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Le film de James Mangold sortira le 29 janvier 2025 en France au cinéma
Transcription
00:00Like a rolling stone, take in.
00:03The Bob Dylan story in itself is a story about being an artist and how we find our way in the world.
00:10One of the things that's most important to me are the performances, is the collaboration with the actors.
00:15Once upon a time you're just so fine, through the bums of dime in your prime.
00:20Timmy and I, it's been five years working on this movie together.
00:23It was important for me to sing and play live because if I can actually do it, why should there be an element of artifice here?
00:29And I'm proud that we took that leap.
00:32You used to laugh about.
00:36He has 40 songs in the movie that he performs live on guitar and harmonica and singing live take after take after take.
00:42I had goosebumps.
00:43You can see how much love and how hard he's worked and how much he cares about getting this right.
00:50How does it feel?
00:52I see you in there.
00:55It's a true feat to doing songs.
00:57What is the process, babe?
00:59Now I taught the weeping willow how to cry.
01:02The voice somehow made it his own.
01:04You know, it feels just as authentic and true as Johnny Cash, but sort of brings his own energy to it.
01:09The basis, whether you male or female, here's what you sing.
01:12Getting to learn and play the music itself was a huge hook for me.
01:18Everett probably got the least amount of time of any of us to wrap his head around the character.
01:21He did an extra, I mean, he fully, fully went for it.
01:24The hour that the ship comes in.
01:27I didn't play guitar.
01:28I could kind of play the ukulele and I'd sing in the shower.
01:31That was pretty much where I started this.
01:33I remember just listening to her and just, she's singing that?
01:36Is that Joan or is that her?
01:38Go away from my window.
01:42Much of working on the music actually gave me so much insight into who she was and what the time was like.
01:49There's an energy and chemistry to the interaction between a performer and a live audience that's just different.
01:57We're set up to record all of the performances for real.
02:00All of the microphones are real period microphones.
02:02All the instruments are real period instruments.
02:04We have done this movie 100% live.
02:07There's no earpiece.
02:08There's no timing mechanism or anything.
02:10Oh, but it ain't anything.
02:14No, no, no.
02:15There's a lot that has to happen to feel authentic to them on stage.
02:18It has to feel real like a live show.
02:20And a lot of Bob's performances are improvised.
02:23So for Timmy to be up there and make each performance his own is incredible.
02:27You know what I'm so proud of with every actor in this is everyone fiercely defended their real-life counterpart.
02:32It's a movie about music that is unadorned and authentic.
02:36You could feel the thing working for everyone.
02:45It's over.
02:58You could feel the thing working for everyone.
03:03You could feel the thing working for people in Maine.
03:04You could feel the same thing working for everyone.
03:06Go to Ben.
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