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00:00It is so hot tonight. I think I might melt like an ice cream.
00:18Look, I'm sorry about the time, Thomas. I'm finished now.
00:22I don't shut till 10.30. I don't mind how long you stay.
00:27It's good to know there is someone else for her to stay at.
00:32Pardon?
00:34Her.
00:38She leaves for Paris tomorrow, and I will not be sad to see her go.
00:45Yeah, Hathor's on tour, the goddess of intoxication.
00:51The story goes that the sun god Ra ordered her to destroy all humanity
00:56because of their bad behaviour.
00:58Oh, mon dieu.
01:00But just at the last minute, Ra changed his mind.
01:03So, he decided to flood a field with beer, and he dyed it red.
01:08So she thought she was gorging on the blood of humankind.
01:12But actually, she was getting very, very drunk.
01:16Humanity was saved by a hangover.
01:18La vache.
01:19Also, rumour has it that every Hathor statue is cursed.
01:28Oh.
01:30Well, like I said, I will be glad to see her leaving.
01:36Oh.
01:36Looks like your young man is a beer for you.
01:44Oh, no, no.
01:45He's not my young man.
01:46He's just a really good friend.
01:48Oh, oui.
01:48Bien sûr.
01:49Bien sûr.
01:50Yeah, well, thanks, Thomas.
01:52Good night.
01:53Bonne nuit, madame.
01:54À bientôt.
01:55Bonne nuit, madame.
02:25Bonne nuit, madame.
02:55Bonne nuit, madame.
02:59Begает.
03:00Bah, bam, bam.
03:08Oh, my dad.
03:09Oh, my dad.
03:11Oh, my dad.
03:13Oh, my dad.
03:16Oh, my dad.
03:18Oh, my dad.
03:22Oh, my dad.
03:24Do you remember the first time that my eyes set on you?
03:35Your smile came from nowhere, for sometime never, or sometime soon.
03:44The road is a long one, I was only passing through.
03:54I was only passing through.
04:05It's getting exciting, isn't it?
04:07You've met them, the ones on the telly.
04:09I wish I'd dressed up a bit now, you know.
04:11What do you mean?
04:12Well, when you see an auction on the telly, the punters all get dressed up, don't they?
04:16Have their hair done.
04:17Well, you're not on the telly.
04:18It's not about being on the telly, is it?
04:20It's out of respect for all the stuff.
04:24I blame you for his recent interest in boxes of rubbish.
04:27Treasure globe, not rubbish.
04:30Thank you so much for this, Jean.
04:32With Jeremy's birthday next week, I just didn't know what to buy him.
04:36Well, when I saw that box of Victorian ephemera, I thought that would be perfect for Jeremy's phantasmagoria room.
04:43Oh, Gloria, I meant to tell you.
04:45Thank you so much for letting us use your fan.
04:47Oh, you're welcome, love.
04:49Mind you, I've no idea where I'm going to put that.
04:53Oh, Jean, by the way, when can I pick up my sapphire necklace?
04:57Now that his daughter's getting married tomorrow, it's supposed to be her something borrowed.
05:00Anytime, he's at the shop.
05:02Mesdames et messieurs, notre dernier lot.
05:05Oh, Jean, I've always wanted to do this.
05:07Can I do the bidding?
05:08Fill your boots.
05:09We'll start at 50.
05:15Oui, 50.
05:1760, au fond.
05:2170.
05:2480.
05:2690.
05:36100 euros.
05:39100 euros.
05:48100 euros.
05:54Oh, terribly rude.
05:56You'd never see that happen on the totes.
06:04Merci.
06:06Et voilà.
06:09Oh, my God.
06:16Mum?
06:16Hey, can I help you sort through the treasure?
06:32If you want.
06:33You have found treasure?
06:35Not really.
06:36It's not the best morning we've ever had.
06:38Athenian red figure.
06:39This is not bad at all, Jean.
06:41530 B.C.
06:42This is everything.
06:44Just a few more boxes.
06:45Still exciting, isn't it?
06:52Oh, hello, Simone.
06:54Don't worry, love.
06:55Let's call it even.
06:56I'm not here for you.
06:57But I am parched.
06:59I could murder an espresso.
07:00Oh, I will make some coffee.
07:07I will help you.
07:11Jean!
07:12I need a big favour.
07:13And I think you owe me one after practically accusing me of murder last year.
07:17Okay.
07:17Right, remember our mums have round a corner from one another.
07:20Yeah, of course.
07:22Okay, now keep up.
07:23This is the box of Victorian Ephemera that I won at the auction this morning.
07:27So what's that got to do with our mums?
07:29I'm coming to that.
07:31Well, everyone knows that I'm the only one who collects the weird stuff round day.
07:34And they've slipped something into the box to send me a message.
07:38What?
07:38My mum's ring.
07:42What?
07:43That's your mum's actual ring?
07:45Yes, it's a warning.
07:46Someone at home's after me through my mum.
07:49Are you sure it's her ring?
07:50Absolutely.
07:51Look, it's got her initial on the front.
07:52V for Vera.
07:53And, get your loop.
07:56Go on.
08:00Look on the inside of the ring.
08:05Seeing as we go.
08:06Is that the Gracie Fields song?
08:09Rochdale's finest and my mum's favourite.
08:11My dad bought it years ago.
08:12Oh.
08:14Um, I don't understand.
08:17It's a warning.
08:18And I know exactly who it is.
08:20An old enemy of mine's just got out the clink back in Manchester.
08:23And it's going to take me a few days to put him back in his box.
08:25My cousin's bringing mum out now.
08:27She won't fly, so it'll take ages on the ferry.
08:30She needs to be with me till I sort my dear old friend out.
08:34And?
08:34Well, the thing is, she doesn't know about my, um, business interests.
08:42Go on.
08:44She, um, thinks I run an antique shop.
08:48Oh.
08:50Oh, I see.
08:51You want to pretend that you run my antique shop?
08:54Bingo.
08:55Oh.
08:55Is that all?
08:58No protection?
08:59No extortion?
09:01I'm not an animal, Jean.
09:02But if you do this one thing for me, we'll call it even.
09:06Well, that's an offer I can't refuse.
09:08Oh, excuse me.
09:15Hi.
09:17Yeah, yeah, I know it well.
09:20Right, I'll, I'll, I'll be right there.
09:23Okay?
09:23Um, that was Caron.
09:29There's been an incident at the library.
09:31Can you give me a lift?
09:32Oh, Madeline's at home.
09:33I, I, I can drop you off to collector if you like.
09:36Oh, right.
09:36Okay, um, so, um, Mr. John Marsden here will be doing a bit of work experience today, so, um, if you could just show him the ropes, ladies, that would be great.
09:50Give my regards to Caron.
09:52Yeah.
09:53It is for Nell's, Caron.
09:55I know, sweetheart, just having a laugh.
10:01Hmm.
10:01Ooh, she's not worked at Tilt since the fir tree pub when she was on salad bar.
10:21What on earth is going on?
10:24Tomorrow's a tag, June.
10:27No.
10:28Why?
10:29Is he all right?
10:31He's fighting for his life.
10:33Oh, no.
10:35I'm so sorry.
10:37This could ruin St. Victoria's library.
10:41What, what do you mean?
10:43We have destroyed one of the rarest figures in Egyptology.
10:46We haven't destroyed anything.
10:48That's how they will see it.
10:50Now, listen to me, Suzanne.
10:52We're going to find out who's responsible for this horrific act of sabotage.
10:57Do you hear me?
10:57And we're going to find out who hurt Thomas.
11:02Look.
11:05Let's just decide that Thomas is going to be okay.
11:08And in a couple of months' time, he'll be back in here, stinking the place out with his rock fort, as usual.
11:20I'll come back later and check on you, okay?
11:23I think she's in shock.
11:35What about you?
11:37I think I'm in shock.
11:39Thomas is such a sweetheart.
11:42Which is all the more reason we need to find out who is responsible for this.
11:45Yeah.
11:53John.
11:58Really want to give you a hug.
12:01No.
12:02Nobody's watching.
12:05Come here.
12:09Yours, I believe?
12:14Uh, yes.
12:17Yes, sir.
12:20I love watching you do that.
12:21What?
12:22That twisty thing you do when you pin your hair up in the morning.
12:24It's dead, um...
12:26Shh.
12:28That's the first time I've been called chic in my entire life.
12:32Well, it will not be the last time, Jean, right?
12:36Jean, we have some information.
12:38Can you come to the station?
12:39Yes.
12:40Yes, of course.
12:41Of course, yes.
12:42Oh, yes, I'd better get back to work.
12:44I'll speak to you later, Jean, yeah?
12:46Yeah.
12:46Yep.
12:47A neighbor was returning from his night shift and saw an orange moped driving away from
12:54the library at midnight last night.
12:56So this is the CCTV?
12:58Not from near the library, but around the corner.
13:00It is registered to a gay nurse Smith, English.
13:04She's 18 years old and lives in university halls.
13:07Right.
13:08So, um, how can I help?
13:11I need to interview her, but I don't want to bring her in.
13:15I think a less formal approach might be more successful.
13:18Teenage girls have never been my strong point, even when I was a teenage boy.
13:23Oh, you want me to come with you?
13:26Oh, of course.
13:28No problem.
13:29Well, back through the mists of time, I once was a teenage girl myself.
13:34Come on, then.
13:47Hello?
13:48Police.
13:49Oh, you better come in.
13:53Hello, I am Inspector Caron.
14:13This is my colleague, Jean White.
14:16Can we come in?
14:17Oui.
14:17Uh, nous nous sentons non plus fragiles.
14:24They are a bit fragile.
14:26Ooh, no kidding.
14:27We both speak English.
14:29That would be easier for my colleague.
14:32Your names, please?
14:34Nelly Ocas.
14:35Gaynor Smith.
14:36A serious crime was committed last night.
14:39And a bike that is registered to you, Gaynor, was seen near the scene at midnight.
14:43Oh, she's gone.
14:48Cindy is gone.
14:49Oh, God.
14:49Who's Cindy?
14:50My bike.
14:51That's her name.
14:52Cindy's been stolen.
14:53So your bike has been stolen?
14:55Clearly, yes.
14:56My mum's going to go mad.
14:57It was parked right out there.
14:59Where were you last night?
15:00Uh, we had a date with a couple of bottles of vodka.
15:05A bacon sandwich, white bread, and a pint of tea.
15:09Pardon?
15:10Best tank over cure ever.
15:12I'm a vegetarian.
15:19Can you prove where you are?
15:22Yes.
15:26Yeah.
15:28Looks like you had a good night.
15:29Ah, after midnight.
15:35Hmm.
15:39This is my card.
15:41If you could send me those photos, I will be able to eliminate you from my inquiries.
15:48Okay.
15:49We will see ourselves out.
15:59Thanks for getting us out of there.
16:01I'm starting to feel a bit queasy myself.
16:05I think I'll go and talk to Suzanne, see how she's doing.
16:13Good idea.
16:13I will double-check the CCTV pictures.
16:17Keep me updated.
16:19Oh, could you forward me that picture, please?
16:21Of course.
16:22Thanks.
16:30You're an absolute scream, Charlie.
16:31I was just going to say the same, Mr. Mazden, not what I expected at all.
16:35Oh, and we have your lovely Simone in common.
16:38Hey, Simone, tell your Charlie about our high-vis vest scam.
16:42I'm not sure I can remember.
16:44Got us in everywhere.
16:45But you ported a gelé fluo, toi?
16:47But no, as I said, I don't remember really.
16:50She certainly did, because I remember saying, how do you make neon nylon look so good?
16:55And you said, je la porte.
16:57Allo, comment ne pourrait-il pas avoir l'échiquette?
17:01You say that all of the time.
17:03Does she?
17:04Oh, that's what I loved most about Simone.
17:06The way she owned it.
17:07Or not, as the case may be.
17:12Ah, bienvenue chez Brodeur et White.
17:14Merci.
17:16You two pop out for a spot of lunch.
17:18I can look after things here.
17:19Oh, that is so kind of you.
17:21Are you sure?
17:21Yeah, of course, I'm sure.
17:22Off you pop.
17:23Okay, I'll grab my bag.
17:27Uh, I'm not too sure we should leave the shop.
17:33Now, now, Simone.
17:34You above anyone should know I've looked after bigger business than this.
17:38Have a belter of a lunch and I'll take care of everything here.
17:41Ah, there's just one thing.
17:43These are the, uh, returns from the workshop.
17:47Uh, this is...
17:49Next, this will be collected by a lady called Judith Lloyd-James.
17:52It is very important to her.
17:54No problem.
17:55Oh, merci.
17:55I'm so relieved I did not forget.
17:58Believe me, she is not somebody you want to be on the wrong side of.
18:01Well, thanks for the heads up.
18:03So, we're at a dead end unless we find out who stole that moped.
18:19Who'd steal an orange moped?
18:21What?
18:22It's a bit obvious, isn't it?
18:24What do you mean?
18:24Well, if you're going to nick a moped, surely you'd choose one that was a bit less conspicuous.
18:30Hmm?
18:31Got you, Detective Dom.
18:33Been knocking about with you, innit?
18:34About to rub off at some point, innit?
18:36Is that right?
18:39Come on.
18:39Oh, thank you.
18:49Thanks.
18:49Thanks.
18:50Thanks.
18:52How are you doing?
18:56Not good.
19:00I just spoke to Thomas' family.
19:03They are at the hospital now.
19:05I don't know what his wife Maureen would do if he...
19:10Let's think back over the past few weeks.
19:13Now, is there anyone Thomas could have upset?
19:15Well, Thomas could be very verbose, as you know.
19:25And he was a stickler for details.
19:28His visitor's book had to be just so.
19:30Could I have a look at the visitor's book, please?
19:32Yeah, of course.
19:33Let's see.
19:45Black ink only.
19:48Everything in the correct column.
19:52Mais oui.
19:53I forgot.
19:54Dr. Alagaia.
19:56He's a renowned egyptologist at university.
19:58He brought a group of students to look at the statue.
20:01And one of them started to shout about how disgusting it was for the Louvre to steal precious items from Egypt.
20:07So what happened?
20:08Thomas tried to calm him down.
20:10But the student kept shouting at Thomas' face about giving back the stolen goods.
20:14Well, the restitution of artifacts is a very touchy subject.
20:19It got very heated.
20:20And Dr. Alagaia quickly gathered his group up and left.
20:27Have you got his contact details?
20:29He should be at university if you want to ask him about it.
20:33Do you think one of his students could have done such a thing?
20:36I don't know.
20:38But I'm going to find out.
20:40You've got very good taste.
20:41My nan had one of these.
20:43Now, let's get it wrapped up for you.
20:50A positive plethora of...
20:55Oh, fear behind the counter.
21:01You're in charge.
21:12I see you.
21:13I see you.
21:13I see you.
21:13I see you.
21:15I see you.
21:17I see you.
21:18I see you.
21:20I see you.
21:20I see you.
21:21I see you.
21:22I see you.
21:23I see you.
21:24I see you.
21:25I see you.
21:26I see you.
21:27I see you.
21:28I see you.
21:29I see you.
21:30Are you sure?
21:31Yeah, I want to give Claudia a ring.
21:33The time difference is about right.
21:35Plus, universities always make me feel a bit less than, you know.
21:40How do you mean?
21:42Full of posh people, aren't they?
21:44Don't be daft.
21:45I went to one.
21:46And you know all that stuff about astronomy and every lyric of every song that's ever been written.
21:52Yeah, but that's not clever clever, is it?
21:54That's just because I had a karaoke comparing job when I was younger.
21:57It leaves an indelible mark on the subconscious.
21:59See?
22:00I think you're dead clever.
22:01I think you're dead clever.
22:02Mm-hmm.
22:03Thanks.
22:04Good night, sir.
22:20Gotcha.
22:24Thank you for seeing me, Dr Alagaya.
22:26Oh, you caught me between lectures.
22:28Oh, so you lecture in Egyptology?
22:31Yes.
22:32Specifically on the importance of deities.
22:34Sorry.
22:35I'm Jean White.
22:36I'm a specialist in antiques, and sometimes I help police out with their inquiries.
22:41Police?
22:43Yeah.
22:44Do you remember the security guard at the library when you took your students to see the Hathor statue on tour last week?
22:52How can I forget it?
22:54The students had been told to keep the politics neutral for the day and concentrate on the history.
23:00It was so embarrassing.
23:03But surely the police do not need to get involved.
23:07I'm sorry to have to tell you this, but last night that security guard was found unconscious after a vicious attack.
23:15What?
23:16And, um, in the attack, the Hathor statue was found irreversibly damaged.
23:23Hathor?
23:24I mean, this is, this is tragic.
23:27Are both of these things utterly tragic?
23:30Hmm.
23:32Um, do you have a list of the students that attended the library last week?
23:37Well, like the subject I teach, I am also a little historic.
23:41I keep paper copies of everything.
23:44Uh, here we are.
23:47A list of the students who attended.
23:50Oh, great.
23:52Can, can I keep this?
23:53Of course.
23:55Right.
23:59Is that your son?
24:00Oh, yes.
24:01Matteo.
24:03Very proud he's doing his PhD on Egypt and their stolen treasures.
24:07He was with me that day at the library.
24:11He did get quite passionate.
24:14But he'd never do anything like this.
24:17Hmm.
24:18And is that your daughter?
24:20No, she's his girlfriend.
24:22She too is studying at university.
24:27Oh, well, thank you.
24:29You're welcome.
24:38A beer, s'il you plait.
24:39Listen, right, I've got to go, Claudia. I'll speak to you in a bit.
24:46All right, bye. Love you, bye.
24:48A girl who lives at the university halls who was being sassy with Caron this morning, and Dr Allagai's son are in a relationship.
24:57What?
24:58Yeah, I just saw a picture of him together on his desk. Well, the girl's hair's a bit longer now, but it's definitely her. Now, she's got a bedroom next door to Nellie and Gaynor, the girls who had the moped nicked.
25:06So the girls with the moped nicked.
25:07So the girls with the moped, the stolen one?
25:08Yeah, just drive. I'll break it down on the way.
25:09I'll break it down on the way.
25:10I'll break it down.
25:11Oh, my God.
25:12I'll break it down.
25:13Oh, my God.
25:14Really?
25:15I don't know.
25:16I'll break it down on the way.
25:18What?
25:19Yeah, I just saw a picture of him together on his desk.
25:22Well, the girls' hair is a bit longer now, but it's definitely her.
25:23Now, she's got a bedroom next door to Nellie and Gaynor, the girls who had the moped nicked.
25:26Take it down on the way.
25:43But what are you doing there, behind?
25:47Hello, darlings. Slight hiccup.
25:50Some cheeky monkey has swiped Mrs Lloyd-James's sapphire necklace from under my nose.
25:54But don't worry, I'm just about to get it back. Store your friend for me. I won't be a tick.
26:00Oh, mon dieu. C'est Judith.
26:11Now, remember Marsden, don't go mad. You've just had this cleaned.
26:24I think you have something that belongs to me, dear.
26:37And then?
26:38Qu'est-ce que vous allez faire?
26:41Ah!
26:44Ah!
26:45Ah!
26:47Oh!
26:49Oh!
26:51Oh!
26:53Oh!
26:55Oh!
26:57Oh!
26:58Hello again.
26:59Um, we were just wondering, um, do you know where your neighbour is?
27:01Lily?
27:02She's probably a young man.
27:03Oh!
27:04Oh!
27:05Oh!
27:06Oh!
27:07Oh!
27:08Oh!
27:09Oh!
27:10Oh!
27:11Oh!
27:12Oh!
27:22Oh!
27:23Oh!
27:24Oh!
27:25Oh!
27:26Oh!
27:27where your neighbor is? Lily. She's probably at her boyfriend's, Mateo. Well, actually it was
27:35Mateo we wanted to talk to concerning the theft of Gaynor's moped. Really? So, do you know where
27:44he lives? Yeah, I'll go write it down for you now. Just give me one moment. Thank you. What is that
27:50smell? Students. Oh. Oh, thank you. Merci. Okay. Bye-bye.
28:10Carol? Yeah, I've got Mateo's address. How much longer, Charlie? It's nearly 4pm. I wanted
28:18to drop it into her before the rehearsal dinner. She's marrying an American, so I've no idea
28:23what that is, but I know it begins soon. Maybe you'd like some more coffee? Ah, here is Jean's
28:30associate now. Oh, you must be Judith. Amazing cheekbones. Sorry about the delay, sweetie, but
28:38I didn't think they'd done a good enough job for one of Jean's favourite customers. There
28:42you go. Oh, how thoughtful. Thank you so much. Pleasure. Hang on. Weren't you the chap that
28:51pipped me to the post this morning at the auction, denying my husband his birthday present,
28:57that box of Victorian ephemera... Sorry about that, my love, but let me put that right.
29:02Are you sure? Absolutely. I've got similar ones already. Well, thank you so much. My husband
29:15will be thrilled. You must let me pay you something. Sorry, I didn't catch your name.
29:22Oh, I'm John Marsden. Well, thank you very much, Mr. Marsden. Or can I call you John?
29:29You can, yeah, John. John Marsden. Thanks.
29:59No, I don't care.
30:10i'm so, of course, i'm so, Maria. I'm so. Like I'm going to call you John Marsden.
30:18Thank you for getting attention. You're welcome.
30:21All right.
30:23So, I'm outside the ceiling.
30:28Where are you, young man?
30:58I've done it lots of times.
30:59If you borrow something without asking the owner, it is technically stealing them.
31:04Okay. I'm very sorry.
31:11Christian.
31:13Your father says that you're very passionate about the restitution of artifacts.
31:19You've spoken to my father?
31:28Who did this?
31:31You were seen getting very upset in the library that day.
31:34What?
31:35I think you smashed the statue to sabotage the French ownership of it.
31:40That is not true.
31:41But you didn't expect a night watchman and defended yourself by nearly murdering him with the paperweight.
31:47No, no, no, no. You're wrong. I would never destroy something so precious.
31:52I need to talk to you about something.
31:54What now?
31:55It's very important.
31:58Richard, stop taking your statements, please.
32:08This is a fake.
32:10Look, it's just two pieces stuck together. It's hollow.
32:14What do you mean, hollow?
32:18In ancient Egypt, the sacred statues were always made in solid bronze.
32:28The hollow casting technique, it didn't come until years later.
32:34I didn't question it before because I just saw the head had fallen off and that can happen to a solid figure.
32:38So, where on earth is the real one?
32:44I can hold Matteo on theft of a bike.
32:47We need a search warrant for his flat and now I think his father's house.
32:50Maybe they were in it together for the money.
32:53I can believe passionate sabotage from academics, but not blatant theft.
32:59I just don't think it's about the money for them.
33:02Oh, excuse me.
33:02Oh, I'm so sorry.
33:07I'm going to have to go.
33:08Keep me updated, eh?
33:10Of course.
33:10Quite clever when you think about it, isn't it?
33:26How do you mean?
33:27Well, while you lot were concentrating on the sabotage, the real statue was long gone.
33:34Probably been turned into an ashtray for some dodgy billionaire.
33:39Oh, the horror.
33:40Don't even joke about that.
33:42Gee, my sapphire looks wonderful.
33:46John Marsden went above and beyond.
33:49And he gave me a gift for Jeremy.
33:52It's the box from the auction this morning.
33:55Wow.
33:56This is your lucky day, Judith.
33:59Actually, what is it?
34:02Ah, well, this is a box of memento mori.
34:09Ooh, what's memento mori?
34:13Well, in Victorian times, it was considered a loving tribute when someone passed away, that they were photographed with the living.
34:24I mean, one of the people in this photograph is dead.
34:32Yeah.
34:33They would open up their eyes, prop them up on cushions.
34:37So, I just bid good money on pictures of dead people.
34:42Mm.
34:43Good grief.
34:45If you see this deceased lady here, she's less blurry because she's completely still.
34:53Oh, no, no, no, no, no.
34:59Hang on.
35:02Sorry.
35:02Helen.
35:12Helen.
35:14Helen.
35:17Um, do you mind if we pay someone a visit?
35:21Huh?
35:21Oh, hello.
35:27It's me again.
35:29I wondered if I could have a quick word.
35:31This is my partner, Dom.
35:32I mean, my, um, work partner, Dominic.
35:37Yeah, come in.
35:41How's your head?
35:42Uh, a bit better.
35:43I heard about Matteo and the statue.
35:47His girlfriend lives next door, you know.
35:49Mm.
35:49Is, um, is Nellie around?
35:51Uh, she nipped to the shops for some hangover munchies.
35:54Right.
35:54Um, um, do you remember this picture being taken?
36:07I can't really remember much, if I'm being totally honest.
36:10It turned into a bit of a big night inn.
36:12Right.
36:14Hmm.
36:18So you're left-handed?
36:21Yeah, why?
36:23Well, it's just on this photo.
36:27You're holding your drink in your right hand.
36:32Would you do that often?
36:35God, no.
36:36Even drunk.
36:37Well, especially when I'm drunk, I would never use my right hand.
36:40How weird.
36:41Hmm.
36:41See, I'm starting to think that you never used your hand at all.
36:48Pardon?
36:50I think you were drugged asleep and propped up in a photograph to provide someone with an alibi.
36:56Bye.
36:59What?
37:00So, is this, is this Nellie's side of the room?
37:03Yeah.
37:04Yeah.
37:04Well, that's how she picked the lock.
37:09Well, that's how she picked the lock.
37:21So that wasn't your hairpin, I found it.
37:24Yours, I believe.
37:26Eh, no, love.
37:28But you were so chuffed that you found it that I didn't have the heart to tell you that I only used blonde ones.
37:33Gaina, can you tell me as much as you can remember about last night?
37:45Well, after about 9.45, not a lot, really.
37:48Why specifically 9.45?
37:50Well, our takeout arrived at 9.30.
37:52It showed up on my app.
37:54Then we ate and drank more vodka, but we had loads before.
37:58I honestly can't remember much.
38:00Do you mind if we take a quick look around?
38:03Yeah, help ourselves.
38:04Great.
38:05Done.
38:05Gee?
38:34Right.
38:35I need you to text Nelly.
38:39Tell her the police called about Matteo, and she needs to get to the police station straight away to help Jean and Caron with their inquiries.
38:49Okay?
38:52I'm coming back to the police station.
38:57I'm coming to see Caron and Jean.
38:59Thank you for coming so quickly.
39:01There's no problem.
39:02I was at the supermarket, not me.
39:05You still?
39:05Can I help you?
39:07Follow me.
39:07You can leave it there.
39:17Come on.
39:18I'm coming.
39:19There's something to do with me.
39:24Take a seat.
39:25How did you know?
39:37It was some pictures of deceased Victorians that gave me the clue.
39:44I realised that your alibi photo was fake.
39:48You'd put Gaynor's glass in the wrong hand.
39:52And your name was on the visitors list when you did your little recce.
39:55I missed it first time round because you used your official name, Helen, and not your everyday name, Nelly.
40:02I had an anti-Nelly, you see, and we only ever called her Helen when she'd been badly behaved.
40:08You must have thanked the heavens when Matteo stole Gaynor's scooter.
40:15All the heat was off you, wasn't it?
40:19This is how I think you did it.
40:25You got your flatmate drunk on vodka while I assume you drank water.
40:38And then when your food arrived, you slipped her a sleeping draft while she would never have tasted it, eating a curry.
40:43And when she was dead asleep around 9.45, you stole the scooter and you went to the library knowing full well that Thomas never locked up before 10.30 p.m.
40:57So you snuck in and opened the glass box with a hairpin.
41:07He then stole the statue and intended to replace it with a broken fake one, suggesting sabotage.
41:15What are you doing?
41:16Stop!
41:18Stop!
41:18Stop!
41:19Stop!
41:20But Thomas called you.
41:23So in a panic, you attacked him.
41:27I didn't mean that it was an accident.
41:31An accident that has left a man fighting for his life.
41:35He then rode back to the dorm and faked the photo, implying that you'd been there all night.
41:43Stop!
41:43Stop!
41:49But why?
41:54We are not going anywhere, Nelly.
42:03Just...
42:08Money?
42:11Simple.
42:12I am on my own in the world.
42:15And even with the cheapest accommodation, I still struggle to make ends meet.
42:23Most students work a part-time job to pay their way.
42:26Most students have other people helping them.
42:30Like I said, I have no one.
42:34I saw the exhibit on the tours in the library every couple of months.
42:50And I thought how easy it would be to steal one.
42:52And so I came up with a plan.
42:58I knew this one was coming from the Louvre.
43:02So I did my research.
43:06And I found a buyer in Paris.
43:11It was very easy to find the copy online.
43:14And you thought no one in this backwater town would ever know the difference?
43:22I never meant to hurt Thomas.
43:27I am truly sorry for that.
43:30Not as sorry as his wife, Maureen.
43:33I am truly sorry for that.
43:48So I won't know him.
43:53He has nothing to do.
43:55Thanks for your time.
43:56Right at the time he was at home.
43:58And my friends were no one around him.
43:58This one is running out of place.
43:59I am таким,ить I am.
44:01I help you out of place...
44:01I've had a double.
44:08Right, you sit there, ladies.
44:10I'm going to get some drinks in.
44:11Only champagne's good enough for my mum.
44:15Have you got any more?
44:16Yeah.
44:19A couple of bottles of your finest bubbles, please.
44:21Oui.
44:29Je suis armé.
44:29Mettez tout l'argent de la caisse dans ce sac et vous arrive à rien.
44:35Hiya.
44:39Not your lucky day, is it, sweetheart?
44:49What a day.
44:50I see the truth.
45:04I see the truth.
45:08I see the truth.
45:18I see the truth.
45:18I see the truth.
45:20I see the truth.
45:22I see the truth.
45:23I see the truth.
45:24I see the truth.
45:25I see the truth.
45:26I see the truth.
45:27I see the truth.
45:28I see the truth.
45:29I see the truth.
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