Doctor Who- Unleashed - Season 1 Episode 05- Dot and Bubble
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
#EnglishMovie #cdrama #drama #engsub #chinesedramaengsub #movieshortfull
Category
📺
TVTranscript
00:01In this episode, we reflect on that challenging and emotional finale.
00:06You, sir, are not one of us.
00:08You will die out there!
00:11And I can save your lives!
00:14That was an incredibly intense scene to start Doctor Who on.
00:20We reveal how the dot and bubble went from low-tech to high-spec.
00:26Tell me you're on Doctor Who without telling me you're on Doctor Who.
00:30We unravel the making of those homicidal slugs.
00:36And spoiler alert, we've got an Unleashed exclusive clip from the next Doctor Who episode.
00:43Welcome to Doctor Who Unleashed.
00:52Cardiff Bay Barrage, 17th December 2022.
00:56It's 11 o'clock at night, minus two degrees.
01:00Shooty Gatwa is about to shoot his very first scene of the series.
01:04175, take two.
01:06I suppose I should say thank you.
01:13It's okay.
01:14Do you know, we handed that script to Shooty and I was wary.
01:17I was thinking, my God, especially if this is the first thing he shot.
01:20I have a ship.
01:21It's called the TARDIS.
01:23Get that blue box.
01:25It is astonishing because he comes in.
01:28He did the regeneration way back with David.
01:30But actually the scene at the end of episode five is his first day with us.
01:33His first proper day.
01:35That reveal at the end of the ep, it was heartbreaking.
01:41You probably do realise it in the ep, but it's the moment when we look around and everyone is white.
01:45And you're just like, ah.
01:48We can't travel with you.
01:50What?
01:51Why not?
01:53Because you, sir, are not one of us.
01:55We were all kind of holding our breath thinking, that's no way you'd start any lead actor off.
01:59We talked about it.
02:00Should we reschedule?
02:01Should we let him settle in?
02:02Should we hold the scene off?
02:03And in the end we decide to go for it and bang, that's a great actor.
02:06He just hits it and it's one of the most remarkable performances I've ever seen.
02:11I don't care what you think.
02:15You can say whatever you want.
02:19You can think absolutely anything.
02:25I will do anything.
02:30If you just allow me to save your lives.
02:40You will die out there.
02:44And I can save your lives.
02:47Now let me.
03:00It'll be interesting to see the response to this episode.
03:14I think the main response to this episode is going to be about the ending.
03:17What we can't tell is how many people will have worked that out before the ending.
03:21Because they've seen white person after white person after white person.
03:24And television these days is very diverse.
03:25I wonder will you be 10 minutes into it, will you be 15, will you be 20, before you start
03:29to think everyone in this community is white.
03:32And if you don't think that, why didn't you?
03:35So that's going to be interesting.
03:36I hope it's one of those pieces of television you'll see and always remember.
03:40My first day on Doctor Who was that episode, episode five.
03:45The barrage scene.
03:47And that was an incredibly intense scene to start Doctor Who on.
03:53Shot in December 2022 and January 2023, Dot and Bubble was filmed side by side with 73 yards.
04:15The Doctor and Ruby take a bit of a back seat in this episode.
04:18And apart from the final scene, Shooty and Millie do all of their performing down an autocue lens.
04:24First things first, I'm here to save you.
04:27Leaving centre stage to Lindy Pepperbean.
04:30A character who ultimately reveals herself to be entitled and racist.
04:35She's played by upcoming stage and screen actor, Carly Cook.
04:38Can I run into it?
04:40Yeah.
04:40It was quite difficult to find the right person to play Lindy because she is, in the end,
04:46an absolutely abhorrent character, but you've got to be with her on her way there.
04:51And she's got to be sort of really flaky and breezy and a bit annoying from the top.
04:56Do I need to pee?
04:57Your ink content is zero for the third day in a row.
05:00Well done, Lindy.
05:02So she had to sort of encompass all these things in one hit.
05:07Sorry.
05:08I'm sorry.
05:09It's just, that's the first time I've ever done that.
05:11Oh, no, well, sorry, every day we walk past Monsters.
05:13No, I mean the hug.
05:14That was your first hug?
05:15Yeah.
05:16And then once she turns, you have to be really surprised.
05:20His surname is Coombs.
05:24He was born Richard Coombs because I know everything about him.
05:27He changed his name to Ricky September when he reached 50,000 followers.
05:30But check your files.
05:31He was born Coombs.
05:33See, he comes before peace.
05:34We found this amazing actress called Callie Cook.
05:38She was unanimously our favourite choice in the auditions.
05:43And she was the only one who really got that transition so brilliantly and sort of played all the characters all at once.
05:50Oh, my poor friends.
05:54It was hard.
05:55I've never done it before.
05:57I have a complex of having to be liked all the time.
05:59But I guess I just had to, you know, see her as she is and I had to see her without judgment in order to play her truthfully.
06:07That I'm playing a character, I hope that that's, you know, that's not real.
06:13But I mean, yeah, I can be the first to say she's a psychopath.
06:16As Callie quite rightly points out, Lindy Petterbean is a character she's acting.
06:23In real life, the two couldn't be more different.
06:27And action.
06:28Do I need to pee?
06:30This is your first scene.
06:31Day one.
06:31Day one.
06:32Scene one.
06:33This is the scene, the first scene.
06:35Yeah.
06:35Yeah, yeah, yeah.
06:36I hope you know because...
06:37I don't.
06:38I don't ever know.
06:39So I'm reading everyone else's lines off camera and then these all leave tomorrow and then I'm on my own for the next six weeks.
06:45Six weeks and she'll see you on your own.
06:48That's going to be quite strange, isn't it?
06:49Yeah.
06:50Yeah.
06:50But before Callie gets to go solo, there's the small matter of killing off Ricky September.
06:55But check your files with Paul Coos.
06:57Stingy colors for 4p.
06:59It was great to see Callie Cook go to this incredible character transformation on this day because she's kind of this lovable, if slightly narcissistic person, but who you really basically like until she does this awful thing in this scene where essentially she kills her love interest to save herself.
07:16Lindy.
07:16It's kind of the first reveal of what a monster she actually is.
07:20She's rich.
07:21She's vile, actually, and sends that boy to his death.
07:28Brilliant Callie as Lindy Pepperbean is literally in every single moment of the entire episode.
07:33So it's unusual to hand over not just a guest lead role, but the lead of the show.
07:38Action.
07:38I'm going to get eaten.
07:40I'd never seen a Doctor Who episode that didn't really feature the Doctor in the way that this doesn't.
07:45Like, it felt like almost like a little feature film.
07:48It's not the first time an episode has been led by someone other than the Doctor or the companion.
07:53I think someone told me that no one has led a Doctor Who episode since Carey Mulligan.
07:58So, I mean, if that works out, that would be nice.
08:02Who are you?
08:04I'm a time traveller.
08:05In 2007, Carey Mulligan starred as Sally Sparrow in Blink, a Doctor Light episode that also saw the first appearance of the terrifying weeping angels.
08:16You keep looking at this one.
08:17Don't blink.
08:18Remember what he said.
08:19Don't even blink.
08:20The role of Sally helped propel Carey Mulligan to Hollywood superstardom.
08:26So no pressure, Callie.
08:31And what better place for Lindy to hide in plain sight than Party City, Fine Time.
08:38Fine Time is kind of like, it's Love Island for the rich of the home world.
08:43They go there, they do a couple of hours' work in data processing, then they party all day long.
08:47Who are you?
08:49My name's Ruby Sunday.
08:50Hi.
08:51You're not on my friends' list.
08:52It really reminded me of Black Mirror, Fine Time.
08:56It's so weird, isn't it, because that is probably what the future's going to turn out to be, and I think Russell has a knack for that.
09:00He does predict the future quite a lot.
09:02Dot.
09:04And bubble.
09:06The dot is their form of social media.
09:08It's a little hovering dot that projects all the friends and all the family and all the faces of people in a literal bubble around you.
09:16So they are living in a bubble.
09:18It's like a metaphor.
09:21Art imitates life, doesn't it?
09:22You know, the perils of social media and what it can do to people in the real world is very much, yeah, you see that on screen.
09:31That whole episode shows the base of the human condition and how easy it is to get there.
09:37Oh, it's so unfair.
09:39Now we have to work.
09:40Fine Time never told us how boring it would be.
09:43It's a visual way of sort of showing, I think, where we're heading in society.
09:47It's not just having a close friends list.
09:48It's living your close friends list and allowing no different points of view into your circle.
09:55Oh, you're no fun.
09:56It's exploring that.
09:57It's exploring how that blinds you to the world.
10:00In Doctor Who fashion, that metaphor literally becomes a monster that you can't see right next to eating you up.
10:05But beyond that, it's about the society that's formed on Fine Time.
10:10At the end of the episode, it shows you exactly what kind of world you're in.
10:13So if the dot and bubble is our future, would you want one?
10:18Absolutely not.
10:19It's terrifying.
10:20It's going to kill me.
10:21For a day or a week, just for the fun of it.
10:25Give it a go, for sure.
10:26But I don't think I'd want that all day, every day.
10:30I think I get too consumed.
10:31You get tunnel vision.
10:32I get quite clutch at work, so I feel really stressed out.
10:35It does take a lot of decisions for you.
10:38It does make life easier.
10:39No, I can just about get away with, like, a sat-nav.
10:41Yeah, you're not selling the dots for anyone here.
10:43I don't think anyone should get a dot.
10:46I do love my phone, don't get me wrong.
10:48I'm not one of them.
10:49But I wouldn't want a dot.
10:51That would kill me.
10:53Absolutely not.
10:55I can barely handle Instagram.
10:59It's going to get me started on TikTok.
11:05Still to come on Doctor Who Unleashed.
11:07I try not to be sluggish on my work experience.
11:11Oh, hello.
11:11It's quite slippery, isn't it?
11:12The cast and crew bust out their best moves.
11:22And spoilers.
11:23We've got an exclusive clip from the next episode of Doctor Who.
11:26But first...
11:28From the Cronoids to the Reapers to the Vashto Narada, there have always been Doctor Who creatures who like to make a meal of things.
11:39But never has there been a more gloopy, slurpy or gnarly eater than the Mantraps.
11:44I've got a pill!
11:46Dreamed up and sketched by Russell T. Davis, Millennium FX were tasked with bringing these psycho slugs to life.
11:54I think the Mantraps are probably the most classic Doctor Who monster there is in the new series.
12:01There's been a lot of those kind of things in Doctor Who over the years.
12:03So, there's already a kind of language to them that you're going with.
12:09It's very exciting to get a new design for Doctor Who monster.
12:12I love handing these things over to Neil Gorton and the team.
12:15And they add the tentacles and the claws.
12:17And the fun about this has been like saying, more gunge.
12:20Wet them, wet them, wet them.
12:21So they're drooping and vile.
12:23Disgusting.
12:24Marvellous.
12:25That's what a Doctor Who monster should be.
12:27But before the gunge, Neil and his team had to make the Mantraps.
12:31All of this was hand sculpted by the team.
12:34I think it took about a week, a week and a half.
12:36So all of this was like clay sculpted, you know, carved in texture, detail.
12:41I know it's weird.
12:43Can I touch it?
12:44Yeah, yeah, feel free.
12:45I mean, there may be some sticky parts.
12:48So just avoid where Darren's working.
12:50Oh, ooh.
12:52It feels how I think it would feel.
12:54Oh, yeah? How's that?
12:55Feels alien and fleshy.
12:57You know?
12:57The Mantraps have been built using foam latex panels that are glued together to create the seven-foot creature.
13:05It's a painstaking process.
13:07And why do it when lots of the detail will be replaced with computer-generated VFX?
13:12A lot of our work is, you know, collaborating with VFX.
13:16Even if you're going to do something CGI, very often we'll build a physical thing that people can interact with.
13:21It just makes it easier for actors to deliver a performance if there's something in front of them
13:26that looks like the character they're meant to be playing against.
13:30Six weeks later, a prototype Mantraps with three puppeteers inside it is ready for its first taste test.
13:37Three, two, one.
13:39G's coming in.
13:41And close.
13:43Go on, push, push.
13:45Keep it going.
13:47Keep it going.
13:48So today we have a camera test for the Mantraps.
13:51Go on, more.
13:51Squeeze.
13:52So we're just testing everything out.
13:54I think there's a lot of discussions being had.
13:57We are looking at how it works, how it moves.
14:00We're basically thinking about how it eats people at the moment.
14:03I've basically got everyone else to be eating, not me.
14:06It looks really good that we just get that life in the, let's say, fingertips.
14:13I'm here for the movement and to coordinate the puppeteers.
14:16I have a crew radio and they've got an open radio inside so they can just hear me talking.
14:22But who are the men inside this mollusk?
14:25How are you all?
14:26We're good, we're good.
14:27You just caught us, we've just got out of the Mantra.
14:29Yeah, how's your lower back?
14:31Is your lower back hurt?
14:32What bit of your body hurts in there?
14:34You're all really strong.
14:36Yeah, is it?
14:38Recognise any of these guys?
14:40Hiya!
14:42They featured in the Christmas episode of Unleashed, operating the Goblin King.
14:47Roar!
14:48Shake it!
14:48But this is actually the first time I've met them, as we filmed this episode a month before the Christmas special.
14:56You with me?
14:57It's that timey-wimey stuff again.
14:59Which bit are you doing?
15:00I'm stood up in front, and I've got, I'm controlling the upper fingers, I'm doing the head movement, and I've also got the throat in my teeth, and I'm puppeteering the throat with my head.
15:11Wow!
15:12And I'm kind of doing that.
15:13I'm in between the two of them.
15:15So I'm using my legs to help close the big flaps that open it.
15:20So it's your legs that's doing that work.
15:21It's on my legs, and then I'm using my hands to control the lower tentacles.
15:24I'm in the back here.
15:26I'm actually in the tail, so I get to lie down on this job.
15:29Oh, so he's got the easy bit there.
15:30Oh, no!
15:32But the very technical one.
15:33Yeah, yeah.
15:34Ah, right.
15:35So I've got a couple of hand controls in there, which I've got these touchy-feely tentacles at the front.
15:40Yeah.
15:40It's a cable mechanism that runs all the way through the mansion.
15:43Yeah.
15:44What's the hardest bit of it all, as you say?
15:47Coordinating all three of us.
15:48So it feels like it's just one creature.
15:50Yeah, exactly.
15:51Yes.
15:52So we have a movement coordinator outside.
15:54Who's giving us the feedback of what's happening and what the director wants in order to fine-tune the performance.
15:59Yeah.
15:59And we have monitors, so we can see what the camera sees.
16:02So we can fine-tune our performance that way as well.
16:04How often do you have three of you crammed up together like this?
16:07Oh, quite often.
16:08We get quite cozy.
16:09As I was going to say, you must know each other pretty well by now, right?
16:11Yeah, yeah, yeah.
16:13Intimately, one might say.
16:15The puppeteered man trap was used on set throughout,
16:18and the digital magic was added in post-production by VFX specialists' automatic.
16:23So ultimately, we had one that would do the work to be there, to stand there.
16:28But some of the kind of eating of the humans is really, really hard because we would have had to make about three different man traps to eat a human.
16:36So we ended up making a kind of a digi-double, I suppose, a digital one.
16:41As we were doing it, we were like, well, let's try and bring those tentacles to life.
16:47Let's try and bring this kind of snaky, kind of awful things inside the belly of the slug, the belly of the man trap.
16:54You know, we did quite a lot of overlaying to just bring other elements of them to life.
17:02I'm still, I watch it, and I'm utterly amazed that we made it.
17:06I think it's amazing, and I'm so excited by it.
17:08And I think it was one of those really complicated, in itself, when you watch it, you probably may not think how complicated it was,
17:14but it was a very complicated episode to make.
17:16None of the people we see popping up inside Lindy's bubble are AI creations.
17:33Every single face and voice belongs to an actor or supporting artist.
17:37And they were all filmed in a 48-hour flurry at Wolf Studios.
17:42Hi there, Lindy. Such a super day.
17:44We had two very fun days filming the screens.
17:49Half of them were the cast, and half of them were SA's who came in and didn't know what they were putting themselves in for.
17:54It turns out that woman was her sister.
17:58One thing Russell was really keen on, which I think is very wise, is that in Lindy's bubble, in the kind of sea of faces, we never see, like, duplicates.
18:05The idea that there's, like, sort of hundreds or thousands of people in this kind of bubble world.
18:09And so we ended up filming with about 30 different SA's who we put into two different costume looks and hair looks to kind of make them look a little different.
18:17And to film them, we essentially had them all sit sort of side by side against these coloured backdrops.
18:22And we had four or five, I think, different cameras on them rolling simultaneously.
18:26And we just had them kind of play out the lines and bounce off each other.
18:30What's it been like being on a set of Doctor Who?
18:32Unreal, to be honest with you.
18:34I mean, it's just so exciting because Doctor Who was genuinely my favourite show ever.
18:39I mean, it's just awesome, like, to be a part of Doctor Who.
18:41It's like a dream come true.
18:43It's just been such a laugh.
18:44It's great, isn't it?
18:45It's completely iconic.
18:47Yeah.
18:47It's such an incredible crew.
18:48We're having such a good time.
18:49For me, this is, like, really full circle because I was the biggest Doctor Who fan.
18:54Weird.
18:54Like, actually, my dad sent me this photo of when...
18:59Oh, my God.
18:59Oh, my God.
18:59It's on a screenshot.
19:00Oh, my God.
19:01Wow, look at that.
19:02This is biggest fan.
19:04That's amazing.
19:05That is brilliant.
19:05You look so cute.
19:06Okay, brilliant work, guys.
19:08And now you've started to realise that some of your friends are missing and not on the dot and bubble system.
19:12And you're starting to ask each other about it on Action and Action.
19:15Lindy.
19:15Hello?
19:17We did lots of things with them.
19:18We gave them props.
19:20We gave them emotions to play.
19:22We danced around behind the cameras to get them to dance and not feel awkward.
19:25Because it's incredibly awkward dancing to Itsy Bitsy Teeny Weenie in front of a whole crew.
19:34Itsy Bitsy Teeny Weenie
19:36I'm a woman's African-American
19:38So in the heart that she wanted to say
19:41Clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap, clap.
19:45And cut there.
19:52Cut there.
19:52Even with filming multiple characters at the same time
19:56and having to deal with alphabetically selective slugs,
20:00not everything was as simple as A, B, C.
20:04What's been the biggest challenge, Dylan,
20:05of bringing this episode in particular to life?
20:08Yeah, the bubble.
20:10Is it a bubble?
20:11Yeah, it's got to be the bubble.
20:12Dot and bubble.
20:15The concept of this episode is that
20:16Callie's character, Lindy, lives in this kind of weird bubble
20:19at all times.
20:20That's completely done in CGI.
20:22So we have to imagine the bubble over her head
20:25with every single shot
20:26and try and shoot frames that will kind of work for that,
20:30the effects element that we're going to bring in later.
20:32Yeah.
20:32So we're kind of guessing all the time.
20:34And, you know, who knows?
20:36That's always a good place to be, isn't it?
20:37I think this works.
20:41It's the longest stage directions
20:43I've ever had to write.
20:45Just describing how that bubble works
20:47and what the screens do.
20:49Forward.
20:50Forward.
20:51Forward.
20:52I actually sent that script in with some drawings
20:54and saying, this is what I mean,
20:55just in case it's not clear on the page
20:57and showing the screen is just turning around someone's head.
21:00Amazing.
21:00We're just going to bring in the bubble.
21:02Bubble coming in.
21:04Why have you got a bubble?
21:05So we call this the bubble.
21:07So we put this around the actor.
21:09Yeah.
21:09And when we need a bubble reference,
21:11you see the positioning of the actual bubble
21:13within the edit.
21:14So all these, like, little squares,
21:17these are basically...
21:18They have a screen.
21:19...with different screens.
21:20Yeah, yeah, yeah.
21:21So when, for example,
21:22when we need a bubble reference,
21:24we position it accurately...
21:26Just on the head?
21:26Yeah, just on the head.
21:28And then, you know, kind of like that,
21:30depending on where we need the actual bubble reference.
21:32So is this really important for you to get right?
21:35Because that must be a nightmare
21:36to try and make that work in VFX.
21:38100%.
21:39It's, I mean, as accurate as you can get it.
21:43Yeah.
21:44It would be great.
21:46And it's not just the camera ops and VFX
21:49that have to consider the bubble.
21:51Spare a thought for Callie,
21:52who spends most of the episode inside it.
21:54The hardest thing was the eyelines
21:57because constantly my eyes will be flickering,
22:00like, from left to right, up and down,
22:02in between, talking to everyone,
22:05when I'm actually just talking to someone,
22:06reading the lines on the side.
22:08Hi there, Lindy.
22:09It's such a super day.
22:11You look so good, baby.
22:12Aw, Cooper, you're so kind.
22:16Today we have been filming
22:17Lindy's morning routine in her apartment.
22:21So we've been waking up
22:22and then the bubble has been leading us
22:25into the bathroom.
22:26They wanted the effect of having the camera drag
22:29but without any movement.
22:32I was harnessed into the dolly
22:33and then I just had to with my legs.
22:35I mean, if you've got any footage of it,
22:36I look ridiculous.
22:38But it was very fun.
22:38I got harnessed in.
22:39I felt like I was like Christine Aguilera
22:41in the music, didn't I?
22:42But what about the brains of the operation?
22:45I'm expecting something groundbreaking
22:46to bring the dot to life.
22:49This is the dot.
22:51I was expecting something like
22:52sophisticated sci-fi.
22:54Hey, hey, who says it's not sophisticated?
22:57A little bit of tape on that?
22:57It's a cellotape and a smiley yellow face.
23:00It's cute.
23:01It is cute.
23:02I'll give you that.
23:02Three, two, one, attack.
23:04So there's a really exciting scene
23:05where Lindy and Ricky are attacked
23:08by Lindy's dot,
23:09which is this small device
23:11which kind of projects her bubble.
23:13And attack!
23:15As with lots of the VFX
23:16in the episode,
23:17we couldn't obviously
23:18do anything physically in camera.
23:20It was all kind of
23:21make-believe and imaginary.
23:22We've been rehearsing with a stick.
23:24The stunts,
23:25they just run around with a stick.
23:27And then we take out the stick
23:28and then we literally
23:29have to stare into space
23:31for the dot.
23:33It's quite hard, isn't it?
23:34It looks a bit weird.
23:35It's a bit mad
23:36if you kind of don't know
23:37what's going on.
23:38Just like running after
23:39or running away from nothing
23:40and whacking nothing, yeah.
23:46Doctor Who has always
23:50prided itself
23:51on keeping its creatures
23:52and monsters
23:53as real as possible.
23:55Characters like the Meep,
23:56the Wrath Warriors,
23:57the Goblin King,
23:58the Goblins,
23:59the Boogeyman
24:00and the Mantraps
24:01are physical entities
24:02you can touch and feel.
24:05What the hell?
24:07They're enhanced by VFX,
24:09not built entirely
24:10on computers.
24:11On the set of Doctor Who,
24:14there's a VFX team
24:15that helps smooth the transition
24:16from what gets shot on camera
24:18to what ends up on the screen.
24:20So for this week's work experience,
24:23I'm going to find out
24:23exactly what it takes
24:25to be a VFX assistant.
24:32You might have spotted Sarah
24:33throughout this series
24:34with what looks like
24:36a giant lollipop
24:36and a paint samples chart.
24:39Sarah is part of a wider VFX.
24:41VFX team
24:41who are integral
24:43to bringing Doctor Who's
24:44weird worlds
24:45and crazy creatures
24:46to life.
24:47Can I ask you
24:48why you go around
24:50holding silver balls?
24:52Well, let me go.
24:53OK, so basically,
24:54obviously you're next
24:55to the silver side
24:56and there's the matte grey side.
24:57Yeah.
24:57Right?
24:57There's the silver side
24:58and there's the matte grey side.
25:00I see.
25:01I'm a fast learner, aren't I?
25:03Yeah, you are, you are.
25:04You're great.
25:04An essential part
25:05of a VFX assistant's toolkit,
25:08these shiny balls
25:09allow them to create
25:10a map of the light sources.
25:12OK, keep rolling.
25:13Get the silver balls in.
25:15Then, during post-production,
25:17the VFX artists
25:18can use that information
25:19to convincingly light CGI effects
25:22to look like
25:22they're a natural part
25:23of the scene.
25:24So you'll see
25:25from the silver side
25:26you'll see where
25:26all the light sources
25:27are coming from.
25:28Right.
25:29And then obviously
25:30on the grey side
25:30that shows you
25:31the intensity of that.
25:32So when it comes
25:33to the post-production
25:34of it,
25:35you can align
25:36to match the elements.
25:39And for this,
25:40why do you have,
25:41are you thinking
25:41of painting your room
25:42or what's...
25:43Yeah, yeah,
25:43just pick and choose a colour.
25:44No, this is just
25:45a general colour chart
25:46so when it does
25:47come to the edge
25:47you can align it
25:48to the features as well.
25:49Thank you!
25:52The people who are watching
25:52this thinking
25:53I'd love to get
25:53into visual effects work.
25:54Right.
25:55How did you end up
25:56on the set of Doctor Who?
25:58So I actually started off
26:00as a cast PA
26:01for Bernard Cribbon
26:02who plays RIV.
26:03Yeah.
26:04And then
26:05they asked me
26:06to be a runner
26:08for the VFX team
26:09for a day.
26:10From that
26:10I became a VFX assistant.
26:12Yeah.
26:12So your story
26:14kind of
26:14is an example
26:15of someone
26:16who just
26:16get your foot in the door
26:17Yeah.
26:18Start working on set
26:19getting to know people
26:20figuring out what you like
26:20and then here you are.
26:21I think that's the thing
26:22I think you just have to
26:23get onto set
26:25somehow, some way
26:26then you get
26:26you have the chance
26:27to talk to different people
26:29and talk to the right people
26:30as well
26:30and you never know
26:31there's always an opportunity.
26:32Right.
26:33Yeah.
26:33As with all the jobs on set
26:37Sarah needs to be alert
26:38to the instant
26:39her skills are acquired.
26:41Me.
26:41Sorry.
26:43So I just get in the way.
26:46Thank you very much.
26:48Next shot
26:48is a pro clock too
26:49then please.
26:50Are they?
26:51You're like
26:52you're like an action hero
26:53then
26:53who's sprung out.
26:55So when you get the call
26:56to go and
26:57stand in front of the camera
26:58what are you doing
26:58with the ball?
27:00Well
27:00so you'd hold up the chart
27:01and then with the ball
27:02you'd spin it
27:03like you have to have
27:04some sort of like
27:05rotational movement
27:06so you can see those sides
27:07yeah
27:07look at that
27:07that's it
27:08it's easy
27:09it's fun
27:09but I like to like
27:10oh you're giving a spin
27:12yeah
27:12oh techers
27:14you know what I mean
27:15what happens if you drop it
27:16it'll be embarrassing
27:17won't it
27:17very embarrassing
27:18okay
27:20time for me
27:21to be mini Sarah
27:22lovely gank
27:36and one from another angle
27:44not awkward at all
27:47thank you very much
27:48thank you
27:49oh hello
27:50it's quite slippery there
27:51isn't it
27:51oh
27:51my heart's actually
27:54going really fast
27:55because there's quite a lot
27:56of cash
27:56like
27:57you know
27:57those cameras are big
27:59and there's a big monster there
28:01anyway
28:03coming for your job Sarah
28:04no
28:05please no
28:06next time
28:10on Doctor Who
28:11I'll see you next time
28:41next time
Be the first to comment