22No!
30:25We're going to Venice!
30:26No!
30:27We're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice, we're going to Venice.
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