- 2 days ago
This episode focuses on decision-making, trust,
and how professional choices can affect personal relationships.
An honest and thoughtful conversation.
and how professional choices can affect personal relationships.
An honest and thoughtful conversation.
Category
😹
FunTranscript
00:00You're a model, secretary, you don't leave me in a mess.
00:29I get my satisfaction sharing your success.
00:34Take a letter, Mr. Jones.
00:36Feel a letter, Mr. Jones.
00:38You have my appreciation, you always save my life.
00:42I'm a perfect combination, a computer and a wife.
00:45You're a wonder.
00:46Yes.
00:47You're a model.
00:48Well.
00:49You're a treasure.
00:50Ha ha.
00:51Mr. Jones.
00:52End of letter, Mr. Jones.
00:55How kind.
00:57Right.
00:58It's nearly half past twelve.
01:00Mr. Kimura should be here at any moment.
01:01Is everything ready?
01:02Yes.
01:03I've done two new clean copies of the contract.
01:05I think the office is all right.
01:06Come on, girls.
01:07Shoo, shoo, shoo.
01:08Oi.
01:09Polly pledge.
01:10Do you know this contract runs to 60 pages?
01:14Yes.
01:15Well, when you're signing a distribution deal with one of the biggest Japanese consortia,
01:17they do insist on everything being written down.
01:20They're very distrustful of British goods.
01:22Look at the trouble they've had with our cars.
01:24Oh, well, they have improved.
01:25The last batch we sent over there did 12,000 miles without any trouble at all.
01:29Well, in June, the first eleven were on the boat.
01:33Graham, it's difficult enough without your comments.
01:36Now, have you prepared some details for me about Mr. Kimura?
01:38Yes.
01:39I only met him very briefly in Tokyo and he will be impressed if I remember about his background.
01:43There we are.
01:44From my special file, Mr. Kimura, President of Kimura Corporations, age 45.
01:48Married with four children, age 2, 4, 6 and 8.
01:52Obviously a man of regular habits.
01:55Interests, work and flower arranging.
01:58Oh, yes.
01:59I remember.
02:00He talked to me a lot about Ikebana.
02:01Ike what?
02:02Ikebana.
02:03That's the Japanese word for flower arranging.
02:06Oh, my goodness.
02:07I'd better do something about those or else you'll think we're a bunch of peasants.
02:11Here.
02:12Hold these a moment while I rearrange them.
02:16Yep.
02:17There.
02:18Now, then.
02:19There we are.
02:26That's better.
02:28Is it?
02:30Yes.
02:31To a Japanese person, that means peace and serenity.
02:35A bunch like that means mess and disorder.
02:37It does to me, too.
02:38It's dripping all down me trousers.
02:40Graham, please, hold your arm up.
02:42I don't want it dripping all over.
02:43I feel like the Statue of Liberty.
02:45It's running all down me arm.
02:48Brenda!
02:49Take these away, will you?
02:50Mrs Warner doesn't want them.
02:51Ah, but I spent hours arranging those from that vase.
02:54Obviously, you didn't do Ikebuku at your comprehension.
02:57A Japanese person only ever puts one or two flowers in a vase, Brenda.
03:01Oh, really?
03:02Why is that?
03:03Because they're so busy working, they haven't got time to go out and pick any more.
03:06Graham, you can throw those away, Brenda.
03:08Oh, no.
03:09They're too nice.
03:10I know.
03:11Can I stick them in a bucket of water and take them home for me mum?
03:14She won't mind how they're arranged.
03:15No.
03:16She isn't Japanese.
03:17Graham, would you check the drinks, Trolley, please?
03:22I'll just tidy up the mess in here.
03:23Are you going in there to serve the drinks?
03:24Yes.
03:25It's tittle bright the way they expect our secretaries to do that.
03:26It wouldn't happen in Japan.
03:27They'd employ a geisha girl to do that.
03:28Oh, I've seen them on the television.
03:29They wrap hot towels round the men's faces, then they hand round the drinks and the food,
03:30and then they sing songs, and then they entertain them.
03:31Then they let them have a bit of nookie.
03:32Geisha girls don't do that.
03:33In Japan, everything has to be done separately.
03:34The secretary works in the office, the geisha girl serves the drinks, and the pleasure girls
03:51supply the other.
03:52At Eight Star, we've got you three to do the lot.
03:57Don't start that.
03:58You're a man.
03:59You don't know how to do it.
04:01You're a man. You don't realise what it's like being a girl secretary in this place.
04:04Yes, she's right. You know, sometimes I wonder whether they hired me for my brain or my body.
04:09I've seen your spelling. I wouldn't press it.
04:12It's no laughing matter. Working for Mrs. Warner, you're not subject to all the sexual harassment.
04:17Oh, aren't I? She did take a liberty with me the other day.
04:20No, really.
04:24Well, we were working late, you see. I was in here and she came in and gave me a very funny look.
04:28Yes. Well, go on. What happened?
04:30Oh, well, I was sitting at my typewriter and she crept up behind me and put her hands under my arms and she pinched my digestive biscuit.
04:43Probably the only thing you've got, but she fancies.
04:47I shouldn't bank on that. She goes absolutely berserk when I get out my chocolate mint.
04:53Have we got everything? Yes. Olives, nuts and I've got the sake.
04:58What is sake?
04:59Eh? Japanese wine made from rice.
05:02You can't make wine from rice.
05:04Oh, they're very clever, these Japanese. Instead of treading the grapes, they tread the rice.
05:08Really? Oh, it must be very ticklish.
05:10No, they keep the socks on.
05:12Oh.
05:14Graham Jones.
05:16Oh, really? Thank you very much.
05:19Daisy?
05:20Yes, Mr. Jones.
05:20Oh, I wish you wouldn't do that.
05:21Go down to the lift, meet Mr. Kimura and bring him up to Mrs. Warner's office.
05:26Yes, Mr. Jones.
05:33Mrs. Warner, Mr. Kimura's on his way up.
05:35Thank you, Gren.
05:36Oh, he'll like that.
05:38Brenda, give me one of those new brochures. There's none on the table.
05:41Oh, Graham, there is one more thing. The Japanese are very conscious of rank and position. So when I introduce Mr. Kimura to you, he may give you a little bow. If he does, you've got to bow back lower to him to show that he's in a superior position.
05:53Yeah, can't get right down and lick his shoes.
05:56Graham, I'm not joking. You do understand. You have to give him a pronounced bow, like this.
06:01You think he'd fancy a curtsy?
06:05Do the girls have to bow if they meet him?
06:06Oh, yes. And ask women. They should bow even lower.
06:09Oh, like this.
06:11Well, if you're going to do that, I should do that button up on your blouse.
06:14Yes, Graham, you're quite right.
06:16No, you might be more interested in that than your Ricky Boo Boo.
06:20Thank you. You've made your point.
06:25Mr. Kimura, Mrs. Warner.
06:26I'm honoured to meet you again, Mrs. Warner.
06:31It is my honour too, Mr. Kimura.
06:35This is my personal assistant and senior secretary, Graham Jones.
06:38Oh, a most important gentleman.
06:42Delighted to meet you.
06:44Likewise.
06:51Please, Mr. Kimura, won't you sit down?
06:53Graham, would you bring in the hospitality trolley, please?
06:58Certainly, Mrs. Warner.
07:05Sucking!
07:06Yes, I thought you might like to share a cup with me.
07:09It's a great honour that you have it specially for me.
07:13You're welcome.
07:16We do pride ourselves that we think of everything here, Mr. Kimura.
07:19I've forgotten the corkscrew.
07:27Unfortunately, in the past, we have had a lot of trouble with British goods.
07:32They did not always function the way we hoped they to be.
07:36That is in the past, Mr. Kimura.
07:38I can assure you that at 8 Star, we have regular quality control
07:41to ensure complete customer satisfaction.
07:44Graham, Mr. Kimura needs a light.
07:46Oh, sorry.
07:47That is an elegant lighter.
07:51Yes, that is one of our products.
07:58One of our products.
08:02I can't think what's wrong with it.
08:04It must be flooded.
08:07Excuse me, I'll, uh...
08:09I'll make a note of it for the quality control.
08:11I've just put a refill in here.
08:17Please use this.
08:18Made in Japan.
08:20Is this a Japanese pen?
08:21No.
08:22Please show me.
08:25A so.
08:27Japanese pen.
08:28But British refill.
08:29Graham must have put in an old refill.
08:33Really?
08:34Absolutely.
08:34We all make mistakes.
08:36Graham, would you open the bottle of sake, please,
08:38and stand it for a while in a bowl of warm water.
08:41That is right, isn't it, Mr. Kimura?
08:42I think this cork's rotten.
08:49Japanese cork is never rotten.
08:51No, of course not.
08:52It must be the corkscrew.
08:54Graham, you've got at least they've got a decent corkscrew.
08:56This is decent.
08:57Sheffield steel.
08:57Look at that.
08:58Made in Sheffield.
08:59Japanese logic says, in case like this,
09:02there are only three possibilities.
09:04The cork is bad,
09:05the corkscrew is defective,
09:07or the operator is unskilled.
09:09The corkscrew is defective.
09:12I'll get another bottle.
09:14Excuse me.
09:17You're like one of those nodding ducks.
09:23Regarding the contracts,
09:25there are references to the quality control of the goods.
09:28We need some clarification.
09:31Just a slight alteration.
09:33I'll show you in my copy of the documents.
09:36Well, there is a hole all the way through the middle.
09:39What am I supposed to do?
09:40Stick a straw in it and get him to suck it up?
09:43No, no, no.
09:44I'll use this other one.
09:46That'll be all right.
09:47Put the kettle on, Brenda.
09:48Ah, coffee?
09:49No, for the sake.
09:50I think that is all the alteration we would require
09:53before signing the contract.
09:55But there is something on nearly every page, Mr. Kimura.
09:58There must be at least 100 amendments here.
10:00No, no.
10:01In fact, 127.
10:06I am sorry.
10:07Please understand.
10:09Our lawyers are very precise.
10:11Please do not worry.
10:13I will just have a word with my secretary
10:14about retyping the contract.
10:16Use the other bottle.
10:17The cork came out as easy as anything.
10:19Well, I feel like telling you
10:20to put it straight back in again.
10:21Why?
10:22Is he not going to sign?
10:22He wants a few minor alterations made.
10:25It is a big contract.
10:26It's understandable.
10:27I'll soon have these typed.
10:28Yes, I don't think you quite realise
10:30how much there is to do with it.
10:32There's one on every page.
10:33All 60 of them.
10:35I thought I couldn't get a lousy cork
10:37out of a bottle.
10:40No, no.
10:41He had an amended copy of the contract
10:42in his briefcase.
10:44Well, you'd better get started straight away.
10:46What do you suggest I do?
10:47Work through the lunch hour
10:48or stay late tonight?
10:49Both.
10:50I shouldn't have.
10:51Thank you, Brenda.
10:52Thank goodness Kimura agreed
10:54to come and have dinner with me tonight.
10:55He said that he would sign the contract
10:57as soon as it was ready.
10:59Oh, that reminds me.
11:00Would you ring Maria
11:01and tell her to make sure
11:02that she's asked that Italian boyfriend of hers,
11:04Roberto,
11:05to come and serve the dinner?
11:06Oh, and tell her to make sure
11:07that Lucy is in bed
11:09by the time I get home.
11:10Cara, I make the supper.
11:12You take Felix into the garden.
11:14Benissimo.
11:16Sempre il telefono.
11:20Grazie.
11:20Lucy, don't touch the food, eh?
11:23Pronto, pronto.
11:24Who is it?
11:25Who is it?
11:26Hello, Maria.
11:26This is Graham Jones
11:27from the office.
11:29The office?
11:30What office?
11:32Mrs. Warner's office.
11:34Ah, see, Mrs. Warner's office.
11:36And you are Graham Jones.
11:38That's what I said.
11:39Mrs. Warner was wondering,
11:41have you made arrangements
11:41for Roberto to come around this evening?
11:43See, Roberto will come at 8 o'clock
11:46to service Mrs. Warner.
11:47I don't think that's quite
11:53what she had in mind,
11:55but still,
11:55so long as she's there
11:57to serve the meal.
11:58Si, we'll be there.
11:59Oh, good.
12:00And would you make sure
12:01that Lucy goes to bed early?
12:02Ah, Lucy's a good girl.
12:04She promised to go to bed early.
12:06And I have a very good dinner tonight.
12:09You tell Mrs. Warner
12:10tonight we have zumpa,
12:11scallopini, milanesi,
12:13I'm a crook-cooker-colder.
12:15Yes, I'm a very good cook.
12:17Very nice.
12:18Am I not a good cook, Lucy?
12:21Oh, she's a lovely girl.
12:23Well, thank you, Maria.
12:24Bye-bye.
12:25Bye-bye, señor.
12:26Come by.
12:28Excuse me, Mrs. Warner.
12:30Oh.
12:32Just to confirm
12:33that everything's all right for tonight.
12:35Thank you, Graham.
12:36I must go now.
12:36Graham,
12:37would you see our honoured guest
12:38to the door, please?
12:40I will see you at 8 o'clock tonight,
12:42Mr. Kimura.
12:43I will be honoured.
12:47Oh.
12:48I apologise for causing you
12:49to have to retype the contract.
12:51Please, Graham is delighted to be of help.
12:54Delighted.
12:55Goodbye, Mrs. Warner.
12:58Goodbye, Mr. Kimura.
13:02Goodbye, Mr. Jones.
13:03Goodbye, Mr. Kimura.
13:04Take a letter, Mr. Jones.
13:26Take a letter, Mr. Jones.
13:30That was most excellent soup.
13:36Thank you, Mr. Kimura.
13:37I have an Italian maid, Maria,
13:39and she is a very good cook.
13:44Ah, Roberto,
13:44would you clear away the soup, please?
13:46Si, senora.
13:47Would you care for some white wine, Mr. Kimura?
13:50That would be very nice.
13:52Roberto,
13:52would you serve the Sancerre, please?
13:54Si, senora.
13:56Ah,
13:56that will be my secretary.
13:57He said that he would bring around
13:58a final draft of the contract
14:00as soon as it was ready.
14:01Thank you, Roberto.
14:06If you'll excuse me.
14:10Oh, thank goodness.
14:11I thought you were never coming.
14:12We're in the middle of dinner.
14:14Love the dress.
14:17You can't lick them, join them.
14:18Is that the contract?
14:20Yes, two copies.
14:20Now, I've really had to rush to get that.
14:22Right.
14:22I'll get Kimura to sign them
14:24as soon as we finish dinner.
14:25Oh, dinner.
14:26I've had no lunch, no tea.
14:27I think I'll go home.
14:28Oh, no, no.
14:29You must stay and have something to eat.
14:31Take your time.
14:32Thank you very much.
14:33Very kind.
14:34Yes, I shall need you
14:35to witness the signature later.
14:39Hello, Lucy.
14:41You go back up to bed.
14:43But I'm hungry.
14:44You're not the only one.
14:45Don't encourage her.
14:47Now, listen, darling.
14:48Mummy's entertaining
14:49a very special guest.
14:50You've had your supper,
14:51so go straight back up to bed.
14:52There's a good girl.
14:53I don't want to.
14:54Lucy,
14:55you promised.
14:56All right.
14:58Right,
14:59I must get back to dinner.
15:00Oh, dinner's good.
15:01It's in here, is it?
15:01Yes,
15:02you can get into the kitchen that way.
15:06Evening, Maria.
15:06Oh, Senior Grape.
15:07What is there to eat?
15:08Please,
15:09I am busy.
15:09You don't bother me.
15:10Now, wait till later, eh?
15:12Oh, I see.
15:13Mr. Blair,
15:14I am still hungry.
15:16Lucy,
15:17what are you doing here?
15:17You promised your mama
15:18you wouldn't come down.
15:19You've broken your promise.
15:21No, I haven't.
15:22I didn't go up.
15:25I'm behind the curtain.
15:26It's time you were in bed.
15:28Can't I have a biscuit, please?
15:30I gave her fishy fingers
15:32and rice pudding for her food.
15:34Now she wants biscotti.
15:36No, no.
15:36You can't have a biscuit
15:37without your mummy's permission.
15:38Oh, well.
15:39I'll go in the dining room.
15:40No, no, you can't.
15:41You can't.
15:42You can't go in the dining room.
15:43Your mummy's very busy.
15:44All right,
15:44you can have just one.
15:45Where are they?
15:47The packets are out there.
15:49I'll get them.
15:50Oh, all right.
15:51There we are.
15:53Remember,
15:54just one.
16:00Very young.
16:00Some broth is going to be.
16:01Excuse me, excuse me.
16:07See how many of us have a cup?
16:10Night, Mr. Graham.
16:11Night, night, Lucy.
16:12Senor Graham.
16:12This is my Roberta.
16:18Hello.
16:18Graham Jones,
16:19Mrs. Warner's secretary.
16:20Oh, you do.
16:21Nice to meet you.
16:22I've heard a lot about you.
16:23So, you're Maria's fiancée.
16:26Fiancée?
16:27No, no, no, no, no.
16:28I am not Maria's fiancée.
16:30You make the joke.
16:33I am not a jockey.
16:35No.
16:35I don't promise you anything.
16:36No, no, no, no, no, no.
16:38No, no, no, no, no.
16:40No, no, no, no, no.
16:40No, no, no, no, no.
16:42No, no, no, no, no.
16:42Please, forgive me.
16:43This Mrs. Wong is entertaining.
16:44No, no, no, no, no.
16:46I tell her I am not her fiancée.
16:48Yeah, I gathered that by the look on her face.
16:51So, you're just good friends.
16:53What do you mean, just good friends?
16:54I mean you and him and him and you are sort of, uh...
16:59Oh, well, that smells good.
17:01Eh?
17:01Oh, scalopini milanese.
17:04You taste that?
17:05Oh, it's very nice.
17:07What?
17:08Very nice indeed.
17:09Good.
17:09Could do with a pinch more salt.
17:11Si, si, si.
17:12Maria, she never put in enough salt.
17:14Ah, Siciliano, they always eat too much salt.
17:17Peasant.
17:18She's from Milano.
17:19They have no taste.
17:22You are right.
17:23There's not enough salt.
17:24No, no, no.
17:24No taste.
17:25Oh, okay, okay.
17:26You want more salt?
17:27Okay.
17:27I put in a more salt.
17:28Oh, no, no, no.
17:29I think you've overdone that a little bit.
17:31No, he can never have too much.
17:32Yeah, pass it.
17:33Now, now, now.
17:36You taste.
17:36No, thank you.
17:37No, no, no.
17:37You want more salt, you taste.
17:47Now he's only fit for a pig.
17:49A pig.
17:51A pig.
17:51A pig.
17:52A pig.
17:53A pig.
17:54A pig.
17:54A pig.
17:55A pig.
17:55A pig.
17:56A pig.
17:56A pig.
17:56A pig.
17:56A pig.
17:57A pig.
17:57A pig.
17:59Milanaise cooking is only fit for animal.
18:02Animal.
18:02Animal.
18:03Animal.
18:03Animal.
18:04I will not stand your insults anymore.
18:06I give to animal.
18:08Felix.
18:08Felix.
18:09Felix.
18:09You see, even the dog does not want to eat it.
18:15Stupid dog.
18:17We're not in a scartole.
18:19That's very nice indeed.
18:20Now, what are you going to give to Mrs. Warner, and I guess there's nothing left in the pan?
18:23There's nothing left in the pan.
18:24There's nothing left in the pan, then there's nothing left for me to do.
18:26So, I go.
18:27I have a dirty.
18:28And I am a not half of your silly.
18:32You're very well organized in this house, Mrs. Warner.
18:39A woman in my position has to have people she can rely on.
18:43He has gone.
18:44Oh, thank goodness your man.
18:45It is all your fault.
18:46No.
18:47No, no please.
18:48Just calm down.
18:49Roberto does not love me anymore.
18:50I will kill myself.
18:52Do you mind cooking the dinner first, please?
18:55Because when you meet again, you'll make it all up.
18:58You're right.
18:59I must go and find him before it's too late.
19:01I'm so sorry about the delay, Mr. Kimura.
19:03My cook is a great perfectionist.
19:05I'd better go and see what's happened.
19:07Perhaps they can't hear the bell.
19:08How can I think about food when my Roberto has gone forever?
19:12He will be impossible.
19:14Good time, but if he's waiting for a boss, you've got all the time in the world.
19:18I must find me.
19:19What are you doing?
19:20What is going on?
19:21I must go before it's too late.
19:23It's all your fault.
19:24You've done it.
19:25I've been ringing the bell for five minutes.
19:27Where is Roberto?
19:28He's gone too.
19:29You mean they've both gone?
19:30Yes.
19:31All I did was mention that the food could do with a bit more salt.
19:34Where are the Escalops?
19:35What's happened to the dinner?
19:36She's dished it up.
19:37Oh, thank goodness for that.
19:38I can't help thinking you ought to find a better dish.
19:41She rather lost her temper.
19:45Graham, I don't believe it.
19:47Five minutes ago, everything was perfectly normal.
19:49Then you arrived.
19:50Now I have no maid, no waiter and now no food.
19:53What else have you done?
19:54I can safely say that's the lot.
19:56Lucy!
19:57Lucy?
19:58What?
19:59Who gave you that packet of biscuits?
20:01Mr Graham.
20:02Graham, are you totally mad giving the child a whole packet of chocolate biscuits?
20:07You can give her a packet.
20:08I said she could have one biscuit.
20:10Oh, I thought you meant one packet.
20:14She knew very well what I meant.
20:16You sit down on there.
20:17Wipe your hands.
20:19Now, Graham, you know how to make an omelette?
20:21Yeah.
20:22Right.
20:23There are some eggs in the fridge.
20:24Make an omelette finselbe.
20:25A what?
20:26An omelette with green herbs in it.
20:27Oh, a posh one.
20:28Yes.
20:29I've got to go back to Mr Kingwood.
20:30I can't leave him alone all this time.
20:32I'll be back in a minute to bring you your medicine.
20:34Wipe your hands, please.
20:36Did I say something wrong, Mr Kingwood?
20:39Mr Lucy, I think we're over the worse now.
20:44I can't find him.
20:46My life of love is ruined.
20:48It's all your fault!
20:55You stupid woman.
20:57No, she's done.
20:58What am I going to do?
21:00Look.
21:01You use it, please.
21:03I can't get you.
21:04I can't get you.
21:05I can't get you.
21:06I can't get you.
21:07I can't get you.
21:08I can't get you.
21:09Is everything all right, Mr Graham?
21:14Here's your medicine, darling.
21:15Drink that down quickly.
21:16Graham, have you finished beating up the eggs?
21:18Sure, darling.
21:19Graham, I don't believe it.
21:24How can you be so clumsy?
21:26It wasn't my fault.
21:28It was Maria.
21:29Maria walked out of here five minutes ago.
21:31I suppose you're going to tell me that she rushed back in,
21:33knock the eggs out of your hand,
21:35and rushed back out again.
21:38Oh, forget it.
21:40We can't give those to Mr Kimura.
21:42No, even the Japanese don't like their omelettes
21:44with dog hairs, bits of fluff and assorted crumbs.
21:47It's a pity, really.
21:49There's a double yoke here.
21:50Look at that.
21:51I don't know what we're going to do.
21:53Oh, look, there must be some leftovers in the fridge.
21:55Do the best you can with those,
21:56and I'll tell Mr Kimura that the cook is preparing a special surprise.
21:59Oh, it'll be that all right.
22:02You can tell him the cook doesn't know what it is.
22:04That was delicious.
22:05It was very good of your cook to make me such an unusual fish dish.
22:09I've never tasted anything like it.
22:12Okay.
22:13She certainly has some unusual recipes.
22:16Would you care for some sweet or cheese?
22:18May I just have coffee?
22:20And then we could proceed with signing the contract.
22:23Certainly.
22:24If you will make yourself comfortable in the sitting room,
22:26I will bring the coffee into you myself.
22:28Well done, Graham.
22:29He really liked it, whatever it was.
22:31Lucy's fish fingers.
22:33What?
22:35But it didn't look like fish fingers.
22:37No, I peeled them.
22:38Look.
22:42You said he actually liked it.
22:44And what did you put in the rice?
22:45I've never tasted something so unusual.
22:47Well, I found some cold rice pudding in the fridge,
22:49so I mixed it together with some tomato ketchup.
22:51What?
22:53These Orientals like sweet and sour.
22:55I gave him a bit of both.
22:56Thank you for your confidence in eight star, Mr Kimura.
22:59I'm sure it will be a most fruitful association.
23:07I look forward to seeing you again in Tokyo.
23:16Goodbye, Mr Jones.
23:18Safe journey, Mr Kimura.
23:20Oh, one for luck.
23:24Thank you, William.
23:25Would you see Mr Kimura back to the hotel, please?
23:27And please congratulate your cook for that most excellent meal.
23:31It was unusually exquisite flavour.
23:34Sayonara.
23:41I never thought I'd get that contract signed.
23:44Now, I've been 16 hours on the go without stopping,
23:46so if you'll excuse me, I must go home.
23:48No, no, no, Graham.
23:49Stay and have a drink.
23:53Ah, not too much.
23:55I'm afraid you're going to need it.
23:56Because of you, Maria's gone.
23:59So you're going to have to help me with the washing up.
24:01Oh.
24:03Sayonara.
24:04Oh!
24:05Oh!
24:06Oh!
24:07Oh!
24:12Oh!
24:14Thank you, Mr Jones.
24:45He's a perfect combination, a computer and a wife.
24:49You're a wonder.
24:50No.
24:51You're a marvel.
24:52Well.
24:53You're a treasurer.
24:54Perhaps.
24:55Mr. Jones.
24:57End of letter, Mr. Jones.
24:59How kind.
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