- 8 minutes ago
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00:00It's a beautiful, beautiful, beautiful
00:05So, enjoy your own electronic game
00:08which you can download to do the Play Store or the App Store.
00:15What happened, love? What did you get at this time?
00:17Yeah, the girl had a kiss for a divorce, what did you get at this time?
00:20My tension is...
00:21The girl told me my girl had a kiss for a wedding.
00:24What?
00:26So, the girl has a kiss for a divorce, right?
00:28You have a kiss for a kiss.
00:30I have also spoken to Kalpana.
00:35Who?
00:40My dear brother, how can you do this?
00:45What are you saying?
00:47You gave two girls to the family.
00:50Someone does that.
00:53My dear brother, what have you done?
00:55Who does two girls to the family?
00:58You have to get hurt us.
01:01What will we answer to Sapna and Uncle Aunty?
01:06Anjali, see.
01:07There is no mistake of my dear brother.
01:11Sapna didn't say hi.
01:13But Kalpana said hi.
01:14So, what do you do?
01:16Yes.
01:18I thought a lot.
01:19Then my sister and sister said hi to Kalpana.
01:25Yes.
01:27Anjali, trust me.
01:28If my dear brother doesn't say Kalpana,
01:31but then Sapna doesn't say my dear brother,
01:34then what happens?
01:37So, I don't live here nor there.
01:40I don't have Kalpana nor Sapna.
01:42That's why the girl who said hi to her,
01:45she said hi to him.
01:47I don't have to call Kalpana.
01:48I don't have to call Kalpana before me.
01:50I don't have to call Kalpana.
01:51And what do I say to you?
01:53That Kalpana is saying hi to me for marriage.
01:56So, what do I need to answer now?
01:58Anjali, sir.
02:00I will tell you the whole thing
02:02so that you understand the situation of your brother.
02:04Tell me.
02:05Tell me.
02:06If it happened,
02:07he said hi to Kalpana.
02:08But now,
02:09when you're at home,
02:10we were giving you a message.
02:11When are you saying anything?
02:12I'm not saying anything.
02:13How do you mean?
02:14The Heard and I have to call him.
02:15And,
02:16when you're at home,
02:17we were giving you a message.
02:18When are you talking about it?
02:19When are you talking about it?
02:22I'm thinking about it.
02:23I'm thinking about it.
02:24With the words and words,
02:25I'm thinking about it.
02:26I'm thinking about it.
02:27And,
02:28you know,
02:29would be talking about it before?
02:30You both saw me that I had a mouth.
02:32It was so funny.
02:34Chacha ji, you haven't even said anything.
02:37What do I say to you?
02:39How do I say to you?
02:40First of all, we didn't understand.
02:42What do we say to you?
02:44Then I was happy,
02:46but I didn't say anything to the family of the family.
02:52And we were thinking,
02:54how do you keep this truth in front of your family?
02:58So, the family and the family went away.
03:00Yes.
03:02The family has all gone fast,
03:03that you haven't got to talk about.
03:06Hey, Bhagwan.
03:07Before, you couldn't make a relationship.
03:09Oh my God.
03:10With two girls,
03:11you have another relationship.
03:14The blue on the top is a great.
03:16Come here.
03:17Come here.
03:18Mehta Sahib, Anjali Bhabi.
03:20Come here.
03:24Come here.
03:25Come here.
03:32Come here, come here, understand our own house.
03:38Who is this?
03:39I don't know.
03:40Dear Lal, we know that if you are here at Mehta's house,
03:44then we will come here.
03:47Dear Lal, you will be happy.
03:51There is a very happy house.
03:56Happy house.
03:57Dear Lal, we will take a relationship with you.
04:02This relationship?
04:10We went to our family's house for Pooja,
04:13so they live in their house.
04:18Deepak ji, Divya ji, and their daughter, Darshana ji.
04:23These two were very small.
04:26They have been talking about you,
04:28you have seen your photos,
04:30and you have also given your details.
04:32Yes, for this reason,
04:34we have taken them with us.
04:38He said that you will meet my dear Lal ji,
04:40and see his house too.
04:42This is on the second floor of his house.
04:45It is on the second floor of his house.
04:48It is on the 2BH.
04:49It is on himself.
04:50It is on the 2BH.
04:51It is on the 2BH.
04:52It is on the 2BH.
04:53It is on the 3BH.
04:54And we thought that
04:55why we will work in a good job?
04:57Right?
04:58Ha ha ha.
05:03Oh, how are you doing?
05:06After changing names, three, three matches.
05:10But in this case, I'm happy that I'm sad,
05:13so I'm not getting into it.
05:23Oh, why are you all hiding?
05:28You don't have to say anything.
05:30What's going on?
05:32We're probably at the wrong time.
05:34No, no, no, no.
05:35There's no such thing.
05:36Then why are you still hiding?
05:38Now, dear brother, tell us.
05:40What's the story?
05:41Yes.
05:42You're not happy with this relationship.
05:44Yes.
05:49Ahati, the thing is that now,
05:52a little bit earlier,
05:53I met two girls together.
05:56So, what happened?
05:58Let's see you too.
05:59Yes.
06:02Come on, dear brother.
06:04Don't think so much.
06:05It's possible that you're in your life,
06:07in your life,
06:08in your life,
06:09in your life.
06:13That's the right thing.
06:19No, Kumbh,
06:20let's give a little rest of your life.
06:22What's going on now?
06:26I really need you.
06:29Uh,
06:30you all sit down.
06:31Chai Coffee?
06:32Yes.
06:33No, no.
06:35Now we're going.
06:37We'll keep the program
06:39later.
06:43Hatibai, thank you.
06:45Okay.
06:46Thank you, Komal Bhabi.
06:47Let's go.
06:48Come here.
06:53Dear Lal,
06:54why did you decide
06:55to meet with a girl?
06:56Yes.
06:57The first two girls
06:58saw her,
06:59there was no love
07:00from her.
07:03Both.
07:04What?
07:05What?
07:06What happened?
07:07What happened, Atibai?
07:08Tell me quickly,
07:09what's your answer?
07:11I have to say,
07:12yes.
07:13Yes.
07:14Yes.
07:15Yes.
07:16Yes.
07:17Sapna,
07:18what's your answer?
07:19My dear Lal Ji,
07:21yes.
07:22Yes.
07:23Yes.
07:24Yes.
07:25Tell me.
07:26Very, very, very, very.
07:28This is a very big deal.
07:30That's a good deal.
07:31That's a good deal.
07:33Anjali Bhabi,
07:34you now call her family and her family
07:36and tell her all the truth.
07:37What will I say to her?
07:40I'll tell her first,
07:41I'll tell her that
07:42the first beloved brother
07:43gave her a gift.
07:44Then,
07:45she met her,
07:46she also liked her,
07:47and also gave her a gift.
07:51And that's why
07:52she won't give her a gift.
07:54No, no.
07:55I can't do this.
07:56I'm a lot of tension.
07:59Anjali Bhabi,
08:00don't take any attention.
08:02I'll give her a gift with her family
08:04and her family.
08:05I'll give her a gift
08:06to her.
08:07I won't talk to Kalpna.
08:08I'll call her Julie.
08:09I'll call her Julie.
08:11Julie?
08:12Who is Julie?
08:13Julie is from the marriage bureau.
08:15I'll tell her
08:17that she won't talk to Kalpna's family.
08:21I'll call her on the speaker.
08:26Hello Julie Ji.
08:27I'm talking about my love friend.
08:29I'm going to call you.
08:31I'm going to call you.
08:32I'm going to call you.
08:33I'm going to call you.
08:34I'm going to call you.
08:35I'm going to call Kalpna
08:36and his family.
08:37I'm going to call him.
08:38And they told me
08:40that the relationship is ready.
08:44And they are very happy with this relationship.
08:50Julie Ji,
08:51you're sorry to say
08:52that they'll call her
08:53for this relationship.
08:54I'm going to call you.
08:55What?
08:56What happened?
08:57Actually,
08:58there's a big problem.
09:00What happened?
09:02What happened?
09:03I don't know.
09:04I don't think
09:05exactly.
09:06People and their family
09:07like me
09:08don't like them.
09:09That's why
09:10you'll come back with me
09:11at two times.
09:12Yes,
09:13then you don't give up
09:15their dreams.
09:17Kalpna
09:20and their family
09:21had liked the same time.
09:23That's right.
09:24But then you don't speak for this relationship to me.
09:30No, no, we can't do that.
09:33You should answer your question.
09:36You said yes, but you don't say yes.
09:41You're playing with the evil and his family.
09:45And we won't do this.
09:49If we're wrong with any client, we won't do this.
09:54Okay?
09:55We'll ban you from the All India Marriage Bureau Association.
10:00And we'll also do a case of police.
10:02You?
10:03Okwee?
10:04Okwee?
10:10Jhuli Ji, I was enjoying it.
10:13Enjoy?
10:14Yes.
10:15Actually, I called you to tell this to me,
10:18that I have a relationship with my wife.
10:22Bye.
10:25Oh my God.
10:26How was Jhuli talking about?
10:28If you wanted to tell her,
10:30she will create a problem.
10:33What will she do?
10:34Then she won't say Sapna.
10:36Yes.
10:37I'm sorry.
10:38But please, you can call her family and her family.
10:46Anjali, you son, you call me.
10:48You're a woman.
10:49You call me.
10:50You call me.
10:51Anjali.
10:52I'll understand you.
10:53I'll understand you.
10:54I'll understand you.
10:55But you won't.
10:56You call me.
10:57Anjali, you should talk to me.
10:59No, you should talk to me.
11:00You, Anjali.
11:01No, you don't.
11:02No, you don't.
11:03No, Anjali.
11:04No, you don't.
11:05You, Anjali.
11:06You, Anjali.
11:07You, Anjali.
11:08You, Anjali.
11:09You, Anjali.
11:10You, Anjali.
11:15Mom, that's Auntie's phone.
11:18Huh?
11:19It's a time of time.
11:23Hello, Auntie?
11:24I have called you for thank you.
11:30I got such a great relationship.
11:36Everybody is very happy in the family.
11:38Do you know that the father of the dream had a lot of respect to the dream.
11:43But he is also very happy.
11:46The dream is also very happy.
11:48He is now in the world of dreams.
11:53Tell him again.
11:55Thank you so much, Anjali.
11:57Thank you for your heart.
11:59Welcome, Andy.
12:01Actually,
12:03I don't want to talk to you about Taro.
12:08Yes, tell me, Taro.
12:13Aunty,
12:14you will listen to me.
12:17And you will rest your mind.
12:20Tell me.
12:21Dear Lala, you can't marry your daughter.
12:28You are not, Taro.
12:31I know that you have a habit of cheating.
12:38Look,
12:39I don't want to talk to you about this.
12:42And then,
12:43I don't want to talk to you about this.
12:45They have said it to me.
12:52But Aunty...
12:53Look, Tarak,
12:55you have done this with me.
12:57But don't do this with my father.
12:59Don't do this with my father.
13:01We won't do it.
13:03We won't do it for you anymore.
13:04Alright, finally.
13:05Hey, Anjali, the lady!
13:07Yes...
13:08Finally.
13:09We'll see her in hand with the fiance murderer and Naomi future.
13:19And to look for such a wonderful multi-�iciently,
13:20please thank you again juga.
13:22Welcome!
13:23Now, we can't even make a dream.
13:26Otherwise, the dream will fall out of his home.
13:29That's a good thing.
13:31What is this dream?
13:32They will break our relationship with us.
13:35What a disaster is,
13:37we don't have to be happy with both of them.
13:43Dear Lal, it's very simple.
13:46Who likes you both?
13:48A dream or a dream?
13:50Huh?
13:51Huh?
13:52Huh?
13:53Julie?
13:54Or Kalpana?
13:55Oh, sorry.
13:56Sopna or Kalpana?
13:58No, no.
13:59Huh?
14:04Both!
14:05Both!
14:06You're right.
14:07You're right.
14:08You're right.
14:09You're right.
14:11Sopna or Kalpana?
14:13You have to say yes and not.
14:16You're right.
14:18You're right.
14:19Yes, Chacha Ji.
14:20I'll do it with a marriage.
14:22Yes!
14:24But I don't understand this.
14:25I'm going to connect with you and I'm going to break it up.
14:31Malakai, you shouldn't have to take a new meal in this situation.
14:35Yes.
14:36Of course.
14:39The truth is,
14:40we all have to think about peace
14:42and take a new meal in peace.
14:44Yes, Puppertal.
14:46Now go home.
14:47Have your mind.
14:48Have your mind.
14:49Have your mind.
14:50Have your mind.
14:51Have your mind.
14:52Until then?
14:53Jethalal, Ayyar, Sodhi.
14:54We're the best.
14:55We're the best.
14:56If we all meet and think about it,
14:57we'll get a chance.
15:00Okay.
15:01That's the right thing.
15:02Come on.
15:03Come on.
15:04Come on.
15:05Yes.
15:06Come on.
15:07Come on.
15:08Come on.
15:09Come on.
15:10Come on.
15:11Come on.
15:12Come on.
15:13Come on.
15:14How long have we been waiting for this day
15:16that his family's relationship will be changed?
15:18And today,
15:19when finally his relationship has changed,
15:21we're going to be happy.
15:24We're sitting in tension.
15:26Anjali,
15:27I'm not doing this work.
15:28I'll do this work.
15:30Please,
15:31I'll take a big,
15:32big,
15:33big tea.
15:34And yes.
15:35Green tea means that
15:36after drinking tea,
15:38my mind will work.
15:39I'll talk about Jethalal.
15:41I'll talk about it.
15:42Now.
15:49The tension is not going to be in the pool.
15:51Oh,
15:52Oh,
15:53Oh,
15:54Oh,
15:55When did it happen?
15:57Oh,
15:58Oh,
15:59Oh,
16:00What can you do now?
16:03Oh,
16:04oh.
16:06Oh,
16:07Oh,
16:08Oh,
16:09Oh,
16:10Oh,
16:11Oh,
16:12Oh,
16:13Oh,
16:14Oh,
16:15Oh,
16:16Oh!
16:17He broke his head.
16:21Your brother's brother means you have to live your age, right?
16:25Yes.
16:26So, he broke his head?
16:28Yes, look.
16:29He didn't get married for so many years.
16:32He broke his head.
16:34He broke his head.
16:37Dear Pursotam.
16:40Oh, that's a problem with his name.
16:45And who is the one who didn't get married?
16:48Puppet Lal.
16:49Yes.
16:51It's great.
16:52Pursotam.
16:53Pursotam.
16:55And they're not getting married.
17:00Say it, say it, sir.
17:02Mr. Jithar, a lot of tension has gone.
17:06Hello?
17:07Are you talking about someone?
17:09No, I'm talking.
17:10Why are you talking about me?
17:12Let's talk about yourself.
17:13I mean?
17:14There's a lot of tension that I tell you about.
17:18Are you talking about me?
17:21You're not talking about this.
17:23Why?
17:24Because you're a fire brigade.
17:26You can't have any tension.
17:28Jithar Lal, this tension is not mine.
17:30This tension is Puppet Lal.
17:31What happened?
17:32What happened?
17:32What happened?
17:33What happened?
17:33What happened?
17:34What happened?
17:34What happened?
17:35What happened?
17:35What happened?
17:36What happened?
17:36What happened?
17:37What happened?
17:38What happened?
17:38What happened?
17:39What happened?
17:40It's all going on the way that
17:44Haathie and Komal Bhavie
17:45had a relationship with a girl and his family.
17:48Tell me,
17:50I didn't get a girl for this year,
17:54but now I got one, three, three.
17:56I mean, Haathie who had a relationship with a girl,
17:59he said that he didn't talk about it,
18:01but he didn't talk about it later.
18:03Now we have to think that
18:05how the first two of us came,
18:07how do we deal with the situation?
18:09And with this, you can also think that my family and her family don't hurt me.
18:15Right, right. So now?
18:17That's right.
18:18How do you get out of this situation?
18:21When you asked me, I had a phone call.
18:23I'm going to get you.
18:26I'm going to take a look at you.
18:30And now you're asking me to ask me.
18:33I know this. I was just taking a chance.
18:37But you have to think about it.
18:39And if you know something, please call me.
18:41Okay, sir.
18:42Okay.
18:43What happened, sir?
18:45What happened?
18:47What happened?
18:49What happened?
18:59Oh-ho-ho-ho.
19:00This is a very strange situation.
19:02What happened, sir?
19:04Sirji, I'll do a job.
19:06I'll talk to Bawriji.
19:07Why?
19:08Bawriji?
19:09Why?
19:10The name of Bawriji.
19:11The name of Bawriji.
19:12Is it possible that there is no problem with Bawriji?
19:16No, sir.
19:17I don't have to do Bawriji.
19:19This is a very strange and strange situation.
19:22What happened?
19:23What happened?
19:24It's a very strange situation.
19:25I don't get to know Bawriji.
19:26How can you get to know Bawriji?
19:27You?
19:28No, no, you're still here, brother.
19:30I think something.
19:32What happened, sir?
19:34It was a strange situation.
19:35It was a strange situation that we couldn't even say anything.
19:39But…
19:40bit,
19:42don't say one woman to speak about both?
19:47Yes…
19:48He has to not have to be a question.
19:51And this is the same thing.
19:52Huh?
19:53I haven't done so much for ever since then.
19:56I won't be so sad with a couple of times.
19:58If I go into a dream and a dream I'd like to be alone.
20:02So, why's it going to happen in their hearts?
20:04What will happen?
20:06If they take their wedding,
20:08if they will see their wedding,
20:10they will fall in one minute.
20:12Their family will feel so much shock.
20:16And I will be responsible for their whole suffering and suffering.
20:20I will never forgive you.
20:22Father, what do I do?
20:24Look, son,
20:26it's a dharm sankat.
20:28But don't do it seriously.
20:30Leave it to Ishwar.
20:32Ishwar will be fine.
20:34Think about it.
20:36We also think about it.
20:38There is no way to go.
20:40I will do it, Dad.
20:42I will do it.
20:46The phone is Hathipra.
20:48Hello, Hathipra?
20:50Son, are you in the garage?
20:52Or Gokul Dham?
20:54No, I'm in the garage.
20:56I'm just coming home.
20:58Don't go anywhere.
21:00Why, Hathipra?
21:02No, son.
21:03There is no plan for the party shop.
21:06What is it that
21:08there is a big problem in Gokul Dham?
21:10What problem is it?
21:12And what problem is it?
21:13Don't go to me.
21:14Don't go to me.
21:15Don't go to me.
21:16Wait a minute, son.
21:17Listen to me.
21:18What's the problem?
21:19Okay, go to me.
21:20What happened?
21:21What happened?
21:22What happened?
21:23Yes, bro.
21:24What happened?
21:26What happened?
21:27Oh, you.
21:28Oh, Hathipra.
21:30Oh, it's a very cold.
21:31Oh, it's a very cold.
21:32It's a cold.
21:33Two birds are lost.
21:34Yes, honey.
21:35It's a problem.
21:36It's a problem.
21:37Two birds and one bird.
21:39Yes, lady.
21:40Now you think and show a path to which this problem will solve.
21:44If you don't marry someone with a girl and don't say another girl, you won't be so upset.
21:50Okay, I'm constantly thinking society.
21:53Yes.
21:54I'm thinking a solution of this problem.
21:56Okay.
21:57Okay.
22:02Madhvi, I'm here.
22:04Oh, wow.
22:05Why are you here?
22:07I'm here.
22:08I'm here.
22:09Why are you taking a relationship?
22:11Who are you with?
22:14What's your relationship?
22:15I was talking about you.
22:17What's that, Madhvi?
22:19Why are you getting stuck in tension?
22:21It's a problem.
22:23What's that?
22:24We have a relationship for our dear brother.
22:27Who is your dear brother?
22:28Oh.
22:29A letter, dear brother.
22:31No, no, no.
22:32No, no, no.
22:33It's a relationship.
22:34It's a relationship.
22:35It's a relationship.
22:36It's a relationship.
22:38I'll tell you.
22:40One minute.
22:41I'll talk about it.
22:43I'll talk about it.
22:44I'll talk about it.
22:45I'll talk about it.
22:46What's it all about?
22:47Yeah, you're the one.
22:48One.
22:49One.
22:50One.
22:51Two.
22:52Three.
22:53Two.
22:54Two.
22:55Three.
22:56Three.
22:58Get back, right?
23:00The other one.
23:01Two.
23:02Three.
23:03The other one's given.
23:04Yes, they're coming in the same way.
23:05Oh.
23:06This is a pop-up-up-up-up-up.
23:08Look, sir.
23:09You have no name in his name?
23:10I have to replace him.
23:12Now what are we going to do?
23:14How will Popadal get out of this tension?
23:17What?
23:19The relationship with two boys and two?
23:23Babita, this is a lot of tension.
23:25And now we have to find a solution to this problem.
23:29So, this is a problem with which we can't find a solution.
23:33But then, look, my dear brother and everyone is in a lot of tension.
23:37In any situation, my dear brother will get out of this situation
23:41and only one girl will get married.
23:44Yes, yes. You are right, Babi-zap.
23:47We will have to think about something.
23:50Oh, God.
23:52Why does my brother always move away from the ocean?
23:56If it was not, it was not one.
23:58But now we have two, two, three.
24:00We will say yes and no one will say yes.
24:05Me.
24:11You are right.
24:13That's the knot to the end.
24:14Yes, love that.
24:17My love.
24:19Yes, my love.
24:20I'm here.
24:21You are right.
24:22I saw this.
24:23You are right.
24:24I am right.
24:25Did you know that my brother also is for a wedding?
24:27Yes, but you are wrong now.
24:29You're wrong.
24:30And Iذkan.
24:32I'm wrong.
24:33No.
24:35You say yes to me
24:55You say yes to me
24:56Yes to me, Patlal Ji
24:59You say yes to me
25:00How are you?
25:02I'm a child of this house
25:04No, Patlal Ji
25:06I'm going to be a child of this house
25:08You said yes to me
25:10No, Patlal Ji
25:11You said yes to me
25:13You said yes to me
25:15You said yes to me
25:16Patlal Ji, I was going to say yes to you
25:19At that time, these people came
25:21That's why I didn't say yes to you
25:23But I like you one month ago
25:25That's why you say yes to me
25:27Patlal Ji, you say yes to me
25:29No, Patlal Ji, you say yes to me
25:31No, Patlal Ji, you will marry me
25:33No, Patlal Ji, you will marry me
25:34No, you marry me
25:36You will marry me
25:37No, Patlal so you make me
25:38No, Patlal Ji
25:47Hey.
25:49Look, my dear, I have welcomed you to make this life.
25:53My dear, Lall. I have accepted you for your life.
25:57So, let's divorce me.
25:58Okay, my dear. You will give birth to this life.
26:00But, in this life, you're only mine.
26:02No. You're mine?
26:03No. You're mine.
26:04Hey, you're mine?
26:05No. You're mine.
26:06You're mine.
26:08Let's divorce me.
26:08No. You're mine.
26:10Let's divorce you from me.
26:12No. Let's divorce you from me.
26:14No. You will divorce me from me.
26:16You can marry me.
26:18You can marry me.
26:20I'm not going to marry you.
26:25You can't put your hands on both of them.
26:27Just do it.
26:29Put your hands on both of them.
26:31Kalpana?
26:33Kalpana?
26:36Is this my brahma?
26:38Oh, I'm a little old man.
26:41But I've got a sword in my heart.
26:44I'm not going to call both of them.
26:46Congratulations!
26:49Congratulations!
26:51Congratulations!
26:54Hey!
26:55Hey!
26:56Hey!
26:57Hey!
26:58Hey!
26:59Hey!
27:00Hey!
27:01Hey!
27:02Congratulations!
27:04Congratulations!
27:05Dear uncle, what are you listening?
27:07We have two friends for you.
27:10Hey!
27:11Hey!
27:12Do you know this, dear uncle?
27:13Who said both of them?
27:15Huh?
27:16Both of them.
27:19Okay.
27:20Who said both of them?
27:21Who said both of them?
27:22Oh!
27:23Oh!
27:24I mean, you're going to have two friends.
27:27Oh!
27:28Come on!
27:29Come on!
27:30Come on!
27:31Come on!
27:32Popat uncle?
27:33What's your uncle?
27:34What's your uncle?
27:35What are you enjoying?
27:36What are you enjoying doing?
27:37You're enjoying me with you.
27:39It's because of me.
27:40It's because of me.
27:41Tell me quickly, Popat Lal Ji.
27:43What's your answer?
27:44I mean, yes.
27:45I mean, yes.
27:47Oh!
27:48Oh!
27:49Oh!
27:50Oh!
27:51Oh!
27:52What are you doing?
27:53My dear Leal, is for a marriage,
27:57yes.
27:58Tell me.
27:59Tell me.
28:00Tell me!
28:01The question is,
28:02I'm just saying yes and yes.
28:07Dear uncle, why don't you do a job?
28:09Why don't you name them?
28:10Now, you name both aunties.
28:14One, write the name of the auntie,
28:16and the other, the auntie.
28:18Whatever a auntie will be,
28:19you marry her.
28:20Let's do it.
28:22Good idea!
28:23What a good idea!
28:25I didn't want to do my life's life.
28:29Why don't you know the name of Sipna Aunty and Kalpna Aunty?
28:33Kata comes to Kalpna Aunty, Chapa comes to Sipna Aunty.
28:38Oh, Gogi.
28:39I have to marry my dear uncle.
28:41I have to play a little match.
28:43That they will take a decision to toss.
28:45So?
28:46Sorry.
28:47Gogi, one minute.
28:49My dear uncle, I don't think you should take a decision like this.
28:52What does it mean?
28:53It means that you have to choose a life partner.
28:58You get to take a decision like this once.
29:00Really?
29:01How do you take a decision?
29:03Puppet uncle, I think you should get to meet both aunty.
29:09You should spend some quality time with them.
29:14With which you can know their nature and nearer.
29:17And then, if you feel a little better understanding and tuning with them,
29:22please say yes.
29:23Let me give you a chance.
29:26Dear uncle, this is the best idea.
29:29Thank you, thank you, kids.
29:30This is a really good idea.
29:34I get to meet both of them all together.
29:37And I try to try to get a better understanding of each other.
29:40Yes.
29:41The one who won't get my tuning, I will say sorry.
29:43And the one who won't get my tuning, I will say yes.
29:45I will say yes.
29:46Yes.
29:48Puppet uncle.
29:49Dear uncle.
29:50Let's start an ice cream party.
29:52Yes.
29:54But there is no ice cream in the house.
29:56Don't you worry.
29:58Bring it.
30:00Bring it.
30:01Oh wow.
30:02Let's do the ice cream party and tell everyone that I have a solution.
30:05What do you think?
30:08Madhu, what do you think?
30:09Do you think we will pick up my dear brother?
30:11Or do you think we will pick up the ice cream party?
30:14I don't know.
30:15This is the tension.
30:16We are all thinking about this.
30:18I think we will also think about this in the soda shop.
30:25Abdul.
30:26Today we will drink four soda.
30:28Four?
30:29What is this?
30:30Tension.
30:31No.
30:32No.
30:33No.
30:34No.
30:35No.
30:36I mean, when the two boys have said yes to the wedding,
30:39my tension is double.
30:41So, it's two soda.
30:44Four soda.
30:47Oh my god.
30:48I will drink two soda.
30:51Tension is double.
30:53Two, four.
30:54Wow, wow, master.
30:56Wow.
30:57Wow.
30:59Hey friends,
31:00would you have any problem with our dear love,
31:03or not?
31:07I am not aware of that.
31:08A man will say yes to a good point
31:10or should I say yes to the love,
31:11or should we not say yes?
31:14This problem is not even found,
31:16but...
31:18here there is no problem in this world
31:19that doesn't have to be a solution.
31:22It is a truth,
31:23But what could the solution of the love of love?
31:26That's right, you know.
31:28He said that there is no problem in the world with no problem.
31:34Tell him what's the solution.
31:38Oh, man! There is one solution.
31:41One minute, one minute. Tell him.
31:43Tell him, tell him.
31:44He's got the solution to it and tell him.
31:45Tell him, tell him.
31:47The solution is that love is married with a dream
31:51And don't tell the lies.
31:59And on the other hand, they marry with the lies.
32:02And don't tell the lies.
32:08I mean, keep both girls in the middle and make them marry both?
32:13Why in the middle?
32:14There will be a marriage in the Ujale.
32:16What?
32:20Oh, man.
32:21You said that the movie is not seen as the Sajan Jalil Sashural film.
32:24Yes.
32:25I saw it.
32:29This is not a film, it's the fact.
32:31In the films it's the fact that it's not.
32:32Yes, it's a right.
32:34Okay.
32:35So what can happen to be more?
32:38Tell, tell.
32:39No, my father.
32:41I had told this to be a general.
32:43Link, who are we looking for? Where is Popr Lal?
32:47Oh, my love, Lal.
32:49That's a good thing.
32:50Oh, sorry, my love, Lal. Where is my love, Lal?
32:55Listen, listen, listen.
32:57I got a chance to say yes and not to say yes.
33:00What the hell? What the hell?
33:03Let's call the Purush Pandali and everyone will know.
33:06Yes, call it.
33:07All of these people are calling the phone.
33:10I'll call the Dadanji.
33:12Dadanji, Dadanji, Dadanji!
33:20Babita's phone?
33:21Give me.
33:24Talk, talk.
33:28Babita, come on.
33:29Oh, man. You guys come to Gabi's peace in compound.
33:33Yes.
33:35Hello?
33:37What did Babita say?
33:38Babita, we all called people quickly in compound.
33:41What happened?
33:42Why? What happened?
33:43Let's go.
33:44I didn't say anything.
33:46No, I didn't say anything.
33:50What happened?
33:50Babita, what happened?
33:52What happened?
33:54You've come here alone.
33:55No, everyone.
33:58Come on, quickly.
34:00You're calling Babita, brother.
34:02You're calling me here, brother.
34:03Come on.
34:04Babita, what happened? What happened?
34:06What happened?
34:07No, there wasn't any tension.
34:09In fact, the big tension of my brother's love is gone.
34:14Is it a happy house?
34:15Yes.
34:20I mean, who's to say yes and no, who's to say yes?
34:23Is it a tension gone?
34:26Yes, my brother, the tension is gone.
34:29Oh
34:32Hey
34:34Oh
34:36I
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41:23You wear a yellow t-shirt, I wear a yellow dress, okay?
41:27Oh, okay.
41:29Okay, you go to the house soon.
41:30I will forward your address.
41:33Okay, bye.
41:39Mom, Dad, you are coming to the house.
41:43Oh, my God.
41:45God, I always think that you don't want to go to the house.
41:50You'll have to go to the house first.
41:53You'll have to go to the house with Mehta sir and Anjali Baba.
41:59Tarak, what do you think?
42:01What's going on?
42:02Hey, food diet.
42:04No, this is not.
42:05With my brother.
42:07Who will come to the house or the house?
42:09Oh, who?
42:10Who will tell me?
42:12Huh?
42:12Who will tell you?
42:14Exactly, Anjali, how will I tell you?
42:16I'm going to be a tension that when I get married,
42:20I'll take a lot of money.
42:23Good morning, Mehta sir.
42:24Good morning, Anjali Baba.
42:26Come here, dear brother.
42:28What happened?
42:29Did you talk to the house with Kalpana?
42:31Yes, that's why I came here.
42:32He talked to the house on the phone,
42:35so he said that his father wants to go to his house
42:38and see his house too.
42:40Come here, come here.
42:41Come here.
42:42Hey, Mehta sir.
42:44Don't do such a thing now.
42:46My world has changed before me.
42:48Dear brother, you've got so much tension
42:51so how do you go there and talk to the house?
42:53Yes, Anjali Baba.
42:54There's no talk to everyone in front of everyone.
42:57That's why I and the house have decided that we'll go outside
43:01from the house and sit there and talk to the house.
43:05That's why I'm fine.
43:06But the other thing is that I'm not going to go to the house
43:10and you and Anjali Baba are coming with me.
43:13Why are we?
43:14You have to come here.
43:16You want to leave me from the house?
43:21You've already left the house.
43:23And when you have married to your dream or dream,
43:26you'll have to take me a little bit.
43:29My boss doesn't give me a little bit.
43:31You'll do it.
43:32You'll get to Anjali Baba.
43:33Okay, Anjali Baba, you go.
43:34If you'll be with me, it'll be good.
43:36Okay, I'll come with you.
43:37And I'll take Komal Baba with you.
43:40If he's not with the dream,
43:42then he'll get to the dream.
43:43And I'll get to the company.
43:46Okay.
43:47All the best, dear Elal.
43:48Thank you, thank you, Maitha Sahib.
43:49Anjali Baba, we have to reach the house for half a hour.
43:52Yes, we'll be ready soon, then we'll go.
44:01Remember, you are my dear brother here.
44:04All the best, dear Elal.
44:16Come on.
44:19Hey.
44:22Sapna.
44:26Hi.
44:27Hello.
44:28Hello.
44:29Hi, Sapna.
44:30Hi.
44:34Hold one minute, here.
44:35Hold one minute, here.
44:36Hold one minute.
44:37Hold one minute.
44:38Stop!
44:40Stop!
44:42Stop!
44:44Stop!
44:46Stop!
44:48I don't know if you don't know about them.
44:50Don't get attention.
44:52You have to stop for your peace.
44:54Okay, okay.
44:56Mamta?
44:58Why do you have to stay here?
45:00Why do you have to stay here?
45:02Why do you have to stay here?
45:04Why do you have to stay here?
45:08You are welcome, Damajji.
45:16Welcome, welcome.
45:18Stop.
45:24What are you doing?
45:26Damajji, you have to go to the first house.
45:28You have to stay here.
45:30Yes, but it's not a need.
45:32How do you have to stay here?
45:34It's a need.
45:36Damajji, we will do what we will do in the house.
45:40But today, you are the first time of our house.
45:44So, you have to take a small tree.
45:46Take it.
45:48Come here, you have to stay here.
45:50Come on.
45:56Come in.
45:57How do you have to stay here?
46:07Yes.
46:09Sit here, Folk Depot.
46:13Sit here.
46:14Okay.
46:16Oh my god, Tarek Ji didn't come here.
46:18He was going to go to the office today.
46:22Oh, if we come here, we'll see our new house.
46:26No matter what, we'll be starting to come here.
46:28Absolutely, absolutely.
46:29But Uncle, your house is very good.
46:32This is Komal Bhabi.
46:47It's in our Mahila Mandala.
46:51When you came here, you didn't have any trouble.
46:54Yes.
46:55Namaste.
46:56Namaste.
46:57Namaste.
46:58Namaste.
46:59Namaste.
47:02Who is this?
47:04Did you keep me scared?
47:05Hello, Sapna.
47:06You look very good.
47:13You start.
47:14Yes.
47:22Oh, these are like the trees.
47:26Take the whole meat.
47:28Take it.
47:29Take it.
47:32Take it.
47:33Take it.
47:36This is her.
47:37What?
47:38I forgot to give her.
47:39I forgot to give her.
47:41Namaste.
47:42Namaste.
47:43This is my Salih and Sapna.
47:45Suray Vanshi.
47:48Oh, good, good.
47:50Namaste.
47:51Namaste.
48:01You're being a champion of boxing.
48:05Now let's coaching you for boxing.
48:08Now let's do the coaching of the boxing.
48:18The man, the dream is my lady.
48:22Keep her always happy.
48:26She should never come to the eye.
48:30If she comes to the eye,
48:33I will show you the talent of boxing.
48:39What, brother?
48:41Sorry, Damaji.
48:43Brother, you love him a lot.
48:47Okay.
48:49One time, the dog was a dog.
48:53He put a dog on the other hand.
48:58After that, he killed him.
49:01He gave him a sacrifice for his life in his hand.
49:04He said, if you want to show me a mobile,
49:08he will be a mobile.
49:09But when you take a mobile,
49:11he will not have a safe hand.
49:14Damaji,
49:15I have two people in the world.
49:18One is the one who gives me an apology.
49:21And the other one who gives me an apology.
49:25And the other one who gives me an apology.
49:28I will always throw them away.
49:34Hey, God.
49:35If I have promised a friend to my friend,
49:37then what will I do?
49:39Will I throw them away?
49:41Damaji?
49:42Damaji?
49:44Yes, yes.
49:45What are you thinking?
49:47I was thinking,
49:48how much fun has come.
49:54Is it Angelica?
49:55Yes, yes, yes.
49:56Yesterday,
49:57they were all wrong.
50:00And look,
50:01today,
50:02we are talking about the marriage.
50:08This is true.
50:10Our dream is also very good.
50:15We are proud to speak
50:16and we make food very good.
50:19Damaji.
50:21We are doing uncle and auntie,
50:22we are doing Damaji Damaji.
50:23But I don't know
50:24that I am going to make them
50:25Damaji or not.
50:30Dear brother,
50:32you are saying that
50:33you have to talk a lot
50:34with your dreams.
50:36Yes, yes, yes.
50:40Come on, Anjali.
50:42We will talk a little bit about these.
50:49Ah, Sapna,
50:50Damaji,
50:51let me see the house.
50:55Yes, Papa.
50:56No!
50:58You have to take a selfie with me.
51:00Okay.
51:10Give me a smile.
51:13Give me a smile.
51:14Give me a smile.
51:15A little.
51:16A little.
51:19Give me a smile.
51:20Give me a smile.
51:21Give me a smile.
51:24Now, the photo of Angry
51:25will send you to the Boxer Group.
51:26With Damaji.
51:30I am afraid of this.
51:32But it's the Boxer Group.
51:35Come on, dear.
51:36Come on, dear.
51:47Come on, dear.
51:48My dear Lalji.
51:49This is my room.
51:51Oh, wow.
51:52What a joke.
51:54You have to keep your room
51:55in a very good way.
51:59And you know,
52:00this is my favourite corner.
52:01I sit here,
52:02I read books,
52:03I drink tea,
52:04and coffee.
52:05And coffee?
52:06Yes.
52:08I'm enjoying it.
52:09Sit down.
52:11Okay, okay, okay.
52:12Now sit down.
52:13Now sit down.
52:18Sapnaji,
52:19what are your thoughts about marriage and marriage?
52:22What are you doing?
52:23What are you doing?
52:24What are you doing?
52:25I'm just wondering,
52:26what is your thoughts about life with you?
52:28to meet your whole life and tell us how happy it is.
52:34What a matter of fact.
52:36But, believe me, I haven't done your dreams yet.
52:40Or did you lose anything from me?
52:43Dear Lailji, in your life, there is a lot less than your mind.
52:48For me, it's just your love.
52:51If everything is less, then it will go.
52:54My dear friend, nature is very good.
52:58कलपना जी का π Eigen को भी फोन करना था
53:10हो पहली बार कॉल की और उनोंने काट दिया
53:15किसका फोन है कलपना का मैरी ओफिस के कलिग कलपना का फोन है
53:27I told her that I'm going to meet her with her.
53:31Don't disturb me.
53:32She's also complaining about me.
53:35She doesn't do anything.
53:36She calls me for small things.
53:38I do a job.
53:40I give her a message.
53:42Please, don't disturb me.
53:44I'll call you soon.
53:49Why are you cutting my phone?
53:51I'll call again.
53:57I'll talk to you soon.
54:00Otherwise, she'll be angry.
54:04I've been getting a message,
54:05but I'm still complaining.
54:07Please talk.
54:08It's possible.
54:09It will be necessary.
54:10Okay.
54:13Hello?
54:14Hello, Popat Lal.
54:15Hello?
54:17Hello?
54:18Hello?
54:19Hold me.
54:20It's not coming.
54:21Hello, Popat Lal.
54:22It's coming.
54:23My network is very poor.
54:27I'll talk to you soon.
54:28I'm going to talk to you soon.
54:31Seriously, it's very good.
54:33Hey, my friend.
54:34Where are you going?
54:35There's a call.
54:36Which call?
54:38My friend's friend's friend's friend's friend.
54:42He's going to call me some work.
54:44He's going to call me.
54:46So tell me.
54:47You're busy.
54:50How can I tell you that I'm busy?
54:52I can't tell you.
54:54I'll tell you.
54:55What?
54:56I'll tell you.
54:57No, no, no.
54:58My office is a problem.
54:59I'll handle it.
55:00I'll tell you.
55:01No, I'm saying it right.
55:04If you talk with the office staff,
55:06it wouldn't be good.
55:09It would be like
55:10that the family is interfering with the office.
55:17Yes.
55:18Their office staff is very strict.
55:22It's okay, brother.
55:23Let me talk.
55:25Yes.
55:26Okay.
55:28I'll come.
55:29Yes.
55:33What is it?
55:34The office staff are very strict.
55:36Yes.
55:37Yes.
55:41Tell me, Kalpana.
55:42Why didn't you take my phone?
55:45I'm very angry.
55:47You're scared, right?
55:48You're scared, right?
55:49I was having fun with you.
55:51Thank God you were having fun with you.
55:54But Popatlal, don't do any fun with you.
55:58Do you know how I was frustrated?
56:00How did you think of my mind?
56:03Sorry, sorry.
56:04It's okay.
56:05Where are you?
56:06With a dream.
56:07With a dream.
56:08What?
56:10I'm watching my dream.
56:13I was thinking about you.
56:16Okay.
56:17Why didn't you call me the phone?
56:18Why didn't you call me the phone?
56:19I didn't know how to call you the phone.
56:24I was very excited to talk to you.
56:27But I thought that if I call you,
56:30what would you feel like?
56:32Oh, Popatlal.
56:33How many of you are talking about?
56:36Now you're going to be your family.
56:37How are you?
56:39Tell me, what can you do for me?
56:41What can you do for me?
56:42Anything.
56:43Okay.
56:44Then you'll get me to Lovebird Garden Restaurant.
56:46In Lovebird Garden Restaurant?
56:48Yes.
56:49This is the best place for couples.
56:51That's why you'll come to Lovebird Garden Restaurant.
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