- 21 hours ago
First broadcast 23rd October 1980.
An old Army pal of Arthur's, known as Yorkie, comes down to London to chat about old times and have a night on the ale.
George Cole - Arthur
Dennis Waterman - Terry
Brian Glover - Yorkie
Georgina Hale - Renee
Pat Ashton - Dora
Alan David - Chef
Robert Blythe - Coliver
Jo Warne - Brenda
Bill Rourke - Police Constable (as William Rourke)
Janine Duvitski - Carol
Carlos Douglas - Carlos
Marshall Ward - Trev
Barrie Rutter - Reg
Victor Baring - Enrico
Harry Fielder - Winchester Patron
Peter Greene - Teacher
Eric Kent - Winchester Patron
Ralph G. Morse - Winchester Patron
Lee Richards - Barmaid
Phil Rose - Darren
Mickey Varey - Winchester Patron
Chris Webb - Wedding Chauffeur
An old Army pal of Arthur's, known as Yorkie, comes down to London to chat about old times and have a night on the ale.
George Cole - Arthur
Dennis Waterman - Terry
Brian Glover - Yorkie
Georgina Hale - Renee
Pat Ashton - Dora
Alan David - Chef
Robert Blythe - Coliver
Jo Warne - Brenda
Bill Rourke - Police Constable (as William Rourke)
Janine Duvitski - Carol
Carlos Douglas - Carlos
Marshall Ward - Trev
Barrie Rutter - Reg
Victor Baring - Enrico
Harry Fielder - Winchester Patron
Peter Greene - Teacher
Eric Kent - Winchester Patron
Ralph G. Morse - Winchester Patron
Lee Richards - Barmaid
Phil Rose - Darren
Mickey Varey - Winchester Patron
Chris Webb - Wedding Chauffeur
Category
📺
TVTranscript
00:00I'm Mike 35, can you test me what Nick takes sitting on the hill, please?
00:23Mike 35, over.
00:24Oi.
00:26Sunshine.
00:27Oh, yeah.
00:31Driving license?
00:33Yeah.
00:34Come on, son.
00:36Yeah, all right.
00:37Hold on, hold on.
00:39There you go.
00:42Your call registration number?
00:44Oh, sorry, mate, it's not my motor.
00:47It's a friend, so I'm just waiting to drive him home.
00:49Can't take him cell phone?
00:51No, he's very law-abiding.
00:54Never drinks and drives.
00:56Celebration, is it?
00:57Something like that.
00:58Old soldiers' reunion.
00:59Go back to sleep, mate.
01:00Cheers.
01:01Good night.
01:02Good morning.
01:03Good night.
01:04Good morning.
01:05Good night.
01:06Good night.
01:07Good morning.
01:08Good night.
01:09Good night.
01:10Good morning.
01:11Good night.
01:12Cheers.
01:13Good night.
01:14Good morning.
01:15Good night.
01:16Good night.
01:17Good night.
01:18Good night.
01:19High-le laughing.
01:20Big and shiny, melt in your heart of stone.
01:26Mr. Day, please, I promise you all, Sam, I'll be home.
01:29We are singing.
01:31Ready for a big finish, Yorkie?
01:33Melt in your heart of stone.
01:37Itch you go, itch you go, itch you go.
01:40For I'd like to date you from a slow boat to China.
01:46Oh, to myself, I really mean it.
01:51Oh, to myself, I don't mean maybe.
01:55Oh, to myself, I'll go on.
02:02Oh, magic, you'll be magic.
02:05Hey, you all right?
02:09A nightcap?
02:11Well, I haven't seen him for donkey's years.
02:13So, Sam Gaborra?
02:14Nah, he's a woman's coming down tomorrow.
02:17Hey, stop the car.
02:19Hold on, hold on, hold on.
02:21I think his aubergine for Jiminy Arna's about to make a return visit.
02:25Laura, he's full of the social graces, isn't he?
02:33My best mate in the army, Terry.
02:36I would go to hell and back again on my hands and knees for Yorkie.
02:41You'll get down on your hands and knees if he honks his aubergine wass name all over my car'sy floor.
02:46I have no fear.
02:48I have no fear.
02:49That is something that a bloke like you don't know nothing about, you see.
02:53What a squaddie will do for his oppo.
02:57Comradeship.
02:57I tell you, Terry, blokes like you do not know what you owe to blokes like Yorkie and to blokes like me.
03:05Yeah, well, tell me tomorrow.
03:07Just get him cleaned up and get him out.
03:09I'm knackered.
03:10Yeah, we was knackered, weren't we?
03:13We was knackered, but we stuck it out when you were still in nappies.
03:16And I am talking in terms of blood, sweat, tears and human sacrifice.
03:24You weren't called up till 1949.
03:26No, no, but we was out there, weren't we?
03:28Mate, they are.
03:29Emergency.
03:30Doing our cobblers for king and country.
03:33Far East land forces.
03:35Jungle app.
03:35Jungle boots and jungle greens and 3-0 Lee Enfield rifles.
03:41Commie bandits.
03:42When we was giving it all that, Sergeant Sedgwick and Corporal Daly.
03:46Yeah, that's all very well, but you never fired a shot in anger, did you?
03:49I mean, you told me yourself, you spent most of the time propping up the bar in the Union Jack Club
03:54or whooping it up Chinese Ratley.
03:55Yeah, but we was there, weren't we?
03:58Look, I tell you, it is because of blokes like Yorkie and blokes like me
04:04that blokes like you are living at this moment in time in a democratically civilised society.
04:14Civilised?
04:15Still feeling manky.
04:17You okay?
04:20Manky's not the word for it.
04:23I feel like a rabid rat that crawled up my digestive tract and died.
04:27Oh, good, good, good, good.
04:29Good night to Kip and a furry brank that you feel on top of the world.
04:32I'll get Terry to run you back to your hotel.
04:34Come on, Colonel, back to barracks.
04:54There you go.
05:02Oh, that's all I need, innit?
05:11There you go.
05:27Hey, hang on.
05:27Special delivery.
05:29He's got poop all over him.
05:31Don't tell me.
05:32Don't tell me.
05:32I've just driven him all the way around the South Circular.
05:34I'm sorry, the Salvation Army.
05:35Hey, don't faddy me, pal.
05:37He's booked in.
05:38He's a resident.
05:39Well, he should be in before this, then.
05:41This isn't Liberty Bloody Hall, you know.
05:43It's a registered hotel.
05:46This can't come and go any, please.
05:48Listen, if someone's booked in late...
05:49All right, all right, all right.
05:51Shut him in.
05:53Come on.
05:54I'm all right, Juffer.
05:55I'm all right.
05:57Thank you, driver.
06:00And you're a great advert for the British Tourist Board.
06:03And he's a great advert for the British Tourist.
06:09Yeah.
06:17Hello?
06:43Hello?
06:44Gordon Bennett, you're not still in Kip, are you, Terry?
06:46Do you know how long it took me
06:48to take Rotherham's Roddy Llewellyn round London?
06:51Do you know what time I go to bed?
06:52Not much later than me, I shouldn't think.
06:55Oh.
06:58I was up with a lark, bright-eyed and bushy-tailed.
07:03Thank you, dear.
07:04Eh?
07:05No, not you, Terry.
07:06Listen, look, the reason I'm belling you
07:07is I want to ask you a favour.
07:11Show him the size?
07:13Just for half an hour.
07:14Houses of Parliament,
07:15so-ho sex shops,
07:16Buckingham Palace, all that.
07:18Look, take him round the clock and the horse guards.
07:20Now, I'll tell you what, Arthur,
07:21I've got a better idea.
07:22Why don't we leave him in that
07:24grotty doss-house you call the hotel
07:26and send the horse guards round the clock in?
07:28No, come on, it's Saturday.
07:29It's not on, is it?
07:31Look, Terry, you know me.
07:32Now, you know I wouldn't worry you
07:34if I wasn't being grabbed by the Short and Curleys.
07:36Look, I stroll round to the office
07:37to do half an hour slaving on the accounts
07:39and what happens.
07:40Five minutes ago,
07:41the VAT man walks in.
07:43I'll be with you in a moment, Mr Samuelson.
07:48I'm just having a word
07:49with my second-in-command.
07:51I'm lumbered, aren't I, Terry?
07:53Look, I'll meet you both
07:55at the Winchester at one.
07:56It's a favour, Terry.
07:58I mean, Yorkie would do the same for you
08:00if you ever fancied
08:01a swift weekend in Rotherham.
08:03Swift weekend in Rotherham?
08:04I'll ring his room for you.
08:20I don't mind ringing his room.
08:22But it's no use ringing his room, is it,
08:24if he's not in it?
08:26And he can't be in it
08:27if his key's hanging on the hook,
08:28number nine.
08:30And if he hasn't got his key,
08:31he can't get in.
08:34Maybe he's somewhere else in the hotel.
08:36Maybe he's in the dining room
08:37having breakfast.
08:39Breakfast finishes at 9.15.
08:41It's half past.
08:42Carlos was on breakfast.
08:44What time did number nine
08:46come down for breakfast, Carlos?
08:48The man in number nine
08:49didn't come down for breakfast.
08:51Might be in the lounge.
08:53We haven't got a lounge.
08:55Apart from where you're standing.
08:59He might be having a bath.
09:00I suppose you have got bathrooms.
09:02Number nine not in hotel.
09:04That's probably gone out for a paper.
09:05I'll wait.
09:06He's been not in the hotel all night.
09:08Look, I don't want to argue with you, pal.
09:10I argue with you.
09:11I argue with him.
09:12Yesterday, I argued with this man.
09:14At six o'clock, he wants afternoon tea.
09:17I tell him it's too late for afternoon tea.
09:20He shout, he swear,
09:21like a big gorilla.
09:23Not like man.
09:24Yeah, that sounds like him, yeah.
09:25This morning I said,
09:26I will not argue with this man again.
09:29I go up and say,
09:31come down now, you big bugger,
09:33or you'll be late for breakfast.
09:35I knock on his door,
09:37I go in his room,
09:38and his bed is not used.
09:41We slept somewhere in the gaff last night.
09:42I dropped him home at 3.30 this morning.
09:44No, not here.
09:45No, no.
09:46Maybe you drink too much.
09:49Maybe you take him to the wrong hotel.
09:50It was here, sunshine.
09:52I stood on the doorstep for cool knows how long,
09:54being slagged off by your night porter.
09:56No, no.
09:57Yes.
09:57No.
09:58Yes.
09:59No.
09:59Trev,
10:00go on a sec.
10:02Remember him?
10:05Never set eyes on the guy before.
10:08Who is he?
10:09Who's he?
10:10You just stood there and told us
10:12you were chatting to him last night.
10:14Trev's our night porter.
10:16No, no, no, no.
10:17No, you weren't on last night when I turned up.
10:19Never left the building.
10:22Who's the other geezer, then?
10:24No other geezer here but me last night.
10:26Came on at 10 o'clock.
10:27Right, Carol?
10:28Right.
10:29Came off at 9 o'clock this morning when Carol came on.
10:32Right again?
10:33Right, Trev.
10:34You calling me a liar?
10:36No, no.
10:40Hmm.
10:49Yorkley disappears.
10:53Two-night porter.
10:54Are you sure it was a different night porter?
10:56I'm not colourblind, am I?
10:58This morning's one was West Indian.
11:00Yeah, that's got to be a logical explanation.
11:03Look, do you have to sit here noshing that?
11:05I didn't have any dinner, did I?
11:09Oh.
11:09And what was all that Sainsbury's you give me about seeing a VAT man?
11:13You were in the kit.
11:15Look, I've got my problems.
11:17You've got two of them.
11:17You won't solve them by sleeping with a vat man, will you?
11:21Well, this appears off the face of the earth.
11:23I mean, it's James Bond time, isn't it?
11:25He could be MI5.
11:26He told me he was a bookie.
11:28No, only because he told me he was a bookie.
11:29Yeah, look, do you mind?
11:32Yeah, yeah.
11:33Right, come on.
11:33Terry?
11:34Mark.
11:35Hold tight.
11:36Oh, no.
11:37Look, two of them.
11:40Are they members?
11:42No, do I know.
11:43Gaming machines.
11:45The place is going steadily downhill.
11:48Look, what are you...
11:49Look, it is not helping to solve my Otto's problem with you sitting here stuffing your face.
11:54My God, you don't take no prisoners, do you?
11:58Listen, what about...
11:59After I dropped him back at the hotel, he nipped out and ended up with a dodgy bird.
12:04Bross?
12:05Why not?
12:06He's a happily married man.
12:09You're a happily married man.
12:11Are you home every night?
12:12Look, it is now 11.33.
12:14He's got to be on CO's parade at 15.40 sharp.
12:18Stand at Victoria Coach Station in a soldierly fashion.
12:20Chin in, chest out, thumbs in line with the seams of his trousers.
12:24Meet his old woman.
12:25Yeah, fizzing garlic.
12:30Yeah.
12:31bloody hell i didn't do that you weren't capable dear you barely tried the flesh
12:52was weak and the spirit wasn't very willing
12:55how'd i get here not on a snow white charger minicab i have this arrangement with his friend of mine
13:07charles don't you remember charles he's only got one end don't get many taxi fellows and have one
13:15friend i thought his name might ring a bell
13:27i'll fire
13:36don't worry it's all intact apart what you slip me of your own free will
13:42more friends you have to watch your step though when you wake up with a prosy
13:45like not so much of a prosy if you don't mind you are a prosy what are you if you're not a prosy
13:53i'm a part-time model what are you modeling bloody plasticine i'm not a professional one
14:00anywhere else up a mini in it for my plant money and i don't bother to do it when erwin's away
14:06is on container lorries juggernauts isn't it chris christopherson but i don't bother to ask him what
14:19he gets up to on a wet weekend in bruce have you lost something me kicks you're what
14:26me strides me bloody pants they're where you throw them when you fell in here last night waving
14:34them around your head singing i'd like to get you on a slow boat where'd i throw them out the window
14:52hey
14:56hey
15:26tea or coffee trousers
15:33no arthur i'm not going in there again look we haven't taken our eyes off that place for the past
15:38half hour right since our last went in he wasn't there then he ain't there now well where is he
15:43then i don't know do i well he must be somewhere true arthur he must be somewhere probably propping
15:49a bar up pouring endless pints of lager down his throat giving someone a right ear bashing about
15:54all bit is better up north yeah hopefully he bought the arse of someone big enough to chin him
16:00callous terry you are callous nut and bolt we were in the army adjacent bed spaces
16:05many's the time he saved my life on active service
16:07what'd he do stop you're knocking yourself sideways on that chinese rumpo eh lent me his best bald boots
16:15for guard duty even done jankers for me geezer comes down to london once goes absent in stuck with his
16:22missus it's down to me terry i have let him down
16:25go on then what you want me to do will the real knight porter please stand up i mean there's two
16:35of them one's bent the other's a ringer they must both know something about him sort one of them out
16:40for me well lean on him no no no no no no no heavy stuff just incline yourself a titch in his direction
16:47him well good boy
16:58erwin gets into them most top legs are like an erexit whippet have you got any big ones the old woman's
17:06come in down this afternoon to that bloody coach station oh big deal your missus erwin's sister's
17:13popping around here at three i'm supposed to go and look at some kitchen fitments with her brenda's
17:18as broad-minded as the next but i mean look at it from her side a fella sitting here in his red undies
17:25with your brother's wife watching racing on that sally i'm telling you dear you're on your little
17:30bike before she comes like this think of something think of what you should have thought of that last
17:38night when you're flung out of the bedroom window didn't you bring a spare pair down with you of
17:46course i did i've got a lovely check sports jacket and a pair of slacks but they're hanging up in my
17:51hotel wardrobe aren't they simple simple all you do is you telephone your hotel you ask to speak to
17:59the manager and you tell him to go to your room and you tell him to put the spare pair in a cap simple
18:07do you know what your bloody brain is
18:13i don't know fellas where would you be without us ladies what's it called what letter does it begin
18:21with oi are you deaf as well as daft your hotel what's the name of it i don't know what i've forgotten
18:31i don't remember what it's called and i'll buy mine from me homey days book me in sodding hell
18:51what's your gaming oh hello chef never mind bleeding hello chef don't you hello chef me flanneling won't
19:07get you anywhere sonny soft soap don't cut no ice for me no don't be like that don't be like that
19:13i'll give you don't be like that i'll be how i like horace because that's the way i am with
19:22everybody bleeding me come here no hold on come here what you call that chef's hat innit is it
19:36it might be a chef's hat to you sonny but it ain't a chef's hat to me
19:45this is what i call a chef's hat a chef's hat ain't floppy orris it's a badge of office
19:55it stands up straight piss proud it's starched
20:01well yeah yeah i'll see what you mean so you can take these back with you everyone and the rest of
20:09the bleeding stuff you walloped on me last week and you can tell your chief i won't stand for it
20:14what chief your chief the big-headed four-eyed git in the office what office don't platter around
20:21orris your office at the sunbeam laundry i'm not from the sunbeam laundry not from the laundry no
20:29well it's laundry morning it's always this time saturdays that may well be but it's nothing to
20:35do with me no i'm uh i'm mate trefts i won't have that gramophone of his going full blast tell him
20:43and i won't stand your mate's jungle drums giving me an ear bashing not this morning now tell him
20:49yeah all right yeah listen i forgot where's his room again through the door up the stairs turn left past
20:54the bogs tough oh yeah you're not wrong are you wouldn't have a lot of fun on honeymoon with that
21:08this stands up richard
21:24this stands up richard
21:40this stands up richard
21:43this stands up richard
21:44it stands up richard
21:48Hold on, hold on, go blimey, just keep calm, keep calm, I'm not a tea leaf, I just want
22:16a chat, now keep calm, fresh water fish, four letters, get in with tea, trout, C-R-O, oh, fucker it.
22:38Crompton Hotel, no, Crown, no, Comberford, no, Comberton Court Residential Hotel, no, just a minute,
22:53I'm trying to get this picture in my mind's eye, I can see the road, I can see these steps,
23:01windows on either side, there's this name over the door, it's gone, gone, it's gone.
23:08Tench, T-E-N-C, please don't do that, we're in Stuck, you haven't drawn a complete blank.
23:19No, not entirely, no, I have solved the amazing case of the two mysterious night porters,
23:24the Spade's a real one, only plays truant three nights a week to play in a jazz band,
23:28the other one's a moonlighter, front desk don't know anything about him.
23:31Well what's he do in real life?
23:33He's a schoolteacher, yeah, Barnstead Comprehensive, his parents had a sense of humour, his name's
23:39Olly Colliver.
23:40Where's he live?
23:41Ah, well that's where we've drawn a blank, we're in lumber there, the colour guy don't
23:45know, he's just got a phone number.
23:46Well it's alright, we'll ring him up.
23:48I've already done that, haven't I, there's no answer, nobody in.
23:51Hit a brick wall.
23:52Oh no, no, no, no, not entirely.
23:54We know he's a schoolteacher, we know which school you said, we know his name, we'll go
24:00round there.
24:01No, hold on, it's Saturday innit, schools are closed Saturday, it's pointless.
24:04We shall see my son, we shall see.
24:08I'll drop the colour keys for a couple of quid.
24:10I'm glad you can afford it.
24:11Debenham Court.
24:12No.
24:13Debenham Crest Hotel.
24:15No, I don't think it began with a D any road, D doesn't ring a bell.
24:19What do you think it began with?
24:20I don't know, I wish I did, I'm dying for a pint.
24:22Well you can't bloody well have one.
24:25Now come on, get your thinking cap on.
24:28Deck of cards, Motoren, Deepdale, Delmere, Private.
24:34What's that?
24:36The missus bought it for me.
24:39You don't wear it.
24:40Only for the missus.
24:42Oh, Delmonte dining rooms with limited overnight accommodation.
24:47No.
24:48Dorchester, no.
24:51He's a chub.
24:52What is chub?
24:54Five across.
24:56Freshwater fish, four letters.
24:57Chub.
24:59It's the kiddie's cross word.
25:01What was the name of that jazz band again?
25:04The one Lemonade played in?
25:05Yeah, South Ealing Mississippi Stompers.
25:08New Orleans stuff, innit?
25:09Oh, don't ask me.
25:11I'm a Francis Albert man meself.
25:13Old blue eyes.
25:14Did I ever tell you how much I bunged over the odds to hear Sinatra sing?
25:17Often, often, yes.
25:19Well, it's only money.
25:21My way alone was worth every penny.
25:23Do you know, Terry, tears roll down my cheeks every time I play that tape.
25:28It can't be chub.
25:30Chub don't begin with tea.
25:31Well, five across don't begin with tea.
25:35You've got five down wrong.
25:37Have I?
25:38Yeah.
25:39It's not tart.
25:40It's cake.
25:42I mean, she didn't say, if they ain't got enough bread, give them tart, did she?
25:45Who?
25:48He's a brainy bugger, is Arthur.
25:51He's got it all upstairs.
25:54The stunts he used to pull in the army, I'm not kidding.
25:57He's a crafty dog.
25:58Ring him.
25:59He booked you in.
26:00Has he got a car?
26:01Got a car?
26:02He's Arthur Daly.
26:04Arthur Daly's Jack the Lad.
26:06Haven't you ever heard of him?
26:08Never.
26:09How ignorant can you get?
26:10Are you sure you haven't got a can of light ale?
26:15Or a lager?
26:16I'm flaming gagging.
26:17We've got more on our plates this morning than topping you up.
26:20I ate this sort of evil, greasy, cheesy, high-time mug.
26:25There was garlic in it.
26:26I keep on getting the taste of it.
26:31Never heard of bloody Arthur Daly.
26:32Arthur bloody Daly.
26:34He's only one of the biggest car dealers this side of Watford.
26:37And you call yourself a Londoner?
26:39I don't call myself a Londoner.
26:41I come from Westcliffe.
26:43You stand me to come from Westcliffe on sea, lass,
26:45if you've never heard of Arthur Daly.
26:47Got a car?
26:49He's got more cars than British Leyland.
26:52Get him.
26:53So get off his arse and come round here in one of them.
26:56He can run you back to your hotel.
26:58And he can bring you round a pair of trousers.
27:01I don't know where he lives.
27:06Come on!
27:07Come on!
27:09Clock him, can you?
27:25No.
27:26No, he's not here.
27:27Hold on, that's him.
27:36Where?
27:37Referee.
27:38The ref, that's him.
27:42Go on, go and have a run with him.
27:44What can I go and have a run with him?
27:46Sorry, mate.
27:47How long they got?
27:48The sitting-off's just begun.
27:49Oh, that's it.
27:50You're knackered for half an hour at least, aren't you?
27:52What's the score?
27:5315-8 to Barnstead.
27:54Oh, we've got to talk to him.
27:57He's not going to come off just to have a chat, is he?
27:59Look, Yorkie's over with him, he'll be bombing down the M1.
28:01Faster to win in 15-8.
28:04Which is faster?
28:05Hoots.
28:06Come on, you hoots!
28:07Go!
28:08Come on, throw it!
28:09Come on, you little boasties!
28:11Get up!
28:13Get up, you little molly!
28:15Get up!
28:15Get up!
28:16Get up, you little boasties!
28:18Come on, you!
28:22Mike!
28:22Mike!
28:24Mike!
28:25Have a take a minute!
28:28Refs!
28:29Tch!
28:30Would you mind, sir, not infringing along the touchline and not interfering?
28:33Don't you talk to me like that.
28:35I used to play for the old Browns.
28:37Now, there are you!
28:39Terry, stop the game!
28:41Leave it out, Arthur.
28:43Look, if I stop the game, will you gee up the ref?
28:45How are you going to stop it?
28:46Well, create a diversion.
28:50What sort of diversion?
28:52Watch this.
28:53What's the actual?
28:54What's his game?
28:55Oi!
29:00What's your dad called?
29:02Afternoon, boys!
29:08Hey, what the hell's going on?
29:11He needs to catch him, he's out!
29:13Oh!
29:13Oh!
29:13Oh!
29:14Oh!
29:15We're catching up with him!
29:22Now, keep up!
29:23Come on, go with it!
29:24That's that, Clark!
29:25Give it to me!
29:26Oh, look at me suit!
29:28Don't worry about your suit.
29:29You can get that dry clean, can't you?
29:31It's not so easy with your face.
29:32Is it bad?
29:34Well, it's not bad, no.
29:35I mean, a few stitches here and there, you won't even see the joint.
29:38Stitches?
29:39That's all right, I'm having you on.
29:40Stop bleeding, no?
29:41You see me go, Terry.
29:43See me catch that ball, tuck it under me arm,
29:44head down and run!
29:47Memory lane, that was.
29:48Win three-quarter in the army.
29:50Did it show?
29:51Oh, yeah, it was magic, magic.
29:52Gareth Edwards.
29:54Jimmy Edwards.
29:55Don't laugh.
29:56I did my whack out there, don't worry.
29:59I was out there where the bullets was flying.
30:00Once I made a welcome change.
30:02Here I was, a brush in a glove compartment.
30:04Oh, dear.
30:06Still another link in the chain.
30:09Another step nearer.
30:09What did you say they were called?
30:12Who?
30:13Mini cab firm.
30:14Oh.
30:15Uh, Diva Cars.
30:17Yeah, apparently last night, after I dropped the Rotherham Rover back at the hotel,
30:21he banged the night porter a few quid over the top for a dozen beers.
30:24He's two down and ten to go, and he's good as new, hasn't he?
30:26Ranting and raving about getting back on to town again.
30:28I know you've got no time for Yorkie, Terry, but you must admit, you'll have to look up
30:34to the bloke.
30:35The night porter got in the minicab just to get shot of him.
30:38There you go, that'll do.
30:42Kids, I could have them, you know, if I was a vengeful type.
30:44Eye for an eye, cheek for a cheek.
30:46No, I could have them up the juvenile.
30:48Of course, you know what it is, don't you?
30:50Yeah, it's symptomatic, innit?
30:52Yeah.
30:53Well, don't stand here rabbiting.
30:55Yorkie snapdragons caning the motorway.
30:57Let's get going.
30:58Even though we know the name of the minicab firm, we've still got to find the actual driver.
31:13How many one-armed minicab drivers are there in Greater London?
31:17You what?
31:18Yeah, this geezer's only got one arm.
31:20God's truth.
31:22How long was that fella looking for a one-armed geezer on the telly?
31:25What fella?
31:26You know, went on for years and years.
31:29What was his name?
31:31Even at the death, he still didn't find him.
31:33What chance have we got?
31:38Rotherham 91824.
31:39Hello, boss.
31:43Yeah?
31:43Reg, have a look on me desk.
31:45Any bits of paper?
31:46Anything scribbled on me memo pad?
31:48Yes, boss.
31:49Yes, I'll have a look for you, boss.
31:51Hey, guess who I've got on the blower, Darren?
31:53Droopy drawers.
31:54And guess what he wants to know?
31:55What?
31:55Well, he's in London, isn't he?
31:57And we're up here.
31:58He's only ringing us to find out where he is.
32:00The silly, stupid bugger.
32:02Are you going to tell him the bad news now?
32:03Or save it for later on?
32:06It's a dead duck, this, before we even run it up the ruddy flagpole.
32:09Hello.
32:10What, Reg?
32:11Look, never read why I'm asking.
32:13Just do it.
32:14I've got a scout round on me desk in the top drawer,
32:16just in case I jotted it down.
32:19I am hanging on.
32:21Don't go away, he says.
32:23What the Hamlet am I going to go to?
32:25Didn't jot it down.
32:26I wasted my time asking.
32:29Reg?
32:30Reg, while you're faffing about,
32:32how did the first results go for us at all three meetings?
32:38He had what?
32:40Listen, Reg, you know as well as I do.
32:42It should have been laid up when he got the second one in.
32:44Darren! Darren!
32:47I've told him.
32:48What did he say?
32:49And you can tell that, Darren,
32:51you can start checking out the Trump creation scheme.
32:55What was all that about?
32:57There was a one o'clock at Kempton Park.
32:59There was a one o'clock at A-Doc.
33:01There was a 1.15 at Newcastle.
33:03One second fave and two outsiders.
33:06There's a pun drawn and a five-pound treble up.
33:07First three results and I'm 950 quid down.
33:09That's funny.
33:11It's not my day.
33:12It wasn't my night, either.
33:14God only knows, wherever.
33:16I'll open that front door and let Charles help you in.
33:20That's him?
33:21Charles?
33:22He must know where he picked me up.
33:24Ring him.
33:25If I knew his number, I'd have phoned him ages ago.
33:29Not at his home.
33:30The name of the firm he graphs for ring them.
33:32He'll have a radio card that can radio him.
33:34I don't know the firm he works for.
33:38I met him in a pub.
33:40Would you be sitting there now like a limp plant if I did?
33:45I was only limp last night.
33:46I'm here.
33:48I'm here.
33:51I'm here.
33:52I'm here.
33:55Watch it.
33:56Left off, you not, you old bastard.
33:58Not so much of the old.
34:00I've got a result.
34:05St James's Church, not in Hill.
34:06I've got the directions.
34:09Arthur?
34:10Terry?
34:11Do I look old?
34:12No, no, no, no, no, no.
34:13Truthfully.
34:16Look, the wedding kicks off at quarter to three.
34:18Then he's driving the happy couple straight down to Gatwick.
34:23Come on.
34:24It's happening.
34:25It's happening.
34:30It can't be easy being a one-armed minicab driver, can it?
34:37Probably on automatic.
34:38I wonder which hand he gets the tips in.
34:42Hey!
34:45Would you mind quieting your radio?
34:49I say, would you mind quieting your radio?
34:51Hey!
34:52Hey!
34:53Hey!
34:53Hey!
34:53Hey!
34:53Hey!
34:53Hey!
34:53Hey!
34:54Hey!
34:54Hey!
34:54Hey!
34:54Hey!
34:54Hey!
34:54Hey!
34:54Hey!
34:55Hey!
34:55Hey!
34:56Hey!
34:56Hey!
34:56Hey!
34:57Hey!
34:57Hey!
34:58Hey!
34:58Hey!
34:59Hey!
34:59Hey!
35:00Hey!
35:00Hey!
35:10You don't have to come to the race.
35:11Just one step to the race, please.
35:13That's right.
35:14A little bit more on the left.
35:15Just a little more in.
35:16That's fine.
35:19Nice day for a wedding.
35:21Sure.
35:22Bye.
35:23Bye.
35:23That's fine.
35:24Bye.
35:25Bye.
35:26Bye.
35:26Bye.
35:27Thank you, sir.
35:28Bye.
35:29Bye.
35:30I said we'd be too late.
35:38Who says we're too late?
35:42Hold on, hold on.
35:45What are you doing?
35:49Stove me!
35:50Stove me, Arthur.
35:52Not bad, eh? Go on, chat him up.
35:54Eh?
35:55Mini cab geezer, chat him up. Find out what he's done with Yorkie.
35:58Now, listen, you were the one who nearly changed the wedding into a funeral.
36:02I'm not going to cop all the aggro.
36:04Look, I'm driving the stagecoach, Terry. You're riding shotgun.
36:07You shoot the Indians if you want your paydirt.
36:11Poor soul.
36:17What the hell's your game?
36:18Yeah, I'm sorry about that, mate.
36:19Marsha thinks so, and we're in the middle of a wedding here.
36:22Your head case, you are.
36:24You're not in trouble, son, are you?
36:25Look, you nearly killed my missus back there.
36:27Get those glasses off.
36:28Go on, Ricky, drop him.
36:30What?
36:30People like you should be off the road.
36:32Oh, yeah, hold that.
36:33I does karate, you know.
36:34Well, I does king fool.
36:35Hold on, hold on, what's the carry?
36:36Oh, no, no, this one's mine, Terry.
36:38Oh, stand back, Tarzan.
36:40Listen, is it all right if he apologises?
36:41If he apologises.
36:42You apologises.
36:44What good's apologising going to do?
36:46Damage has been done now.
36:47It's our wedding day.
36:47On your wedding day and all that, but he's a nutter.
36:49Honestly, when his bottle goes, anything could happen.
36:51I mean, you saw you drove the motor, right?
36:53Now, just screw the nut.
36:54I'll try and calm him down, okay?
36:55All right, well, look, if he apologises then.
36:57That's right.
36:59Apologise?
37:00I'm not apologising.
37:01I'll kick him in a nutshell, Michael.
37:02You're going to spend the rest of your life backing away?
37:04Yeah.
37:04No, that's not the point.
37:06You've got a lot of bleeding spur support in those braces.
37:08Don't you start.
37:09Get in the motor.
37:12Is everything all right?
37:12Does anyone hurt?
37:13No, no, no.
37:14Does anyone hurt?
37:15I don't know if there's anyone hurt.
37:16You've seen Trina's?
37:19Irwin's cousin Gavin's Trina?
37:21No.
37:22You should.
37:23She's got American Colonial.
37:25Oh.
37:26Hmm.
37:27American Colonial right through.
37:29All her kitchen fitments.
37:31You know what she's like.
37:33She was all stripped pine and horse brasses one time.
37:38And she's gone agar.
37:39Hmm.
37:40She was wondering what you were doing with yourself,
37:42what with Irwin on the container lorries,
37:44and now that you're Sarah Jane, spread her wings.
37:49It's a phase they go through, isn't it, living with Nigerians?
37:53I said to Clive, she won't marry him.
37:57Still, Trina was wondering what you were getting up to.
37:59I always want to know, as you can.
38:02You're Gavin's train.
38:04Oh, excuse me, Brent.
38:10Hello?
38:11Yes?
38:12Oh, Mr Daly, what a relief.
38:14Yes, yes, I do know who you are.
38:16They seek him here, they seek him there.
38:33We found a bugger.
38:34Tell you what, swing a left ear.
38:43Here, be a doddle.
38:44Whip through ear, pick him up, then go and meet his missus.
38:47Yeah, but we're never going to do it in 15 minutes, are we?
38:50Well, Saturday afternoon, traffic's light.
38:52The lights are with us.
38:52Yeah.
38:53There is just one little snag.
38:55What?
38:56You got no trousers.
38:57Yeah, we'll cross that bridge when we come to it.
39:01No trousers?
39:03Her sister-in-law came round.
39:05She had to hide him, didn't she?
39:06She would, wouldn't she?
39:08In the garden.
39:10Without his trousers?
39:11Yeah.
39:15What are you looking at?
39:17All right, all right.
39:18What is it?
39:29Well, it ain't Pete the Bleeding Pan, is it?
39:33Here, stick that on.
39:48Here, stick that on.
40:18He's your oppo, so give him your trousers.
40:24How can I?
40:25I am driving.
40:27Well, I'll drive.
40:28Pull over.
40:48You're a good lad, our kid.
40:51You're a bobby-dazzler.
40:53Oppos.
40:54Yeah, oppos is one thing.
40:56Trousers is something bloody else.
40:58Here you are.
41:00You can use this to cover yourself up with.
41:03Just touch that mirror my way, Chuffer.
41:06Yeah, there you go.
41:07Good lad.
41:07All right.
41:08It's for the missus.
41:10Oh.
41:10Oh.
41:11Hello.
41:12Have a forward west.
41:14Nayland and Milford Haven.
41:16We'll depart from base 14.
41:21Change into 7th Bridge.
41:23On Newport.
41:25Cardiff.
41:26Bridget.
41:26I'll see you.
41:27I'll see you.
41:37Well, get out and say welcome to London, then.
41:42Hello, lovely.
41:43How goes it, eh?
41:44Good trip down.
41:46Do yourself up.
41:48Do what, is it?
41:48Your trousers, you dozy lummoch.
41:50You're showing everything you've got.
41:52Yes, you're right.
41:52No good shooting the stable door when the horse has bolted.
41:55And he rolled.
41:55They're not mine.
41:56I can see they're not yours.
41:57I should have to think where you got them from.
41:59And where have you been until this time?
42:01What have you been doing all the time, eh?
42:09I've got no sticky.
42:15I won't deign to ask what you got up to last night.
42:18Not a lot, quiet night.
42:20A bite to eat with Arthur Lovie.
42:21High Thai Nosh and a glass of table wine.
42:23It was very nice.
42:25Well, it won't be high Thai Nosh and table wine tonight.
42:29What did you got in mind?
42:31Nothing spectacular.
42:33I was hoping Arthur might come up with something.
42:34I wanted to get you
42:36On a slow walk to China
42:40All to myself
42:45Alone
42:46Hold you
42:51And keep you
42:53In my arms
42:55Severmore
42:57Leave for those troubles
43:02Hello, my son
43:03She's worse than he is
43:06Where is he?
43:08Point in Percy
43:08At the Boston
43:09Hey Terry, do us a favour
43:11Gee him up a bit, will you?
43:13You don't think I'm staying here, do you?
43:15Eh?
43:15Watch your phone us
43:16Well, I haven't got the motor, have I?
43:18You might have to run us back
43:20Leave it out
43:22It's Saturday night, I'm on a promise
43:24Even I'm entitled to some pleasure
43:26It's work
43:28I'm knocking out the vintage Bentley
43:30The Yorkie
43:31You're never
43:32Yeah
43:33Surprise present for his missus
43:35Wedding anniversary
43:37Look, half an hour in that old banger
43:40She'll have him in a divorce court
43:41I thought he was your best mate
43:44Your oppo
43:45You lengthen your trousers
43:47Well, trousers is one thing, Terry
43:49Business is something else
43:51All to my self
43:54I know
43:56All you
44:00And you do
44:02You're gay
44:03Chauffeur
44:05You're gay
44:07Oh, Tony
44:08Yeah, get a win, Terry
44:09Go on
44:09Aye?
44:10Yeah, go on, go on
44:11Vodka Slimline
44:12Gin and orange for the Duchess
44:13Find it the best for his lips
44:15Go on, go on
44:15Our kid
44:18Make mine a bit, Scott
44:19It's piss poor down here
44:21Hey, get one in for yourself
44:23Hey, Terry
44:25Stay on halves, eh?
44:28Don't want any
44:29Breath of Lysin'
44:31Fasten your seatbelt, kiddo
44:32One in for a bumpy ride
44:34She's all right, the missus, isn't she?
44:38Magic, Yorkie, magic
44:40All to myself
44:43And all
44:46Gin and orange in there, please
44:53When you've got a minute, gin and orange
45:11Oh, blessy-doosy-doosy-doosy-little
45:15Unsy-dimey
45:16A kiddly-dimey
45:17Two
45:17One, two, two
45:18Oh
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