Watch the latest masterpiece: "Amadeus (TV Mini Series 2025) Season 1, Episode 4 🌻" with English Subtitles.
In this mesmerizing fourth episode, the brilliance of Mozart begins to clash with the envy of the Viennese court. As Wolfgang struggles to secure his legacy amidst rising debts and professional sabotage, his creative fire burns brighter than ever. Salieri’s obsession takes a darker turn, leading to a psychological game that will define the history of music. Witness the creation of timeless masterpieces and the personal cost of genius in this beautifully crafted 2025 production. Experience the magic of the 18th century in premium HD quality.
✨ Subscribe for more episodes of Amadeus, Historical Dramas, and the best 2025 cinematic hits!
#Amadeus2025 #S01E04 #FullEpisode #EnglishSubtitles #HighClimax #MozartSeries #HistoricalDrama #MustWatch2025 #ClassicalMusic #NewRelease2025
In this mesmerizing fourth episode, the brilliance of Mozart begins to clash with the envy of the Viennese court. As Wolfgang struggles to secure his legacy amidst rising debts and professional sabotage, his creative fire burns brighter than ever. Salieri’s obsession takes a darker turn, leading to a psychological game that will define the history of music. Witness the creation of timeless masterpieces and the personal cost of genius in this beautifully crafted 2025 production. Experience the magic of the 18th century in premium HD quality.
✨ Subscribe for more episodes of Amadeus, Historical Dramas, and the best 2025 cinematic hits!
#Amadeus2025 #S01E04 #FullEpisode #EnglishSubtitles #HighClimax #MozartSeries #HistoricalDrama #MustWatch2025 #ClassicalMusic #NewRelease2025
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Short filmTranscript
00:01The following program contains strong language, scenes of a sexual nature, and scenes which some viewers may find distressing.
00:15The Emperor's permission me to write another opera.
00:17Fancy putting some words to the music?
00:18But you're working for me.
00:19He played me some of it.
00:21From this time on, we are enemies.
00:24They don't see him much at church on Sundays anymore.
00:27He's stolen my labresses.
00:29How's the marriage of Mozart?
00:31You're leaving Vienna?
00:32I saw you sing last year. I still think about it.
00:35You're writing it for your wife?
00:37Yes.
00:38You could just talk to her.
00:39This is how I talk.
00:41November's a long time to be alone.
00:43Yes, it is.
00:44He's refusing to reveal what his opera is even about.
00:47You're the capital-meister now, Salieri.
00:49If the audience are moved to leave the theatre and march on the palace demanding my head, then you have my permission to shut it down.
00:55Our emperor rides to war, and you incite a mob.
00:58You couldn't hear it, could you?
01:00He had secured a great vessel.
01:02All right, guys.
01:05Thank you, everyone.
01:08We are going to pray for us.
01:40Well, who could that be, knocking up my door at this hour?
01:45I had your footman call for a doctor on my way here.
01:48A kindly physician come to administer a tonic,
01:52or rough men with rough hands come to drag me away.
01:57Perhaps your treatment will depend on what I say to them.
02:03I'd like you to finish your story, Kapelmeister.
02:06We still have time.
02:08Joe would always puzzle me
02:10that in the moments of my greatest wickedness,
02:14I was never punished.
02:16The more abhorrent my behavior,
02:18the more I waited for God's retribution,
02:21and it never came.
02:23In fact, the opposite was true.
02:24I was rewarded for it.
02:27I watched Bono die.
02:28I was given his position.
02:32I committed infidelities.
02:35And nothing,
02:36nothing ever happened.
02:41But there are always consequences.
02:45There is always a reckoning.
02:49And I a theory.
02:50And here,
02:51I've posed for sure I'm not going anywhere.
02:54It could be nothing.
02:58I was beaten.
02:59And I said before,
03:00I wooed.
03:06I a journey.
03:10I'm sorry.
03:10I'm sorry.
03:11I'm sorry.
04:11He became so tight he had to downsize his apartment.
04:15Even my introduction of Herr Sussmaier had yielded more than I expected.
04:20Well, I love his music.
04:22I do.
04:22Ever since I heard it through the flowers of my mother's house, I loved it.
04:26But I...
04:28What?
04:29It's not enough.
04:44Wolfgang?
04:44My leg has been troubling me, and the doctor thinks some time away would be good for me.
04:53He thinks I should take the waters in Barton.
04:56What does he?
04:58Just for a month or two, maybe.
05:02Carl can go and stay with my mother and sisters for a while, and I'll send for him later on.
05:05Well, you can have one of these if you like.
05:15Mmm.
05:18I'll send word to you when I get there.
05:20Okay, Carl, before you go, should I show you a little magic trick?
05:26Are you listening?
05:41One more time.
05:42You see?
05:57Now that's in your head, when you go down for bed tonight, you might hear it.
06:01And then you'll think of me, won't you?
06:05Yeah.
06:07There we go.
06:08You might hear it, too.
06:15Michael.
06:16Oh, my God.
06:16Oh, my God.
06:16Oh, my God.
06:38Careful, my sir.
06:54Not interrupting, am I?
06:55Yes.
06:56But no more than the soldiers.
06:59What do you mean, your head?
07:00I heard some news this morning from my lodge.
07:04The Masons, I'm a brother there, you know.
07:06Yes, I had heard that.
07:07We'd be very keen in having you join us, by the way.
07:10Bless you.
07:11But I serve only one master.
07:13Yes, of course.
07:15Well, this morning, I heard that one of our brotherhood had passed away suddenly.
07:20Oh, dear.
07:20Who?
07:24Who?
07:28Antonio.
07:28They told me this was, well, they told me this is where you're living now.
07:33Yes.
07:33What do you think?
07:35Oh, what?
07:35I'm joking.
07:36It's a shithole.
07:38I know it is.
07:38Don't worry.
07:39We'll be back somewhere nicer soon.
07:41Is, uh, the stanza here?
07:43No.
07:43She's in Barden.
07:44Do you know Barden?
07:46It's a lovely spa town.
07:47She gets this thing with her legs.
07:48The waters help, apparently.
07:50I don't know.
07:52Well, it's sad.
07:55Your father has died.
07:57I received the news this morning from the Brotherhood.
08:10Right.
08:14I see.
08:17Um.
08:18Uh, when?
08:27When did he?
08:28Two days ago.
08:31I wanted to be the one to tell you.
08:34I thought it might help to have the news delivered my friendly face.
08:40Is that where you are?
08:43Not so.
08:44Many composers view the cap on my stairs as an adversary, but I'm not.
08:50I'm really not.
08:53Of course.
08:59Well.
09:01Thank you for letting me know.
09:03I prefer to be on my own now, though, I think.
09:09Of course.
09:10Absolutely.
09:14If you need anything, anything, my condolences Wolfgang.
09:44Here rests a bird called Starling, a foolish little darling.
10:08He was still in his prime when he ran out of time, and my sweet little friend came to a bitter end.
10:18Gentle crowd shed a tear, for he was dear.
10:24I bet he is now up on high, praising my friendship to the sky.
10:30For when he took his sudden leave, which brought to me such grief.
10:45To a good companion.
10:46That's the first time I've been to a bird's funeral, that's for sure.
10:59Well, he was quite a creature.
11:01Good night.
11:51Oh, my God.
12:21Oh, my God.
12:51Oh, my God.
13:21Oh, my God.
13:51Oh, my God.
14:21Oh, my God.
14:52What do you think of it so far?
15:01I think we'd rather get the point, don't we?
15:03The man's an unrepentant fornicator.
15:05A thousand women in spade?
15:07A thousand and three.
15:08A thousand and three.
15:09Well, there you go.
15:10Have you spoken to the emperor yet?
15:13No, not yet.
15:14I was advised that he wasn't in the mood for conversing.
15:19How long has he been back from the front, so to speak?
15:22Two weeks.
15:23He didn't want to leave, but his health has been poor.
15:26Does anyone know if we're winning?
15:28Winning what?
15:31The war.
15:35Of course we're winning.
15:37Yes, of course.
15:38Emphatic.
15:39Well, that's a relief.
15:40What did you think?
15:43I thought he looked pale.
15:45Mozart, did you see him swaying at the podium?
15:48He doesn't look well.
15:49Call him in drinking.
15:50Yeah, that's how he spends most of his time these days.
15:52I'm enjoying it.
15:53I found it rather, um, tuneful.
15:58Tuneful?
15:58Yes, tuneful.
16:01Antonio, wouldn't you agree?
16:02No, I wouldn't.
16:03I'd say the whole thing's rather thin so far.
16:06Let's hope the second half gives us something more to chew on.
16:23Don Giovanni, a cenarteco,
16:40I watched that performance on opening night.
16:56I heard those words, I listened to that music,
16:59and I knew he'd opened himself up,
17:02revealed the darkest parts of his being.
17:04I saw it then,
17:19his damaged mind,
17:21the naked ugliness of his grief and guilt.
17:26There, in that demonic figure on the stage
17:28was his own father,
17:32and in that poor, rashed philadner,
17:34of Mozart himself,
17:36punished for his sins,
17:38his pachish abominions,
17:40his insolent virility.
17:41He was absolutely sixth.
17:50He's an ice cream on the stage,
17:51and something more swatone.
17:54The sangre as well.
17:56Oh
18:26I saw his open wound, and through it, his barely beating heart.
18:45And I knew exactly where in time I would place the final blade.
18:49Bravo, maestro. It's, well, it's a triumph.
19:01You don't seem well, sir, if you don't mind my say.
19:04Oh, I'm fine.
19:08I, I didn't see your wife in the audience.
19:13No. She's still away.
19:16Oh, she's been gone a long time.
19:19Well, I hope you're looking after yourself.
19:23The, uh, Brotherhood has been looking after me.
19:28The Freemasons?
19:30Yes. They've been keeping me afloat since father died.
19:34A few commissions, it's all charity, really.
19:36But, uh, I'll pay them back when I can, obviously.
19:40Well, I'm just glad to see you still have some old friends looking out for you.
19:45That's, that's wonderful.
19:46You really liked it?
19:55It was as though I were looking into your soul.
19:57He had written a masterpiece again.
20:12And I was nothing but a spectator.
20:15But my power was undiminished.
20:18My influence remained.
20:19And I used it to ensure that Don Giovanni played only five times.
20:27Of course, I saw every one of those five performances.
20:30I wasn't the only one.
20:40Your Majesty.
20:42And I do.
20:46I wondered whether you were going to come to your love.
20:48I'm sorry, Your Majesty.
20:50I, I didn't know if you want to be disturbed.
20:54It's all right.
20:54How, how is, how is the war?
21:02How is the war?
21:08I have all the music manuscripts sent to me at the front.
21:13All the new work.
21:14I, uh, I sit and try and read and, and hear the music, as I know you can.
21:24But, uh, my ears, I'd love to be able to have your ear.
21:32Be able to sit and hear the music and truly understand it.
21:36And, uh, my great regret.
21:46What about this boy?
21:53My God, Antony had listened to us.
21:56Do you ever marvel how lucky we are,
22:01out of all of human history,
22:02to have shared our time with music such as this?
22:06I do.
22:20You promised me one thing.
22:24That you'll continue to commission new work.
22:29For the people left behind,
22:31and the men who return.
22:32Let there be music for them, at least.
22:39Of course, you'll notice.
22:46There's so much I wanted to do, Antony.
22:48That was the last time I ever saw the emperor.
23:07He returned to the front,
23:09died six months later in his bed.
23:11And with him went to your husband's most powerful ally.
23:20Well, it's not we have to shut down.
23:23We love it.
23:24We believe in it.
23:25I advocated for it, but...
23:26With budgets as tight as they are,
23:29I'm afraid it's just more cost-effective to scrap it.
23:32Well, the next one will be even better.
23:39The next one?
23:41Yes.
23:44Wolfgang,
23:45Figaro,
23:47Don Giovanni,
23:48your work is strong.
23:50We both know that.
23:51The Imperial Opera,
23:53it's not for everyone.
23:53These big old holes,
23:56they can be unforgiving.
23:59It's not just you.
24:00Everything's been cut.
24:02I'm sorry.
24:05Why can't they hear it?
24:11These are dark times, Mozart.
24:14Perhaps the people desire light.
24:16Right.
24:26Right.
24:28Fuck off, please.
24:30Fuck off!
24:37Cheers!
24:37We would like to formally invite you
24:49to the wake of Don Giovanni.
24:53Thank you for inviting us in.
25:00Down, gentlemen, please.
25:07To another dead darling.
25:15To another dead darling.
25:16To another dead darling.
25:16To another dead darling.
25:18Excuse me.
25:33No, it's up.
25:33Um, so I'm sorry.
25:35I'm sorry to be bothering you.
25:37Why are you doing it, then?
25:39Uh, um, I'm a huge, huge, uh, admirer of yours.
25:44He doesn't write the words, you know.
25:46Sorry, who are you?
25:48Yeah, sorry.
25:49I'm Gregor, sir.
25:50I'm, I'm, um, Gregor Braun.
25:52I work backstage, so we've never spoken.
25:56Please.
25:58So which of my works have you seen?
25:59Uh, I mean, as many as I've been able to, and I bought all of the pieces I couldn't, that I could find.
26:07So I've bought, um, the, the six piano sonatas, Belcham Paris, uh, and the twelve variations of La Belle Frassoise, um, and then the Turkish March, the piece from the A Major sonata.
26:20Wow, you really are an expert on him.
26:23What, what did he have for dinner last night?
26:26Ooh, how low do his balls hang?
26:30Uh, I don't, I don't know everything about you, Maestro.
26:34I, I just really, um, I really dream of emulating you.
26:41I was ten years old when I first heard your work, and it just felt as though...
26:48Yes?
26:54Well, it felt as though the heavens were talking to me.
27:01As though God was speaking through me.
27:04Yes.
27:10Well, let's see if you can speak back, shall we?
27:13Be rude and oxy.
27:14What did you say your name was again?
27:16Um, Gregor.
27:17Ah, Gregor, that's funny.
27:19My father had a dog named Gregor.
27:20Can you do tricks too?
27:21Uh, come on, make yourself comfortable.
27:23Show us what you can do.
27:24Gather round, everyone.
27:26This is Gregor.
27:27He's going to play us some tunes.
27:29Please, don't be shy, come forward.
27:31Come forward.
27:32You're in time.
27:35Shh, shh.
27:35Shh, shh.
28:35Uh, okay, I, uh, actually, this one's quite fun.
28:41I just, um, had an arrangement of one of your, uh, serenades for forte piano.
28:45Please.
28:51No, no.
28:52If you're going to play that one, it's not like that, is it?
28:57It's like this.
28:59Can you hear the difference?
29:00Okay, start again.
29:01Wolfgang, why don't I...
29:02Start again.
29:02Gregor, you tell me that you want to be a musician, and then you embarrass us both with this
29:14half-baked shit.
29:15I didn't say stop, keep playing, but fuck's sake, Gregor, do it properly.
29:20I thought you liked my music.
29:21Why are you butchering it?
29:23Not like that.
29:24You're getting distracted.
29:25You have to focus on the music.
29:28Do you want my advice, Gregor?
29:30Find another dream.
29:31Find something you can actually do, and find some other composer to fawn over.
29:35Maybe you can waste his time instead.
29:49Did it make you feel good, humiliating that poor boy in front of everyone?
29:54When did you get back?
29:56This afternoon.
29:57So did you see it?
29:59What?
30:00From Giovanni, my opera, did you see it?
30:02Yes.
30:04And?
30:05What did you think?
30:08A thousand and three in Spain.
30:11Well, Lorenzo writes the words, so...
30:14Well, I know how you inspire him.
30:18Your leg seems much better.
30:22How was Barden?
30:23Good.
30:25How was Franz?
30:27Oh, so I'm the subject of gossip, am I?
30:29Well, you make yourself the subject of gossip.
30:31Do I?
30:31Yes.
30:32How?
30:32By carrying on.
30:33Like a...
30:35Like a what?
30:36Like a whore.
30:37Like a cheap...
30:39A fucking whore.
30:40Well, a cheap fucking whore is the only kind of whore you'd be able to afford, Wolfgang.
30:46Mother said you haven't been to see Carl at once.
30:48She said she saw you one morning and you were too drunk to even recognise your own son.
30:54Well, I would see more of my son if his mother wasn't constantly running off to moisten the balls of every inadequate fucking student musician to look her way.
31:01Well, yes, Franz did.
31:02He did look my way.
31:03He looked at me.
31:04Yeah.
31:04He saw me.
31:05He spoke to me.
31:06He bothered to ask my opinion on things in the world beyond.
31:12What did you think of my fucking opera?
31:14What did you think of my fucking opera?
31:16I thought it was too fucking long.
31:18It made me sad.
31:36Like I was intruding on something I wasn't supposed to see.
31:43It made me realise everything I know about you felt to learn through your characters.
31:48And I wondered if you could ever open up to me or just be stuck hoping that Tiggory or Don Giovanni will tell me the things that you weren't.
32:07You are supposed to see it.
32:13You're supposed to see it.
32:18You're going to stay with me.
32:30It isn't good to hear.
32:48You're supposed to see it.
33:14You're supposed to see it.
33:14We'll go again. We'll write something else. You'll write something else.
33:23You shouldn't do this. Keep working with me. I'm cursed.
33:28Oh, please, don't be a fucking martyr.
33:30Go write for Salieri or fucking Regini or anyone else.
33:33We're having a small run of bad luck. I'll give you that.
33:36Look, I don't want to write for any of them. I want to write for you.
33:41It's different with you, and you know that.
33:45And that's as much of a compliment as you'll get out of me,
33:48so don't look for any more.
33:54I hate this.
33:56What?
34:00The end of a party.
34:03I mean, obviously, Wolfgang, I'd be delighted to have you put something on here.
34:06I just assumed you'd be staging your next one at the Bird's Theater again.
34:09Oh, no, it's too stuffy.
34:12I feel like I need something more...alive.
34:16Oh, wait, that's us.
34:18Wait, we're alive all right. No, we're packed every weekend.
34:21Wolfgang, I can guarantee you a full house of excited music lovers.
34:26Desperate, desperate to be entertained.
34:28They won't just sit there like the aristocrats. No, they sing along, they dance.
34:33Like, they laugh.
34:35And on the takings, I can give you off.
34:38Oh.
34:40Well, if that's the best you can do, I suppose we'd better shake on that.
34:44Oh, I'm so pleased.
34:46He's very excited.
34:48Sure it's going to be a hit.
34:49And actually, between you and I, the Brotherhood owns the lease on the place,
34:52so it gets a cut of the takings as well.
34:55Everyone's doing very nicely.
34:56Mozart might be able to pay off his debts.
34:59Get back into the city.
35:00You're very quiet this morning, dear.
35:08Oh.
35:09Just in my thoughts.
35:12What are you thinking about?
35:16The Masons.
35:19Wolfgang!
35:20Cabalmeister!
35:21I wanted to find you and congratulate you on your new commission.
35:24Oh, thank you.
35:25You were right, by the way.
35:26Much better to get away from the Burke Theatre.
35:28Well, I think it's wonderful news. Let's celebrate.
35:31Yes.
35:32So, tell me.
35:34What have you got so far?
35:36Love, sire.
35:37Excuse me?
35:39Do you remember?
35:40The first time I ever went to the Emperor's Palace,
35:42he asked me what a good German virtue might be.
35:45Ah, yes, yes, yes. You said love, sire.
35:47Yes.
35:50Love.
35:51I want to write about love.
35:54And light.
35:55I think it's a wonderful idea.
35:58Although it strikes me there are different kinds of love, aren't there?
36:01There's romantic love, certainly, but that feels pretty played out at this point.
36:07But what of maternal love, familial love, fraternal love?
36:12Fraternal love.
36:13Brotherly love.
36:14That's a thought, yeah.
36:15Brotherhood.
36:16I mean, that's what the Masons are all about.
36:18My father used to talk about it all the time.
36:20The sucker that we got from them.
36:21Perhaps...
36:23No, that's too much.
36:24That's too much.
36:25What?
36:26No, no, no. It's a bad idea.
36:27What?
36:28Well, I was just thinking...
36:31Why not put them into it?
36:34Into it?
36:35Show them in all their generosity.
36:36Let people see the kindness of the Masons.
36:39Well, the Brotherhood's rituals are a secret, of course.
36:42Needn't copy them exactly.
36:44You could adapt them, change a few details here and there, one step away, but still recognisable.
36:49Change a few details, but keep the intention.
36:52I like it.
36:55In fact, I'm going to speak to DePonte.
37:05Antonio.
37:06What a surprise.
37:09You've caught me at an inopportune time.
37:11Well, it's hard not to.
37:22Oh.
37:24Entertaining?
37:25Very.
37:28Please, sit soft.
37:31No, no, I think I'll come straight to the point, Lorenzo.
37:35There were people who were disturbed by your presence when you first arrived in Vienna.
37:39But I vouched for you.
37:40I saw something in you and the Emperor was moved by your work.
37:43We all have been.
37:45But times are changing.
37:47The Emperor is unwell.
37:49He won't recover?
37:50His brother stands ready to take over when the time comes.
37:53It will be a rude awakening for many of us.
37:56He has none of Joseph's love of the arts.
37:59I expect budgets to tighten.
38:01I expect there to be a less liberal outlook.
38:06Formal notice that you were to be removed from your position as court poet and dismissed from imperial service.
38:14Now, I'm afraid with the loss of both your patron and your position, questions have been raised about your continued residence here in Vienna.
38:20Figaro.
38:28Politics.
38:32How long do I have?
38:36Oh, I wouldn't linger.
38:39The mood is changing.
38:41You're a man out of time.
39:02Lorenzo?
39:03Lorenzo?
39:33Lorenzo?
39:58Lorenzo?
40:00Hello, Wolfgang. Hello.
40:20Hello. Mother took Karl up to Barton to see Stanza.
40:24Oh. He would have told you, but you haven't been to visit, so...
40:27Would you like a seat, Wolfgang?
40:47How is Karl?
40:49He's well. He can basically talk now.
40:52And Sophie's been giving him piano lessons.
40:55He's very bad, but so am I.
40:58Have you heard from Constanza?
41:01She writes.
41:04Is she happy?
41:08Cheers.
41:09Cheers.
41:10Oh.
41:16Oh.
41:21Oh.
41:22Oh.
41:26PIANO PLAYS
41:56PIANO PLAYS
42:26PIANO PLAYS
42:56PIANO PLAYS
43:26PIANO PLAYS
43:56PIANO PLAYS
44:26PIANO PLAYS
44:56only gonna make a nod to the Masons. I did that I changed all the symbols I
44:59called it the Order of Eternal Priests I thought that would be okay. To hint at
45:03yes what were you thinking? Listen to the order they love it listen to them this
45:07can't happen again. I need to talk to Shakinada the box office. The Masons own
45:10the lease on the theatre they also control the box office and I don't think
45:13now's a good time to ask them for more money. You told me to do this. No no this
45:18was your idea Mozart this was you remember?
45:21Monsal I would make haste for home I'll find them I'll calm them down they'll be
45:26away Mozart no be away
45:51for the Brotherhood
46:13oh
46:20oh
46:22oh
46:24oh
46:26oh
46:28oh
46:30oh
46:32oh
46:34a commission
47:00a mass for the dead
47:07you have seven days
47:13the pieces had fallen into place
47:25he was weak
47:29broken
47:31broken
47:32and alone
47:33teetering on the edge of a precipice
47:38and all that was needed was my hand to finally guide him over
47:47so
47:49into the darkness we go
47:54we go.
48:24ORCHESTRA PLAYS
48:54ORCHESTRA PLAYS
49:24ORCHESTRA PLAYS
49:26ORCHESTRA PLAYS
49:28ORCHESTRA PLAYS
49:30ORCHESTRA PLAYS
49:32ORCHESTRA CONTINUES
49:34You
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