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The Famous Five (2023) Season 1 Episode 4 - Mystery at the Prospect
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#The Famous Five
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
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FunTranscript
00:00:00Let's get started.
00:00:30Let's get started.
00:01:00A man is returning home, a musician of great talent and fortune, but his enemies await.
00:01:14He is in grave danger.
00:01:22In the shadows lurks death.
00:01:27The riddle of the missing monocle.
00:01:49A male man of our own mystery.
00:01:52That's a lot of M's, Mum.
00:01:54Who's Mal?
00:01:55He's my new detective and don't get marmalade on him, please.
00:01:58Has he found the missing monocle?
00:02:00He has not.
00:02:02And to be quite honest, neither have I.
00:02:04This is entirely without sense.
00:02:07Your great-uncle Horace is inviting you to visit him at the Prospect Hotel on Cragstone Ridge.
00:02:12Why doesn't that make any sense?
00:02:14I rather assumed your great-uncle Horace was still dead.
00:02:17There may be something of interest to your daughter Georgina, George.
00:02:21He's dead.
00:02:22You can't expect him to know that.
00:02:24She can't possibly go.
00:02:25Well, certainly not on her own, no.
00:02:27I am here, you know.
00:02:30Oh, Mum, Dad, please say yes.
00:02:32Look, I love you, but I'm dying of bored and being stuck here with you all summer.
00:02:38Oh.
00:02:39Charming.
00:02:40You know what I mean.
00:02:41I shall go with you.
00:02:43This is odd.
00:02:44I want to get to the bottom of it.
00:02:46Hear that, Timmy?
00:02:47Yeah.
00:02:48It's venture time.
00:02:49Yeah.
00:02:50No, no, no, no, no.
00:02:51Absolutely not.
00:02:52This is categorically not another one of your preposterous escapades.
00:02:56Well, how can it be?
00:02:56It's just me and Jimmy.
00:02:58Isn't it?
00:02:59Yeah.
00:03:00And me.
00:03:01And Dad.
00:03:02And Mum.
00:03:04I can write from there.
00:03:06Big spooky hotel in the middle of nowhere.
00:03:08That's where I'll find my monopole.
00:03:13Yeah.
00:03:26That was whale fat.
00:03:29Huh?
00:03:30In the sandwich.
00:03:32On the train.
00:03:33Highly likely.
00:03:35Rationing?
00:03:36Oh, it was yuck.
00:03:38Evacuation does sound grim.
00:03:40But we're here now.
00:03:42So we have to make a go of it.
00:03:44What does the letter say happens next?
00:03:47Dear sir, in light of the aerial bombardment of London,
00:03:50your children have been selected to join a party of 22 evacuees
00:03:53leaving the capital this Friday.
00:03:55The 910 from Paddington delivers them to Cragstone Ridge,
00:03:58once they will be escorted to the safety of the renowned prospect hotel.
00:04:01Renowned is good.
00:04:02We'll pretend it's holiday.
00:04:04No air raids, no sirens, no horrible gas masks.
00:04:08New friends.
00:04:09Next week is my birthday.
00:04:11And the most important thing about my birthday is that we're together,
00:04:15with Mum and Dad,
00:04:16and we all sing Green Grow the Russia Zone.
00:04:18It's compulsory, and now it's been cancelled,
00:04:20and I miss them already, and...
00:04:22That man is staring at us.
00:04:24Oh, no.
00:04:27He's coming over.
00:04:29Julian.
00:04:33Do I have the pleasure of beholding the family Barnard?
00:04:36Julian Division?
00:04:37Yeah, we're the Barnards.
00:04:39Ah.
00:04:39Mr Vincent, at your service.
00:04:42How was the journey?
00:04:43I trust they gave me something tasty to eat.
00:04:46They did.
00:04:47It was tasty.
00:04:48I'm so pleased.
00:04:50Cases?
00:04:51We can carry our cases.
00:04:56This way.
00:04:58Hello, Lord Sport.
00:04:59Stanley Crawford.
00:05:00Insurance agent.
00:05:01My card.
00:05:03I believe we have a common destination,
00:05:04the Prospect Hotel.
00:05:06Um, yes.
00:05:08What's it like?
00:05:10Brody, unsuitable place to dump a pile of kids,
00:05:12if you ask me, but there's a war on.
00:05:15Shall we?
00:05:23I've been reading up about Cragstone Ridge.
00:05:28It's surrounded by a marsh.
00:05:30Local legend says the place eats people.
00:05:33Great.
00:05:34A cursed hotel just gets better and better.
00:05:36I'm scared.
00:05:52There are no ghosts of the old Prospect.
00:05:55What there is, is buckets of bad blood.
00:05:58Broken promises, disappointments, betrayals.
00:06:02Yeah, that's what a man really should be allowed to insure against.
00:06:07Betrayal.
00:06:08Can't be.
00:06:34Playing tonight?
00:06:40Ah.
00:06:42Do I have the pleasure of welcoming the Barnard family?
00:06:46Yes.
00:06:46We just met.
00:06:48We certainly did.
00:06:49And what an unfettered, delighted was.
00:06:51I am Mr. Vincent, proprietor, and your host, Number 16.
00:06:56Are the other children here already?
00:06:57I don't think we're expecting any other children.
00:06:59Correction, we are one young man.
00:07:05What?
00:07:07Mr. Vincent, what is the meaning of this disgusting proposition?
00:07:15What did he say?
00:07:17Mummy.
00:07:17Well, don't mumble, Angela.
00:07:20It's so unattractive.
00:07:22This hideous threat of so-called popular music.
00:07:28I've just returned from Brazil, where the noise was insufferable.
00:07:34And in this hotel, I demand peace and quiet.
00:07:39Miss Clutterbuck.
00:07:41The music is jazz.
00:07:43It is thrilling.
00:07:45What?
00:07:46I didn't speak.
00:07:48Well, I heard you doing so.
00:07:49Speak it out, child.
00:07:51I was only going to say that Cab V is Mr. Vincent's son.
00:07:56I call that an error of taste.
00:08:00My son is celebrated in America?
00:08:03In America.
00:08:06How are we supposed to pretend it's a holiday when the people are so peculiar?
00:08:11You see, that's something about this letter I don't understand.
00:08:20The postmark was posted here.
00:08:23It should have come from Westminster.
00:08:24Excuse me.
00:08:25You've come from London, haven't you?
00:08:27Is it bad down there?
00:08:29Bombs and that?
00:08:30It's quite bad.
00:08:32It said on the wireless we lost 20 aircraft last week.
00:08:35The whole situation's extremely disturbing.
00:08:38You poor things.
00:08:39Now you're stuck in this godforsaken place.
00:08:43It's completely devastating.
00:08:46I'm going to be here on my birthday.
00:08:48I'm so sorry.
00:08:50But look, there's a dance band here tonight.
00:08:52They really swing.
00:08:54That's something, eh?
00:08:56Can I ask you a question?
00:08:58We were expecting things here to be a bit...
00:09:00different.
00:09:02Is there anything strange going on in the hotel?
00:09:05No more than normal.
00:09:06Well, of course, there is the Harrisbecks.
00:09:11That's Latin for fortune teller.
00:09:15The bloke on the fourth floor does tarot cards for the guests.
00:09:19The staff want to go near him, but I nipped in the other day.
00:09:22I asked him about my future in hospitality, and all he talked about was death.
00:09:29I asked for my money back, but he got really shirty.
00:09:32I believe I asked for the Times of London, not the Cragstone Herald.
00:09:36I'm so sorry, Mr. Standing.
00:09:38I must have misheard.
00:09:40Times?
00:09:41Cragstone?
00:09:41You must have been working quite hard to mishear.
00:09:44But now you're better informed.
00:09:47We should all be better informed.
00:09:52Well, I mustn't be caught talking.
00:09:54Being chummy with the guests is sackable.
00:09:57We'd like to be chummy with you.
00:10:01I'm Dyliss.
00:10:03He's Julian.
00:10:04Julian.
00:10:10So is that the famous marsh that eats people?
00:10:14Somewhere out there.
00:10:16I wish George was here.
00:10:20Mr. Crawford.
00:10:21Mr. Vincent.
00:10:22That man on the stairs.
00:10:24Mr. Standing.
00:10:26Everyone's weird.
00:10:28Dyliss wasn't weird.
00:10:29She was a bit weird.
00:10:31That's creepy.
00:10:35And what kind of hotel hires a full-time fortune teller to live on their top floor?
00:10:40They're all cranks and charlotte.
00:10:41I'm a kid.
00:10:42How many things like they're built?
00:10:44You know what dad will say?
00:10:45He calls my mother dad.
00:10:48I say, keep our heads down.
00:10:49He feels like they are really well and not.
00:10:51What is the Horrorspex anyway?
00:11:15Well, strictly speaking, what a Horrorspex does is drag out of your entrance.
00:11:19It will be a fave, of course, but it will always are.
00:11:26You promised to stand by me.
00:11:29Events overtook my promise.
00:11:32What?
00:11:33Receiving from the gas and legging it to America, those are the events you have in mind.
00:11:38Can't be.
00:11:40Well, Father, just watch the show tonight, then you'll understand where I had to go.
00:11:43You lost the right to understand it a long time ago, son.
00:11:46Son.
00:11:49You lost the right to that and all.
00:11:58Please, please, please, please, please, please.
00:12:07Anne?
00:12:08What's happened?
00:12:09I just, I...
00:12:17Oh, good God.
00:12:19Canine Angela, interpose yourself.
00:12:23Nice doggy.
00:12:25He likes you.
00:12:26Oh, good.
00:12:27George!
00:12:28Oh, my gosh!
00:12:29What are you guys doing here?
00:12:30The young man, it's you.
00:12:31You never get what's in our brain.
00:12:32There's a secret...
00:12:33How is this possible?
00:12:34I don't know.
00:12:35I nearly got a letter and then...
00:12:36Letter?
00:12:37It's Uncle Quentin with you.
00:12:38And Mum, they're outside.
00:12:39He's throwing out the truck.
00:12:40He was going too fast and then he bashed into a tree.
00:12:41But it doesn't matter because here we all are together again.
00:12:42Take me to Great Uncle Horace.
00:12:43What?
00:12:44You didn't get a letter from Great Uncle Horace.
00:12:45Great Uncle Horace is dead.
00:12:46Definitely dead.
00:12:471919, scratched by an elephant on the rampage.
00:12:49This letter, George, is written on exactly the same paper as our evacuation order.
00:13:06Same smudging on the T's.
00:13:10Same typewriter.
00:13:12Both letters are fake.
00:13:15Somebody's lied to us all.
00:13:17Come on, Speedy.
00:13:18That tree was travelling far too fast.
00:13:20And it was on the wrong side of the road.
00:13:21There's a dog on the premises.
00:13:24How appalling.
00:13:26I don't believe it.
00:13:28What a wonderful surprise.
00:13:31Mum, they have four beds in their room.
00:13:33Can we all vanish?
00:13:36I was wishing, wishing it would be here.
00:13:39And here she is.
00:13:40And it is.
00:13:41Almost my birthday.
00:13:43Thanks, Dad.
00:13:44Run.
00:13:45How wet or hot...
00:13:47What's the point?
00:13:52Hola, jóvenes.
00:13:55One, two, three, four...
00:13:59Five.
00:14:02Excellent.
00:14:03He will see you now.
00:14:05What?
00:14:06Who are you?
00:14:07Who wants to see us?
00:14:09The man who holds the future in his hands.
00:14:13She means the man on the fourth floor.
00:14:15The Harrah Specs.
00:14:16The fortune teller.
00:14:18Electrical failures.
00:14:31They have them here too.
00:14:33It's...
00:14:34The war.
00:14:35Nothing to worry about.
00:14:41Electrical failures.
00:14:42They have them here too.
00:14:44It's the war.
00:14:46Nothing to worry about.
00:14:48Nothing to worry about.
00:15:08You took your time.
00:15:09But now that you're here...
00:15:16I shall explain you to yourselves.
00:15:22Be seated.
00:15:23In this case...
00:15:40No need of cards.
00:15:44You, George.
00:15:47An only child.
00:15:51And lonely.
00:15:54When separated from your cousins, you feel you are only half a person.
00:16:03That's completely ridiculous.
00:16:05And yet completely true.
00:16:08You, Anne.
00:16:10Pathetically afraid of ghosts.
00:16:12No, I'm not.
00:16:13When you lie, your nose goes puce.
00:16:18Dick.
00:16:19A brain the size of Jupiter.
00:16:22But there is only one thing in life you really want to be.
00:16:26And what is that?
00:16:27Tawla.
00:16:28Alright, that's enough.
00:16:30Says Julian, who wonders if and when he will ever kiss a girl.
00:16:36How do you know this?
00:16:37Come here, my dear.
00:16:41Come here, my dear.
00:16:50A trifle warm in here, Gabrielle.
00:16:52My poor old head is getting itchy.
00:17:11Hello, children.
00:17:13Wentworth.
00:17:14After our last little adventure together, I withdrew to Paris.
00:17:28There I happened upon Gabriella at the roulette table.
00:17:33I lost just about everything else, but her I found.
00:17:40I thought Paris was full of Nazis.
00:17:42They were a disincentive to remain.
00:17:45I returned to England, penniless, and secured discreet employment at this hotel as a fortune teller.
00:17:51You wrote those letters, didn't you?
00:17:54One to our parents pretending to be the government.
00:17:57One to George's pretending to be Horace.
00:18:00To get us all to come here.
00:18:02Why?
00:18:04This guy is very intelligent.
00:18:07What brings you here?
00:18:12Is murder.
00:18:15This hotel is a fetid swamp of resentment and lust for revenge.
00:18:18We'd heard.
00:18:20Oh, you'd heard, had you?
00:18:21Had you heard?
00:18:22Well, you're now hearing the correct version from me.
00:18:29You saw the poster for the singer Cab V?
00:18:34His real name is Charlie Vincent.
00:18:39Son of the imbecile who runs this pub.
00:18:42Charlie was supposed to take over managing the place, but...
00:18:46Oh no, he bolted to New York and became an international star.
00:18:52Meanwhile, the hotel's gone down the drain and his father blames him.
00:18:57So why did Charlie come back?
00:19:00To atone.
00:19:02For what? Having some ambition?
00:19:05Charlie distressed a great many people when he fled the country.
00:19:09People he simply abandoned.
00:19:12Friends, family, at least one lover.
00:19:16This is why he is destined to be murdered.
00:19:21How could you possibly know that?
00:19:23Because I had a vision.
00:19:35There was nothing I could do.
00:19:37Death is coming.
00:19:51It's inexorable.
00:19:52It won't stop until it takes him.
00:19:55Do you understand what I'm saying?
00:19:57Someone in this hotel is preparing to murder Charlie Vincent.
00:20:03He has had visions before.
00:20:06Ever since he drank from that fountain on Kieran Island.
00:20:10I have.
00:20:12And the only people who know them to be true are gathered in this room.
00:20:17Nobody in the world can do this but you.
00:20:20Do what?
00:20:22The Nazis have our country by the throat.
00:20:25Choking us to death.
00:20:27We cannot speak, we cannot breathe.
00:20:29But Charlie Vincent can sing.
00:20:32His music is a fount of joy, hope, inspiration for a country.
00:20:38To lose him now would be catastrophic to the morale of the nation.
00:20:42So.
00:20:44What I want you to do children.
00:20:47Is identify the would be assassin.
00:20:52And stop him.
00:20:57Now I am exhausted, leave me.
00:21:00Go!
00:21:12I must warn you, Thomas.
00:21:15The father of the tall girl.
00:21:17I believe he will interfere.
00:21:22Mama writes a book.
00:21:25Papa has nothing to occupy his mind.
00:21:30Al contrario, Gabriela.
00:21:35He has you.
00:21:36Is Charlie really going to die?
00:21:42That insurance man, Crawford.
00:21:44He was going on about betrayal.
00:21:46What about that old lady that went into Brazil, Miss Clusterbuck?
00:21:50She said his music was hideous.
00:21:52No, you listen to me.
00:21:54Cab V is a high value commodity.
00:21:56Be forceful already.
00:21:58Hey, you keep your wig on.
00:22:01You want forceful, I can be forceful.
00:22:02I want it now.
00:22:04Well, consider me your executioner.
00:22:12Julian, you should write a list.
00:22:15Put Mr. Standing at the top of it.
00:22:17He called Charlie a commodity.
00:22:19What's a commodity?
00:22:21Step one surely should be fine Charlie.
00:22:24He's the one who's about to be murdered.
00:22:25We have to warn him.
00:22:27Hang on.
00:22:28Wentworth has visions, okay?
00:22:29But he also lies through his teeth.
00:22:30So how do we know which one he's doing now?
00:22:33We don't.
00:22:34So why are we getting involved?
00:22:36Because it's what we do.
00:22:37We get involved.
00:22:39If there's any chance at all that we can stop someone from being killed,
00:22:42we have to try.
00:22:44I've missed you, George.
00:22:46She's right, Nick.
00:22:48Even if it's a trap, we have to try.
00:22:50Okay.
00:22:51Tim begets the casting bow.
00:22:53Okay.
00:22:555-0 for investigation.
00:22:57Let's find Charlie.
00:23:00Intemperate tinted abulation, sir.
00:23:01I want to see your hotel register.
00:23:02I want material proof of my uncle's continued existence.
00:23:03I'm afraid we don't keep such records here, sir.
00:23:04Our guests we find are very jealous of their privacy.
00:23:05The prospect is above all discreet.
00:23:09George!
00:23:10Are you particularly busy?
00:23:11We're just paying hide-and-seek.
00:23:12Who's hiding?
00:23:13Who's hiding?
00:23:14You're all here.
00:23:15Advanced version.
00:23:16Advanced version.
00:23:17What's up?
00:23:18Advanced version.
00:23:19What's up?
00:23:20There's something rummy going on in here.
00:23:21I'm afraid we don't keep such records here, sir.
00:23:22I'm afraid we don't keep such records here, sir.
00:23:23Our guests we find are very jealous of their privacy.
00:23:24The prospect is above all discreet.
00:23:27It's only an unknown man is a chance to fire.
00:23:30So go ahead and check the door of them.
00:23:33What's up?
00:23:34The prospect is talking about...
00:23:35George.
00:23:36Are you particularly busy?
00:23:37Uh...
00:23:38We...
00:23:39We're just playing hide-and-seek.
00:23:41Who's hiding?
00:23:42You're all here.
00:23:43Advanced version.
00:23:45What's up?
00:23:46There's something rummy going on in this establishment.
00:23:50Uncle Horace is nowhere to be found, and I need to know why.
00:23:53I suggest we investigate this together.
00:23:56Professor Quentin Barnard.
00:24:00Wow.
00:24:02Creator of the legendary algebra engine.
00:24:06Integrator theorist.
00:24:09Master logician.
00:24:11You know that science governs all.
00:24:13But I know that science is covered.
00:24:16By magic.
00:24:18We have maths to discuss, you and I.
00:24:26Go, go, go, go.
00:24:29Me too.
00:24:40Sorry, Mr Crawford.
00:24:41Are you, uh, looking for someone else?
00:24:44Charlie.
00:24:46Can't be.
00:24:47Now that's him, punishing the piano.
00:24:49But take my tip.
00:24:51If Charlie Vincent shakes your hand, count your fingers.
00:25:04My card.
00:25:05Do you know, we once had a warlock speak at the World Society.
00:25:31The students booed him off the podium.
00:25:33They threw wet, blotting paper.
00:25:34It's terribly disrespectful.
00:25:36I wanted to hear what he had to say.
00:25:38You're a man of imagination.
00:25:40At last.
00:25:42I had quite given up hope of proper conversation here.
00:25:45Hmm.
00:25:47Allow me to furnish you with an aperitif, senora.
00:25:51Senorita, please.
00:25:53Gabriela.
00:25:55Is this anybody's?
00:25:58Not for you, sir.
00:26:01That's, uh, Charlie's five o'clock.
00:26:03It's rested.
00:26:05So the ingredients can combine.
00:26:07Good Lord.
00:26:07Can I, uh, prepare you both a house cocktail?
00:26:12It's called Death Comes for the Archbishop.
00:26:16Sounds heavenly.
00:26:17Marvelous.
00:26:17Your present research, Professor.
00:26:21What does it concern?
00:26:22How do you plan to astonish civilization?
00:26:26Well, I believe that it will one day be possible to harness the natural, spontaneous energy of the world around us.
00:26:34Hmm?
00:26:35Rather than rely on fossil fuels.
00:26:37I mean, why rely on fossil fuels when, look, even my jumper is constantly generating electricity?
00:26:42Your, your jumper?
00:26:44Uh-huh.
00:26:44Oh, jumper.
00:26:46Uh, but the magicians, you know, they have been harnessing the energy of creation for thousands of years.
00:26:53Well, in fables, not in life.
00:26:55You scurn the wisdom of the ancients.
00:26:59Two deaths.
00:27:04This for, Charlie?
00:27:09I wonder, would you care to dine with us this evening?
00:27:12Us?
00:27:13Myself, my daughter, and my wife.
00:27:16I should be delighted.
00:27:20Hasta pronto, Professor.
00:27:23Hmm.
00:27:24Blue again, it's you again, here comes the same old fear.
00:27:43The saddest song I ever wrote.
00:27:51The one that you'll never hear.
00:27:54B-flat's on the bleak, but you have to work with what you've got.
00:28:07I love the song you were playing when we came in.
00:28:12The sad one.
00:28:15That's, that's the one that counts.
00:28:17Can we come to the concert tonight?
00:28:19Dillis said we should.
00:28:21Dillis, Dillis recommends it.
00:28:23You probably should, yeah.
00:28:24But first, Charlie, we've got some questions.
00:28:26Serious questions.
00:28:27You see...
00:28:28You're going to be murdered.
00:28:31What?
00:28:31You're five o'clock, sir.
00:28:55Anything else for you, sir?
00:29:01No, thank you, Dillis.
00:29:04Uh, no, yes.
00:29:05Some lemonade for these guys.
00:29:06When I was little, there was an old bloke who used to perform here.
00:29:15A Delta bluesman from Chicago.
00:29:18He drank martinis and played this piano just for me.
00:29:22That's how it all started.
00:29:24Me and jazz.
00:29:25My old man hated it.
00:29:27He said it was the music of the devil.
00:29:30But I liked it.
00:29:32I liked it so much I had to leave here.
00:29:34Go somewhere where I could do it myself.
00:29:38And now I'll come back just in time to get myself talked about me.
00:29:41Do you have any enemies, Charlie?
00:29:44My departure from England wasn't my finest hour.
00:29:47I upset a lot of people.
00:29:49None of whom would want to kill me, though.
00:29:52Give me a slap, maybe.
00:29:59Manners to me.
00:30:01Quite right.
00:30:02Cherries have no business tasting of gin.
00:30:04Oh, oh, cow!
00:30:05Let's go!
00:30:12Acid.
00:30:13Or possibly extreme alkali.
00:30:15I'm assuming your drink doesn't usually do that.
00:30:18Not usually, no.
00:30:20You weren't meant to drink that.
00:30:23Who made that cocktail?
00:30:25Mr. Vincent.
00:30:26You brought it here.
00:30:27You could have done anything to it.
00:30:28I did nothing but bring it.
00:30:30We should think this through.
00:30:31Well, guys, look, whatever's going on here is extremely dangerous.
00:30:34I think it's better if you don't get involved.
00:30:39Okay.
00:30:39We won't get involved.
00:30:45Love!
00:30:45At the prospect!
00:30:46I have to say, I'm actually rather hurt that you could suggest such an uncooked thing.
00:30:52We're not accusing you, sir.
00:30:54We just want to know what happened to the drink after you made it.
00:30:56What?
00:30:56Well, it rested, as it should, so that the ingredients can combine.
00:31:04And then, um, well, delivered by Dilys.
00:31:08Well, it's not Dilys.
00:31:10Do you know, we can't just say that just because she's, you know, pretty.
00:31:15It's nothing to do with that.
00:31:17If she is, I really hadn't noticed.
00:31:21Um, it's simply that I happen to believe she's innocent.
00:31:24Well, I happen to be not so sure.
00:31:26Both of you, please stop arguing.
00:31:28You don't mind my saying.
00:31:29You lot don't seem to have a very clear idea of what you're doing.
00:31:32He's right.
00:31:33We need to be more scientific about this.
00:31:35We need professional advice.
00:31:38Run that by me again.
00:31:41Say you have a bunch of people.
00:31:44Mm-hmm.
00:31:44And you know one of them's a murderer.
00:31:47How would you find out who that person might be?
00:31:49I mean, what would you look for?
00:31:52What are you up to, George?
00:31:54Nothing.
00:31:55We just bought it.
00:31:56It's a game.
00:32:01The Holy Trinity of detection.
00:32:04One, means, did the suspect possess the correct tools for the job?
00:32:10Deadly asset.
00:32:11Two, opportunity.
00:32:13Was the suspect in the right place at the right time?
00:32:16And three, motive.
00:32:19Now, this is crucial.
00:32:20Did the suspect have a reason to murder?
00:32:23Now, that reason may be a secret known only to them.
00:32:25Sometimes, not even to themselves.
00:32:28What's the top motive for murder?
00:32:30Money.
00:32:31Sometimes love.
00:32:33Sometimes both.
00:32:34So, how do detectives find out what people are really thinking?
00:32:37Now, the trick to detecting
00:32:39is getting people to tell you things they don't want to tell you.
00:32:42Ideally, without them knowing that they're doing it.
00:32:44Also, you need to be able to see through walls behind closed doors.
00:32:48See the stuff that people think is hidden safe.
00:32:52And that's hard.
00:32:55Does that help?
00:32:57With your game?
00:32:58Okay.
00:32:58Why didn't I remember this before?
00:33:09What if I told you
00:33:11that in our room there's a hidden door
00:33:13that leads to a secret passage
00:33:15from which you can spy into people's rooms
00:33:17through painted people's eyeballs?
00:33:20Who's first?
00:33:26To do what?
00:33:28Julian's first.
00:33:34Whoa.
00:33:36Who's next?
00:33:37Who's next?
00:33:37Mr. Vincent.
00:34:07The visit's office.
00:34:08There's no-one there.
00:34:10But someone was here.
00:34:1260-20, 90-20.
00:34:14What's that about?
00:34:18What do you mean, buffet?
00:34:20It's where one serves oneself.
00:34:23I know what a buffet is, Minnie.
00:34:26Doubtless one of Vincent's dismal economies.
00:34:29You can get the girl to serve me.
00:34:32Yes, Mummy.
00:34:32You've done something facetious to your hair.
00:34:38Go and sort it out.
00:34:39Sometimes, you know,
00:34:53I'm quite overcome
00:34:56with an irresistible desire
00:34:58to annihilate
00:35:00every moron
00:35:02on the face of the earth
00:35:04like
00:35:05God
00:35:06with a flood.
00:35:10This
00:35:10this urge
00:35:12to lay waste
00:35:13is in
00:35:13the clutterbug
00:35:14blood, I think.
00:35:16I know you have it.
00:35:28All right.
00:35:29Let's look at the suspect so far.
00:35:31Him.
00:35:31The American.
00:35:32Standing.
00:35:33He's under pressure.
00:35:35He's agreed to do something
00:35:36he doesn't want to do.
00:35:38And he calls himself
00:35:39the executioner.
00:35:40Singers are always mixed up
00:35:42in the mob.
00:35:42The Mafia.
00:35:44Standing's probably a hitman
00:35:45said to whack Charlie.
00:35:47Whack?
00:35:48Where do you get all this stuff?
00:35:50School.
00:35:51What about Crawford?
00:35:54He says Charlie betrays him
00:35:55and that's obviously
00:35:56driven him to lal.
00:35:57Don't forget the clutterbug woman.
00:35:59She hates everything.
00:36:01Dogs, music,
00:36:02Brazil,
00:36:03this hotel,
00:36:04even her own daughter.
00:36:06Dillis bought the drink.
00:36:10But Mr. Vincent made it.
00:36:12Time's running out.
00:36:15Somebody tried to murder Charlie.
00:36:17It happened right in front of us.
00:36:18And it's going to happen again
00:36:19unless we do something about it.
00:36:21Means, motive, opportunity.
00:36:23What we have to do
00:36:24is watch everybody.
00:36:26Like Hawks.
00:36:38Hello?
00:36:40Dad?
00:36:40Have you got anything formal?
00:36:42Have I got anything formal?
00:36:44Are you mad?
00:36:44Yes.
00:36:45Mother says she's packed you something.
00:36:47I don't care if Mum packed.
00:36:48Oh, this ruddy tie.
00:36:51He's trying to tie up his tie
00:36:52speak at the same time.
00:36:54Okay, okay.
00:36:54Downstairs, 20 minutes.
00:36:56Okay.
00:36:56Okay.
00:36:57Don't be late.
00:36:58Dinner in 20 minutes.
00:37:10Evening, everyone.
00:37:11This way, George.
00:37:16One word and I'll smash your face in.
00:37:18Hello again, old sport.
00:37:40Could you get your dog off the furniture, please?
00:37:41Um, sorry.
00:37:45Why is there no butter?
00:37:47We can't have butter, Mummy.
00:37:49What?
00:37:50Says who?
00:37:52Adolf Hitler.
00:37:53Him and whose army?
00:37:55His, Mummy.
00:37:57Just get that Hitler on the phone.
00:37:59What do you want?
00:38:03Do you mind if I join you?
00:38:07Oh.
00:38:08Brown shoes at dinner.
00:38:11That's how it starts.
00:38:13What next?
00:38:14Men carrying parcels in public?
00:38:16Reversing in the waltz?
00:38:18So, get about your business, silly boy.
00:38:20Mr. Kloss Park's too busy being obnoxious to have the time to go around killing people.
00:38:30Back in a minute.
00:38:36Dilys, can I ask you a question about Charlie?
00:38:39What was he like before he was famous?
00:38:42He was always famous.
00:38:44In a way.
00:38:45So talented.
00:38:47Always bashing away at the piano.
00:38:49Once, I made a jelly and he sat down and wrote a song about it.
00:38:55Straight off.
00:38:57He must have really liked you.
00:38:59No, love.
00:39:01He liked the jelly.
00:39:04Are you happy here?
00:39:06Um, reasonably.
00:39:10Mr. Vincent's always been good to me.
00:39:12As good as he can be.
00:39:15Given the circumstances.
00:39:16Oh, thank you.
00:39:22Ah, senorita.
00:39:24My daughter, George.
00:39:26Encantada.
00:39:29Um, your wife?
00:39:31Inspector Monroe has decided that he could drop the monocle in the font.
00:39:35But my wife, not convinced.
00:39:38Mum's book.
00:39:39She's busy.
00:39:41Ah.
00:39:41The muse's a fecal mistress.
00:39:44Where were we, Professor?
00:39:46Well, um, I rather wanted you to explain how magicians harness energy.
00:39:53In fact, I demanded you better rethink everything.
00:39:56There may have to.
00:39:57Dad, I have to go talk to Cap V.
00:39:59I'm staying.
00:40:01Because he's famous.
00:40:02Are we talking to the senorita?
00:40:06I think, Professor, it is an act of diplomacy.
00:40:10Your daughter sees that her pretty dress is the same color as mine.
00:40:14We cannot sign at the same table.
00:40:17She sacrifices herself.
00:40:19Wait, um.
00:40:20How?
00:40:23Magic.
00:40:39Mr. Crawford.
00:40:41You said that Charlie betrayed you.
00:40:44How?
00:40:46I wrote his songs, that's how.
00:40:50You're a musician.
00:40:52Oh, yes.
00:40:55Before I started selling insurance,
00:41:00we collaborated on his version of Jumping Jive.
00:41:04I wrote Hop-Headed Woman
00:41:06and Gasoline Girl.
00:41:08Ten weeks.
00:41:15Top of the charts.
00:41:18You must have made a lot of money.
00:41:20You'd expect so, wouldn't you?
00:41:23So you're here to sort things out?
00:41:26One way of putting it.
00:41:28The main thing, Sport, is to look the snake right in the eyes.
00:41:31Do you know what you do, then?
00:41:35Cut off its head.
00:41:35We're not going to let that happen.
00:41:46Are we not?
00:41:49Dear, that's a nuisance.
00:41:53Think again, Corford.
00:42:00Best we keep you out of the way, then.
00:42:02Do you really have no idea who might be trying to kill you?
00:42:07No.
00:42:10Anyway, whatever it is that's heading my way,
00:42:12maybe I deserve it.
00:42:13Why won't you take this seriously?
00:42:17Listen, I arrived in New York with no money in my pocket.
00:42:20No change of clothes.
00:42:23No reputation except the bad one I left at home.
00:42:26Just a fistful of songs.
00:42:28You know what happened then?
00:42:32I became a star.
00:42:35Point is, I can look after myself.
00:42:39And I reckon you're the same.
00:42:43No.
00:42:45You're not the same.
00:42:47You're better.
00:42:48You wouldn't leave anybody in the lurch.
00:42:53You wouldn't steal to get yourself a ticket to America.
00:43:02You and your cousins.
00:43:04Cousins?
00:43:07You're the future.
00:43:08If the world makes it out of this war,
00:43:11it's going to belong to you.
00:43:13Your generation.
00:43:16You have to make sure you run it right.
00:43:21What does Mr. Standing want?
00:43:25You've been spying on me, Miss.
00:43:27Only a little.
00:43:30Standing works for chessboard records.
00:43:33Let us disappointed with some of the decisions I've made recently.
00:43:36That's all.
00:43:36Time to fire up Cab V.
00:43:44Is he someone different?
00:43:46Very.
00:43:48I couldn't go out on stage as Charlie Vincen.
00:43:52I'd just die.
00:44:01Ladies and gentlemen,
00:44:02for your exclusive entertainment, Mr. Cab V,
00:44:06and his bandits
00:44:08will shortly be performing in the ballroom.
00:44:11Oh, hell on us.
00:44:14Come on, chaps and chapesses.
00:44:16We don't want to miss the opener.
00:44:18It could be one of mine.
00:44:19We don't have a cup of water.
00:44:28Oh, we don't have a cup of energy.
00:44:34Yeah.
00:44:35Jim, jam, jump, jumpin' jive
00:44:38Cat's gonna beat you up this mellow jive
00:44:41Beat it out on the mellow side
00:44:44Boy, what you gonna say that game?
00:44:57Oh boy, what you gonna say that game?
00:45:00Palomar, Shalomar, Swanee Shore
00:45:02Let me dig that jive once more
00:45:05Boy, play him right down to the gate
00:45:07Oh boy, play him right down to the gate
00:45:10Now can't you hear those hat cats call?
00:45:13Come on boys, let's have a ball
00:45:15Jim, jam, jump, jumpin' jive
00:45:18Makes you dig your jive on the mellow side
00:45:21The Jim, jam, jump on the solid jive
00:45:28Makes you dig your jive on the mellow side
00:45:31....
00:45:42Where's Julian?
00:45:43....
00:46:00I think I saw him going into the bar.
00:46:03Good heavens.
00:46:07I don't know how to make it stop.
00:46:09If only we could get a film.
00:46:11We could blackmail him for decades.
00:46:13Let's go find your brother.
00:46:14Oh, yeah.
00:46:21Oh, hello.
00:46:26May I have the honour?
00:46:29Hey, Dorita.
00:46:45He was here, but why would he just leave this?
00:46:49Just a minute.
00:46:51The music is wrong.
00:46:53The drum bit doesn't fit.
00:46:57That's not the drums.
00:46:58It's...
00:46:59Crawford!
00:47:01Crawford!
00:47:02Crawford!
00:47:03Crawford!
00:47:04Crawford!
00:47:05Crawford!
00:47:06He's got a knife.
00:47:07He's going to kill Charlie.
00:47:08Aujourd'hui.
00:47:28Blue again,
00:47:29it's you again.
00:47:32Here comes the same old fear.
00:47:34Thank you
00:47:41Thank you all very much
00:47:43We're going to take a break from here
00:47:45You've been avoiding me
00:48:05Why?
00:48:08Why do you think?
00:48:09Okay, okay
00:48:15This is exceptionally dangerous
00:48:16We're doing this because it's dangerous
00:48:18I wrote those songs
00:48:22Me
00:48:25Everything you have, you've stolen
00:48:28You thieving dog
00:48:29It's all mine
00:48:31Crawford, calm down
00:48:39Julian
00:48:45I don't need eyes to find you
00:48:52Calm down
00:48:53George
00:48:53We wrote those songs together
00:49:05And I brought you out fair and square
00:49:07It's not that Grimau's more successful
00:49:10Oh God, you little toe rag
00:49:13Oh
00:49:14Oh, you got him
00:49:17Hold on
00:49:19Mike can't
00:49:23Come on
00:49:24Move
00:49:26Charlie
00:49:27I'm okay
00:49:30Really?
00:49:33They loved you, Charlie
00:49:34They loved you
00:49:35They loved Cap V
00:49:37You saved my life again
00:49:41Thank you
00:49:42The second time you've done it
00:49:44Let's just hope there's not a third
00:49:45That's not the end of it
00:49:47Crawford told me he wanted to look you in the eye when he killed you
00:49:50But whoever put the acid in your drink didn't care about that
00:49:52They just wanted you dead
00:49:54So that means there's someone else?
00:49:57The bandits
00:49:58Do you trust them?
00:50:00With my life
00:50:00Charlie, you should go to your room and lock the door
00:50:04As should you
00:50:05I don't know what's going on
00:50:07Plus c'est change
00:50:08But enough is enough
00:50:10First thing tomorrow, we're leaving
00:50:12All of us
00:50:13Assemble here in reception at nine o'clock
00:50:16This place is simply too dangerous
00:50:18I suggest that like Mr. V here, we all go to our rooms
00:50:23Now!
00:50:25I'm going to go tell Wentworth
00:50:35You can't leave me
00:50:40I need you here
00:50:42I cannot let that tiresome man obstruct our mission
00:50:46That tiresome man, Wentworth, is my father
00:50:49I can't be held responsible for that
00:50:51George
00:50:53I'm distraught
00:50:55Look at me being distraught
00:50:57What do you mean our mission?
00:50:59What do you contribute?
00:51:02I contribute Gabriella
00:51:05Hmm
00:51:07Time to crank her up a bit
00:51:10What are you really up to?
00:51:12I've done some regrettable things
00:51:16You don't say
00:51:17But
00:51:17What I have seen in the future has changed me
00:51:22We are at the threshold of a global cataclysm
00:51:27What an achievement it would be if
00:51:30Right here, right now
00:51:32We could stop death in his tracks
00:51:34You're a terrible person
00:51:35Have you never wanted to be wicked?
00:51:44There
00:51:44That hesitation
00:51:47There's the proof
00:51:48You envy me
00:51:50My freedom
00:51:51The freedom
00:51:53To simply be bad
00:51:56Because one can
00:51:58You'd love it
00:52:01You have no idea what I'd love
00:52:04Anne
00:52:28Hey, are you alright?
00:52:31I was dreaming about mummy and daddy
00:52:34Sorry
00:52:35Don't be sorry
00:52:37I'm missing two
00:52:39What's going to happen, Dick?
00:52:44We can't stop the war
00:52:45And we can't stop the killer
00:52:46And we're supposed to sing
00:52:48Green Grow with the rushes
00:52:49All together on my birthday
00:52:51And the world's going so fast
00:52:53And everything's so awful now
00:52:55And sad
00:52:55Charlie, you got a minute?
00:52:59Mr. Vincent
00:53:02I've been trying to tell you
00:53:04The fact of the matter is
00:53:06I haven't been paid for three months
00:53:09Not a penny
00:53:11And all my clothes are falling apart
00:53:12And Mr. Vincent
00:53:13I just feel spent
00:53:15Can I show you something?
00:53:21The cupboard
00:53:22It's empty
00:53:25It's over
00:53:28Nothing left, my dear
00:53:30When these guests
00:53:33Settle up
00:53:34I should give all the money to you
00:53:35And then
00:53:36That'll be the end
00:53:40Of the prospect hotel
00:53:41I know what I want to do
00:53:45And what I have to do
00:53:46And if you were a man
00:53:47You'd know it too
00:53:48You know what, pal?
00:53:50It's a death wish
00:53:51You actually want to die
00:53:53Well, I hope you get a kick out of it, brother
00:53:58Because it could be coming sooner than you think
00:54:00Now that
00:54:06Was a threat
00:54:07Dad, we think there's someone else who's trying to kill Charlie
00:54:18I don't want to hear it
00:54:20Oh, come on, Dad
00:54:20But this simply isn't fair
00:54:21George
00:54:22Call the fairness police
00:54:23I want everybody in the truck
00:54:25I'm going to go and fetch your mother
00:54:27Professor
00:54:28You have regarded the perfection of the day
00:54:31Ah, good morning
00:54:33Not as such, no
00:54:34The elements align superfluly for my demonstration
00:54:37You have not forgot
00:54:39The time has come for me to expose
00:54:43The limits of your science
00:54:44I will take you to the place where the ley-lines meet
00:54:48Professor
00:54:49Vamos
00:54:50You gave your word
00:54:52You shouldn't go back on your word, Dad
00:54:58That wouldn't be tennis
00:54:59Cricket
00:55:00Whatever
00:55:01Very bad example to us
00:55:03Quite so, George
00:55:05Science
00:55:06Or sorcery
00:55:07Let's ask ourselves today
00:55:09Right
00:55:10One hour
00:55:12And then we are going straight home
00:55:14And I'm going to be very strict about it
00:55:16Senorita
00:55:17Lead the way
00:55:18Stanley's on another cool
00:55:22And that is what you want me to do
00:55:28Because the consequences will be irreversible
00:55:32You understand that?
00:55:33Can you understand?
00:55:34Please, you're waiting
00:55:35Then I shall do it immediately
00:55:37Come on, quickly
00:55:45Stanley
00:55:46He's the one who put the acid in your drink
00:55:54And just now he was on the telephone to the American
00:55:56Ordering him to do it now
00:55:58That must be him
00:56:02Charlie, open up
00:56:05What is it, Stanley?
00:56:07You've got your war
00:56:08Charlie
00:56:10Don't do it
00:56:10I explained you wouldn't budge
00:56:20They said okay
00:56:21A few expletives at first
00:56:23But in the end, okay
00:56:25So you're free to go and get yourself
00:56:28Shot to pieces for king and country
00:56:30You colossal dodo
00:56:32I revised the contract accordingly
00:56:34Can somebody please explain?
00:56:36I came back to England because I want to fight for my country
00:56:39My record label
00:56:41Him
00:56:42Would prefer me not to
00:56:44They tripled my money
00:56:46Is that still the deal?
00:56:47Uh-huh
00:56:47They want me to stay safe in America
00:56:50But if England falls, even America won't be safe
00:56:53If the contract lets me fight, I'll sign it
00:56:57The money will be arriving shortly
00:57:00In war-proof form
00:57:02So
00:57:29If it isn't Mr. Standing
00:57:31Or Crawford
00:57:32Or Charlie's dad
00:57:33Then who put the acid in Charlie's drink?
00:57:54Somebody's been busy on the black market
00:57:56Maybe you shouldn't either
00:57:58Fans always send me gifts
00:58:00It's harmless
00:58:00That's not funny
00:58:13What about the, uh
00:58:14Lady of Spain?
00:58:16Miss Harry Spex?
00:58:17What's her story?
00:58:19Or his for that matter?
00:58:21They're both a curried egg short
00:58:22At the full picnic
00:58:22If you ask me
00:58:23He agrees, look
00:58:25Stop, there's something wrong with that fruit
00:58:29George, not absolutely everybody in the world is trying to kill me
00:58:35Sometimes people just want to do nice things
00:58:37Well
00:58:39She's not endemic to the British Isles
00:58:42Dick, what the heck is that?
00:59:02Oh
00:59:03Venom why she's number one
00:59:10Super deadly
00:59:11Wandering spider from Brazil
00:59:14Brazil means clutterbuck
00:59:18Are you sure you know where you're going?
00:59:27This is the place where the ley lines embrace
00:59:30Here I can demonstrate the feebliness of your science
00:59:34You say feebliness of science?
00:59:38Not often, signorita
00:59:39But the land knows I am about to disclose its secrets
00:59:43Mira
00:59:46It fights back
00:59:49It sends the fog to confound us
00:59:53No matter
00:59:56Extract your compass
00:59:57It will fail you
01:00:00What you shall observe is the energy of angels
01:00:03What I shall observe
01:00:05Will be elementary physics
01:00:07Good lord
01:00:09Good heavens
01:00:11Senorita
01:00:15Very well
01:00:20Now
01:00:21Allowing for barometric irregularity
01:00:24Taking into account the curvature of the earth
01:00:26I say
01:00:28This way
01:00:31Oh
01:00:32Right here
01:00:35Senorita
01:00:39George
01:00:44I'm looking for dad
01:00:46He went on a walk on the ridge
01:00:48Without you
01:00:49I'll get lost
01:00:50He went with that wiggly Spanish lady he was dancing with
01:00:53Well he'll probably be alright then
01:00:56Where are you going?
01:01:00Senorita
01:01:01Where's my husband?
01:01:05Quentin
01:01:05What is Quentin?
01:01:16Lost any big spiders lately?
01:01:18What gives you the right to be so pert?
01:01:21I don't know
01:01:22Maybe the fact that you keep trying to kill Charlie Vincent
01:01:26The music was revolting but
01:01:28Doesn't quite deserve the death penalty
01:01:31Then why plant a Brazilian wandering spider in his fruit well?
01:01:34Are you following any of this?
01:01:36You just got back from Brazil
01:01:37You said so
01:01:39So it's obviously you
01:01:41Could I possibly have a word with you people?
01:01:45In private?
01:01:46Children
01:01:49Oh my goodness
01:01:50Shouldn't be allowed out
01:01:51Nasty children
01:01:53Don't like you
01:01:54We never went to Brazil
01:01:57She controls the money and there isn't any money
01:02:00We can't all up sticks for New York you know
01:02:03Thought she was rich
01:02:06She pretends to be rich because for her that's good manners
01:02:09And you're
01:02:10Come here
01:02:13So nobody's been to Brazil?
01:02:16Plus Spider didn't just walk here from South America
01:02:18Julian
01:02:18Please tell Mr. Vincent to gather everyone on the list in the bar
01:02:21I know who the killer is
01:02:24Iron, iron
01:02:44Einstein, you can come out from behind the sofa
01:02:48Professor Barnard, I presume
01:02:50Fanny, oh my darling
01:02:52I am so happy
01:02:54Do you see this rock?
01:02:55It's full of iron
01:02:56It's a giant magnet
01:02:59It's not magic
01:03:00It's science
01:03:02Okay
01:03:03I think in future we might put you on a lead
01:03:06Ladies and gentlemen
01:03:22Oh
01:03:22Is there much more of this?
01:03:26Someone in this room has tried to kill Charlie Vincent
01:03:28A.K.A. Cab V
01:03:29And they have failed
01:03:31Twice
01:03:32And we believe that that person will try again
01:03:35Crawford isn't in this room
01:03:37Crawford doesn't count
01:03:38That was an act of madness
01:03:40The acid and the spider were carefully planned
01:03:42So first
01:03:45Mr. Vincent
01:03:46Your hotel is broke
01:03:48You blame Charlie for refusing to take on the burden of the business
01:03:51For legging it to America
01:03:53But you feel sorrow
01:03:54Rather than anger
01:03:55You wouldn't kill your own son
01:03:58In fact
01:03:59You helped save his life
01:04:01You
01:04:03Are not the assassin
01:04:04Next
01:04:08Mr. Standing
01:04:10Sent here to prevent Charlie joining the army
01:04:13Not least by means of bribery
01:04:15Substantial bribery, old boy
01:04:17So
01:04:17It's in your interest to protect it
01:04:19You also
01:04:21Are not the killer
01:04:22Is this tonight's entertainment?
01:04:25It's pretty slim
01:04:26Miss Clutterbuck
01:04:28You openly despise Charlie Vincent
01:04:31You loathe jazz music
01:04:33Because it represents freedom and joy
01:04:34You're a snob
01:04:36And a bully
01:04:36And a deeply unpleasant person
01:04:39No offence
01:04:40But you also
01:04:43Are not the murderer
01:04:44All these people can be set aside
01:04:48The person we seek
01:04:50Is even now determined
01:04:51To close their hands
01:04:52Around the throat of Charlie Vincent
01:04:54Miss Angela
01:04:59Your arms are itchy
01:05:01Mosquitoes in Brazil are very fierce
01:05:06But not as fierce as the wandering spider
01:05:08You brought back
01:05:09I said we never went to Brazil
01:05:11You did say
01:05:13But that was a lie
01:05:15When Charlie
01:05:17Up sticks for New York
01:05:19He left behind a broken heart
01:05:20Yours
01:05:21For you and he were once
01:05:23Romantically connected
01:05:25Were you not?
01:05:27You were in love
01:05:27And now you are jealous
01:05:29Vengeful
01:05:30And like those mosquitoes
01:05:32Hungry for blood
01:05:33In short
01:05:34You are a killer
01:05:35I'm sorry
01:05:36But that's not right
01:05:36I was in love
01:05:40Yes
01:05:40But it wasn't with Angela Clutterbug
01:05:42Are we done?
01:05:44Whilst I appreciate your efforts
01:05:46This is all too much
01:05:48Miss Angela
01:05:53What is it that you're not telling us?
01:05:55You thatuous child
01:05:56It's the simpering waitress
01:05:59She's the one
01:06:00She adored him
01:06:01They were romantically connected for years
01:06:03Then he shoved off to New York
01:06:05And she broke into a million pieces
01:06:08No one hates Cab quite as vividly as she does
01:06:13Dilys
01:06:15I'm talking about Dilys
01:06:17I've just written the ending
01:06:34This B flat up the top's gone dead
01:06:38So try not to hear that
01:06:39So true again
01:06:44Know you again
01:06:47The same from year to year
01:06:50Each day I wish my life away
01:06:57Wishing that you were near
01:07:00Leaving you here
01:07:11Was the biggest mistake of my life
01:07:13Every day I wanted to tell you that
01:07:16And every day I failed
01:07:17Even here
01:07:19So I guess I deserve what I deserve
01:07:24Did you write that for me?
01:07:35It's called a sad song for Dilys
01:07:37So I think I must have
01:07:40I behave disgracefully to you
01:07:50And I'm very
01:07:54Very sorry
01:07:56She's hypnotised him
01:08:14This is a vision
01:08:17He can't defend himself
01:08:18Wait
01:08:18Look and learn
01:08:23You
01:08:25It was always you
01:08:28So it wasn't murder
01:08:39It was
01:08:40That stuff
01:08:42Yuck
01:08:44Hey detectives
01:08:48Guy usually gets to do this in private
01:08:51I guess you have to work with what you've got
01:08:54Dilys Shepard will you marry me?
01:08:58Yes
01:08:58Yes Charlie I will
01:09:00Yes
01:09:00So
01:09:02I'm so confused
01:09:05Dilys
01:09:06You didn't come here to murder Charlie
01:09:09I didn't know what I came here for
01:09:12I just
01:09:13You know I had to be alone with him
01:09:16You dreamt it all wrong
01:09:18It wasn't a dream
01:09:20It was a vision
01:09:21You impetuous fools
01:09:24Death is bearing down on this man here now
01:09:28Everyone who doesn't want to get shot
01:09:31Move
01:09:31I'm the one whose life you ruined Charlie
01:09:36I've been scrimping and saving for years to get away from my mother
01:09:40The ghastly toboggan faced old hag
01:09:43Every time she left sixpence for a tip I'd go back and get it
01:09:46I'd pick up pennies in the street
01:09:48The collection plate comes round for the offertory hymn
01:09:51I'd take from it
01:09:52All I wanted was enough money to get a ticket to anywhere
01:09:56To get away
01:09:58And you sneaked into my room and you stole it
01:10:03You sneaking sneak thief
01:10:05It's right
01:10:06Just a minute
01:10:07I have an idea
01:10:09I don't know how much money Charlie stole from you
01:10:14A lot
01:10:17200 pound
01:10:20203
01:10:22203
01:10:23Cool
01:10:24So here's my vision of the future
01:10:27Charlie pays the 203 pounds back
01:10:31With interest now
01:10:34Agreed?
01:10:35Of course, yes
01:10:36Meanwhile
01:10:38Charlie marries Dillis
01:10:40Joins the army
01:10:42Beats up Hitler
01:10:43And writes hundreds of fantastic songs
01:10:46To inspire the whole country
01:10:47And make everyone feel brilliant
01:10:49Except your mother
01:10:52Who hates every single minute of it
01:10:54So just stop this now
01:11:00Angela
01:11:00You stop it
01:11:02I said it first
01:11:04She did actually
01:11:05Well done
01:11:14Right decision
01:11:16But
01:11:19You might have to go to prison
01:11:22For a little bit
01:11:23Always has to be the center of attention
01:11:35Relax
01:11:40The property's undamaged
01:11:42It's your property I'm thinking of
01:11:44I said we made your money warproof
01:11:47You're being paid
01:11:48Open up
01:11:49In gold
01:11:50Three beautiful babies
01:11:54What will you do with them?
01:11:57Simple division
01:11:57One for my father
01:11:58To rescue the prospect
01:12:00And pay the staff for it
01:12:01The road
01:12:02One to be held on a fund for Angela
01:12:04For pinching her savings
01:12:05One for Dillis
01:12:07Because I love her
01:12:08Mr. Vincent
01:12:14Will you kindly secure this case
01:12:16In the hotel's safe?
01:12:17My pleasure
01:12:17So
01:12:18Can you
01:12:19Charlie
01:12:23Can you find it in your heart
01:12:25To forgive me?
01:12:30My dear son
01:12:31Listen all
01:12:45Now might be the time to tell you
01:12:48That this afternoon
01:12:49Your uncle Quinton
01:12:50Had a telegram
01:12:52Flapon
01:12:53Presence required abroad
01:12:55Any chance our lot stay care
01:12:57In the immediate future?
01:12:58Jilly and Jack
01:12:59Oh
01:12:59That's fantastic
01:13:01How can you be happy?
01:13:13I mean Kieran
01:13:14That's wonderful
01:13:15But mum and dad
01:13:16Are heading into danger
01:13:17On my birthday
01:13:19Chin up sis
01:13:21We have to be brave
01:13:23About stuff when we can
01:13:24It's our war effort
01:13:26Like the whale fat
01:13:29There's something bugging me
01:13:34Do you remember the numbers
01:13:35On the wall?
01:13:3660, 20, 90, 20
01:13:37Of course
01:13:37What about them?
01:13:39I think I know what they mean
01:13:40I think I know what they mean
01:13:41I think I know what they mean
01:13:41I think I know what they mean
01:13:42I think I know what they mean
01:13:43I think I know what they mean
01:13:44I think I know what they mean
01:13:45I think I know what they mean
01:13:46I think I know what they mean
01:13:47I think I know what they mean
01:13:48I think I know what they mean
01:13:49I think I know what they mean
01:13:50I think I know what they mean
01:13:51I think I know what they mean
01:13:52I think I know what they mean
01:13:53I think I know what they mean
01:13:54I think I know what they mean
01:13:55I think I know what they mean
01:13:56I think I know what they mean
01:13:57I think I know what they mean
01:13:58I think I know what they mean
01:13:59How to fin the house are they worth?
01:14:24And you, Gabriella, not your colour.
01:14:29Children, I'm busy.
01:14:31All lies.
01:14:33Everything you said lies.
01:14:36You've been spying on this room since the day you got here.
01:14:43You've known for a long time how to open that seat.
01:14:46But you had to wait because you knew the gold was on its way.
01:14:50The money will be arriving shortly in war-proof form.
01:14:54That meant Charlie had to stay alive, yes.
01:14:57Only long enough for him to sign the new contract.
01:15:02He didn't care about his life at all.
01:15:04Look, all this is just a little taking things from other people's lives to improve your own, you know.
01:15:13I really thought you'd become a good person.
01:15:18Don't spare me the moral flagellation.
01:15:20I'm not used to being poor, I don't like it.
01:15:23Neither does she.
01:15:25We can't, I'll be roof-raff.
01:15:28Is this all you are, Wentworth?
01:15:29Another sneak thief?
01:15:31No, my dear.
01:15:35I'm also your teacher.
01:15:38And this particular lesson...
01:15:41is concluded.
01:15:42is concluded.
01:15:47Oh, God!
01:15:48Come on!
01:15:49Come on!
01:15:56Timmy!
01:15:57My uncle!
01:16:11Thomas!
01:16:15Sorry, my dear, but...
01:16:17I really need this girl.
01:16:22No!
01:16:27What did you do?
01:16:30That way.
01:16:31Into the marsh.
01:16:41Wentworth!
01:16:42Wentworth!
01:16:44No!
01:16:45Wentworth!
01:16:46That's the marsh!
01:16:47It's dangerous!
01:16:48You have to stall!
01:16:50Damn!
01:16:57Wentworth!
01:16:59He's stuck!
01:17:04He's sinking.
01:17:05It's all right, children.
01:17:06I...
01:17:07I wish to be rude because inexplicably I've...
01:17:10Grown rather fond of you, but...
01:17:12What did you say?
01:17:15You're sinking!
01:17:19We have to get him out of there.
01:17:22Wentworth!
01:17:23Grab hold of me!
01:17:27You!
01:17:28Drop the bag and take my hand!
01:17:29Grab my hand!
01:17:31Wentworth, please!
01:17:35Look, Wentworth, I know you said you wanted to stop death in his tracks.
01:17:39I know you were lying.
01:17:40But I'm not.
01:17:42Wentworth, I want you to live!
01:17:48Save me, children!
01:17:50Save me!
01:17:54Pull!
01:17:55Timmy, this has to be all five of us, okay?
01:17:56Pull on the way!
01:17:57Pull on the way!
01:17:58Pull on the way!
01:17:59Nobody's gonna die today!
01:18:00Nobody!
01:18:01Oh!
01:18:02Oh!
01:18:03Oh!
01:18:04Oh!
01:18:05Oh!
01:18:06Oh!
01:18:07Oh!
01:18:08Oh!
01:18:09Oh!
01:18:10Oh!
01:18:12Oh!
01:18:13Oh!
01:18:14Oh!
01:18:15Oh!
01:18:16Oh!
01:18:17Oh!
01:18:18Oh!
01:18:19Oh!
01:18:20Oh!
01:18:21Oh!
01:18:22Oh!
01:18:23Oh!
01:18:24Oh!
01:18:25Oh!
01:18:26Oh!
01:18:27Oh!
01:18:29Oh!
01:18:30The truth is, estimado, I've never greatly enjoyed being with you.
01:18:34Well, I don't like being with me either, but it's something we both have to put up with.
01:18:48There's no have to, Thomas, because there's no we both.
01:18:59Hasta mañana.
01:19:00You're Spanish, like everything else, is inadequate.
01:19:10You mean adios.
01:19:21Come on, pull, Timmy, pull.
01:19:24Good boy.
01:19:24You've got this, you.
01:19:26Pull, Julian.
01:19:27Yes, that's it.
01:19:28Yes, you've got it.
01:19:30Oh, we did it.
01:19:31We got the gold.
01:19:33Good boy, Timmy.
01:19:42It's okay.
01:19:44You do look a bit like a panda, but there's always something nice to look forward to.
01:19:51Tomorrow's my birthday.
01:19:52Finished.
01:20:04Finished.
01:20:05Detective Munro finally tracked down the murder victim's missing monocle in a spooky old hotel.
01:20:12But where exactly?
01:20:13Three guesses.
01:20:15Julian?
01:20:15Behind the painting with fake eyes.
01:20:18Oh, I like it.
01:20:19No.
01:20:20George?
01:20:21In a sulfuric acid martini dissolving.
01:20:24Very stylish.
01:20:26No.
01:20:27One more guess.
01:20:29Dig.
01:20:29In the piano.
01:20:31In the piano.
01:20:37Good grief.
01:20:38How did you know that?
01:20:40It's trapped under the B flat.
01:20:41That's why the note can't sound.
01:20:44Richard Barnard.
01:20:46If I were wearing a hat, I would sweep it off to you.
01:20:49I may even put one on just for that purpose.
01:20:51What's the matter with Anne?
01:20:56Oh.
01:20:58There's this thing we do at home on her birthday.
01:21:01It's so silly.
01:21:02We sing this song, Green Grow.
01:21:05Mum and Dad sing the question bit and we sing the answer bit.
01:21:09But I think she's just a bit sad that we can't all be together.
01:21:13Look, we have a tradition in this household where you get to open one present before the cake.
01:21:22I get to choose.
01:21:24Anne?
01:21:25Who is?
01:21:26This one came this afternoon.
01:21:28Grammophone, please.
01:21:29Mm-hmm.
01:21:40It's a record.
01:21:41Is it recording?
01:21:53Oh, yes.
01:21:53Oh, right.
01:21:54It's Mummy.
01:21:57Hello, my darlings.
01:21:59I'm here with Daddy in a recording studio.
01:22:03Hello, Team B.
01:22:04And Daddy.
01:22:05And this is our birthday present to Anne.
01:22:08I've asked Aunt Fanny to hand this over at the right moment, so...
01:22:14Yes!
01:22:15Right.
01:22:16Are you ready?
01:22:18I'll sing your one-o.
01:22:21We can't hear you.
01:22:23Green Grow, the rush is o'er.
01:22:26What is your one-o?
01:22:28One is one and all alone and evermore shall be so.
01:22:33I'll sing you two-o.
01:22:35Green Grow, the rush is o'er.
01:22:37I'll sing you two-o.
01:22:39Bye.
01:22:39Bye.
01:22:40Bye.
01:22:41Bye.
01:22:41Bye.
01:22:41Bye.
01:22:42Bye.
01:22:45Bye.
01:22:46Bye.
01:22:48Bye.
01:23:03Bye.
01:23:04Bye.
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