Emily in Paris - Season 5 Episode 03- Intimissimi Issues
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00:00And I want to stay in bed all day.
00:15Whatever you said, I liked it.
00:20It translates to the one who sleeps catches no fish.
00:25Well, I hate to see you go, but I like to watch you leave.
00:38That translates to I like your butt.
00:44Oh, my God.
00:46Mindy's on the couch.
00:49Yeah.
00:55You don't have to go, man.
00:58No, it's all good.
00:59Volando offered to put me up in a nice hotel, so why not?
01:03To spend time with your best friend.
01:05A best friend who I don't want to keep cock-locking.
01:08Marcella was basically chewing me away with his dick this morning.
01:11It does have a mind of its own.
01:13Oh, okay.
01:14So what hotel are they putting you in?
01:16The Orient Express La Minerva.
01:18Oh, nice.
01:20Oh, I think Alfie's staying there.
01:21You should text him.
01:22No, no, no.
01:23I've got so much choreo to learn for the show, and it's tomorrow.
01:26Emily, I can't believe I agreed to do this.
01:29Sorry again, Mindy.
01:31No big D.
01:34As in deal.
01:35No big deal.
01:37Your D was perfect.
01:40You know what?
01:41I'm going to go.
01:43I'm going to go.
01:44The Sea of Home
01:46Are you working?
01:47I'm working and I'm working.
01:48The Sea of Home
01:49Can I have no idea?
01:50I'm working together.
01:51I'm working together.
01:52I'm working together.
01:53He's working together.
01:54Do you have enough of my son?
01:56Oh yes, thank you, Sister ETA.
01:58Do you have enough for my son?
02:09Oh, yes, grazie, sister.
02:10Tutto bene.
02:28Nice to meet you.
02:29I'm Luke.
02:30Americans?
02:31Ohioans.
02:32Our first time to Europe.
02:33Can you believe how cheap this place is?
02:36Aside from the 11 o'clock curfew and the shared bathrooms, it's as good as any hotel.
02:41Exactamente.
02:42That's why I'm here.
02:44And sister Christina's frittata is...
02:48I heard the eggs are blessed.
02:50Eggs Benedictine, huh?
02:51The commercial starts on a beautiful woman sitting alone in a movie theater.
03:01When the lights go down, she's joined by a man.
03:05He puts his hand on her knee and it's clear they know each other.
03:09The movie playing on the screen will be a series of quick cuts.
03:12First of a little boy and a little girl chasing each other through Solitano.
03:17And then it's the little girl and the little boy as teenagers, flirting, stealing glances.
03:24And back in the movie theater, the man's hand begins to move to the woman's thigh.
03:30On the screen, we see the teenagers walking through the village, unable to keep their hands
03:35off each other.
03:36Eventually, they're sharing their first kiss.
03:38We cut back to the theater and it's just a beautiful woman watching the film alone,
03:44smiling at the memories.
03:45Or was it just a fantasy?
03:47It's so good.
03:51Feels classically Italian.
03:53Almost like Cinema Paradiso.
03:54That's true.
03:55Cinema Paradiso is one of my favorite films.
03:59Umberto's too.
04:00He loved movies.
04:02That's why we had the theater built.
04:04Well, then maybe we could call the fragrance Muratori Paradiso.
04:08Muratori Paradiso.
04:11I like that.
04:12I like it too, but if the goal is for the brand to appeal to a global audience,
04:16then maybe the commercial should be more cosmopolitan.
04:20Maybe we shoot it in Rome or Milan or even New York.
04:24No.
04:25It doesn't feel right at all.
04:27Well, we...
04:28We do want to make sure that the commercial is something that people from all over can connect with.
04:33That's why you hired me.
04:36Don't worry, it's going to be beautiful.
04:39I know how smitten you are, but Antonia is the one we have to please, not Marcello.
04:44I'm trying to please both.
04:46Well, just the one we'll do.
04:49Don't be our liability, Emily.
04:50It's been here for a while.
04:56Knowing soon it will be time to go.
05:01Again?
05:03Di nuovo.
05:06Okay.
05:12Okay.
05:14You know what?
05:15Let's call it.
05:16Proviamo dall'inizio.
05:17Okay.
05:17Giro, fuori, la mano.
05:22La mano.
05:23Tre, due, uno.
05:26Oh!
05:27Sorry, I'm so sorry.
05:28Oh, Cristo!
05:29I know my knees are really sharp.
05:31Gianna, ti prego, vieni qua.
05:32Ciao.
05:33Sto cercando di ballare con un frigorifero.
05:35È una principiante.
05:36Okay.
05:38Hi, Mindy.
05:39Ciao.
05:40Sì, Mindy il frigorifero, che non ce la fa fare una presa.
05:43In alto?
05:44Sì, una liva del primo anno potrebbe farla.
05:46Una cantante su TikTok.
05:47Me ne rendo conto.
05:49Guarda.
05:57Facile.
05:58Cool, facile.
06:00I know what that means.
06:01Dai, di nuovo.
06:04Dai, ti aiuto.
06:05Oh, I don't speak Italian.
06:06Oh, I guess I can send.
06:09Cinque, sei, sette, otto.
06:12Arm.
06:12Oh, that's low.
06:16Jeez.
06:16Okay.
06:18This and this.
06:19Maybe, maybe we can think of another end of the dance.
06:23Yeah, maybe, maybe we do like a deep bow.
06:26Di nuovo.
06:28Di nuovo.
06:29Di nuovo.
06:30Di nuovo.
06:33Okay.
06:33So, after the embarrassment at Fendi, we need to sign another luxury client.
06:58Not only to preserve our reputation, but also to justify keeping an office.
07:02Hello, team.
07:04Now, do you want to tell them, or shall I?
07:06I was just about to tell them.
07:09Oh, well.
07:10Luckily for all of you, I was able to get us a meeting at Intimissimi.
07:14The underwear brand?
07:16Lingerie.
07:18Oh.
07:18Lingerie and underwear are two entirely different things.
07:22It's form over function.
07:24Good gas mileage versus sporty handling.
07:27Are you two really mansplaining lingerie to me?
07:30I mean, have either of you ever tried any?
07:32Surprisingly, no.
07:33Panties on me is like putting a muzzle on a polar bear.
07:36But I think I should be considered for the cunt.
07:39I already have some ideas.
07:41Something dark and sexy.
07:43Do you remember the film The Light Border with Charlotte Trampling?
07:48Huh?
07:49Uh-uh.
07:49It's about a former SS officer and she was his prisoner.
07:53We could explore themes of fascism and submission.
07:58That would be a hot take for Lingerie.
08:00I'm feeling it.
08:02Really?
08:02I think Emily is the right person for the account.
08:06You got a chance to redeem yourself after the Fendi fiasco.
08:09Oh, as my Jewish grandmother would say.
08:11Go home, think about it.
08:13Maybe try some things on.
08:15Send us some pictures.
08:17No.
08:18I want to prove the French can sell sex better than the Italians.
08:22But I'm American.
08:24Oh, that's your problem.
08:25Don't make it ours.
08:25Thanks for helping me.
08:37It's better than the night watching Anton chew his wine.
08:40You're really good.
08:41I was forced to take ballroom lessons as a kid.
08:43Oh.
08:44My mum said they'd pay off one day.
08:46I actually believe she was right.
08:47You ready for the leap?
08:53Maybe.
08:55No, I can't do this.
08:57You can do this.
09:01I don't think I can.
09:03I really don't.
09:05Just stop thinking about it.
09:06Turn off your brain.
09:07And jump.
09:15Okay.
09:17Let's take it from the head flicky thingy.
09:19You want to start with a sassy bitch?
09:21Let's start with a sassy bitch.
09:51Oh, my God.
09:52I told you.
09:53I did it.
09:59Finally.
10:01Finally.
10:19We can't.
10:21Get it on so he can get it off.
10:34Hmm.
10:36How about just get it on?
10:38Intimissimi.
10:39Get it on.
10:41Are you working right now?
10:43Well, I could go sit alone in an office and try coming up with a lingerie campaign,
10:47but I thought this would be more fun.
10:48How about Intimissimi?
10:51Better on the floor?
10:53Hmm.
10:53Not bad.
10:54Eh?
10:54What about...
10:57Make four play last.
11:00Make it five play.
11:02Hmm.
11:02Non bene.
11:03Yeah.
11:04Yeah.
11:04Yeah, non bene.
11:06See?
11:07Good ideas and good taste.
11:09No wonder you're a titan of industry in the making.
11:11Yeah.
11:12Tell that to my mother.
11:13She has no faith in me.
11:15Otherwise, I'd be running Muratori by now.
11:18Yeah, well, she's probably just having trouble letting go of the reins.
11:21Yeah, because she still thinks of me as the wild, irresponsible kid who was always in trouble with the nuns.
11:26Yeah, but you know, parents sometimes project their own fears onto their kids.
11:30Seems like it's just me.
11:38I'm sorry.
11:39I know how that feels.
11:41Your parents are like that, too?
11:44Not exactly.
11:45I was thinking more Sylvie.
11:46I mean, she put me in charge of the Rome office, but she doesn't seem to have any faith in my ability to actually run it.
11:51Sylvie and my mother definitely have one thing in common.
11:56I don't want to think about either of them right now.
12:00Me neither.
12:05Is it time to take the lingerie up yet?
12:07I still have to figure out this campaign.
12:10Fine.
12:11If it's better for work, you can leave the lingerie on.
12:14It might be even sexier.
12:16That's not a bad idea.
12:23Sexier than naked.
12:28Sexier than naked.
12:30Yes.
12:31We see a couple kissing passionately.
12:34She goes to take off her lingerie, but he stops her.
12:37Leave it on, he says.
12:39Is he gay?
12:41What? No.
12:42No, the lingerie is just so beautiful, it takes center stage.
12:46You want to see it.
12:48We want this lingerie to make people connect.
12:50This is to a surface.
12:52And a little confusing.
12:54Well, how about I take all these notes and rethink?
12:58I could have you something by...
13:00We can meet tomorrow at the same time.
13:03We are on a deadline to make our decision.
13:06Great.
13:06Well, let's make that happen.
13:08I'm not going to be able to meet tomorrow.
13:10We'll miss you.
13:11I'm losing my touch.
13:23You know, I...
13:24I don't think my ideas are translating in Rome.
13:27I mean, I thought Italians liked sex.
13:28Actually, they are very repressed.
13:30Oh, well, that hasn't been my experience so far.
13:34What's going on in here?
13:35Nothing.
13:35Just Emily intimacy issues.
13:38Oh, we are finally talking about it.
13:42From the moment you walked into the office in Paris, I noticed you had a wallop.
13:47No, Luke...
13:48No, who could blame you?
13:49I mean, a young woman in a foreign land, in a foreign office.
13:54But as time went on, I saw it was more than that.
13:57The very curated online presence, the bald outfit stealing focus from what's underneath.
14:03Maybe you've been hurt in the past.
14:04Luke, I don't have a problem with intimacy, okay?
14:06I have a problem with intimacy, me the brand.
14:08Oh, I'm misunderstood.
14:13Yeah.
14:14Or maybe not.
14:23I still have my Night Potter idea.
14:25Great.
14:38One more, just like that.
14:40No, the boy's attitude.
14:42He seems defeated.
14:43He should act like they're playing a game.
14:47Keep rolling or cut?
14:48Cut.
14:49Cut!
14:51The little boy is sad at first, and then he realizes it's a game.
14:55I think we should keep it light from the beginning.
15:02I can do a take where it starts to play for.
15:06Sure.
15:09Okay, let's do it again.
15:11Okay, back to one.
15:25Oh, Italian women, you're always late.
15:30Yes, but we're always worth the wait.
15:32Sorry, my sweet.
15:33Is that for me?
15:38Yes.
15:42It's gorgeous.
15:45Should we go see how it fits?
15:47It's your place.
15:47I have to be back at the office.
15:50But I can come over tonight after ballando, ballando, ballando.
15:53Can I go to my place?
15:54My father's staying with me now, and his breathing machine is very loud.
15:58But I can come to your hotel.
16:02Okay.
16:02But you have to be there before 11.
16:04Don't be late.
16:05I wouldn't, Jim, I bet.
16:06Are you enjoying this, or are you anxious for it to be over?
16:25I just wonder what Umberto would think.
16:29This would all be a little Hollywood to him.
16:31You always agree with what Umberto thought?
16:34Almost never.
16:36But it was nice to have someone to push back against.
16:40The success or failure of the company is all in my hands now.
16:43It's a lot of responsibility and a little lonely.
16:47I know that feeling.
16:53What if we ended the commercial on the idea of the couple together rather than the woman alone?
17:00Oh.
17:02I like that.
17:05Bravo.
17:06Excuse me.
17:09Giancarlo.
17:12It's totally different from what I planned.
17:15Yeah, but I think it works better.
17:17I spoke to Antonia.
17:18She actually refers this version.
17:20So then, I guess I don't have a choice.
17:23Oh, it's still your vision.
17:24It's not if the ending's different.
17:26I didn't realize you were so precious about this.
17:28I didn't realize we were directing by committee.
17:30Giancarlo, we're here to please the client.
17:33And that's what the client wants.
17:34I think it's what you want.
17:36And you always do what you want.
17:38Isn't that right?
17:39Giancarlo, basta.
17:40You're behaving like one of the children on set.
17:43Do you want me to ask one of them to direct instead?
17:44I have a better idea.
17:50Tommaso, she's directing this now.
17:54Giancarlo!
17:55It doesn't feel great to be left, does it?
18:15Oh, my God, look!
18:18She looks like she's already won.
18:21Oh, I know.
18:25And this is the girl who had debilitating stage fright.
18:28She used to have to get one before performing just to calm down.
18:31Get one?
18:32You know, orgasm.
18:36Is that what you said?
18:38Maybe.
18:41What is it?
18:47I'm just going to meet you in the seats.
18:49Okay.
18:51When I get nervous, I sweat and then things scoot around.
18:54So I just need you to spray my butt with glue.
18:59Honestly, I'm relieved that's all you're asking.
19:01Oh, I just, I'm going to make a fool out of myself, Emily.
19:04You're going to be great.
19:05I don't think so.
19:06There's a big leap at the end and I've only gotten it right one time.
19:10Okay, well, do you remember what you did that one time?
19:11Yes, yes, I do.
19:13Well, then just do that.
19:14Oh, right.
19:15Yeah, yeah.
19:16Yeah.
19:17Yes, I, that's good.
19:19Just breathe.
19:25Okay, maybe don't breathe.
19:26Really get in there.
19:28Luke said I have intimacy issues.
19:30If only he could see me now.
19:31Well, you definitely don't have intimacy issues with me.
19:34What, you think I have intimacy issues with other people?
19:36Well, I just think you need to be pushed slightly to open up.
19:40Like, if someone were to share something personal with you, then I think you'd share something
19:43personal about yourself.
19:45Yeah, exactly.
19:46But I didn't do that.
19:48Marcello opened up to me about his mom, but then I sort of pivoted to work.
19:53Oh, that's fine.
19:55You really think that's fine?
19:56No, I don't, but can we talk about this another time, please?
19:58I have to leap over a man's head, engage my core, point my toes, and then try not to
20:02pee when his thumbs jab into my bladder.
20:04So, it's hard for me to think about anything else right now.
20:06Copy.
20:12Oh, my God!
20:13Oh, my God!
20:14Don't worry, I practiced all night.
20:29I've got it.
20:30Bene.
20:30A ballare il tango con il suo partner, Orlando Aero, è la santa avvice, Nini Cero.
20:44A ballare il tango con il suo partner, Orlando Aero, è la santa avvice, Nini Cero.
21:14A ballare il tango con il suo partner, Orlando Aero, è la santa avvice, Nini Cero.
21:44A ballare il tango con il suo puck.
21:46Oh, that was amazing.
22:16Imbarazzante.
22:31Me dispiace.
22:34Va bene.
22:37Oh, good.
22:39Non va bene.
22:41Idiota.
22:44Idiota.
22:45And I know what idiota means, you're the idiota.
22:47I understand this.
22:48Oh, yeah, I know, I understand.
22:49But I don't play with a principal.
22:51You're an idiot.
22:52I play with a professional ballerina, not with you.
22:58I hate to dash off, but Bianca is coming over and I have a curfew, so ciao, ragazzi.
23:05What does it mean a curfew?
23:07Oh, sometimes it's better not to know.
23:09I'm going to go to give her a hug for me.
23:14Hey.
23:15How are you doing?
23:16I don't want to talk about it.
23:17I don't want to think about it.
23:18I'm fine.
23:19Orlando may have slipped a dispel.
23:21Well, it was all his fault, right?
23:22Look, it didn't even look like he was trying to catch her.
23:24Yeah, he wasn't.
23:25I love how a translator suddenly appears after there's an incident, but not a second before.
23:31What if we walk around the city and forget about the day?
23:34Create some new memories.
23:35Oh, I'm exhausted.
23:37I think I just got to go back to the hotel.
23:39Well, we could share a cab.
23:44Marjorie?
23:45Great.
23:46Nice.
23:47Okay.
23:48See you later, mate.
23:49Bye.
23:50Thanks for coming.
23:54So, how did the pitch 20 minutes go?
23:59Not my finest moment, but I have some more ideas.
24:03Do you want to tell them to me?
24:05Actually, I'd rather not talk about work, if that's okay.
24:10Va benissimo.
24:12Mama, Mama.
24:13nauca.
24:14wife, is it?
24:15She's been wanting to talk to him.
24:16.
24:17Maybe.
24:18Another one.
24:19Alji is making her pee a bit.
24:21Only in the sink.
24:22You can make her pee a bit differently, but I will run away.
24:24If I just take her pee a bit, I might be able to Uruguat Episode.
24:26She is up and made her pee a bit.
24:30Hi, it's при worker in the sink.
24:33Ah, Frank.
24:34As you may, two days later.
24:36She's finally making hours.
24:37The phenomena's gonna be re-size away.
24:39sister please can you wait just a few minutes please the lord shows no partiality look but
24:51could you just this one come on
25:06c'è qualcuno
25:13it's past curfew my dear curfew i cannot let you in god bless
25:21bianca bianca up here are you staying in a convent yes it's a really good rate very central
25:36okay yeah i am so sorry the curfew is very inconvenient and i so badly want to lay eyes
25:43on you but i also want to respect the sisters you know what i mean you're such a sweet mind
25:50i don't want to leave without showing you your surprise
25:54oh
26:00okay
26:01sister please
26:05please
26:08jesus loved prostitutes
26:11and the curfew is a curfew
26:13david get out here quick
26:16there's a hooker trying to get in
26:19this makes up for no tv
26:22this is mercati traiano built between the years 100 and about 120 ish it's world's first shopping
26:39to kommen
26:40are you serious
26:41huh
26:42huh
26:44oh
26:44okay oh my god i totally see it versace
26:48armani
26:50maritory
26:51ah
26:52huh
26:53dancing fountain over there
26:55ooo food court over there
26:57it's beautiful
26:58hey is there a problem
27:08i've just i've been thinking a lot about what you said about your mom
27:14my family's not so different they always made me feel like um i had to succeed in life to matter
27:24good grades good job yeah and and they're good people you know don't get me wrong it's just
27:32existing was never going to be enough achieving is what life is about so i
27:39i try really hard and i push to make everything work and i want to be perfect you know and then
27:49i come to a place like this and it is just it's so beautiful it takes my breath away and
27:57it's you know it's because of all the imperfections the the cracks and and and the crumbling columns
28:04and i it just it makes me think that maybe i don't have to push or fix or try so hard
28:13maybe i can just let things be and it will all be fine maybe even better than fine
28:21so
28:23so
28:28so
28:33so
28:40Oh, my God.
29:10Oh, I'm going to make us some espresso.
29:19Wait, so now you're wearing underwear?
29:31Hi, Rumi.
29:32I miss you.
29:33I miss you.
29:35I didn't like leaving you alone last night without a shoulder to cry on.
29:38I feel like a horrible best friend.
29:40No, I didn't cry much.
29:42It's okay.
29:43How about I'll FaceTime you when I'm getting ready?
29:45Okay.
29:46Ciao for now.
29:48Ciao.
29:51Is that how many?
29:53Yes.
29:54This campaign is about one of the most intimate things you can do with your partner.
30:09Talk.
30:09Guess what?
30:23We got another client.
30:25No more intimacy problems.
30:26Ah, fantastic.
30:30Oh, could you ask if they ever have any likely won returns that they want to give away to charity?
30:36What charity is that?
30:38Saint Luke's house of fetishes?
30:40No, for the nuns in the convent I'm staying in.
30:43They're big fans.
30:43Where are you staying?
31:03What?
31:04Good news.
31:06Intimissimi wants to work with us.
31:10Is everything okay?
31:12Okay.
31:13Giancarlo walked off set and refused to come back.
31:19And I had to finish directing the entire shoot.
31:23What happened?
31:28It's a mess, I mean, it's a mess.
31:30After all the work we've done, I might have ruined this entire campaign.
31:34You're right.
31:50You're right.
31:53You're right.
31:54You're right.
31:55It's a mess.
31:55You're right.
31:55You're right.
31:55You're right.
31:56You're right.
31:56I'm going to work with us.
31:57I'm looking for you.
31:58If you're good at the game, I'm looking for you to work with us.
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