مسلسل Emily in Paris الموسم الرابع الحلقة 10 والاخيرة مترجمة - توب سينما
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00:00How can you even have an appetite after what you did?
00:22Marcello won't return my texts, and he's sending all of my calls straight to voicemail.
00:25He doesn't want anything to do with me anymore.
00:27Oh, please.
00:28They don't need to sell out to JVMA.
00:31You have a vendetta against that company, not me.
00:34I care about Marcello as a person, not as a brand that needs saving.
00:39Well, maybe you can do both.
00:41It's not the first time you mix business with pleasure, and you're actually quite good at
00:46it.
00:47And now, I plan to keep them both separate, like you've always advised me to.
00:52Or maybe you've changed.
00:56He was planning to take me to Solitano, so I'm going to go and try to find him there.
01:00Only to convince him that you coming to Rome had absolutely nothing to do with me.
01:05Well, buona giornata then.
01:07Arrivederci.
01:08Arrivederci.
01:09Arrivederci.
01:10Arrivederci.
01:11Arrivederci.
01:12Arrivederci.
01:13Arrivederci.
01:14Arrivederci.
01:15Arrivederci.
01:16Arrivederci.
01:17Arrivederci.
01:18Arrivederci.
01:19Arrivederci.
01:20Arrivederci.
01:21Arrivederci.
01:22Arrivederci.
01:23Arrivederci.
01:24Arrivederci.
01:25Arrivederci.
01:26Arrivederci.
01:27Arrivederci.
01:28Arrivederci.
01:29I'm sorry, I can't be cute right now.
01:54Nico and I broke up.
01:56What? What happened?
01:57All he cares about is being CEO, and he was trying to control me, and it's just like my dad all over again.
02:05Oh, I'm so sorry, Min.
02:06That's not the worst part.
02:08Thanks to Nico, we just got disqualified from Eurovision.
02:11What? How?
02:13He made Montelay the song for his sunscreen, and he posted it online, and Eurovision strictly prohibits any commercial use.
02:20You can sue!
02:21Yeah, well, try telling that to the Eurovision judges. We're out of the competition.
02:25Well, if Nico would do that to you, then Marcello can't trust him either.
02:29Are you kidding? No one can.
02:31Oh, I can't talk about this anymore.
02:33How is your romantic weekend going?
02:35Oh, well, it's a long story, but Sylvie crashed the party, and it got a whole lot less romantic.
02:40Wait, if Sylvie crashed, could I crash too? I really need to get out of Paris.
02:44Oh, I don't think that's a...
02:46You know what? I'll book the afternoon flight. Just send me the hotel deets.
02:49Love you!
02:49Oh.
02:51Oh.
03:14Bonjour, no.
03:16Do you know where I can find the moratory headquarters?
03:18Moratory cosa?
03:19The offices? The factory. Marcello Muratori.
03:24Ah, Marcello Muratori.
03:26Yes, yes, Marcello Muratori.
03:27Please, be comfortable. A coffee, a cornet, a cappuccino?
03:30No, thank you.
03:31Please, be comfortable.
03:49Oh, Emily?
03:52Oui. I, I, I mean, si.
03:55Marcello isn't back from Rome yet, and I thought you were coming with him.
03:59Yes, I was going to, but then there was a change of plans.
04:03Sorry, and you are?
04:04Oh, I'm his mother, Antonia Muratori. Welcome.
04:08It's so lovely to meet you.
04:10And I was looking forward to meeting this Emily who Marcello will not stop talking about.
04:15Really? He talks about me?
04:17Ever since he met you.
04:18But, uh, why are you here alone?
04:21Oh, uh, I decided to, uh, surprise him.
04:25You can surprise Marcello at lunch. It's Maria's birthday.
04:29Oh, wonderful. Um, who's Maria?
04:32She's one of our fabric cutters. She's been with the company for years.
04:35Oh, that's so nice. Is it a special birthday?
04:39No, but she's special. Like everyone who works at our company.
04:44They're family to us.
04:45Emily?
04:46Emily?
04:47What are you doing here?
04:49Surprise!
04:50I was about to show Emily the town.
04:53Yay.
04:53Thank you, mamma. Now I think I'm here.
04:59So, you're stalking me now?
05:05No. No, no. I came here because I had absolutely no idea that my boss was going to ambush me like that.
05:12I only came to Rome for one reason. To see you. So, if you still want to, I would love to see your town as we planned.
05:22Va bene. Then let's go.
05:27Hmm?
05:30So, you told your mother about me?
05:32Okay. I have a confession. That day, Majef, I cursed myself for not asking for your number.
05:41And I told my mother I met someone special and I let her get away.
05:48So, she said if it was meant to be, we would find our way back to each other. And we did.
05:55Oh, my God. Is that really true?
05:57My mother is a little magical. She knows things.
06:01And your father?
06:02My father passed away when I was 10.
06:05Oh.
06:05He was an amazing man.
06:06I'm sorry.
06:07No, it's all right. It's all right.
06:09He accomplished so much. He grew up here and started a business. Very small at first.
06:15And this town was always known for the special goats that produce summer cashmere.
06:19So, you really are a goat herd.
06:22Yes, in a way.
06:23And my father had a philosophy that whatever success he made, he would share with the entire village.
06:32That is why practically everyone here works for Muratori.
06:35And we feel responsible for them.
06:37Over the years, we built a wonderful school, library, even a theater.
06:41We want everyone who works here to be happy.
06:44Because if you're not happy at work, you cannot be happy in life.
06:47Oh, I totally agree.
06:49I've just never heard anyone say it like that before.
06:53And one of the most important ways to happiness is through the stomach.
06:58And that is why at exactly one o'clock, everyone sits down like a family to eat the most delicious lunch.
07:08Oh, my God.
07:10Oh, how do you say happy birthday in Italian?
07:31Buon cumpleaños.
07:32Buon cumpleaños, Maria!
07:35Grazie mille!
07:41Um, Emily, it's okay to take a picture, but please don't post.
07:47Especially the clothes.
07:48It's the number one rule of our company.
07:50Oh, but it's so special.
07:51Why not share it?
07:52Because we keep things private intentionally.
07:55No advertising, no social media.
07:57Our customers find their way to us.
07:59Please forgive my mother.
08:00She can be a little paranoid sometimes.
08:02Not paranoid, protective.
08:05Or overprotective, some might say.
08:07Oh, bello di mamma.
08:13Thank you for showing me your home.
08:15Oh, this isn't my home.
08:17That's the next stop.
08:19Oh, so the tour continues.
08:21After lunch.
08:22Oh, I can't believe this is where you grew up.
08:31How can you ever leave?
08:33That's the problem.
08:35Nobody does.
08:39Oh.
08:40Here is my father.
08:40And my grandfather, his father, my sisters, a lot of cousins.
08:48I don't even know all of their names.
08:50Oh, there's so much history here.
08:53Si.
08:56What are you thinking?
08:58Oh, I'm not sure you're going to want to hear it.
09:02Anything you are thinking, I want to hear.
09:04Now that I've seen Solitano, or felt it, maybe Sylvie was right.
09:22I know you're planning on selling your company to JVMA, and I think it's a big mistake.
09:27Okay, and how do we know about this?
09:32It's out there.
09:34Really, I didn't think it was any of my business until I came here, but this place and what
09:40your family has created is so special.
09:44Special and stuck in time.
09:47My mother doesn't like change.
09:50But I don't want us to be invisible.
09:54We need to grow and be a bigger part of the world.
09:57So, yes, we have an offer from JVMA we are considering.
10:02They need an answer by the end of the week, and I know what I want it to be.
10:06So little is left in the world like this.
10:09Your company has a soul.
10:11I felt it at the table and in the quality of what you produce.
10:15And I would hate to see you lose it.
10:17I don't plan to lose it.
10:19I want to see us become a real brand like Prado or Gucci, and for that, we need money.
10:26But I know these people, Marcello, and they are not to be trusted.
10:28I can't believe I'm saying this, but would you consider meeting with us?
10:39Oh.
10:40There we go again.
10:44Back to business.
10:45I'm only saying it because I really care about you, and I think that we could help.
10:50At least just hear us out.
10:53We have turned down every Italian firm.
10:55Why would we even consider a French one?
10:58Because, like you, we are special.
11:02Emily, I think you made a mistake coming here.
11:15I'm sorry.
11:17No, I'm sorry.
11:19I shouldn't have.
11:21I said too much.
11:22Sometimes I can't help myself.
11:27Let me get someone to help you find your way back to Rome.
11:32Let's go.
12:02And cut!
12:10Hey, Sylvie, what a nice surprise.
12:13What brings you to Roma?
12:15I'm not sure anymore.
12:17I'm so happy to see you, whatever the reason.
12:20I just have a couple of more hours here.
12:23You can come back or...
12:24No, I'll wait, I'll wait.
12:26It's nice to see someone else work for a change.
12:28I'll get you a chair.
12:29Okay, let's take a chair for the lady.
12:32The Vespa are in retard.
12:33I'm sorry.
12:34Let's do another one.
12:35Come on.
12:36Come on.
12:37Something keeps drawing you back to Rome, Sylvie.
12:40Isn't it obvious?
12:42I'd like to think it's me.
12:44But no.
12:45This idea has a hold on you.
12:48Or maybe it represents who you really want to be.
12:51What is that?
12:53An artist?
12:54No.
12:55A filmmaker?
12:56I took your classes because I admired you and the films you made.
13:01Of course, I wanted to learn, but it was a middle-aged fantasy.
13:05I see.
13:07I see.
13:08Some women get Botox and other women study cinema in Rome.
13:13I know what I'm good at and I have an office to run now.
13:17There are a lot of things more important than work.
13:20Oh, I know.
13:23Somehow coming here reminds me of that.
13:26Today I told an American girl that works for me to sacrifice romance for my ambition, which
13:32is so wrong.
13:33And what did she do?
13:36She refused, as she should have.
13:39But ever since I opened my own agency, my life has become my work.
13:42I'm even in business with my husband now, who's opened a club in Paris.
13:46Still with your husband?
13:48I think you're the only man who's ever been jealous of.
14:00And where does that leave us?
14:01I went in Rome.
14:04Oh, yeah.
14:21Okay.
14:22Italian room service is the best.
14:25Oh, I'm so glad you're here.
14:29So, what happened with the Italian stallion?
14:34Oh.
14:35Oh.
14:36You put him out to pasture already?
14:39More like the other way around.
14:41Oh.
14:43Come on.
14:44Let's get out of here.
14:44I can't help thinking that this whole Eurovision mess is my fault.
14:55How can you say that after Nico sabotaged it for you?
14:58Yeah.
14:59Well, every time I asked him to choose me, he did.
15:03I should have realized how much his image meant to him.
15:07You shouldn't have to tailor your life or your career to make another person happy.
15:11I know.
15:12And I hate what he did.
15:14But you know what hurts the most?
15:18What?
15:20I still love him.
15:21Oh, I know.
15:23It doesn't make any sense.
15:24No, it doesn't have to.
15:26But look around us.
15:29Isn't this amazing?
15:32It really is.
15:33I think about all these buildings and ruins that are still standing after thousands of
15:37years.
15:38And I try to imagine people's lives back then.
15:42It really puts your problems into perspective.
15:45Beautiful ruins.
15:47Exactly.
15:48And this city is more beautiful and alive because of all it's been through.
15:53I think that's part of its spell.
15:56Em, I've been working on a song just to try to make sense of everything I've been feeling.
16:01You wrote a song?
16:02Almost.
16:03But I've been missing the hook.
16:05And what you said just gave me an idea.
16:11Quick, quick, come here.
16:13Could you record this on your phone so that I don't forget the lyrics?
16:16What are you doing?
16:18Buonasera.
16:19Buonasera.
16:20Buonasera.
16:21Would you mind if I took over for just a minute and you can keep all of my tips?
16:26Okay.
16:34Okay.
16:34Okay.
16:43We built this city brick by brick.
16:55It's kind of funny, isn't it?
16:58How we almost had it all.
17:04We worked our fingers too with a bone.
17:08We made a castle of our own.
17:12But then we watched this kingdom fall.
17:22It's the crying that reminds us we're alive.
17:28It's the cracks that let the light in sometimes.
17:36But I can see the diamonds in the dust.
17:42There's beauty in the ruins of us.
17:48And darling, that's just how it goes.
17:53It's one door opened, one door closed.
17:57It's nothing tragic in the end.
18:03So go ahead and say goodbye.
18:06Cause there's an empire in my mind.
18:11And I can build it all again.
18:20It's the crying that reminds us we're alive.
18:28It's the cracks that let the light in sometimes.
18:33I can see the diamonds in the dust.
18:40There's beauty in the ruins of us.
18:45It's the flames of us.
19:19Buongiorno.
19:22Buongiorno, Emily. You're getting your wish. We'll meet with you tomorrow.
19:28Oh my God. Amazing. What changed your mind?
19:32My mother overheard what you were saying and she's curious to hear more.
19:37But I don't see the point of meeting with a company that doesn't even have an office in Rome.
19:41Oh, but we do. We do. We do have an office in Rome.
19:46But Vassa's one of our clients, remember?
19:47Ah, another thing you neglected to mention.
19:51So, send me the address and we'll see you tomorrow at one.
19:57Amazing. Yes, I will... I will send you that address just very shortly.
20:03Christa Mille.
20:08Tell me you don't have to work today.
20:10Whatever I had to do, I had already cancelled.
20:14Oh, good.
20:17I would love nothing more than to wander the city, eat pasta and make love.
20:23Mmm, I love you.
20:25Mmm.
20:26Oh, let me make this nuisance go away.
20:31We're on to Emily.
20:33I got us a meeting. I don't know how I did it, but I did.
20:37What? Fantastic.
20:39When and where?
20:40Um, 1 p.m. tomorrow at our office in Rome.
20:44Excuse me?
20:47I know, but why would they hire us if we didn't have one?
20:50Then we will.
20:53Sorry, darling.
20:54I've got 24 hours to put together a presentation and find us an office in Rome.
20:58Mmm.
21:02Oh!
21:03Oh, what's going on?
21:05Oh, I may have lost the guy, but I got the meeting.
21:08Oh, wow, Em. That's great.
21:10Yeah, story of my life.
21:12Oh, my God.
21:15Oh, my God. Holy shit.
21:17What is it?
21:18That video of me singing in the piazza went nuts.
21:21From my account?
21:22No, some tourist posted it on TikTok.
21:26You're not going to believe this.
21:27What?
21:27They DM'd me from Chinese pop star.
21:30They want me back as a judge, and they want me to perform this song.
21:34It doesn't even have a name yet.
21:36Um, oh, what about Beautiful Ruins?
21:39Beautiful Ruins.
21:42It's perfect.
21:43Oh, my God.
21:44This is even better than Eurovision.
21:46I need to catch the next flight to Paris.
21:48Emily, I've been redeemed.
21:50We are designing the new Bulgari Hotel, not the men's locker room at Yankee Stadium.
22:04Matai, ragazzi.
22:05But you have to think.
22:07When a guest walks into the lobby, I want him to gasp.
22:12Gasp.
22:13The beauty of everything.
22:15I don't see any of that here.
22:17Well, excuse me.
22:19I knew him when he shopped at thrift stores.
22:22Sylvie Grattel.
22:25Oh, you're looking wonderful, darling.
22:31Oh, you too.
22:32Oh, say hello to my brilliant team, La Squadra dei Sogni.
22:37This is the last woman I slept with before I started sleeping with men.
22:45Oh, I never know whether to take that as a compliment or an insult.
22:48Oh, I'm so happy to see you.
22:51Oh, me too.
22:52Now, what brings you to Rome?
22:54I'm here in some business and I need a little favor.
22:57Oh, certo.
22:58Anything.
22:58I'm looking for a beautiful office for tomorrow for an important meeting.
23:02It would be my pleasure.
23:04Ci sono tanti uffici in questo palazzo.
23:06Actually, this would be perfect.
23:09My office?
23:10Just for the afternoon.
23:12And one more thing.
23:13Would you mind taking the name Giorgio Barbieri Design off the door?
23:16This is meant to be the Rome headquarters of Agence Cateau.
23:20Wow.
23:21You really haven't changed, have you?
23:23No.
23:24Not since I changed you.
23:32I'm going to lunch and it might be a while, so would you please hold my calls?
23:36Of course.
23:36When the cat's away, the mice will play.
23:39Excuse me?
23:40It's just an expression.
23:42Book two tickets to on the next flight to Rome.
23:44Immediately.
23:45What's going on?
23:46I just spoke to Sylvie.
23:47Pack your bags.
23:48She wants us in Rome for a meeting.
23:50Rome?
23:50Yeah.
23:51Amazing.
23:52Consider me packed at a shop when we get there.
23:54Small catch.
23:55We have to share a room.
23:56No.
23:56Yes.
23:57Two beds.
23:58But don't even think of bringing strange men home.
24:00Who do you think I am?
24:02I know who you are.
24:04I'm still not on board with the tagline for this campaign.
24:15Italians do it better.
24:16I think it's marvelous.
24:17And it's better than nothing, which is exactly what we had when we arrived.
24:21Let's leave it out for now.
24:23We're selling ourselves in there today.
24:25Oh, my dream.
24:26We finally have an offici room.
24:29Just for the afternoon.
24:31Don't get used to it.
24:32Well, thank you so much for coming.
24:43It's really an honor to meet you, Signora Moratori.
24:46A great, great honor.
24:48Well, you're too kind.
24:50But please don't thank us yet.
24:52As I told Emily, we've never marketed our company before, and I'm not sure we are ready
24:57to do so now.
24:59Well, I believe you can have it all.
25:02You can keep your company small and independent, but let the world know you're here.
25:06Even if we were to hire a marketing firm, why a French one?
25:11We come in with fresh eyes.
25:15We know Italians do it better.
25:18Of course we do.
25:24Isn't that stating the obvious?
25:30Italians do it better isn't our tagline.
25:33No, no, no.
25:34No, no.
25:34Yeah, in the past, I know that Moratori has not advertised, but I have an idea for a stealth
25:40marketing campaign.
25:41Nothing about the brand.
25:43Don't promote your clothes.
25:45Promote your way of life.
25:49Family, joy, community.
25:52And in the bottom right-hand corner will be Umberto Moratori.
25:56In print so small, you have to lean in to see it.
26:00Well, this is all very interesting, but you can't come from Paris and try and pull the wall
26:11over the eyes of an Italian woman.
26:12I'm not sure I understand what you mean.
26:16Agence Grato does not have an office in Rome.
26:19This is the office of Giorgio Barbieri.
26:22What?
26:23Excuse me?
26:25Giorgio, excuse me.
26:26Giorgio who?
26:27Never heard of him.
26:29I think he moved to a bigger space.
26:32Yes, that was that.
26:32Per favore, basta.
26:33In Rome, we all know each other.
26:38As a matter of fact, I was the last woman he slept with before he began sleeping with men.
26:43Excuse me?
26:44Well, my memory is a little hazy on that one.
26:48You didn't tell me your meeting was with Antonia Moratori.
26:52I could have told you, you're wasting your time.
27:00Wait, Antonia, I'm sorry.
27:02Signora Moratori, like you, I would do anything to work for people I care about.
27:10Because when you care, it's love.
27:13It's not work.
27:15Then you understand me.
27:17You understand us.
27:20And I do understand Marcello.
27:21He wants to take over the world.
27:24It's not my ambition, but we do need the money.
27:29And I don't think I have the luxury to be precious anymore.
27:36Give us six months.
27:51I haven't paid taxes in six years.
27:58So really, what is six months?
28:01Mama, in six months, we may not have an offer from JVMA anymore.
28:05If they really want us, they will wait for us.
28:08You have your six months.
28:09Oh, Antonia.
28:11I couldn't be more excited to be working together.
28:13I am throwing a party tonight to celebrate my two favorite women together in Rome.
28:23So in the end, you really were here for the business, not me.
28:29I told you that's not true.
28:31Congratulations.
28:33You got what you wanted.
28:33Marcello.
28:38Marcello.
28:50Agence Cato.
28:51Oh, oh my God.
29:00Oh my God.
29:00Uh, c'est incroyable.
29:02Uh, non, non, je vais lui dire.
29:05Merci, merci, merci beaucoup.
29:07Merci, au revoir.
29:10Gabriel!
29:11Gabriel, I have some big news.
29:17Mishla called, and they're announcing the stars tonight, and you're getting one.
29:24No, it's not true.
29:26Mayan was a fraud.
29:27Someone's messing with you.
29:28No, no, no.
29:29It's real, okay?
29:30I promise.
29:31I spoke with the man myself, Regis Lombard.
29:34He works for Mishla.
29:35It's real.
29:37Where's Emily?
29:37She should be the one telling me this.
29:38She went to Rome to visit that guy she's seeing.
29:44Look, I know how long you've been waiting for this.
29:46And it's so well-deserved.
29:48We need to celebrate here tonight.
29:52You know what?
29:53Yes.
29:54Yes, we will.
29:55We definitely will.
29:57I'm, I'm so proud of you.
30:03Okay.
30:04I will see you tonight.
30:05My phone is already blowing up.
30:08See you tonight.
30:09Okay.
30:09Okay.
30:09A-ta-ta-ta.
30:20Excuse me.
30:21Excuse me.
30:22Excuse me, ragazzi.
30:23A moment, please.
30:25I would like to make a toast to two powerhouse women.
30:33Let's make that three powerhouse women.
30:36We wouldn't be here without Emily.
30:39Three powerhouse women.
30:41I know that face.
31:00What's going on?
31:02Oh, well, maybe you hadn't noticed, but someone is missing here.
31:04Well, it's okay.
31:11Lucky in work, unlucky in love, I guess.
31:16Emily, I'm really sorry.
31:17I didn't mean...
31:18Yes, you did.
31:19And you didn't care.
31:23But in the end, I made the decision.
31:25I just am not sure if I made the right one.
31:27Maybe he did.
31:36Maybe he did.
32:36So I came to ask you why.
32:38I don't want to work with you, Marcello.
32:43I want to be with you.
32:47Tomorrow I'm going back to Paris.
32:49In that case, we'd better make the most of our last night you're wrong.
32:57I've been eating here three times now.
33:27And every experience was better than the last.
33:30I'm sorry, you are?
33:32Just a man who appreciates a good meal and accepts no special treatment.
33:41Congratulations, mate.
33:42I always knew you had something.
33:46This knows knows talent.
33:47This belongs to you, too.
33:49My partners.
33:51I couldn't have done it without your faith and belief in me.
33:53Yeah, and Anton's money.
33:56Yeah.
33:56Even though we're in the red, it's still the most fun investment I've ever made.
34:01Yep.
34:01After this, it might take a ton.
34:03Ka-ching.
34:05After all this time, I can't believe the star is actually real.
34:10Emily should be here.
34:12It feels a little empty without her.
34:13Congratulations.
34:17I'm so, so happy for you.
34:20I think you're brilliant.
34:22Um, thanks.
34:26Seems to fill the void nicely.
34:28Can I talk to you for a sec?
34:30Yeah, of course.
34:31Genevieve, listen, I don't want you to get the wrong idea here.
34:39Things got a little bit crazy the other night, but it was just a moment.
34:43That's it.
34:45You're my neighbor and, and then my friend.
34:49And now someone I'm going to be working with, so, uh, let's just keep it at that, okay?
34:55Sure, of course.
34:59Good.
34:59Um, I'm glad we're clear.
35:01Um, I'm glad we're clear.
35:04Excuse me.
35:15Bonjour, it's Emily Cooper.
35:17You know what to do after the beep.
35:20Emily, it's me.
35:23It finally happened.
35:26I got the star.
35:32I'm so grateful to you.
35:37For everything.
35:45So, when am I going to see you again?
35:48Oh, that depends.
35:50When are you coming back to Paris?
35:52But now you have a lot of good excuses to come back to Rome.
35:56Well, as long as we just keep to you and me and pasta.
36:01Three-way.
36:02Hey, I had no idea you were that kind of girl.
36:05Hmm.
36:10Ciao, Bella.
36:11Emily, it's me.
36:16It finally happened.
36:31I got the star.
36:33I'm so grateful to you for everything.
36:37Yes!
36:39Oh, sorry I'm late.
36:41But big news.
36:42Gabrielle got his Michelin star.
36:44And this time, it's for real.
36:46Oh, and naturally, we're thrilled for him.
36:48But let's deal with the business at hand.
36:51Agence Grato is officially opening an office in Rome.
36:54And we need someone to run it.
36:56I volunteer.
36:56It should definitely be me.
37:00My Italian is perfect, and I am the most senior person at this table.
37:04Well, that's exactly why I need you in Paris.
37:06Then it's me.
37:08Rome has been my dream ever since I spent summer after college interning for one of Valentino's
37:12pugs, Margot.
37:13Seriously?
37:14Seriously.
37:15Three months of glamour in the basement.
37:17The fashion world in a nutshell.
37:18Well, are you forgetting about someone very important?
37:24Me.
37:24I also speak Italian, and I used to have quite a life here.
37:30But I need to do what is best for the account.
37:34And for that reason, I would like Emily to stay in Rome and run the office here.
37:42What?
37:43Wait, me?
37:44Why?
37:44Well, Antonia was impressed by what you did in the meeting.
37:48And she closed our deal on the condition that you stay here and run the account.
37:52She did, or her son?
37:53Emily doesn't even speak Italian.
37:55Mamma mia, che cazzo di casino!
37:57Emily doesn't speak French either, and that did not stop her.
38:01So what does this mean?
38:02It means you're staying in Rome.
38:04We already have an apartment for you to review.
38:07You can send for your clothes.
38:08No time to waste.
38:10Congratulations, Emily.
38:12Stole my dream.
38:13And mine.
38:14You're what?
38:22It's not going to be forever.
38:23They're finding me a temporary apartment here.
38:27Wow.
38:28Well, make some room, bitch.
38:31Because as soon as I'm back from Shanghai, I'm joining you in Rome.
38:34You better promise.
38:35Oh.
38:35I do.
38:37It's about time I got my passport stamped, too.
38:39Ciao.
38:43What are you all doing up so early?
38:45Oh, what are we all doing up so late?
38:47We've been celebrating all night.
38:49Oh.
38:50I mean, have you heard the news?
38:52Gab's only got himself a Michelin star.
38:54Congratulations.
38:55And we are already planning on expanding.
38:58See, I'm thinking GG2, London.
39:01New York.
39:02How about Rome?
39:04At least she'll be able to see Emily.
39:05What are you talking about?
39:07I just got off the phone with her.
39:08She's moving to Rome.
39:11For that Marcello guy?
39:12I think it's more about work.
39:14She's going to run the Ajans Groteau office there.
39:17Paris is not going to be the same without her.
39:21Au revoir.
39:29You okay, mate?
39:30Um, yeah, I'm just surprised.
39:39You're my two cents.
39:42You know, your pride and misunderstanding getting away with the greatest girl in the world.
39:47Then we both did.
39:48Maybe.
39:56I just never thought...
39:57Stop thinking and start feeling.
40:01You still have a chance to get her back.
40:05How?
40:05She's with him now.
40:07Only because she's not with you.
40:08You.
40:08You.
40:08You.
40:08You.
40:08You.
40:08You.
40:10You.
40:10You.
40:11You.
40:12You.
40:12You.
40:13You.
40:14You.
40:14You.
40:15You.
40:16You.
40:17You.
40:18You.
40:18You.
40:19You.
40:21You.
40:21Excuse me for a second.
40:22I'm sorry for my French, Gabrielle.
40:36I just want to say bravo.
40:39And I'm proud of you.
40:42You deserve all this and more.
40:52And as you can see, it's really quiet.
40:57Here we are.
41:02Here we are.
41:06The apartment dates from the 1600s
41:08and was part of a family palace.
41:10Beautiful.
41:12It is a little small like many places in Rome,
41:14but the view.
41:17Magnificent.
41:33Miss, I'll leave the key in my cot by the door.
41:36Grazie.
41:47Where exactly in Rome is she?
42:07Ready?
42:08One minute.
42:10Wow.
42:12I think you are going to be happy here.
42:19I'm already happy.
42:25Andiamo.
42:27You haven't.
42:29Come on.
42:30I got to do
42:32You made me
42:34I got you
42:36I got me all the night
42:39Just let me be
42:40I got you
42:42I got you
42:44I got you
42:46I got you
42:47I got you
42:49I got you
42:52I got you
42:53Just let me be
42:54Close to you, close to you, close to you
43:00Oh, close to you, close to you, close to you
43:08And now your mouth is moving, cinematic timing
43:16You put me in and touch my neck and now I'm dying
43:24I burn for you, and you don't even know my name
43:35If you asked me to, I'd give you everything
43:42To be a close to you, close to you, close to you
43:50Just let me go
43:52Close to you, close to you, close to you
43:58LTV
44:11LTV
44:13LTV
44:15LTV
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