- 2 days ago
Emily in Paris - Season 5 Episode 8 -
Fashion Statement
Fashion Statement
Category
😹
FunTranscript
00:00First, he didn't want to serve us, now he doesn't want us to leave.
00:15I mean, we're going to be late for the party.
00:17Oh, yeah, who is this guy again?
00:19Noah Moreau.
00:20It's his going away party as head designer at Magnus Miller.
00:23Yeah, there's a rumor he's being replaced by Drake.
00:25I heard Justin Bieber.
00:27That's insane.
00:27Noah's won multiple CFDAs.
00:29Well, it doesn't matter anymore.
00:31Yeah, noise and hype are more important than collections.
00:34Well, it didn't help that he didn't get a Grammy, but it could work out for you guys.
00:37Oh, are we courting him?
00:39It's the whole reason we're trying to get a meeting with Noah, in hopes of bringing him on as the head designer of Marcello Moratori.
00:44I see.
00:45Oh, wait, I wonder whose idea it was to turn this double date into work.
00:49Actually, it was Marcello and Nico's idea.
00:52I just made sure our names were on the list.
00:54Naughty, naughty.
00:55Oh, how are we going to get to him?
01:10That's Noah's agent over there.
01:12I think she's our best bet.
01:14Let's talk to her.
01:15Oh, my God, look.
01:17He has such an adorable dog.
01:19How do you get a dog in here?
01:21I couldn't even bring a bottle of water.
01:22I grew up with Weimaraners.
01:25What?
01:26My dad breeds them.
01:27I told you that.
01:29I'm sorry.
01:30This whole time I assumed a Weimaraner was some sort of fox or mink.
01:34I thought your dad was in the fur business.
01:36Ew, no.
01:38Hi, Ramona.
01:39Oh, my God.
01:41Nicolas de Leon and Marcello Moratori.
01:45Bonsoir.
01:46Have we met?
01:47No, but you two have been spread across every fashion business site for the past month.
01:51Hi, Mindy Chen, Nicolas' girlfriend.
01:55How cool is this?
01:57So many people showed up for Noah.
01:59You sound surprised.
02:00We know what the talent is.
02:02It's not surprising.
02:03Yes.
02:04Soon we'll have a pick of the houses and this chapter will just be a blip.
02:07So he hasn't landed anywhere yet.
02:08Oh.
02:09Emily Cooper, I work with Marcello at Agents Grotto.
02:11As you might have heard, we're starting our own label and we'd love to meet with Noah.
02:17Sorry, guys.
02:18Noah will be giving careful consideration to his next move and you're kind of radioactive
02:24right now.
02:25What's that supposed to mean?
02:26Your family is still the number one player in fashion and nobody wants to piss them off.
02:31Best of luck and please don't talk to my client.
02:36Look, they have an uphill battle, sure, okay, but they're going to make it.
02:40As an American who works at a French marketing firm, I know what it's like to be an outsider.
02:44Touching story.
02:45Still no, but enjoy the party and we're serving cheeseburgers if you're feeling homesick.
02:53Rude.
02:53But also, where are the cheeseburgers?
02:55Excuse me.
03:21Chauncey, come on.
03:23Sit down.
03:24Be sweet.
03:25What are you doing?
03:29Hi there, ça va?
03:30Oh, he really likes you.
03:33What a handsome boy you are.
03:35You know, growing up, I had a silver gray too.
03:37We named him Bugs After Bugs Bunny because he was gray and he loved carrots.
03:42I'm Emily Cooper.
03:43Oh, I'm Noah.
03:45I know.
03:47Well, meet Chauncey.
03:48He won't eat a carrot unless it's covered in meat.
03:51Oh, well, there's nothing wrong with that, is there?
03:54You're a hunter, not a gardener.
03:55Am I right, monsieur?
03:59There's one thing I know about Emily Cooper.
04:01Is that she does not like her face licked.
04:04Come on.
04:05Molly's still slobbering.
04:07Oh, hi.
04:08Um, these are my friends.
04:10Mindy, Nicola, Marcello meet Noah and Chauncey.
04:13Great party, by the way.
04:15I can't believe you got candy head to DJ.
04:17Well, he's under consideration to replace me, too.
04:20So, did you come to pay your respects?
04:24Actually, we came to get you out of here.
04:26I started working with the label right out of school,
04:34so this is my first big breakup.
04:36Now, I'm completely distrustful.
04:38I was discarded for some child actor turned pop star.
04:42Oh, my God, it is Drake?
04:43No, it's this Zaptic German rapper
04:46who has 200 million Instagram followers.
04:48Oh, Baby Jay.
04:50And no more from Dusseldorf.
04:51He's so not a designer.
04:54No.
04:55They're going to call him a creative director.
04:59Total bullshit.
05:00There is no craftsmanship anymore.
05:02My dad always said that the only thing
05:04that makes clothing distinct
05:06is the quality of the craftsmanship.
05:07Your father was an inspiration to a lot of us.
05:13That's very kind.
05:14He is my inspiration as well.
05:15I'm feeling sparse.
05:17Me, too.
05:18So, can we have a more serious conversation
05:20about what Marcello has been envisioning from the line?
05:24As off tomorrow morning,
05:26I'm officially unemployed, so why not?
05:28Should I set it up with Ramona?
05:30Forget Ramona.
05:32Chauncey never liked her, anyway.
05:34He's got a good instinct for people I can trust.
05:37Chauncey never liked me.
05:57Oh, you're still there,
05:58you're not sure what happened.
06:00No, we are always wanting to take care of.
06:03No, sorry.
06:04I'm not sure what happened.
06:06You didn't have to look at me.
06:09No, I have a life in the middle of the plumeur.
06:12Me too?
06:13No, not...
06:15You and me, it's just...
06:19two bodies who try to do well.
06:22It's like a great day.
06:26I'm still there.
06:28I'm going to work.
06:29Okay.
06:31Why don't you send me photos for time?
06:34Oh, no.
06:37What? No, just like that?
06:39No, I won't send you any photos.
06:42You're so sexy.
06:45It is so much easier for guys to do a walk of shame. Look at you. Same clothes as yesterday, but who notices?
06:55You just did?
06:56You know, on the charcuterie board of life, men are the bread.
07:01Oh, okay.
07:02And what are women?
07:03Everything else. The brie, the honeycomb, the salami roses.
07:06The bread is the only thing that looks edible the morning after.
07:09The rest is just loose fruit and cheese rinds.
07:12Mindy, stop. You look good. No one could tell you I went out in those clothes last night.
07:15Oh my god, are you okay? Is your dress on backwards?
07:16What?
07:17Um, why didn't you tell me?
07:18I didn't notice.
07:19I didn't notice.
07:20Okay. Come here.
07:21I think Marcello and I are the Meinberger sch decades of dish awake but time with revenge and
07:26the phone day who helped them killsべ Verf's face with Marcello and became recruit love
07:28Shama and части袖.
07:29We saw her my hidden family.
07:31Now that thing has been recruited to work on our抓 actually on those clothes.
07:33The bread is the bread is the only thing that looks edible the morning after.
07:34All right.
07:37The rest is just loose fruit and cheese rinds.
07:41Mindy, stop, you look good, no one could tell you weren't talking those clothes last
07:46night.
07:47Oh my god, are you okay?
07:50I think Marcello and I are sleeping in the wrong places.
07:53I mean, it doesn't make sense for us to go back and forth every day.
07:57Yeah, I see your point.
07:59So, while Marcello's in town, your boyfriend should stay with you, and I'll stay with mine.
08:03Okay, but it's only temporary, right? Like, you're not moving out.
08:06Oh my god, no. Temporary.
08:09Okay. Okay, deal. Fine, let's do it.
08:12Cute!
08:14You don't mind switching, do you?
08:16Yeah, yeah. Thanks for asking.
08:20It doesn't mind.
08:29Alors, comment ça se passe, tes préparations, ton anniversaire de mariage?
08:33Bien.
08:34Mais donc, ça t'embêterait pas de venir un peu plus tôt, parce que...
08:36Est-ce qu'il va y avoir que la famille, les gens avec les enfants?
08:39Je crois que j'ai vraiment besoin de toi pour rigoler un peu.
08:42Oh, chérie, mais oui, je vais faire un petit effort.
08:46Comment va ton 5 à 7?
08:48Non, mais c'est dingue.
08:50C'est devenu un 5 à 7 heures du matin.
08:53Il veut plus partir maintenant.
08:54Ah, mais vous êtes à fond.
08:55Oui, oui.
08:59C'est lui?
09:02C'est dur d'être loin de toi.
09:08Très dur.
09:08Oh, bah, bah, bah, bah, bah, bah, bah, bah, bah.
09:12Qu'est-ce qu'il dit?
09:15Oh, oh, oh, oh.
09:16Quoi?
09:17C'est une photo.
09:18De quoi?
09:19Oh, de...
09:20De sa queue?
09:21Non, mais je peux voir.
09:22Non!
09:24Je vais demander à Guillaume, hein, pour votre anniversaire de mariage.
09:27Alors, Guillaume, le cadeau, ce serait de plus jamais voir la sienne.
09:30Oh, oh, oh.
09:33Oh, oh.
09:34Oh.
09:38The inspiration for the line is...
09:40Il Palio di Siena.
09:42The horse race?
09:43Uh-huh.
09:44Okay.
09:45Interesting.
09:46So, sportswear?
09:48Like an Italian raffle run.
09:50Timeless, but not stuffy.
09:52Here, I have sketches.
09:58Oh.
09:59Hmm.
10:00Who did these?
10:01They're not bad.
10:02I had them commissioned to give you a visual sense of the line.
10:06I see.
10:08Buttons-up, but playful, too.
10:10I don't hate it.
10:12Not hating is good.
10:13Very good.
10:15And what's your role in the company, Emily?
10:18Besides Chauncey's new favorite obsession?
10:22Marketing?
10:23Unofficially.
10:24We need to convince Sylvie.
10:26Well, I'm glad you're part of the team in whatever capacity.
10:31I like you guys, and I feel like you guys like each other.
10:34No drama, no politics, and I need a creative palette cleanser.
10:40I'm in.
10:44Woo!
10:44Let's do it.
10:46You want your credit.
10:51Yay!
10:52Shake my hand!
10:57Bonjour, Sylvie.
10:58Belle journée, n'est-ce pas?
10:59Oh, oh, oh.
11:01It's never good news when you greet me in French.
11:04What's wrong?
11:05What?
11:05Nothing.
11:06I got us a meeting with the new company that Noah Moreau is designing for.
11:12Interesting.
11:13Who are they?
11:14I heard Chloe was courting him.
11:16Well, it's actually, drum roll, please, Marcello Muratori.
11:21And Nicola de Leon is going to finance him.
11:23Well, I'm sure everyone in town is clamoring to meet with the two black sheep of major fashion families.
11:28Just hear them out, okay?
11:30The worst you can say is no.
11:31That's not the worst I could say.
11:34Can't you just, please?
11:37You're helping Marcello and Nicola.
11:39Interesting.
11:40Is it safe to say you and Marcello are back together?
11:44This is about business, not my personal life.
11:46Emily.
11:47When isn't business about your personal life?
11:49Well, I'm happy for you.
11:51You're doubling down.
11:53What does that mean?
11:54Once you break up with someone and get back together, you're making a big statement of commitment.
11:59You're basically saying this is the one.
12:02And there's no going back.
12:04Yeah, it's why I don't do relationships.
12:07Period.
12:09There is only one happiness in life.
12:16To love and be loved?
12:18Exactly, Emily.
12:20Exactly.
12:34So how did you all land Noah Moreau?
12:36Every big label is after him.
12:39Noah had the rug pulled out from under him by a brand that he's been committed to for years,
12:42so I think he feels pretty burned by big labels.
12:44And Emily made friends with his dog.
12:47Huh.
12:47Is that supposed to be some sort of expression like, Bob's your uncle, or...?
12:51No, he has a beautiful Weimaraner named Chauncey that will probably take up a significant portion of the budget.
12:57Super.
12:58How is Antoine dealing with you being here, Alfie?
13:01This is a side hustle for now, until things take off.
13:05And it will take off.
13:06Marcello and Nicola grew up in the business.
13:08Combined with Noah, they've spent over 70 years in luxury fashion.
13:12They've got a distinct edge.
13:14Sounds like you're already working for them.
13:17We've been lucky to have Emily's help.
13:19We know there is no success without a team like Agence Crateau behind us.
13:24We've seen firsthand how our parents build successful fashion businesses.
13:28We want to build it differently.
13:30Meaning?
13:3120% of luxury textiles is thrown away during the production.
13:35We plan on using dead stock fabric in our collections, which is not only sustainable, but makes each collection truly one of a kind.
13:44Saves money as well.
13:46Yeah, I like the ethos, but it's the fashion that's going to sell your line.
13:49Of course.
13:56Marcello Muratori.
13:58I see you didn't spend much time coming up with a name.
14:01Actually, I did.
14:02But in the end, I wanted to pay homage to my family, but also stand apart.
14:09Yeah, well, it is quite engaging, sort of prestige sportswear.
14:16But I've been burnt in the past, so why would I trust working with a Muratori?
14:20Or a De Leon?
14:22Because you wouldn't be working for us.
14:25You'd be working with us.
14:27We'd bring you in as a full partner.
14:29When this is a success, you'll gain as much as we will.
14:33And if it isn't, it's going to be, Sylvie.
14:42Well, I guess we're going to have to make sure it is.
14:45You are in?
14:46She's in!
14:47I think you're going to be leaving Antoine soon, my friend.
14:52Yeah, I'm going to eat the same deal as I may.
14:55We're going to have to put out a press release immediately.
14:58Oh, actually, I had another idea.
15:00The fastest route to people's hearts is to their stomachs.
15:02So what about throwing a luncheon for the press?
15:04Bravo, bonne idée.
15:06Merci, Sylvie.
15:07You won't be sorry, I promise.
15:08You're welcome.
15:09Oh, my God.
15:31Are we power couples now?
15:34I think we're a power quad.
15:36Because, like, each of us individually brings something to the best.
15:40Yes, yes.
15:40And we need a quad of champagne.
15:42Tutu sweet.
15:44Oh, oi, oi.
15:45Hey.
15:47Hey, hey.
15:49Hey.
15:50What are you doing here?
15:51Celebrating.
15:52To us.
15:54Who's us?
15:55Is he us?
15:56He is.
15:57I asked Alfie to help out with financials.
16:00Yeah, isn't that so cool?
16:02Yeah, it's so cool.
16:03Yeah, it's, uh, it's a great opportunity.
16:06Yeah, have you guys called Noah yet?
16:08Oh, we have to do that right now.
16:10You should come, too.
16:12Oh, yeah, okay.
16:13Right now?
16:14I'll be back.
16:15Okay.
16:16We'll be back.
16:17Uh.
16:22So, new job?
16:24Yeah.
16:25Basically, um, consulting.
16:28Don't worry.
16:30I won't be hanging around all the time.
16:31I'm not worried.
16:34That makes sense.
16:35Why wouldn't you help him?
16:44Oh, you've got to be kidding me.
16:46It-
16:46Is this...
16:48What?
16:48A tango?
16:51Did you request this?
16:52Yes.
16:55Because I love reliving my Bilondo experience.
17:00I wasn't all bad.
17:10What?
17:12There's no way you remember.
17:13I got this.
17:14There's no way you were.
17:34I got it.
17:39I'm having a really hard time not thinking about us.
17:54You know I'm back with Yako.
17:57After what he did to you.
18:00Relationships are complicated, Alfie.
18:03You know what? People don't change.
18:05When the guy's a snake.
18:06If he's so bad, then why are you working with him?
18:11Because snakes know how to make money.
18:14It doesn't mean I sleep with one.
18:36It doesn't mean I sleep with that.
18:37You know what I'm saying?
18:37I was seeing a lot of people saying that they don't change.
18:42You know what they're talking about.
18:44You know what they're talking about?
18:45Not saying that they don't change.
18:46They don't change.
18:55They don't change.
19:26Oh, mon Dieu, tout le monde dit quand on la regarde.
19:56Oh, Sylvie, you never thanked me for the chocolate.
20:00I hope you got them.
20:01Oh, of course.
20:03They were quite exotic.
20:05Did you guess what was inside?
20:08No, but the flavor did linger for quite a while.
20:14Liver.
20:15What?
20:16I wanted something unexpected and aggressive.
20:21After we met, the thought of you also lingered for quite a while.
20:25Thank you, my chérie.
20:27It's a pleasure to see you.
20:29Well, I'll remove Sylvie.
20:31We have an affair.
20:33Oh, yes.
20:34You're crazy to imagine with a man like that.
20:37But it's good, now I know what you like.
20:40Do you have photos?
20:41No.
20:42No, if I don't have anything, I don't have anything.
20:45What are you waiting for?
20:46I don't have anything.
20:46Oh, mais quoi?
20:49Non, mais j'en ai pris, mais j'aime pas voir comme ça.
20:51Ah non, bah non, non, non, Sylvie, écoute, si des femmes comme toi ont des problèmes pour envoyer des photos sexies, on est foutues, nous, les autres.
20:57Allez, pour nous, s'il te plaît.
20:59Allez, allez.
21:00Ok.
21:06C'est fait.
21:07T'es contente?
21:08Je te remercie, madame Chandon.
21:12À toi, à Guillaume, et à votre anniversaire.
21:14Et à ce bel étalon, où qu'ils sont?
21:18Oh!
21:21Oh!
21:22C'est déjà lui?
21:23Hein?
21:27J'ai l'impression qu'il est très content.
21:30Oh!
21:32Oh non, arrête!
21:34Arrête!
21:34Non, tu...
21:35Chut!
21:36Non, arrête!
21:37Mais elle est grande et dure.
21:39Non, je te déteste.
21:40Arrête!
21:40Je t'assure.
21:41Oh!
21:42Oh!
21:43Oh!
21:44Ah, c'est marrant.
21:48On dirait le papier peint de ma salle de bain.
21:50On va pas regarder le papier peint, Yvette!
21:52Hello, maman.
21:56Sylvie?
21:57Qu'est-ce que tu fais là?
22:03Oh!
22:05Oh!
22:05Oh!
22:08Mais comment de la puce!
22:10Vous vous connaissez?
22:12Mais depuis 30 ans, bro!
22:13Elle pourrait être ta mère, hein?
22:16Quoi?
22:17Qu'est-ce qu'il se passe?
22:18Oh, Sylvie!
22:19Hein?
22:20T'as rencontré mon fils?
22:26Oh!
22:27Sylvie!
22:28No!
22:28No!
22:38I've never seen you in a tie before.
22:40You look so handsome.
22:42As long as the dogs look nervous, this company's a big risk.
22:46You don't get anywhere without taking those.
22:49This is for you.
22:58What's this?
23:00The key to your heart?
23:01No.
23:01It's the key to my apartment.
23:07I'm not so nervous anymore.
23:12Let's go and press the press.
23:14Yes.
23:14Hmm?
23:15Yes.
23:22You'll go up at the same time.
23:24You'll intro Marcello, and then you will intro Noah.
23:26Got it.
23:27You got it?
23:28Yeah.
23:28Chauncey and I will be waiting in the woods, okay?
23:30Mm-hmm.
23:31Okay.
23:32Time to make this venture official.
23:34Let's go.
23:35Let's go.
23:37I need to know how to delete a follower from Instagram.
23:40Oh, what happened to your phone?
23:42Dropped it.
23:42Can you just please delete Yvette?
23:46Oh, um, looks like she already deleted you.
23:51Everything okay?
23:52Hmm.
23:54Yeah, just don't sleep with the first cute guy you meet in a tuba.
23:58I mean, yeah.
23:58Ladies and gentlemen, from the press, it is my pleasure to introduce to you Marcello Muratori.
24:08Thanks to my partner, Nicolas Deleon.
24:18This is a big moment for us.
24:20And I'd like to thank you all for being part of it.
24:23This project has been very close to my heart, to our hearts, for a long time.
24:31Excuse me.
24:40Marcello Muratori?
24:41Yeah.
24:42Marcello Muratori?
24:43Yes.
24:44Yes.
24:45You've been served.
24:47Marcello Muratori?
24:48Sorry?
24:49Hmm.
24:50I'm being sued for trademark infringement by my mother.
24:51Oh!
24:52Oh!
24:53Oh!
24:54Oh!
24:55Oh!
24:56Oh!
24:57Oh!
24:58Oh!
24:59Oh!
25:00Oh!
25:02Oh!
25:03Oh!
25:04Oh!
25:05Oh!
25:06No!
25:06I'm sorry!
25:07This is not the right situation for me.
25:08No!
25:09We have listened to Ramona. Good luck, Lippon.
25:15No, we will not be taking any further questions.
25:19No, no further questions.
25:22Merci.
25:29Oh, oh, oh, tu lo sai di che cosa stai parlando?
25:32La fai agitare dopo succedono ste cose.
25:34Ma tu lo sai quanto mi son sentito umiliato io?
25:37Eh, e non ti vergogni.
25:40Vergognati. Vergognati.
25:41Ma fai fangulo.
25:44Was that your mom?
25:46My sister. My mother won't speak to me.
25:49My family thinks I want to steal the business.
25:52I don't want to steal from anyone else.
25:53All I want to do is create my own thing.
25:55I know.
25:56How am I going to find another design?
26:10No one is going to want to work with us now.
26:14This might sound crazy, but what about the person who did these?
26:27They're really good.
26:28No.
26:28Why?
26:30Why?
26:36That was me.
26:37I did those.
26:42You?
26:42My dad taught me how to sketch like he did.
26:46He created all of the original moratori designs.
26:51Just like you.
26:53You did these sketches and you came up with the concept.
26:57I mean, we don't need to look for anyone else, okay?
27:01You're the designer, Marcello.
27:03No, Emily, I cannot do this.
27:06Yes, you can.
27:07Yes, you can.
27:08I know you can.
27:27Double espresso coming up.
27:29Get to work.
27:30There's nowhere, nowhere else to go.
27:35No, no, no, no, no, no, no, no, no.
28:05There's nowhere, nowhere else to go.
28:07There's nowhere, nowhere else to go.
28:10No, no, no, no, no, no, no, no.
28:11There are some stuff hiding deeper than you.
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