- 18 hours ago
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00:00It's a shocking thing to hear.
00:03Why?
00:05Why share this with me?
00:07Why not tell this to a priest or a constable?
00:11You and I have no great bond.
00:14Or had you forgotten what you did?
00:18But we have the greatest bond, Frau Mozart.
00:23We have him.
00:30Hey, Mozart. They're ready for you.
01:00Very pleasant.
01:07I expected better of you, you know.
01:14Ah! Antonio!
01:18Herr Salieri!
01:20Oh, I'm Frau Salieri! It's the Salieri!
01:23You came?
01:24Yes, we came.
01:25Congratulations. Thank you so much. Thank you.
01:27You're right.
01:28I'm sorry.
01:29I'm sorry.
01:30I'm sorry.
01:31I'm sorry.
01:32I'm sorry.
01:33I'm sorry.
01:34I'm sorry.
01:35I'm sorry.
01:36I'm sorry.
01:37I'm sorry.
01:38I'm sorry.
01:39I'm sorry.
01:40I'm sorry.
01:41I'm sorry.
01:43Your bride is on a table.
01:45Yes, I don't know why.
01:47You know, I've been thinking about it, and I forgive you for what happened when you didn't
01:50defend me.
01:51I really do.
01:52I mean, I understand it now.
01:53You're in a very difficult position.
01:54We all know how beholden you are to this emperor, all the constraints and the rules.
01:58It's no wonder that some of your things don't fly.
02:01You're like a big beautiful bird in a cage.
02:03I could never do what you do.
02:04It drives me absolutely fucking mad.
02:06I heard there's a new one coming, though.
02:08Is that true?
02:09Yes.
02:10La scuola di gelato.
02:12La scuola di gelato.
02:13Ice cream school.
02:14Gelos.
02:15Ah, gelos.
02:16School of jealousy.
02:17Uh, well, Stanzi's sister is going up for a part.
02:20Very good singer.
02:21Pretty fucking mental, but, uh, lovely singing, boys.
02:25Please, make yourselves at home.
02:27Enjoy these sausages and gherkins.
02:29Three o' lên.
02:321 of this library, baby.
02:33You can't figure it out somehow.
02:36It's circumstance of normal caring.
02:38We can't see it again, that's fine.
02:47You got some planner.
02:48He's going to visit along the aisle.
02:50You can't forget, it's a happy meal.
02:51See, I don't know where he is ever.
02:54It's a quick meal.
02:56He didn't come to the wedding.
03:08Who?
03:10Father.
03:17Mother didn't mind.
03:20I suppose he is dead, so I have to forgive him.
03:26You should write to him. Tell him off.
03:31Maybe I will.
03:37Come now. You're getting better, your majesty.
03:39What's the punishment for lying to an emperor, do you think?
03:41Is it flogging or beheading?
03:44There are people in this palace who drag you out of the garden
03:46and beat you to death with rocks, if I ask them to.
03:49All of them, majesty.
03:51You still have some way to go, but you are improving, majesty.
03:56My niece, Elizabeth, is coming to Vienna.
04:02She needs a music tutor, lest she ends up like her uncle.
04:04The princess? Your majesty, I would be honoured to...
04:08I'm sure you would call composer, but no,
04:11I think the princess would like somebody a little bit more...
04:13A bit more...
04:14Oh, I don't know. Vibrant.
04:17Well, she's young.
04:18You understand what I'm trying to say.
04:20Yes, I think I do, sir.
04:21She had a rather fun idea.
04:23How about Mozart?
04:25Mozart?
04:25She might rather like that.
04:27He tutors, surely.
04:28I've heard the boy play.
04:29I mean, God, if he can rub some of that off on my niece,
04:32then so much the better.
04:33How is he, anyway?
04:35I was worried that he was a bit wounded by my critique on his opening night.
04:38Well, he's written about 200 concertos and gone married since then,
04:41so I think he's doing fine, sir.
04:44Yes, I was hoping that he might be given a chance
04:45to write something new for us.
04:47Another brothel set fantasy with too many notes, perhaps.
04:51Perhaps a little more judiciousness in your handling of him next time,
04:53but it's funny, I went away from that opera.
04:55I couldn't stop thinking about it.
04:57I've gone under my skin somehow.
04:59We need to be bolder, Antonia.
05:02You were right at getting you to restage Terraro.
05:03It was...
05:04A success.
05:05It was safe.
05:07A copy of a Parisian hit, that's what my sister called it.
05:10No, courage is what's needed now.
05:11Courage in court and in government.
05:13We need to be brave, Antonia.
05:15Brave men win the day, do they not?
05:18Of course, Your Majesty.
05:19I'll let you give Mozart the good news about Elizabeth.
05:21One.
05:29My goodness, Rupert.
05:35Have you been practising?
05:38Um, yes.
05:41Yes, now I can tell you've really improved, haven't you?
05:43I kid, of course.
05:45I jest, I jape, I make merry.
05:47I can tell that you're lying, Rupert.
05:49I can tell you have not been practising.
05:51In fact, what you just produced leads me to question whether you haven't actually discovered
05:55something that is sort of the reverse of practising.
05:57A kind of not practising so powerful as to completely undo all of the accumulated knowledge
06:01of our previous session.
06:02A sort of anti-practice.
06:04Have you cultivated an irrational fear of competency, perhaps?
06:07Did somebody perform rudimentary surgery and replace your ten fingers with flaccid baby
06:12cocks, Rupert?
06:13Do you have flaccid baby cocks for fingers, Rupert?
06:15Have you even touched this fucking harpsichord a single time since I walked out of that door
06:19a week ago?
06:19No, I didn't think so.
06:24And that's why you're not playing it very well.
06:28Now, I'm going to go and use your privy in the hope that the noise of my intestinal fluctuations
06:32are more pleasing than whatever the fuck you just try to fart out of these keys.
06:35Are he be cocks for fingers?
06:44Yes.
06:45I'm going to run out of students.
06:46Don't worry, everybody in this town wants to learn a violin or a forte piano or a fucking
06:51triangle.
06:52I've got a letter from your father who came on your sleep.
06:56Like an assassin?
06:57Mm-hmm.
06:59Mm-hmm.
07:03Let me see.
07:05Don't worry, it's just his way.
07:13He doesn't deserve you.
07:14He definitely deserves me.
07:16Poor old bastard.
07:18Right, I might be a little bit late this evening.
07:21Mm-hmm.
07:21Bring some people back with me.
07:23Do you mind?
07:23No.
07:23Your sister is a great talent.
07:47You did want to see me, didn't you?
07:57Yes.
07:57I always just said that you...
07:59Yes.
07:59I hear your husband lost another pupil.
08:06Yes, he did.
08:08Well, as luck would have it, a new job has become available.
08:12A royal appointment, actually.
08:14Princess Elizabeth.
08:16A princess?
08:17The princess.
08:18Now, tutoring her is a position that will hold significant standing in the court and beyond.
08:25I mean, he'd be perfect for it.
08:27He's a brilliant tutor.
08:28My playing has come on so much and that's just what I'm saying.
08:30I'm wondering if you might bring me his manuscripts so that I can properly consider his work.
08:34Make his case to the emperor.
08:35Yes, of course.
08:39Bring the works to my residence, newer ones if possible, and I ask that we keep this strictly between us.
08:47Absolutely.
08:48Well, I'll go and get them right away.
08:52All right.
08:52All right.
09:05A young lady is here to see you, son.
09:30Yes.
09:35Send her in.
09:42Constanza.
09:43Herr Salieri.
09:44Come on, please.
09:45I'm telling you.
09:47Help yourself to a treat.
09:49They're from Verners.
09:49My footman gets them.
09:50Do you know Verners in town?
09:51Mm-hmm.
09:52Very good bakery.
09:55So these are his newest works?
09:58All from the last month or so.
10:03All this from the last month?
10:04Or so.
10:11Do you think I could keep these?
10:14You're too loco.
10:15I don't think that, um, well, he doesn't know I've come here.
10:19And he'll miss them.
10:21He doesn't make copies.
10:22These are our origins?
10:30Mm-hmm.
10:36Dear God.
10:39Do you mind if I...
10:41No, please.
10:41So what do you think?
11:11Could you speak to the Emperor in his behalf?
11:15Yes, I could speak to the Emperor.
11:20Put his name for.
11:21But know that to do so would be a cost on my God.
11:33It would be a cost.
11:35There are many powerful men who could give me something in return for my help.
11:41We don't have anything we could give you.
11:44No.
11:53I thought you wanted to help us.
11:55Well, I do.
11:57I do, of course I do.
11:58But you are a woman.
12:02I am a man.
12:05This is the way of things now.
12:07Is it really so awful, the thought of it?
12:17The idea of it?
12:19Is it so high a price to pay for what I am offering?
12:23You do understand what I am offering.
12:25You must never know.
12:44I am a woman.
13:00Like you said.
13:01So where should we do it?
13:02Should we do it here?
13:04Or in the bedroom?
13:05You have to be delicate.
13:06Do you understand?
13:07Get dressed.
13:07Why?
13:10Have you changed your mind?
13:11You're so dressed.
13:15The princess.
13:20Yes, I'll speak to the emperor.
13:30Forgive my sinful mind, my temptation.
13:34I walked to the edge, but I didn't go over it, didn't you?
13:37You pulled me back, and I commend myself to you.
13:44I know your destiny is right.
13:47Perhaps in your divine wisdom, you felt you'd given me too much already.
13:51Terraria was a success.
13:52I feel the next one will be too, and I am grateful.
13:57I'm so grateful.
14:03And I commend myself to you.
14:06To purity.
14:07To purity.
14:08To purity.
14:09To purity.
14:10To purity.
14:11To purity.
14:11To purity.
14:12To purity.
14:12To purity.
14:13To purity.
14:13To purity.
14:14To purity.
14:14To purity.
14:15To purity.
14:16To purity.
14:16To purity.
14:17To purity.
14:18To purity.
14:19To purity.
14:20To purity.
14:21To purity.
14:22To purity.
14:23To purity.
14:24To purity.
14:25To purity.
14:26To purity.
14:27To purity.
14:28To purity.
14:29To purity.
14:30To purity.
14:31To purity.
14:32To purity.
14:33To purity.
14:34To purity.
14:35To purity.
14:36To purity.
14:37To purity.
14:37To purity.
14:37dear wolfgang i write to you now as a father a position which i understand you are soon to
14:53occupy yourself i have great concerns about you and much that we need to talk about
14:58i wonder if you will now understand this better once
15:07is there anything yet um no no very rude churn very rude how was it i shit myself
15:37what are you trying to write what are you trying to write a mass a mass yes you know celebration
15:59for what for becoming a father oh and how is that going i'm trying to get the back to swing
16:07about as well as this fucking mess
16:10dear wolfgang i've concerns about you and much that we need to talk about
16:35i hear you've been making a spectacle of yourself i hear hardly anything of your talent
16:39and i hear even less of your success you embarrass our good name a child masquerading as a composer
16:45outstanding arrogance to think you know better than your own father years your mother and i
16:48spent on you trained for so long so hard you must listen to an insolent fool abject face
16:53salvage your reputation come back
17:07so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so long so
17:37there. Let's have a look at you. I do love you. I think I do. I think that's what this
18:02is. Do you feel loved? Eh? Can I ask you a question? Do you like me to love you, Raymond? No,
18:16I'm just asking. Just asking. All you do is piss and shit and suck on my wife's tits. You
18:27stole my act. Why can't I finish your fucking mass, Raymond?
18:57Yes, well, there we go. A noble attempt, your highness. Um, might I suggest- I don't care
19:02for it. I'm sorry? Music. Ah, yes, I wondered if that might be the problem. Would you like
19:14to, um, sit next to me on the stool? Of course. The last teacher I had was even younger than
19:27you. Used to, um, rub himself onto the clavicle as I played. Did he? Yes. He put a finger
19:39inside me once. My father found out and had his hand cut off. That was just before I
19:48sent to live here. Shall we, uh, start again from the top? Well, we can start from whichever
20:00end you like, Mozart. Very good. Fucking hell. Okay, your highness. Whenever you're ready.
20:10I'm just going to, uh, watch from over here.
20:15The opportunities I lost. The time I spent. Come back to Salzburg. You cannot continue to ignore
20:31me, Wolfgang. Come back to Salzburg. You must listen to me. Fight! Then I'll shut you up.
20:36Stanza! Pack your trunk. We're going away. Where? Salzburg. He used to feed every two
20:46hours or so, but it's been going down lately. Her night he used to sleep quite badly. He
20:50needs his bed clothes cleaned. Child, I've raised four girls. I think we can look after a baby.
20:54Well, this one has a cock, so don't get startled and chop it off by mistake. We'll write you
20:57when we get there and we don't find a stadium at the end of the month. Off we go. Enough laughing.
21:01Bye, Raymond. Sometimes just you and me. We have this small goat lying between us. Kicking
21:14us with his tiny hooves. Do us good, I think. Don't talk about him like that. It was a joke.
21:23Mozart had taken you, his beautiful wife, on a sojourn away from the city. And in his
21:29absence, the piano was mine once again. I released my newest opera, La Scuola de Gelosi,
21:36to great acclaim.
21:37To great acclaim.
21:38To great acclaim.
21:43Next Sunday, the piano wasarnya screened by Chapman after those
21:51tales and mosques sitting back. The boys, who, FT, NARROT, passed away from the
21:55wonderful house. When my husband, I was deaf, theks сид around the world goal.
21:56By Fotman'sوجa. It was a lovely witch to drink out of their beloved
21:59news, the spotlight on me. It was a lot of chatter überhaupt hadn't been
22:00at. The morale in the high school of friends and the
22:05gathering room wondered to live. It's such a good day you said in about
22:08the, losing day long Balkan and Jud pratica, because let's
22:10It was such a hit, in fact, that my librettist De Ponte and I even considered a sequel.
22:36The idea was abandoned, but offered to another composer who reworked it into a new piece.
22:42You'll know it by the name Cosifantuti, but then I tried not to dwell on such detail.
22:49For a while, I reveled in my success and position, as if nothing had ever changed.
22:56Little did I know what was coming.
23:01This is where you grew up?
23:02Would Master Wolfgang care for some supper, perhaps?
23:09Or would Sir prefer to go straight to his bedchamers?
23:15Straight to the bedchamers, please, Floyd.
23:17Very good, Sir.
23:42morning florian good morning master wolfgang where is my father left early this morning sir
23:59expects to return in a day or two you told him that we arrived last night yes oh indeed yes sir
24:06very good
24:36first piece i ever wrote
25:04the piano i wrote it on
25:07where's your father
25:10gone somewhere for a few days i don't know
25:14but he knows we've arrived
25:17yes he does
25:20so
25:30so
25:40hello
25:51hello
26:04good to see you you too we're having chicken we've been here for three days
26:13i had business out of town
26:16well you knew we were coming
26:18where's your wife getting changed
26:21into what
26:22is there wine
26:23you know i wrote to you for months
26:26you didn't reply
26:28i've been busy
26:30oh yes i hear that i hear you've been very busy
26:32i hear you drink
26:34i hear you throw lavish parties
26:36i hear you've been making a spectacle of yourself
26:39or am i wrong
26:40too many notes
26:42don't think that didn't filter
26:43does not know anything about music does he
26:46is this cognac brandy
26:48take anything at this point
26:51my greatest fear when he left salzburg was that this would happen
26:54that what would happen
26:57that you would squander your gift
26:58squandering anything
27:01teaching the princess piano
27:03did you not know about that
27:04thought you'd be impressed
27:05that's one hour of your week accounted for
27:07what of the rest
27:09why do i not hear any tales of triumph and glory
27:12just stories of an insolent fool
27:15dancing around an apartment he can barely afford with some
27:18pauper's daughter on his arm
27:24and mozart
27:26you should call me papa
27:28your father is dead he won't mind
27:31my mother also forbade the wedding by the way
27:33he weren't the only one she did attend it though
27:37you think me rude
27:38what would you call it
27:40i'm a straightforward man i don't feign enthusiasm where i do not feel any i
27:44don't send regards where i do not feel they're warranted
27:50how is my grandson
27:54wolfgang
27:55he cries when he doesn't get exactly what he wants
27:56he pays no attention to anyone else's feelings needs or desires so we can be sure he's a
28:02nice heart at least
28:07i'm glad to finally met you
28:08hmm i told you vienna would not be impressed with your frivolities
28:12hmm oh you think the imperial opera indulges nonsense
28:16an opera set in a whorehouse that was your grand entrance yes was it worth it for you to get a dressing down on stage from the emperor in front of everybody was that what we were working so hard towards all those years all those miles
28:32i'm talking to you
28:35yes
28:38what about a follow-up
28:39i assume you have plans to try and salvage your reputation
28:44i've written hundreds of things i write every day father don't worry thank you very much
28:49looking forward to the chicken what about a follow-up then
28:52well obviously
28:53i have been a little bit distracted
28:55i have a basset hound who i'm trying to train
28:58he can follow basic commands except for when he sees a pigeon
29:01when he completely forgets what he was doing and sits there drooling slightly
29:05like forgiveness because he's an imbecile and he is a basset hound but you are not a basset hound wolfgang
29:13your ears are not long and soft you do not have a rounded muzzle or a glossy coat you are a man
29:23something colorful should be able to float into view without knocking every last intelligent thought
29:28from your mind grow up you're distracted no one cares your first opera was a failure
29:34you haven't written a second one that should alarm you as much as it does me what's his name
29:39what the basset hound
29:42well that's a bit of a silly name papa well wolfgang was already taken
29:49you are throwing away the gift that god gave you
29:54not you as well wolfgang they're my gifts so they're mine to do what i want with no they are not
30:04you tell him maybe he'll listen to you
30:10people have died for your tans beg your pardon your mother is in the ground
30:17no flowers on her grave no mourners to tend it
30:21left to rot in a cold corner of a parisian church 500 miles away from home because you
30:27she was ill she was ill and you didn't send for me
30:38it's not true it's true it's true and you know it's true and you can drink and whore
30:46and play as loud as you can but you know she stands in the dark and watches you
30:51and she weeps at what you're doing with the gift that she gave her life for you selfish little bastard
30:58why do you behave like that
31:21why like what off game like the great amadeus mozart who teaches piano to princesses and writes ditties for babies
31:34our baby
31:39it's one piece you've never been able to finish
31:44perhaps you can't write a celebration for something you don't actually celebrate
31:47you know i spent five minutes with your father and i have to say i'm not a fan but he's right
31:59people have made sacrifices for you they have they've humiliated themselves twisted themselves
32:06into what you needed because we see what you are what you could be but you need to earn that
32:10you're not a little boy writing minuets anymore you're a man
32:19at least you're supposed to be
32:40you're supposed to be poor from a man and you're supposed to be a man who can be a man who needs a man that's not the last one
32:47where you are
32:50i think that's the giver and why are you thinking about a man who's not that one does
32:53i think that's the one that's the one that I'm not going to say
32:56but i think i don't know why at least i think that's the one that's the one i can't believe
32:57so
32:58and we are even a lot of folkdom love
33:01on and I think that's the one that i would like to function
33:04on and I was able to find out
33:06yeah
33:07so
34:08Who the hell is that?
34:19Why does it smell of smoke?
34:20Is the house on fire?
34:21Only briefly, sir.
34:22I'm sorry for the hour of my arrival.
34:23High of urgent news for Herr Mozart.
34:25Which one?
34:26The composer.
34:27Which one?
34:29Wolfgang.
34:29Sir, I'm sorry to tell you that your son is dead.
34:39He succumbed to a fever shortly after you left.
34:42I'm sorry to tell you that your son is dead.
35:12I'm sorry to tell you that your son is dead.
35:42She needs rest.
35:59A proper bed.
36:00Wolfgang.
36:08Good speed on your travels.
36:13I'm sorry to tell you that your son is dead.
36:14I'm sorry to tell you that your son is dead.
36:15I'm sorry to tell you that your son is dead.
36:16I'm sorry to tell you that your son is dead.
36:17I'm sorry to tell you that your son is dead.
36:18I'm sorry to tell you that your son is dead.
36:19I'm sorry to tell you that your son is dead.
36:20I'm sorry to tell you that your son is dead.
36:21I'm sorry to tell you that your son is dead.
36:22I'm sorry to tell you that your son is dead.
36:23Woo!
36:53That's the last time I leave you with a baby.
37:03Oh, Wolfgang.
37:10Is she dressed?
37:11She's in bed.
37:12She's asleep.
37:15I've never seen anybody sleep like this.
37:19What am I supposed to do?
37:21Have another.
37:23Have another before the grief is allowed to settle.
37:27Only joy can dispel grief, joy, and light, and love, and music.
37:30Oh, my God.
37:39Oh, my God.
38:09Oh, my God.
38:39Oh, my God.
39:09Oh, my God.
39:39There's a service on Sunday to church.
39:52The Mass for Raymond is ready to perform.
39:55People keep saying to me that God speaks through me.
40:14Well, now he's taken our son.
40:22Maybe we can speak back.
40:25And if it's in your voice, I think you might hear it.
40:44And if it's in your voice, I think you might hear it.
41:04CHOIR SINGS
41:34CHOIR SINGS
42:04CHOIR SINGS
42:09CHOIR SINGS
42:14CHOIR SINGS
42:19CHOIR SINGS
42:24CHOIR SINGS
42:29CHOIR SINGS
42:34CHOIR SINGS
42:39CHOIR SINGS
42:44CHOIR SINGS
42:49CHOIR SINGS
42:54CHOIR SINGS
42:59CHOIR SINGS
43:01CHOIR SINGS
43:06CHOIR SINGS
43:10CHOIR SINGS
43:15CHOIR SINGS
43:17CHOIR SINGS
43:19CHOIR SINGS
43:20CHOIR SINGS
43:21CHOIR SINGS
43:22CHOIR SINGS
43:23CHOIR SINGS
44:21Thank you for showing me what you are.
44:25You gave me the desire to praise you and then made me mute.
44:32You put into me the perception of the incomparable and then ensured that I would know myself forever mediocre.
44:41Why?
44:46What have I ever done to you?
44:50Straight from the path, I came back to you.
44:52I came back to you. I promised myself to you to piety.
44:56I have only ever pursued virtue with rigor.
45:01I have worked, and I have worked with the talents you allowed me,
45:05surely, that in the end, in the practice of the art that alone makes the world comprehensible to me,
45:11I...
45:14I might hear your voice.
45:20And now I do hear it.
45:23And it says only one name, and it's not mine.
45:27You chose him.
45:30A foul, spiteful, shit-talking bastard must out to be your sole conduit.
45:37And my sublime pleasure is to be the one man alive in this time
45:41that can clearly recognize your incarnation.
45:43You give me just enough talent to know how little I truly possess.
45:48It's a wonderful job.
46:11So be it.
46:13From this time on, we are enemies.
46:20You and I are not accepted from you. I won't.
46:27They say God is not mocked. I tell you, not.
46:30I tell you, I am not mocked.
46:34You are the enemy.
46:40I name thee now.
46:41And this, I swear, to my last breath,
46:46I will block you on this earth.
46:49I will block you.
46:51And your vessel as far as I am able.
46:56Diminish the man. Diminish the God.
46:59Diminish the God.
47:06Kill the man.
47:09Kill the God.
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