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00:00Whoa, whoa, whoa!
00:00He would let you know that he is a savage killer.
00:03I will chew your lips off your face.
00:06Please, I'm right here!
00:08Oh, look!
00:09Coughing!
00:10Ooh!
00:12Feels like it's inside my body.
00:13How did he kill you?
00:15Steve Bell!
00:16Oh, my God!
00:24There are things in this world
00:26that we will never fully understand.
00:28We want answers.
00:30We have worked years to build our credibility,
00:34our reputation,
00:37working alongside the most renowned professionals
00:40in the field,
00:42capturing groundbreaking proof of the paranormal.
00:44It's working!
00:45I can't give you an explanation.
00:47This is our evidence,
00:50our ghost adventures.
00:53It has been years since we last conducted
01:05an official ghost adventures investigation
01:08at my haunted museum in Las Vegas.
01:11But because of a string of deeply disturbing events,
01:17we're back for what I can only describe
01:20as an emergency intervention.
01:22On July 15, 2024, I was on the road in California.
01:27At 1.05 a.m., I did a quick check
01:32of the museum security cameras on my phone.
01:36And at that time, I started hearing sounds.
01:40Very loud, unusual, unrecognizable sounds.
01:51But then something happened
01:53that gave a chill down my body.
01:55These very loud, growling sounds.
01:59It sounded like a Tyrannosaurus Rex
02:02was inside my museum.
02:12And this lasted for about 15 minutes.
02:15There was also a voice of a woman saying the name David.
02:38Now, we tried to debunk these noises.
02:41I tried to explain them.
02:43But we just could not find any logical explanation
02:47as to why this occurred.
02:54There are other events that occurred,
02:56and I'm talking as recent as last week,
03:00involving a woman who claims she has seen
03:03a very tall, menacing male figure.
03:06Right near the exhibit,
03:11where I just placed the remains
03:15of America's most prolific serial killer.
03:19Samuel Little, who died in 2020,
03:22preyed on marginalized women,
03:24killing multiple victims by strangulation
03:27over approximately 30 years.
03:29That's where I dropped.
03:31Pulled the bird right out and rolled it down there.
03:34He confessed to 93 murders,
03:37and law enforcement says they have confirmed
03:39at least 60 of them.
03:42I'm deeply concerned that the introduction
03:44of his remains to the museum
03:46have given extra fuel to some of the most
03:49spiritually combustible items in the world.
03:52And that this evil monster's spirit has been summoned
03:58by the other cursed artifacts.
04:04We will begin by examining the already intense level
04:07of paranormal activity here,
04:09before the introduction of Samuel Little's ashes.
04:13John Shaw has been performing sideshow acts
04:18at the museum for six years,
04:20and has extensive knowledge of Satanism and the occult.
04:27I talked to him about the terrifying growls
04:30heard on the ballroom security camera.
04:33Every single effort has been exhausted
04:36in trying to debunk this,
04:38and we are still inconclusive.
04:40Now let's talk about the cause,
04:46the building's background.
04:49Back in the 70s,
04:50the devil-worshipping that was factually
04:53taken place here.
04:55In 2016, I interviewed a woman
04:58who observed clear evidence of Satanic rituals
05:01in the basement of the museum building.
05:03First thing I saw was a pentagram on the floor,
05:08and then there was a circle around that pentagram,
05:12and I also saw blood drops.
05:15You're for sure you saw blood.
05:17Positive.
05:18A previous occupant of the building,
05:21with government documentation of her family's residence here,
05:25testified that her father participated in dark rituals
05:28in the basement, and that this is a place of unspeakable horror.
05:35There could, in theory, still be portals left here
05:39that maybe were not ever closed.
05:41Yeah.
05:42That sound to me...
05:43If you were going to create a sound
05:47that was going to sound like a portal opening
05:49to another realm of reality,
05:50that is exactly what I would think.
05:52Right.
05:53And it sounded like something opening,
05:55like a tear in the veil.
05:56It just gave me a chill when you said that for some reason.
05:58Yeah.
05:59In the Bible, the tearing of the veil occurs
06:02at the time of Jesus' death,
06:04and signifies a new kind of access to the afterlife.
06:11I asked John to take me to the sideshow room
06:14where there have been hundreds of sightings
06:16of a little girl's spirit inside an unfinished room
06:20that can only be accessed by entering this old wagon.
06:24John believes this little girl
06:27could be something much darker mimicking
06:29the innocence of a child
06:31and trying to attach itself to unguarded living souls.
06:37You guys here.
06:38On the way to the sideshow room,
06:40we stop at the ballroom
06:41where the demonic sounds were captured
06:43on the security camera.
06:45Okay.
06:46Right over here, this is the security camera
06:49that captured the sounds.
06:52And just to the left of the security camera
06:58is this room here
07:01that is really at a focus for me
07:04as being a potential source of those sounds.
07:07This is the devil's rocking chair.
07:11The devil's rocking chair,
07:13which was involved in the exorcism
07:15of 12-year-old David Glatzel,
07:17caused so many disturbing incidents at the museum
07:21that I was forced to temporarily close that exhibit in 2019.
07:27Not only do David Glatzel's growls
07:30during his exorcism sound eerily similar
07:32to those captured in the museum...
07:34I am doing it!
07:36I am doing it!
07:37Ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha, ha!
07:44But the name David is spoken aloud.
07:50So I want to focus a little bit more on investigations
07:53in here as well when we do...
07:54Whoa.
07:55You all right?
07:56You all right?
07:58Yeah, I just got really dizzy.
08:01I did not like that.
08:03Yeah, it looked like you were about to fall over.
08:04Yeah, I didn't like that.
08:06I just got dizzy.
08:06I just got vertigo really bad.
08:09This room has a history of causing debilitating dizziness.
08:13Two museum visitors have lost consciousness
08:16and collapsed in this exact same spot.
08:20OK, right now, we are going to go through this hallway here.
08:23This is going to lead to the sideshow area.
08:26This is where the sightings of the little girl
08:29have been hundreds.
08:33Since Aaron is the most childlike of us,
08:36I send him inside the circus wagon
08:38where the little girl is often seen
08:40to see if he can draw her out.
08:43Little girl, we want to know who you are.
08:47Can you appear for Aaron so we can take your picture?
08:51Aaron's Polaroids show that he is completely alone
08:54inside this wagon.
08:56But then he feels something unexplained
08:58just as I'm attempting to summon the little girl's spirit.
09:03Dude, something just grabbed.
09:05See this?
09:05See my little pouch here?
09:07I put all...
09:07Dude, something just grabbed my, like, Polaroid pouch.
09:11Was Aaron just touched by the little girl's spirit?
09:15We turn now to troubling paranormal activity
09:23that may have been stirred up
09:25by the addition of Samuel Little's remains.
09:28I meet with Joy Foster at my headquarters
09:32next door to the museum.
09:34God.
09:36What the heck?
09:37You OK?
09:38Yeah, you just scared me.
09:39It's OK.
09:39I do that sometimes.
09:41It is no surprise that Joy is jumpy.
09:44Just a week ago, she had a horrifying experience
09:47in the room where I keep the van
09:48that Dr. Jack Kevorkian used
09:51for illegal assisted suicides.
09:53Last week, I stopped by the museum
09:57and it was around 9.30 p.m.
10:00I noticed you and a couple of your friends
10:03and you were crying.
10:06And at that time,
10:08you said that you saw somebody in the museum.
10:11What did you see and what area?
10:14When we were about to turn into the Kevorkian office,
10:17down the hallway, there was a very tall shadow,
10:20but it was not quite a shadow.
10:22It was, like, white.
10:22So this thing crouches down
10:26and is, like, right by me, smiling.
10:31And I'm, like, just laughing at it.
10:34And it's just laughing.
10:40And I'm very uncomfortable at that point.
10:43And I felt almost like there were claws
10:45right in my back right here.
10:47So that's when I just, like, lost it.
10:49I felt like I couldn't go.
10:51I feel like I was just so overwhelmed and scared.
10:58And it just felt like a million things
11:00were just yelling at me that it was going to hurt someone.
11:02And I just, like, didn't know how to stop it
11:04from hurting someone.
11:05What this entity was?
11:06Yeah.
11:07Okay.
11:13And then it follows us into one other room.
11:16What other room?
11:16It followed us into the room that had Samuel Little's ashes
11:20and, like, all the kind of serial killer stuff in there.
11:23You mentioned Samuel Little's ashes.
11:25I didn't even mention him to you.
11:26You mentioned that.
11:27Yeah.
11:28I just remember that was one of the things
11:30I noticed in the room.
11:32I kind of almost focused on his ashes
11:34because they were in the back.
11:35And I just headed there.
11:36And then when I headed back out, it was just gone.
11:38So we just added his remains into the museum,
11:44I mean, just over about a month ago.
11:46As these events unfolded,
11:48I was alarmed by Joy's breakdown
11:50and took the ovulus to the Kevorkian van room.
11:54And every single thing that you would say
11:57or I would say, we would then get the message.
12:01I said, wow, this room feels really heavy.
12:03It said heavy.
12:04I said, where's the entity?
12:06And you said, it's on the ceiling.
12:08What did we get on the ovulus?
12:09Ceiling.
12:10Ceiling.
12:10We went and asked you, think of a number.
12:13You said 1-1.
12:14I feel like I hear, like, 11, like 1-1.
12:18And what was on the ovulus?
12:2011.
12:2011.
12:22Go look at the ovulus.
12:26What number did you say?
12:2711, 1-1.
12:30It was letting us know that it's listening to us.
12:34It can see us.
12:35It wanted us to be scared.
12:40And at that time, I remember both of my fists
12:42were stuck in this position.
12:44You ever had locked jaw?
12:46You know, you're biting so hard,
12:47you're just, you're waiting for your teeth to explode.
12:49I was waiting for my fists to explode.
12:53And I think that the aggression of this entity
12:55where you said you thought it was going to hurt somebody,
12:57I was feeling it.
12:58I was connecting to it.
12:59Why don't we walk in there real quick?
13:04You want to?
13:05Yeah.
13:05All right, let's do it.
13:07Okay.
13:08Before we even enter the building,
13:10the ovulus transmits an ominous message.
13:13But because of this...
13:15I've never seen that before, right?
13:16That's crazy.
13:18Wait, what?
13:18What?
13:19Follow me for death.
13:20Yeah.
13:21What the ?
13:22They're dead.
13:22They know that we're coming.
13:28We enter the building,
13:29and I direct Billy to follow Joy with the XLS
13:32to the room containing Samuel Little's ashes.
13:35It does not feel good in here.
13:38Am I going to be the only one in here?
13:40Hold on.
13:40Whoa, whoa, whoa.
13:41Hold on.
13:41What was that?
13:42Something did like an acrobatic.
13:44What are you feeling in here right now?
13:45It just feels like something is just like right here.
13:48At exactly the same time a figure appears on the XLS,
13:54Joy says she feels a presence in the room.
13:57It just feels like something is just like right here.
14:04Hey, Samuel Little,
14:05why don't you give us the name of some of your victims?
14:08A lot of them haven't been identified.
14:10Where are they at?
14:13Oh, look!
14:15Creek Casket.
14:16No way!
14:17What the f*** is that all about?
14:19It's really direct.
14:21This is breathtaking.
14:23I ask a deceased serial killer
14:25where his victim's remains are,
14:28and I get some disturbingly specific direct communication.
14:32But then the communication continues.
14:35Can you give me another victim's name?
14:38Coffin!
14:39Again!
14:40What are the f***ing odds in that, bro?
14:43Where are you?
14:44Oh, he says linger in the cellar.
14:49Go down there.
14:50Go.
14:50All right.
14:52Billy takes Joy to the basement
14:54to see if a female presence provokes a response
14:57from this serial killer of women.
15:00But Joy doesn't feel comfortable going any farther.
15:04I feel like he definitely wants me back there alone.
15:07I just don't know if it's going to be a good thing.
15:15Author Jillian Loren wrote Behold the Monster
15:18after spending three years interviewing serial killer Samuel Little.
15:23I meet with her to get some insight
15:26on what kind of spiritual chaos his remains could be causing.
15:31What was his presence like?
15:33What was his energy like?
15:35Was there something about him that felt inhuman?
15:39I had three nicknames for Sam.
15:43Perv Grandpa, Snake Monster, and Three Card Monty.
15:47And Snake Monster was the frightening one.
15:50I grabbed my legs and pulled to the water.
15:56That's the only one that I ever killed by drama.
16:02That was if I challenged him or talked too much, you know,
16:08shut your mouth or I'll crawl across this table
16:12and I will chew your lips off your face.
16:16He would say that?
16:17Yeah.
16:17The monster inside of him was always there.
16:23Yeah.
16:24He would let you know that he is a savage killer.
16:28He believed he owned his victims.
16:31Like he took their soul.
16:34Yeah.
16:34Like he took their breath.
16:36Like, I take your breathing from you.
16:40And then he gave it back sometimes.
16:43He gave his victim CPR.
16:46After he killed him?
16:48No, brought them back to life.
16:50And then killed him again.
16:52Are you serious?
16:53Yes.
16:54He was a soul taker.
16:55Jillian says Samuel Little left his personal effects to her
17:06in his will, including the ashes from his cremation.
17:11You provided me with Samuel Little's ashes, his remains,
17:17and also some of the hand-drawn portraits that he did
17:21of some of the victims.
17:22So I do got to tell you, once we put his remains on display
17:30in the jail room, where there's also the remains of Charles
17:34Manson, there has been some strange phenomena occurring
17:38in that room and also a sighting.
17:42Um, why your reaction like that?
17:46Well, I had his, I had his remains in my house.
17:52When you received the ashes and you brought them into your house,
17:56um, you know, this is my field of research.
17:58And we've investigated numerous cases involving remains and ashes,
18:03and that was always a common denominator in attachments
18:06and families, especially when that person whose ashes they were,
18:10were an evil person, were a bad person, were possessed.
18:14Did you ever have any weird, um, feelings or anything like that
18:19when the ashes were in your house?
18:21Any changes with you, your family, or anything?
18:23Yes.
18:24You did?
18:25Yeah.
18:27It just got darker, and I got more and more depressed,
18:32and, uh, I just, like, started to kind of fold
18:37every time I walked into the room, you know?
18:40And I, I got, like, a weird tremor.
18:43It wasn't okay having those ashes in the house.
18:46It wasn't okay.
18:47We take Jillian to the jail room to assess the energy
18:55generated by Samuel Little's ashes and his victim portraits.
19:00This portrait here says,
19:03Jillian Lauren, my book writer.
19:05Yeah.
19:06He had this incredible memory for faces,
19:10and also he learned to draw in the Ohio State Reformatory.
19:14Mm, Ohio State Reformatory.
19:15Uh-huh.
19:16Mansfield.
19:17Mm-hmm.
19:17Really?
19:18I investigated there.
19:19He was there when, uh, there was a suicide,
19:23like, uh, someone set himself on fire above his cell.
19:28What?
19:29Really?
19:29Mm-hmm.
19:30Yeah.
19:30We, we spoke to an inmate who walked us to a cell
19:34where inmate set himself on fire and committed suicide.
19:37That's the one, yeah.
19:40God, it's so weird when these connections start happening,
19:43these, like, synchronicities.
19:44How does it feel to be around his ashes right now?
19:50You evil, you evil, you evil.
19:51He was so evil.
19:56He was so evil.
19:57He was so evil, Zach.
19:58We step outside to process these extremely chilling revelations.
20:06Holy s**t.
20:08Was that heavy or what?
20:10Billy was off camera.
20:11Billy, come here.
20:13Were you feeling that, saying?
20:14A little s**t.
20:15Oh, my God.
20:15My stomach feels nauseous, like, looking to puke.
20:19Aaron makes a disturbing connection to the messages we got on the ovulus with joy.
20:24And, hey, he was saying where another body was.
20:27You know, the river and the coffin.
20:29Like, I wonder if he was trying to tell us where other bodies that he murdered were.
20:32It is weird.
20:32And then it did it twice.
20:34Whoa.
20:35Look at this.
20:36No way.
20:38What the f**k?
20:40Coffin!
20:41Now it f**king said coffin!
20:44But there's yet another chilling connection here.
20:48Along with coffin, the ovulus says creek and river.
20:52Are these actually the words of a very specific Samuel Little victim?
20:57You're the only one that I ever killed by drowning.
21:05Jillian appears from inside the museum and tells us something that blows us all away.
21:11That's really important.
21:13Those details are really important.
21:15Yeah.
21:15Did he ever put, like, people in coffins and stuff?
21:17Um...
21:18Caskets?
21:19Yes.
21:20What?
21:22Yeah, boxes.
21:24Yes.
21:24Was a diabolical serial killer taunting us by sending the words coffin and casket?
21:35And did he threaten our lives?
21:37Follow me for death.
21:39What the f**k?
21:40They know that we're coming.
21:42As we are getting ready to start our investigation, all four of us are at nerve center when I see an unexplained light in the ballroom.
21:56There was, like, two lights here, like, bright white lights right here.
22:14And nobody is inside the museum.
22:16No.
22:16There was two lights right here.
22:18Oh, yeah, yeah.
22:18So we're just starting right now our investigation.
22:22As we were setting up, Billy and I were in the doll room, and we started receiving just some really chaotic EMFs that we could not explain.
22:31And every time I mentioned the name Gretchen, which is one of the most haunted dolls here at the museum.
22:37And then as we're all here observing, I just saw some lights over here, a couple lights, and we're all outside.
22:45What mic are you listening to right now?
22:47I'm just listening to all of them.
22:48You are?
22:48And if I start hearing something, I can kind of isolate which one's which.
22:52But right now it's a mix of everything.
22:53So where are the four microphones?
22:54So the four microphones, you can see one right here in the ballroom.
22:57Okay.
22:57That's a low subsonic frequency microphone.
23:00It picks up everything, but it really intensifies the low end.
23:03There's another mic right here.
23:04You can see the stand here.
23:06That's a shotgun boom mic.
23:07Okay.
23:08That's shooting down the hallway.
23:09Okay.
23:09In here, you can actually see it.
23:11See that cable there?
23:12Yes.
23:13That's a microphone that I placed into that room.
23:15Into the little girl.
23:16Exactly.
23:17It just dropped it.
23:17It goes to the little girl's room.
23:18Yep.
23:18The unfinished room.
23:19You just dropped it down there.
23:20Okay, awesome.
23:20And then the other microphone, it's laying on the devil's rocking chair right now.
23:26Billy and I now enter the museum and head to the ballroom, where the disturbing sounds
23:30were recently captured on the museum security cameras.
23:35All right, so it's all come down to this.
23:38There's so many unknown reasons that I have personally about why you chose me, because I
23:44know you did.
23:46Why did you do those sounds on July 15th?
23:48Did you know that was my father's birthday?
23:54As I ask this question, did you know that was my father's birthday?
23:59My infrared light unexplainably turns off and then on by itself.
24:06Zach.
24:07What?
24:07I got a really weird prickly feeling around my ears and my neck when you said that.
24:12It feels like something just moved in behind me.
24:15Now watch as this strange anomaly manifests out of the same mirror that we just captured
24:22this light from.
24:32What were those lights?
24:33I want to hear those sounds again.
24:37Do it for me now that I'm here.
24:40I want you to come through the veil.
24:43I want you to open it and tear it open.
24:47Whatever you are, I demand you to show yourself now.
24:51It's like literally something standing behind me right now with its hands on my shoulders,
25:00because I can, I can feel, it's like a tingly, I'm being dead serious, dude.
25:06During this moment, Billy and I start heading upstairs when Aaron and Jay hear a strange sound
25:12in the ballroom.
25:19Did you just hear that?
25:21There was this sound like,
25:22when you guys were walking.
25:26I didn't hear anything.
25:27Yeah, that was funny.
25:28Where did it come from?
25:29What camera?
25:37Did you just hear that?
25:38With this unexplained sound captured, Billy and I now try to elicit more activity by playing
25:45the actual audio of the disturbing sounds captured on the security camera.
25:50I'm going to play the sounds that we captured on that camera right there.
25:55Not only did we capture it on that camera, we captured it on the camera on the other side
25:58of the wall.
25:59Once I play these sounds, let us experience it with our own ears and our eyes.
26:08I'm going to play these sounds, let us experience it with our own ears and our own ears.
26:38Full body chills, man.
26:44Who's the dude?
26:46David?
26:50Hey.
26:51Yeah.
26:51What if I brought the devil's rocking chair out, put it out in the ballroom?
26:55Bring it out.
26:56As I start trying to remove the devil's rocking chair, I realize it won't fit through the narrow
27:02doorway.
27:03We sealed it inside of this room with a very thick piece of plexiglass through this opening.
27:09So I now begin to remove it.
27:17I feel like this room had something to do with those sounds.
27:21Really?
27:21Because of the name David?
27:29Slide it down.
27:32Is this what you want?
27:41Ed and Lorraine Warren claimed this chair was the throne of the beast that possessed David
27:49Glatzel.
27:50They would also witness the chair rock violently back and forth, levitate, and move throughout
27:56the house by an unseen force.
27:58Why are you so quiet?
28:04We capture this light anomaly once again by the mirror shooting towards the chair.
28:09Then it does a 180-degree turn and retreats.
28:12Whoa.
28:19Whoa.
28:24Whoa.
28:25It's the first spike I got, and it was on you.
28:27I get a spike near Billy with a 12.8 milligauss peak.
28:32I'll go by his camera.
28:34You see his camera right here?
28:36The meter is on the camera, and it's a .2, .1.
28:39It's not the camera.
28:41But I'm just showing, look how fast I'm swinging this.
28:43Listen, I am withholding from telling you what the I'm going through right now, because
28:48it just...
28:49It was on you.
28:50It did it twice on you.
28:51It was out there, and it jumped on me, and I literally feel like there's just like
28:55this force field around my body just holding onto me like this, and I don't like the feeling
28:59that I have.
29:01We want to take a moment and show just how black Billy's eyes look right now.
29:07And when we compare this footage with other footage taken from this same camera, it doesn't
29:12make sense why Billy's eyes look pitch black right now.
29:29Aaron, bring in ITC.
29:36Bro, I'm...
29:37I'm really angry right now, dude.
29:39As Aaron now enters the museum, I feel it's a good idea to get Billy out of this chair,
29:45so we make our way to the other side of the building to the jail exhibit.
29:49I begin to use the APFD processor and audio ITC device to see if I can communicate with Samuel
29:58Little, the most prolific serial killer in American history, and whose remains are contained
30:05in this very case.
30:07We asked you questions the other day, and you gave us where they're buried.
30:11Who are you?
30:13What's your name?
30:16The only reason we're trying to initiate communication with this monster is to see if
30:21you don't have to give any further information regarding the unsolved murders he committed, as
30:26he confessed to killing 93 individuals.
30:30And more than 60 of those murders have been matched to victims' identities, leaving over
30:3630 still in question.
30:38Come.
30:39Come.
30:40Whoa.
30:41Come.
30:42Come.
30:43Come.
30:44Come.
30:45Come.
30:46Whoa.
30:47Right after we received this crystal clear voice saying, come, the APFD processor stops
30:56working, so Aaron activates the polterpod.
30:59Good acting coming first, and running off the scene, how could you feel it?
31:00What do you think with the victims, Samuel?
31:01What do you think with Umril his main – I love him.
31:02Big È Harry, Tá Avecолжén unter and I love him.
31:05I love him.
31:06I love him.
31:07Yes!
31:08Yes!
31:09What do you think about your victims, Samuel?
31:12I love him.
31:14I love him.
31:15Yes!
31:16Yes!
31:17I love him.
31:18Yes!
31:19Yes!
31:20Yes!
31:21I love him.
31:22Yeah!
31:23Yes!
31:24Yes!
31:25Samuel Little!
31:30Samuel Little!
31:37What did it say?
31:48Samuel Little, you're a piece of sh**.
31:51Did I say Bagans?
31:53Your last name?
31:54Yeah, that's my name.
31:57This spirit knows what it's doing right now.
32:02It's letting me know that it's getting personal
32:04by first saying my last name and then saying my first.
32:08Did I say Bagans?
32:15Your last name?
32:17Ouch. Ow, ow.
32:19Where are you getting in pains right now?
32:20I'm so much.
32:23There's a lot of other victims that are still unknown.
32:26Can you tell us the name of a victim so that we can give closure to their family?
32:32How did Samuel Little, he liked to strangle women.
32:38How did he kill you?
32:40Seatbelt.
32:41Seatbelt!
32:43Are you f**king kidding me?
32:44Oh my God!
32:45Plain as day!
32:46Seatbelt!
32:47How did Samuel Little, he liked to strangle women.
32:51How did he kill you?
32:53Seatbelt.
32:54Seat...
32:55Seatbelt.
32:56Seatbelt!
32:57Seatbelt!
32:58What did he do with your body after he strangled you?
33:02What did he do with your body after he strangled you?
33:05It's help.
33:07It's help.
33:08It's help.
33:09It's help.
33:10It's help.
33:12Are there any protective spirits here that can help us right now or the victims?
33:18Something can help?
33:19Something can help?
33:20Something.
33:21Something can help?
33:22Something.
33:23Suddenly, this male voice asks for help.
33:26Not once, but twice.
33:28Could this be one of Samuel Little's male victims begging to be identified?
33:33Are there any protective spirits here that can help us right now or the victims?
33:39Something can help?
33:44Who are we talking to?
33:47Robert.
33:48Robert?
33:49You're going to say Robert?
33:51Yeah.
33:52Who's in the hallway?
33:54The man.
33:55The man.
33:56Who's in the hallway?
33:57The man.
33:58Who's in the hallway?
34:00The man.
34:02The man.
34:03The man.
34:04The man.
34:05The man.
34:06The man.
34:07Can I say something right now?
34:09Yeah.
34:10There is somebody in that hallway.
34:12I agree.
34:13I got over there and I could not get past that.
34:16Can I say something?
34:17Yeah.
34:18The amazing and scary inside that cell.
34:23All the stuff that just happened.
34:25Even calling out Zach's last name.
34:27Thanks.
34:28What's wrong?
34:29What are you doing?
34:30What are you doing?
34:31It's that encompassing feeling where it feels like it's inside my body grabbing me like this,
34:39doing weird .
34:43We now head back to nerve center and regroup for a new plan of attack.
34:49Okay.
34:50Right now, I sent Aaron to the ballroom and Aaron is setting up his Polaroid camera.
34:55Looks like some kind of professional one.
34:56I don't know the details of it.
34:58While he's doing that, Jay is setting up his slow-mo cam.
35:01That's going to capture like anywhere from 200 to 300 frames per second.
35:05Very high-tech.
35:06We're going full visual right now.
35:08And Billy is going to follow me as I scan the museum with the XLS camera.
35:13We're going to immediately head back to the jail cell room to see if we can document who was just talking to us.
35:20Whoever we were just talking to, let us see you.
35:33With no figures in the jail area, we now head to the doll closet where something incredible is about to happen.
35:48Whoa, Billy.
35:50You got something?
35:51Yeah, he's grabbing the doll.
35:53Which one?
35:54I don't know, dude.
35:55I'm over here.
35:56He's grabbing the head of this doll.
35:58He can't stop grabbing the head of this doll.
36:01Now he's playing with the other doll.
36:03Wait, is it a stick figure?
36:04It's a big figure.
36:05He's playing with the doll.
36:07Whoa, now he's grabbing another doll.
36:09This is amazing.
36:11Watch as this entity is literally playing with the dolls and grabbing them.
36:16Could this entity be infusing them or taking their spirit energy?
36:20Dude, he's grabbing all the dolls.
36:22How tall is it?
36:23Probably about six feet, bent over right now.
36:26Are you serious?
36:27Playing with one of the dolls.
36:28Now he just disappeared.
36:30No way.
36:31Now he just disappeared.
36:33I just captured a tall figure in the doll closet grabbing all the dolls.
36:38It was grabbing this doll's head.
36:40Can we find out what doll that is?
36:42Wait, which one?
36:43Point to it.
36:44This one.
36:45He was grabbing this doll's head and then grabbing Gretchen.
36:48Can you see in there?
36:49Yeah.
36:50Do you see the creepy doll to the left?
36:52This guy.
36:53From what I remember, he was grabbing that doll's head.
36:57Can you move your eyes?
37:02Whatever entity that was grabbing that doll's head, can you move the eyes of that doll?
37:12Right now I'm just shooting the room and the chair and everything in it.
37:19So hopefully if there's something going on with all that, hopefully I'll capture it.
37:24All right, so I just switched over the slow-mo camera.
37:27I just moved it over here with Aaron to shoot the devil's rocking chair.
37:31My setting is at 240 frames per second.
37:35So if anything is coming out of the chair or sitting in the chair and moving around the chair,
37:40we should definitely pick it up.
37:41Jay decides to sit in the devil's rocking chair while Aaron takes UV photos.
37:47Show yourself.
37:48Billy and I now descend into the basement.
37:58I just heard it, I just heard it.
38:28Whoa, Billy.
38:31Yeah.
38:32What the ?
38:34Where are the guys at?
38:35They're in the ballroom.
38:36I immediately call Aaron and Jay to make sure they aren't in the jail room.
38:40Where are you right now?
38:41Right now I'm sitting in the same spot with the Polaroid and Jay is sitting in the chair.
38:46How long have you guys been there?
38:48The whole time.
38:49You are never over at the jail room, right?
38:52No, huh?
38:53Uh-huh.
38:54We are in the basement, Aaron, and we just heard someone loud footstep walking above us.
38:58For real?
38:59Yeah.
39:00Like somebody was in the jail room.
39:03Oh, my God.
39:04What the ?
39:05Not only did we hear footsteps, but now these strange sounds occur.
39:10And when we check the jail room footage, not only is no one inside there, but the light turns on by itself.
39:18Who the is walking up there?
39:24I don't know.
39:25That's the jail room.
39:27Did you hear that?
39:28Yes.
39:30Who's above us?
39:36Go.
39:43Aaron?
39:45Dude, they're back there.
39:46Why is the light on?
39:49Why is the light on?
39:50Why is the light on?
39:51Oh, my God.
39:53Who or what was making the footstep sounds in this room?
39:59Whoa, Billy.
40:00Yeah.
40:01Whoa, Billy.
40:02Yeah.
40:03Whoa, Billy.
40:04Yeah.
40:05And why did this motion-activated light turn on while the light turned on?
40:15While nobody was inside.
40:19We firmly believe these are the spirits that we experienced incredible communication with and hear earlier.
40:26And we ask ourselves, is the man who made himself known, and whom our interviewee Joy is terrified of, the spirit of Samuel Little?
40:36After Aaron's Polaroids develop, we make a startling discovery while Jay was sitting in the devil's rocking chair.
40:44As you can see in this first photo, it's normal.
40:47Then something starts appearing around him.
40:50And in the third photo, these strange light beams appear.
40:55And when Jay exits the chair, something truly shocking appears.
41:00An energy form seems to be traveling out of the chair with several unusual speckles and spots around the chair.
41:09Could this be evidence of the very portal that we believe opened and caused the disturbing sounds captured on our security camera?
41:18How does that sound?
41:19Can you read the camera?
41:20Yeah.
41:21Wow.
41:22It's not a.
41:23It's not a.
41:24It's not a.
41:25It's not a.
41:26It's a.
41:28It's a.
41:29It's a.
41:30It's a.
41:32It's a.
41:33It's a and it's a.
41:34It's a.
41:35It's a.
41:37It's a.
41:38It's a, you, aang.
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