- 5 months ago
Category
🎥
Short filmTranscript
00:00:00So enjoy your own electronic game
00:00:08which you can download at Play Store or App Store.
00:00:30What are you?
00:00:35Yes.
00:00:36What happened, brother?
00:00:38Why are you so scared?
00:00:42I'm not scared.
00:00:46You were scared.
00:00:48I was scared.
00:00:50Okay.
00:00:52You're a crime reporter.
00:00:55No crime.
00:00:56Crime reporter.
00:00:58Yes, yes.
00:00:59But now, right?
00:01:00Yes, absolutely.
00:01:02Popet Lal, can I ask you a question?
00:01:05Yes, absolutely.
00:01:06Yes, absolutely.
00:01:07There are all stories of Popet Lal in the country and the world.
00:01:11Whatever you want to ask, don't forget to ask.
00:01:14No, no.
00:01:15I don't want to ask any news about this.
00:01:17So?
00:01:18One minute.
00:01:19Please, let me tell you something.
00:01:21Let me tell you something.
00:01:22Let me tell you something.
00:01:23Yes, I'm going to be here.
00:01:25Yes, I'm coming here.
00:01:26But I'm not at home.
00:01:27Do you have a job?
00:01:28Yes, I'm coming here.
00:01:29But I'm not at home.
00:01:30You have to do this work.
00:01:31We'll go to the society garden.
00:01:33Why are you in the garden?
00:01:34I don't know.
00:01:35I don't know this.
00:01:36I don't know this.
00:01:37I don't know this.
00:01:38I'd like to keep this.
00:01:39I don't know this.
00:01:40I'd like to keep this stuff.
00:01:42Okay.
00:01:43I'll reach.
00:01:44Yes.
00:01:47Jethalal, what is the thing that you want to eat?
00:01:53Poppetlal, what can I tell you?
00:01:54Jethalal, Poppetlal!
00:01:57You're not going to drink?
00:01:58I'm coming too.
00:01:59No, no, no, stop, stop.
00:02:01We're going to drink a little bit.
00:02:04Today, everyone is going to drink a little bit soon.
00:02:08So soon?
00:02:09Yes, today, everyone is going to eat a little bit soon.
00:02:14Jethalal, Poppetlal.
00:02:18Oh, you're not going to go to the garden?
00:02:23Huh?
00:02:25You're the only problem of people.
00:02:28I don't understand the language of the people.
00:02:33I'm standing there, so I'm going to go to the house.
00:02:37Come on, little girl.
00:02:43Come on, little girl.
00:02:44Good night.
00:02:45Good night.
00:02:46Come on, Jethalal.
00:02:47Good night.
00:02:48I'm here, why are you walking?
00:02:53I'm also going to go to your house.
00:02:56If you go to the house, I'll come out.
00:02:59What's that?
00:03:00The house is gone.
00:03:01The house is gone.
00:03:03You've seen my name, Kamal.
00:03:07Let's go.
00:03:10Jethalal, tell me what the tension is.
00:03:12Why did you call me and call me?
00:03:13What's the matter?
00:03:14First, I'm Mr. Sir.
00:03:16Poppetlal.
00:03:17You both eat.
00:03:20Sorry, Jethalal.
00:03:21I can't eat.
00:03:22Why?
00:03:23I just ate it.
00:03:24I've come to eat it.
00:03:30You've got to understand the truth.
00:03:32I can eat it.
00:03:33Yes.
00:03:34I can eat it.
00:03:35Let's go.
00:03:37I can eat it.
00:03:38I can eat it.
00:03:40I'm so sorry.
00:03:41Poppetlal, you've got to eat it.
00:03:43Whatever you're going to tell,
00:03:45you won't tell anyone.
00:03:47Especially, my house is not at all.
00:03:50It's not at all.
00:03:51Or not, Khamakha, Bapuji,
00:03:52and Tappu will get tension.
00:03:54Why are our tension growing, Jethalal?
00:03:56Tell us, what's the last thing?
00:03:57The last thing is,
00:03:59that I was going to the house in the morning.
00:04:15What?
00:04:16Yes.
00:04:17That means it's very dangerous, Jethalal.
00:04:20Today, all crime is organized.
00:04:23What means?
00:04:24It means that,
00:04:25that,
00:04:26that,
00:04:27that,
00:04:28that,
00:04:29that,
00:04:30that,
00:04:31it doesn't exist in the morning.
00:04:32No,
00:04:33too.
00:04:34Hmm.
00:04:35If you want to take any item
00:04:36or if you want to take any item,
00:04:37or you want to take any advantage,
00:04:39then,
00:04:40make sure it has been a full of data.
00:04:41What is it?
00:04:43Let's prepare it.
00:04:44Let's prepare it.
00:04:45And then,
00:04:47this means the maximum of all the items has been done.
00:04:50What does the item mean, Jethalal?
00:04:56Let's go, Maitra sir.
00:05:00Police station has written a complaint.
00:05:02No, no, Jethalal.
00:05:03Police station doesn't have any advantage.
00:05:05Why?
00:05:06What will you complain to the police?
00:05:08That someone is taking a photo?
00:05:09Yes.
00:05:10The police will ask if they were taking a photo.
00:05:12What will you answer?
00:05:14Is there any name or name or name?
00:05:20When?
00:05:22That's right.
00:05:23You can only do one job, Jethalal.
00:05:25What?
00:05:26If he took a photo,
00:05:27then you take a photo in front of him.
00:05:30Your pass proof will come.
00:05:32Yes.
00:05:33Then we will complain to the police station.
00:05:35Thank you, Maitra sir.
00:05:39Whenever I take my attention to you,
00:05:41I will get no problem.
00:05:45Jethalal, what are you saying?
00:05:47What are you saying?
00:05:48I have given you an idea of a photo.
00:05:50I have given you.
00:05:52Popatlal,
00:05:53if you put some water on fire,
00:05:55then you will not become fire brigade.
00:05:58Jethalal's life,
00:05:59whenever there is a fire brigade,
00:06:00then I will hold my gun behind me.
00:06:04Maitra sir.
00:06:05I am enjoying it, Popatlal.
00:06:08Jethalal,
00:06:09thank you.
00:06:10I will not sleep at night.
00:06:11No, I didn't say anything.
00:06:12Thank you, Popatlal.
00:06:14No, it's okay.
00:06:15Let's go, Jethalal.
00:06:16You don't have to worry about tension.
00:06:17You don't have to worry about tension.
00:06:18You don't have to worry about tension.
00:06:19You don't have to worry about tension.
00:06:20You don't have to worry about tension.
00:06:21If you think about it,
00:06:22there will be nothing.
00:06:23And if something happened,
00:06:24then I will be.
00:06:25Good night, Popatlal.
00:06:26Good night, Jethalal.
00:06:27Good night, Maitra sir.
00:06:33Maitra sir has told me,
00:06:34that there will not be anything.
00:06:35But who can't put it?
00:06:39What is this?
00:06:40Is this the door open?
00:06:42That way?
00:06:43Boy,
00:06:44this door is always shut up.
00:06:45It has to be the door open.
00:06:46What does it feel like?
00:06:47Is it around?
00:06:48The door open?
00:06:51Boy!
00:06:52Boy,
00:06:53Boy,
00:06:54Boy!
00:06:55Boy!
00:06:56Hey!
00:06:57I said it.
00:06:58What?
00:06:59Do she say here?
00:07:00Is she a girl,
00:07:01or is she a dog?
00:07:02There is a dog.
00:07:03Yes, she is.
00:07:04There is a dog.
00:07:05She is a dog.
00:07:06Yes, she is.
00:07:07I don't know how to open the door of the house.
00:07:12What's the deal with that?
00:07:15In the town, everyone opens the door of the house.
00:07:18Pappuji, it's great, but it's not a town. It's a city.
00:07:21It can never happen anything.
00:07:23No one can go to the house.
00:07:27How did someone go to the house?
00:07:29That day, the house went to the house.
00:07:32When?
00:07:34You forgot? When Krishna was born?
00:07:37Yes.
00:07:39Yes, and then Raja was born.
00:07:44Raja was born?
00:07:48Pappuji,
00:07:50Krishna's birthplace, we were doing Patrick's.
00:07:56Now, I won't tell you again.
00:07:59The house is always closed.
00:08:04Oh, Pappu.
00:08:05Yes, Pappu.
00:08:06Yes, Pappu.
00:08:07Look here.
00:08:08Yes, Pappu.
00:08:14Raja, this is DV bunker.
00:08:16Yes.
00:08:17I said, Pappu.
00:08:18Tell me, Pappu.
00:08:19Pappu.
00:08:20Pappu.
00:08:21Oh, Pappu.
00:08:22Oh, Pappu.
00:08:23Pappu.
00:08:24Oh, Pappu.
00:08:25Oh, Pappu.
00:08:26Oh, Pappu.
00:08:27Oh, Pappu.
00:08:28Oh, Pappu.
00:08:29Oh, Pappu.
00:08:30Oh, Pappu.
00:08:31Pappu.
00:08:32How far?
00:08:36Oh, Pappu,
00:08:38Oh, Pappu.
00:08:42Oh, Pappu.
00:08:45I'm getting a lot of money.
00:08:47I'm not going to be a little bit at all.
00:08:49And my father,
00:08:51is the name of the Pope,
00:08:53whose name I am,
00:08:55in which you can get to eat chocolate.
00:08:57What are you doing?
00:08:59What are you doing?
00:09:00What are you doing?
00:09:01Tell me about this.
00:09:03You have to drink on the shop or other wine.
00:09:05When you drink the wine?
00:09:08What are you talking about?
00:09:12There's nothing like this.
00:09:14He was on TV and he was telling me that you want to be happy to stay for 24 hours.
00:09:24Okay, brother?
00:09:25If you have to stay for 24 hours for 24 hours,
00:09:28then you have to put a car on the whole night at home.
00:09:34You understand?
00:09:35You don't have to stay for 24 hours,
00:09:42but we have to stay for a little bit.
00:09:45I'm not saying anything.
00:09:48Okay, don't worry about it.
00:09:50I'll stay for 24 hours.
00:09:54When I get out of the house,
00:09:56I'll get out of the clothes.
00:09:58I'll get out of the clothes.
00:10:03We'll go out of the clothes.
00:10:05I'm not wearing clothes.
00:10:07I'll stay for a little home.
00:10:08I'll stay for a little clothes.
00:10:09And if someone falls in the house,
00:10:10then I'm going to get out of the clothes.
00:10:13That's why I'm saying that
00:10:14you have to get out of the clothes.
00:10:15So, let's get out of the clothes.
00:10:18Okay, don't worry.
00:10:21I've stayed on the clothes.
00:10:24At this point,
00:10:25Okay, okay.
00:10:30No, no, no, no, no, no, no, no, no, no.
00:10:40Mommy imitation.
00:10:42It's an inspiration.
00:10:44What the hell?
00:10:46So, we have to stay with each other.
00:10:52Alright, brother. Don't worry about it.
00:10:56Take your mouth and eat it.
00:10:58This way.
00:11:00This way?
00:11:02Yeah.
00:11:12Hang on.
00:11:14Who is using this many photos?
00:11:19Like this one, someone doesn't are used to.
00:11:22Who is using this many photos?
00:11:24Who is within these photos?
00:11:26This many photos, so, of course,
00:11:28the other heroines will not even close up.
00:11:30Who is using this many photos?
00:11:32Who is using these photos?
00:11:34I have used two photos.
00:11:36I have used these photos.
00:11:42Oh
00:11:52Why
00:11:54Do you want to release my calendar?
00:11:57Are you a film star?
00:11:59Who will create your calendar?
00:12:01Like you, the photo of your work is one of the same things.
00:12:07What?
00:12:08You are looking for us now.
00:12:12Oh
00:12:29Hey, God.
00:12:31What a dream of a dream.
00:12:38Tell me.
00:12:39I'm scared of them.
00:12:41And they're coming to their dream.
00:12:43And they're coming to their dream.
00:12:45How much of a dream is, God.
00:12:47It's good that I haven't told them anything.
00:12:50If the dream of a dream is too sad,
00:12:52And they're coming to their dream.
00:12:54Why?
00:12:55This is the dream of a dream.
00:12:56Oh, my God!
00:12:58Oh, my God!
00:12:59Oh, my God!
00:13:00Look here, if you want to learn me,
00:13:05then my page is a joke.
00:13:11You will not be able to do it.
00:13:14You have to keep your class open in your home.
00:13:17No.
00:13:19What do I do?
00:13:22I will call you all.
00:13:31Hello?
00:13:32Mehta Sahib, Jathalal.
00:13:33Sorry, were you sleeping?
00:13:35No, I'm doing a practice of playing cupboards.
00:13:37What?
00:13:38A practice of cupboards?
00:13:39I'm doing a job, Jathalal.
00:13:41So many people will not sleep so much.
00:13:44Tell me, why did you call me?
00:13:46Tell me, Mehta Sahib.
00:13:47No, tell me.
00:13:49I'm like a day and night medical store.
00:13:51When I want to come, I'll give you some help.
00:13:53Okay.
00:13:54Give me some help.
00:13:56What?
00:13:57Give me some help.
00:13:59What happened, Jathalal?
00:14:00I have a dream dream dream in me.
00:14:02How do I stop him?
00:14:04Jathalal, you are so afraid so,
00:14:07why are you scared?
00:14:09This dream dream dream dream you are afraid for.
00:14:11Just think one thing.
00:14:14You are the most effective man in the world,
00:14:16you will not come to any dream dream dream.
00:14:19But, Mehta Sahib,
00:14:20I was sleeping so,
00:14:22but I would think like I would think about it.
00:14:24You know, try to make a job of a accident.
00:14:26If you don't want to be scared, then you start to take the name of Daya Bhavi.
00:14:29All the tension goes away from the world.
00:14:33When I'm scared, I'll take the name of Anjali.
00:14:37All the tension goes away from the world.
00:14:38Mehta Sahib, I'm in tension and I'm feeling you.
00:14:41I'll try to explain it to you.
00:14:45As long as you live, the tension will come.
00:14:48But what do you want to do with tension?
00:14:50Don't worry about that tension.
00:14:52The tension will run away from itself.
00:14:54Oh, wow, Mehta Sahib.
00:14:56This is absolutely right.
00:14:58Tension of me.
00:15:00Hey, Tension.
00:15:01Look at the tension.
00:15:03Come on, run away from itself.
00:15:06This is great, this is great, Mehta Sahib.
00:15:08Sorry, I'm sorry for you.
00:15:10I've been so upset at night.
00:15:11No, never mind, never mind.
00:15:13Thank you, Mehta Sahib. Good night.
00:15:14Good night? Okay.
00:15:17This is great.
00:15:18Hey, Tension. Come on, run away from itself.
00:15:20Look at your body.
00:15:24Daya, where did you come from?
00:15:28What was your body?
00:15:30This is how you ran away from your body.
00:15:33This is Lidji.
00:15:35You are leaving your bottle.
00:15:38You are leaving your body.
00:15:40The body has fallen asleep.
00:15:41You are leaving your body.
00:15:44Let's leave Lidji.
00:15:48Say it.
00:15:49Tell me, Daya told me that I didn't come to sleep at night.
00:15:54Daya, if you're not, then what would happen to me?
00:16:19Come on, my mother will be very fun.
00:16:21Oh, brother, I won't stop playing this game at home.
00:16:24Jethalad has a necessary job.
00:16:25If you have a phone, I will have to go with Jethalad.
00:16:29Tarak, you went out with Jethalad tomorrow night,
00:16:33and today you have to go out with Jethalad.
00:16:36Something bad.
00:16:37What happened to Jethalad, Anjali?
00:16:39Nothing bad.
00:16:41Jethalad had to take a job of business,
00:16:43so I went to the job.
00:16:45What?
00:16:46You went to Jethalad to take a job of business?
00:16:49Tarak, you're a lawyer.
00:16:51What do you want to take from your business?
00:16:53Yes.
00:16:54What do you want to take from my business, Anjali?
00:16:56But Jethalad has so many companies as a dealer,
00:16:59that they're all in English.
00:17:00They're all in English.
00:17:01They're all in English.
00:17:02They're all in English.
00:17:03They're all in English.
00:17:04They're all in English.
00:17:05Okay.
00:17:06You say, you take it.
00:17:09This woman is very strong.
00:17:14You a man who needs to take her in the form of Valdir,
00:17:17and he's very strong.
00:17:18O God,
00:17:20you're a man.
00:17:21You're a man.
00:17:23You're a man.
00:17:24You're a man.
00:17:25You're a man.
00:17:26You're a man.
00:17:27You're a man.
00:17:28You're a man.
00:17:29You're a man.
00:17:30You're a man.
00:17:31You're a man.
00:17:32And I'm a man.
00:17:33Please, Bhagawan.
00:18:03Daya?
00:18:13Daya?
00:18:20Daya?
00:18:22Ya, brother.
00:18:24Why are you laughing?
00:18:26Why are you laughing?
00:18:28Why are you laughing?
00:18:30Why are you laughing?
00:18:32Why are you laughing?
00:18:34Why are you laughing?
00:18:36Oh, I feel like I was laughing in my head.
00:18:39Papa, what is your job?
00:18:42No, nothing. I'm going to the shop.
00:18:45Jai Jinendra.
00:18:46Jai Jinendra.
00:18:48Jai Jinendra, Pappuji.
00:18:50Jai Jinendra.
00:18:52Jai Jinendra.
00:18:53Jai Jinendra.
00:18:54Jai Jinendra.
00:18:57Oh.
00:18:58Jai Jinendra.
00:18:59Yes?
00:19:00Jai Jinendra.
00:19:01Jai Jinendra.
00:19:02That's me.
00:19:04That's what?
00:19:05Yes.
00:19:09Jatiya, listen.
00:19:11Yes.
00:19:13Your job is okay, right?
00:19:15Yes, Papa. Your job is okay, right?
00:19:19Yes, yes.
00:19:21First class.
00:19:23There is no tension.
00:19:25There is no tension.
00:19:27There is no tension.
00:19:29There is no tension.
00:19:31There is no tension.
00:19:33Yes.
00:19:36Jai Jinnendra, Papuji.
00:19:37Jai Jinnendra.
00:19:38Jai Jinnendra.
00:19:39Jai Jinnendra.
00:19:58My family loves me so much.
00:20:01Without anything, I felt my tension.
00:20:04Jai Jinnendra.
00:20:07Jai Jinnendra.
00:20:09Jai Jinnendra.
00:20:11Eh, Bhagawan.
00:20:13Keep up.
00:20:15Keep up.
00:20:16Give that man.
00:20:17Don't do it.
00:20:19Don't do it.
00:20:21Please?
00:20:23Hello?
00:20:24Are you listening or not, Bhagawan?
00:20:27There's no answer to that.
00:20:31I think I'm out.
00:20:34What do I do?
00:20:37I'll tell you to go with me.
00:20:40No, no.
00:20:42Then I'll tell you that I'm very upset.
00:20:45What do I do?
00:20:47I'll tell you.
00:20:49I'll tell you to go to the shop.
00:20:51I'll tell you to go to the shop.
00:20:54And it's too far.
00:20:55If there's a problem,
00:20:57I'll tell you.
00:21:03Hello.
00:21:04Yes, Roshan Bhavi.
00:21:05I'm talking to Roshan.
00:21:06Yes.
00:21:07Say, Roshan.
00:21:08I'm working on Roshan.
00:21:09Yes.
00:21:10I'm sitting in the society compound.
00:21:11Would you like to give me a soda, please?
00:21:13Yes.
00:21:14I'll give you a soda.
00:21:15But for that,
00:21:16you'll have to sit in the society compound at night.
00:21:19Why?
00:21:20Because the car's delivered to me.
00:21:22Oh-oh.
00:21:23So,
00:21:24it'll be at night, Jeta Bhai.
00:21:26Oh, okay, okay.
00:21:27No, no.
00:21:28No, no.
00:21:29Okay.
00:21:31Oh, my God.
00:21:32Oh, my God.
00:21:34I'll go with anyone.
00:21:36If I went with my brother,
00:21:38I'll kill my brother.
00:21:40I'll kill my brother.
00:21:41I'll kill my brother.
00:21:42I'll kill my brother.
00:21:44Çok f六 to five questions.
00:21:45That's right.
00:21:47You idiot.
00:21:48I will kill my brother.
00:21:49I'll kill my brother.
00:21:50I'll kill my brother.
00:21:51I'll kill my friend.
00:21:52This makes me know that nothing.
00:21:54People will work with me.
00:21:56Basically houses.
00:21:57Very good.
00:21:58That's right.
00:21:59Oh, my God.
00:22:00Wow, wow, good boy!
00:22:08Yes, little boy!
00:22:09Yes, Abdul!
00:22:10Let's go for a ride, brother!
00:22:11A ride?
00:22:12It's not a ride, it's a train!
00:22:14A train?
00:22:15It's fun, the child will get tired!
00:22:17Who's the child?
00:22:18Oh!
00:22:19You're talking about buying the ride for the ride!
00:22:21Brother, I don't need a ride for the ride!
00:22:23I need a real ride for the ride!
00:22:25I can go to the shop!
00:22:26But, little boy, I'm not in my shop!
00:22:30I've come to the society to deliver the ride for the ride!
00:22:33Oh, oh!
00:22:34I'll be late for the ride!
00:22:35Oh, okay!
00:22:36It's a ride for the ride!
00:22:37It's a ride for the ride!
00:22:38Who's with it?
00:22:39You have it!
00:22:40No, I don't have a ride for the ride!
00:22:41Why do you need a ride for the ride?
00:22:45That's...
00:22:46Oh, boy!
00:22:47Let's go out and get out!
00:22:49You'll get a ride for the ride!
00:22:51No, I don't know!
00:22:53Okay, okay, let's go!
00:22:54Okay, bye, bye!
00:23:00Let's go, dear Thalal!
00:23:03Don't die, don't die!
00:23:05Don't die, don't die!
00:23:06Let's go!
00:23:07Let's go!
00:23:08Oh, boy!
00:23:09Let's go, Robin!
00:23:12Wow!
00:23:14Wait, look.
00:23:16Oops, I shot again!
00:23:17Go, keep causing..
00:23:18Let's go!
00:23:19Let's go, Foos!
00:23:20It's too much so I did it!
00:23:22Yeah, I want to quit!
00:23:23Tom!
00:23:25Ótw..
00:23:26You got some interesting things the one roz nước.
00:23:28No, you're gonna be scared.
00:23:29jumps out!
00:23:30That's all so fun.
00:23:31But you got the tactic to make leング and jetability?
00:23:33No, too, I'm so brave.
00:23:34Oh, my God, you're here.
00:23:42What do I do?
00:23:44Don't let me know.
00:23:46Don't let me know the society.
00:23:50What do I do?
00:23:52I'm calling everyone.
00:23:54This is great.
00:23:58Ritalal, what are you doing?
00:24:00Go down.
00:24:01What?
00:24:02Who is here?
00:24:04Who?
00:24:05How many photos are you?
00:24:07Okay.
00:24:08I'll go down.
00:24:10I'll go down.
00:24:11I'll go down.
00:24:12Go down.
00:24:13Go down.
00:24:25Ritalal, come down.
00:24:27Ritalal, come down.
00:24:29Ritalal, come down.
00:24:31Who?
00:24:32What's your name?
00:24:33How many photos are you?
00:24:34What are you talking about?
00:24:35Oh, he's standing behind the laundry.
00:24:36Have you seen him himself?
00:24:38No, someone saw me and told me.
00:24:41Who?
00:24:43What are you doing?
00:24:44I've seen him himself.
00:24:46Go inside.
00:24:47Sorry, I'm telling you.
00:24:48Go inside.
00:24:49Sorry, sorry.
00:24:50Ritalal, I was wrong.
00:24:51Where is the photo shooter?
00:24:53Where is the photo shooter?
00:24:54What are you talking about?
00:24:55What are you talking about?
00:24:56What are you talking about?
00:24:57Don't talk about the shooter.
00:24:58Don't talk about the shooter.
00:24:59What's the name of the shooter?
00:25:01What's his name?
00:25:04Go inside.
00:25:05Go inside.
00:25:06What's the name of the shooter?
00:25:07What's the name of the shooter?
00:25:08Sorry, sorry.
00:25:09Go inside.
00:25:10Sorry, sorry.
00:25:11Don't look at him.
00:25:12That's the time it's fun.
00:25:16It's not her.
00:25:17It's her.
00:25:18It's her.
00:25:19She's the shooter.
00:25:20She's the shooter.
00:25:21She's the shooter.
00:25:22She's the shooter.
00:25:23She's the shooter.
00:25:24She's the shooter.
00:25:25She's the shooter.
00:25:26What's she?
00:25:28The shooter.
00:25:29The shooter.
00:25:30What's that?
00:25:32I mean...
00:25:33Is this your shooter?
00:25:35Yes.
00:25:40Look.
00:25:41All these are the shooter.
00:25:42They call it.
00:25:43Silver tag.
00:25:44I'm seeing you.
00:25:45You couldn't talk before.
00:25:47You should go inside.
00:25:50One minute.
00:25:52I can only send my paramitra inside.
00:25:54Who are you sending me inside?
00:25:55Sorry, sorry.
00:25:57It's time to go inside.
00:25:58It's time to go outside.
00:25:59It's time to go outside.
00:26:00And how do we think about it?
00:26:01Yes.
00:26:02Today, I'll move on to his world.
00:26:04Because of that,
00:26:06my shirt went on my shirt.
00:26:09The girl who said it was Karachli.
00:26:11The girl who said it was Silvete.
00:26:13And you both have made Silvete.
00:26:16If you went on Silvete,
00:26:17then you will have a Silvete.
00:26:19Sorry, sorry.
00:26:20Let's go.
00:26:21Let's go.
00:26:22Let's go.
00:26:23Let's go.
00:26:24Let's go.
00:26:25Let's go.
00:26:26Let's go.
00:26:27Let's go.
00:26:28Let's go.
00:26:29Let's go.
00:26:30Let's go.
00:26:31Let's go.
00:26:32Let's go.
00:26:41I'm sorry.
00:26:42There's no one here.
00:26:43He's not there.
00:26:44He's gone.
00:26:45Where the hell?
00:26:46Let's go.
00:26:47Let's go.
00:26:48Let's go.
00:26:50Yes, sir.
00:26:51Well, what?
00:26:53Well, let's go.
00:26:54What is this? Let's go, brother.
00:27:06Hey, brother.
00:27:07Is there a man standing there?
00:27:09Who is that, brother?
00:27:10He is standing there.
00:27:11Where is he?
00:27:12How many people are coming here?
00:27:14Who are you talking about?
00:27:16Jekhalal.
00:27:17Hmm.
00:27:22I think I'm afraid that you will become a brother.
00:27:27What will become a brother?
00:27:29If I say that I have seen my hands, I can say that I am a brother.
00:27:33If I say that I am a brother, I can say that I am a brother.
00:27:38I can say that I am a brother.
00:27:40That's right.
00:27:41What's wrong, brother?
00:27:42Jekhalal.
00:27:43What Jekhalal?
00:27:44I am saying that I have seen that man in my eyes and said that I am a brother.
00:27:47I am a brother.
00:27:48I am a brother.
00:27:49Why didn't you get a photo of her?
00:27:51Why didn't you get a photo of her yesterday?
00:27:53Why didn't you get a photo of her yesterday?
00:27:54Oh, brother.
00:27:55But at this time, they don't remember all of them.
00:28:01What, brother?
00:28:02Did you get a ringtone?
00:28:05No, no, no.
00:28:06We thought it was a ringtone.
00:28:11No, no, no.
00:28:12Abdul.
00:28:13There was a thing that was open.
00:28:14Open.
00:28:15Open.
00:28:16Open, love.
00:28:21Sorry, sorry.
00:28:22Is there a private thing there?
00:28:24Do you want to tell me?
00:28:25No, no, no.
00:28:26We don't have such a thing.
00:28:28We were talking about this.
00:28:31You don't have to leave the house open,
00:28:34because I am very poor.
00:28:36No, no.
00:28:38It's a chumkou.
00:28:39I'm going to tell him.
00:28:41He keeps my attention.
00:28:42Abdul, these guys are very sad.
00:28:46They keep watching you a few days.
00:28:48They keep watching you.
00:28:49They keep watching you.
00:28:50They keep watching you.
00:28:51And then they keep washing your hands.
00:28:53They keep washing your hands.
00:28:54Oh, Patlal.
00:28:55Why are you scared?
00:28:57He's not scared.
00:28:58He's talking about it.
00:28:59I'll take care of it.
00:29:01I'll take care of it.
00:29:03Hey, Jay Thalal.
00:29:04You might have to take a shower.
00:29:05Hey, why are you scared me?
00:29:07Oh, Patlal.
00:29:08Why are you scared me?
00:29:10Jay Thalal.
00:29:11I'm not scared.
00:29:12I'm afraid.
00:29:13You'll be afraid.
00:29:14You might have to take a shower very well.
00:29:16It'll be somewhere.
00:29:19Oh, Patlal.
00:29:20What are you doing?
00:29:21What are you doing?
00:29:22I don't have to be scared.
00:29:24What does he feel?
00:29:26If it's something you've done,
00:29:27it'll be done.
00:29:28I feel like it's another idea.
00:29:29I think it's another problem.
00:29:31What could it be?
00:29:33When the photographer comes in, they'll ask him to ask him.
00:29:36That's what we do.
00:29:37As soon as he doesn't come in,
00:29:38you'll be in my hand.
00:29:42As he sees,
00:29:43you can take a photo of him.
00:29:45And you can take a photo of him.
00:29:49What?
00:29:50You, let's go.
00:29:53I work, Jitalar.
00:29:54I go to the doctor and ask him.
00:29:56I can take a photo of him.
00:30:01But if the doctor says yes,
00:30:02then I can take a photo of him.
00:30:04Do you know any of them?
00:30:09You don't know any of them.
00:30:11Jitalar, you're my master.
00:30:13Why don't you take a photo of him?
00:30:15I'll give you a photo of him.
00:30:17Thank you, sir.
00:30:19Let's do one more.
00:30:21I'll go ahead and go back.
00:30:23And as he sees my photo,
00:30:25you can take a photo of him.
00:30:26Okay?
00:30:27But Jitalar,
00:30:28we need some things.
00:30:29We need a good quality camera
00:30:30and two hands-free.
00:30:32We'll go back, right?
00:30:33If you talk about it,
00:30:34you don't know why.
00:30:36Wow, mate.
00:30:37You're planning all the way around.
00:30:40I've come.
00:30:41I work.
00:30:42I'll call the doctor and ask him
00:30:44all these things.
00:30:51Why didn't he come to the doctor?
00:30:52What do you mean, Jitalar?
00:30:54I don't ask you.
00:30:55I'm talking to him.
00:30:56I'm talking to him.
00:30:57Shedji!
00:30:58We're coming.
00:30:59I just told him to ask him
00:31:01why don't you leave the shop?
00:31:03Don't care, Shedji.
00:31:04Don't care about the shop.
00:31:05When will he learn?
00:31:08Oh, man.
00:31:09When will he learn?
00:31:10Don't care about the shop.
00:31:11When will he learn his shop?
00:31:12When will he learn his shop?
00:31:13When will he learn his shop?
00:31:15Why don't he learn his shop?
00:31:16Wow, Jitalar.
00:31:17One thing you need to know.
00:31:19You're all in this tension
00:31:20with your business.
00:31:22Shedji,
00:31:24take this.
00:31:25This is the camera
00:31:26and this is the hands-free.
00:31:27Yes.
00:31:28But Shedji,
00:31:29tell me,
00:31:30why did you call us hands-free
00:31:31and camera
00:31:32here?
00:31:33First of all,
00:31:35I didn't call you here.
00:31:37Okay, agreed.
00:31:39Agreed.
00:31:40But tell me,
00:31:41why didn't you call us
00:31:43here?
00:31:44Brother,
00:31:45why did you call us
00:31:46for taking my photo?
00:31:47Oh, my God.
00:31:48Is that a man
00:31:49right after you?
00:31:51Oh, man.
00:31:52He came to the shop of Abdul.
00:31:54Shedji,
00:31:56don't give up courage.
00:31:58We're with you.
00:31:59Brother,
00:32:00I'm so happy.
00:32:01That's why I'm out of my house.
00:32:02Brother.
00:32:03I'm scared
00:32:04of my house.
00:32:05I'm scared
00:32:06of my house.
00:32:07I'm so happy.
00:32:08I'm so happy.
00:32:09What are you doing now?
00:32:10What do you want to do now?
00:32:11Look,
00:32:12the plan is that
00:32:13we'll go a little further.
00:32:14You'll be right back.
00:32:15I'll be right back.
00:32:16One hands-free
00:32:17I'll be right back.
00:32:18One hands-free
00:32:19I'll be right back.
00:32:20I'll be right back.
00:32:21We'll be right back
00:32:22like the other one
00:32:23doesn't know.
00:32:24And if something happens,
00:32:25we'll talk like the other one.
00:32:27It doesn't happen.
00:32:28You'll see the person
00:32:29that you see.
00:32:30Then tell me.
00:32:31I'll be right back
00:32:32to the camera
00:32:33and then we'll go
00:32:34to the police station
00:32:35and complain.
00:32:36I'll be right back.
00:32:37Wow, wow,
00:32:38Maita Sahib.
00:32:39Wow.
00:32:40What's the problem
00:32:41that you're doing?
00:32:42You're hard.
00:32:43But, Shedji,
00:32:45I have one question.
00:32:47If that person
00:32:49hasn't come here,
00:32:50then...
00:32:51...
00:32:53...
00:32:54...
00:32:55...
00:32:56...
00:32:57...
00:32:58...
00:32:59...
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00:38:30...
00:39:01Let me go!
00:39:02Let me go, what are you saying?
00:39:04One woman has got me.
00:39:07What are you doing? Let me go to her.
00:39:09Why? I don't have to get her. She got me.
00:39:12Why?
00:39:13Who is she?
00:39:14I don't know.
00:39:15Who is she talking to her?
00:39:24Arun!
00:39:28Arun!
00:39:31Come on, camera.
00:39:33Hey!
00:39:34Stop!
00:39:39Oh, he's gone.
00:39:40What did I do?
00:39:42Are you taking photos?
00:39:43Look, try to understand.
00:39:45You're wrong.
00:39:46Look, there's no wrong thing.
00:39:47Oh, Benji.
00:39:48Did you leave this man?
00:39:50No, no.
00:39:51What?
00:39:52Yes.
00:39:54He was taking photos.
00:39:56You should take the police.
00:39:58Look at him.
00:39:59I'm doing it.
00:40:00Good, you good, you good, you good.
00:40:01Wait, wait!
00:40:02Do you leave this man?
00:40:03No, no.
00:40:04What?
00:40:05You killed me?
00:40:06Why?
00:40:07He was taking my photos.
00:40:09They should take his police on it.
00:40:12Look, look.
00:40:13I'm taking photos.
00:40:14What?
00:40:15You're just trying to find.
00:40:16I'm really terrible.
00:40:18Look.
00:40:19Tarek Mehta is, right?
00:40:21Who is that? I don't know Tarek Mehta.
00:40:23Mehta Sahib, what is happening here, sir?
00:40:25This human being sees a beautiful girl's photo.
00:40:30A beautiful girl? There's no one here.
00:40:33Sorry?
00:40:35I mean, your name is here. There's no one here.
00:40:41I mean, your face is being seen?
00:40:44Yes, absolutely.
00:40:45Mehta Sahib is being seen in her photo.
00:40:48You don't know me.
00:40:50One minute.
00:40:51You check the camera.
00:40:52Look, is there your photo?
00:40:54Go back to 200 photos.
00:40:55Look.
00:40:58Look.
00:41:03Look at any photo?
00:41:07There's no photo.
00:41:09Look.
00:41:10No, don't.
00:41:11Tell them.
00:41:13There's no photo.
00:41:14Listen.
00:41:15No photo.
00:41:16You don't?
00:41:17No photo.
00:41:18And you're with a man, a man, a man.
00:41:20You're with a man, a man.
00:41:21You're with a man.
00:41:22You've taken a lot of people.
00:41:23You're taking a lot of people.
00:41:24Sorry, Uncle.
00:41:25You're with a man.
00:41:26You're with a man.
00:41:27You're with a man.
00:41:28You're with a man.
00:41:29You're with a man.
00:41:30You're with a man.
00:41:31You're with a man.
00:41:32And, boy, I'm going to take a look.
00:41:34Very sorry, sir.
00:41:35Go ahead.
00:41:36You guys.
00:41:37Guys, it's a man.
00:41:38You're with a man.
00:41:39You're with a man.
00:41:40You're with a man.
00:41:41You're with a man.
00:41:42You're with a man.
00:41:43You're with a man.
00:41:44No one will take you three days.
00:41:45And I'll take you with a photo.
00:41:47So, I'm going to take him one.
00:41:48Go, go.
00:41:49Police station.
00:41:50Leave a man.
00:41:51Leave a man.
00:41:52What is the advice of this, sir?
00:41:53Who is talking about the girl?
00:41:54Do you complain about the person who took this photo?
00:41:58Yes.
00:41:59You're with a photo kitchen.
00:42:00Man, there's a lot of money.
00:42:01Go.
00:42:02Go.
00:42:03Hey, you're a bad man.
00:42:05Why are you going to get me a ticket?
00:42:07You won't give me a ticket.
00:42:09Hey, you're a good guy.
00:42:11You're a bad guy.
00:42:13What are you guys doing?
00:42:15We'll get a bad guy.
00:42:17We'll get a bad guy.
00:42:19Why are you not doing that?
00:42:21Hey, our ticket.
00:42:23How are you?
00:42:33How are you going to get me a ticket?
00:42:37Huh?
00:42:38Is this a police station?
00:42:40They don't play the show here.
00:42:42The kid who is asleep,
00:42:45can be disturbed.
00:42:47What do you want to say?
00:42:49Tell me.
00:42:50What's your question?
00:42:51Sir, now the Janzir film was released.
00:42:53I've got a big fan of that film.
00:42:55I've got a advance booking for my family.
00:42:58Let's go, Pandya.
00:43:00What happened?
00:43:02Let's go, Pandya.
00:43:04Yes.
00:43:05Jethalal.
00:43:06Oh, Jethalal.
00:43:08Mehta, sir.
00:43:09Come, come, come, come.
00:43:11Come, come, come.
00:43:12Jethalal.
00:43:13Jethalal.
00:43:14Jethalal.
00:43:15Jethalal.
00:43:16Until you don't want to sit down,
00:43:18don't stand out.
00:43:20This is a police station.
00:43:22Your car is not electronic.
00:43:24Sorry.
00:43:28Sit, sit, Jethalal.
00:43:30No, no, okay.
00:43:31You are talking about Janzir film.
00:43:33You're talking about Janzir film.
00:43:34I'm talking about Jethalal.
00:43:35You just said,
00:43:37you've said it.
00:43:38Ah, buddy.
00:43:41If my memory chip is good,
00:43:44so Jethalal.
00:43:46You are a man of Amdavad?
00:43:48Yes, what?
00:43:50Congratulations, Mr. Lal.
00:43:52Congratulations.
00:43:53The director of Janjeeer's director Apuro Lakhya is also going to be Amdavad.
00:43:57Okay, he is also a man of Amdavad.
00:44:00He is not a man of Amdavad.
00:44:02Yes, okay, okay.
00:44:05So, that's all, that's all.
00:44:07So, if I get the chance, I'll tell them how to eat my house.
00:44:11Wow.
00:44:13He is the director of Janjeeer's film.
00:44:15So, you're calling him to eat at home.
00:44:17You've never called us, Jethalak.
00:44:19No, you've also come here. No problem.
00:44:21You've also come here.
00:44:22No.
00:44:23We won't come here.
00:44:25We won't come here.
00:44:27Why?
00:44:29If we are going to eat at your house,
00:44:33people will say that the police will go home and eat at home.
00:44:37One minute.
00:44:39You've already come here.
00:44:41You've already heard the problem.
00:44:42Then, the next one.
00:44:44Is there anything else?
00:44:46No, no.
00:44:47No, no.
00:44:48You've just kept on the two minutes.
00:44:49What's that?
00:44:50Tell me, there's a line here.
00:44:54Yes.
00:44:55When I saw the film, I got my ticket.
00:44:58That ticket got me,
00:45:00now I won't give it back.
00:45:01That ticket got me in the middle of the land.
00:45:05It's the thing that we get from the land.
00:45:07We had to the land.
00:45:08That you are the ones you get from.
00:45:10How to the land.
00:45:12Yes.
00:45:13Yes.
00:45:14This is good news.
00:45:16This is right.
00:45:20This is right.
00:45:22Hello.
00:45:23How to get ahead.
00:45:24How is that?
00:45:26Why is it going to...
00:45:27Where did my danda go?
00:45:29It's here.
00:45:33How did you come to your house?
00:45:35No, you were going from here and doing this.
00:45:38I felt like it was a little bit.
00:45:40I wanted to do it.
00:45:42I left you and left my hand.
00:45:46Sorry.
00:45:48You sit.
00:45:49Thank you, Inspector.
00:45:57Hey!
00:45:59Hey!
00:46:00Hey!
00:46:01Hey!
00:46:02Hey!
00:46:03You didn't like it?
00:46:05Hey, Inspector.
00:46:07You didn't do this.
00:46:09We want to forgive this.
00:46:11Hey, Dalal.
00:46:13This is your fault.
00:46:15Come.
00:46:17You're right.
00:46:19What do I do?
00:46:21What do I do?
00:46:23Go to the house.
00:46:25Talk about any of this, Inspector!
00:46:27We don't have any of this.
00:46:30Oh, my God.
00:46:31When you got a ticket from the ground,
00:46:34you got a ticket from the ground.
00:46:36If you got a ticket from the ground,
00:46:38you got a ticket from the ground?
00:46:40Is it going to happen?
00:46:44Oh, Inspector.
00:46:45What the truth is you got?
00:46:51Inspector, what are you saying?
00:46:53What do you say?
00:46:54We got a ticket from the ground.
00:46:56Forgive us.
00:46:57Forgive us.
00:46:58Forgive us.
00:46:59Forgive us.
00:47:00Hey, brother.
00:47:01Forgive us.
00:47:02But we can't do your ticket back.
00:47:05Why?
00:47:07That's right.
00:47:08He gave us our family.
00:47:09We have a big fan of Jinjir film.
00:47:11Ranh Saab's role is Sanjidat.
00:47:13Amitabachan's role is Ram Charan.
00:47:15It's really fun.
00:47:18What do I do?
00:47:19I will buy it.
00:47:22I will buy it.
00:47:23I will buy it.
00:47:25What do I do?
00:47:26Get away.
00:47:27What do I do?
00:47:28Give it.
00:47:29Get away.
00:47:30Get away.
00:47:31Come.
00:47:32Get away.
00:47:34Get away.
00:47:35Take care.
00:47:36Take care.
00:47:37Take care.
00:47:38Take care.
00:47:40See, brother?
00:47:41What have you done?
00:47:43Of course, of course.
00:47:44If people stay with love, what do you want to do with the police?
00:47:48Yes, of course, of course.
00:47:50Ah, these people are gone.
00:47:52Yes, brother.
00:47:54Now tell me, what's your problem?
00:47:56No, it's not my problem.
00:47:58You tell me.
00:48:00Yes, I tell you.
00:48:02I'm actually a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man who is a man.
00:48:08Okay.
00:48:09What did you give him a man who was a man who was a man who was a man who was a man who was an idiot?
00:48:13No.
00:48:14So?
00:48:15No reason for anyone to go to the streets.
00:48:18The millions of people are leaving this city in a couple of years.
00:48:21You too will be leaving a person.
00:48:23I will make him arrest you!
00:48:26Thandeji, you hear the whole story.
00:48:29He doesn't only do the same thing.
00:48:31He doesn't send the same person without asking his photo.
00:48:35Oh!
00:48:36Yes.
00:48:37For the past two days, I leave home to the shop.
00:48:39So, he is back to me.
00:48:40And as soon as I don't reach the shop,
00:48:42I have a photo shoot.
00:48:47Is this a proof?
00:48:48Yes, yes.
00:48:49I have all seen it.
00:48:50When he was reading the photo,
00:48:51I have seen it.
00:48:52Yes, I have seen it.
00:48:53Look at it.
00:48:54Look at it.
00:48:55Look at it.
00:48:56One, two, one.
00:48:59Do you have any evidence?
00:49:01Yes, I have.
00:49:02One, two, one.
00:49:05I have done it.
00:49:06Oh!
00:49:07I want to put it back.
00:49:14Yeah.
00:49:16Yes!
00:49:17Five feet, Five feet.
00:49:18Any bathroom only inflates fans in the street?
00:49:23Not with barefoot.
00:49:25There we go.
00:49:26Additional area.
00:49:27Not only for only forffen pony.
00:49:29That's why I 해서 all,
00:49:30the body as well,
00:49:31as well before as there is a total.
00:49:33Yes!
00:49:34Hey, hey, hey, hey, hey!
00:49:36Hey, hey, hey, hey, hey!
00:49:37Hey, hey, hey, hey!
00:49:41Sorry, sorry, sir.
00:49:43Look at it.
00:49:44What do you see?
00:49:45How does it look like?
00:49:46Neither the man is showing his face nor the Jethalala.
00:49:49How will this be known that he's wearing his face?
00:49:52Let's see.
00:50:01How can you see the photo of your head?
00:50:04I had a whole try.
00:50:05The Jethalala, in the back of the head,
00:50:07I knew that he was going to be an auto-ruggester
00:50:09or another man would come.
00:50:11I felt everything was okay.
00:50:13Sorry, but...
00:50:14The 20th photo of your head can be examined.
00:50:17You can ask him to ask him.
00:50:19You are under arrest.
00:50:22I can say that.
00:50:26Since I know you guys,
00:50:29I won't say that.
00:50:31I won't say that.
00:50:32Look, Jethalala,
00:50:33that man has taken your picture.
00:50:34There is no judge.
00:50:35There is no judge.
00:50:36No judge.
00:50:37No judge.
00:50:38But...
00:50:39Do you believe that he is a criminal
00:50:40and he is planning to kill them?
00:50:41Yes.
00:50:42Look, Mehta,
00:50:43if you don't have any plans for someone's mind,
00:50:45there is no judge.
00:50:46There is no judge.
00:50:47The judge happens when there is no judge.
00:50:50If there is no judge.
00:50:52Then...
00:50:53Look...
00:50:54This Mumbai police,
00:50:55how does the police kill him?
00:50:57Let's go.
00:50:58Pandya,
00:50:59you can't ask him once again.
00:51:01What, brother?
00:51:02Why are you seeing the picture of Jethalala?
00:51:13You have a point.
00:51:16So we can do this work.
00:51:19Shinder.
00:51:20Yes sir.
00:51:21Here we go.
00:51:34What?
00:51:35You have to do the whole planning secretly.
00:51:38When you leave the house,
00:51:40we will leave you back.
00:51:42In the civil dress.
00:51:44No one will tell you
00:51:46that the inspector is going to go back.
00:51:49Aww!
00:52:02Thank you!
00:52:03Thank you!
00:52:04Hey!
00:52:05Pandya-ji!
00:52:06Now I'm in uniform.
00:52:09I don't want to wear a mask.
00:52:11Tomorrow, when I'm staying in a sail,
00:52:13you'll wear a mask, right?
00:52:14Sorry, sorry.
00:52:16So, okay.
00:52:18Tomorrow, I'll reach your house.
00:52:21No, no, no, not at home.
00:52:23Why? Why not at home?
00:52:24At home, Papuji, Daya, Tappu,
00:52:27I didn't tell them to tell them
00:52:29that they will come into tension.
00:52:32If you don't have any questions,
00:52:35then we'll meet with powder-galli
00:52:37or naak at 9 o'clock.
00:52:39If you don't have any questions,
00:52:41then what can I ask?
00:52:42One minute, one minute.
00:52:43Now what's your question?
00:52:45No, no, no, no, no.
00:52:47It's Sunday.
00:52:48It's Sunday.
00:52:49And Jethela,
00:52:50you stay in your house Sunday, right?
00:52:52Yes.
00:52:53So, how do you go to your house Sunday?
00:52:55Huh?
00:52:56No, no, no.
00:52:57Mehta Sahib, you know.
00:52:59I know.
00:53:00Now, Chaluji,
00:53:01Pandya Ji also knows
00:53:02that Sunday,
00:53:03my house is closed.
00:53:04But they don't know the people
00:53:06of the photos of my house.
00:53:07What?
00:53:08That Sunday is Sunday?
00:53:09No, no.
00:53:10That Sunday, my house is closed.
00:53:11It's like I'm leaving from home.
00:53:13It will come back in the past two days
00:53:15and it will come back
00:53:17to my photos of my photos.
00:53:19Then, Chaluji, Pandya Ji,
00:53:21we'll take it.
00:53:23Hmm.
00:53:25Oh, okay.
00:53:27Tomorrow,
00:53:28I'll take it.
00:53:29I'll take it.
00:53:30I'll take it.
00:53:31I'll take it.
00:53:33Thank you, Chaluji.
00:53:34Thank you, Pandya Ji.
00:53:37Okay.
00:53:38Hey!
00:53:39Who's the phone?
00:53:40Who's the phone?
00:53:41My, my, my, my.
00:53:42That's me.
00:53:43That's me too.
00:53:44But who's the one?
00:53:45That's our society.
00:53:47That's her.
00:53:49What's wrong?
00:53:50I can't get it.
00:53:51Do you like it?
00:53:52Come on.
00:53:53Do you want to make a speaker?
00:53:54Hello?
00:53:55What's up?
00:53:56What's up?
00:53:57What's up?
00:53:58What's up?
00:53:59What's up?
00:54:00Did you tell us?
00:54:01Did you hear the photo?
00:54:02Yes, no.
00:54:03It was all of us.
00:54:04He was in the place.
00:54:05He was in the place.
00:54:06But we came together.
00:54:07We've come together.
00:54:08But we've been on the station.
00:54:09In this station, Chalu Ji, Pande Ji,
00:54:12and Chalu Ji, Pande Ji,
00:54:15Sahara Deer,
00:54:17he made a plan.
00:54:19He's going to open up at 9 o'clock in Powder Valley,
00:54:22and we'll go back.
00:54:24And as that person will take a photo,
00:54:26we'll take him and ask,
00:54:29why are you taking a photo?
00:54:31Okay, Jitalal.
00:54:32I'll come here tomorrow too.
00:54:34Okay, okay.
00:54:35Okay.
00:54:36Okay.
00:54:37I'm going to take a secret to my staff.
00:54:41And you're telling the whole plan?
00:54:44No, no, not the world.
00:54:45Just take a photo,
00:54:46take a photo and tell him.
00:54:47A photo?
00:54:48That's the person who is a person.
00:54:50Yes.
00:54:51That's the person who doesn't know the world.
00:54:53Okay.
00:54:54I'll give him to him too.
00:54:56No, no.
00:54:57He's a person,
00:54:59he'll get the publicity.
00:55:01We'll see him.
00:55:02Okay?
00:55:03So, tomorrow at 9 o'clock,
00:55:05you'll see you.
00:55:06Let's get started.
00:55:07You're right.
00:55:08Alright,
00:55:10you're right.
00:55:12Hey.
00:55:13Hey,
00:55:14Hey,
00:55:15I'll get started.
00:55:16Hey,
00:55:18Brother,
00:55:19I guess
00:55:20today's the Red Bee
00:55:21I'm thinking
00:55:22that I'm going to be
00:55:23and my brother's son
00:55:24Yeah, I'm going to go to the house, but I'm going to make a food, so will you eat the food?
00:55:35Yes, I'm going to go to the house.
00:55:39Papa, you're going to go to the house?
00:55:42I'm going to go to the house.
00:55:45What do I do? Tell them to be honest?
00:55:49No, no. If they know the truth, the tension will get tense.
00:55:54Papa, my friend is my friend. I'm going to meet him.
00:55:58I'll come in a little bit.
00:56:00What?
00:56:01Ravivar is also a vapor?
00:56:04I don't think you've heard that that's why you've heard it.
00:56:07Hey, man.
00:56:08When you've learned the money behind you, you've forgotten your life.
00:56:15You've become happy with small things.
00:56:20Now, you've learned a lot of things.
00:56:25No, no.
00:56:29Papa, I'm not going to go to the house of the house.
00:56:32My friend is going to go to the house of the house.
00:56:36I have gone to the house.
00:56:38I'll give you an easy thing.
00:56:39Now, I'll come to the house, Papeji.
00:56:41My son?
00:56:43But I have just met my sister, Sangita,
00:56:45to meet her in the house,
00:56:46so she's got a plan to see her home.
00:56:48You've got to go to the house,
00:56:49as well as she's going to go to the house.
00:56:51Listen, the plan for the house.
00:56:53That means it doesn't mean to go to the house.
00:56:55We will go to the house of the house.
00:56:57Let's go to the house of the house.
00:57:00How?
00:57:02Where?
00:57:03The house?
00:57:04No, not on the ground.
00:57:08Let's go.
00:57:09Papa!
00:57:10Let's go.
00:57:12What will you do there?
00:57:14Papa, my table tennis bat has fallen.
00:57:16So, you give me a new bat.
00:57:21No problem with that.
00:57:23You sit here.
00:57:24I'll take a big bat for you.
00:57:27I'll take a season bat.
00:57:29Papa, it's only cricket in season bat.
00:57:32There's no table tennis bat.
00:57:41I mean, this is what I mean.
00:57:46I'll take this bat for you.
00:57:49I'll take this bat for you.
00:57:51I'll take this bat for you.
00:57:55Oh, oh, oh.
00:57:56I don't have to do this with them.
00:57:59Oh, okay.
00:58:01Pandya, we'll kill a photo of the dogs.
00:58:04I'll kill some people.
00:58:05Oh, shit, son.
00:58:06Hey, son.
00:58:07What do you do?
00:58:08Hey, son.
00:58:09Why do you take it to your father?
00:58:11What do you do?
00:58:12What do you do?
00:58:14Son.
00:58:15Let's go, father.
00:58:16Joy, Jinnendra.
00:58:17Joy, Jinnendra.
00:58:18Joy, Jinnendra.
00:58:19Joy, Jinnendra.
00:58:20Joy, Jinnendra.
00:58:21Joy, Jinnendra, Papa.
00:58:23Jaijinendra
00:58:32You're 5, he's Jethalal
00:58:35Jethalal has never come for a time
00:58:38Jethalal, you're not like a coward
00:58:39You're like a coward
00:58:41You're a baby boy
00:58:43Jethalal has never come for me
00:58:45I don't want to shock
00:58:47I also want to get married
00:58:49I'm late
00:58:50Excuse me
00:58:52I'm a baby boy
00:58:53I'm a baby boy
00:58:54I'm late
00:58:55I'm late
00:58:56No
00:58:57I'm late
00:58:58Today, I took my apartment
00:58:59That I took my baby
00:59:01I took my baby
00:59:02And Jethalal
00:59:04I call him
00:59:05I call him
00:59:09Uncle
00:59:10Why didn't you tell Tappu?
00:59:11I was going to come with me
00:59:13Yes, who did you tell me?
00:59:15Tappu's phone
00:59:18Sorry, son
00:59:19I have to go to a big meeting
00:59:21That's why I don't call him
00:59:22Uncle
00:59:23What?
00:59:24Sunday meeting?
00:59:25Yes, Sunday meeting
00:59:26Uncle
00:59:27Yes
00:59:28You're going to go to such a big meeting
00:59:29And you're going to go to lenga
00:59:32I'm going to go to lenga or to a lapet
00:59:34What are you doing?
00:59:36You're going to do your job, brother
00:59:41Hello?
00:59:42Jethalal, where are you?
00:59:43Everyone is going to go to the hotel
00:59:44Yes, I'm going to go to the hotel
00:59:45I'm going to go to the hotel
00:59:46Just 2 minutes
00:59:47I'm going to go to the hotel
00:59:48Yes, I'm going to go to appeal
00:59:51That's why I'm going to go to the hotel
00:59:52To the hotel
01:00:05You my vice hall
01:00:07Joshua
01:00:08Yeah, you heard
01:00:10You should go
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