- 2 days ago
The Great Rupert is a 1950 comedy family film starring Jimmy Durante, Tom Drake and Terry Moore, produced by George Pal and directed by Irving Pichel. It is based on a story written by Ted Allan that has also been published as a children's book under the title Willie the Squowse.
The story revolves around a little animated squirrel who, with much charm, accidentally helps two economically distressed families overcome their obstacles.
Louie Amendola (Jimmy Durante), once a vaudeville performer with his wife and daughter, hasn't been getting any work, and, as Christmas approaches, his family is homeless. They find a room at Frank Dingle's (Frank Orth) house, but don't know how they'll pay the rent. Then the money Frank's been hiding in the ceiling above their apartment lands in the Amendolas' hands when a crafty squirrel heaves it out of its hiding space, causing more complications within the household.
Credits
Jimmy Durante as Mr. Louie Amendola
Terry Moore as Rosalinda Amendola
Tom Drake as Peter 'Pete' Dingle
Frank Orth as Mr. Frank Dingle
Sara Haden as Mrs. Katie Dingle
Queenie Smith as Mrs. Amendola
Chick Chandler as Phil Davis
Jimmy Conlin as Joe Mahoney
Rupert, an animated squirrel
Hugh Sanders as Mulligan
Don Beddoe as Mr. Haggerty
Candy Candido as Molineri - Florist
Clancy Cooper as Police Lt. Saunders
Harold Goodwin as Callahan - F.B.I. Man
Frank Cady as Mr. Taney - Tax Investigator
Irving Pichel as Puzzled Pedestrian (uncredited)
The story revolves around a little animated squirrel who, with much charm, accidentally helps two economically distressed families overcome their obstacles.
Louie Amendola (Jimmy Durante), once a vaudeville performer with his wife and daughter, hasn't been getting any work, and, as Christmas approaches, his family is homeless. They find a room at Frank Dingle's (Frank Orth) house, but don't know how they'll pay the rent. Then the money Frank's been hiding in the ceiling above their apartment lands in the Amendolas' hands when a crafty squirrel heaves it out of its hiding space, causing more complications within the household.
Credits
Jimmy Durante as Mr. Louie Amendola
Terry Moore as Rosalinda Amendola
Tom Drake as Peter 'Pete' Dingle
Frank Orth as Mr. Frank Dingle
Sara Haden as Mrs. Katie Dingle
Queenie Smith as Mrs. Amendola
Chick Chandler as Phil Davis
Jimmy Conlin as Joe Mahoney
Rupert, an animated squirrel
Hugh Sanders as Mulligan
Don Beddoe as Mr. Haggerty
Candy Candido as Molineri - Florist
Clancy Cooper as Police Lt. Saunders
Harold Goodwin as Callahan - F.B.I. Man
Frank Cady as Mr. Taney - Tax Investigator
Irving Pichel as Puzzled Pedestrian (uncredited)
Category
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Short filmTranscript
00:00:00The End
00:00:30The End
00:01:00The End
00:01:30This is it, Rupert. Our big chance. Maybe next week your name will grow up in lights. Rupert, the talk of the town.
00:01:41You won't let me down, will you, Rupert? You'll do everything just like I taught you, huh? Ah, yes. Now, now, how about, how about a dress rehearsal? Here.
00:01:52The curtain is up. You're on the stage. Stay right there when I tell you. Now, now, get ready for our song and dance. Are you all set? Now, one, two.
00:02:06Squirrels adored the name, admire the fame of Rupert.
00:02:25He's in a class alone, the one and only, Rupert. He jumps through so gracefully. And you ought to see him climb a tree. Think of an acrobat and mister that is Rupert. Think of a ballet star and you're not far from wrong.
00:02:45He taps his little toe. He taps his little toe and steals the show and takes your heart along.
00:02:54Now, we've got to do the dancing, you must. And it's got to be perfect. For everything depends on how we do it.
00:03:01Now, now, are you all set? Here we go.
00:03:26Phil. Phil, I'm so glad to see you.
00:03:29Joel, how have you been?
00:03:30Oh, not too good, but everything's going to change now. Here, sit down.
00:03:34How are you, miss?
00:03:35Well, this is Joel Mahoney. He used to work out at my father's office.
00:03:38And the best lion tamer in the business.
00:03:41Weren't you?
00:03:42Go on with you.
00:03:43I'm delighted, I'm sure.
00:03:45Well, what's this new act that you wired me about?
00:03:47Well, here it is. Now, greet the man, Rupert.
00:03:56You mean, that's it?
00:03:59That's it.
00:04:00A squirrel?
00:04:01Sure.
00:04:02You wouldn't fool me, would you?
00:04:03Oh, Phil, he's the great performer.
00:04:06Something like Rupert only happens once in a million years.
00:04:09I'm sorry, Joel, but I'm not interested. He's not box office.
00:04:15Come on, honey, we're late.
00:04:17Yeah, but, Phil, you haven't seen what he can do.
00:04:20Well, I've seen enough already.
00:04:22Joel, look.
00:04:23A lion is a big, savage beast.
00:04:26He's vicious, ruthless, a bloodthirsty killer from the faraway jungles of darkest Africa.
00:04:31So he's box office.
00:04:32But a little pipsqueak thing like a squirrel that anybody can see any place in any park,
00:04:38any time is just a...
00:04:40Besides, he's so small, I'd never see him in the balcony.
00:04:43But, Phil, I tell you, Rupert is almost human.
00:04:45Come on, honey, we're late.
00:04:47Just a minute.
00:04:48Look, Joel, I'd love to give you a break.
00:04:51I know things have been tough, but...
00:04:53Well, he just ain't box office.
00:05:19Goodbye, Mr. Dingle.
00:05:20I'll pay every cent that I owe you.
00:05:25You should, Maroney.
00:05:26You should.
00:05:35Hey, Chief.
00:05:36Get a full of pills.
00:05:37Help me clean this place out.
00:05:50It's nice and peaceful here, ain't it?
00:06:05You can breathe.
00:06:07Now, now, take a good look around.
00:06:09Some of your new pals.
00:06:12Now, I want you to go on and get acquainted with them.
00:06:15Come on.
00:06:16That's it.
00:06:17Now, don't be stubborn about this.
00:06:22Go on.
00:06:25Oh, to be sure.
00:06:29It's a silly outfit.
00:06:32There you are.
00:06:34They would have laughed at you.
00:06:35Yes, yes, yes, I know.
00:06:38Now, go on.
00:06:39Go on, yes, I know you don't want to.
00:06:41Go on.
00:06:42I know you'll be happy here.
00:06:45I know they're going to love you.
00:06:47You'll be the life of the party,
00:06:48doing the somersaults and all the cute little tricks
00:06:51that I taught you.
00:06:53Go on, I tell you.
00:06:56Beat it, I tell you.
00:06:58Beat it, I tell you.
00:07:00What shall I do?
00:07:09You just stayed at the box office.
00:07:12Papa, do you think we might have some money
00:07:14in that Chicago account?
00:07:16Oh, I heard from that bank last week.
00:07:18I think I got the letter with me.
00:07:24Yeah, here it is.
00:07:25It says, dear Mr. Amendola,
00:07:30this is the last monthly statement we will mail you.
00:07:33We feel it is hardly worth three cents
00:07:35to tell you you have two cents.
00:07:38Let's get going, huh?
00:07:40Look at all those lucky people
00:07:41hurrying home with arms full of packages.
00:07:44They'll have turkey for Christmas,
00:07:46packages under the tree.
00:07:48Don't envy them, Rosalinda.
00:07:50I'll bet every one of them face the Christmas
00:07:51like us at some time or another.
00:07:53And besides, it ain't Christmas yet.
00:07:56Who knows, old Saint Nick
00:07:57may have a bundle for us, too.
00:07:59But the trouble is,
00:08:00we ain't got no address
00:08:01he can deliver them to.
00:08:02Amendola, the Amendola Trio.
00:08:05Joe, Joe Mahoney.
00:08:07Joe, darling.
00:08:09Now, don't tell me this is little Rosie.
00:08:11Yeah, she's certainly growing fast.
00:08:13A little too fast.
00:08:15But it seems like only yesterday
00:08:16I bought of them shoes.
00:08:17And already she's complaining
00:08:18they're too small.
00:08:20And with you, Amendola,
00:08:21how's the act been going?
00:08:22Us?
00:08:23Great, sensational.
00:08:25Why, if I made any more money,
00:08:26I'd have to buy myself a wallet.
00:08:29And you know something, Joe?
00:08:30No.
00:08:31We've played the circuit so many times,
00:08:33just for a change.
00:08:34We booked a European tour.
00:08:36Europe?
00:08:37London, Paris, Budapest.
00:08:39And in India,
00:08:40we gave a performance
00:08:41the audience will never forget.
00:08:43Why?
00:08:44Because they were elephants.
00:08:45Ha, ha, ha, ha, ha, ha, ha, ha, ha.
00:08:46Oh, no, no, no.
00:08:48Please, a little respect for that joke
00:08:50that's older than you.
00:08:51Ha, ha, ha, ha, ha, ha, ha, ha.
00:08:53Oh, sorry, Joe.
00:08:55I see you haven't been doing so well.
00:08:57Right, Joe?
00:08:58Well, to tell you the truth,
00:09:00it has been a little bit after.
00:09:01You don't have to tell me.
00:09:03It's the same with us.
00:09:05We haven't worked
00:09:05since Rosie cut her second teeth.
00:09:07Do you live around here?
00:09:09I do.
00:09:11I did.
00:09:13I just moved out less than a half hour ago.
00:09:15Oh, is the place rented yet?
00:09:17I don't think so.
00:09:19How much did you pay?
00:09:21I didn't.
00:09:23But if you've got $32, you can move right in.
00:09:27How long did you live there without paying any rent?
00:09:29Six months.
00:09:31Just what we're looking for, something out of the high-rent district.
00:09:33Joe, it's been good seeing it.
00:09:35Yes, yes.
00:09:37And you must drop in and see us soon, Joe.
00:09:39Yes, yes.
00:09:41Hey, wait. Wait for me.
00:09:43You better ask them where it is.
00:09:45We ain't got no time.
00:09:47Oh, Joe.
00:09:51Where is it?
00:09:53322 and a half Maple Street.
00:09:55Just over there.
00:09:57Come on back. It's this way.
00:10:03Hey, wait for me.
00:10:05Merry Christmas.
00:10:35Come on.
00:10:37Mr.
00:10:41Bye,enix.
00:10:45Help!
00:10:47It was the last one on a tree.
00:10:49Mr.
00:10:58Hello, Lonnie.
00:11:00The next morning.
00:11:01What's your question?
00:11:02Oh, my God.
00:11:32Oh, hello.
00:11:36Oh, pardon this unseemly protrusion,
00:11:39but after reading this sign, I took the liberty of removing it.
00:11:41I don't think you're going to need it anymore.
00:11:43You want to rent this place?
00:11:45Well, we might work something out
00:11:47if you don't drag lawyers into this.
00:11:50Well, you better speak to my father about it. He's right next door.
00:11:52Oh.
00:11:55Oh, on second thought, I can handle this myself.
00:12:00Come in.
00:12:02I'll be back in a minute.
00:12:21Gosh, it's good to be home.
00:12:23My name is Amendola.
00:12:25My name is Pete Dingle.
00:12:28Rosalinda.
00:12:30Joe Mahoney sent us.
00:12:32Oh?
00:12:33Well, that's okay with me, but don't mention it to my father.
00:12:38The rent will be $32 a month.
00:12:40Well, I don't mind electric bulbs that are unfrosted.
00:12:43And, uh, I don't mind beds with springs that fight back.
00:12:51Or window shades that curl up like anchovies.
00:12:55But there's one thing I can't stand.
00:12:57Leaky faucets.
00:12:58Oh, do you mind?
00:12:59Oh, do you mind?
00:13:02Not at all.
00:13:03Perfect.
00:13:03Well, Mama, you might as well start unpacking.
00:13:07This ain't exactly the bridal suite at the Waldorf, but who knows, if we give this place a good cleaning, we might find an extra room.
00:13:20Good cleaning is right.
00:13:22Look at all those cobwebs.
00:13:24Rosie, don't touch those cobwebs.
00:13:26They're probably holding a building together.
00:13:28Well, now that all the business has been taken care of, I'll look.
00:13:31But you see, Mr. Armandola, my father, unfortunately, he wants his money in advance.
00:13:35And a lucky man he is, too, your father.
00:13:38Having a son so gifted in the yard of music.
00:13:41Oh, I, uh, just go around.
00:13:42Cut, cut, cut, I know.
00:13:44I, too, am a musician.
00:13:46And modesty compels me to admit that I play a pretty piano.
00:13:49And, if necessary, I can even play a nuggly one.
00:13:54Well, don't forget, feel free to drop in at any time.
00:13:57Well, thanks very much.
00:13:59I'm now about to rent.
00:14:00Oh, I think I'm going to like it here.
00:14:02Well, I hope so.
00:14:04Now, if, uh, you don't mind, I'd like to change.
00:14:07Oh, no, not at all.
00:14:08I mean, uh, well, I'll see you later.
00:14:19Well, Mama, I did it.
00:14:21Hey, look, Pa, I forgot his tuba.
00:14:23He'll be back.
00:14:24But if he don't, you can blow in it every night and announce dinner.
00:14:29You realize what I've done?
00:14:32No rent in advance and a roof over our heads.
00:14:37It's an awful big hole in the skylights.
00:14:41So what?
00:14:42If it snows, we'll be the only ones in town who'll have a white Christmas
00:14:45inside the house and out.
00:14:49Hello, Pete.
00:14:50Hi, Dave.
00:14:51Say, I think I got a letter for you.
00:14:52Oh?
00:14:53No, it's for your old man.
00:14:55I'll give it to him.
00:14:56Well, if I don't see you tomorrow, Merry Christmas.
00:14:58Uh, yeah, same to you.
00:15:00Uh.
00:15:07Did you clean the place?
00:15:09Clean it?
00:15:10I rented it.
00:15:11Good, you can work if you make up your mind.
00:15:13Who'd you rent it to?
00:15:15Uh, their name is Amendola.
00:15:17There?
00:15:17Uh-huh.
00:15:18How many are there?
00:15:19Oh, just three.
00:15:20They're awfully nice people.
00:15:22Well, that's good for a change.
00:15:23I'll take the money.
00:15:25Uh, there's a mother and a father and a daughter.
00:15:29Okay, give me the $32.
00:15:31Uh, and you know, they didn't even ask for any redecorations
00:15:34or repairing anything.
00:15:36You know, that saves us a lot of money, Pa.
00:15:38Pete, don't tell me you let them stay without paying.
00:15:41Oh, you're gonna get it.
00:15:42They're awfully nice people.
00:15:44A mother and a father and a daughter.
00:15:47Yeah, you said that before.
00:15:48Look, son, I want that $32 right now.
00:15:51And if you don't get it, I'll go over and get it myself.
00:15:53And if I don't get it, out they go.
00:15:55But, Pa, I gave my word of honor.
00:15:57We'd wait a couple of days.
00:15:58You don't want to break your own son's worth, do you?
00:16:01Oh, there he goes again.
00:16:02Honor, charity, love thy neighbor, everything but money.
00:16:05Tell me, son, what did money ever do to you that you hated so much?
00:16:10I'll get it.
00:16:16Oh, hello.
00:16:17Hello.
00:16:18You forgot to give me the key.
00:16:20The key?
00:16:21Oh, yes, yes, the key.
00:16:23Here it is.
00:16:24Hey, wait a minute.
00:16:26You're, uh, you're gonna stay, aren't you?
00:16:28Well, if my father...
00:16:29Who is it, Pete?
00:16:32Look, uh, don't go away.
00:16:34I'll be right back.
00:16:37Who was it?
00:16:39Oh, the, uh, the postman.
00:16:41Uh, it's for you.
00:16:44National Security Bank.
00:16:46Now, what do those chiselers want?
00:16:53What is it?
00:16:57Oh, just an advertisement.
00:16:59Oh.
00:16:59Katie.
00:17:04Katie, Katie, come here.
00:17:06Come here.
00:17:06Frank, what is it?
00:17:07Katie, that worthless gold mine I invested in 10 years ago is paying off.
00:17:11Heavens, no.
00:17:11Look, here's a check for $1,500.
00:17:13And they say we're gonna get the same amount each week from now on.
00:17:17Oh, mercy.
00:17:18It's the day before Christmas, too, Frank.
00:17:19It's money from heaven.
00:17:21Yeah.
00:17:21We should go to church and pray.
00:17:23Oh, yeah, sure, sure.
00:17:24But first I'll go down to the bank and cash the check.
00:17:26I know that apartment isn't what you folks have been used to.
00:17:30But, you know, with a little paint and fixing it up, it, uh...
00:17:33You mean you'll redecorate it.
00:17:35Well, I...
00:17:36I'll speak to my father about it.
00:17:39Oh, and Mother's been having a little trouble with the stove.
00:17:41It's awfully old.
00:17:42Well, we'll see what we can do about that, too.
00:17:44Uh, maybe get you another one.
00:17:46A new stove.
00:17:47Uh, shh.
00:17:48Is there somebody asleep in there?
00:17:50Uh, my father.
00:17:51I mean, well, my father's a little reluctant about investing money.
00:17:56He has to be handled with kid gloves.
00:17:58Say, how about going for a walk?
00:18:00Not in these shoes, I wouldn't.
00:18:02They pinch my feet.
00:18:04Well, go get some others.
00:18:04I'll wait for you.
00:18:05It'll be a long wait.
00:18:06I haven't any others.
00:18:08Oh.
00:18:09Well, what size do you wear?
00:18:10I'm dreaming of a size four.
00:18:12Why?
00:18:13Stay right where you are.
00:18:16Not a word of this to a soul, Katie.
00:18:20Not anybody, especially that lazy son of yours.
00:18:23If he finds out about it, he'll blow that blasted tube with the rest of his life.
00:18:26Mom, what size shoe do you wear?
00:18:28Six five.
00:18:29Oh, never mind.
00:18:30Now, don't you go buying shoes for me for Christmas,
00:18:32because I've got two pairs already.
00:18:35Isn't that nice of him?
00:18:36Not a nickel in his pocket and still thinking of buying me shoes.
00:18:39Oh.
00:18:39Just for that, Frank.
00:18:40I want you to buy a nice necktie for him
00:18:42and put it under the Christmas tree.
00:18:44He likes those hand-painted ones.
00:18:45I saw some perfectly lovely ones for only five dollars.
00:18:49Five dollars, eh?
00:18:51I'll get some paint out of the attic and paint one myself.
00:18:58They called us the Amandola Trio, the human pyramid.
00:19:02Papa balanced Mama on his shoulders,
00:19:03and then I stood on top of Mama's all done up like a little angel.
00:19:07Sounds exciting.
00:19:07Then Papa juggled, Mama sang, and I played the harp.
00:19:11Used to go over big.
00:19:12Only I started growing, Mama got heavier,
00:19:14and one day Papa's legs gave out.
00:19:17You mean he dropped you?
00:19:18Four times in one week.
00:19:20The fourth time Mama broke her leg.
00:19:22You gotta hand it to Papa, though.
00:19:24He never broke a plate.
00:19:26He's a great juggler.
00:19:28Look, there's my father coming out of the bank.
00:19:30I wonder what he was doing in the bank.
00:19:41I've never been in the bank.
00:19:43Just to think of all that money in one place.
00:19:45We could go to the price of the tree with seven dollars.
00:19:47Yesterday, four dollars.
00:19:48Now, what am I bid?
00:19:49Forty cents.
00:19:50Forty cents.
00:19:50Who make it a dollar?
00:19:51One dollar.
00:19:52I wish we were gonna have a tree.
00:19:54Of course, with the moving and all.
00:19:55Well, we've talked enough about me.
00:19:57Tell me about you.
00:19:58Where do you work?
00:19:59I don't.
00:20:00Well, that is, I write music.
00:20:01Oh, does it pay?
00:20:02No.
00:20:03Then you don't work.
00:20:04Well, I don't have a job.
00:20:05Can't you find one?
00:20:06I've never looked for one.
00:20:07Well, what do you do for money?
00:20:08I don't need money.
00:20:10But suppose you were walking along with a girl
00:20:12and she wanted a malded milk.
00:20:14What would you do?
00:20:15Well, that would be pretty embarrassing.
00:20:19Oh, I'm sorry I said that, Pete.
00:20:22Come on, let's go home.
00:20:23All right, folks, just two more left.
00:20:27Now, what are my bids for this one?
00:20:28Forty cents.
00:20:29Dollar and a half.
00:20:30A dollar and a half.
00:20:31Do I hear two?
00:20:32Dollar and a half once, a dollar and a half twice,
00:20:33sold it as a gentleman for a dollar and a half.
00:20:36And now for the last tree.
00:20:37All right, folks, it's your last chance.
00:20:38What am I bid for this one?
00:20:39Forty cents.
00:20:40Seventy-five cents.
00:20:40Seventy-five cents.
00:20:41Do I hear a dollar?
00:20:42A dollar?
00:20:42Will someone make it a dollar?
00:20:43Seventy-five cents once, seventy-five cents twice.
00:20:45A dollar.
00:20:46A dollar I've got.
00:20:47A dollar once, twice, sold it as a gentleman for a dollar.
00:20:49Here you are, buddy.
00:20:50Say, mister, would it be all right if I pay you 40 cents now
00:20:54and the balance later?
00:20:56Sure, sure.
00:20:56Just take the elevator up to the 18th floor.
00:20:58That's our credit department.
00:21:00This is a cash sale, buddy.
00:21:01Do you want the tree or don't you?
00:21:07Hey, wait.
00:21:09Look, you can have the tree.
00:21:11Give me the 40 cents.
00:21:12Oh, thanks.
00:21:14I'll pay you the rest as soon as I can.
00:21:16I'll give you a week.
00:21:17If you don't pay it up by then, I'll find out where you live
00:21:20and take the tree back.
00:21:25Eleven, twelve, thirteen, fourteen, fifteen.
00:21:30Why don't you leave it at the bank while you were there?
00:21:32At the bank?
00:21:33Katie, you're not serious after all that happened
00:21:35to our little savings in 1929.
00:21:38No, sirree.
00:21:39They're never going to get any of my money again.
00:21:42I'm going to hide it right in this house.
00:21:45Katie, you better run over to the church
00:21:50and say that little prayer now.
00:21:52Frank, you're sending me away
00:21:54because you want to keep the hiding place a secret from me.
00:21:57Oh, no, it isn't you, Katie.
00:21:58It's Pete.
00:21:59You're too soft-hearted with that boy.
00:22:02I'm afraid that something...
00:22:03What's the use of money, anyway, if you hide it?
00:22:06Money's for buying things,
00:22:07to enjoy life, to have some pleasure.
00:22:09Ah, that's a lot of hooey.
00:22:11Money is for security,
00:22:12not to worry about the future,
00:22:13to enjoy sleep.
00:22:15All right, Frank, I'm going.
00:22:16And I don't care if you stick that blasted money
00:22:18up the chimney and let it smoke
00:22:19till it smells like a ham butt.
00:22:20No, no, no, no, no, no, no, no, no, no, no.
00:22:31You're a lie.
00:22:35Come, Lord, he's for you.
00:22:40No, no, no, no, no.
00:22:45You're a lie.
00:22:47Come, Lord.
00:22:48How long, how long is it going to be, moving from one place to another, always moving, never having a place to call our home?
00:23:13Believe me, Lord, we've tried so hard.
00:23:15We've tried everything, everything.
00:23:22But it's so difficult to find a job for a human pyramid.
00:23:29You're our only hope, so it's up to you.
00:23:35Please.
00:23:36Please.
00:24:06Please.
00:24:08Please.
00:24:10Please.
00:24:12Please.
00:24:14Please.
00:24:15Let's go.
00:24:45Let's go.
00:25:03Tomorrow is Christmas.
00:25:06We haven't even got a tree.
00:25:09No money to buy some little gifts.
00:25:13Not even a pair of shoes for Rosalinda.
00:25:22She must have those shoes, Lord.
00:25:26She needs them real bad.
00:25:54Let's go.
00:26:24Tell me, Rosalinda, do you still play the harp?
00:26:39Sure. Why?
00:26:41Well, I think I'll compose something just for the harp and tuba.
00:26:44And I'm going to call it The Melody of Two Orphan Instruments.
00:26:48That's a cute title. Do you think they'll go together?
00:26:50I don't know. But I'm hoping.
00:26:54Papa, Papa, wait.
00:26:57Papa! Papa, wait.
00:27:03Papa! Papa, wait.
00:27:11Papa, Papa, wait.
00:27:34But I don't understand.
00:27:37A tree, presents.
00:27:39And look at it, Papa.
00:27:40A turkey and cranberry sauce and plum pudding and candy and nuts.
00:27:45And look, brand new shoes.
00:27:48But how? I don't understand.
00:27:50You couldn't have won it on a quiz program.
00:27:52We haven't got any phone.
00:27:53No, Papa, I didn't win anything.
00:27:55Mama, your wedding ring, you didn't hock your...
00:27:58No, I didn't hock anything. All I did...
00:28:00I know.
00:28:01You wired that drummer in Boston who had a crush on you.
00:28:04That chic with the patent letter shoes and tuxedo.
00:28:07I remember what he said when we announced our engagement.
00:28:11If ever you needed anything...
00:28:12Papa, that was 22 years ago.
00:28:15I don't care if it was 100 years ago.
00:28:17I never trusted a guy with a tuxedo.
00:28:20Especially a rented one.
00:28:21Oh, let Mama explain, Papa.
00:28:23No, the money didn't come from him.
00:28:25It came from...
00:28:27Here, Papa.
00:28:28You better sit down.
00:28:29Better listen to your car, Papa.
00:28:34Rosalinda, bring Papa a glass of water.
00:28:38Papa, you love me, don't you?
00:28:41Of course I love you.
00:28:43And you trust me?
00:28:44You'd believe me if I told you something, wouldn't you?
00:28:47Even if nobody else in all the world would believe me,
00:28:50you would believe me, wouldn't you, Papa?
00:28:53Sure I would, Mama.
00:28:54Well, I was sitting right here in this chair.
00:29:00And I was praying.
00:29:02And...
00:29:03Well...
00:29:05This money.
00:29:08$1,500...
00:29:11Come floating right down through the hole in the skylight.
00:29:15$1,500?
00:29:18From heaven?
00:29:19You do believe me, don't you, Papa?
00:29:21If you said it, I've got to believe you.
00:29:26Oh, Merry Christmas, Papa.
00:29:29Merry Christmas, Papa.
00:29:32You see, Rosie?
00:29:33I told you old Saint Nick wouldn't forget us.
00:29:36All we needed was an address.
00:29:41Frank, this perfume is lovely.
00:29:43Dangerous.
00:29:44Such a big bottle.
00:29:46It must have cost at least $10.
00:29:48It's not that dangerous.
00:29:49Oh, this is a terrific tie, Dad.
00:29:52Thanks again.
00:29:53Did you see the watermelons' mom?
00:29:54They're hand-painted.
00:29:57Now, who's that?
00:30:03Merry Christmas, young men.
00:30:05Merry Christmas.
00:30:06May we come in?
00:30:07Oh, why, of course.
00:30:08Merry Christmas.
00:30:09Merry Christmas.
00:30:10Merry Christmas.
00:30:11Merry Christmas to you.
00:30:12Merry Christmas.
00:30:13Merry Christmas.
00:30:13Merry Christmas.
00:30:13Merry Christmas.
00:30:14Merry Christmas.
00:30:16Why, Mr. Amendola, we have the exact same ties on.
00:30:20It could be a lot worse if we were girls wearing the same dresses.
00:30:23Oh, Mom, Dad, this is Mr. and Mrs. Amendola and their daughter Rosalinda.
00:30:31How do you?
00:30:32Where are your new tenants?
00:30:34And the Yuletide season being upon us, we thought we'd drop in and pay you a visit.
00:30:38To pay what?
00:30:39A visit, Frank, a visit.
00:30:41Oh.
00:30:42Well, make yourselves comfortable.
00:30:44Oh, do sit down, Mrs. Amendola.
00:30:46I'm glad you brought your heart, Rosalinda.
00:30:48Can we put it right over here?
00:30:49Yes.
00:30:49That's a nice tree you got there, Mr. Dingle.
00:30:52Where did you get it?
00:30:53Molinaries?
00:30:54Uh-huh.
00:30:54Maybe we ought to go down there next week and make our payments together.
00:30:58Payments.
00:30:59Speaking of payments, Mr. Amendola, just what do you do for a living?
00:31:03Doesn't the name of Amendola suggest nothing to you?
00:31:05You surely must have seen us perform someplace.
00:31:09Florida in the racing season, Lake Placid in the winter season, or perhaps Africa in the malaria season.
00:31:15Yes, sir, Dingle.
00:31:16Someday you'll be able to say the Amendolas were your tenants.
00:31:20If I don't get my rent money, I'll be able to say that tomorrow.
00:31:23I'm glad you brought that up, Mr. Dingle.
00:31:26Now, if you'll just hang your sock on a mantle, I'll drop in three months' rent.
00:31:32Keep the $4 change.
00:31:34Three months' rent in advance.
00:31:37Mr. Amendola, we're so glad you folks dropped in on us.
00:31:42Katie, get Mr. Amendola a chair and some coffee and some cake, Katie.
00:31:46Where's the Christmas spirit?
00:31:48That's right.
00:31:49Where is the Christmas spirit?
00:31:50Jingle bells, jingle bells, jingle all the way.
00:31:54Oh, what fun it is to ride on a one-horse open sleigh.
00:31:58Jingle bells, jingle bells, jingle all the way.
00:32:02Oh, what fun it is to ride on a one-horse open sleigh.
00:32:06Ah, I love the excitement of Christmas.
00:32:10I'll never forget one Christmas Eve when I was a kid.
00:32:14I hung my stockin' up on a mantle, wiped the bed.
00:32:16And when I woke up the next mornin', what do you think I found on my stock?
00:32:20My father's foot.
00:32:24Jingle bells, jingle bells, jingle all the way.
00:32:27Soft.
00:32:27Oh, what fun it is to ride.
00:32:30Soft.
00:32:31Jingle bells, jingle bells.
00:32:33Wait a minute, wait a minute.
00:32:35Another odd bush like that, Mr. Dingle, and I'll hide your electric trains.
00:32:41Single bells, single bells, jingle all the way.
00:32:44Soft.
00:32:45Oh, what fun it is to ride on a one-horse open sleigh.
00:32:48Soft.
00:32:50How do you like that?
00:32:51There's a guy goin' in business for himself.
00:32:55Wait a minute.
00:32:56All together.
00:32:57Hey, jingle bells, jingle bells, jingle all the way.
00:33:01Oh, what fun it is to ride on a one-horse open sleigh.
00:33:05Jingle bells, jingle bells, jingle all the way.
00:33:09Oh, what fun it is to ride on a one-horse open sleigh.
00:33:16This is wonderful.
00:33:18Now, isn't it a shame that Christmas comes but once a year?
00:33:27Wouldn't it be nice if it came around twice?
00:33:31Spreadin' hope and good cheer.
00:33:34Just when everyone forgets goodwill to men,
00:33:38That's the time for jingle bells to chime again.
00:33:42Now, isn't it a shame that Christmas comes but once a year?
00:33:49Now, isn't it a shame that Christmas comes but once a year?
00:33:56You'll notice Rosalinda brought her harp along, and she didn't say that Christmas comes but once a year?
00:34:04You'll notice Rosalinda brought her harp along, and she didn't bring it to slice hard-boiled eggs, and she didn't bring it to slice hard-boiled eggs.
00:34:19All right, Rosalinda.
00:34:20Here you are, Rosalinda.
00:34:22Oh, I finished the melody for two orphan instruments.
00:34:26Want to try it?
00:34:27Sure.
00:34:28Set the music down over here, Pete.
00:34:29Okay.
00:34:30There you are.
00:34:31Thanks.
00:34:32Ready?
00:34:33Yes.
00:34:34Uh-huh.
00:34:35Uh-huh.
00:34:36Ready?
00:34:37Yes.
00:34:38Uh-huh.
00:34:39Okay.
00:34:40There you are.
00:34:41Thanks.
00:34:47Ready?
00:34:48Yes, uh-huh.
00:35:06I don't want my wife to hear this, but the stage has always fascinated me.
00:35:34Don't you think I got a very fine singing voice?
00:35:37Why, the bad tubs are the oil of fuller singers, Mr. Dingle.
00:35:40But did you ever hear of anyone doing a backflip in a bad tub?
00:35:43No.
00:35:44And you know the reason why?
00:35:45Because only a few of us are acrobats.
00:35:48Oh, acrobats.
00:35:49I just love to learn a few tricks.
00:35:52I'm always so dull when company comes.
00:35:54I can't do a thing.
00:35:55Can't you teach me a few things?
00:35:57Why, I'd be glad to teach you.
00:35:59If you got anything around here we could rig up like a teeter board?
00:36:03Uh, a seesaw?
00:36:04Yeah.
00:36:05Oh, I think so.
00:36:06Let me see.
00:36:07How about a table leaf?
00:36:08You got one?
00:36:09Go get it.
00:36:10Great.
00:36:11Now get me a glass of water.
00:36:13Thanks.
00:36:14Why, this trick is so simple I taught it to Rosalinda when she was only three years old.
00:36:18Now you get up in that chair.
00:36:19I'll stand down at this end.
00:36:20Place the glass of water on my head.
00:36:21And when I say go, you jump down on that chair.
00:36:22I'll stand down at this end.
00:36:23And when I say go, you jump down on that end.
00:36:24I will then do a back somersault, light a cigarette in mid-air, and land in that chair.
00:36:26I'll stand down at this end.
00:36:27And when I say go, you jump down on that end.
00:36:28I will then do a back somersault, light a cigarette in mid-air, and land in that chair.
00:36:30Without spilling one drop of water.
00:36:31Ready?
00:36:32Ready.
00:36:34Oh, yes.
00:36:36Not the best.
00:36:37No.
00:36:38Is that any other thing?
00:36:39Oh.
00:36:40Yes, sir.
00:36:41Yes, sir.
00:36:42I'll do a job.
00:36:43Hold it.
00:36:44No.
00:36:45Then what?
00:36:46No.
00:36:47No.
00:36:48No.
00:36:49Yeah, dear.
00:36:50No, no, no, no.
00:36:51No, no, no!
00:36:52No, no, no, no, no.
00:36:53No, no, no, no, no, no.
00:36:55No, no, no, no.
00:36:56No, no, anyway.
00:36:57Let's go.
00:37:00Go.
00:37:08Try much.
00:37:27That's so pretty, Pete. And he wrote it himself.
00:37:35How well he plays the tuba.
00:37:38Oh, it's lovely, Pete.
00:37:40So are you.
00:37:42Gosh, Rosalinda, your hair, your dress.
00:37:45Gosh, you're beautiful.
00:37:47Thank you, Pete. May I have this, Pete?
00:37:50Oh, sure, sure. I wrote it for you.
00:37:57Look, somebody's coming to see us in a beautiful car.
00:38:05Rosalinda, go down and see who it is. It might be somebody important.
00:38:17Yes?
00:38:19Oh, hello. Is Joe Mahoney home?
00:38:21Well, he's moved away.
00:38:23He has? Well, do you know where he went?
00:38:25I'm afraid I don't.
00:38:27It's great.
00:38:28What'll I do with this Christmas present I brought him?
00:38:32Here. It's yours.
00:38:34Go ahead. Go ahead. It's all right.
00:38:35I really don't.
00:38:36Oh, it's just fruit and things.
00:38:38Do you live here?
00:38:39Yes.
00:38:40Alone?
00:38:41With my parents.
00:38:42Oh, well, that's nice.
00:38:44Uh...
00:38:47Anything I can do for you?
00:38:48Well, my name is Phil Davis.
00:38:49I'm a friend of Joe Mahoney's, and I just dropped...
00:38:51Phil Davis, the agent?
00:38:52Yes, that's me.
00:38:54Believe me, this is a pleasure.
00:38:55My name is Amendola.
00:38:56You've heard of the Amendola Trio, haven't you?
00:38:58You know, the human pyramid.
00:39:00Come in.
00:39:01Come in.
00:39:02Now, don't pay any attention to this apartment, Mr. Davis.
00:39:06We just moved in yesterday.
00:39:07Not much of a place, but for certain reasons, it fascinates me.
00:39:13Oh, Mr. Davis.
00:39:14Take a look at this poster.
00:39:15You're gazing on one of the greatest vulnerable acts of its time.
00:39:19And, uh, the only reason we disbanded was because of my little daughter's rapid notoriety.
00:39:23Oh, yes.
00:39:24I can see what you mean.
00:39:25Oh, Mr. Davis.
00:39:26I was just thinking.
00:39:27I can work alone.
00:39:28Why, I can out-juggle anyone in the business.
00:39:29And you know something?
00:39:30I can juggle 25 plates with one hand.
00:39:31And with the other hand, I pick up the broken ones.
00:39:34Just a little joke I used in the act.
00:39:36Now, if you give me your undivided attention.
00:40:04I can't do it.
00:40:05I can't do it.
00:40:26Say, that's good.
00:40:28That's great.
00:40:29How'd you do it?
00:40:30Huh?
00:40:31How'd you do it?
00:40:32What?
00:40:34Oh.
00:40:35That's a trade secret.
00:40:36Do it again.
00:40:37Oh, yes.
00:40:38Do it again, Papa.
00:40:39Rosalinda.
00:40:40You know the great Amendola never repeats twice.
00:40:43Well, that's very clever.
00:40:45I'll try and book you, Mr. Amendola.
00:40:47Sure, sure.
00:40:49Now, uh, how about you?
00:40:52About me?
00:40:53Yeah.
00:40:54Oh, I'm sorry to butt in, but the, uh, coffee's ready.
00:40:58Oh.
00:40:59You know, a girl with your looks and figures,
00:41:01be in the limelight.
00:41:02And I'm just the man who can put you there.
00:41:04Said he as he twirled his black mustache and I depraved beauty.
00:41:07Who's he?
00:41:08Please.
00:41:09You were saying, Mr. Davis.
00:41:11Well, a girl like you should have a decent place to live.
00:41:14Not to dump like this.
00:41:16What's good enough for my mother and father is...
00:41:18Is hardly good enough for a raving beauty like you.
00:41:21And Mr. Davis here is just...
00:41:22Please.
00:41:23Well, the coffee's ready.
00:41:25It's getting cold and so is a cake.
00:41:27I'm sorry.
00:41:28But Mr. Davis is a very important Broadway agent.
00:41:31Broadway chiseler.
00:41:33I beg your pardon.
00:41:34What was that?
00:41:35Oh, I know the type.
00:41:37Promises young girls, expensive clothes, diamonds, furs, anything to make an impression.
00:41:42He didn't say those things.
00:41:43You did.
00:41:44Well, he was going to.
00:41:49What right does he get to call me a chiseler?
00:41:51Why, he doesn't even know me.
00:41:53I think he's jealous.
00:41:55Well, maybe he's got a case.
00:41:58Say, it's Christmas and I'm all alone.
00:42:01How about me taking you out to a Chinese dinner tonight?
00:42:04Well, I'm sorry, but I was a...
00:42:07I'd love to.
00:42:09Father, may I go out with Mr. Davis?
00:42:12You better ask your mother.
00:42:14Oh, thanks a lot.
00:42:19Two five nuts up when only four came down.
00:42:22This defies the laws of gravity.
00:42:34It's midnight. She isn't home yet.
00:42:52Mama, stop worrying. Nothing can happen to her.
00:42:55She's not alone. She's with a man.
00:42:58Mama, another miracle happened this afternoon.
00:43:02A miracle?
00:43:03I tried to juggle a few walnuts.
00:43:05One didn't come down. It just disappeared.
00:43:08Merci me.
00:43:09This is a strange house.
00:43:11Money comes down and walnuts go up.
00:43:14But I guess that's better than money going up and walnuts coming down.
00:43:18I don't know what to make of it.
00:43:33It's a strange house.
00:43:34This man is called the house.
00:43:35I just bought that Avantini.
00:43:36This is a big house.
00:43:37There's no trouble.
00:43:38I know that before.
00:43:39I got the first house.
00:43:40But before I got the house.
00:43:41One, I got the house.
00:43:42You found a fine house.
00:43:43You cannot buy a nice house.
00:43:44You cannot buy a nice house.
00:43:45You'll be gone.
00:43:46And there's no money.
00:43:47I got the money.
00:43:48I've been thinking about that Amandola family.
00:43:50Why should people who can afford to pay three months rent in advance...
00:43:53want to live in a dump like that?
00:43:56Frank, last night you couldn't sleep because they didn't pay their rent.
00:44:00Tonight you can't sleep because they did.
00:44:03For goodness sake, stop worrying and go to sleep.
00:44:18I'll be right back.
00:44:35Why don't you go to New York?
00:44:37Things can happen to you.
00:44:40Let's not start that again, Phil.
00:44:42I'm crazy about you, Rosie. I'll do anything for you.
00:44:44do you know any music publishers phil sure dozens of them why well i wrote some music i think it's
00:44:55beautiful if you could take it i didn't know you were a composer
00:44:58melody for two orphan instruments by peter dingle who's peter dingle oh you see well i put a man's
00:45:09name on it because i knew no one would even look at it if they knew a girl wrote it well i'll see
00:45:14what i can do if it's any good i'll try and have it published oh thanks a lot phil well night wait a
00:45:20minute uh see you tomorrow
00:45:44i'm sorry to wake up mr haggerty
00:45:51oh i'm sorry to wake up mr haggerty what's the matter pete somebody's sick yeah me i want that job
00:46:18well do you want to start right now or can you wait till tomorrow morning
00:46:23i'm sorry i was afraid somebody else might get it you see mr haggerty i need money
00:46:29hey pete yeah
00:46:42been closer laddie boy this is for your ears alone i got a sure thing in the sixth at california
00:46:55today cut me in on 40 percent of the winnings and i'll give it to you this one can't lose it'll win
00:47:00in a walk yeah and while our horse is walking the others will be running if you have another hot
00:47:05one can't lose it mulligan leave it under the plate
00:47:12yes sir what's your best cigar oh i got some good ones back here quarter a piece quarter a piece
00:47:19how much does a whole one cost
00:47:23it's just a little joke about as little as i've heard
00:47:28pete hello hi what'll it be i'd uh i didn't know you worked here pete
00:47:40oh that's strange it was in all the papers but you remember once you told me you were opposed to work
00:47:46sure i even remember i couldn't buy a certain girl a cool drink in a drugstore
00:47:51now not only can i buy it but serve it too what'll it be pete you took this job on account of me
00:48:00the girl i'm referring to only wanted a malt of milk
00:48:05can we go now oh it's you let's go honey i'd like a malt of milk phil
00:48:12not in this dump please goodbye
00:48:15so long
00:48:18look pete you're missing a great bet that philly's sure to wind up in the money
00:48:25yeah that's what i'm afraid of
00:48:27how's that for a bargain only 49.50
00:48:46but papa what do we want with a polar bear rug this isn't an ordinary polar bear just watch
00:48:53all you gotta do is twist it too then
00:48:59music it's also a radio
00:49:01you're gonna tune this for short wave
00:49:04but we don't need it
00:49:06sure we do
00:49:08it lends an air of quality to the place
00:49:10mama wants a real home without a polar bear but we must stop buying things that five hundred dollars you have left has got to last
00:49:21oh uh i'm glad you brought that up
00:49:24you know that mr byfield who we bought these few pieces of furniture off
00:49:28well i stopped by there today to look at the little piano we were talking about
00:49:32and you know something
00:49:35he isn't doing so well
00:49:36oh papa i hope you didn't
00:49:39it's not his fault that business is bad
00:49:41nationally with the banks leaning on the place and no one that trying to
00:49:44the last five hundred dollars
00:49:45oh papa all our lives you've been doing this
00:49:49whenever we get a little ahead you'll meet someone who's in trouble and you just melt like chocolate in a baby's hand
00:49:56i couldn't help it
00:49:58he needed it
00:49:59but mama we got nothing to worry about
00:50:02we still got that hundred dollars i gave you yesterday
00:50:04no
00:50:05i mailed that money away for the unpaid bills we left in chicago
00:50:09that puts us right back where we were a week ago
00:50:12that's right
00:50:14all you gotta do is do what you did a week ago
00:50:17pray
00:50:18well i am praying every hour of the day but if it's more money you want me to pray for
00:50:23why not mother it's worth a try
00:50:26well
00:50:28well
00:50:29i
00:50:30i just wouldn't have the nerve to ask again
00:50:33besides it's selfish
00:50:36but papa just told us he helped somebody with it
00:50:39that wasn't selfish
00:50:40and besides all you gotta do is ask
00:50:43and let heaven make up its own mind
00:50:45well even if i could remember the prayer
00:50:48you must remember mother the same thing you said before
00:50:51well i don't know
00:50:53all i recall saying is that rosalinda needs shoes
00:50:56but now she doesn't need shoes she has four pair already
00:51:00but mama
00:51:01when you say she needs shoes that doesn't mean she really needs them
00:51:05it's like stagehands in the theater playing dice
00:51:08a guy says baby needs a new pair of shoes
00:51:11that doesn't mean she needs them
00:51:13it's just a disfigurement of speech
00:51:16all right bring me the little old rocker
00:51:19i'll get it
00:51:20i was sitting in it when it happened
00:51:31say it mama
00:51:32say it
00:51:33please help us
00:51:35rosalinda needs shoes
00:51:36she needs them real bad
00:51:38it's no use mama
00:51:59the prayer won't be answered
00:52:01maybe it has been answered
00:52:04the answer is no
00:52:09well
00:52:11but grateful anyhow
00:52:12i guess i'd better take this rock back to the shop
00:52:16please
00:52:29forgive me for telling a lie
00:52:31rosalinda doesn't need shoes
00:52:34i'm sorry
00:52:35i'm sorry
00:52:36i'm sorry
00:52:37i'm sorry
00:52:38i'm sorry
00:52:39i'm sorry
00:52:40i'm sorry
00:52:41i'm sorry
00:52:42i'm sorry
00:52:43i'm sorry
00:52:44i'm sorry
00:52:45i'm sorry
00:52:46i'm sorry
00:52:47i'm sorry
00:52:48i'm sorry
00:52:49i'm sorry
00:52:51i'm sorry
00:52:52i'm sorry
00:52:53i'm sorry
00:52:54i'm sorry
00:52:55i'm sorry
00:52:56i'm sorry
00:52:57i'm sorry
00:52:58i'm sorry
00:52:59i'm sorry
00:53:00i'm sorry
00:53:01i'm sorry
00:53:02i'm sorry
00:53:03It happened exactly a week ago at about the same time.
00:53:09Exactly $1,500 again.
00:53:12Mercy me.
00:53:14Now, all you gotta do is sit in that old rocker every Thursday at 3.30 and say,
00:53:18Rosalinda needs shoes and click $1,500.
00:53:22It's funny how simple life can be.
00:53:33It's coming down.
00:54:03Well, here we go.
00:54:05Here we go.
00:54:32Hello, Petruska.
00:54:33Here's your bread and cake, Mr. Amendola.
00:54:35Thanks.
00:54:36Oh, and here's the cake.
00:54:37Your share of all profits for this month.
00:54:40Well, well.
00:54:42You cast your dough upon the waters, it circulates,
00:54:45and it comes back strawberry shortcake.
00:54:47Thanks, partner.
00:54:48Thank you, Mr. Amendola.
00:54:54Who was it, Papa?
00:54:56Petrushka, our baker.
00:55:03Oh, Mama.
00:55:09Look.
00:55:11This is our share of the month's profit.
00:55:13Oh.
00:55:15How much did we decide to contribute to buy shoes for European children?
00:55:18$600. Why?
00:55:20Well, deposit this, and we can make it $1,000.
00:55:23Oh, that's fine.
00:55:26I'm telling you, it's all over town.
00:55:28This Amendola character gave $1,025 for kids' shoes.
00:55:31He lives in a stable and sleeps in a straw.
00:55:33The guy doesn't work.
00:55:34It don't add up.
00:55:35Where does he get the money?
00:55:36He gave $2,500 for European children.
00:55:40What line of business is he in?
00:55:42Nobody knows.
00:55:43Read all about it.
00:55:45Local man gives sausage to charity.
00:55:47Read all about it.
00:55:49When they moved in, they didn't have a nickel to their name.
00:55:52Two months later, he buys a ship load of shoes for foreign kids.
00:55:56Now, how do you figure that?
00:55:58I'd like a super duper, triple decker, banana delight.
00:56:04Coming up.
00:56:05You know what I think?
00:56:06He's printing his own money right there in that shack of yours, Mr. Dingle.
00:56:10Well, I hate gossip.
00:56:12But I just heard from a friend of mine whose wife told him, and she swears is true,
00:56:17that Amadola is a big gangster in hiding.
00:56:20And if I was you, Mr. Dingle, I'd notify the police right away.
00:56:24Notify the FBI?
00:56:26I saw it in a movie.
00:56:27Someone should write them an anonymous letter.
00:56:29Sure.
00:56:30Write anonymous letters.
00:56:31Report them to the police.
00:56:32Put them in jail.
00:56:33The guy has to be punished because he has a big heart.
00:56:36Oh, pipe down, Pete.
00:56:37I told you never to argue with the customers.
00:56:41Sorry.
00:56:42I think it's all a lot of hooey.
00:56:44You know what I heard?
00:56:45A man comes to see the pretty Amadola girl every day in a big car.
00:56:49We can't hear you.
00:56:50Louder.
00:56:51A man comes to see their daughter every day in a big car.
00:56:54That's true.
00:56:55He's a Broadway agent.
00:56:56What about him?
00:56:57You like a little, uh, strawberry?
00:56:58Sure, sure.
00:56:59He's the individual that floods Amadola with money on account of that girl.
00:57:04Some whipped cream.
00:57:05Love it.
00:57:06That's what I say about actors.
00:57:08People like the Amadolas can contaminate a whole community.
00:57:12Just like one rotten apple in a barrel.
00:57:19Pete!
00:57:20Oh, I forgot the cherry.
00:57:29What'll it be?
00:57:35Bourbon and water.
00:57:36Hi, Pete.
00:57:38Oh, hi.
00:57:39Say, I had dinner at the drug store.
00:57:42And I heard you pushed a chocolate sundae into a perfectly good customer's kisser.
00:57:46Is it true?
00:57:47No, it was a banana delight.
00:57:49You're hurt, Pete.
00:57:51Who hurt you, boy?
00:57:52Nobody.
00:57:53I just counted my money, and I discovered I was 16 cents short of my first million.
00:57:58That makes me sad.
00:58:01Listen, Pete.
00:58:03If you're open for a proposition, I know how to make some real dough.
00:58:07Get this.
00:58:08A friend of mine...
00:58:10Look, Eddie, why don't you make like a ballerina and dance away?
00:58:15Here, stick this in the jukebox and play something loud.
00:58:19This friend of mine is drilling for oil in California.
00:58:23He's down 9,000 feet.
00:58:25Got 500 more to go.
00:58:27So now it's oil stocks.
00:58:29Don't you ever give up, Mulligan?
00:58:31But, Pete, for only two Gs, you can grab yourself 20% interest and become a millionaire in no time.
00:58:37Are you out of your mind?
00:58:39Where would I get $2,000?
00:58:41How about asking your old man?
00:58:43Oh, don't be ridiculous.
00:58:44My father gets a small pension.
00:58:46He's very happy if he can make ends meet.
00:58:49That's what you think, Junior.
00:58:51My brother-in-law, who happens to be a policeman at the bank, says that old man of yours has been cashing pretty large checks for weeks now.
00:58:59Wait a minute.
00:59:00I did see him coming out of the bank once, and he gets a letter from them every week.
00:59:05You see?
00:59:06All you have to do is ask him to back you.
00:59:08What father could refuse such a proposition?
00:59:11Tell me, Mulligan.
00:59:12Is this really on the level?
00:59:14I'll tell you what I'll do.
00:59:16I'll introduce you to my friend.
00:59:17He'll show you the papers.
00:59:19And besides, he'll give you all the security you want.
00:59:22I'll see you tomorrow.
00:59:26There must be a screw loose in your head.
00:59:28Who's got $2,000?
00:59:29What $2,000?
00:59:30Pa, I know you have it.
00:59:31You've been seen in the bank cashing large checks lately.
00:59:33That's a lie.
00:59:34Now get out.
00:59:35I don't want to hear any more about it.
00:59:36But I'll pay you back.
00:59:37I'll repay you ten times over.
00:59:39But I haven't got it.
00:59:40I tell you, I haven't got it.
00:59:41Pa, you must give it to me.
00:59:43You simply must.
00:59:44Get out, you crazy fool.
00:59:45Get out before I break that blasted tuba over your head.
00:59:48Get out.
00:59:52I'll take you to the door.
00:59:53Oh, no, that's all right.
00:59:54You sure you get in all right?
00:59:55Sure.
00:59:56All right.
00:59:57Give it to me.
00:59:58I'll take you to the door.
00:59:59Oh, no, that's all right.
01:00:00You sure you get in all right?
01:00:01Sure.
01:00:04All right.
01:00:11I'll take you to the door.
01:00:13Oh, no, that's all right.
01:00:15Should we get in all right?
01:00:17Sure.
01:00:25Oh, Pete.
01:00:27Hello, Rosalinda.
01:00:29It's a beautiful night, isn't it?
01:00:31Yeah.
01:00:33Mind if I join you?
01:00:35No.
01:00:37No, not at all.
01:00:39I, uh...
01:00:41I want to talk to you.
01:00:43What is it, Pete?
01:00:45Well, that is, I...
01:00:47I have no right to say this, but...
01:00:49Oh, say it anyhow, Pete.
01:00:51It might be something I'd like to hear.
01:00:55Well, it's the money your father's spending.
01:00:57They think it's coming from Davis.
01:00:59From Phil?
01:01:01Yeah.
01:01:03They say he's in love with you.
01:01:05Well, you don't believe that, do you, Pete?
01:01:07I see how anyone might get a wrong impression.
01:01:09About Phil and me, I mean.
01:01:11But there isn't anything between us, Pete.
01:01:13I can't explain to you about the money,
01:01:15because there just isn't any explanation, but...
01:01:17Oh, there's no need for one.
01:01:19Not about Davis, or...
01:01:21the money, or...
01:01:23or anything.
01:01:25Then what is it, Pete?
01:01:27Why are we sitting here like this,
01:01:29when all you have to say is...
01:01:49Oh, what's the use, Rosalinda?
01:01:51All right, suppose I have a love with you.
01:01:55That's not enough.
01:01:57Two thousand dollars, plus more luck than I dare hope for.
01:02:01And we might be able to do something about it.
01:02:03A marriage license only costs two dollars.
01:02:06Yeah, but how could we live?
01:02:08We could manage.
01:02:10How?
01:02:11By putting windows in my tuba,
01:02:13and converting it into a quonset hut?
01:02:16My mother and father didn't have a penny when they were married.
01:02:19And Papa said that that was the happiest time in their whole lives.
01:02:25Very true.
01:02:28Yeah, that's great.
01:02:29But I can't even juggle.
01:02:32We'll have to take that up the first thing in the morning.
01:02:37But why must we have two thousand dollars?
01:02:39It's an oil deal.
01:02:41And it might come in.
01:02:43Then again, it might not.
01:02:44But if it did...
01:02:48What's the use trying to dream my way out of it?
01:02:52Pete.
01:02:53Maybe Papa could lend you the money.
01:02:56Maybe.
01:02:57What, two thousand dollars?
01:02:59You can ask him.
01:03:01I'm sorry, Rosalinda.
01:03:03I'm superstitious about borrowing money that comes from heaven.
01:03:14There have been someone from heaven because of the rozm
01:03:16Everything has been scourging accounting.
01:03:17Yes more than this,
01:03:18You stay having trouble.
01:03:19I live through a month.
01:03:20I have never had trouble coming.
01:03:21And I don't want to stay.
01:03:22Only when they enter that money.
01:03:23Even listening to that,
01:03:24I'm not a mess of a man here
01:03:26That doesn't look like this.
01:03:27I have never had trouble,
01:03:29not to怪 you,
01:03:30But as in a place,
01:03:32And now,
01:03:33To the road that gets my manad Los Elias,
01:03:35And my aunt and mat
01:03:38Oh, Pete, Pete.
01:03:55Oh, Mr. Armandoor.
01:03:59I couldn't help overhearing you and Rosalinda talking out here.
01:04:03It's not that I was eavesdrooping or that I meant to listen.
01:04:05It was just that I had to get up and fill them a cold water bottle.
01:04:09You see, my feet get very hot at night.
01:04:11I, uh, hope we didn't disturb you.
01:04:13What disturbs me is this idea you got about Rosalinda and this guy Davis.
01:04:18Believe me, there's nothing to it.
01:04:21Why, if you'd look with your heart instead of your eyes,
01:04:24you could see where our best intentions are.
01:04:26Look, Mr. Armandoor, it isn't Rosalinda. It's me.
01:04:30Sure it's you.
01:04:32I heard what you says about being broke.
01:04:34And if you ask me, I think your get up and goes, got up and went.
01:04:39What you need is confidence.
01:04:42And listen, about that $2,000, I'd be very glad to...
01:04:46I couldn't take your money, Mr. Armandoor.
01:04:49Of course, the oil might come in,
01:04:51but right now it's just a hole in the ground in California.
01:04:54So what?
01:04:56Uncle Sam put money in a hole in the ground,
01:04:59and it turned out that before it knocks,
01:05:00and I could take a risk, too.
01:05:03But let's talk about it, Armandoor.
01:05:13Mama, where's Rosalinda?
01:05:14I went for a walk with the boy next door.
01:05:17You know, Papa, I think that's getting serious.
01:05:21Oh, they might get married and have a couple of kids,
01:05:25but that's as far as it would go.
01:05:27Oh, Papa, Papa.
01:05:33Mama, remember this?
01:05:37Vaguely.
01:05:38Some boy who was courting me used to sing it to me 22 years ago.
01:05:43Who was that now?
01:05:45Was it the wealthy cattleman from Montana or that drummer from Boston?
01:05:50Mama, that was me.
01:05:52Of course it was, Papa.
01:05:55And I've been singing myself to sleep with it ever since.
01:05:58Sing it, Papa.
01:05:59Take an L, take an O, and take a B.
01:06:07Take a Wubble U, another Wubble U, another Wubble U.
01:06:12Take a park, a bench, beneath the tree.
01:06:17I remember.
01:06:19To that L-V, then add an E.
01:06:23Take a girl, a ring, a little I do.
01:06:31A house in the country for just me and you.
01:06:36And then soon there will be one, two or three.
01:06:42Little Wubble U, little Wubble U, little Wubble U.
01:06:47Little Wubble U, little Wubble U, little Wubble U.
01:07:13Yes, gentlemen?
01:07:14We're not together.
01:07:15I'm Lieutenant Saunders, police.
01:07:17I'm looking for a man named Louie Amendola.
01:07:20That's me. I'm Inspector Taney, Bureau of Internal Revenue.
01:07:23May I come in?
01:07:24Sure. Sure.
01:07:31What did you do, Papa?
01:07:33I don't know.
01:07:34Unless I've been burning the incinerator after hours.
01:07:38Gentlemen, this is my wife.
01:07:40Well, uh, now all we need is the FBI.
01:07:46Oh, pardon me.
01:07:51Callahan, FBI. Are you Mr. Amendola?
01:07:54Yes, sir. Won't you come in?
01:07:56Thanks.
01:08:00Me and my big fat mouth.
01:08:02Mr. Amendola, I'd like to ask you a few questions.
01:08:12Do you mind?
01:08:13I was here first.
01:08:15Mr. Amendola, the Department of Internal Revenue would like some information regarding your source of income.
01:08:21What income?
01:08:22We got a report.
01:08:22Please. May I?
01:08:24We have a report showing you've been spending large sums of money,
01:08:28the source of which is not indicated in your previous income tax reports.
01:08:31We're a little curious, Mr. Amendola, to know where the money's coming from.
01:08:36We saved a lot when we were the human pyramid.
01:08:39And I took that money and I invested it wisely.
01:08:42I'll have you know that I've majored in economics at Krampus College.
01:08:46Krampus? I've never heard of that college.
01:08:48Why, that's like saying you never heard of Joe Chunkus.
01:08:51Who's he?
01:08:52He's the president of Krampus.
01:08:54Mr. Amendola, we're not interested in your education.
01:08:57We just want to know where you're getting the money.
01:08:59All right, gentlemen.
01:09:03I'll tell you the truth.
01:09:05I'm the long-lost son of a very wealthy typhoon.
01:09:11When I was only two days old,
01:09:13a nurse turned her back while I was making a change,
01:09:15and I was stolen from the cradle by a band of starving gypsies.
01:09:19And a few months ago,
01:09:22the king of the gypsies came and told me who my father was.
01:09:38I see you don't believe me.
01:09:41All right, I'll tell you the truth.
01:09:43I was down at the beach digging with my pail and shovel,
01:09:53when suddenly my shovel struck the top of an iron-bound chest.
01:09:56Heart's treasure, eh?
01:09:57That's right.
01:09:59That does it.
01:10:00Look here, Amendola.
01:10:02You've been reported for everything from swiping tires off a baby carriage
01:10:05just to operating your own mint.
01:10:06Now, what's your racket?
01:10:07Please leave him alone.
01:10:08Why can't we tell him the truth, darling?
01:10:11It's so simple.
01:10:13All right, lady.
01:10:14What is the truth?
01:10:15Where does the money come from?
01:10:18From heaven.
01:10:24Well, that explains everything.
01:10:27But it's the truth.
01:10:28It comes straight from heaven.
01:10:30$1,500 every week.
01:10:33On the dot.
01:10:35I like the one about the pirates chest better.
01:10:37Come on, Amendola.
01:10:41Let's go down and tell it to the boys at the station.
01:10:43But I can prove it.
01:10:44I can prove every word of it.
01:10:45Now, Mrs. Amendola, how can you prove it?
01:10:47It's easy.
01:10:48I put this old rocking chair in the middle of the room.
01:10:51Sit down there and say a little prayer.
01:10:54And when I say, Rosalinda need shoes...
01:10:57The money comes down like rain.
01:10:59All right, Mrs. Amendola, show us.
01:11:01Pull up the chair and say the prayer.
01:11:03Wait a minute.
01:11:04She can't do it today.
01:11:05The miracle happens on Thursday, between 3 and 3.30.
01:11:10All right, we'll be here Thursday at 3.00.
01:11:14Thursday at 3.00.
01:11:15at 3.00.
01:11:27I should doubt my veracity.
01:11:29What a veracity.
01:11:42Look.
01:11:53And I hear they're both doing tremendous business.
01:11:56They are, eh? All right, come on, let's go.
01:12:00Look.
01:12:13How's business, Mr. Molinari?
01:12:15Couldn't be better, Mrs. Dingle. More orders than we can take care of.
01:12:18Come on, Katie, let's go.
01:12:20Clever man, that Amidola. Pretty soon he'll own the whole town.
01:12:23You could have done the same thing if you'd invested your money instead of hiding it.
01:12:26Marks and Amidola garage. Look. Look at that.
01:12:31No, I won't look. And don't stop every second. I'm getting tired of this thing.
01:12:35You know what I'm gonna do? I am going to raise Amidola's rent again. As of today. Come on.
01:12:41Right.
01:12:43Due to the increased cost of living, I must raise the rent of this place.
01:12:47Again?
01:12:48This is the eighth time you've raised the rent since we moved in, Mr. Dingle.
01:12:52You're forcing me to join Landlord's Anonymous.
01:12:54Well, you can move out if you want to.
01:12:57Let's not be too hasty, Mr. Dingle.
01:13:00You might be right. Maybe the cost of living has increased.
01:13:03I wouldn't know. I haven't done today's shopping yet.
01:13:06Uh, how much more do you want?
01:13:09Uh, $30.
01:13:12$30? $125 a month? Why, it's robbery.
01:13:15Well, if you think that, you can start packing right now.
01:13:18Oh, he didn't mean that, Mr. Dingle. Did you, Papa?
01:13:21Of course not. I apologize, Mr. Dingle.
01:13:24Why, for only $125 a month?
01:13:26Where else could you find a place where the sunshine comes streaming through the keyhole all day?
01:13:31You're right. You can't take advantage of me like you've been doing with a lot of bankrupt shop owners.
01:13:35Now, look here, Dingle. I only helped those fellas out because no one else would.
01:13:39And besides, I'm not making money on all those investments.
01:13:43For instance, your son's Earl Venture.
01:13:45I'll surely lose the $2,000 I invested in that.
01:13:48You deserve to. He couldn't take me for a sucker.
01:13:51I wouldn't give him a nickel.
01:13:53If you did, you'd probably shortchange him, you tight old buzzard.
01:13:57Oh, that's done it. Another word out of you, and I'll punch you in the nose.
01:14:01Why, I'll...
01:14:02Oh, Papa! Papa! Mr. Dingle!
01:14:04Why, you two should be friends.
01:14:07If only for our children's sake, they love one another.
01:14:11Papa, who knows, they might get married someday.
01:14:14Oh, no son of mine will ever marry a girl with your daughter's reputation.
01:14:19Why, get up! Get up!
01:14:21Get up!
01:14:22Oh, Papa! Papa, the chair, it's broken.
01:14:26Get me some nails and glue. I'll fix it. Hurry. It's almost time to pray.
01:14:30We are sorry to inform you to...
01:14:45Katie! Katie! Katie! Katie! Katie!
01:15:02Yes, Frank?
01:15:04Our gold mine is exhausted. There'll be no more checks in.
01:15:09Let's get going, Amendola. It's almost 3.30.
01:15:14Okay.
01:15:16All right, Mama.
01:15:18Say it.
01:15:22Rosalinda needs shoes.
01:15:32Oh, Loria.
01:15:33Gentlemen, gentlemen, a little patience.
01:15:37$1,500 is a lot of money. Sometimes we gotta ask twice.
01:15:44Try it again, Mama. Try it again.
01:15:49Rosalinda needs shoes.
01:15:54Once again. Once again.
01:15:56Rosalinda needs shoes.
01:16:00I guess you're right, Mama. It seems the miracle is over.
01:16:21I threw away $1,500 a week when I threw this chair.
01:16:25It's not the chair. We have no excuse to ask for anymore.
01:16:30You're right, Mama. But we're doing all right now.
01:16:34There's a lot of poor people praying in this world.
01:16:37Now it's their time for miracles.
01:16:55I'm moving out of this shack the first thing tomorrow morning.
01:17:00Now even my cigarettes don't come down.
01:17:02I'm afraid you're not going to have to wait till the first thing tomorrow morning.
01:17:05You're beginning to move now. Down to the station house.
01:17:07Not so fast, Lieutenant. This is a tax matter. He goes with me.
01:17:10Wait a minute. Both of you.
01:17:12I don't know what kind of a matter this is, but he's going with me for general questioning.
01:17:15You can question him at the station house.
01:17:17I don't want to question him at your station house.
01:17:19I want to question him at my favorite station house.
01:17:21I want to question him at my favorite station house.
01:17:23I don't care where either one of you question him.
01:17:25Right now, he's going with me.
01:17:26Over my broken and splintered body he is.
01:17:28I have no objection to taking him over your broken and splintered body.
01:17:31What do you think of that?
01:17:32Gentlemen, gentlemen, let's have cooperation. Let him go with me.
01:17:36Good night, Pete.
01:17:39Good night, Rosalinda.
01:17:42Mama, what's the matter?
01:17:45Oh, it's nothing, Rosalinda.
01:17:47These gentlemen don't quite understand where we are.
01:17:50So I'm going downtown and explain it.
01:17:52You stay here with Mother.
01:17:53Is there anything I can do, Mr. Amendola?
01:17:55Oh, yeah.
01:17:56Pardon us a moment, will you?
01:17:57Look, Pete.
01:17:58I don't know how long I'm going to be gone.
01:17:59Kind of keep an eye on things around here till I get back, will you?
01:18:01Oh, sure, sure.
01:18:02But there's trouble.
01:18:03Is it serious?
01:18:04There's nothing to it.
01:18:05With time off for good behavior, I may only get life.
01:18:08All right, gentlemen, whose car do I go in?
01:18:10Mine.
01:18:11Oh, wait.
01:18:12It was this on the inside.
01:18:13I smell smoke.
01:18:15So do I.
01:18:17I do.
01:18:18But Dad, Mr. Amendola's in serious trouble.
01:18:20Maybe the $2,000 would help him.
01:18:22You've got to give it to me.
01:18:23I think you should, Frank.
01:18:24After all, if Mr. Amendola helped Pete.
01:18:26Helped him how?
01:18:27To make an idiot out of himself by giving $2,000 for that good idea.
01:18:29The good idea, Mr. Amendola was always a good idea.
01:18:32You can't do anything.
01:18:33If Mr. Amendola helped Pete.
01:18:34I helped him how?
01:18:35To make an idiot out of himself by giving him $2,000 for that good idea.
01:18:40If Mr. Amendola helped Pete...
01:18:43How? To make an idiot out of himself.
01:18:45By giving him $2,000 for that crook.
01:18:48I won't do it.
01:18:50I won't give Amendola one penny.
01:18:52Let him fry in his own fat. He belongs to jail.
01:18:54But, Dad, this is important.
01:18:57You're just a hard-hearted, money-hearted.
01:18:59Tell him I'm going upstairs where I don't have to listen to you.
01:19:10Help! Help! Help, I'm joking!
01:19:15Help! Help!
01:19:17Come on, Dad. Come on, Dad.
01:19:21No, I've got to get the money.
01:19:23But get your money.
01:19:25The money is in the hole behind the bed.
01:19:27Greg!
01:19:28Oh, my daughter.
01:19:31Greg!
01:19:32I want to get the money.
01:19:35Let me go.
01:19:36Now I'll see you the hole.
01:19:40Is he right, Rob?
01:19:49The polar bear, Rud! With the radio inside.
01:19:55Of Mr. Jimmy DiRani shows.
01:19:57Give me an apple!
01:20:00Hobminix second by next.
01:20:02Tim's cursors further from four links.
01:20:02perspective.
01:20:06Oh, my God.
01:20:36You deserve it, Frank Dingle.
01:20:38Are we insured, Pa?
01:20:40No, those chiselers don't get any of my money.
01:20:42No, sir.
01:20:44Good heavens, I'm not insured.
01:20:46You have a very smart father.
01:20:48He trusts nobody but the hole behind the bed.
01:20:50Oh, Pete, I'm so glad you're all right.
01:20:52Thousands of dollars burning right now.
01:20:54Brand-new, crisp hundred-dollar bills.
01:20:56He trusts nobody but the hole behind the bed.
01:20:58Oh, Pete, I'm so glad you're all right.
01:21:00Thousands of dollars burning right now.
01:21:02Brand-new, crisp hundred-dollar bills.
01:21:04He put them in the hole behind his bed.
01:21:06Every Thursday, $1,500.
01:21:08Now it's all gone.
01:21:20Rosa Linda needs shoes, huh?
01:21:26Now pull yourself together, Mr. Dingle.
01:21:28I'll rebuild the house if it'll be better than new.
01:21:30Mister... You will?
01:21:32I don't know what to say.
01:21:34Oh, it's perfectly all right, Mrs. Dingle.
01:21:36Why, anything to help a good neighbor.
01:21:42The way I see it, now this is very definitely only a tax matter.
01:21:46This makes things much simpler.
01:21:48What do you mean, sir? Who owes the tax?
01:21:50Amandola or this other guy?
01:21:52Well, naturally, but...
01:21:54I guess Amandola owed it.
01:21:56I don't know. They both had incomes.
01:21:58Maybe they both owe us.
01:21:59Well, how do you figure?
01:22:00It was this other fellow's income.
01:22:01Sure.
01:22:02Amandola was only innocently using the other guy's money.
01:22:05It was like a gift.
01:22:06In that case, this man not only owes income tax,
01:22:09but he'll have to pay us gift tax, too.
01:22:11As far as I'm concerned, the local law is no longer interested.
01:22:15Looks like it's out of my jurisdiction, too.
01:22:17It's too involved for me. I'm going to forget all about it.
01:22:20Until March 15th.
01:22:24What did you find?
01:22:25Nothing but a dead squirrel.
01:22:29Why, he isn't dead. He's just overcome by smoke.
01:22:31All he needs is a little fresh air.
01:22:33I wonder what he was doing in the house.
01:22:41That's a place for a little squirrel to be.
01:22:47Thanks for the lift, Pella.
01:22:53Thanks for the lift, Pella.
01:22:54Okay.
01:23:07Rupert.
01:23:10Rupert!
01:23:11Rupert!
01:23:16Rupert!
01:23:42Rupert!
01:23:51Ah, my good old Rupert.
01:23:53Oh, you haven't changed a bit.
01:23:58You smell a little smoky, though.
01:24:00Now tell me. How was it?
01:24:02How did the other squirrels treat you?
01:24:04Were they good?
01:24:05Oh, oh. I've got good news for you.
01:24:07I got a job with the circus.
01:24:08I got a job with the circus.
01:24:10We start in two weeks in Hoboken.
01:24:12Me and two seals.
01:24:38I got a job with the circus.
01:25:08Mr. and Mrs. Dingle.
01:25:09Mr. Amendola.
01:25:11For your new home, Mrs. Dingle.
01:25:14Go ahead, Papa.
01:25:15Make your speech, Papa.
01:25:16Oh, uh, Mr. Dingle.
01:25:19Like a caterpillar has its cocoon.
01:25:22Like a bird has its nest.
01:25:24Like the worm has its, uh...
01:25:29Apple?
01:25:30Believe me, it's a pleasure to present you with the key to your new home.
01:25:36Mr. Amendola.
01:25:37You're the finest, the noblest, the most generous.
01:25:41Oh, I wouldn't say that, Mr. Dingle.
01:25:43But I'm glad he did.
01:25:45I'm overwhelmed.
01:25:46I can't find words enough to...
01:25:48Words, words.
01:25:50What are words?
01:25:51If it'll make you any happier, Mr. Dingle,
01:25:53I'll even carry you across the threshold.
01:25:55Thank you, Mr. Amendola.
01:25:57Our old home, Pratt.
01:26:13Oh, and it's nicer than before.
01:26:20I'm glad you like it.
01:26:22My little wife crocheted the Durleys,
01:26:24but I'll have to take credit for the curtains.
01:26:26I would have done a much better job,
01:26:28only my pink and she's were dull.
01:26:29I'd like to call us.
01:26:33Pete!
01:26:34Mulligan!
01:26:35Why, you dirty...
01:26:36No, no, wait a minute.
01:26:38Wait a minute.
01:26:38Let me go, Pete.
01:26:39Let me go.
01:26:40We're rich, Pete, rich.
01:26:41The oil is coming like a geyser.
01:26:43What?
01:26:43The world came in.
01:26:46Rosie, come down here, quick.
01:26:48Bill!
01:26:49You don't mean it, Phil.
01:27:00Hey, look here, Davis.
01:27:02Oh, Pete, listen.
01:27:03It's your music.
01:27:04Phil just told me.
01:27:05What is it?
01:27:06The melody for two orphan instruments
01:27:10by Peter Dingle.
01:27:11You did this, Rosalinda.
01:27:21You see, Dad, what I mean about taking a risk?
01:27:23Taking a risk, Pete.
01:27:25When are you going to ask me to marry you?
01:27:27Right now.
01:27:29They're going to get married!
01:27:33Rosalinda!
01:27:34Charles, Pete!
01:27:35Oh!
01:27:35Charles!
01:27:37Amendola, my friend!
01:27:39Dingle, old pal.
01:27:41Dingle, old pal.
01:28:11Dingle, old pal.
01:28:15Dingle, old pal.
01:28:20This is all with information on theヤ.
01:28:24I've missed it.
01:28:32I can tell you…
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