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Emily in Paris - Season 5 Episode 8
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FunTranscript
00:00First, he didn't want to serve us, and now he doesn't want us to leave.
00:15I mean, we're going to be late for the party.
00:16Oh, yeah.
00:17Who is this guy again?
00:18Noah Moreau.
00:19It's his going-away party as head designer at Magnus Miller.
00:23Yeah, there's a rumor he's being replaced by a Drake.
00:25I heard Justin Bieber.
00:26That's insane.
00:27Noah's won multiple CFDAs.
00:29Well, it doesn't matter anymore.
00:31Yeah, noise and hype are more important than collections.
00:34Well, it didn't help that he didn't get a Grammy, but it could work out for you guys.
00:37Oh, are we courting him?
00:39It's the whole reason we're trying to get a meeting with Noah, in hopes of bringing him
00:42on as the head designer of Marcello Moratori.
00:44I see.
00:45Oh, wait.
00:46I wonder whose idea it was to turn this double date into work.
00:49Actually, it was Marcello and Nico's idea.
00:52I just made sure our names were on the list.
00:54Naughty.
00:55Naughty.
00:56Oh, how are we going to get to him?
01:10That's Noah's agent over there.
01:12I think she's our best bet.
01:14Let's talk to her.
01:15Oh, my God.
01:16Look.
01:17He has such an adorable dog.
01:19How do you get a dog in here?
01:20You couldn't even bring a bottle of water.
01:22I grew up with Weimaraners.
01:24What?
01:25My dad breeds them.
01:26I told you that.
01:28I'm sorry, this whole time I assumed a Weimaraner was some sort of fox or mink.
01:34I thought your dad was in the fur business.
01:36Ew.
01:37No.
01:38Hi.
01:39Ramona.
01:40Oh, my God.
01:41Nicola De Leon and Marcello Moratori.
01:44Bonsoir.
01:45Have we met?
01:46No, but you two have been spread across every fashion business site for the past month.
01:51Hi.
01:53Mindy Chen, Nicola's girlfriend.
01:55Uh, how cool is this?
01:57So many people showed up for Noah.
01:59You sound surprised.
02:00We know what a talent is.
02:02It's not surprising.
02:03Yes.
02:04Soon we'll have a pick of the houses and this chapter will just be a blip.
02:07So he hasn't landed anywhere yet.
02:08Oh.
02:09Emily Cooper, I work with Marcello at Agents Grotto.
02:12As you might have heard, we're starting our own label and we'd love to meet with Noah.
02:17Sorry, guys.
02:18Noah will be giving careful consideration to his next move and, uh, you're kind of radioactive
02:24right now.
02:25What's that supposed to mean?
02:27Your family is still the number one player in fashion and nobody wants to piss them off.
02:31Best of luck.
02:32And please, don't talk to my client.
02:35Look, they have an uphill battle.
02:37Sure.
02:38Okay.
02:39But they're gonna make it.
02:40As an American who works at a French marketing firm, I know what it's like to be an outsider.
02:44Touching story.
02:45Still, no.
02:46But enjoy the party and we're serving cheeseburgers if you're feeling homesick.
02:50Oh.
02:51Rude.
02:52But also, where are the cheeseburgers?
03:00Excuse me.
03:01Oh.
03:02What are you doing?
03:19Hi, there.
03:20Chauncey, come on. Sit down. Be sweet.
03:27Oh. What are you doing?
03:28Hi there, ça va?
03:30Oh, he really likes you.
03:32What a handsome boy you are.
03:34You know, growing up, I had a silver grey, too.
03:36We named him Bugs After Bugs Bunny
03:38because he was grey and he loved carrots.
03:40I'm Emily Cooper.
03:42Oh, I'm Noah.
03:44I know.
03:46Well, meet Chauncey.
03:48He won't eat a carrot unless it's covered in meat.
03:51Aw, well, there's nothing wrong with that, is there?
03:53You're a hunter, not a gardener. Am I right, monsieur?
03:58There's one thing I know about Emily Cooper.
04:01That she does not like her face licked.
04:03Come on. Molly's still slobbering.
04:06Oh, hi.
04:08Um, these are my friends.
04:10Mindy, Nicola, Marcello meet Noah and Chauncey.
04:13Great party, by the way.
04:14I can't believe you got Candyhead to DJ.
04:16Well, he's under consideration to replace me, too.
04:19So, did you come to pay your respects?
04:23Actually, we came to get you out of here.
04:30I started working with the label right out of school,
04:33so this is my first big breakup.
04:35Now, I'm completely distrustful.
04:37I was discarded for some child actor turned pop star.
04:41Oh, my God, it is Drake?
04:43No, it's this Zaptic German rapper
04:45who has 200 million Instagram followers.
04:48Oh, Baby Jay.
04:49And no more from Dusseldorf.
04:51He's so not a designer.
04:53No.
04:54They're going to call him a creative director.
04:58Total bullshit.
04:59There is no craftsmanship anymore.
05:02My dad always said that the only thing that makes clothing distinct
05:05is the quality of the craftsmanship.
05:07Your father was an inspiration to a lot of us.
05:12That's very kind.
05:13He is my inspiration as well.
05:15I'm feeling sparked.
05:16Me too.
05:17So, can we have a more serious conversation
05:20about what Marcello has been envisioning from the line?
05:23As of tomorrow morning, I'm officially unemployed, so why not?
05:28Should I set it up with Ramona?
05:30Forget Ramona.
05:31Chauncey never liked her anyway.
05:33He's got a good instinct for people I can trust.
05:53There is a lot of people I can't believe in.
05:55I don't know.
05:56You're still alive, I can't believe it.
05:58I've always wanted to.
05:59Don't do it.
06:00I'm sorry, I can't believe it.
06:02I can't believe it.
06:05You didn't seem to see me.
06:07You didn't seem to see me.
06:08I have a living in the corner of my village.
06:11I'm also?
06:12No, not...
06:14...to be a leader.
06:15To be a leader,
06:16it's just...
06:18...two bodies that try to do good.
06:21It's like a great day.
06:25I'm still there.
06:27I'm going to work.
06:31Why don't you send me photos?
06:34Oh, no.
06:37Just like that?
06:38No, I won't send you photos.
06:41You're so sexy.
06:51It is so much easier for guys to do a walk of shame.
07:04Look at you.
07:05Same clothes as yesterday, but who notices?
07:08You just did?
07:10You know, on the charcuterie board of life,
07:13men are the bread.
07:15Ah, okay.
07:16And what are women?
07:17Everything else.
07:18The brie, the honeycomb, the salami roses.
07:22The bread is the only thing that looks edible the morning after.
07:25The rest is just loose fruit and cheese rinds.
07:29Mindy, stop.
07:30You look good.
07:31No one could tell you I went out in those clothes last night.
07:33Oh, my God.
07:34Are you okay?
07:35Is your dress on backwards?
07:38What?
07:41Oh, my...
07:42Why didn't you tell me?
07:43I didn't notice.
07:44Okay.
07:46Come here.
07:47Come here.
07:48I think Marcello and I are sleeping in the wrong places.
07:52I mean, it doesn't make sense for us to go back and forth every day.
07:56Yeah, I see your point.
07:58So, while Marcello's in town, your boyfriend should stay with you, and I'll stay with mine.
08:03Okay, but it's only temporary, right?
08:04Like, you're not moving out.
08:05Oh, my God.
08:06No.
08:07Temporary.
08:08Okay.
08:09Okay, deal.
08:10Fine.
08:11Let's do it.
08:12Cute.
08:13You don't mind switching, do you?
08:16Yeah, yeah.
08:17Thanks for asking.
08:20He doesn't mind.
08:21I don't mind.
08:22J'en ai assez.
08:23Stop.
08:24Stop.
08:25Stop.
08:26Ça ne peut plus continuer.
08:28Alors, comment ça se passe, tes préparations, ton anniversaire de mariage?
08:31Bien.
08:32Bien.
08:33Mais donc, ça ne t'embêterait pas de venir un peu plus tôt parce qu'il va y avoir que
08:36la famille, les gens avec les enfants.
08:39Je crois que j'ai vraiment besoin de toi pour rigoler un peu.
08:41Oh, chérie.
08:42Mais oui, je vais faire un petit effort.
08:46Comment va ton 5 à 7 ?
08:48Non, mais c'est dingue, hein.
08:50C'est devenu un 5 à 7 heures du matin.
08:52Il ne veut plus partir, maintenant.
08:54Ah, mais vous êtes à fond.
08:55Oui.
08:56Oh.
08:59C'est lui?
09:02C'est dur d'être loin de toi.
09:03Oh.
09:07Très dur.
09:12Qu'est-ce qu'il dit?
09:16Quoi?
09:17C'est une photo.
09:18De quoi?
09:19Ah, de...
09:20De sa queue?
09:21Non, mais je peux pas.
09:22Non!
09:23Je vais demander à Guillaume pour votre anniversaire de mariage.
09:26Alors, Guillaume, le cadeau, ce serait de plus jamais voir la sienne.
09:29Oh!
09:30Oh, arrête!
09:33Non!
09:37The inspiration for the line is...
09:40Il Palio di Siena.
09:41The horse race?
09:42Uh-huh.
09:43Okay.
09:44Interesting.
09:45So, sportswear?
09:47Like an Italian raffle run.
09:49Timeless, but not stuffy.
09:51Here.
09:52I have sketches.
09:58Oh.
09:59Hmm.
10:00Who did these?
10:01They're not bad.
10:02I had them commissioned to give you a visual sense of the line.
10:06I see.
10:07Buttons-up, but playful, too.
10:10I don't hate it.
10:11Not hating is good.
10:13Very good.
10:14And...
10:15What's your role in the company, Emily?
10:18Besides Chauncey's new favorite obsession?
10:21Marketing.
10:23Unofficially.
10:24We need to convince Sylvie.
10:26Well, I'm glad you're part of the team in whatever capacity.
10:30I like you guys, and I feel like you guys like each other.
10:33Yeah.
10:34No drama.
10:35No politics.
10:36And I need a creative palette cleanser.
10:42I'm in.
10:43Woo!
10:44Let's do it.
10:45You want your credits.
10:50Yay!
10:51Shake my hand.
10:52Bonjour, Sylvie.
10:53Belle journée, nespa.
10:54Oh, oh, oh, it's never good news when you greet me in French.
11:03What's wrong?
11:04What?
11:05Nothing.
11:06I got us a meeting with the new company that Noah Moreau is designing for.
11:11Interesting.
11:12Who are they?
11:13I heard Chloe was courting him.
11:15Well, it's actually...
11:17Drum roll, please.
11:18Marcello Muratori.
11:20And Niccolo de Leon is going to finance him.
11:22Well, I'm sure everyone in town is clamoring to meet with the two black sheep of major fashion families.
11:27Just hear them out, okay?
11:29The worst you can say is no.
11:30That's not the worst I could say.
11:33Can't you just, please?
11:36You're helping Marcello and Nicola.
11:38Interesting.
11:39Is it safe to say you and Marcello are back together?
11:43This is about business, not my personal life.
11:45Emily.
11:46When isn't business about your personal life?
11:48When I'm happy for you.
11:49You're doubling down.
11:51What does that mean?
11:53Once you break up with someone and get back together, you're making a big statement of commitment.
11:58You're basically saying this is the one.
12:01And there's no going back.
12:03Yeah, it's why I don't do relationships.
12:06Period.
12:07There's only one happiness in life.
12:08To love and be loved.
12:09Exactly.
12:10Exactly.
12:11Exactly.
12:12Exactly.
12:13So how did you all land Noah Moreau?
12:14Every big label is after him.
12:15Noah had the rug pulled out from under him by a brand that he's been committed to for years, so I think he feels pretty burned by big labels.
12:30And Emily made friends with his dog.
12:31Huh.
12:32Is that supposed to be some sort of expression like, Bob's your uncle?
12:33Or...
12:34No, he has a beautiful Weimaraner named Chauncey that will probably take up a significant portion of the budget.
12:36Super.
12:37How is Antoine dealing with you being here, Alfie?
12:38This is a side hustle for now until things take off.
12:39And it will take off.
12:40Marcello and Nicola Gugnick have decided to watch a big label.
12:42It's a big deal.
12:43It's a big deal for me, but I don't know.
12:44I'm not sure how I'm going to get into it.
12:46The big label is after him.
12:47Noah had the rug pulled out from under him by a brand that he's been committed to for years, so I think he feels pretty burned by big labels.
12:49And Emily made friends with his dog.
12:50Oh.
12:51Is that supposed to be some sort of expression like, Bob's your uncle, or...?
12:53No, he has a beautiful Weimaraner named Chauncey that will probably take up a significant portion of the budget.
12:58Super.
12:59How is Antoine dealing with you being here, Alfie?
13:01This is a side hustle for now, until things take off.
13:05And it will take off.
13:07Marcello and Nicola grew up in the business.
13:09Combined with Noah, they've spent over 70 years in luxury fashion.
13:12They've got a distinct edge.
13:14Sounds like you're already working for them.
13:17We've been lucky to have Hemley's help.
13:19We know there is no success without a team like Agence Grateau behind us.
13:24We've seen firsthand how our parents build successful fashion businesses.
13:29We want to build it differently.
13:30Meaning?
13:31Twenty percent of luxury textiles is thrown away during the production.
13:36We plan on using dead stock fabric in our collections, which is not only sustainable, but makes
13:42each collection truly one of a kind.
13:44Saves money as well.
13:45Yeah, I like the ethos, but it's the fashion that's going to sell your line.
13:50Of course.
13:51Oh, Marcello Muratori.
13:58I see you didn't spend much time coming up with a name.
14:01Actually, I did.
14:02In the end, I wanted to pay homage to my family, but also stand apart.
14:09Yeah, well, it is quite engaging, sort of prestige sportswear.
14:14But I've been burnt in the past, so why would I trust working with a Muratori or a Deleon?
14:21Because you wouldn't be working for us.
14:22Because you wouldn't be working for us, you'd be working with us.
14:26We'd bring you in as a full partner.
14:28When this is a success, you'll gain as much as we will.
14:33And if it isn't, it's going to be, Sylvie.
14:39Well, I guess we're going to have to make sure it is.
14:44You're in?
14:45She's in!
14:46I think you're going to be leaving en train soon, my friend.
14:51Yeah, I'm going to eat the same dinner sandwich.
14:54We're going to have to put out a press release immediately.
14:57Oh, actually, I had another idea.
14:59The fastest route to people's hearts is through their stomachs.
15:01So what about throwing a luncheon for the press?
15:03Bravo, bonne idée.
15:04Merci, Sylvie.
15:05You won't be sorry, I promise.
15:07You're welcome.
15:08You won't be sorry, I promise.
15:09You're welcome.
15:30Oh, my God, are we power couples now?
15:33Oh, I think we're a power quad.
15:35Ooh.
15:36Because, like, each of us individually brings something special.
15:38Yes.
15:39Yes.
15:40And we need a quad of champagne.
15:42Tutu sweet.
15:43Oh, oi, oi.
15:44Whoa.
15:45Hey.
15:46Hey, hey.
15:48Okay.
15:49What are you doing here?
15:51Celebrate.
15:52To us.
15:53Who's us?
15:54Is he us?
15:55He is.
15:56I asked Alfie to help out with financials.
15:59Yeah, isn't that so cool?
16:01Yeah.
16:02It's so cool.
16:03Yeah.
16:04It's a great opportunity.
16:05Yeah.
16:06Have you guys called Noah yet?
16:07Oh, we have to do that right now.
16:09You should come too.
16:10Oh.
16:11Yeah.
16:12Okay.
16:13Right now?
16:14I'll be at that.
16:15Okay.
16:16We'll be...
16:17Uh...
16:18So, new job.
16:23Yeah.
16:24Basically, um...
16:26Consulting.
16:27Don't worry.
16:28I won't be hanging around all the time.
16:30I'm not worried.
16:32That...
16:33Makes sense.
16:34Why wouldn't you help him?
16:43You've gotta be kidding me.
16:45It...
16:46Is this...
16:47What?
16:48A tango?
16:49Do you request this?
16:52Yes.
16:53Because I love reliving my Bilondo experience.
16:58I wasn't all bad.
17:00What?
17:01There's no way you remember.
17:02I got this.
17:03Ha!
17:04What?
17:05What?
17:06What?
17:07There's no way you remember.
17:08I got this.
17:09I got this.
17:12Ha!
17:13Got this.
17:43I'm having a really hard time not thinking about us.
17:54You know I'm back with Nico.
17:56After what he did to you?
18:00Relationships are complicated, Alfie.
18:02Yeah, well, people don't change.
18:05When the guy's a snake.
18:08If he's so bad, then why are you working with him?
18:11Because snakes know how to make money.
18:13That doesn't mean I sleep with one.
18:41Oh, my God.
18:43Oh, my God, all the money, when we look at it.
19:13Oh, mon dieu, tout le monde sait, quand on la regarde.
19:39Bonsoir.
19:39Bonsoir.
19:43Oh, Sylvie, you never thanked me for the chocolate.
20:00I hope you got them.
20:01Oh, of course.
20:03They were quite exotic.
20:05Did you guess what was inside?
20:07No, but the flavor did linger for quite a while.
20:14Liver.
20:15What?
20:16I wanted something unexpected and aggressive.
20:21After we met, the thought of you also lingered for quite a while.
20:25Thank you, my dear.
20:27It's a pleasure to see you.
20:29Well, I'll remove Sylvie.
20:31We have an inverse.
20:33Oh, yes.
20:34You're crazy to imagine with a man like that.
20:37But it's good, I know what you like.
20:40Do you have photos?
20:41No.
20:42No, if I don't see anything, I don't have anything.
20:45What are you waiting for?
20:46Envoi!
20:46But what?
20:49No, but I've got it, but I don't like to go like that.
20:51Oh, no, no, no, Sylvie.
20:53If women like you have problems with photos sexies, we're crazy.
20:57All right, for us, please.
20:59All right, all right.
21:00All right.
21:04All right.
21:06It's done.
21:07You're happy?
21:08I thank you, Mrs. Jean-Pierre.
21:09Ah.
21:12À toi, à Guillaume.
21:13Et à votre anniversaire.
21:14Et à ce bel étalon, O'Kils.
21:18Oh.
21:21Oh.
21:22C'est déjà lui?
21:23Hein?
21:27J'ai l'impression qu'il est très content.
21:30Oh.
21:32Oh, non.
21:32Rête.
21:33Rête.
21:34Non.
21:35Chut.
21:36Vivette.
21:37Mais elle est grande et dure.
21:39Non, je te déteste.
21:40Arrête.
21:40Je t'assure.
21:41Oh.
21:42Oh.
21:43Oh.
21:44Oh.
21:45Arrête.
21:47Ah, c'est marrant.
21:48On dirait le papier peint de ma salle de bain.
21:50On ne va pas regarder le papier peint, Yvette.
21:52Hello, maman.
21:56Sylvie?
21:57Mais qu'est-ce que tu fais là?
22:03Oh.
22:05Oh.
22:05Oh.
22:08Comment de la puce?
22:10Vous connaissez?
22:12Mais depuis 30 ans, bro.
22:13Elle pourrait être ta mère.
22:16Quoi?
22:17Qu'est-ce qu'il se passe?
22:18Oh, Sylvie.
22:19Hein?
22:20T'as rencontré mon fils?
22:26Oh.
22:26Oh.
22:27Oh.
22:27Sylvie.
22:28Oh.
22:28Oh.
22:28Oh.
22:28Oh.
22:28Oh.
22:28Oh.
22:28Oh.
22:28Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:29Oh.
22:30Oh.
22:30Oh.
22:30Oh.
22:31Oh.
22:31Oh.
22:32Oh.
22:35Oh.
22:37I've never seen you in a tie before.
22:40You look so handsome.
22:42As long as the dog looks nervous, this company's a big risk.
22:45You don't get anywhere without taking those.
22:57This is for you.
22:58What's this?
23:00The key to your heart?
23:01No.
23:01It's the key to my apartment.
23:07I'm not so nervous anymore.
23:12Let's go and press the press.
23:14Yes.
23:14Mm-hmm.
23:15Yes.
23:22You'll go up at the same time.
23:24You'll intro Marcello, and then you will intro Noah.
23:26Got it.
23:27You got it?
23:28Yeah.
23:28Chauncey and I will be waiting in a ways, okay?
23:30Mm-hmm.
23:31Okay.
23:31Time to make this venture official.
23:34No, shit.
23:34Shit.
23:35Let's go.
23:35Let's go.
23:37I need to know how to delete a follower from Instagram.
23:40Oh.
23:40What happened to your phone?
23:41Dropped it.
23:42Can you just please delete Yvette?
23:46Oh.
23:46Um.
23:48Looks like she already deleted you.
23:51Everything okay?
23:52Hm.
23:54Yeah.
23:55Just don't sleep with the first cute guy you meet in a tuba, Emily.
23:58Ladies and gentlemen, from the press, it is my pleasure to introduce to you Marcello Muratori.
24:08Thanks to my partner, Nicola DeLeon.
24:18This is a big moment for us, and I'd like to thank you all for being part of it.
24:23This project has been very close to my heart, to our hearts, for a long time.
24:39Excuse me?
24:40Marcello Muratori?
24:41Yeah.
24:42Yeah.
24:42Si.
24:43You've been served.
24:50Sorry.
24:55I'm being sued for trademark infringement by my mother.
25:04Yeah.
25:05I'm sorry, this is not the right situation for me.
25:08I should have listened to Ramona.
25:10Good luck.
25:11Um.
25:11No.
25:16We, no, we will not be taking any further questions.
25:19No, no further questions.
25:21No, no further questions.
25:29Oh, oh, oh, oh.
25:30You don't know what you're talking about.
25:31Don't be angry after you're going to happen.
25:33But you don't know how much I feel humiliated.
25:37And don't be ashamed of you.
25:38You ashamed of me.
25:39You ashamed of me.
25:40You ashamed of me.
25:41You ashamed of me.
25:44Was that your mom?
25:45My sister, my mother won't speak to me.
25:49My family thinks I want to steal the business.
25:51I don't want to steal from anyone else.
25:53All I want to do is create my own thing.
25:55I know.
25:56How am I going to find another designer?
26:12No one is going to want to work with us now.
26:14This might sound crazy, but what about the person who did these?
26:27They're really good.
26:28No.
26:29Why?
26:37That wasn't me.
26:38I did those.
26:42You?
26:43My dad taught me how to sketch like he did.
26:46He created all of the original moratory designs.
26:51Just like you.
26:54You did these sketches and you came up with the concept.
26:57I mean...
26:59We don't need to look for anyone else, okay?
27:01You're the designer, Marcello.
27:03No, Emily, I cannot do this.
27:06Yes, you can.
27:07No.
27:08Yes, you can.
27:11I know you can.
27:13No.
27:27Double espresso coming up.
27:29Get to work.
27:30There's nowhere, nowhere else to go.
27:37No escape.
27:39No denial.
27:43With your current.
27:46You always say.
27:50Life is just a game.
27:54Playing is okay.
27:57No.
27:58I'm not.
28:00No.
28:01No.
28:02No.
28:03No.
28:03No.
28:04No.
28:05You are not waiting.
28:06No.
28:07No.
28:08No.
28:09No.
28:10No.
28:11No.
28:11No.
28:12No.
28:13No.
28:14No.
28:16No.
28:18No.
28:20You always say, life is just a game, praying is okay, until you
28:50lose, but mirrors don't lie, there's no other side, the youngsters are hiding.
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