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Short filmTranscript
00:00The story we tell is that Mosaic has an encrypted drive with the identity of whoever placed the mole at the orphanage.
00:09We use a third party to get the drive into Mosaic's hands without him knowing it was from us.
00:14Thor, don't!
00:18These agencies ask you to do something unthinkable, but they don't know the real cost.
00:24The only ones that know that are the people in it.
00:28You always intended for him to die.
00:29Yeah. Know why?
00:31You needed to create a dead end.
00:33Now the enemy has no more leads.
00:35Nowhere left to focus except on finding the drive.
00:38My job is to protect our country by manipulating people and sometimes getting them killed for the sake of a mission.
00:45The things you can't carry, bury it away and try not to dig it back up.
00:51When you don't know the whole picture, how do you know that you're doing the right thing?
00:54Be grateful for all the things you don't know.
00:56It was a nice change of face to have someone do the right thing.
00:59I'm not supposed to give you my real name, so this is between us.
01:03Last night, Tiananmen Square, Beijing, the largest public space in the world was a war zone.
01:25With orders to secure the square, the People's Liberation Army of China, 300,000 strong, converged on Beijing from all directions.
01:34Unarmed citizens and students face tanks and soldiers with semi-automatic weapons.
01:40For the last five weeks, the mass student demonstration has touched a nerve.
01:43Soon, everyone seemed to join, protesting against hardship, government corruption.
01:49Are you sure?
01:50We'll live out.
02:00Victor.
02:01Hey, how's it going?
02:02So good.
02:03Come in, come in.
02:05How do you like the area?
02:16It's, uh, it's very nice.
02:20In the interview for the engineering job, how did that go?
02:26Promising.
02:28Good.
02:30Good.
02:30Good.
02:35This is your immigration paperwork, certificates of naturalization.
02:39No one will ever bother you about it.
02:41And this is a three-year lease on the house.
02:48Paid in full.
02:52You've done so much for us, Victor.
02:54I know it's not home, but you can have a fulfilling life here.
03:03This is not enough.
03:05You are saying goodbye to us.
03:11I think, given the nature of my job, it's best if our lives don't intersect going forward.
03:17You know how sorry I am that you got caught up in what I was working on in China.
03:21And I'm sorry for the suspicion and that you had to leave your home.
03:26But I am glad that you made it here to this country.
03:30Because you wouldn't have been safe there.
03:32No one chose this, but it happened.
03:36And I did my part, like I promised.
03:42For Preston and me.
03:44Yes.
03:47But you owe him more.
03:51When he is born, he won't know China.
03:54He won't know my family or Preston's family.
03:56In America, they don't like our faces.
04:04We go to interview at LA, but they don't want us.
04:07It will be hard for our son here.
04:10Because he is like us.
04:11But he is also not like us.
04:25He is born here.
04:28American.
04:31He is one of you.
04:33In a country we don't know.
04:37You are not done.
04:41You look after him.
04:47You promised that.
04:48Have you picked a name yet?
05:14Alexander.
05:14Alexander.
05:18Alexander.
06:49Sacrifice their entire lives because they're doing the right thing, but they never have the whole story.
06:57Hi.
06:59Alexander.
07:01Natalie.
07:02I'm not supposed to give you my real name.
07:04Well, you're easy to pretend to fall for.
07:08No one person gets to be more important than the mission.
07:11What's your name?
07:12My name isDiePierre.
07:22I don't know.
07:23No one person gets to be alone.
07:24What is your name?
07:26Are you a man?
07:26I'm not supposed to Crawford.
07:27I don't know.
07:57I don't know.
08:27I don't know what you're watching this, but I'm really hoping it's you, my friend.
08:31I don't know.
08:33I don't know.
09:05I agree to that.
09:06For the good of our country.
09:09Despite the risk to innocent lives, I couldn't have known how far they were willing to go.
09:15But I have knowingly compromised classified information at the direction of my superiors.
09:22And there's no stopping now.
09:24And despite my loyalty, they still don't trust me.
09:29They watch every move I make.
09:31I still believe in the mission.
09:37But I know they're not telling me the whole truth.
09:39I don't know who I can trust anymore.
09:42I'm not even sure of what's real in my own life.
09:49Did you ask me something?
09:51It's been so long, I'm starting to wonder.
09:55Yeah, sorry.
09:56It's work.
10:02Maybe we call it a day.
10:04Yeah, sure.
10:06What's alright?
10:15Yeah.
10:24Ugh.
10:25Lone Wolf thinks Mosaic's Drive identifies them as the one who placed the mole in the orphanage.
10:29Which means they think someone close to them has flipped.
10:31They can't trust anyone else with this.
10:33They will show up personally.
10:34up personally. So this is how we catch them. We build a trap. Director Moira asked me to relay
10:42an update on a magnetic drive we've been trying to locate. Based on intelligence gathered from
10:47a parallel operation in the EU called Stormwatch, we believe with a high degree of certainty that
10:52our former source, Saul Clemente, codename Mosaic, went to Paris shortly before his death.
10:57Our analysts believe there's a strong possibility he made this trip to hide the magnetic drive
11:07somewhere in the city. And they've narrowed it down to a three square mile area. We know exactly where
11:15the drive is. We had put a tracker on it before we got it into Mosaic's hands. This is a performing
11:20arts venue. Here. Now once the drive stopped moving, we obtained access to the cameras in that
11:27location. There were only a few, but we did find this. He walked up to the top floor. 15 minutes
11:34later, he left. Public building, lots of people coming and going. He hid that drive in plain sight.
11:42You don't want the target to know exactly where it is yet. Our enemy can't be ahead of us.
11:46He will lead them to it. Alexander and Remy will enter the country in alias. By the time they touch
11:51down, we should have identified the target location. Our extraction agent, a local, will meet them and
11:57arrange transport to an airfield we control. Then you're home. Remy will go with you to the immersive
12:05performance. The audience will be masked. Not ideal for us. But it will make our target feel more
12:12comfortable if they want to follow you there. At any point after you have the drive, that's when we
12:18expect the enemy to intercept. Then we grab them. You're going to bring them in for questioning.
12:26That part you won't have to worry about. Once we have them, it's above your pay grade.
12:35This is a modified low-dose compound of multiple drugs.
12:38It dissolves on the skin. It'll make them compliant. We're going to keep our distance,
12:43no comms, so it feels like you and Remy are alone. You'll be more exposed than usual,
12:48but it's a risk that we have to take. What if they decide to take out the location and everyone
12:53in it to destroy the drive? Then we won't have to wonder who the enemy is, will we?
12:59They'll be the only one left standing.
13:03Whatever it takes, remember?
13:08Something's off with him.
13:14In what way?
13:17I don't know. Normally I can read what he's thinking. It's right there, but
13:23something's changed.
13:26I just have this terrible feeling like I'm going to miss something big.
13:29Use Michelle. Get him to talk.
13:30That's what I mean. He's not talking to her either. It...
13:32His walls are up for some reason.
13:38You think we hold?
13:39No, we can't hold now. We might only get one shot at this.
13:42If our lone wolf senses a trap or goes dark, we might never find them.
13:46Keep watching Alexander. If he's not on board, we call it.
13:50I'd like to meet him.
14:05You ever seen her talk this much?
14:33Never.
14:46What are you up to?
15:08We're sacrificing so much for this operation.
15:11I wanted to see for myself if he was up for it.
15:16I believe he is.
15:24You're worried.
15:27We'll know who our lone wolf is very soon.
15:31Who?
15:32Yes.
15:34But I can't figure out the why.
15:46Hey, he's headed to your place.
15:58Why?
16:00I don't know.
16:01Something's up.
16:02See if you can get him to talk.
16:04Understood.
16:06Look, I've been here before.
16:19I'm a little too charming.
16:20Guy falls a little too hard for me.
16:22He starts getting obsessive.
16:24Comes to my apartment late at night with little to no warning.
16:27And then I have to kill him.
16:32I can't stay long.
16:34I'm leaving to go out of town tomorrow.
16:36And, uh, I think we should call this off.
16:42Oh.
16:44Wow.
16:46Wow.
16:47This is, um, this is awkward.
16:54You thought we were together.
16:56I'm being serious, Michelle.
16:57So am I.
16:58We never made this a formal thing.
17:02You know, you didn't have to come all the way here to break up with me if you didn't want to see me again.
17:06Well, I thought you deserved that, at least.
17:08Well, thank you.
17:09Your chivalry knows no bounds.
17:13Yeah.
17:18What is this, our first fight?
17:19It was bound to happen eventually, right?
17:26Look, if you're mad about something,
17:27you might as well just come out and say it.
17:33Alexander.
17:35Hey.
17:47Let's just...
17:49Can we talk about this?
17:51I got an early flight.
18:00Take care of yourself.
18:01I just want to know that what I do for my country matters.
18:28Hey, he's leaving her place.
18:35He just got there.
18:38He walked out in a hurry.
18:41She closed all her blinds.
18:42Where is he going now?
19:02Come in.
19:11Come in.
19:16Hey.
19:18Hi.
19:18Sorry to drop in on you like this.
19:22Um, you got a minute?
19:25Yeah.
19:26Sure.
19:38You still working nights?
19:40Still working nights.
19:41You've been back to the cabin.
19:49Yeah.
19:50I told you I loved it from the minute we walked in.
19:55But I doubt that's why you're here.
19:58What's up?
20:00Nothing.
20:01Nothing.
20:01Um, I just wanted to say some things I've been thinking about.
20:06Whatever happened between us, I can only speak to my side of it.
20:09But, um, but I want you to know you were right.
20:20I never let you in.
20:26And I'm sorry.
20:31That's it.
20:32Um, you don't have to respond or anything.
20:34I just, I just wanted to say it.
20:39See you around, Rich.
21:00Why would he tell her that now?
21:04There's a chance I don't come back from this mission.
21:15And if something happens, no matter what anybody says,
21:19I want you to know that I did not betray this country.
21:24I'll go through with it, but I'm not doing it the orphanage's way.
21:34We have a plane to catch.
21:39Don't worry.
21:39I grabbed our bags.
21:40Don't worry.
21:41Don't worry.
21:52Don't worry.
22:05Don't worry.
22:06They've left Washington airspace switching to flight comms go for control
22:30Shadowboxer's apartment is clear and she didn't go to work at the bar tonight. They don't have her
22:38Copy
22:41Has she gone dark?
22:43I can fix it
22:44You were worried about Hale and now his minder is missing
22:48I'll find her, sir
22:50That's a good idea
23:00There's so many layers of lamp
23:02I can fix it
23:09Getting stuck
23:11Exapped
23:13Back
23:14Back
23:16Back
23:17Back
23:21Back
23:24Dark
23:25Back
23:27Back
23:28Who's with you?
23:37Honestly?
23:39You think that if they were coming for you that they would send me?
23:42Did you run because you thought that we were coming to kill you?
23:45Why?
23:49Alexander broke it off.
23:51Tonight?
23:52Yeah.
23:56You didn't know?
23:58No.
23:58I told you on the phone he's been acting weird.
24:03We didn't tell him to do that.
24:06Even if we had, which, again, we didn't.
24:11Wouldn't that mean your part in this is done?
24:15You get to walk free, wasn't that the deal?
24:18You haven't made a lot of deals with spy agencies, have you?
24:21No, I haven't.
24:24The last time I was an alias for an operation that went sideways,
24:27the agency I was working for sent the cleaners in after me within minutes.
24:34No loose ends.
24:36I don't care what the orphanage says.
24:39They're all the same.
24:40They're never going to let me go.
24:42Not after what I did.
24:44They didn't give you my whole file, did they?
24:51They didn't give you my whole file, did they?
24:51How do you think the orphanage collected me in the first place?
25:07I made a mistake.
25:08The kind you can't run from.
25:15They'll say my debt is never repaid.
25:21They're probably right.
25:26So make a deal with me.
25:28When we stop whoever did the hack, I'll find a way to get rid of your file.
25:33I don't know how yet, but I'll find a way.
25:37Please don't run.
25:40Come back in.
25:41I need you.
25:42The only way I know how to connect to him is through you.
25:45And you're the only person who knows what any of this feels like.
25:55Also this, going out on your own into the cold, that'll trigger exactly the kind of reaction you're afraid of.
26:03They will overreact.
26:06The entire mission will get pulled.
26:10We're this close to this being over.
26:15If breaking up was Alexander's idea, that means he knows I'm not on his side anymore.
26:28Our fiction, that he can talk to the real me, is blown.
26:33He must have figured out you're still manipulating him through me.
26:36How do you know that?
26:37Because he did it right before he left.
26:40So when you found out, he'd already be on his way.
26:42That's exactly what I would do if I was about to go rogue.
26:52Go home.
26:56Pretend everything's normal.
26:59You should call it off.
27:02You've lost control of him.
27:04Founder, just a misunderstanding.
27:32Are we still a go?
27:38Mission's good.
27:41Let's go.
27:46I have to see this through.
27:50We can't stop now.
27:51Osiris and Time Keeper, in position.
28:10Osiris and Time Keeper, in position.
28:10They're heading into the theater, perimeter holding a half mile out.
28:39No sign of hostiles.
28:40Thank you, ground.
28:41Keep your distance until our target shows themselves.
28:43Radio silence.
28:44Roger that.
28:45Let me see it.
28:49I want to know who's in that room.
28:53Who's got eyes in the room?
28:54I want to know who's in the room?
28:54I want to know who's in that room.
29:08Sir.
29:09Welcome to a world of theater immersive and incomparable.
29:30This evening, art and the public will be fusioned
29:36in a sensational universe.
29:40But above all, don't forget your Mars.
29:50Commence!
29:53Who cares more than me?
29:55What are you talking about?
29:56The eyes of this woman are an offense that I wouldn't support much.
30:00I have no regard to you. I love you.
30:03This story starts with a star...
30:19This story starts with a star.
30:29Like all other stories, there is always a sense of light.
30:34The moon.
30:36And as you already know, the moon has always a friend.
30:39Always the moon.
30:41As you already know, there is always an immense,
30:44a formidable effect, an incredible effect.
30:48As you already see, this light here.
31:03They've reached the target room.
31:06Now they've just got to find it.
31:09Then the enemy will find them.
31:11This old...
31:16This old whiskey...
31:20...blond...
31:22...who fume.
31:25Hello.
31:32I was waiting for you.
31:34Give me this letter to Viviana.
31:37Tell him what I'm waiting for.
31:39Do you have a key for this king?
31:41I don't remember.
31:43Look for a key somewhere.
31:44Do you have a key for this king?
31:49I don't remember.
31:51Look for a key somewhere.
31:53Ooh.
31:55Look for a key somewhere.
31:56Motion.
32:09Hey.
32:11What?
32:12Whisky.
32:14Hey, what?
32:16Didn't Mosey collect old guns?
32:35Excusez-moi.
32:42What's that about to inspect tech?
32:49Sure feels like it sometimes.
32:52Let's go.
32:57Signals?
33:02Drive's moving. He's got it.
33:04All right. All right.
33:07Now they go to the stairwell to get to the extraction point
33:11on the breezeway.
33:13Get the extraction agent in place.
33:14If the enemy is at the theater,
33:16they could be intercepted at any time.
33:18N'hésitez pas d'aller où vous vouliez
33:21et parler à tout le monde.
33:23Ce soir est un évenement spécial,
33:26brillant.
33:41Show me outside.
33:48Zoom in.
33:56Control.
34:11They found our extraction agent.
34:14He's dead in his apartment.
34:16Every morning?
34:17I look into obsidian eyes.
34:18Extraction.
34:19Let's get you out of here.
34:20Every morning?
34:21I look into obsidian eyes.
34:22Extraction.
34:23Let's get you out of here.
34:25why'd you tell us what's going to tell us
34:26why'd we have to deal with that
34:27warning?
34:28That's what it is.
34:29Tell us what we have to do.
34:30What do I know?
34:31Why don't we have to do this?
34:32Every morning?
34:33I look into obsidian eyes.
34:35Extraction.
34:36Let's get you out of here.
34:37Every morning?
34:40I look into obsidian eyes.
34:43Extraction.
34:45Let's get you out of here.
35:03Get a closer shot.
35:05Are we moving in?
35:06No, we don't know if this is our lone wolf.
35:08But we have to warn them somehow.
35:11If that's not our guy, we can't give them a reason to panic.
35:15We need identification. Get me a face.
35:22Who is this guy?
35:29Hey!
35:31Where are we going?
35:33There's a service elevator. It'll take us down to the waterline.
35:36Safest way out.
35:37We got him. Punch in.
35:47We got him. Punch in.
35:48We got him.
35:57Why is this taking so long?
35:58Get me a name!
35:59Why is this taking so long? Get me a name!
36:00We're not getting anything right now.
36:05Check this out.
36:08Check this out.
36:09Check this out.
36:10Check this out.
36:16Check this out.
36:18Why don't we have a name yet?
36:19It's classified.
36:21Sniper's nest has a clean shot.
36:24No, we take them alive. Ground, go.
36:26On the move. Three minutes out.
36:36Moira.
36:37Pull the overhead camera in. I want to see where they're going.
36:39Moira! We're picking up another RF signal. About 30 voices on it. It's not ours. There's someone else here.
36:45Contact northwest corner. Contact northeast corner. They're all over.
36:54Peter, it's the CIA.
36:57What the fuck are they doing here?
36:59Closing the target. Capture first. But if he's escaping, we shoot to kill.
37:03Now let's find out if you're full of shit or not.
37:15You okay?
37:28War wound. Before we head down, it's a Faraday cage for the drive. In case it's being tracked.
37:38Time is of the essence.
37:43How do you know he didn't have the drive, huh?
37:47How do you know he didn't have the drive, huh?
38:02Because I was watching through your eyes, Alexander Hale.
38:08You're hell.
38:15Stay down.
38:24We hold him here. Strike should be on site in minutes.
38:27You're okay. You're okay. It's okay.
38:44Remy's down.
38:45Now that's interesting.
38:59Get up.
39:03You're coming with me.
39:05But I thought we were staying here.
39:06Drop your weapon! This is the CIA!
39:09Alexander Hale! Surrender! Now!
39:11Fire! Now!
39:41Fire!
39:42Fire!
39:43Fire!
39:44Fire!
40:06Fire!
40:09Fire!
40:10Watch out, carry! Go, carry! Go, go!
40:40Alexander Hael, stop!
40:56Stop!
40:58I'm going to go!
40:59I'm going to go!
41:00I'm going to go!
41:01Boy for these, stand down!
41:02Stand down now!
41:03CIO!
41:04No, get them back!
41:05Step back!
41:06Step back!
41:07Step back!
41:08Stand down now!
41:09You can't hold your weapons and move back!
41:11You back up!
41:12Step back!
41:28Osiris, we're orphanage.
41:34Come on.
41:36We need to get you to safety.
41:41We have Osiris.
41:43Get our people out of there.
42:11out of there do not fire unless fired upon osiris is off the map repeat osiris is off the map
42:17he's going after the target which direction
42:22alexander must have put the drive in the faraday cage we can't track him
42:28get me every camera we own east of the city i want to see it yes sir we're on it this is a manhunt
42:33the operational theater is now the entire city we find our operative and we do not let him fall
42:38into the wrong hands roger that hold that quadrant
42:42henry edmund
42:55i saw you on the monitor with hale what's going on did you tell anyone you know me
43:08no
43:10you're in trouble
43:13not anymore
43:16look i don't know what i don't care what you did okay this belongs to the orphanage make sure it
43:43i guess
44:03okay next block
44:10okay
44:17okay
44:21okay
44:31i realized during all this that the only time that anyone actually told me the truth was when i'd already
44:36found it myself
44:43i realized during all this that the only time that anyone actually told me the truth was when i'd already found it myself
44:57the people i work for want me in the dark
45:04the people i work for want me in the dark
45:08because it's easier to control me that way
45:12because it's easier to control me that way
45:15because it's easier to control me that way
45:19i'm sorry
45:30i'm sorry about that
45:32i'm sorry about that
45:34but i think that's how it is
45:36to do that
45:37what do you think about this
45:38well
46:10Once we find who we're looking for, the orphanage might cut a deal with them in exchange for the technology.
46:18And they'll only tell me what helps them use me.
46:20I'm never going to find out why this happened or why they chose me or if there's a way to get this thing out of my head and stop it from happening to anyone else.
46:46I know you'll understand, my friend.
47:09Yeah?
47:11Yeah?
47:13Yeah?
47:14Yeah?
47:16Yeah.
47:18Yeah?
47:20Yeah?
47:22Yeah?
47:24Did it go faster?
47:26Maybe.
47:28Yeah?
47:30Yeah?
47:32Yeah?
47:34Yeah?
47:36Yeah?
47:38Yeah?
47:40Did it go faster?
47:42Yeah?
47:48Oh!
47:50Yeah?
47:52Yeah?
47:54Yeah?
47:56Yeah?
47:58Mm!
48:00Mm!
48:02Mm!
48:04No, no, no, no.
48:34No, no.
49:04No, no.
49:34No, no, no.
50:04And you know I'm the only one that can answer your questions.
50:08So let's talk.
50:17So let's talk.
50:47So let's talk.
51:17What about me?
51:26What about me?
51:28What about me?
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