- 24 minutes ago
- #amadeus
- #realityinsighthub
Amadeus Season 1 Episode 4
#Amadeus
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
#Amadeus
#RealityInsightHub
🎞 Please subscribe to our official channel to watch the full movie for free, as soon as possible. ❤️Reality Insight Hub❤️
👉 Official Channel: />👉 THANK YOU ⭐❤️❤️❤️⭐
Category
😹
FunTranscript
00:00a sexual nature and scenes which some viewers may find distressing.
00:30you're writing it for your wife yes you could just talk to her this is how i talk november is a long time
00:37to be alone yes it is he's refusing to reveal what his opera is even about you're the capital master
00:43now salieri if the audience are moved to leave the theater and march on the palace demanding my head
00:48then you have my permission to shut it down our emperor rides to war and you incite a mob
00:52you couldn't hear it could you he had secured great lesson
01:22well who could that be knocking at my door at this hour
01:40i had your footman call for a doctor on my way here
01:43a kindly physician come to administer a tonic
01:46or rough men with rough hands come to drag me away
01:50perhaps your treatment will depend on what i say to them
01:54i'd like you to finish your story capital master we still have time
02:02joe would always puzzle me
02:05that in the moments of my greatest wickedness i was never punished
02:10the more abhorrent my behavior the more i waited for god's retribution
02:15and it never came in fact the opposite was true i was rewarded for it
02:21i watched bono die i was given his position
02:25i committed infidelities and nothing
02:30nothing ever happened
02:34but there are always consequences
02:39there is always a reckoning
02:44there is always a backlash
02:47there is always a hè
04:38Wolfgang?
04:43My leg has been troubling me and the doctor thinks some time away will be good for me.
04:48He thinks I should take the waters in Barton.
04:51Does he?
04:51Just for a month or two, maybe.
04:57Carl can go and stay with my mother and sisters for a while.
04:59I'll send for him later on.
05:00Well, you can have one of these if you like.
05:09Mmm.
05:13I'll send what to you when I get there.
05:15Okay, Carl, before you go, should I show you a little magic trick?
05:21Are you listening?
05:36One more time.
05:37You see?
05:52Now that's in your head, when you go down for bed tonight, you might hear it.
05:57And then you'll think of me, won't you?
05:58You might hear it too.
06:10I can't.
06:11It's okay.
06:25Five.
06:26Seven.
06:29Six.
06:30One more time.
06:31Long time.
06:32Eight.
06:33That's four.
06:34Interesting.
06:35Kappelmeister, not interrupting, am I?
06:50Yes, but no more than the soldiers.
06:54What do you mean, your aunt?
06:55I heard some news this morning from my lodge.
06:59The Masons, I'm a brother there, you know.
07:01Yes, I had heard that.
07:02We'd be very keen in having you join us, by the way.
07:05Bless you, but I serve only one master.
07:08Yes, of course.
07:10Well, this morning, I heard that one of our brotherhood had passed away suddenly.
07:15Oh, dear. Who?
07:19Who?
07:23Antonio.
07:23They told me this was, well, they told me this is where you're living now.
07:28Yes, what do you think?
07:30I'm joking, it's a shithole.
07:32I know it is.
07:33Don't worry, we'll be back somewhere nicer soon.
07:36Is, er, Stanzer here?
07:38No.
07:38She's in Barden.
07:39Do you know Barden?
07:41It's a lovely spa town.
07:42She gets this thing with her legs that waters help, apparently.
07:45I don't know.
07:47Well, it's sad.
07:50Your father has died.
07:52I received the news this morning from the Brotherhood.
08:05Right.
08:06I see.
08:10I see.
08:12Um.
08:21Uh, when?
08:22When did he?
08:23Two days ago.
08:24I wanted to be the one to tell you.
08:28I thought it might help to have the news delivered by a friendly face.
08:35Is that where you are?
08:36I'm not sad.
08:40Many composers view the capital by stairs and adversaries, but I'm not.
08:45I'm really not.
08:48Of course.
08:54Well, thank you for letting me know.
08:57I prefer to be on my own now, though, I think.
09:03Of course.
09:05Absolutely.
09:09If you need anything,
09:12anything,
09:14my condolences, Wolfgang.
09:15to be satu,
09:18let me know the mágoode group.
09:20I must confess.
09:29Bye.
09:32Bye.
09:35Bye.
09:38Bye.
09:41Bye.
09:41Bye.
09:42Bye.
09:44Bye.
09:45Bye.
09:45Bye.
09:45Here rests a bird called Starling, a foolish little darling.
10:04He was still in his prime when he ran out of time,
10:08and my sweet little friend came to a bitter end.
10:12Gentle crowd, shed a tear, for he was dear.
10:19I bet he is now up on high, praising my friendship to the sky.
10:25For when he took his sudden leave, which brought to me such grief.
10:40To a good companion.
10:42That's the first time I've been to a bird's funeral, that's for sure.
10:54Well, he was quite a creature.
10:56Yeah.
14:56I think we'd rather get the point, don't we?
14:58The man's an unrepentant fornicator.
15:00A thousand women in spade?
15:02A thousand and three.
15:03A thousand and three.
15:04Well, there you go.
15:05Have you spoken to the emperor?
15:07Have you spoken to the emperor yet?
15:08Have you spoken to the emperor yet?
15:08No, not yet.
15:09Um, I was advised that he wasn't in the mood for conversing.
15:14How long has he been back from the front, so to speak?
15:17Two weeks.
15:18He didn't want to leave, but his health has been poor.
15:20Does anyone know if we're winning?
15:21Does anyone know if we're winning?
15:23Winning what?
15:26The war.
15:30Of course we're winning.
15:32Yes, of course.
15:33Emphatic.
15:34Well, that's a relief.
15:35What did you think?
15:38I thought he looked pale.
15:40Mozart, did you see him swaying at the podium?
15:42He doesn't look well.
15:44What, I mean, drinking?
15:44Hmm.
15:45Yeah, that's how he spends most of his time these days.
15:47I'm enjoying it.
15:48I found it rather, um, tuneful.
15:52Tuneful?
15:53Yes, tuneful.
15:55Antonio, wouldn't you agree?
15:57No, I wouldn't.
15:57I'd say the whole thing's rather thin so far.
16:01Let's hope the second half gives us something more to chew on.
16:18Oh, my God.
16:48I watched that performance on opening night. I heard those words, I listened to that music, and I knew he'd opened himself up. Revealed the darkest parts of his being.
16:59I saw it then, his damaged mind, the naked ugliness of his grief and guilt.
17:19There, in that demonic figure on the stage with his own father, and in that poor, wretched philander of Mozart himself, punished for his sins, his puckish abundance, his insolent virility.
17:49I watched that performance on opening night, the naked ugliness of his wife.
18:02The man in the middle, the naked ugliness of his wife.
18:10I saw his open wound, and through it, his barely beating heart.
18:40And I knew exactly where, in time, I would place the final blade.
18:49Bravo, Maestro. It's... well, it's a triumph.
18:56You don't seem well, sir, if you don't mind my say.
18:59Oh, I'm fine.
19:04I... I didn't see your wife in the audience.
19:08No. She's, er, still away.
19:11Oh, she's been gone a long time.
19:14Well, I hope you're looking after yourself.
19:17The, er... Brotherhood has been looking after me.
19:23The Freemasons?
19:25Yes. They've been keeping me afloat since Father died.
19:29A few commissions, it's all charity, really.
19:31But, er, I'll pay them back when I can, obviously.
19:35Well, I'm just glad to see you still have some old friends looking out for you.
19:40That's... that's wonderful.
19:43You really liked it?
19:46It was as though I were looking into your soul.
20:01It was...
20:03He'd written a masterpiece again.
20:07And I was nothing but a spectator.
20:10But my power was undiminished.
20:12My influence remained.
20:15And I used it to ensure that Don Giovanni played only five times.
20:20Of course, I saw every one of those five performances.
20:28And I wasn't the only one.
20:35Your Majesty.
20:37And I, dear.
20:38I wondered when you were going to come and say hello.
20:43I'm sorry, Your Majesty.
20:44I...
20:45I didn't know if you want to be disturbed.
20:48It's alright.
20:53How is... how is the war?
20:57How is the war?
21:03I have all the music manuscripts sent to me at the front.
21:07All the new work.
21:10I, uh...
21:13I sit and try and read and...
21:16And hear the music.
21:18As I know you can.
21:19But, uh...
21:21My ears.
21:24I'd love to be able to have your ear.
21:27Be able to sit and...
21:29Hear the music and truly understand it.
21:35My great regret.
21:37What about this boy?
21:41What about this boy?
21:48My God, Antoni had listened to us.
21:52Do you ever marvel?
21:54How lucky we are.
21:56Out of all of human history to have...
21:58shared our time with music such as this.
22:00I do.
22:03You promised me one thing.
22:04That you'll continue to commission new work.
22:06For the people left behind.
22:07And the men who return.
22:08Let there be music for them at least.
22:09Of course you want to just say.
22:10You want to just say.
22:11And the men who return.
22:12Let there be music for them at least.
22:13Of course you want to just say.
22:15There was so much I wanted to do, Antonia.
22:16And the men who return.
22:17And the men who return.
22:18And the men who return.
22:19And the men who return.
22:20And a Miss Get A Noel.
22:23And then Shaq are hischenry.
22:24And Amor.
22:25Of course yourla Dass.
22:27And the men who return.
22:29And then向遠.
22:31And many staff of the night.
22:32The men who return.
22:34Of course you want to just say.
22:41There was so much I wanted to do, Antonia.
22:56That was the last time I ever saw the emperor.
22:59He returned to the front and died six months later in his bed.
23:10And with him went your husband's most powerful ally.
23:15Once not, we have to shut down.
23:18We love it, we believe in it.
23:20I advocated for it, but with budgets as tight as they are,
23:24I'm afraid it's just more cost-effective to scrap it.
23:30Well, the next one will be even better.
23:35The next one?
23:36Yes.
23:39Wolfgang, Figaro, Don Giovanni.
23:43Your work is strong. We both know that.
23:46The imperial opera, it's not for everyone.
23:50These big old holes, they can be unforgiving.
23:53It's not just you.
23:55Everything's been cut.
23:56I'm sorry.
24:00Why can't they hear it?
24:02These are dark times, Mozart.
24:08Perhaps the people desire light.
24:19Light.
24:21Light.
24:23Fuck off, please.
24:25Fuck off!
24:31Cheers!
24:32High stroke, we would like to formally invite you to the wake of Don Giovanni.
24:48Thank you for inviting us in.
24:56Down, gentlemen, please.
24:58Oh!
25:00To another dead darling.
25:07Hooray!
25:09To another dead darling.
25:11Hooray!
25:12Excuse me, I'm not so, um, so I'm sorry, I'm sorry to be bothering you.
25:32Why are you doing it, Daniel?
25:34Uh, um, I'm a huge, huge, uh, admirer of yours.
25:39He doesn't write the words, you know.
25:41Um, sorry, who are you?
25:43Yeah, sorry, I'm Gregor, sir, I'm, I'm, um, Gregor Braun, I work backstage, so we've never spoken.
25:51Please.
25:53So which of my works have you seen?
25:55Uh, all of them, I mean, as many as I've been able to, and I bought all of the pieces that I couldn't, that I could find.
26:02So I've bought, um, the, the six piano sonatas, Welsh and Paris, uh, and the 12 variations on La Belle Francoise, um, and then the Turkish March, the piece from the A major sonata.
26:15Wow, you really are an expert on him.
26:18What, what did he have for dinner last night?
26:21Ooh, how low do his balls hang?
26:25Uh, I don't, I don't know everything about you, Maestro.
26:29I, I, I just really, um, I really dream of emulating you.
26:35Hmm.
26:36I was ten years old when I first heard your work.
26:40And it just felt as though...
26:43Yes?
26:45Yes.
26:49It felt as though the heavens were talking to me.
26:51It was as though God was speaking through me.
27:00Yes.
27:05Well, let's see if you can speak back, shall we?
27:08You're rude not to.
27:09What did you say your name was again?
27:11Um, Gregor.
27:12Ah, Gregor, that's funny.
27:13My father had a dog named Gregor.
27:15Can you do tricks too?
27:16Uh.
27:17Come on, make yourself comfortable.
27:18Show us what you can do.
27:19Gather round, everyone.
27:20This is Gregor, who's going to play us some tunes.
27:24Please, don't be shy, come forward.
27:26Come forward.
27:28In your own time.
27:29Shh, shh, shh.
27:50Actually, look, you're kind.
28:00Gosh, well, there it is. What did everybody think?
28:22I'll tell you what I made of that. I recognise the notes,
28:25but very little else, as if the soul had been ripped out of it.
28:28Go on, please, let's try another one. Surprise me.
28:30Uh, OK, I, uh, actually, this one's quite fun.
28:36I just, um, had an arrangement of one of your, uh, serenades for forte piano.
28:40Please.
28:46No, no.
28:48If you're going to play that one, it's not like that, is it?
28:52It's like this.
28:54Can you hear the difference? OK, start again.
28:56Wolfgang, why don't... Start again!
28:57Gregor, you tell me that you want to be a musician,
29:07and then you embarrass us both with this half-baked shit.
29:10I didn't say stop, keep playing, but for fuck's sake, Gregor, do it properly.
29:15I thought you liked my music. Why are you butchering it?
29:17Not like that! You're getting distracted. You have to focus on the music.
29:21Do you want my advice, Gregor? Find another dream.
29:26Find something you can actually do, and find some other composer to fawn over.
29:30Maybe you can waste his time instead.
29:32Did it make you feel good, humiliating that poor boy in front of everyone?
29:49When did you get back?
29:51This afternoon.
29:52So did you see it?
29:54What?
29:55Don Giovanni, my opera. Did you see it?
29:57Yes.
29:59And?
30:00What did you think?
30:031003 in Spain.
30:06Well, Lorenzo writes the words, so...
30:09Well, I know how you inspire him.
30:13Your leg seems much better.
30:16How was Barden?
30:18Good.
30:20How was Franz?
30:22Oh, so I'm the subject of gossip, am I?
30:24Well, you make yourself the subject of gossip.
30:26Do I?
30:26Yes.
30:27How?
30:27By carrying on.
30:29Like a...
30:30Like a what?
30:31Like a whore.
30:32Like a cheap...
30:34A fucking whore.
30:35Well, a cheap fucking whore is the only kind of whore you'd be able to afford, Wolfgang.
30:41Mother said you haven't been to see Carl at once.
30:45She said she saw you one morning, and you were too drunk to even recognise your own son.
30:49Well, I would see more of my son if his mother wasn't constantly running off to moisten the balls of every inadequate fucking student musician to look her way.
30:55Well, yes, Franz did.
30:57He did look my way.
30:58He looked at me, yeah.
30:59He saw me.
31:00He spoke to me.
31:01He...
31:02He bothered to ask my opinion on things in the world beyond what you think of my fucking opera.
31:09What did you think of my fucking opera?
31:11I thought it was too fucking long.
31:13It made me sad.
31:27Like I was intruding on something I wasn't supposed to see.
31:38It made me realise everything I know about you.
31:41I've had to learn through your characters.
31:42And I wondered if you could ever open up to me, or just be stuck hoping that Tiggory or Don Giovanni would tell me the things that you weren't.
32:02You are supposed to see it.
32:08You're supposed to see it.
32:09You can't stay with me.
32:25It isn't good to hear.
32:26You're supposed to see it.
32:37I couldn't stay with you.
32:38So when you're on a computer, do you think that Tiggory?
33:11We'll go again. We'll write something else. You'll write something else.
33:19You shouldn't do this. Keep working with me. I'm cursed.
33:23Oh, please, don't be a fucking martyr.
33:25Go write for Salieri or fucking Regini or anyone else.
33:29You're having a small run of bad luck. I'll give you that.
33:32Look, I don't want to write for any of them. I want to write for you.
33:35No. It's different with you, and you know that.
33:41And that's as much of a compliment as you'll get out of me, so don't look for any more.
33:49I hate this.
33:50What?
33:55The end of a party.
33:59I mean, obviously, Wolfgang, I'd be delighted to have you put something on here.
34:02I just assumed you'd be staging your next one at the Bird's Theater again.
34:04Oh, no, it's too stuffy.
34:07I feel like I need something more...
34:09alive.
34:10Oh, wait, that's us.
34:13Wait, we're alive all right.
34:15No, we're packed every weekend.
34:17Wolfgang, I can guarantee you a full house of excited music lovers.
34:22Desperate, desperate to be entertained.
34:24They won't just sit there like the aristocrats.
34:26No, they sing along, they dance.
34:29Like, they laugh.
34:31And on the takings, I can give you off.
34:34Oh.
34:36Well, if that's the best you can do, I suppose we'd better shake on that.
34:39Oh, I'm so pleased.
34:42He's very excited.
34:43Sure it's going to be a hit.
34:44And actually, between you and I, the Brotherhood owns the lease on the place,
34:48so it gets a cut of the takings as well.
34:50Everyone's doing very nicely.
34:52Mozart might be able to pay off his debts.
34:55Get back into the city.
34:59I'm very quiet this morning, dear.
35:03Oh.
35:05Just in my thoughts.
35:06What are you thinking about?
35:12The Masons.
35:14Wolfgang!
35:16Cabermeister!
35:17I wanted to find you and congratulate you on your new commission.
35:20Oh, thank you.
35:21You were right, by the way.
35:22Much better to get away from the Burke Theatre.
35:24Well, I think it's wonderful news.
35:25Let's celebrate.
35:26Yes.
35:27So, tell me.
35:29What have you got so far?
35:31Love, sire.
35:33Excuse me?
35:33Do you remember the first time I ever went to the Emperor's Palace?
35:38He asked me what a good German virtue might be.
35:40Ah, yes, yes, yes.
35:41You said love, sire.
35:43Yes.
35:45Love.
35:45I want to write about love.
35:49And light.
35:50I think it's a wonderful idea.
35:53Although it strikes me there are different kinds of love, aren't there?
35:57There's romantic love, certainly, but that feels pretty played out at this point.
36:02But what of maternal love, familial love, fraternal love?
36:07Fraternal love.
36:08Brotherly love.
36:09That's a thought, yeah.
36:10Brotherhood.
36:11I mean, that's what the Masons are all about.
36:13My father used to talk about it all the time.
36:15The sucker that we got from them.
36:16Perhaps.
36:18No, that's too much.
36:20What?
36:21No, no, no.
36:21It's a bad idea.
36:22What?
36:23Well, I was just thinking, why not put them into it?
36:29Into it?
36:30Show them in all their generosity.
36:32Let people see the kindness of the Masons.
36:35Well, the Brotherhood's rituals are a secret, of course.
36:37Needn't copy them exactly.
36:39You could adapt them, change a few details here and there, one step away, but still recognisable.
36:44Change a few details, but keep the intention.
36:48I like it.
36:51In fact, I'm going to speak to DePonte.
36:52Antonio, what a surprise.
37:04You've caught me at an inopportune time.
37:07Well, it's hard not to.
37:09Oh, entertaining.
37:21Very.
37:22Um, please, sit soft.
37:26No, no, I think I'll come straight to the point, Lorenzo.
37:29There were people who were disturbed by your presence when you first arrived in Vienna.
37:34But I vouched for you.
37:36I saw something in you, and the Emperor was moved by your work.
37:39We all have been.
37:41Times are changing.
37:43The Emperor is unwell.
37:44He won't recover?
37:45His brother stands ready to take over when the time comes.
37:48It will be a rude awakening for many of us.
37:51He has none of Joseph's love of the arts.
37:54I expect budgets to tighten.
37:57I expect there to be a less liberal outlook.
38:03Formal notice that you were to be removed from your position as court poet and dismissed from Imperial service.
38:10Now, I'm afraid with the loss of both your patron and your position,
38:13questions have been raised about your continued residence here in Vienna.
38:18Figaro.
38:24Politics.
38:27How long do I have?
38:31Oh, I wouldn't linger.
38:35The mood is changing.
38:38You're a man out of time.
38:40Lorenzo?
38:59Lorenzo?
39:07Lorenzo?
39:09Lorenzo?
39:10Lorenzo?
39:10Lorenzo?
39:10I don't know.
39:40Oh, my God.
40:10Hello, Wolfgang.
40:15Hello.
40:16Hello.
40:17Mother took Carl up to Barden to see Stanza.
40:20Oh.
40:20We would have told you, but you haven't been to visit, so...
40:23Would you like a seat, Wolfgang?
40:29How is Carl?
40:44He's well.
40:45He can basically talk now.
40:48And Sophie's been giving him piano lessons.
40:50He's very bad, but so am I.
40:53Have you heard from Constanza?
40:57She writes.
40:59Is she happy?
41:03She is.
41:05Is she happy?
41:18Is she happy?
45:22No, be away.
45:52For the brotherhood.
46:54A commission.
46:56A mass for the dead.
47:02You have seven days.
47:08The pieces had fallen into place.
47:18The pieces had fallen into place.
47:20He was weak.
47:24He was weak.
47:26Broken and alone.
47:28And alone.
47:30Teetering on the edge of the precipice.
47:38And all that was needed was my hand to finally guide him over.
47:42So, into the darkness.
47:46So, into the darkness we go.
47:50He was near the axe has made me, and the dog.
47:54There are several things.
47:56He was weak and he was near, but he was weak.
47:58He is high.
48:00And the mother of the dead.
48:02And he was weak.
48:04And the death of the dead.
48:10And the death of the dead.
48:12And the death of the dead.
48:14CHOIR SINGS
48:44CHOIR SINGS
49:14CHOIR SINGS
49:16CHOIR SINGS
49:18CHOIR SINGS
49:20CHOIR SINGS
49:22CHOIR SINGS
49:26CHOIR SINGS
49:28CHOIR SINGS
49:30CHOIR SINGS
Be the first to comment