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#Mind Your Language
#Season 2
#Episode 4
#Many Happy Returns

Category

😹
Fun
Transcript
00:00Do-do-do-do
00:30Do-do-do-do-do-do-wa
00:32Do-do-do-do-do-wa
00:34Ba-ba-ba-ba-ba-ba-ba-ba
00:38There you are, love. Thank you. Sugar's on the table.
00:47Here's a cup of tea, Brad.
00:50Oh, one of these days, Sid, you'll actually buy one.
00:53And I'll drop down dead with shock.
00:55Buy one?
00:56Yes.
00:57Tea is free. It's one of the perks that goes with his job.
01:00Oh?
01:01Are you off for a bit of a touch?
01:03I beg your pardon?
01:04I'm talking about money. I'm brassically.
01:08You're always skinned, Sid. I'm sorry. No.
01:14Hello, lads.
01:15Hello, Sid.
01:16Ah, how are you, my old Japan?
01:20Japan?
01:21My old Japan, your rhyming slang meaning friend.
01:25No, not Japan, you mean China.
01:27The old China plate, me mate.
01:30Jelly goods.
01:31I don't suppose any of you boys could?
01:33No, Sid.
01:34It's only till payday.
01:36No, I understand.
01:39Sorry, please.
01:40Sorry.
01:43Gladys.
01:44You must have packed your car, some under the counter, will you?
01:46I've got to get some money somehow.
01:48Well, what's you going to do?
01:49I'm going to play a little game of finding a lady.
01:52Oh.
01:53Nobody might want to play.
01:54Oh, they'll have to play when I give them the old come on.
01:57Come on what?
01:58Yeah, well, you know I've only got a quid till payday.
02:00Yeah.
02:01Well, if I let somebody win that, they can't stop.
02:03It never fails.
02:05Now, all I've got to do now is find a mug.
02:07Oh.
02:07Coffee, please.
02:08Hello, mug.
02:09Uh, uh, Max.
02:11Max, sir.
02:12Would you, uh...
02:13No, Sid.
02:14No, no, I'm not trying to trap you.
02:16I thought perhaps you might like a game of cards.
02:18I don't like to gamble.
02:19Oh, don't be silly.
02:20It's only for a bit of fun.
02:22Come on, sit down and enjoy yourself.
02:24This is called Find the Lady, you see.
02:27Now, the lady is a queen.
02:30Now, there's the queen and there's the other two cards.
02:33Now, what I do is I shuffle them about
02:35and the object is to see if my eyes could deceive your eyes.
02:39The quickness of my hand deceives your eyes.
02:41Eric, where is it?
02:44There.
02:46Oh, you're right.
02:48You're very good.
02:49You have got sharp eyes, haven't you?
02:50Sure I have.
02:52Do you want to have a navigo?
02:54Yes?
02:55Here.
02:56Where is it?
02:57This one.
02:59Oh, twice on the turn.
03:01Hey, you are very, very good, aren't you?
03:04Pretty smart, eh?
03:05Nobody's ever beaten me twice.
03:07Tell you what,
03:08if you'd have been playing for money,
03:09you'd have won two quid now.
03:11Two quids?
03:12Yeah.
03:13Do you want to go again?
03:14Okay.
03:16Right.
03:16Only this time.
03:17I bet a pound.
03:19I thought you said you don't bet.
03:21My father,
03:22he teached me two rules of gambling.
03:24First rule,
03:25always bet on a certainty.
03:27You want this pound?
03:28Oh, yes,
03:30I'll have a little game of that.
03:31Yes, why not?
03:32Now then,
03:33here's the queen,
03:34there's the card.
03:34Hop back.
03:35Where is it?
03:36This is the lady.
03:38Well, three times on the trot.
03:40That's fantastic.
03:41Hey, I like this game, Sid.
03:42Do you like it?
03:43Yes.
03:44Good.
03:44Double quids?
03:45Quids.
03:49I don't want to play anymore.
03:50But you can't do that.
03:52The second rule,
03:53my father tell me,
03:55always quids
03:55when you're winning.
03:56Good evening, please.
04:04Ah, Ranjith,
04:05you're late.
04:05I thought you weren't coming.
04:06You've missed the first half of the session.
04:08A thousand apologies,
04:09but I'm falling asleep
04:11on the underground tube.
04:12I'm going right past
04:14my getting off stock
04:15and not waking up
04:16until cocky fosters.
04:17Cocky fosters?
04:20Perhaps you're working too hard.
04:21I am working
04:22three times too hard.
04:24What do you mean?
04:25Well,
04:26my proper job
04:27is working
04:27on the underground railway tube
04:29and I'm working
04:30the early morning shaft.
04:32You mean shift.
04:34That is correct.
04:35I am working
04:36from six o'clock morning time
04:38until two o'clock
04:39afternoon time.
04:40Then,
04:40I'm doing other job
04:42for garage,
04:43pumping the petrol
04:43until six o'clock
04:45evening time.
04:46Well,
04:46even allowing
04:47for the time you spend here,
04:48you could still have
04:48eight hours sleep.
04:50Oh, no.
04:50When I'm leaving here,
04:52I'm working in public house
04:53until after midnight.
04:56I think you're overdoing it,
04:57Ranjith.
04:57All work and no play
04:58makes Jack a dull boy.
05:00This Jack,
05:01is he having
05:02three jobs also?
05:04No,
05:04it's just a saying.
05:05Look,
05:05why are you working so hard?
05:07I'm saving up
05:08for the aeroplane.
05:09Ah,
05:09you want to buy an aeroplane?
05:10No,
05:10no.
05:11Just a ticket
05:12to Punjab.
05:13Ah,
05:13are you thinking
05:14of leaving us,
05:15Ranjith?
05:15Only for one week.
05:17My mother
05:17is being 60 years old
05:19this week.
05:20So,
05:20I'm giving her
05:21the big surprise
05:22of myself.
05:24I am now
05:25having the money
05:26for the aeroplane ticket.
05:29230 English pounds.
05:31That's a lot of money
05:31to carry around,
05:32Ranjith.
05:33You could be mugged
05:33on your way home.
05:35You are speaking
05:36absolute wisdom.
05:37Here,
05:37you keep for me.
05:38Me?
05:39Most certainly.
05:40Then,
05:41if I am being mugged,
05:42the mugger man
05:43will not find money.
05:45Oh,
05:45it's too big
05:46a responsibility.
05:47Please,
05:48you keep for me
05:49until tomorrow.
05:50Then,
05:50I buy ticket.
05:51Oh,
05:51very well.
05:52Thousand,
05:53thank you,
05:53sir.
05:55Right,
05:55come along,
05:56everyone.
05:56We've got a lot
05:56of work to get through.
05:58Good,
05:58quickly now.
05:59Come on,
06:00if you are.
06:01Right,
06:02now,
06:02for the rest
06:03of this evening,
06:03we are going
06:04to have a debate.
06:05Now,
06:06can anybody tell me
06:07what the word
06:07debate means
06:08and I don't want
06:08to hear anyone
06:09say,
06:09debate is what
06:10you put on
06:11the fishing line?
06:13Anybody tell me
06:14what a debate is?
06:16Come along.
06:16Sue Lee,
06:17what is parliament
06:18noted for?
06:19Collab politicians
06:20who make roles
06:20to a place
06:21working classes.
06:23Agreed.
06:23Well,
06:24that's what we call
06:24debating.
06:25Quite simply,
06:26it means to discuss
06:26or dispute
06:27a given subject
06:27and that's what
06:28we are going to do.
06:29Right?
06:30Do you understand
06:30what we're talking
06:30about,
06:31Zoltan?
06:31Butch are not.
06:32We're going
06:33to have a debate,
06:34an argument.
06:35Ah,
06:35a fight.
06:36No,
06:36no,
06:36no.
06:37Not with fists,
06:39with mouth.
06:40Ah,
06:41gliss.
06:42What?
06:44Kiss,
06:45with words.
06:46Look,
06:46just do your best
06:47to follow us,
06:47all right?
06:48Right,
06:48now,
06:48the first thing
06:49we need to do
06:49is find somebody
06:50to chair the debate.
06:52I'm good at that.
06:53Have you done it before?
06:55Sure,
06:55every Saturday
06:56I go to chair
06:57my football team.
06:59I'm talking about
07:00chair,
07:00not cheer.
07:01Excuse me.
07:02Right,
07:02well,
07:03I shall be the chairman.
07:03Now,
07:04what subject
07:04would you like to debate?
07:06Girls?
07:09Girls is not a subject.
07:11Subjects for debates
07:11are usually in the form
07:12of questions.
07:13For example,
07:14should men and women
07:15have equal pay
07:16for equal work?
07:17Should capital punishment
07:18be brought back?
07:19Should Enoch Powell
07:20be deported?
07:23Yes,
07:23that's the general idea.
07:24Right,
07:24now,
07:25for our debate,
07:25I think we'll take
07:26the subject of television.
07:27Is television
07:29a good or bad
07:31influence on the community?
07:32All right?
07:33Now,
07:33we need two proposers
07:34and two opposers.
07:36In other words,
07:37two people to speak
07:38for good
07:38and two for bad.
07:40Juan,
07:41how about you?
07:42Por favor.
07:44Good or bad?
07:46Eh,
07:46sometimes
07:47I am good.
07:50Sometimes
07:50I am bad.
07:52But,
07:52not talking about
07:53you personally,
07:54Juan,
07:55do you think
07:55television is good?
07:57Eh,
07:57sometimes good,
07:59sometimes fine.
08:01Make your mind up, Juan.
08:03In a debate,
08:04you can't sit on the fence.
08:08I'm not sitting on the fence.
08:09I'm not sitting on the fence.
08:12Don't forget I asked you.
08:14Hey,
08:15what'd you ask me?
08:16Well,
08:16forget it.
08:17How can I forget it
08:18if I don't remember?
08:21Never mind.
08:22It's all right.
08:23Right.
08:24Taro,
08:24you can be the first proposer.
08:27Arse.
08:29Now we need a lady.
08:31Jamila,
08:32you can be the second proposer.
08:33Yes.
08:34Now,
08:35two opposers.
08:37Ali,
08:38how about you?
08:39Yes, please.
08:39And,
08:40Danielle?
08:42Am I good or bad?
08:43Bad.
08:44Oh,
08:45I like being bad
08:46because when I'm bad,
08:47I'm really good.
08:50Well,
08:51just remember,
08:51we are talking about television.
08:53Right,
08:53now,
08:53pay attention,
08:54everyone.
08:54Taro will speak first
08:55with the proposition
08:56that television is good
08:58for the community.
08:58Go ahead,
08:59Taro.
09:00Awesome.
09:00television is very good
09:05for everyone.
09:08More people watch,
09:10more people buy.
09:12And,
09:12Japan make
09:14best television.
09:17Japan make
09:18best everything.
09:20Castle,
09:22cameras,
09:23radios,
09:24Thank you, Taro.
09:25Just remember,
09:25you are speaking
09:26about television,
09:27not doing a commercial
09:28for Japan.
09:30Awesome.
09:33Television
09:34is good
09:35for teaching.
09:37I learn
09:38many English words
09:40from television,
09:43like,
09:44what a gay day.
09:47Don't forget,
09:50fruto,
09:51gamso,
09:53mammo.
09:54Thank you,
09:55Taro.
09:57Right,
09:58Danielle,
09:58would you present
10:00your case
10:00against television?
10:02Yeah?
10:03Oui.
10:04I think
10:05television
10:06is very bad
10:08because it make
10:09people stay up
10:10at night
10:11instead of
10:12going to bed
10:13to make love.
10:14everybody wants
10:17to go to bed
10:18to make love.
10:19Why not?
10:20That's right.
10:20Sometimes it's
10:21much better
10:21to make a love
10:22outside.
10:25In Sweden,
10:26we make love
10:27everywhere.
10:29Whoa.
10:30Well,
10:31I think we are
10:31getting off
10:32the subject.
10:38Now,
10:38come along.
10:39Make love.
10:40Much better
10:41proposition
10:42than television.
10:44Come on,
10:45stick to the point,
10:47please,
10:47Danielle.
10:48I think
10:49television
10:49is very bad
10:50for the eyes.
10:52Yes,
10:52and also
10:53for the legs.
10:56Legs?
10:57Si.
10:58My brother,
10:59Miguel,
10:59he had bad legs
11:01from his television.
11:02What?
11:03How can a brother
11:04possibly have bad legs
11:05from his television?
11:06He dropped it
11:06on his foot.
11:12It's from the mask.
11:13Carry on,
11:14Danielle.
11:15I cannot think
11:16of any more
11:16to say after this.
11:18Ah, right.
11:18Well,
11:19Jamila,
11:19would you like
11:20to present your case
11:21for the good
11:21of television?
11:22Gee.
11:24I am like
11:25very much
11:26the television.
11:27The television
11:28make people
11:29most happy
11:30with good,
11:31good program
11:31like
11:32Carnation Street.
11:35Coronation Street?
11:36Ah,
11:36and last week,
11:38I am watched
11:38this week.
11:39I will be watching
11:41this week
11:41last week.
11:43This week
11:44is the name
11:44of a program,
11:45Ranjit.
11:46A thousand apologies.
11:49And,
11:49also,
11:50television is beef-free.
11:51You have to buy
11:52the license.
11:53Word license.
11:56Haven't you got
11:57a television license?
11:59No,
11:59no need license.
12:00I'm sorry,
12:01Jamila,
12:01but you do.
12:02No.
12:03Look,
12:03it's an offense
12:04not to have one.
12:05If the detector van
12:05comes round,
12:06you could be
12:06heavily fined.
12:07No.
12:08Look,
12:09don't argue,
12:09Jamila,
12:10it's the law.
12:11Not for me.
12:12Why not for you?
12:13No have television set.
12:18Watch next door,
12:19they have my set.
12:22Thank you,
12:23Jamila.
12:24Ali,
12:24your turn.
12:26Ah,
12:26jelly good.
12:29I am thinking
12:30television is very bad
12:32because it is showing
12:34too much of the violence.
12:36Good point.
12:39Last night,
12:39I'm seeing
12:40somebody been drowned,
12:41then shot,
12:43and then
12:43had their heads
12:44chopped off.
12:46What was that,
12:46the professionals
12:47or Starsky and Hutch?
12:49Tom and Jerry.
12:52Excuse me,
12:53Mr. Brown,
12:54can you spare a moment?
12:55Ah,
12:55just a moment,
12:55Miss Courtney,
12:56we're right in the middle
12:56of a very interesting debate.
12:57Could you wait
12:58just a minute,
12:58please?
12:58Certainly not.
13:00Oh,
13:01very well.
13:01Is it all right,
13:02Giovanni,
13:02out here?
13:03Certainly,
13:03Professor.
13:04Right,
13:05would you take the chair?
13:06Sure.
13:10I mean,
13:10will you chair
13:11the debate?
13:12Excuse me.
13:13Right,
13:14let Ali finish
13:15and then throw it open,
13:16give everybody a say,
13:17then take a vote,
13:17and if I'm still not back by then,
13:18you can dismiss the class
13:19and go home.
13:20Okay.
13:25Okay.
13:27You heard what
13:28Professor is saying,
13:30Ali's to finish,
13:31we have the talk,
13:33we have the vote,
13:34and then we go home.
13:36Okay?
13:37Sorry.
13:37You finish,
13:38Ali?
13:39No,
13:39I haven't.
13:39I was...
13:40You finish!
13:43Anybody want to talk?
13:45Okay,
13:45we take the vote.
13:46Everybody think TV's okay,
13:48put up the hands.
13:50Everybody think TV's not okay,
13:52put up the hands.
13:54Ah,
13:54we call it a drawer.
13:55Class dismissed!
14:00You going somewhere?
14:06Would you care to go for a drink,
14:07Miss Colton?
14:07No, thank you,
14:08Mr. Brown.
14:08I want to get to the post office
14:09in time to catch the last post.
14:11Ah.
14:11Oh,
14:11I wonder,
14:12would you post a letter for me?
14:13Yes,
14:13certainly.
14:13That's all right.
14:16Right.
14:17Good night then,
14:17Mr. Brown.
14:18Good night.
14:19Well,
14:20that's another day over,
14:21Sid.
14:21Yeah,
14:22worse luck.
14:23Oh,
14:23I'm always glad to get home.
14:24You wouldn't say that
14:25when you was living
14:26with my message.
14:28Hello,
14:28hello.
14:29What's the matter?
14:31Here.
14:32It's full of bees and honey.
14:34I know as it is.
14:36I know as it is now.
14:37Don't you think
14:39you ought to take it
14:40into the police station?
14:41Darn me,
14:41Piccadilly,
14:42Grannis.
14:43I'm as fine as it's keepers.
14:44Oh,
14:44Sid!
14:45Oh,
14:45oh,
14:46oh,
14:46oh,
14:46oh,
14:46oh,
14:47oh,
14:47oh,
14:47oh,
14:47oh,
14:48oh,
14:48oh,
14:49oh,
14:49oh,
14:49oh,
14:50oh,
14:50oh,
14:51oh,
14:51oh,
14:51oh,
14:52oh,
14:53oh,
14:53oh,
14:54oh,
14:55oh,
14:56oh,
14:57oh,
14:58oh,
14:59oh,
15:00oh,
15:01oh,
15:02oh,
15:03oh,
15:04oh,
15:05oh,
15:06oh,
15:06oh,
15:06oh,
15:07enter.
15:13Ah,
15:14Mr. Brown.
15:15Hush!
15:15Don't you hush me!
15:17Miss Courtley,
15:18I'm in terrible trouble.
15:19You certainly are.
15:19You're ten minutes late.
15:21No, no, no.
15:22Worse than that,
15:22I've lost 230 pounds
15:24that Ranjeet gave me
15:25to look after.
15:25Well, how on earth
15:26did you manage to do that?
15:27I've no idea.
15:28It must have fallen out of my pocket.
15:29I've looked everywhere.
15:30I went to the police station
15:31to ask if anyone had handed it in
15:32and they just laughed.
15:34What am I going to tell Ranjeet?
15:35The truth,
15:36Mr. Brown.
15:37You had better do it in private.
15:39You can use my office.
15:41I will send him to you.
15:46I suppose the direct approach
15:47will be best.
15:48Ranjeet,
15:49I have lost your money.
15:50No, no,
15:51I can't do that.
15:52It's too harsh.
15:53Better soften the blow a bit.
15:55Ranjeet,
15:56come in.
15:57Have a seat.
15:59Do you like a cup of tea?
16:00No, no.
16:02Ranjeet,
16:03I have something to tell you.
16:04Are you sitting comfortably?
16:06Oh, no.
16:07I'm standing.
16:08Oh, Ranjeet,
16:10come in.
16:11Sit down.
16:11Have a cup of tea.
16:12There isn't any tea.
16:13Ah, well,
16:14I'll get you.
16:15Miss Courtney said
16:15you have something to tell me.
16:17Yes, Ranjeet,
16:17I am human.
16:19And you are human.
16:20And human beings are fallible.
16:21I mean,
16:21I'm fallible
16:22and you're fallible.
16:24No,
16:24I'm Ranjali.
16:27No, no,
16:28what I'm trying to say,
16:28Ranjeet,
16:29well,
16:31I have lost your money.
16:34Did you hear me?
16:35The money you saved up
16:36to go and visit your mother with her,
16:37but I've lost it.
16:47Ranjeet.
16:52I'm sorry, Ranjeet.
16:59Good evening.
17:02Hello, Sid.
17:03What's the matter?
17:04You look as if you lost 100 pounds
17:05and found 10 feet.
17:06There's many a true word spoken in jest.
17:08Oh, come on.
17:09Cheer up.
17:10Have a cigar.
17:11No, thanks.
17:12Can't be as bad as all that.
17:13It's worse.
17:14Well, look at me.
17:15Yesterday,
17:15I didn't have apony.
17:16Today,
17:17I can have a tenner on horse
17:17and take no notice.
17:19You couldn't lend me 230 pounds,
17:20could you?
17:21No chance.
17:22Oh.
17:22That's all there was
17:23in the envelope.
17:27What envelope?
17:28The envelope was found
17:29outside of school.
17:30You too!
17:32Talk to me.
17:33That was Ranjeet's money.
17:35Have you still got it?
17:36Yeah.
17:38Why didn't you hand it in?
17:40Hey, wait.
17:40What are you doing?
17:42Ranjeet,
17:42we found your money.
17:44Oh.
17:46Oh, praise me, Lord.
17:50I'm never to be seen by my mother.
17:53Oh, she'll be so happy
17:55to be seeing me.
17:56Yes.
17:56There's only 130 pounds in here.
18:01That's right.
18:01Well, where's the other hundred?
18:02Oh, here it is, here.
18:04What is that?
18:05That's a betting slip.
18:07I've had 100 pounds
18:07on Rainbow's End
18:08in the 6.15
18:09at the night race at Windsor.
18:126.15?
18:13We can still make that.
18:14Come on, everybody, quickly.
18:15Mr. Brown, what is going on?
18:23Oh, we're just taking an early tea break
18:24in the betting shop.
18:26Come on, Rainbow's End.
18:38Rainbow's End.
18:38And right away,
18:39it's Ernie's boy in the lead,
18:40followed by Death's Delight,
18:41Golden Wonder,
18:41and Skylark.
18:42Then comes Southern Peacock
18:43and Slimline.
18:45Where is Rainbow's End?
18:46And bringing up the rear
18:47is Rainbow's End.
18:49And that's the order
18:50at the bend.
18:51With Death's Delight
18:52closing a little
18:52and Skylark now
18:53overtaking Golden Wonder.
18:55Southern Peacock
18:56is dropping back.
18:57And who is this
18:57coming through on the inside?
18:58Rainbow's End.
18:59Slimline.
19:00And as they come
19:01into the straight,
19:02it's still Ernie's boy,
19:03Death's Delight,
19:04and Skylark.
19:05And here's Rainbow's End
19:06and she's running outside.
19:08And with four furlongs to go,
19:10it's Ernie's boy,
19:11Death's Delight,
19:11and Rainbow's End
19:12now in first place.
19:13Ernie's boy is pulling away
19:14slightly,
19:15but Rainbow's End
19:15has overtaken
19:16and they're challenging
19:17strongly.
19:18Two furlongs to go
19:19and Rainbow's End
19:20is gaining on
19:20Rainbow's End.
19:21And at the finish,
19:24it's Rainbow's End.
19:26And I won't be able
19:53to be visiting my mother.
19:56Oh, poor Anjit.
20:00He was so much
20:01looking forward
20:02to seeing his mother.
20:03He will see his mother.
20:05But Master G,
20:05he was going to be
20:06catch plane on Saturday.
20:08How will he be
20:08get £100 before then?
20:10We'll get it for him,
20:11even if we have to
20:12beg, borrow,
20:12or steal it.
20:13Yes.
20:14Two wives and 16th.
20:18Please, please.
20:19Oh, thank you.
20:21You're one photograph.
20:23Very cheap.
20:23Three for one pando.
20:27Five pretty love
20:28for your pretty wife.
20:29No, thanks.
20:30You want a great love
20:31of pretty wife?
20:32No, thanks.
20:32Do you want a great love
20:33of pretty wife?
20:34No, thanks, Turkey.
20:35Sarani sandwiches
20:36from here.
20:37All made
20:38from French bread.
20:39Shushini.
20:41Shushini.
20:42Twenty please.
20:44Come on.
20:44Shushini.
20:47Have your fortunes
20:48told by Madame Jamila.
20:49Come on, young man.
20:49Would you like
20:50to get your fortune told?
20:51Now sit around there.
20:52Madame Jamila
20:52feel this young man's fortune.
20:53Please do cross my phone
20:55with 50p.
20:56You can't be wrong all the time.
21:20There's one for you.
21:28Ah, Mr. Brown,
21:29please hold.
21:30Please hold.
21:31Oh, all right.
21:31Yes.
21:31It's all right.
21:37Come on, dear.
21:39Come on, one.
21:40Ah, good evening,
21:45Miss Courtney.
21:45Good evening, Mr. Brown.
21:47I hear you managed
21:48to raise the money
21:48for Mr. Singh's fair.
21:49Yes, you'll be
21:50at the airport now.
21:52How is he going?
21:53By plane or balloon?
21:56Ah, you heard about that.
21:57Yes.
21:58Yes, if that caretaker
21:59hadn't been on the roof
22:00to catch my legs,
22:01heaven knows where I'd be now.
22:02Where you usually are,
22:04Mr. Brown,
22:04with your head in the clouds.
22:11Good evening, Pastor.
22:12Good evening, Pastor.
22:13Well, firstly, may I say
22:15thank you for all your efforts
22:16yesterday to help raise
22:17the fare for Ranjeet.
22:18Oh, yes, sir.
22:19No, no, no.
22:20It was a remarkable effort,
22:21which is more than I can say
22:22for your homework.
22:24I am not happy
22:25with your answers.
22:27And we are also not happy
22:28with the questions.
22:31I've got an idea.
22:33You're not happy.
22:34We're not happy.
22:35So if you not give us
22:36any homework,
22:37we both be happy.
22:39Silence.
22:41Look, in future,
22:42you will be given
22:42extra homework,
22:43and I hope that I see
22:44some improvement.
22:45Some of you are just
22:46simply not trying.
22:47For example,
22:48Max,
22:49the opposite of
22:50anti-meridian
22:50is not uncle-meridian,
22:52but post-meridian.
22:55Okay,
22:56you know what you're
22:56laughing about, Giovanni?
22:58Your answer to the question,
22:59write a sentence
23:00using a metaphor,
23:01was unbelievable.
23:03But I did write a sentence
23:04using a metaphor.
23:05Oh, yes.
23:06Last night,
23:06I phoned my girlfriend
23:07and a metaphor a drink.
23:08Ali,
23:14for your information,
23:15a polygon
23:16is a term used
23:17to describe a figure
23:18with angles and sides
23:19and has nothing whatsoever
23:20to do with
23:20the disappearing parrot.
23:24Mr Brown,
23:25the Australian
23:25wants to have a word with you.
23:27Ah,
23:27a new pupil.
23:28Would you like to sit over there?
23:29No, sit.
23:30Look for Ranjit.
23:31Ah, well,
23:32I'm afraid he's not here.
23:32He's gone over this weekend
23:33to visit his mother
23:34as a surprise
23:35for her birthday.
23:35That is terrible.
23:37Why, what's the matter?
23:38I am his mother.
23:39I am his mother.
23:41For my birthday
23:42to surprise Ranjit.
23:43You're his mother.
23:44Oh, you must have crossed.
23:45Oh, my God.
23:46Oh, my God.
23:46Oh, my God.
24:05Oh, my God.
24:17Oh, my God.
24:18Oh, my God.
24:18Oh, my God.
24:19Oh, my God.
24:20Oh, my God.
24:20Oh, my God.
24:21Oh, my God.
24:22Oh, my God.
24:23Oh, my God.
24:23Oh, my God.
24:24Oh, my God.
24:24Oh, my God.
24:25Oh, my God.
24:25Oh, my God.
24:27Oh, my God.
24:27Oh, my God.
24:28Oh, my God.
24:29Oh, my God.
24:30Oh, my God.
24:30Oh, my God.
24:31Oh, my God.
24:32Oh, my God.
24:33Oh, my God.
24:34Oh, my God.
24:35Oh, my God.
24:35Oh, my God.
24:35Oh, my God.
24:35Oh, my God.
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