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00:00:00The
00:00:04The
00:00:07The
00:00:13The
00:00:16The
00:00:22The
00:00:29Thank you
00:00:59What the hell is going to be able to do another?
00:01:02How could the feeling of being able to do something very hard in the beginning?
00:01:05Between the hell and the hell and the hell.
00:01:10Is it just a mystery?
00:01:13Or maybe it could be a mystery?
00:01:15So many people.
00:01:17Many people are in a lot of trouble.
00:01:19We never say that we are going to talk about the hell in a sense.
00:01:23Or that we are going to do a little bit.
00:01:26No, we can't do anything about the hell.
00:01:29because it may not be able to lose the shame or put it in a small hole
00:01:34The shame is the one that looks like the kill
00:01:36It doesn't have no one or no one or no one or no one one or no one one or no one one
00:01:40It doesn't have any one without any one
00:01:42It doesn't have any chance to be able to be honest
00:01:44and it's a lot to be honest with each other
00:01:46or it's a lot to be able to explain to him
00:01:48I started a philosophy with that it wasn't the goal in the topic
00:01:52and if you know it's a lot to find out more and more
00:01:55to find out more or more to find out more about this episode
00:01:57In the last book, I talked about it after the interview
00:02:00and we would like to define what is the massacre
00:02:03because sometimes the love is being able to fight
00:02:05and tell us about what is the massacre
00:02:07and what is the massacre
00:02:09and this is how important that we give us an effort to fight
00:02:11or to fight or years to fight
00:02:14or to fight to fight
00:02:15I will show you
00:02:16that those who are here with us
00:02:18and what will happen to them
00:02:19they will be able to tell us
00:02:20about what they think about the massacre
00:02:23why not the massacre
00:02:23what and what and where are they
00:02:25So we're going to start from the right with Mr. Salaah Tizani
00:02:29Mr. Salaah Tizani is the one who knows more about Abu Salim
00:02:32He is the one who raised with Abu Salim, raised with our children
00:02:38I'm going to say that the three children today on the table are from the children on the table
00:02:45As a kid and as a kid, I love them from the table
00:02:48I'm going to say that you have the same feeling for the three children
00:02:53But it doesn't make sure there are other people, other people can do it on this topic
00:02:59But the failure was a little bit like what we love
00:03:04So Salaah Tizani is the one who raised with a comedy in Lebanon from the 57
00:03:11And the one who raised with Abu Salim al-Tabal, which was known from television in Lebanon
00:03:15And the one who raised with a lot of stories, there was a lot of stories
00:03:19And I do know that, and I also know that in the early years, I'll know that you had a good time with a book
00:03:2335 سنة بنائبة الممثلين المسرح السينما والإزاعة والتليفزيون
00:03:29وحالياً كمان بعدك بمسؤولية المحاسبة ضمن النائبة زيتا
00:03:34أهلاً وسهلاً فيك أستاذ صلاح تيزاني
00:03:37أو أبو سليم مثل ما أكثر بحبه يندوك
00:03:40أهلاً فيكي بشكرك على هالمقدمة
00:03:42وأنا كتير مبسوط أني اليوم مجتمع مع هالشباب الطيبين اللي أنا بحبهم
00:03:47أهلاً أنت اليوم بتمثل معنا الجيل الأسبق
00:03:50يلي تعاطى مع الكوميديا فادي بمثل الجيل يلي أقرب شيء يمكن
00:03:55ما بعد الحرب فادي رعيدة يلي هو أساساً مهندس ديكور داخلي
00:04:01يعني إله علاقة بالديكور
00:04:03بس هيك حكماً على هذا الزمان
00:04:07أصبح ممثل وبيكتب سكتشات ضمن طبعاً برنامج أسأل شيء
00:04:12يلي هو برنامج بيتعاطى سكتشات السريعة
00:04:16يلي بتبعوه عبر الام تي في
00:04:18أما بالنسبة للضيف الثالث زياد الرحباني
00:04:21يلي هو بالنسبة لأقلنا كمان بيمثل الجيل ما بين
00:04:25يعني لا هو قبل الحرب حقيقة أنا كنت بعدك كتير صغير
00:04:29أكتر هو جيل الحرب يلي واكب الحرب
00:04:33ويلي كان عنده كمان كتبات بتعرفوه أكتر كموسيقى كمان
00:04:37ككاتب كممثل كمخرج ويمكن بتندوه بزكريا كتار منه بقوله زكريا
00:04:45هل رح نعرف قدي الشخصية وإيه تبتغلوا بالشخص
00:04:47متل ما فادي بعا يقوله يا بيبو يا فادي إليقل ما بقولولك فادي رعايدا
00:04:53يعني بيخلطوا بين الشخص والشخصية
00:04:56من بعد هالمؤدمية اللي طويلة ما بها شيء حقيقة رح نتوقف مع هالفوكس بوب
00:05:02يلي هو سؤال طرح نعلى ضيوفنا هل تعرفوا أنتو تخبروا نكتين
00:05:07أنا بعرف هيك شغلات ما ما عارف أخبر نكت
00:05:13عن جد ما بعرف أخبر نكت أبدا
00:05:15بحب أسمع نكت بس ما بعرف أخبر نكت هايدي القصة
00:05:19شوري بالأهوية بحط الفنجين عصانية
00:05:23قالوا سقاك الله يا سكا يلي بتصع الأهوية بلا حقها
00:05:28وحط الفنجين
00:05:29شو قالوا المصري قالوا سقاك الله يا سيدي
00:05:34يا نبع الأجاويدي
00:05:35حطوا الفنوس بيدي لينسمى لطقها
00:05:39ما بعرف خبر نكت
00:05:41مرة واحد شخط كبريتي أحمل تغلط وفلي
00:05:45واحد قالوا لتاني دتعرف كم جاجة فيه بالكيس
00:05:48بعطيك يوم اثنيناتهم قالوا لف ثلاثة
00:05:50مرة واحد لف لف بورا أهدايا
00:05:52كمان مرة
00:05:53ما بعرف خبر نكت
00:05:55ما بعرف نكت
00:05:57بعرف خبر نكت
00:06:01بس كتير ساقلين
00:06:03فبقى في مرة مرة عم بتلقم القهوة
00:06:07قم طلح تضرب فيها
00:06:08أنا بعرفك شغلات
00:06:10زياد رحباني فينا برأيك
00:06:14نحدد الضحك
00:06:16يعني انت لو بدك تحكي عن مفهوم الضحك
00:06:18كيف ممكن توصفه
00:06:19شو بتقول الضحك
00:06:21مثل ما قلت ببداية الحديث
00:06:25اللا انو محدده
00:06:28صعبي بس في عدة أمور
00:06:32يعني حللوها الناس مع الوقت
00:06:35مع انو قلتنا بدي كتير تحليل
00:06:37لا يشوفوا شو المشترك
00:06:39بالضحك عبر العصور
00:06:41انو فيها عدة أشياء مشتركة
00:06:44بعدها صالحة لحد ديت اليوم
00:06:46يعني هي نوع من
00:06:49ترجع يعني
00:06:52كمنا نترجم الميكانيسي
00:06:53تركيبة يعني
00:06:55حملية اللي بيحصل فيها الضحك
00:06:57نعم
00:06:57بعدها هي زيتها صالحة من عصور يعني
00:07:00يعني فينا نعتبر انو فيه متل نوع من
00:07:03استركتور او ترتيب
00:07:04اذا الواحد لحقه
00:07:06بده يوصل للضحك
00:07:07عموما انو بالقلب هلا مش انو
00:07:10عملوا القاعدة وبعدين صاروا يركبوا عليها الضحك
00:07:12استنتجوا من كذا شغلي بيتحكون العالم
00:07:15نعم
00:07:16انو فيه آلية اذا بدي كنا بقولوا بالعربية
00:07:18بده تقدلها الضحك
00:07:20مثل
00:07:21يعني بس مش حصرا
00:07:23وتركوا دايما بكل شي تحليلات
00:07:26يعني
00:07:26يعني انا قريها هلا يمكن في شي ما انا قريه الواحد
00:07:30بس انو
00:07:30تركوا جزء غير معروف
00:07:33يعني انو
00:07:34ما بيتحلل مظبوط لاش حصل الضحك
00:07:37انو بس تتعقد كتير العملية اللي سببت الضحك
00:07:41فما بيعود بحللوة تقريبا
00:07:44انو بالاساس
00:07:46الانسان عموما
00:07:48اذا بدك الحياة لازم تكون
00:07:51بصفة مثالية
00:07:52ماشي بشكل الوقت
00:07:55وعم تتطور وعم تتحرك
00:07:57في عنصر رئيسة
00:07:59بتشكل منو
00:08:01بيقدي للضحك
00:08:03يلي هو
00:08:03يعني في شي هزلة بتسميه
00:08:06هزلة بيخليك تتحكي
00:08:09انو الانسان كل ما يصير باي شي بيعملو او بيقولو
00:08:13بيشبه نوع من الماكنة
00:08:16اللي هايك بتتصبر اذا بدك او بتتجمد عن شي معي
00:08:21بينما الحياة ماشية
00:08:24بصير عرضة يضحك
00:08:25يعني كل ما يشبه مكنة
00:08:28او اذا بدك شغلة
00:08:29يطلع يعني من انسانيتو بيصير
00:08:31كأنو استيريوتيفي انو عندو شغلة معي
00:08:33يعني عم بعيدة
00:08:34بينما الحياة تفترض
00:08:37انو يكون هو عم بيتجاوب صح
00:08:39مع اللحولة او شي
00:08:41اوقات واحد
00:08:42الغلط
00:08:45بيتحول لضحك
00:08:47طبعا اذا بدك تشيلي من موضوع احساسي
00:08:50يعني ضروري هون
00:08:51تشيلي احساسي
00:08:52لان ممكن واحد
00:08:53ماشي بالشارع
00:08:54وفجأة عم بتطلع على واجهة
00:08:56ويفوت بشي ويقلب
00:08:58الاول انطباع
00:09:00بدك تدحكي
00:09:01اذا طبعا مش هو عم يجرب يعملها اصدا
00:09:04نعم
00:09:05انو مادر انو عم يعمل صح
00:09:07ومتل ما كانا ماشي
00:09:10لدرجة انو منترها انو
00:09:11في ازاز
00:09:12في ازاز
00:09:13نعم
00:09:14صار متل شغلة بلحظة
00:09:16اكتر منو بني ادم
00:09:18لان البني ادم ما لازم يغلط
00:09:19ويفوت بالا ازاز
00:09:20بكل بساطة
00:09:21نعم
00:09:22فبيطلع الدحك علي
00:09:23هو نوع من
00:09:24كأنك عم تجلسي له
00:09:26الغلط اللي عاملين
00:09:28يعني وقتل كأنو الشغلة بتظهر
00:09:30من اا الوضع المعين
00:09:33اللي احنا معاودين في
00:09:34مش معاودة تاريخيا
00:09:35كأنو في تراتوبية معينة
00:09:36بالحياة ماشية
00:09:37بس يصير في عنصر المفاجأة
00:09:39او الكسر
00:09:40هيدي ممكن تؤدي للدحك
00:09:41يعني بتحس اا
00:09:42راح عقل الزلم
00:09:44اللي عم بيعملها الشغلة
00:09:45بانما انت بعقلك
00:09:46عقلك بضحك
00:09:47اذا قبل ما نعرف
00:09:48مش عاطفتك
00:09:49يعني اذا استعملت
00:09:50اذا تصورت
00:09:51انو مهولة تأذى
00:09:52ينجرح او شي
00:09:53ملتعو تضحك
00:09:54صح مظبوط
00:09:55لك انا هون
00:09:56قبل ما نعرف اكتر
00:09:57بالنسبة للحياة بالمطلق
00:09:58كيف ممكن واحد يواجه الشغلة بتضحك
00:10:00بس قبل ما نعرف اكتر
00:10:01كمان بالنسبة لك
00:10:02انت كيف بتتعامل
00:10:03مع تركيبة الضحك على المسرح
00:10:06او يمكن بالاغاني
00:10:07اللي كمان بتكتبها اوقات
00:10:09بدي ارجع هون للاستاذ صلاح تيزاني
00:10:13حضرتك
00:10:14قلنا انو بلشت بديت بالكوميديا
00:10:18قبل فترة الحرب
00:10:19يعني كنت من المؤسسين كمان بتليفزيون لبنان
00:10:22وهالمالهات الجماعية
00:10:25الكوميديا اللي كانت العلاقة بجماعة
00:10:28على طول هنى نفسهم موجودين معك
00:10:30كيف كنت تتم انت ببنائك
00:10:33يعني كنت تتكل اكتر على عفويتهم
00:10:35لعني كنا نلاحظ اوقات نحن وعم نحضر
00:10:37انو يصير شي واضح انو مش مكتوب بالاساس
00:10:42والكاميرا مانية يغش وضحك بالستوديو
00:10:45اسمعون عم بيضحكوا
00:10:46اختصر كل هالشغلة الكوميديا
00:10:49من تاريخها لها بشي بسيط صغير
00:10:52من ايام افلاطون من جمهورية افلاطون
00:10:55بيقول افلاطون انو الضحك هادا نوع عيب
00:10:58والناس المحترمة ما بتضحك
00:11:00واللي بيضحكوا هادو جماعة السجين
00:11:03منهم كذا
00:11:05والمفروض انو الانسان اللي بيحترم نفسه
00:11:07ما بيضحك وممنوع الضحك
00:11:09واعتبر انو الضحك
00:11:11شغلة ما معناها مضبوطة
00:11:13ما معناها مضبوطة
00:11:15فمع تطور الايام
00:11:19مع تطور الايام
00:11:21اجو ناس تانين يعني
00:11:23تعرف المسرح
00:11:25اتطور من عهد اليوناني
00:11:27شوي
00:11:29وقت اللي ظهرت الدين المسيحية
00:11:31وقف المسرح بالعالم كله
00:11:33كي بدو يرجع يشتغل المسرح
00:11:35رجعوا بعض الرهبان
00:11:37صاروا يعملوا مسرحيات حياة وإلام السيد المسيح
00:11:41والتمثيليات الدينية
00:11:43صاروا يعملوا
00:11:45هالاشي هايدي صارت الناس
00:11:47يعني تفوت تبكي وتتأثر
00:11:49من الوضع اللي عم يشوفوه
00:11:51لانو كان الدين طالع
00:11:53والناس
00:11:55بوقتة يعني بدون شي
00:11:57هايك يتعلقوا فيه
00:11:59وخاصة لقوا هالدين هدا
00:12:01تنعوا فيه
00:12:03واقيدوا
00:12:05فصاروا يعملوا
00:12:07بين الفصل
00:12:09مشاهد كوميدية
00:12:11مضحكة
00:12:13يعني طاي سلوا الناس
00:12:15او مصموها فارس
00:12:17هلا فيه كوميك فارس
00:12:19شو الفارس يعني
00:12:21هالشي الفراغ بين الشاء و الشاء بالنص
00:12:23بتعبيه بصير فارس
00:12:25يعني اسمه فارس
00:12:27الكوسة كوسة المحشي
00:12:29هشي الكوسة صار فارس
00:12:31فبسط انا اجت هالفرق هايدي تعمل
00:12:33تعبئة كانت
00:12:35ايو اجا ديلارتي
00:12:37هيدا الطلياني
00:12:39كوميك بالعالم من كتب
00:12:41ما حدا كتبوا ورسخوا
00:12:43الا اجا موليير
00:12:45بعدين
00:12:47ديلارتي كانوا مسرح وعاش
00:12:49ميتان سنة
00:12:51لمثله التمثيلية تنكتب
00:12:53بعد ست شهر بعد خمسة شهر من عرضة
00:12:55تنكتب
00:12:57لانه كان مسرح ديلارتي هو المسرح
00:12:59اللي يشتغل فيه الناس
00:13:01اللي موهوبين
00:13:03مش ممن كان يقدر يشتغل
00:13:05مسلا يجو بدون يعملوا
00:13:07طاولة صفرة
00:13:09كيف بدي احكوا العالم
00:13:11يجو الممثلين
00:13:13هدا كي يزد الصحن هدا
00:13:15يحطوا ع الطاولة يبرموا
00:13:17صاروا الفنانين
00:13:19وبعدوا المسرح اللي هلا
00:13:21بيستعملوا بس صار تراث
00:13:23وقف هالمسرح هدا ديلارتي
00:13:25لما انطلع موليير
00:13:27بتعارفين موليير الفنان العظيم
00:13:29عمل مسرحه وصار يكتب
00:13:31القصص
00:13:33مسرحه عشو اعتمد
00:13:35اعتمد على النقد العادي
00:13:37الموجود
00:13:39النقل
00:13:41الوضع اللي حالي
00:13:43الحكمة الاطبة
00:13:45بتعارفين لما انعمل ترطيف
00:13:47ومات
00:13:49شو اسمه هاي كان عم يهاجم فيه رجال الدين
00:13:51وقت اللي توفى
00:13:53ما في كان رجال الدين
00:13:55يقبل يطلع بجناسته
00:13:57يعني يكون شو اسمه
00:13:59يصلي علاه
00:14:01بعد مرته راحت لعند الملك
00:14:03لويس الخامس عشر ربع عشر
00:14:05ما بعرف
00:14:07وقالت له هكاك انبعت له الراهب
00:14:09تابعه اللي حتى يصلي علاه بالقوة
00:14:11يعني قدم كان
00:14:13يهاجم المحاميين الاطبال كذا
00:14:15كل مسرحيته هاي كاك
00:14:17مسرح تاني ببريطانيا
00:14:19هو المسرح
00:14:21العادي
00:14:23يعني
00:14:25بيعمل الاشياء
00:14:27الواقع
00:14:29الواقع يعني
00:14:31مسرح الواقع
00:14:33بعدين هالمسرح هدا
00:14:35انا منحيس
00:14:37تطلعاتي ومنحيس دراستي
00:14:39عن المسرح الكوميدي
00:14:41كل ميت سنة
00:14:43باولة لحد الخمسين سنة
00:14:45بتطلع فطرة ذهبية عالمية
00:14:47بالدنيا كلها
00:14:49خمسين سنة
00:14:51بعد الخمسين اللي بيجوا
00:14:53ما بيعودوا يكملوا بيجي بدوا يطلع غيرهم
00:14:55بيحاول يساوي
00:14:57تجي القرن الثاني باول
00:14:59وبيمشي
00:15:01الكوميديا بلشت
00:15:03وازدهرت نعانة جديد بالقرن العشرين
00:15:05من العشرة والعشرينات
00:15:07وكذا بلست بشارلي شبلين
00:15:09وبودابودو
00:15:11كستيلو لوريل وهاردي
00:15:13واخوان ماركس
00:15:15كلهم استعملوا الارتجال
00:15:17ما استعملوا شي مكتوب
00:15:19شارلي شبلين بيزيتو
00:15:21ما كتب ناص
00:15:23اذا انسان عنده هال
00:15:25هالموهبة
00:15:27وعنده هالاشية
00:15:29ما انا صعب ابدا
00:15:31يعني فيه شغلات كتير
00:15:33هلا الاساتي زي هون
00:15:35انا بقول كتير بيكونوا عم يصوروا اوقات
00:15:37بيلاقوا طلعت معا شغلات بيصوروا
00:15:39انت اعتمدت اكتر شي عشو الارتجال
00:15:41يعني انا حسيتك
00:15:43لا انا باعتمد خمسين بالمية
00:15:45يعني بتحط الخطوط العريضة
00:15:47لا بكتب الناس انا بكتب
00:15:49اربعين صفحة ناص
00:15:51نجيب غيرهم
00:15:53نخترع غيرهم نحن وعم نشتغل فيهم
00:15:55استاذيات كمان هيك
00:15:57ما فيه صير
00:15:59فادي قبل ما نوصل لاول فاصل اعلاني
00:16:01خليني اعرف معك بالنسبة للك
00:16:03انت بعد الحرب يعني فترة ما بعد الحرب
00:16:05اول شي انت كنت تتابعش
00:16:07ويصير فيه نشاطات
00:16:09فكهية او كوميدي
00:16:11يعني ما بعرف شو بدنا نترجم الكوميشة
00:16:13باي فترة
00:16:15قبل يعني قبل الحرب
00:16:17قبل ما انت تبليش بالاسأل شي
00:16:19انا خلقت مع الحرب
00:16:21هلا اكيد لحقت ابو سليم
00:16:23بس مش عقيم تليفزيون لبناني
00:16:25يمكن بالاشيال الجديدة انت جيت الزيدة
00:16:27يعني ما رأيت
00:16:29وزياد
00:16:31زياد شغله سمعته مؤخرا لاني كانت ملهي باللعب
00:16:33بوقت اللي كانوا
00:16:35سمعته
00:16:37يعني كنت اسمع تعرف المجتمع
00:16:39شغله زياد قداش معلق
00:16:41ما بتفهم بقليك ما بتسمع زياد
00:16:43طليت شي سابع سنين اسمع
00:16:45عالجملي اخر شيء قلت
00:16:47نعم نجيبونا نكسلتها نسمعنا
00:16:49يعني انو كنت صغير تبه ما عم بتفنسف
00:16:51نعم
00:16:52يمكن كان عمر ما بعرف قده
00:16:53جبنا اوه مسلحية وبي قال لي ايه انا بعرفهم كلهم
00:16:55انا مرة مسلحية عاملة وقتها
00:16:57موني الكسرواني الرجل
00:16:59اه الاعادة طبع بالنسبة
00:17:01وقتها عرفت شو القصة
00:17:03واسمعت المسلحيات اللي بديك
00:17:05فثنينات طول ما بعرف
00:17:07شغله قد ما لازم يكون اعرفه
00:17:09شو كنت تتابع انت كاشية كوميدية يعني
00:17:11مثلا كنت تحضر سينما
00:17:13لويدوفيناز بورفيل كمان
00:17:15الاديمين ولا كنت تقش على الاشية الجديدة
00:17:17يعني شو كان يعجبك
00:17:19يضغضغلك احساسك هيك ويدحك
00:17:21بتصدق كنت تحب اشية
00:17:23يمكن الناس ما بتحبه مثلا في شخص
00:17:25لقيه مهضوم مثلا بي محل معين
00:17:27حب هالمشهد لقيه بيدحك لقيه
00:17:29بس ما بحياتي انه بتذكر ان كنت احدى
00:17:31في ناس دل تابعه او انطر حشي معين
00:17:33ما في شخصية معينة
00:17:35مثلا بتقليلش شو مثلا
00:17:37بيقلك شخصي ممكن ما حدا بيعرفه انا بشوف
00:17:39في شي يعني بحياتي ما كنت
00:17:41متأثر بحدا معين
00:17:43بس انا بدي اقوله بس لان هداك موضوع
00:17:45انا عم نحكي عنه بالنسبة لبضحك
00:17:47انا بس اقول انه في ثلاث ثوابت
00:17:49اللي هن من التاريخ
00:17:51هلأ محددين هنه انه عندك
00:17:53بتضحك ثلاث ثوابت
00:17:55انه المرسل اللي عم بيعطي انك
00:17:57والمتلقي والظرف
00:17:59يعني البريود اذا بديك او
00:18:01الوضع العام فهتقول كيف ما برامنا
00:18:03الفلسفة تبعى الضحك شو هو الضحك
00:18:05عرفنا او معرفنا هوا ثلاثة موجودين
00:18:07وحسب هوا ثلاثة بتتغير
00:18:09بس هاي دي انا يعني
00:18:11عم بسمع قلت بدي اقليك ياه
00:18:13بس من ناحية اه
00:18:15انا بشو تأثرت توصلت على هالمرحلة هاي
00:18:17انه بمثل وبشتغل
00:18:19كوميك صادقين يا ما بعرف
00:18:21عندي كتير باجاج بالانكونسيانة تبعية
00:18:23بس ما بحايت
00:18:25لحقت شي معين او شفت شي معين
00:18:27وقلت هيدا هو هيدا ما بعرف كيف
00:18:29موهب ياه
00:18:31موهوب ايه
00:18:33في شي بدك تقوله
00:18:35في شي من اللي قاله هو بيلتقي مع
00:18:37مع تحليل مضبوط حتى لو عم بيقوله
00:18:39بشكل مقتصر
00:18:41انه اله
00:18:43بتصور بتوافقني هو اكتر
00:18:45ضحك بدوم
00:18:47هو اقل شي بدوم
00:18:49برأيي هو النكتة
00:18:51لانه النكتة فيها شي عنصر
00:18:53بيشبه الحزورة يعني انك ناطرة
00:18:55اخرى
00:18:57وفيها
00:18:59فيها عنصر المفاجأة
00:19:01التفاجأة عدتا مرة بالشغلة
00:19:03يعني النكتة
00:19:05ما فيك تتخبرها عشر مرات
00:19:07وتظلها تضحكيك
00:19:09الا اذا دخلها عنصر
00:19:11الكاركتير يعني الشخصية
00:19:13متل ما قال الشخص المرسل
00:19:15والشخص اللي عم تلاقى
00:19:17والموقف
00:19:19يعني الكوميك اللي بيدوم برأيي هو
00:19:21الشخصية
00:19:23يعني كوميديا اللي مبنية عشخصية
00:19:25ومش عشخصية واحدة
00:19:27يعني
00:19:29ممكن نرجع لقصة التقليد
00:19:31نعم
00:19:33ع الشخصية
00:19:35عدة ناس عندهم نفس الشخصية
00:19:37ممكن نشوفيهم بالحياة
00:19:39والموقف
00:19:41الموقف اللي حططينا فيه هلا
00:19:43مضحكة اي دا ولا ممكن
00:19:45اي شي يعني دامعة طولة
00:19:47يعني بالضحكة
00:19:49خيرا بتاخد شكل
00:19:51انو رح مطلع بنتيجة
00:19:53عاملين هلا نحنا طولة
00:19:55مستديرة
00:19:57عم نبحث الموضوع
00:19:59فانشو اذا كان الضحك
00:20:01وعلى شو هتضحك
00:20:03يمكن يوقفوا الضحك
00:20:05يحضروا غير عالم
00:20:07احنا منقرر
00:20:09واقفوها الخاصة
00:20:11ما ما ابدنا
00:20:13على شو هتضحك حلقة الليلة من جدل
00:20:15وان شاء الله ما تقولوا
00:20:17على شو هالحلقة الليلة
00:20:19لحظات ونرجع نلتقى بجدل
00:20:41موسيقى
00:20:43بعودة اذا لحلقة جدل
00:20:45وبذكر حلقة الليلة تحت عنوان
00:20:47على شو هتضحك
00:20:49زياد كان عم بقول قبل بشوية
00:20:51فادي ان هو
00:20:53سمعت زياد
00:20:55يعني حقيقة في جيل كامل
00:20:57ما بيعرف اعمال زياد
00:20:59المسرحية الا من خلال
00:21:01موسيقى
00:21:03موسيقى
00:21:05الحرب يعني اكيد
00:21:07سبب رئيسي منها
00:21:09مدخل العمر بس الحرب
00:21:11طيب كيف تفسر انه
00:21:13مع كل هيدا يعني
00:21:15ما شافوا المسرحية
00:21:17ما شافوا الاخراج
00:21:19ما شافوا الممثلين
00:21:21ما بيعرفوا يتخيلون
00:21:23اللي كانوا عم بمسلوه
00:21:25ومع هيدا وكله عنصر الضحك موجود بمسرحك
00:21:27وبعرف انا بس اسمع الكسات
00:21:29لاني حضرتهم انه هون هيك صار
00:21:31هون صار في هيك حركة
00:21:33يعني بذكرتي برجع بتذكر الموقف
00:21:35والناس بتضحكيه وعم تسمع
00:21:37فكيف بتفسر هالضحك
00:21:39كيف قادر يوصل من خلال كسات
00:21:41مع انه مبتور
00:21:43هو معمول لمسرح
00:21:45الحوار يعني هو الاساس
00:21:47ما بقدر لك
00:21:49يمكن بقدر لك اللي شي قلته قبل شوية
00:21:51انه الشخصية
00:21:53انه بتشابهوا فيها بعض العالم
00:21:55يعني شوف
00:21:57شخصيات المرسومة بالمسرحيات
00:21:59الشخصية انا مجاربين اقرب شي ضائع بالناس
00:22:01بكل اللي القطب
00:22:03انا بقول انه
00:22:05اكتر شي بينسمع بالفن هو الموسيقى
00:22:07والاغاني
00:22:09الاغاني بسمعي مليون مرة
00:22:11وممكن شوف فيه معه مسرحية خمسة عشرة
00:22:13بس الكسافة اللي بتنسمع فيها مسرحياته
00:22:15انا باعتبر شخصيا
00:22:17انه فيه موسيقى
00:22:19يمكن انت بس تنتري مثلا
00:22:21خليل كيفك خليل
00:22:23بتتفاعل مع اللحن او مع الكل
00:22:25باعتقلك
00:22:27لانه فيه شي سر يعني فيه ازاعة بتحط كل وقت
00:22:29مسرحية والناس بيحضروها بيسمعوها كل الليلة
00:22:31شي غريب يعني
00:22:33كمان لزياد هي انه وقت بيصير فيه استعمال مبتور جدا
00:22:37لجمال معينة من المسرحية
00:22:39على الرايح والزي
00:22:41بالاف امات يعني
00:22:43بدنا نوضح انه هادي كمان شغلة مئزية
00:22:45يعني للعمل ككل انظاهرة من اطارة الاساسة
00:22:47مظبوط
00:22:49هادي غير موضوع بس
00:22:51بس ممكن اللعب بحيه يكون مظبوط
00:22:53ما بعلم
00:22:55يعني ممكن سين احنا عم نسمع
00:22:57هالحاكة مثل كأنه عم نسمع موسيقى
00:22:59مهلا مش انه موسيقى
00:23:01بس بتلتزي مثلا على
00:23:03على البوز بين كلمة وكلمة
00:23:05احنا مشتغلهم بسكاتشات
00:23:07انو لا اخيه هون بدك تسكوت اكتر شوي
00:23:09بنحسها من جوها من نادر نعطيه اقرب شي ممكن
00:23:11ان الانسان يرتح لها
00:23:13فممكن انا والله اذا بسمع المسرحية بمبسط
00:23:17بالترنيمة كيف بيفوت كيف بتطلع
00:23:19كيف بينزل تعودناله ومنحب نسمعه
00:23:21وما بعلم نتضحك يمكن
00:23:23بس من جوه بتنبس كأنك عم تسمع غليه
00:23:25يعني بركي موسيقى طووية لدرجة انو عم
00:23:27يستعملها مش بس من الموسيقى
00:23:29بل بالمسرح او بتنسيق
00:23:31تحكي عنه موجود بكل شيء
00:23:33يعني اصبك الاقاع كمان
00:23:35الاقاع ايه بس يلكن كتير اوه لدرجة انك تنبسك بالبرنات
00:23:37الكلمات لانو كتير بتنسامعهم بشكل مش ربيع
00:23:39ايه بس ها بتحصل معكم بالتصوير اكيد
00:23:49سلس عالديني تحت العنب بتحبت للا تسمعه
00:23:51لأ انت ابنك تحفظوها
00:23:53شخصية تحفظني شخصية تحبيها
00:23:55بتعوديها لجاريك بتحفيك 25 اختي
00:23:57ايه بس انو ضليك تسمع المسرحية
00:23:59خمسين انا هلا بتحبت يا بقى
00:24:01بتسمعون بدي فوت في الخبطة
00:24:03فالطوالي هون في كذا
00:24:05مده لانك ما عم بتشوفي
00:24:07عم تتخيلي كمان هايد الامة
00:24:09احنا حاضرين وشيسينه هادي وكله
00:24:11ايه بس ايه بس هادي ايه
00:24:13موجودة مش لانك مش حاضر
00:24:15استاذ صلاح انتك تعليقا المحنور
00:24:17ايه ايه ايه اللي عم يحكوه كله مظبوط
00:24:19بس انا بدي اعطي شغلة
00:24:21ممكن منحيث الواحد
00:24:23اربعين خمسين سبتين سنة
00:24:25عم يدرس الشغلة
00:24:27الكوميك بنقسم لعدة اقسام
00:24:29نعم
00:24:31في الكوميك
00:24:33الكوميك الابتسامة بالكوميك
00:24:35نعم
00:24:37وفي الكوميك الاستغذاء
00:24:391.
00:24:412.
00:24:423.
00:24:434.
00:24:445.
00:24:456.
00:24:467.
00:24:488.
00:24:489.
00:24:509.
00:24:5310.
00:24:5510.
00:25:0010.
00:25:0211.
00:25:05..
00:25:10..
00:25:12..
00:25:13..
00:25:15..
00:25:17..
00:25:22..
00:25:25..
00:25:28..
00:25:29..
00:25:34I'm trying to fill my mouth
00:25:37My mouth is a shitha
00:25:40They say 106 hours
00:25:45They're парing 4 officers
00:25:47They're wearing 107 hours
00:25:48They're eating 8 hours
00:25:49They're eating 12 hours
00:25:50They're eating 12 hours
00:25:52And they're eating 12 hours
00:25:54They're eating 12 hours
00:25:55They're eating his 5 hours
00:25:56They're eating around
00:25:58And I have to eat
00:25:59They're eating
00:25:59They're eating
00:26:00And they're eating
00:26:01They're eating
00:26:02I can imagine this person who is crying and all the world is crying.
00:26:08Like the U.S. Ziyad, there is a small hole in the crying and the crying.
00:26:14Here the family works as well.
00:26:16What did we do in the cinema?
00:26:19We put the music first and we let the man go to the house and then we let the man go to the house.
00:26:25Or we let the man go to the house and then we let the man go to the house.
00:26:30They changed here and they didn't know anyone who knows what to do before.
00:26:36Because the comedy film is one of his people and his family.
00:26:45Now, for example, I'll be here.
00:26:48For example, it's a kid.
00:26:51It's a kid.
00:26:53It's a kid.
00:26:54It's a kid.
00:26:55It's a kid.
00:26:57It's a kid.
00:26:59It's not that kind of kid.
00:27:00And he's a kid.
00:27:01And this god is really the idea.
00:27:05He's a kid.
00:27:06But how the horrible thing did it change.
00:27:09So he's.
00:27:10We all get things back.
00:27:11He's a kid.
00:27:12Then she's a kid.
00:27:13I bên her.
00:27:14She ultimately can get married.
00:27:16Yes.
00:27:17I've got a couple times with Auntie Samuel
00:27:22Mr.Hassan Alaa Addin
00:27:27Am Yusuf was able to hear.
00:27:32She was told a baby I met her husband
00:27:38She said to gib her husband
00:27:41Who is husband?
00:27:42She said, this is Isaac
00:27:43She is going to take his side
00:27:45He said I'll leave him alone.
00:27:48Then I heard him leave him alone and left him again.
00:27:52But then he said that there is nothing wrong.
00:27:56See in the day I'm going to show him in the morning.
00:27:58He kept saying that.
00:28:01He gave me a Scheme and he took my house and he deleted me.
00:28:06He said he got inside the house.
00:28:12What's your name?
00:28:14And ask him He is very simple
00:28:16His child's child
00:28:17Um...
00:28:20Do not tell him
00:28:22in the entire country
00:28:24The first was himself
00:28:26He came from his brother
00:28:28Like there's a good girl
00:28:30He came from sowing
00:28:32He came from any other time
00:28:34He came from the other world
00:28:36In the other hand
00:28:38As I saw
00:28:40,
00:28:42,
00:28:43,
00:28:45,
00:28:46,
00:28:47.
00:28:49,
00:28:51,
00:28:53,
00:29:06,
00:29:08So we had to go to the science and study.
00:29:11We had to go to the school for 40 or 50 years.
00:29:16And we had to go to the school.
00:29:19We had to go to the school.
00:29:22We had to go to the school.
00:29:25We had to go to the school.
00:29:28You knew how?
00:29:31I was going to talk a lot about the retreat.
00:29:36But after I was going to talk to you,
00:29:39we were going to talk to you.
00:29:41Dr. Sala.
00:29:42If you were to talk to you, you were a doctor.
00:29:44I think that he was a lot of a student.
00:29:47He was a comedian in life.
00:29:50You were a comedian.
00:29:52You were a comedian?
00:29:54I was thinking about how he could be able to manage this number of the program.
00:30:01I was a comedian.
00:30:11I was a comedian.
00:30:12I was a comedian.
00:30:14I was a comedian that was very effective.
00:30:16Yes.
00:30:46ráف الحركي بحسه بعضا وبيسلموا بعضا ان مرة كانوا بحلقة سنة عن سنة
00:30:50اه ..ا الMTV apeil quien نصور ..صار في مشهد كوميدي على المسرح بين
00:30:57أفاهمان وأسعد وابو سليم يعني .. вот情况
00:31:01بشكل مباشر
00:31:02واكيد الناس بحكو كتير.. انت فريق عملك ..كديش كمانها تسمع educators
00:31:08يعني انت وعم تكتب وعم تعمل الإخراج وعم بتمثل معا играو على المسرح تتفاعل
00:31:12with the fatigue, you can feel it on your own?
00:31:15Is it going to change the schedule from the summer to the summer?
00:31:20Yes, it will happen, but it will happen.
00:31:23Because if it happens, it doesn't happen to you.
00:31:27If it happens to me, especially in the house,
00:31:31I feel it's going to say that the people are going to go wrong,
00:31:36and they are going to go wrong,
00:31:39and they are going to go wrong.
00:31:41You are the cases?
00:31:43But you're crazy,
00:31:47but it's only happening.
00:31:50When did dayceAlf other times
00:31:51And you wouldn't be able to change?
00:31:54I started laughing.
00:31:56It was a scene, a sequence of scenes.
00:31:59But it's меня 돼,
00:32:01but it's expected to take action.
00:32:05You want to get clear,
00:32:07but at the end of the other half,
00:32:10I'm not sure you're going to be really able to get them.
00:32:12Because what's wrong.
00:32:14But it can be seen as an artist in the country,
00:32:16but it can be seen as an artist in the country,
00:32:18but it can be seen as an artist.
00:32:20Yes, it can be seen as an artist.
00:32:22You can see him as an artist,
00:32:24but you can see him as an artist.
00:32:26But you can see him as an artist.
00:32:28There are a lot of people who are related to comedy comedy,
00:32:33and the artist is very important to him.
00:32:35Why does the artist play?
00:32:37Is it a game of art?
00:32:39No, I'm not sure what you're asking.
00:32:41What are you asking?
00:32:43I don't see the ladies like that in the comedy scene
00:32:47but there's a very rare thing in Lebanon
00:32:49and a very rare thing about the relationship
00:32:53and the way to the fast and slow
00:32:55with others.
00:32:57It's a shame to the people and the camera man.
00:32:59It's not a shame.
00:33:01What do you think?
00:33:03In the city there's a marimonie,
00:33:05and a lot of people.
00:33:07Because you're able to get your daughter in a hospital.
00:33:09You have to ask me if I was a doctor.
00:33:11I can't believe you're able to get my daughter.
00:33:13You need to help me in a hospital.
00:33:15I can't believe so.
00:33:17Maybe I can't believe that.
00:33:19But I can't believe it.
00:33:21I can't believe it.
00:33:23This is how I can get my daughter.
00:33:25I can't believe it.
00:33:27He can't believe it.
00:33:29By the way, he can't believe it.
00:33:31And by the way, you get a woman from there.
00:33:33That's how we can get married.
00:33:35You're great.
00:33:36And you can talk about this song.
00:33:42There you go.
00:33:46We can do it.
00:33:47No, even just not only that, but not only that.
00:33:52Not only that, but not only that, but that's where we find a female in the background really special.
00:33:58only the comedy the
00:34:00the
00:34:18television and media
00:34:20I could tell you
00:34:21about what is he doing
00:34:22they are
00:34:23you are
00:34:24why is he
00:34:25He made it
00:34:26инut
00:34:30inut
00:34:33inut
00:34:36inut
00:34:39meat
00:34:41inut
00:34:47inut
00:34:49inut
00:34:54n 같은데
00:34:56we have the same
00:34:58foster life
00:35:00sister
00:35:02brother
00:35:04brother
00:35:06brother
00:35:08sister
00:35:10brother
00:35:12brother
00:35:14brother
00:35:16brother
00:35:18brother
00:35:20we
00:35:22When you feel the person who knows who he is, you get a lot of stuff in your life.
00:35:25He gets more of a joke.
00:35:26If I don't think anyone would be concerned about what he is, he's going to bewise.
00:35:29He gives you a lot of this job.
00:35:30Every single person is in our institutions.
00:35:33This job loves it, he feels high.
00:35:36He's going in the way he's going in the way home.
00:35:38He gets more real.
00:35:40No, he gets more of it.
00:35:41He's coming out of it.
00:35:42He's going out of it.
00:35:43Becoming a little bit…
00:35:44Becoming a little bit…
00:35:46Becoming something to charge.
00:35:47Becoming a lot, there hasn't been a while.
00:35:49Becoming a little something to actually start to explode.
00:35:50Becoming.
00:35:50But I know a lot about
00:36:12It's a good job.
00:36:14I think it's a good job.
00:36:16But after this job,
00:36:18even if it was a good job
00:36:20it would be a good job.
00:36:22And the power he gave me
00:36:24and the power he gave me.
00:36:26And the power he gave me.
00:36:28I'm just looking at the video
00:36:30I can't see it.
00:36:32I can't see it.
00:36:34I'm not sure.
00:36:36I want to show you the TV
00:36:38in Lebanon.
00:36:40It's a special episode
00:36:42on television.
00:36:44It is a new series
00:36:46of Abel Salim.
00:36:48We are waiting for more than an advertisement
00:36:50and we will wait for another day
00:36:52As I recall,
00:36:54there is a script.
00:37:02What are you doing?
00:37:04Thank you very much.
00:37:34I thought yeah what I would say was that there are people who are currently in the phone or phone or phone 0.
00:37:40Are you there?
00:37:41There are people who have different things, not have your own, one brother.
00:37:44No, I don't know.
00:37:45Not have you speak to me, they aren't saying it, they are Psalms.
00:37:50Not one because of the way it is.
00:37:52I had to look at the end of the show.
00:37:54If I was, I would say.
00:37:56I did show a friend who is here.
00:38:00Shiers to be on a phone, and I would say,
00:38:04What is she saying?
00:38:06She said, what is she saying?
00:38:08And she said, what is she saying?
00:38:10You are saying, how is she saying?
00:38:12God! God!
00:38:13I have no idea.
00:38:14So she's saying.
00:38:16This is certain that there are certain things
00:38:18which are with us, like her.
00:38:20But in order to change her,
00:38:22there's something that is being decided
00:38:24to be a hidden thing.
00:38:26Now, I want to know the suspense
00:38:28or what you say
00:38:30I want to say,
00:38:32When you're talking about the drama, you can be brought to the comedy.
00:38:44The comedy is very good.
00:38:48It's the most important thing, it's the classic thing.
00:38:51It's the only way it's been contrary to the comedy.
00:38:53But it's not the only way it's going to happen.
00:38:55It's not the only way it's going to be.
00:38:57If you think of the comedy, you look at the comedy, you see it.
00:39:02You know, what'd you say when I came back, I said you could do it, but I did something you had, but I did already.
00:39:04You could use it, but I don't.
00:39:07You had to do a lot.
00:39:09You were just kidding.
00:39:10I was doing it for you.
00:39:12I said I did it for you, I had it in front of you.
00:39:15I saw you, but you had it in front of me.
00:39:18But it was again, another day.
00:39:20It was so much done.
00:39:22I told you that the camera had to go.
00:39:24I agree.
00:39:26It looks like one got ill, I met 20 years of your age
00:39:29and suddenly got it in front of me.
00:39:31I never had any issues.
00:39:32I saw some people and they went to a street.
00:39:35And I saw them where they were.
00:39:38They said, they had to take me a few more than a second.
00:39:40If it was a third time that happened to a mistake,
00:39:42it didn't matter.
00:39:45I don't know.
00:39:46So, you don't have to think about the problem?
00:39:49Yeah, I know.
00:39:51What's the mistake?
00:39:53What's the logic?
00:39:54What's the logic where I'm going to be?
00:39:56I don't know.
00:39:56We're not sure how to do this.
00:39:58I don't know how to do this.
00:39:59What is the name of man?
00:40:01Yes.
00:40:02What is the name of man?
00:40:04Yes.
00:40:04Just remind me of two aspects.
00:40:07For example, a friend,
00:40:09Second, two aspects.
00:40:11Second, two aspects.
00:40:12That is one of both aspects.
00:40:13We have a seat in a little.
00:40:15We have two in a little less.
00:40:17We have to bring it in here.
00:40:18We have to bring it in here.
00:40:20Two.
00:40:20We have to hang it with two.
00:40:22Two, two.
00:40:23Two.
00:40:23That is amazing.
00:40:24These are amazing.
00:40:25It's amazing.
00:40:26Yeah.
00:40:26It's amazing.
00:40:27...
00:40:39...
00:40:41...
00:40:43...
00:40:47...
00:40:49...
00:40:51If you decide to take questions, you can catch up on your end.
00:40:54There's a difference between with one another as well as a child.
00:41:01The difference between the person and the other one is weak and the other one is Hungarian.
00:41:04The difference between the degree of understanding,
00:41:10The difference between understanding and understanding is the difference between anybody and others.
00:41:14The theory is a difference in life.
00:41:16We have a number of characters.
00:41:18yes we've tried it
00:41:22we're going to get honest
00:41:25but we've just had four or five
00:41:28the
00:41:29the
00:41:30the
00:41:31the
00:41:33the
00:41:33the
00:41:33the
00:41:36the
00:41:37the
00:41:38the
00:41:39the
00:41:40the
00:41:41the
00:41:42the
00:41:44the
00:41:44the
00:41:45the
00:41:45the
00:41:47the
00:41:48Because it's not the way you feel like you're gonna find yourself in the way.
00:41:53But it's a good cause, like a man, like a woman.
00:42:00That it's lovely to see you in a body.
00:42:03It's not a bad idea.
00:42:05But it's a bad idea.
00:42:06It's a bad idea.
00:42:08Well, that quote, like you said, it's an sass.
00:42:12It's a bad idea.
00:42:15He may disagree because of a person.
00:42:18They jungle him with a algún and can use a currency.
00:42:22So you feel like he is saying in lawrence does not 참
00:42:23It's.
00:42:24You don't have a three signals.
00:42:26I ask anyone for you.
00:42:30Because he is a prisoner.
00:42:33You got your mind for me?
00:42:33The contrast.
00:42:34So, what hasenarioed there?
00:42:35Contrast.
00:42:36Contrast.
00:42:36Contrast.
00:42:38Contrast.
00:42:39Contrast.
00:42:41Contrast.
00:42:42Contrast.
00:42:43Contrast.
00:42:43Contrast.
00:42:44나賴.
00:42:44Yes.
00:42:45Yes.
00:42:46Yes.
00:42:47Yes.
00:42:48Well, the personality that you said was being taken from life and you were taking apart.
00:42:53Well, don't you say, Fahy, do you think that's different from you to be able to connect with your personality?
00:42:59If you had any body that you were able to connect with them?
00:43:02Yes, I don't know what I said.
00:43:03No, I'm not going to connect.
00:43:04Yes, that's why I said that.
00:43:05Yes, that's why you feel like there's a difference between the experience of the knowledge and the personality that you were able to enable.
00:43:10But you can have a way to connect with them.
00:43:13I don't know if the difference is because of the isle, I'm going to add some time with an assure
00:43:26myself
00:43:29I can feel that I can try that I can see her
00:43:33it might become not a shadow or my god
00:43:36I don't value, I don't love he, I don't care
00:43:38I can see her
00:43:40I would like to see something from inside.
00:43:42But I'm just going to change it.
00:43:44But I'm going to make a lot of effort.
00:43:47What is the difference between the knowledge and the personality?
00:43:50I would say, he is with the personality that is playing with the number of the characters.
00:43:55He is very weak in many different ways.
00:44:00They might be able to connect with it.
00:44:02But how do they mix it with his hands?
00:44:07He's got the ability to identify with it.
00:44:09I think that's the idea of the comedy.
00:44:14The comedy is a comedy.
00:44:19It's a comedy.
00:44:22But it's a lot.
00:44:24The character is a character.
00:44:26It's not a person to unite with you in your life.
00:44:29So that's why it's more comedy.
00:44:32The comedy is a comedy.
00:44:34Q- did you ever ask yourself the question?
00:44:36A-
00:44:38A-
00:44:40aż-
00:44:42A-
00:44:43A-
00:44:44A-
00:44:50A-
00:44:52A-
00:44:54A-
00:44:56A-
00:44:57A-
00:44:59A-
00:45:00A-
00:45:01It takes connections to some more right-hand
00:45:14It doesn't look like a family
00:45:15Can I believe that story?
00:45:20boost
00:45:22It looks like a spectacular
00:45:24a lot
00:45:25It means that there are those who work with some
00:45:26They have colet
00:45:27Exactly
00:45:28It's important
00:45:30It's not so wichtige
00:45:31. . . . . .
00:46:01we gather there and we dish out
00:46:03all these problems
00:46:05yes that's a wringling
00:46:07that's a confusion
00:46:09well, there's a loss
00:46:13there's a lot of things
00:46:15but there's a thing
00:46:16that's a lot of things
00:46:18how can you have been
00:46:19one of the things that people have
00:46:22I can say that
00:46:24I don't think it's easy
00:46:25because I don't think it's a loss
00:46:27but there's only a loss
00:46:29I think the idea he played in a way to play with the idea of the idea of the league.
00:46:34He joined me the idea he is in a way to play with the idea of the game.
00:46:36He seemed to say that he had to play with the idea of the game on a way to play with the game of the game.
00:46:40I felt this was superAST, that was like a waltz.
00:46:43So I started working on the game, I then kept playing with the game
00:46:49and there was a problem between both sides and all types of the game with the chaos that I've said.
00:46:58.
00:47:28But the idea is, the idea is the way you go.
00:47:30Because this is the way you go.
00:47:32But this is the way you go here.
00:47:34It's not this easy.
00:47:36But it's not the way you go.
00:47:38It's not the way you go.
00:47:40But this is what you say.
00:47:42But the way you go.
00:47:44Right.
00:47:46The answer is a lot.
00:47:48Yes.
00:47:50Yes.
00:47:52No, I'm sorry.
00:47:54But you feel like you're going to...
00:47:56What's the difference you go here?
00:47:58because there's no confusion.
00:48:00No.
00:48:02I'm sorry, I'm not going to address him.
00:48:04No, it's been to the same.
00:48:06You don't feel right now...
00:48:08You feel right now, people all...
00:48:10They are really sorry to ask him a little.
00:48:12You feel right...
00:48:14You feel right now, it's been a good thing.
00:48:16I think it's a good thing.
00:48:18You can't get the one who's going to be.
00:48:20No.
00:48:22No, I don't know if you think...
00:48:24No, I don't know.
00:48:26I don't know who knows why I know.
00:48:28I don't know who knows who knows.
00:48:3095%.
00:48:32I know who's been coming back to me
00:48:34because we don't have TV.
00:48:36No.
00:48:38It's a natural way.
00:48:40It's a bi-tronicity.
00:48:42It's a bi-tronicity.
00:48:44It's a bi-tronicity.
00:48:46You can go into the West.
00:48:48Why do you tell us?
00:48:50Why?
00:48:52when you cover the level of level.
00:48:56He is a high-speed level.
00:48:59Yeah, he is definitely.
00:49:01Like...
00:49:03Yeah, he's got a good level.
00:49:07He is going to add yourself.
00:49:11Yeah, there is, he has a good level.
00:49:13Yeah, so there is a special level of level.
00:49:16If you're not going to ask him,
00:49:18and you don't give to him any kind of things.
00:49:20You're going to raise him a little bit.
00:49:22Do you think it's going to be a sketch?
00:49:24Yes, but we were talking about whether there are some areas or not.
00:49:30I think there are a lot of areas in the past, but there is no need to be able to see these areas.
00:49:34I thought I had a feeling that I started with something else.
00:49:38I managed, but it wasn't the case.
00:49:40I didn't know where I was going.
00:49:42I didn't know where I was going.
00:49:44But I didn't know where I was going.
00:49:46Is it going to look at something else?
00:49:48No, I didn't know where I was going.
00:49:50I didn't know how that happened.
00:49:52What happened to me?
00:49:54From a locator.
00:49:56I just wanted to take a picture.
00:49:58I figured it out.
00:49:59The look at it is a place.
00:50:01I'm going to do my pictures.
00:50:03I'm going to turn this out, in my example.
00:50:05Just like the camera.
00:50:06I'm going to turn this on.
00:50:07I'm going to turn this in.
00:50:09Then I'm going to turn this out.
00:50:11I'm going to turn this out a little bit.
00:50:13I'm going to turn this off.
00:50:15This is a little bit more.
00:50:17I want you to present your life here.
00:50:19I want you in my house.
00:50:23I want you to attend.
00:50:25I didn't speak a case.
00:50:27I didn't know what I'm going in.
00:50:29I can not even ask you to send out me.
00:50:31I'm safe.
00:50:33But you have to meet my house.
00:50:35If you haven't let me give you back.
00:50:37If I have to call you.
00:50:39If you have to call me, I'm not going to give you another one.
00:50:41The other way I'm going to use my property,
00:50:43I'm going to use my phone,
00:50:45...
00:50:50...
00:50:52...
00:50:58...
00:51:02...
00:51:05...
00:51:09...
00:51:13...
00:51:14so I'll get up to the video
00:51:16but then I'll get up to the video
00:51:18but after this video, I'll put it on my own
00:51:20but I'll give it on my own
00:51:22and I'll show you how to get up
00:51:24and then I'll get up to the film
00:51:26but the television will help me
00:51:28and I'll get up to it
00:51:30So, we're talking about
00:51:32the comedy that's happening
00:51:34between the workers
00:51:36and our people
00:51:38are playing comedy
00:51:40and they'll be like
00:51:42And the other thing is, when they make a movie, they just pick up a bit of a picture.
00:51:48And it's really nice to have a picture of them, and one of them is really cool.
00:51:55It's a big difference when you make comedy.
00:51:59It's very cool.
00:52:01You can't remember the one-man show like if you can make a lot of people,
00:52:07foreign
00:52:13foreign
00:52:27foreign
00:52:30foreign
00:52:35I'm going to give you an example, not a different one, but it's the only thing that he's aware of is that he's a writer.
00:52:44Yes.
00:52:45Of course, it's not the only thing that he's able to do, but it's the only thing that he's able to do.
00:52:54The idea of the way he works is that he is looking for everything that he says.
00:53:02He says aggression.
00:53:06He is a threat.
00:53:08He is a threat.
00:53:10He is a threat.
00:53:12He can't be able to get a threat.
00:53:14He is a threat.
00:53:16He is a threat.
00:53:18He is a threat.
00:53:20He is a threat.
00:53:22He is a threat.
00:53:24He lives now.
00:53:26We have severe theories.
00:53:28We have to...
00:53:30Кол geçer.
00:53:32He is involved with a large threat that can be Sono Medical Operation.
00:53:36The terrorist group will take over a while.
00:53:38And when he is here to hotline,
00:53:40he is veryل comput catalan.
00:53:42He was able to deal with sleep.
00:53:44He is looking for other people.
00:53:46He is typing in the helper at a time.
00:53:48He is trapped in the cells full,
00:53:50I love the personality, but there are a lot of people who are not aware of it.
00:54:00I used to say something like that.
00:54:04What do you want to say after that?
00:54:07One of you put it on the floor and you put it on the floor.
00:54:11How do you say it?
00:54:13Do you know it?
00:54:14Do you know it?
00:54:15Do you know it?
00:54:16Do you know it?
00:54:18Do you want to take care of it?
00:54:22Or you will be a simple book.
00:54:24Why?
00:54:2542 years later.
00:54:27People will see it.
00:54:29I said to them, I went to the 72th to Russia,
00:54:33there were a number of people who were living in Russia.
00:54:35We were living in a village called Tashkand.
00:54:37The village is from 110.
00:54:39She is the one who is the one who is the one.
00:54:42They are the one who is the one who is the one.
00:54:45There are 24 years old who are living there,
00:54:48they Küziers, theylly are the one who was living there.
00:54:50It's easy for me to live there,
00:54:51and it has to beowaates.
00:54:52People like Sand удар,
00:54:53They say that they are living there
00:54:55and they are living there.
00:54:57Even for the usually whom
00:54:58they are living there,
00:54:59one who is living there.
00:55:00There is a witness behind the word one.
00:55:01jewel of one.
00:55:02I MRAR from here,
00:55:03I have a change in mind. What is it of course?
00:55:06Every 10 years I've been in the gene.
00:55:09The gene he was 10 and 20.
00:55:12I saw him as a child.
00:55:15The gene is as 10.
00:55:18We started like 10.
00:55:21We started like a job as a business.
00:55:24When they come to the gene, they look like them.
00:55:28They look like their characteristics, they look like their character.
00:55:31Yeah.
00:55:32As for girls, man.
00:55:34At all AS to go to the church,
00:55:34they're because I have tried it with the making.
00:55:36Yeah!
00:55:36He Likewise.
00:55:38Man lions about it and my uncle was the big thing?
00:55:39does it on a Aloha?
00:55:43It's true.
00:55:43As for Ab Hind Darrellian…
00:55:47he was an accountant of Abou Salim
00:55:49olyte…
00:55:50He's maybe it?
00:55:51He's 타 Pump.
00:55:52Maybe it changes it.
00:55:53sichos raw protecting it,
00:55:54but he does net applications to a unique colleague
00:55:57He struggles,
00:55:58Watch Abou Salim travel,
00:55:59but this era
00:56:01He was really nervous.
00:56:03He made the interview.
00:56:05From the 4th hour episode, he called his brother and his uncle.
00:56:09He said he was doing the same thing.
00:56:13Now he was like, blah blah blah blah.
00:56:25Wie were they to deal with the regiment?
00:56:29In the end of the day, he saw the first camera,
00:56:33He said he was a big fan of the cameras for a band
00:56:37And as an audience, it was like a band
00:56:41He said, he was a big fan of the band
00:56:45He said, he was a big fan, but I was like
00:56:47When you were there with the camera
00:56:49They also had the camera
00:56:51They bought the camera
00:56:53The cameraока
00:56:56It was beautiful
00:56:58a large one,cil window, etc.
00:57:00This one is going to take the point of the mirror for a small part.
00:57:04What do you ask?
00:57:06They did not work on working on a software.
00:57:08Here's the camera is going to be the camera.
00:57:10Next I have a look at this spot,
00:57:15and then I'll show you what it is.
00:57:16These are the bigulness of the camera.
00:57:18They are a lot of different kinds of things with a small amount of traffic.
00:57:23I am happy that they don't work like that.
00:57:25What are you doing here?
00:57:26but it's a problem
00:57:28And it doesn't fit
00:57:30I mean, I was sure
00:57:31how did you have it
00:57:32It's good
00:57:33I mean, I had a stone
00:57:34It's good
00:57:36I'm not not sure
00:57:36I had a stone
00:57:38I had a stone
00:57:39I had a stone
00:57:40I had a stone
00:57:42It was not good
00:57:43and it was not good
00:57:44And it was good
00:57:46This is not good
00:57:46It was not good
00:57:47I also called
00:57:47I am
00:57:48It was good
00:57:48It was good
00:57:49But I am
00:57:53It was raining
00:57:54It was great
00:57:55I met
00:57:56They are working
00:57:56with a
00:58:22and that is
00:58:24Hey, nice!
00:58:25Um, how are you going to continue to do that?
00:58:26Yeah.
00:58:27How do you go to the old man?
00:58:28Well, the old man who has been wanting to come there is the second time there is the third time represented.
00:58:33Yes, I think he would.
00:58:34Hey, I'm walking around with his friends.
00:58:36I wonder what they do.
00:58:37You see it.
00:58:38He has no idea.
00:58:39He has a friend.
00:58:41He may have no idea.
00:58:42Oh, he has no idea.
00:58:44He has no idea.
00:58:45That's when the kid has gone.
00:58:46He has no idea.
00:58:47I have to ask for his friends.
00:58:48Like, yeah.
00:58:49What's heard?
00:58:50He didn't need to do anything.
00:58:51Nothing, nothing we can do.
00:58:52What's heard?
00:58:53How did we get to work?
00:58:56We didn't know how to work here.
00:58:59Then we got a friend and we got a friend,
00:59:02and they got a friend,
00:59:05and we got a friend.
00:59:08We got 26 hours.
00:59:10We went to get your friends.
00:59:14We were coming to the family.
00:59:17We went to the family.
00:59:22You are a Frida, you are telling me that you can still learn a lot of things?
00:59:26I am actually sharing this visual visual you want to see it, you are reading a lot, like the other styles.
00:59:38If you're reading a lot more about that, you're reading a lot of things, I'm trying to steal a lot of ideas.
00:59:48I know.
00:59:49Yeah, it's true.
00:59:50I think it's a word.
00:59:51Yeah, it's a word.
00:59:52It's a word.
00:59:53You might find it, as a word,
00:59:54without a similar method.
00:59:55It's very simple,
00:59:58if it's a word,
00:59:59you'd have to learn a lot about it.
01:00:01You can't even say that.
01:00:02But Ziaid,
01:00:03you might have to draw a lot of a lot of things.
01:00:05You might have to draw.
01:00:07You might have to draw a lot from it.
01:00:09I don't know,
01:00:10but you'll feel that someone has to draw a lot more time.
01:00:12You might have to draw a lot.
01:00:13You might have to draw a lot more time.
01:00:15You might have to draw a lot more time.
01:00:16I'll put them, which is what I got.
01:00:19But he's going to get the camera.
01:00:22What is the camera?
01:00:24Yeah.
01:00:26At the time of the gmail is going to to get back.
01:00:28Why?
01:00:30I'm going to tell you the gmail from here, but they'll get back.
01:00:34So I'm going to get back to the gmail.
01:00:38But I'm going to get back to the gmail.
01:00:41But I'm going to get back to the gmail.
01:00:44I'm not going to give up on the other side.
01:00:49I mean, I'm going to show you how it's done.
01:00:51To give up on that, I'm going to get this and I'm going to give up.
01:00:56The truth is, it's not the funniest thing.
01:00:59Because of my work, I just don't understand this.
01:01:03But as I said, I was going to give up on my other person but I knew how to get up on the other side with my friends.
01:01:07And I started to explain my other people.
01:01:09I was going to show, I'm going to tell the story about this,
01:01:12and you can tell him why he's speaking with you.
01:01:15You can think of a good thing you can take a lot of someone
01:01:18like an example when you wear something like he will use it.
01:01:20Because it has the same way that when you go to life
01:01:22and you can go to life like her.
01:01:24But you can't get it.
01:01:26You can't get it.
01:01:28You can't get it.
01:01:29You can see because of the best God's life that is getting
01:01:32something wrong with you.
01:01:34Yes, it's amazing.
01:01:36How do you deal with others?
01:01:38How do you deal with them and what you think?
01:01:40Do you feel that you can't take a step when you're doing it?
01:01:42Or you can't get rid of them.
01:01:44You can't get rid of them.
01:01:46You can't get rid of them.
01:01:48How do you get rid of them?
01:01:50If you feel a step in the way they can change them.
01:01:52You can't do it if they feel a step in their life.
01:01:54But it's like I said,
01:01:56there are people who need to change them.
01:01:58There are people who need to change them.
01:02:00I have to do it.
01:02:02Like a photo-copy.
01:02:04Yeah, I can't do it.
01:02:06How do you think people need to change them?
01:02:08I mean if you're familiar with the same person, they're not the same person but sometimes they're not the same person.
01:02:13I mean these times happen in the beginning but maybe sometimes you'd like to think about it.
01:02:18It's not what they're talking about.
01:02:20Maybe if you think about it, it might have fun when you come back.
01:02:24It's better after some people, etc.
01:02:26I mean we don't really care about it.
01:02:28I mean, if you don't really care about it, maybe you would love it a little bit.
01:02:31It's really an interesting thing.
01:02:33But I don't care about it, but in this case, it's a big issue.
01:02:36you are going to talk about it
01:02:38I'm beginning to talk about it
01:02:40What is it?
01:02:42What is it?
01:02:44It is your host
01:02:48You can't stop it
01:02:50You are not going to stop it
01:02:52There's no one in the comedy
01:02:54But who wrote it and who wrote it
01:02:56They created it
01:02:58From the dulyarty
01:03:00to the Gildoni
01:03:01to the Labeish
01:03:02to the Shirli Shipplin
01:03:04they are the ones who wrote
01:03:06they are the ones who wrote
01:03:08who is the one who wrote
01:03:10if they don't do the comedy
01:03:12they don't do anything
01:03:14they don't do anything
01:03:16Ziyad did
01:03:18I don't want to tell him
01:03:20you know
01:03:22Ziyad
01:03:24Ziyad
01:03:26I'm almost a little
01:03:28I was young
01:03:30I loved him a lot
01:03:32I have a lot
01:03:34and I think
01:03:36he's a silly
01:03:38and I think
01:03:40he's a little
01:03:41because
01:03:42he will teach
01:03:44just
01:03:46when I said
01:03:48that he's strong
01:03:49the
01:03:50I'm
01:03:52Ziyad
01:03:53Ziyad
01:03:54if he wrote
01:03:55he told
01:03:56he does
01:03:57he does
01:03:58he doesn't succeed
01:03:59And then you put your message and you put your message to your other person.
01:04:02You know you are looking for married.
01:04:04You are not going to get married.
01:04:05You have to be in the room.
01:04:20Number one, the message is to your other people.
01:04:23I see that there are people who can't live there.
01:04:25Me too.
01:04:26Man, in the way, you're like a man.
01:04:30Everyone is starting to get out of here.
01:04:32They're starting to get out of here.
01:04:51Yes.
01:04:52Yes.
01:04:57You are not a bad person.
01:05:01You are not a bad person.
01:05:05You are not a bad person.
01:05:08Why are you feeling like this?
01:05:14and they say they are a good job
01:05:16so they can go to the society
01:05:18and they can get it
01:05:20I want you to ask a doctor
01:05:22I want you to ask a doctor
01:05:24Dr. Fadi
01:05:26Dr. Fadi
01:05:28I want you to ask a doctor
01:05:30I want you to ask a lot of people
01:05:32psychology
01:05:34I don't have to ask a doctor
01:05:36I want you to ask a doctor
01:05:38but this is not a big thing
01:05:40I want you to ask a doctor
01:05:42because they are taking care
01:05:44I want you to ask a doctor
01:05:46Why can't they do business
01:05:48Why do they answer their questions?
01:05:50What does it say
01:05:52everything that I am
01:05:53Why do I want you to ask me a doctor?
01:05:55I need you to ask a doctor
01:05:57I just want me to ask
01:05:59that I want
01:06:00to get into my friends
01:06:01and see them
01:06:02and see what they do
01:06:04and the biggest job of men
01:06:06is the problem
01:06:07and the penalty
01:06:08and the failure
01:06:09and the terrible failure
01:06:10and the failure
01:06:11I was like, let's go with you.
01:06:15I was like, I have a question.
01:06:18I was like, I don't know.
01:06:21This is the first time I was talking about my own.
01:06:26I'm like, I'm going to go with you.
01:06:29I'm going to go with you.
01:06:31I'm going to go with you.
01:06:32You can go with me.
01:06:34I'm going to go with you.
01:06:35I'm going to go with you.
01:06:37There is a woman that says that she says.
01:06:40loo
01:06:44loo
01:06:46yaani
01:06:46yaani
01:06:47naa
01:06:47aaa
01:06:49liaon biuyaldun nisoan
01:06:49ah
01:06:50niuuzaj maaay niyum
01:06:51niuuzaj maaayini
01:06:52by label
01:06:53sereotib saaru yaani
01:06:54yaani
01:06:55mantarfi
01:06:55leah
01:06:55minuzbuk
01:06:57mmm
01:06:57mozbuk
01:06:57tib
01:06:58alahyr chamain
01:06:59aaa
01:06:59fi shayalii bindi aahraaf
01:07:00ahain
01:07:00kinsya biidahhek
01:07:01laah
01:07:02laah
01:07:03laah
01:07:03laah
01:07:03laah
01:07:03mumkin yidahhek
01:07:04laah
01:07:04laah
01:07:04kibar
01:07:05o
01:07:06ellih bidahhek laahe cibar
01:07:07ola fi
01:07:07dahhek
01:07:08laah
01:07:10you can hear what you are doing
01:07:12not as many or as many
01:07:14there is a thing about two
01:07:16but everyone is in pain
01:07:18there is nothing about you
01:07:20what you do
01:07:22to the other
01:07:24the other thing
01:07:26there is nothing about
01:07:28the other thing about
01:07:302
01:07:32why you don't want to
01:07:34the other thing
01:07:36your character is
01:07:38It's political, political, and social so they're talking about world-class.
01:07:44If you think about it, what's wrong?
01:07:49If you think about it, what's wrong?
01:07:50If you think about it, you should have to fight.
01:07:52Oh, that's right.
01:07:53If you think about it, you're going to fight.
01:07:55If you think about it, you're going to fight.
01:07:57What do you think about it?
01:07:58But what that's wrong with you?
01:08:00One that's wrong with you, what's wrong with you.
01:08:03It's not a thing.
01:08:05It's like the younger generation.
01:08:06Or if you had three years ago, you would know how to get his actions if he had a move or not.
01:08:11We're talking about this.
01:08:14What do you think?
01:08:15The small and the big part are you talking about.
01:08:17Are you talking about this?
01:08:20No, it's not a mistake.
01:08:22It's not a mistake.
01:08:23It's a mistake.
01:08:25We have to say something.
01:08:28What do you think?
01:08:29You have to say anything.
01:08:31You have to put a lot of money on your own.
01:08:34and maybe we can put it in a way
01:08:37if there's something in a way
01:08:39we need to say or to say
01:08:41do you have any other news?
01:08:44is it another one?
01:08:46that's the one that you have to say
01:08:48maybe the danger is a disease?
01:08:51or a disease?
01:08:53I have to say
01:08:54I live in a certain moment
01:08:57in the times that it is happening in the country
01:09:00that's why I live in a country
01:09:02찰حة
01:09:32if we can do peace
01:10:02I'm sorry.
01:10:04Come back.
01:10:06Bye.
01:10:08Bye.
01:10:12Bye.
01:10:15Bye.
01:10:17Bye.
01:10:20Bye.
01:10:26Bye.
01:10:30no, if I want to go in
01:10:32you won't be
01:10:34one person should have a job
01:10:36I'd like to say
01:10:38more than a word
01:10:40no, not at all
01:10:42not at all
01:10:44not at all
01:10:46not at all
01:10:48thank you
01:10:50thanks
01:10:52your way to go
01:10:54and your family
01:10:56you can
01:10:58Thank you very much.
01:11:28Thank you very much.
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