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Emily in Paris - Season 5 Episode 9

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Transcript
00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:21we are spending too much on attorneys already i know money's been tight so i called in a favor
00:27from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:37i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:43uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:50fashion industry literally oh this is scary exciting how soon can we move in how about
01:04now am i doing this right i've never been a fit model before you're perfect okay
01:18pierre cadeau is ready to zoom he has news go go go hi sorry guy
01:25there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:33this changed everything you said you had some news any luck on paris fashion week despise all the
01:40cloaks i wear i'm not a wizard it's impossible to get an unknown designer into paris fashion week
01:47especially when he's being sued by his own mother you said you had good news i found you a much more
01:54suitable event venice fashion week venice has a fashion week it's more for emerging designers
02:01well then that's perfect an italian newcomer making a splash in venice literally you'll sink
02:08or swim either way prepare to show in two weeks what that's not possible oh my darling boy
02:15fashion is all about making the impossible possible bonne chance mes amis
02:24chère pascal we're very excited to share our ideas with you for the launch of your absinthe
02:34le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:40there'll be con-con dancers as well as waiters in period costumes and no absinthe party is complete
02:47without a visit from the green fairy herself nice touch when guests arrive we'll greet them with a
02:53shot of le rêve vert served on sugar cubes but just a splash we can't have anyone going mad
02:59that's just a myth right is it really a hallucinogen no it's real absinthe was banned for
03:06almost a century in france it was the molly of the belle époque what do you know about molly
03:11it's a strong drink but i assure you there is nothing like molly it will not make you lose your
03:20mind during the belle époque regulations weren't strict we weren't there so who can say i wish i had
03:27been there la belle époque wasn't about restriction it was about experimentation but progress in art in
03:34technology in science in everything it was the birth of cinema it was the birth of la tour eiffel and
03:40the epicenter of it all was maxim's so i'm very very glad you were able to book the venue for the event
03:46we did
03:50oh yeah we did of course
03:52luke why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect
04:05fit for the party and you could use the business i called to reserve the space but i was told it is
04:10unavailable we even offered to change the date but they said no should we ask again no no too late anyway
04:19i mean are you free tonight i'm feeling nostalgic and i would love to show you my belle époque paris
04:26oh that sounds lovely marcello is busy working tonight so count me in an artist working late into
04:32the night it is just like the belle époque without all the syphilis and the smells do you know about
04:39the great stink of 1880 what ew no the city was unbearable and oh yeah i can't wait to tell you all
04:48about it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks
04:58for the line can i please just at least get two days to prep the rollout okay thank you
05:08oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:15little slack money's really tight right now he's worried about money really yeah oh do you not know
05:23that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks that
05:28his grandfather gave him so he's basically betting his whole inheritance on marcello's business wow i had
05:35no idea it's gonna be fine he knows what he's doing but i feel like i need to start contributing more
05:41you know i mean if i nail this audition tomorrow i can cover his rent you have an audition for what
05:47did i not tell you so these movie producers saw me at crazy horse and they want me to read for
05:53sateen in an animated moulin rouge oh my god i love that movie be an amazing sateen oh thanks okay how do i
06:01say break a leg in french the french version is married okay well then married i'll take it
06:09i need all the marriage i can get
06:17on the same time
06:18no matter
06:26no one
06:27the
06:29the
06:30baptized
06:32these
06:33let's do it
06:34let's say
06:35ask
06:36worry
06:38let's do it
06:40do it
06:40some issues
06:42yeah
06:44You were missing me.
06:49You asked me, I gave you the air.
06:53I was very happy that you called me.
06:57I was also happy to see you.
07:02And where did you go all these times?
07:05In the south, especially.
07:08Paris works very well, but it's nothing to do with Saint Tropez.
07:12I found a little thing.
07:18It dates to the opening.
07:21You made the photo, I think?
07:23Yes, I put the timer, I made the flyer.
07:27You were incredible.
07:30You always did it.
07:33We were fusion at the time, we couldn't separate each other.
07:37I think it was our time.
07:42Who knows, maybe the best will come.
07:47It's just to love it.
07:49Stop it!
07:50You added the body to the other house and the vegetables.
07:54You are beautiful and she has changed.
07:56You're dressed in the sun that it is, it's just red.
07:58You're dressed in the moonlight.
07:59You're a beautiful queen.
08:01Should I be in the old house?
08:02You have to go to the high school.
08:03It's brown that gold.
08:04You're dressed in the eyes.
08:05You're dressed in the race.
08:06You're dressed in the night.
08:07Why are they dressed in the eyes?
08:08You're dressed in the morning.
08:09You're dressed in the morning.
08:10So this was my neighborhood when I first moved in Paris.
08:28I wanted to be in the world of Toulouse-Lautrec, where the artists I read about used to paint
08:33and write and drink and screw their brains out until sunrise.
08:37I fancied myself quite the painter.
08:40Well, that doesn't surprise me at all.
08:42You have an artist's soul.
08:45Come on.
08:49So this is Le Bateau Lavoie.
08:51Matisse, Cocteau, Modigliani, they all gathered here.
08:54Oh, and Picasso too.
08:56Wow.
08:57I would have killed to be among them, but I was more like him, selling my works by day
09:03and painting new ones at night.
09:05You really were an artist.
09:07How romantic.
09:08It was a brutal existence.
09:10No money, no sleep, just me and my art.
09:18I was never happier.
09:20Oh.
09:21Do you still have any of your paintings?
09:22No.
09:23I sold a few.
09:26The rest I used as firewood when I realized I had no talent.
09:30Oh.
09:31What did you use to paint?
09:33Oh.
09:34My specialty was portraits.
09:37Oh, cool.
09:38Self-portraits.
09:39Nude self-portraits, to be precise.
09:43Oh.
09:44Oh.
09:45I wish you could have seen them.
09:46What kind of striking figure in my youth?
09:48Oh.
09:49My loss.
09:50Yes.
09:51Yes.
09:52Okay.
09:53Final absinthe.
09:54Yes.
09:55Merci.
09:56Merci.
09:57Merci.
09:58This is my last one.
10:01Anymore and I start hallucinating.
10:03Are you feeling it too?
10:05I am feeling a little tipsy.
10:07Oh.
10:08Oh, and maybe I am hallucinating.
10:13Gabrielle.
10:14Gabrielle.
10:15No way.
10:16You have to answer.
10:18Hi, Gabrielle.
10:23How are you?
10:24Where are you?
10:25Are you still on the yacht?
10:26I'm actually in Amsterdam.
10:28The yacht is in dry dock for repair, so we're moving to Edderton's summer home in Monaco.
10:32Hmm.
10:33Sounds fancy.
10:34It is.
10:35But I didn't call to brag.
10:37Listen, I left in such a rush that I forgot some of my knives.
10:42I'll be passing through Paris tomorrow, but I don't have much time in between trains,
10:47so I was wondering if you would be willing to come to the train station and bring them
10:52to me.
10:53I know it's a big ask.
10:55Uh, what time?
10:57I'll be there at one o'clock for about an hour.
11:00We could have a quick lunch if you'd like.
11:02It would be nice to see you.
11:04Um, yeah, yeah, I think I could do that.
11:07Ah, thank you, Emily.
11:09Honestly, you're a lifesaver.
11:10Um, listen, I'll shoot you a picture so you know what to look for and make sure the
11:13Guardian knows to let you in.
11:15Okay, I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1pm.
11:20Okay, yeah.
11:21Um, yeah, I'll see you tomorrow.
11:22Bye.
11:23Just in case you were wondering you were not hallucinating, that call was very real.
11:27It definitely was.
11:28Marcello?
11:29Livia?
11:30Livia?
11:31Livia?
11:32Cosa ci fai qua?
11:33Quindi è vero, stai lavorando l'atelier di Pierre Cardot.
11:37Ciao.
11:38Nicolà, this is my sister, Livia.
11:40Ciao, Livia.
11:41Ciao, Livia.
11:42Nice to meet you.
11:43So you're the one behind this.
11:44This was my decision.
11:45Did Mama send you?
11:46She doesn't know I'm here.
11:49Don't agree with what she's doing, but...
11:51But?
11:52I don't know what you're doing.
11:55You never designed anything in your life for me.
11:57I love you.
11:59Yeah, I love you.
12:00So, you know, I love you.
12:02Yeah.
12:03It's all you.
12:04I love you.
12:05I love you.
12:06I love you.
12:07Bye.
12:08You never design anything in your life and suddenly you're doing a whole collection if I may
12:13Your brother is very talented and clearly it runs in the family
12:19Why don't you take a look at the line and we'd love to get an outside opinion good idea
12:24I'd love to know what you think
12:33They're beautiful really well constructed
12:38But Marcello, why do you want to tear our family apart over this?
12:43It's not even that different from our own brand. You just put a colorful horse on it. You're not seeing the whole picture
12:49Neither are you. Please stop this before it's too late
12:56Excuse me
12:58Oh
13:06Hey, yeah, what's up Emily? I need you to cancel Venice, but what do you mean? We have to shut everything down
13:13What's going on? It was a huge mistake. I'm not a designer
13:17Of course you are just because you keep saying it doesn't mean it's true. We've wasted so much money
13:23I can't show this collection. I never should have listened
13:27Wait
13:29What happened? Where is this coming from my sister came here to see the line and she said it's not good enough
13:35And she's right. She's right. I'm going to humiliate myself. That's not true. Okay, don't let her get into your head
13:42The line is great. Emily stop. She's right. It's boring crap. No, it's not
13:49Maybe we can add some accessories to liven it up. I said stop
13:53You always want to fix everything, but there are some things you can't fix
14:02Just stop, please
14:07Okay, um, let me see what I can do
14:23Emily
14:39Sri Lanka was so beautiful like nothing I've ever seen before but I think my favorite place was Thailand's the people are so friendly and the food
14:49Your episode of chef's table is gonna be incredible
14:53I still can't believe you just packed up and left
14:56It was a crazy thing to do, but I had to do it
15:01I'd gotten everything I thought I wanted I was miserable
15:06So I decided to do the exact opposite instead of stability and routine I I ran for the unknown
15:13He just woke me up. I don't know I
15:18I'm talking too much. How have you been? Oh
15:23I'm fine. Yeah, the usual
15:27Marcello and I are back together
15:29How are you guys doing? We don't have to talk about it if
15:32No, no, no. It's okay. Um, we're we're good
15:35Well, he's starting a fashion company. He's actually designing the line himself
15:39I didn't know he was a designer
15:41Well, he wasn't but then we lost the one that we had and I saw his sketches which were incredible so I
15:47Insisted that he take over and
15:51We're supposed to show it fashion week, but now he wants to trash the entire collection
15:54So well, I
15:57Missed so much it'll happen so fast, you know, maybe a little too fast
16:01Maybe I shouldn't have pushed him to do it
16:09Can I ask you something of course did I push you for the Michelin star?
16:16The Michelin star was my dream, but you were miserable
16:19And you ran half way across the world to escape from it and
16:25I don't know
16:27Maybe from me
16:31Emily all I can tell you is that you supported me you had faith in me probably more than I ever deserved
16:38That's a good thing. I just don't think that's how Marcello feels. He's so upset and I feel like it's my fault
16:46Although
16:50Maybe that could be because of the lawsuit because on top of everything else his mom is suing him. That's terrible and his business partner Nico
16:56Oh, yeah, um Mendy's boyfriend. You remember him the billionaire. Well, no not anymore. It's a really long story
17:04You know what I forgot a dramatic Paris can get
17:06Yeah
17:12This restaurant is so gorgeous. We should have had our Belle Epoque party here
17:16It's art nouveau, right? You know what I believe it is
17:21I look at you. You're such a cultured Parisian now. There was a time where you didn't even know which floor you were on
17:26God remember when that was my biggest problem. Oh
17:29Oh
17:31I feel like that was my Belle Epoque
17:35Everything was so new and exciting
17:38Like a fantasy
17:40Now it all just feels
17:43So difficult
17:45And real
17:47We tend to romanticize the past
17:49Things were pretty hard back then too
17:52You didn't know what you were doing at work
17:54Hmm
17:55You were kissing people that had girlfriends
17:58Which I didn't know
17:59And they were kissing back by the way
18:01That's very true, but not only that there were
18:05Secrets and pacts and fake Michelin inspectors
18:09And also good memories like
18:11sex on the roof
18:13Now who's romanticizing the house?
18:16You know
18:18When I left for the yacht, I thought my best days were behind me
18:22I know I'm excited for the future
18:26Wherever it brings me I
18:30I think you should be too
18:36Never knew I could feel like this
18:42Like I've never seen the sky before
18:47I want to vanish inside your kiss
18:55Every day I love you more and more
19:01Listen to my heart
19:05Can you hear it sing?
19:09Telling me
19:11Telling me to give you everything
19:17Seasons may change
19:21Winter to spring
19:23Thank you for meeting me
19:25It was good to see you
19:29Give Marcella some time
19:31You two are good together
19:33What makes you say that?
19:35Because I saw the two of you in Rome
19:40When were you in Rome?
19:44After you decided to leave Paris
19:46I had this crazy idea to follow you
19:49And I saw you with them
19:53Why didn't you ever tell me?
19:55Because you looked happy
19:58And that's all I ever wanted for you
20:05It's all I ever wanted for you too
20:10For both of us
20:15You know they didn't start calling it la belle époque
20:18Until after it had passed
20:20Nobody knows if they're living their golden age
20:22Maybe we're leaving ours now
20:29Just send me a postcard okay?
20:33A real one
20:34With a stamp
20:48No more
20:50Bye
20:52But stone clouds may gather
20:55And stars may collide
20:59Oh!
20:59Oh my god!
21:00You...
21:00Gabrielle, you're knives!
21:03Wait!
21:06Gabrielle!
21:07Gabrielle!
21:11Your knives!
21:13Thank you
21:20You're a good friend
21:22I need to cancel this show in Venice
21:27I will love you
21:32Suddenly the world seems such a perfect place
21:41Hey, where is everyone?
21:47I sent them home.
21:50Did you cancel the show in Venice?
21:53Not yet.
21:54Are you sure that's what you want to do?
21:57It's what needs to be done.
22:01You know, sometimes when things don't work out,
22:03it helps to look at it from a different perspective.
22:06Do the opposite.
22:08Like if I'm thinking black, I run towards white.
22:11What?
22:13Black is white, up is down.
22:16Something like that, yeah.
22:18All I can think of is how I'm disappointing everyone.
22:22Well, then think of the opposite.
22:25Listen, I don't need you to be a designer
22:28or a titan of industry
22:32or anything other than the wonderful man that you are.
22:37Whatever you decide, I'm with you.
22:44I don't need you to be a designer or a titan of industry.
22:47I don't need you to be a designer or a titan of industry.
22:49Well, finally, finally,
22:54you called me, it's just an hour.
22:56But I told you that it was urgent.
22:57Well, I'm also happy to see you.
23:01What's your emergency?
23:02Well, you've seen your wife last night.
23:05Yes, I saw him last night. He had a little taken away from his distance, but we got reconnected.
23:11Ah, merveilleux. Do you want to connect with me too,
23:15to explain why his clientele is taking care of me?
23:18Pardon?
23:19He is in charge of payment, especially.
23:21His alcohol license, his offer, even some of his employees.
23:25No, but wait, I don't understand. He told me that the business works super well.
23:28Ah, bon? He told me that he had to pay 2 millions in the apartment.
23:32He told me that he was taking care of me.
23:34Maman, are you sure of what you're saying?
23:36Of course, I'm sure.
23:37But he has no money, so let me take care of him.
23:41I would never have to admit to him.
23:43And you neither.
24:02Bravo et bravo.
24:03Thank you all so much.
24:12It's perfect. It's exactly how I pictured Maxime's during the Belle Époque.
24:16Merci. It's been our pleasure.
24:19Now, if you'll excuse me, I have a date with the green fairy. She's in love with me.
24:38Are we sure this doesn't make you hallucinate?
24:45Mm-hmm.
24:49Is everything okay?
24:51I thought you'd have the time of your life here.
24:53No, c'est magnifique, but being here made all this beauty.
24:58I wish I hadn't given up on my art.
25:01Luc, I think you're romanticizing the past.
25:05Do you remember how hard it was?
25:07And look at you, okay? You have a great life.
25:10You have great friends and a great job.
25:14And, well, you live on a boat.
25:18Yes, it's true.
25:20But I wasn't talented enough anyway.
25:24Just another dream of dying.
25:28Luc, there is something you have to see.
25:43Oh my God, is that...
25:45It's me.
25:47All of these years have been hanging in Maxime's.
25:50Maybe a little too well hung.
25:53Artistic license.
25:55I can't believe it.
25:56I did make it as an artist.
25:58Emily, can you take a photo of me with my masterpiece, please?
26:01Oh, of course.
26:02Yeah.
26:03Okay, let's see.
26:04Uh...
26:05Oh, you know what?
26:06Here, do you want to just hold this?
26:07Okay.
26:08Um, just a little higher.
26:10Tilt it to the left.
26:12Yeah, up, up, up.
26:13Perfect.
26:18Hello.
26:20May I join you?
26:21Uh, sure.
26:22But no dancing tonight.
26:24Deal.
26:25I can't do the can-can anyway.
26:31You all right?
26:33It's so stupid.
26:35Try me.
26:37Well, I guess I have to tell somebody.
26:39I booked the role of Satine in Moulin Rouge.
26:42It's an animated movie musical.
26:45Well, congratulations.
26:46That's great.
26:47Isn't it?
26:48It is.
26:49I mean, I could use the cash, because I was really excited to tell Nico that I could cover the rent for a while.
26:55But?
26:56But...
26:57But they just sent me the script and some sketches, and the full title is Mulan Rat.
27:04I'm a rat.
27:05Well, hold on, hold on, hold on.
27:06That can't be the right translation.
27:08I mean, what's French for rat?
27:10It's fucking rat.
27:11What?
27:12I'm rat-teen.
27:15Who's rat-teen?
27:16A cartoon rat prostitute.
27:17Oh, shit.
27:18No, see, this is why I didn't want to tell Nico.
27:20This is so humiliating.
27:21Who cares?
27:22Cash that check.
27:23That rat sex worker would.
27:27Honestly, yeah.
27:28Yeah.
27:29That's what?
27:30Oh, you're right, mate.
27:31What's so funny?
27:33I...
27:36I...
27:37I booked a job.
27:38I'm rat-teen.
27:40That's great.
27:42What?
27:43Wait.
27:44Who?
27:45A rat prostitute in a top hat.
27:47No, no, no.
27:48It's...
27:49It's Moulin Rouge with rats.
27:51Ah.
27:52I get it.
27:53Funny.
27:54No, no, no.
27:55It's not that funny, but the salary's great, and...
27:57rent is on me.
28:00That's amazing.
28:01Yeah.
28:06Mmm.
28:08I'm gonna go grab another drink.
28:12Congrats.
28:23Emily.
28:25Did Laura check in?
28:26I didn't see him yet, but I was only at the check-in for the first hour, so...
28:29Oh!
28:30I think he just walked in.
28:34Laurent.
28:38Laurent.
28:40Ma chérie.
28:41You lied to me.
28:44I know about the loneliness.
28:47I can explain.
28:48I need to pay off some debts in Saint-Tropez.
28:50I don't care why you did it.
28:52You took advantage of my mother.
28:56I'm so done with you.
28:57Sylvie, please.
28:58I want a divorce.
28:59I want a divorce.
29:07No.
29:08You have to be ready.
29:09You have to be ready.
29:10I don't want to hear the reasons, okay?
29:11Sure.
29:12Come on.
29:13Oh, Emily.
29:14I'm sorry about earlier.
29:15You've been so supportive during this.
29:16It's been so difficult, and...
29:19I need to tell you something.
29:22I love you.
29:23You're cancelling the line...
29:24What?
29:25Cancelling?
29:26Say your thing again.
29:28I love you, Emily.
29:30I love that you believe in my crazy dream,
29:32even when I don't.
29:33I love that you won't let me give up.
29:36I love you, too.
29:38And like I told you before,
29:39none of this business stuff matters to me.
29:42I hope that's not true.
29:44Come.
29:50What is all of this?
29:51I took your advice about thinking differently,
29:54and I'm doing the opposite.
29:56The paleo is bright and loud.
29:57That's what the collection should be.
29:59Not a colorful pony on neutral fabrics,
30:01but a neutral pony on big, bold, colorful designs.
30:04But...
30:05Who were you on the phone to before?
30:06I thought you were so upset.
30:08Oh, that was my textile supplier,
30:10and I wasn't angry.
30:11I was excited.
30:15If we are going to make it to Venice,
30:16we don't have much time.
30:19We're going to Venice?
30:21Mm-mm-mm.
30:22Yes!
30:25We're going to Venice!
30:26No!
30:52Oh!
30:53Cause my border meaner was like,
30:55Okay.
30:57Oh, I don't find that...
30:59Some...
31:02It's just...
31:11Come.
31:16From uh...
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