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00:00It is so hot tonight. I think I might melt like an ice cream.
00:18Look, I'm sorry about the time, Thomas. I'm finished now.
00:22I don't shut till 10.30. I don't mind how long you stay.
00:27It's good to know there is someone else for her to stay at.
00:32Pardon?
00:34Her.
00:38She leaves for Paris tomorrow, and I will not be sad to see her go.
00:45Yeah, Hathor's on tour, the goddess of intoxication.
00:51The story goes that the sun god Ra ordered her to destroy all humanity
00:56because of their bad behaviour.
00:58Oh, mon dieu.
01:00But just at the last minute, Ra changed his mind.
01:03So, he decided to flood a field with beer, and he dyed it red.
01:08So she thought she was gorging on the blood of humankind.
01:12But actually, she was getting very, very drunk.
01:16Humanity was saved by a hangover.
01:18La vache.
01:19Also, rumour has it that every Hathor statue is cursed.
01:28Oh.
01:30Well, like I said, I will be glad to see her leaving.
01:36Oh.
01:36Looks like your young man is a beer for you.
01:44Oh, no, no.
01:45He's not my young man.
01:46He's just a really good friend.
01:48Oh, oui.
01:48Bien sûr.
01:49Bien sûr.
01:50Yeah, well, thanks, Thomas.
01:52Good night.
01:53Bonne nuit, madame.
01:54À bientôt.
01:55Bonne nuit, madame.
02:25Bonne nuit, madame.
02:55Bonne nuit, madame.
02:56Bonne nuit, madame.
02:57Bonne nuit, madame.
02:58Bonne nuit, madame.
02:59Bonne nuit, madame.
03:00Bonne nuit, madame.
03:01Bonne nuit, madame.
03:02Bonne nuit, madame.
03:03Bonne nuit, madame.
03:04Bonne nuit, madame.
03:05Bonne nuit, madame.
03:06Bonne nuit, madame.
03:07Bonne nuit, madame.
03:08Bonne nuit, madame.
03:09Bonne nuit, madame.
03:10Bonne nuit, madame.
03:11Bonne nuit, madame.
03:12Bonne nuit, madame.
03:13Bonne nuit, madame.
03:14Bonne nuit, madame.
03:15Bonne nuit, madame.
03:16Bonne nuit, madame.
03:18Bonne nuit, madame.
03:19Bonne nuit, madame.
03:20Do you remember the first time that my eyes set on you?
03:35Your smile came from nowhere, for some time never, or some time soon.
03:43The road is a long one, I was only passing through, I was only passing through.
04:05It's a bit exciting, isn't it? You've met the ones on the telly.
04:08I wish I'd dressed up a bit now, you know?
04:10What do you mean?
04:12Well, when you see an auction on the telly, the punters all get dressed up, don't they?
04:15Have their hair done.
04:16But you're not on the telly.
04:18It's not about being on the telly, is it? It's out of respect for all the staff.
04:23I blame you for his recent interest in boxes of rubbish.
04:26Treasure globe, not rubbish.
04:29Thank you so much for this, Jean.
04:31With Jeremy's birthday next week, I just didn't know what to buy him.
04:36Well, when I saw that box of Victorian ephemera, I thought that would be perfect for Jeremy's phantasmagoria room.
04:43Oh, Gloria, I meant to tell you. Thank you so much for letting us use your fan.
04:47Oh, you're welcome, love. Mind you. I've no idea where I'm going to put that.
04:52Oh, Jean, by the way, when can I pick up my sapphire necklace?
04:56Now that these daughters are getting married tomorrow, they're supposed to be her something borrowed.
05:00Anytime, he's at the shop.
05:02Oh, Jean, I've always wanted to do this. Can I do the bidding? Fill your boots.
05:12We'll start at 50.
05:15Yes, 50.
05:1760 at the bottom.
05:2270.
05:2480.
05:2690.
05:32100 euros.
05:34100 euros.
05:35100 euros.
05:41100 euros.
05:48100 euros.
05:54How terribly rude. You'd never see that happen on the television.
06:06And that's it.
06:10Oh my God!
06:15Mum?
06:29Hey, I'm going to help you sort through the treasure.
06:32If you want.
06:33You have found treasure?
06:35Not really.
06:36It's not the best morning we've ever had.
06:38Athenian red figure.
06:39This is not bad at all, Jean.
06:41530 BC.
06:42This is everything.
06:44Just a few more boxes.
06:45Still exciting, isn't it?
06:52Oh, hello, Simone.
06:54Don't worry, love.
06:55Let's call it even.
06:56I'm not here for you.
06:57But I am parched.
06:59I could murder an espresso.
07:02Oh, I will make some coffee.
07:07I will help you.
07:11Jean!
07:12I need a big favour.
07:13And I think you owe me one after practically accusing me of murder last year.
07:16OK.
07:18Right.
07:18Remember our mums have round a corner from one another?
07:20Yeah, of course.
07:22OK, now keep up.
07:23This is the box of Victorian Ephemera that I won at the auction this morning.
07:27So what's that got to do with our mums?
07:29I'm coming to that.
07:31Well, everyone knows that I'm the only one who collects the weird stuff round day and they've
07:34slipped something into the box to send me a message.
07:38What?
07:40Me mum's ring.
07:42What?
07:43That's your mum's actual ring?
07:45Yes, it's a warning.
07:46Someone at home's after me through me mum.
07:49Are you sure it's her ring?
07:50Absolutely.
07:51Look, it's got her initial on the front.
07:52V for Vera.
07:53And get your loop.
07:55Oh.
07:56Go on.
08:00Look on the inside of the ring.
08:05Sing as we go?
08:07Is that the Gracie Fields song?
08:09Rochdale's finest and me mum's favourite.
08:11Me dad bought it years ago.
08:12Oh.
08:14Um, I don't understand.
08:17It's a warning and I know exactly who it is.
08:20An old enemy of mine's just got out the clink back in Manchester and it's going to take
08:23me a few days to put him back in his box.
08:25Me cousin's bringing mum out now.
08:27She won't fly so it'll take ages on the ferry.
08:30She needs to be with me till I sort my dear old friend out.
08:34And?
08:35Well, the thing is, she doesn't know about my, um, business interests.
08:43Go on.
08:43She, um, thinks I run an antique shop.
08:49Oh.
08:50Oh, I see.
08:51You want to pretend that you run my antique shop?
08:54Bingo.
08:55Oh.
08:56Is that all?
08:58No protection?
08:59No extortion?
09:01I'm not an animal, Jean.
09:02But if you do this one thing for me, we'll call it even.
09:06Well, that's an offer I can't refuse.
09:09Oh, excuse me.
09:15Hi.
09:17Yeah, yeah, I know it well.
09:20Right, I'll, I'll, I'll be right there.
09:23Okay?
09:25Um.
09:25That was Caron.
09:29There's been an incident at the library.
09:31Can you give me a lift?
09:32Oh, Madeline's at home.
09:33I, I, I can drop you off to collector if you like.
09:36Oh, right.
09:36Oh, right.
09:37Okay, um, so, um, Mr. John Marsden here will be doing a bit of work experience today.
09:44So, um, if you could just show him the ropes, ladies, that would be great.
09:50Give my regards to Caron.
09:53It is for Nels, Caron.
09:55I know, sweetheart, just having a laugh.
10:01Hmm.
10:02Oh, she's not worked at Tilt since the fir tree pub when she was on salad bar.
10:06What on earth is going on?
10:24Thomas has attacked you.
10:27No.
10:28Why?
10:29Is he all right?
10:31He's fighting for his life.
10:33Oh, no.
10:35I'm so sorry.
10:37This could ruin St. Victoria's library.
10:41What, what do you mean?
10:43We have destroyed one of the rarest figures in Egyptology.
10:46We haven't destroyed anything.
10:48That's how they will see it.
10:50Now listen to me, Suzanne.
10:52We're going to find out who's responsible for this horrific act of sabotage.
10:57Do you hear me?
10:58And we're going to find out who hurt Thomas.
11:02Look.
11:05Let's just decide.
11:06That Thomas is going to be okay.
11:09And in a couple of months' time, he'll be back in here, stinking the place out with his rock fort, as usual.
11:16Thank you, Jean.
11:21I'll come back later and check on you, okay?
11:24I think she's in shock.
11:35What about you?
11:36I think I'm in shock.
11:40Thomas is such a sweetheart.
11:42Which is all the more reason we need to find out who is responsible for this.
11:46Yeah.
11:48John.
11:58I really want to give you a hug.
12:01No.
12:02Nobody's watching.
12:05Come here.
12:09Yours, I believe?
12:14Uh, yes.
12:16Yes, sir.
12:20I love watching you do that.
12:21What?
12:22That twisty thing you do when you pin your hair up in the morning.
12:24It's dead, um...
12:26Shh.
12:26That's the first time I've been called chic in my entire life.
12:33Well, it will not be the last time, Jean, right?
12:36Jean, we have some information.
12:38Can you come to the station?
12:39Yes.
12:40Yes, of course.
12:41Of course, yes.
12:42Oh, yes, I'd better get back to work.
12:44Um, I'll speak to you later, Jean, yeah?
12:46Yeah.
12:46Yep.
12:50A neighbor was returning from his night shift and saw an orange moped driving away from the library at midnight last night.
12:56So this is the CCTV?
12:58Not from near the library, but around the corner.
13:01It is registered to a Gaynor Smith, English.
13:04She's 18 years old and lives in university halls.
13:07Right.
13:08So, um, how can I help?
13:11I need to interview her, but I don't want to bring her in.
13:15I think a less formal approach might be more successful.
13:18Teenage girls have never been my strong point.
13:21Even when I was a teenage boy.
13:23Oh, you want me to come with you?
13:26Oh, of course.
13:28No problem.
13:29Well, back through the mists of time, I once was a teenage girl myself.
13:34Come on, then.
13:34Oh, you better come in.
13:51Oh, you better come in.
13:51Oh, you better come in.
13:55Oh, I am Inspector Caron.
14:14This is my colleague, Jean White.
14:15Can we come in?
14:16Oui.
14:21Nous nous sentons non plus fragiles.
14:24They are a bit fragile.
14:26No kidding.
14:27We both speak English.
14:29That would be easier for my colleague.
14:32Your names, please?
14:34Nelly Ocas.
14:35Gaynor Smith.
14:36A serious crime was committed last night.
14:39And a bike that is registered to you, Gaynor, was seen near the scene at midnight.
14:46She's gone.
14:48Cindy is gone.
14:49Oh, God.
14:49Who's Cindy?
14:50My bike.
14:51That's her name.
14:52Cindy's been stolen.
14:53So your bike has been stolen?
14:55Clearly, yes.
14:56My mom's going to go mad.
14:57It was parked right out there.
14:59Where were you last night?
15:00We had a date with a couple of bottles of vodka.
15:04A bacon sandwich, white bread, and a pint of tea.
15:09Pardon?
15:10Best tank over cure ever.
15:12I'm a vegetarian.
15:19Can you prove where you are?
15:22Yes.
15:26Yeah.
15:28Looks like you had a good night.
15:33Ah.
15:34After midnight.
15:35Hmm.
15:39I love you.
15:40This is my card.
15:42If you could send me those photos, I will be able to eliminate you from my inquiries.
15:48Okay.
15:49We will see ourselves out.
15:59Thanks for getting us out of there.
16:01Starting to feel a bit queasy myself.
16:02I think I'll go and talk to Suzanne, see how she's doing.
16:13Good idea.
16:13I will double-check the CCTV pictures.
16:17Keep me updated.
16:19Oh, could you forward me that picture, please?
16:21Of course.
16:22Thanks.
16:22You're an absolute scream, Charlie.
16:31I was just going to say the same, Mr. Marsden, not what I expected at all.
16:35Oh, and we have your lovely Simone in common.
16:38Hey, Simone, tell your Charlie about our high-vis vest scam.
16:41I'm not sure I can remember.
16:44Got us in everywhere.
16:45But you ported a gelé fluo, toi?
16:47But no, as I said, I don't remember really.
16:50She certainly did, because I remember saying, how do you make neon nylon look so good?
16:55And you said, je la porte.
16:57Allo, comment ne pourrait-il pas avoir l'échiquette?
17:01You say that all of the time.
17:03Does she?
17:04Oh, that's what I loved most about Simone.
17:06The way she owned it.
17:07Or not, as the case may be.
17:12Ah, bienvenue chez Brodeur et White.
17:14Merci.
17:16How do you two pop out for a spot of lunch?
17:18I can look after things here.
17:19Oh, that is so kind of you.
17:21Are you sure?
17:21Yeah, of course, I'm sure.
17:22Off you pop.
17:23Okay, I'll grab my bag.
17:24Uh, I'm not too sure we should leave the shop.
17:33Now, now, Simone.
17:34You above anyone should know I've looked after bigger business than this.
17:37Have a belter of a lunch and I'll take care of everything here.
17:41Ah, there's just one thing.
17:43These are the, uh, returns from the workshop.
17:47Uh, this is...
17:49Next, this will be collected by a lady called Judith Lloyd-James.
17:52It is very important to her.
17:54No problem.
17:55Oh, merci.
17:56I'm so relieved I did not forget.
17:58Believe me, she is not somebody you want to be on the wrong side of.
18:01Well, thanks for the heads up.
18:14So, we're at a dead end unless we find out who stole that moped.
18:19Who'd steal an orange moped?
18:21What?
18:22It's a bit obvious, isn't it?
18:24What do you mean?
18:24Well, if you're going to nick a moped, surely you'd choose one that was a bit less conspicuous.
18:30Hmm?
18:31Get you, Detective Dom.
18:33A bit knocking about with you, aren't I?
18:34About to rub off at some point, aren't it?
18:36Is that right?
18:37Come on.
18:49Thanks.
18:49Thanks.
18:49Thanks.
18:50Thanks.
18:52Tom.
18:55How are you doing?
18:59Not good.
19:01I just spoke to Thomas' family.
19:03They are at the hospital now.
19:05I don't know what his wife, Maureen, would do if he...
19:08Let's think back over the past few weeks.
19:13Now, is there anyone Thomas could have upset?
19:20Well, Thomas could be very verbose, as you know.
19:24And he was a stickler for details.
19:28His visitor's book had to be just so.
19:30Could I have a look at the visitor's book, please?
19:32Yeah, of course.
19:33Let's see.
19:45Black ink only.
19:48Everything in the correct column.
19:52Mais oui.
19:53I forgot.
19:54Dr. Alagaia, he's a renowned egyptologist at university.
19:58He brought a group of students to look at the statue,
20:00and one of them started to shout about how disgusting it was
20:04for the Louvre to steal precious items from Egypt.
20:07So what happened?
20:08Thomas tried to calm him down,
20:10but the student kept shouting at Thomas' face
20:12about giving back the stolen goods.
20:14Well, the restitution of artifacts is a very touchy subject.
20:18It got very heated,
20:21and Dr. Alagaia quickly gathered his group up and left.
20:25Hmm.
20:27Have you got his contact details?
20:29He should be at university if you want to ask him about it.
20:33Do you think one of his students could have done such a thing?
20:36I don't know.
20:38But I'm going to find out.
20:40You've got very good taste.
20:41My nan had one of these.
20:43Now, let's get it wrapped up for you.
20:51A positive pleasure.
20:52Well, for you behind the counter,
21:01you're in charge.
21:12I see you.
21:22I'll wait out of here for you.
21:30You sure?
21:31Yeah, I want to give Claudia a ring.
21:33The time difference is about right.
21:35Plus, universities
21:37always make me feel a bit
21:38less than, you know?
21:41How do you mean?
21:42Yeah, full of posh people, aren't they?
21:44Don't be daft.
21:46I went to one.
21:47And, you know,
21:48all that stuff about astronomy
21:50and every lyric of every song
21:52that's ever been written.
21:52Yeah, but that's not clever clever, is it?
21:54That's just because I had a karaoke comp pairing job
21:56when I was younger.
21:57Leaves an indelible mark on the subconscious.
22:00See?
22:00I think you're dead clever.
22:02Mm-hmm.
22:04Thanks.
22:04Mm-hmm.
22:06All right.
22:07Good night, sir.
22:20Gotcha.
22:24Thank you for seeing me, Dr. Alagaya.
22:26You caught me between lectures.
22:28Oh, so you lecture in Egyptology?
22:31Yes, specifically on the importance of deities.
22:34Sorry, I'm Jean White.
22:36I'm a specialist in antiques
22:37and sometimes I help police out with their inquiries.
22:41Police?
22:42Yeah.
22:43Um, do you remember the security guard at the library
22:47when you took your students
22:49to see the Hathor statue on tour last week?
22:52How can I forget it?
22:54The students had been told
22:56to keep the politics neutral for the day
22:58and concentrate on the history.
23:00It was so embarrassing.
23:02But surely the police do not need to get involved.
23:07I'm sorry to have to tell you this,
23:09but last night that security guard
23:11was found unconscious after a vicious attack.
23:15What?
23:16And, um, in the attack,
23:19the Hathor statue was found irreversibly damaged.
23:23Hathor?
23:23I mean, this is, this is tragic.
23:27Are both of these things utterly tragic?
23:30Hmm.
23:31Um, do you have a list of the students
23:34that attended the library last week?
23:37Well, like the subject I teach,
23:39I am also a little historic.
23:41I keep paper copies of everything.
23:44Uh, here we are.
23:47A list of the students who attended.
23:49Oh, great.
23:51Uh, can, can I keep this?
23:53Of course.
23:54Right.
23:58Is that your son?
24:00Oh, yes.
24:01Matteo.
24:03Very proud he's doing his PhD on Egypt
24:05and their stolen treasures.
24:07He was with me the day at the library.
24:09He did get quite passionate.
24:14But he'd never do anything like this.
24:16Hmm.
24:18And is that your daughter?
24:19No, she's his girlfriend.
24:22She, too, is studying at university.
24:26Oh, well, thank you.
24:29You're welcome.
24:30Oh, well, thank you.
25:00All right, bye.
25:00Love you.
25:01Bye.
25:03A girl who lives at the university halls
25:05who was being sassy with Caron this morning
25:07and Dr. Allagai's son are in a relationship.
25:11What?
25:11Yeah, I just saw a picture of him together on his desk.
25:14Well, the girl's hair's a bit longer now,
25:15but it's definitely her.
25:17Now, she's got a bedroom next door to Nellie and Gaynor,
25:19the girls who had the moped nicked.
25:21So the girls with the moped, the stolen one?
25:24Yeah.
25:24Just drive.
25:25I'll break it down on the way.
25:26But what are you doing there?
25:44Hello, darlings.
25:49Slight hiccup.
25:50Some cheeky monkey has swiped Mrs. Lloyd-James's sapphire necklace
25:53from under my nose.
25:54But don't worry.
25:56I'm just about to get it back.
25:57It's all your friend for me.
25:59I won't be a tick.
25:59Oh, my God.
26:02It's Judith.
26:11Now, remember, Marsden, don't go mad.
26:14You've just had this cleaned.
26:16I think you have something that belongs to me, dear dear.
26:37And then?
26:40What are you going to do?
26:41I'm John Marsden.
26:59I'm not going to repeat it twice.
27:03I'm terribly confused.
27:05I didn't realize that I was John Marsden.
27:08I'm really sorry.
27:09I'm sorry.
27:23Ah, hello again.
27:25We were just wondering, do you know where your neighbor is?
27:28Lily.
27:29She's probably at her boyfriend's, Matteo.
27:33Um, well, actually, it was Matteo we wanted to talk to
27:37concerning the theft of Gaynor's moped.
27:40What?
27:40Really?
27:42So, um, do you know where he lives?
27:44Yeah, I'll go write it down for you now.
27:46Just give me one moment.
27:50What is that spell?
27:53Students.
27:54Oh.
27:57Oh.
27:59Mercy.
28:00Okay.
28:01Bye.
28:10Carol?
28:11Yeah, I've got Matteo's address.
28:14How much longer, Charlie?
28:15It's nearly 4 p.m.
28:17I wanted to drop it into her before the rehearsal dinner.
28:22She's marrying an American, so I have no idea what that is,
28:24but I know it begins soon.
28:26And maybe you'd like some more coffee?
28:28Ah, here is Jean's associate now.
28:31Oh, you must be Judith.
28:34Amazing cheekbones.
28:36Sorry about the delay, sweetie,
28:38but I didn't think they'd done a good enough job
28:40for one of Jean's favorite customers.
28:42Here you go.
28:43Oh, how thoughtful.
28:45Thank you so much.
28:46Pleasure.
28:46Hang on.
28:50Weren't you the chap that pipped me to the post this morning at the auction,
28:55denying my husband his birthday present,
28:57that box of Victorian ephemera...
29:00Sorry about that, my love,
29:01but let me put that right.
29:07Are you sure?
29:09Absolutely.
29:10I've got similar ones already.
29:11Well, thank you so much.
29:14My husband will be thrilled.
29:17You must let me pay you something.
29:19Sorry, I didn't catch your name.
29:22Oh, I'm John Marsden.
29:24Well, thank you very much, Mr Marsden.
29:27Or can I call you John?
29:29You can, yeah, John.
29:31John Marsden.
29:34Thanks.
29:35Thanks.
29:41Thanks.
30:11Gee!
30:33And my tail!
30:38Ah, vous allez où, jeune homme?
30:41Oui.
30:42Je suis là où?
30:43Je suis là où?
30:44Je suis avec ma fille Lily, à l'université, jusqu'à la nuit.
30:51Et elle peut vérifier ça?
30:52Oui, bien sûr.
30:53Ce n'est pas la première fois que j'ai un...
30:55...beurre-le-en-of-scooter pour rentrer.
30:58Je l'ai fait beaucoup de fois.
30:59Si vous en avez un peu, sans demander à l'auteur, c'est technically...
31:03...m'a dit.
31:04Ok.
31:05Je m'en suis désolée.
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42:17And even with the cheapest accommodation, I still struggle to make ends meet.
42:23Most students work a part-time job to pay their way.
42:26Most students have other people helping them.
42:30Like I said, I have no one.
42:34I saw the exhibit on the tours in the library every couple of months.
42:50And I thought how easy it would be to steal one.
42:54So I came up with a plan.
42:58I knew this one was coming from the Louvre.
43:01And so I did my research.
43:06And I found a buyer in Paris.
43:11It was very easy to find a copy online.
43:15And you thought no one in this backwater town would ever know the difference?
43:22I never meant to hurt Thomas.
43:27I am truly sorry for that.
43:30Not as sorry as his wife, Maureen.
43:33I am.
43:33But I am.
43:34And the doll sits in his face behind a double!
44:04Right, you sit there ladies, I'm gonna get some drinks in, only champagne's good enough
44:13for my mum.
44:14Awww.
44:15Have you got any more?
44:16Yeah.
44:17Couple of bottles of your finest bubbles please.
44:21Oui.
44:22Je suis armé, mettez tout l'argent de la caisse dans ce sac et vous arrivera rien.
44:34Hiya.
44:39Not your lucky day is it sweetheart?
44:43Oh, thank you, what a day.
45:04I see it true.
45:13I see it true.
45:17I see it true.
45:19I see it true.
45:21I see it true.
45:23I see it true.
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