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Reality Realm US

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Transcript
00:00surprise oh what is this this is your new atelier oh it's beautiful but we can't afford it
00:21we are spending too much on attorneys already i know money's been tight so i called in a favor
00:27from an old friend this belongs to pierre cadeau and it's yours if you want it wow that's so generous
00:37i mentioned your name and he said no problem and also to send his love to zio lorenzo
00:43uncle lorenzo he worked for the company for many years he charmed the pants of everyone in the
00:50fashion industry literally oh this is scary exciting how soon can we move in how about
01:04now am i doing this right i've never been a fit model before you're perfect okay
01:18pierre cadeau is ready to zoom he has news go go go hi sorry guy
01:25there's our fairy godfather what did you call me bonjour pierre thank you again for this gift
01:33this changed everything you said you had some news any luck on paris fashion week
01:38despise all the cloaks i wear i'm not a wizard it's impossible to get an unknown designer
01:45into paris fashion week especially when he's being sued by his own mother
01:50you said you had good news i found you a much more suitable event venice fashion week
01:57venice has a fashion week it's more for emerging designers well then that's perfect an italian
02:04newcomer making a splash in venice literally you'll sink or swim either way prepare to show
02:11in two weeks what that that's not possible oh my darling boy fashion is all about making
02:17the impossible possible bonne chance mes amis
02:22cher pascal we're very excited to share our ideas with you for the launch of your absinthe
02:34le rêve vert to celebrate we'll be throwing a decadent party in the style of la belle époque
02:40there'll be concon dancers as well as waiters in period costumes and no absinthe party is
02:46complete without a visit from the green fairy herself nice touch when guests arrive we'll
02:52greet them with a shot of le rêve vert served on sugar cubes but just a splash we can't have
02:57anyone going mad that's just a myth right is it really a hallucinogen no it's real absinthe was
03:05banned for almost a century in france it was the molly of the belle époque what do you know about
03:11molly it's a strong drink but i assure you love there is nothing like molly it will not make you
03:20lose your mind during the belle époque regulations weren't strict we weren't there so who can say i
03:27wish i had been there la belle époque wasn't about restriction it was about experimentation about
03:33progress in art in technology in science in everything it was the birth of cinema it was
03:39the birth of la tour eiffel and the epicenter of it all was maxim's so i'm very very glad you
03:44were able to book the venue for the event we did
03:47oh yeah we did of course
04:00luke why is pascal's party at maxime's i thought you were booking laurel's club i mean it's a perfect
04:05fit for the party and you could use the business i called to reserve the space but i was told it
04:10is unavailable we even offered to change the date but they said no should we ask again no no too late
04:18anyway amili are you free tonight i'm feeling nostalgic and i would love to show you my belle époque
04:25paris ah that sounds lovely marcello is busy working tonight so count me in an artist working late into
04:32the night it is just like the belle époque without all the syphilis and the smells do you know about the
04:39great stink of 1880 what ew no the city was unbearable and oh yeah i can't wait to tell you all about
04:48it hello have fun yes i can have a marketing plan ready by tomorrow but if they get two weeks for the
04:58line can i please just at least get two days to prep the rollout okay thank you
05:05oh sounded intense who was that nico he's pretty freaked out can you maybe try to cut him like a
05:15little slack money's really tight right now he's worried about money really yeah oh do you not
05:22know that when he left jvma it violated his trust so he's locked out of that he cashed in some stocks
05:28that his grandfather gave him so he's basically betting his whole inheritance on marcello's business
05:34wow i had no idea it's gonna be fine he knows what he's doing but i feel like i need to start
05:40contributing more you know i mean if i nail this audition tomorrow i can cover his rent
05:44you have an audition for what did i not tell you so these movie producers saw me at crazy horse and
05:52they want me to read for sateen in an animated moulin rouge oh my god i love that movie be an amazing
05:58sateen oh thanks okay how do i say break a leg in french the french version is married okay well then
06:07married i'll take it i need all the marriage i can get
06:11a little bit i got it in a chat with you a little bit of an interview with me
06:16that's why i'm sorry thank you
06:20i'm very happy that you can get us out of the way
06:22when i was a good friend and out of the time
06:24and that's why i'm really happy that you don't put on the internet
06:27that's why you're very busy
06:28and you're very busy
06:30I don't even know
06:31I'm sorry for your time
06:34due to your hour
06:35We're reserved for weeks.
06:37But it's not good.
06:39Are you good news?
06:41Yes.
06:46You were missing.
06:48You asked me, I was given you.
06:52But I was very happy that you called me.
06:56I was also...
06:59I'm happy to see you.
07:02And you were where, all these times?
07:04In the south, especially.
07:07Paris works very well, but it's nothing to do with Saint-Tropez.
07:10I'm talking about Saint-Tropez.
07:13I found a little thing.
07:16That's the date of the opening.
07:20Was it you who made the photo?
07:22Yes, I put it, put it on the timer, put it on the flyer.
07:26You were incredible.
07:29You always did it.
07:32We were fusion at the time.
07:34We couldn't separate each other.
07:36I think it was our time.
07:39Who knows?
07:42Who knows?
07:43Maybe the best will come.
07:45It's just to let it go.
07:48Are you.
07:51überhaupt not a wall.
07:53We did something.
07:55Then it really was gonna start to say.
07:57Yeah.
07:58You.
07:59You do not have to wait the other traffic.
08:00How you got off?
08:07So this was my neighborhood when I first moved in Paris.
08:28I wanted to be in the world of Toulouse-Lautrec, where the artist I read about used to paint
08:33and write and drink and screw their brains out until sunrise.
08:37I fancied myself quite the painter.
08:40Well, that doesn't surprise me at all.
08:42You have an artist's soul.
08:45Come on.
08:49So this is Le Bateau L'Avoir.
08:51Matisse, Cocteau, Modigliani, they all gathered here.
08:54Oh, and Picasso too, wow.
08:57I would have killed to be among them, but I was more like him, selling my works by
09:03day and painting new ones at night.
09:05You really were an artist.
09:07How romantic.
09:08It was a brutal existence.
09:10No money, no sleep, just me and my art.
09:18I was never happier.
09:20Oh, do you still have any of your paintings?
09:23No.
09:25I sold a few.
09:26The rest I used as firewood when I realized I had no talents.
09:30Oh, what did you use to paint?
09:33Oh, my specialty was portraits.
09:37Oh, cool.
09:38Self-portraits.
09:41New self-portraits, to be precise.
09:44Oh.
09:45I wish you could have seen them.
09:46I got a striking figure in my youth.
09:48Oh.
09:49My loss.
09:52Okay, final absinthe.
09:55Yes.
09:56Merci, merci.
09:57This is my last one.
10:00Anymore and I'll start hallucinating.
10:02Are you feeling it too?
10:04I am feeling a little tipsy.
10:05Oh.
10:06Oh, and maybe I am hallucinating.
10:09Gabrielle.
10:10Gabrielle.
10:11No way.
10:12You have to answer.
10:13Hi, Gabrielle.
10:14How are you?
10:15Where are you?
10:16Are you still on the yacht?
10:17I'm actually in Amsterdam.
10:18The yacht is in dry dock for repair.
10:19So we're moving to Edderton's summer home in Monaco.
10:20Hmm.
10:21Sounds fancy.
10:22It is.
10:23But I didn't call to brag.
10:24Listen, I live in such a rush that I forgot some of my knives.
10:28I'll be passing through Paris tomorrow, but I don't have much time in between trains,
10:33so I was wondering if you would be willing to come to the train station and bring them
10:51to me.
10:52I know it's a big ask.
10:54Uh, what time?
10:55I'll be there at one hour.
10:57We could have a quick lunch if you'd like.
10:58It would be nice to see you.
10:59Um, yeah.
11:00Yeah, I think I could do that.
11:01Thank you, Emily.
11:02Honestly, you're a lifesaver.
11:03Um, listen, I'll shoot you a picture so you know what to look for and make sure the
11:04Guardian knows to let you in.
11:05Okay.
11:06I'll see you tomorrow at Le Tremblue, uh, Gare de Lyon at 1 p.m.
11:07Okay.
11:08Yeah.
11:09Um, yeah, I'll see you tomorrow.
11:10Bye.
11:11Just in case you were wondering, you were not hallucinating, that call was very real.
11:18It definitely was.
11:19Marcello?
11:20Livia?
11:21Livia?
11:22Livia?
11:23Livia?
11:24Livia?
11:25Livia?
11:26Livia?
11:27Livia?
11:28Livia?
11:29Livia?
11:43So that's right, she's working in Pierre Cardot's atelial's atelial Carlos.
11:48Hello.
11:49Ciao.
11:51Nicola, this is my sister, Livia.
11:54Ciao, Livia. Nice to meet you.
11:56So you're the one behind this.
11:58This was my decision. Did Mama send you?
12:01She doesn't know I'm here.
12:03Don't agree with what she's doing, but...
12:05Bye.
12:06I don't know what you're doing.
12:08You never designed anything in your life,
12:10and suddenly you're doing a whole collection.
12:12If I may, your brother is very talented.
12:16Clearly it runs in the family.
12:19Why don't you take a look at the line?
12:21We'd love to get an outside opinion.
12:23Good idea.
12:24I'd love to know what you think.
12:33They're beautiful.
12:35Really well constructed.
12:37But, Marcello, why do we want to tear our family apart over this?
12:42It's not even that different from our own brand.
12:45You just put a colorful horse on it.
12:47You're not seeing the whole picture.
12:49Neither are you.
12:51Please stop this before it's too late.
12:56Excuse me.
13:05Aw, hey you. What's up?
13:07Emily, I need you to cancel Venice.
13:09What? What do you mean?
13:11We have to shut everything down.
13:13What's going on?
13:14It was a huge mistake.
13:16I'm not a designer.
13:17Of course you are.
13:19Just because you keep saying it doesn't mean it's true.
13:21We've wasted so much money.
13:23I can't show this collection.
13:24I never should have listened.
13:26Wait.
13:28What happened?
13:29Where is this coming from?
13:31My sister came here to see the line,
13:33and she said it's not good enough.
13:35And she's right.
13:36She's right.
13:37She's right.
13:38I'm going to humiliate myself.
13:39That's not true, okay?
13:41Don't let her get into your head.
13:42The line is great.
13:43Emily, stop.
13:44She's right.
13:45It's boring crap.
13:47No, it's not.
13:48Maybe we can add some accessories to liven it up.
13:51I said stop.
13:53You always want to fix everything.
13:57But there are some things you can't fix.
14:02Just stop.
14:03Please.
14:07Okay.
14:08Um, let me see what I can do.
14:23Emily.
14:40Sri Lanka was so beautiful.
14:41Like nothing I've ever seen before.
14:43But I think my favorite place was Thailand.
14:45The people are so friendly.
14:47And the food.
14:48Ugh.
14:49Your episode of Chef's Table is going to be incredible.
14:51I still can't believe you just packed up and left.
14:56It was a crazy thing to do, but I had to do it.
15:01I had gotten everything I thought I wanted and I was miserable.
15:06So I decided to do the exact opposite.
15:08Instead of stability and routine, I ran for the unknown.
15:13It just woke me up.
15:15I don't know.
15:16I'm talking too much.
15:19How have you been?
15:21Oh, um, I'm fine.
15:23Yeah, the usual.
15:27Marcello and I are back together.
15:29How are you guys doing?
15:30We don't have to talk about it if...
15:31No, no, no.
15:32It's okay.
15:33Um, we're good.
15:34Well, he's starting a fashion company.
15:36He's actually designing the line himself.
15:38I didn't know he was a designer.
15:40Well, he wasn't.
15:41But then we lost the one that we had and I saw his sketches, which were incredible.
15:45So I insisted that he take over.
15:49Mm-hmm.
15:50And we're supposed to show at Fashion Week, but now he wants to trash the entire collection.
15:54So...
15:55Well, I missed so much.
15:58It all happened so fast.
15:59You know, maybe a little too fast.
16:02Maybe I shouldn't have pushed him to do it.
16:09Can I ask you something?
16:10Of course.
16:11Did I push you for the Michelin star?
16:15The Michelin star was my dream.
16:18But you were miserable.
16:20And you ran halfway across the world to escape from it.
16:23And...
16:25I don't know.
16:27Maybe from me.
16:30Emily, all I can tell you is that you supported me.
16:34You had faith in me.
16:36Probably more than I ever deserved.
16:38That's a good thing.
16:40I just don't think that's how Marcello feels.
16:43He's so upset and I feel like it's my fault.
16:48Although...
16:50Maybe that could be because of the lawsuit.
16:52Because on top of everything else, his mom is suing him.
16:54That's terrible.
16:55And his business partner, Nico...
16:57Oh, Mendy's boyfriend.
16:58You remember him?
16:59The billionaire?
17:00Well, no, not anymore.
17:01It's a really long story.
17:04You know what?
17:05I forgot how dramatic pairs can get.
17:12This restaurant is so gorgeous.
17:14We should have had our Belle Epoque party here.
17:16It's Art Nouveau, right?
17:18You know what?
17:19I believe it is.
17:21I look at you.
17:22You're such a cultured Parisian now.
17:23There was a time where you didn't even know which floor you were on.
17:26Oh, God.
17:27Remember when that was my biggest problem?
17:30Oh, I feel like that was my Belle Epoque.
17:34Everything was so new and exciting, like a fantasy.
17:40Now it all just feels so difficult and real.
17:46We tend to romanticize the past.
17:49Things were pretty hard back then, too.
17:51You didn't know what you were doing at work.
17:54Mm.
17:55You were kissing people that had girlfriends.
17:58Which I didn't know.
17:59And they were kissing back, by the way.
18:01That's very true.
18:02But not only that.
18:03There were secrets and pacts and fake Michelin inspectors.
18:08And also good memories like sex on the roof.
18:11Now who's romanticizing that?
18:13You know, when I left for the yacht, I thought my best days were behind me.
18:24But no, I'm excited for the future.
18:26Wherever it brings me, I...
18:30I think you should be, too.
18:35Never knew I could feel like this
18:42Like I've never seen the sky before
18:49I wanna vanish inside your kiss
18:56Every day I love you more and more
19:03Listen to my heart
19:06Can you hear it sing?
19:10Telling me to give you everything
19:18Seasons may change
19:21Winter to spring
19:24Thank you for meeting me.
19:26It was good to see you.
19:29Give Marcella some time.
19:31You two are good together.
19:34What makes you say that?
19:35Because I saw the two of you in Rome.
19:40When were you in Rome?
19:44After you decided to leave Paris, I had this crazy idea to follow you.
19:49And...
19:51I saw you with them.
19:52Why didn't you ever tell me?
19:54Because you looked...
19:57Happy.
20:01And that's all I ever wanted for you.
20:05It's all I ever wanted for you, too.
20:10For both of us.
20:11You know they didn't start calling it La Belle Epoque until after it had passed.
20:20Nobody knows if they're living their golden age.
20:22Maybe we're living ours now.
20:29Just send me a postcard, okay?
20:31A real one.
20:33With a stamp.
20:34And there's no mountain too high
20:40And a river too high
20:44Sing out this song
20:47And I'll be there
20:49And I'll be there by your side
20:52Stone clouds may gather
20:55And stars may collide
20:58Oh!
20:59Oh my God!
21:00You...
21:01Gabrielle!
21:02Your knives!
21:03Wait!
21:06Gabrielle!
21:07Gabrielle!
21:11Your knives!
21:20You're a good friend.
21:25Hey.
21:45Where is everyone?
21:47I send them home.
21:50Did you cancel the show in Venice?
21:53Not yet.
21:54Are you sure that's what you want to do?
21:57It's what needs to be done.
22:01You know, sometimes when things don't work out,
22:03it helps to look at it from a different perspective.
22:06Do the opposite.
22:08Like if I'm thinking black, I run towards white.
22:11What?
22:13Black is white, up is down.
22:16Something like that, yeah.
22:18All I can think of is how many I'm pointing at everyone.
22:22Well, then think of the opposite.
22:25Listen, I don't need you to be a designer
22:28or a titan of industry
22:32or anything other than the wonderful man that you are.
22:42Whatever you decide, I'm with you.
22:44I don't need you to be a designer.
22:45I don't need you to be a designer.
22:47I don't need you to be a designer.
22:49I don't need you to be a designer.
22:50I don't need you to be a designer.
22:51I don't need you to be a designer.
22:52I don't need you to be a designer.
22:53Maman, maman, tu m'as appelée il y a à peine une heure.
22:56Mais je t'ai dit que c'était urgent.
22:57I don't need you to be a designer.
22:58I don't need you to be a designer.
22:59I don't need you to be a designer.
23:00I don't need you to be a designer.
23:01C'est quoi, cette urgence ?
23:03Est-ce que tu as vu ton mari dernièrement ?
23:05Oui, justement, je l'ai vu hier soir.
23:07Il avait un peu pris cette distance, mais on a reconnecté.
23:11Merveilleux !
23:12Est-ce que tu peux me dire de se connecter avec moi aussi,
23:14afin de m'expliquer pourquoi ses créanciers s'en prennent à moi ?
23:17Pardon ?
23:18Il est en retard de paiement surtout.
23:20Sa licence d'alcool, ses fournisseurs,
23:23et même certains de ses employés.
23:24Mais non, mais attends, maman, je comprends pas.
23:26Il m'a dit que le business marchait super bien.
23:28Ah bon ?
23:29Il t'a dit aussi qu'il avait emprunté 2 millions en hypothèque en immeuble.
23:32Mon avocat vient de me la prendre.
23:33Maman, t'es sûre de ce que tu dis ?
23:35Évidemment que je suis sûre.
23:36Il n'a plus d'argent, alors c'est à moi qu'il s'en prenne.
23:41J'aurais jamais dû me compromettre avec ce type, et toi non plus.
23:47Sous-titrage Société Radio-Canada
24:17Bravo et bravo.
24:19Bravo et bravo.
24:20Thank you all so much.
24:21It's perfect.
24:22It's exactly how I pictured Maxime's during the Belle Époque.
24:25Merci.
24:26It's been our pleasure.
24:27Now, if you'll excuse me, I have a date with the green fairy.
24:31She's in love with me.
24:32Are we sure this doesn't make you hallucinate?
24:33Mm-hmm.
24:34Is everything okay?
24:35I thought you'd have the time of your life here.
24:36No, c'est magnifique, but being here made all this beauty.
24:40I wish I hadn't given up on my art.
24:47Luke, I think you're romanticizing the past.
24:48Do you remember how hard it was?
24:49And look at you, okay?
24:50You have a great life.
24:51You have great friends and a great job.
24:54And, well, you live on a boat.
24:55Yes, it's true.
24:56But I wasn't talented enough anyway.
25:22wasn't talented enough anyway just another dream of dying look there is
25:30something you have to see
25:42oh my god is that it's me all of these years have been hanging in Maxime's
25:51maybe a little too well hung artistic license I can't believe it I did make it
25:57as an artist I mean can you take a photo of me with my masterpiece please oh of
26:02course yeah okay let's see uh oh you know what here you want to just hold this
26:08okay just a little a little higher tilt it to the left yeah up up up perfect
26:17hello may I join you uh sure but no dancing tonight deal I can't do the can can anyway
26:28you all right it's so stupid try me well I guess I have to tell somebody
26:40I booked the role of Satine in Moulin Rouge it's an animated movie musical well congratulations
26:47that's great isn't it it is I mean I could use the cash because I was really excited to tell
26:54Nico that I could cover the rent for a while but but they just sent me the script and some sketches
26:59and the full title is Moulin Rat I'm a rat hold on hold on hold on that can't be the right
27:08translation I mean what what's French for rap it's fucking rats I'm rat team who's rat team a cartoon
27:17rat prostitute this is why I didn't want to tell Nico this is so humiliating who cares cash that check
27:24that rat sex worker would honestly what's so funny I booked a job I'm rat team that's great
27:41wait wait a rat procedure in a top hat no no no it's it's Moulin Rouge with rats
27:51ah I get it funny no no it's not that funny but the salary is great and rent is on me that's amazing
28:02I'm gonna go grab another drink congrats
28:14Emily did Lauren check in I didn't see him yet but I was only at the check-in for the first hour
28:29so oh I think he just walked in
28:31you lied to me I know about the loan I can explain I need to pay off some debts in Saint-Tropez
28:51I don't care why you did it you took advantage of my mother I'm so done with you
28:58silly please I want a divorce
29:00no the best repronto the best repronto the voice in the radio okay chiaro die ciao ciao ciao ciao
29:12hey what's going on oh Emily I'm sorry about earlier you've been so supportive during this it's
29:17been so difficult and I need to tell you something you're canceling the line
29:24canceling no say your thing again I love you Emily I love that you believe in my crazy dream
29:32even when I don't I love that you won't let me give up I love you too and like I told you before
29:40none of this business stuff matters to me I hope that's not true
29:43come
29:45what is all of this I took your advice about thinking differently and I'm doing the opposite
29:56the palio is bright and loud that's what the collection should be not a colorful pony on neutral
30:01fabrics but a neutral pony on big bold colorful designs but who were you on the phone to before
30:07I thought you were so upset oh there was my textile supplier and I wasn't angry I was excited
30:15if we are going to make it to Venice we don't have much time we're going to Venice
30:21we're going to Venice
30:25we're going to Venice
30:27no
30:29no
30:31no
30:33no
30:35no
30:37no
30:39no
30:41no
30:43no
30:45no
30:57no
30:59no
31:01no
31:05no
31:07no
31:09no
31:32no
31:34no
31:36no
31:38no
31:40no
31:44no
31:46no
31:48no
32:08no
32:10no
32:12no
32:14no
32:16no
32:18no
32:18no
32:30no
32:32no
32:34no
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