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00:01Have you called me, sir?
00:02I don't know, but I was in London.
00:04I had a parcel of Anu here.
00:08There was a Punjab suit for him.
00:10Anu had to wear a party.
00:12But Anu had a different dress.
00:15He had to wear a party.
00:17I don't know how the dress will change.
00:24Sir, if you tell me about this,
00:27then I'll make sure that Anu has a dress.
00:30But why didn't you tell me?
00:32You didn't have any fear that I felt bad.
00:41Was that my fear?
00:42No, sir.
00:44Anu and my life are different.
00:47I am mature.
00:49And how to handle these things,
00:51I know how to handle these things.
00:53I'm going to tell you what I'm saying to you.
00:55I hope that you can handle these things as well.
01:01This parcel is our signature.
01:06That means that you have received the parcel.
01:08Sir, I have received the parcel in the office.
01:25I think that you will change the dress.
01:28Right?
01:30No.
01:31Nothing but that.
01:32Sir, this is not someone's name.
01:33But clearly, it's the wrong person.
01:36They have a lot of packages.
01:38They will have a wrong label.
01:40And whatever dress you have sent to Anu,
01:42he will have another dress.
01:43And Anu will have another dress.
01:46You are right, Meera.
01:48Thank you so much.
01:49I can't expect you to make me wrong with you.
02:01But then, Meera is wrong with you.
02:05Why do I try every time?
02:11Yes, yes Kapoor Sir.
02:12Send your address.
02:13We're leaving.
02:16Yes.
02:17Hey, Khermi Ji. Where are you from?
02:21How many sardines are coming?
02:24And we have to go to the sardines for the draping.
02:27You should. I'm not going.
02:30Kushpa Ji. How can I go home?
02:33It's very strange.
02:35I'm alone.
02:37And I'm very strange.
02:40I'm tired.
02:42What?
02:43I'm tired. I'm tired.
02:45I'm tired. I'm tired.
02:47Sharmi Ji.
02:48You should be tired of the English.
02:51Kushpa Ji.
02:53I'm tired.
02:55Whatever you understand.
02:57I understand.
02:59But why are you tired?
03:01What are you doing?
03:03I'm not tired.
03:05I was looking for a good school.
03:09I didn't get one.
03:11I got a very difficult person.
03:13I got a lot of money.
03:15I got a lot of money.
03:17I got a lot of money.
03:19What?
03:20It's not more money.
03:21It's worth a lot.
03:23I'm paying a lot.
03:25But I spent a lot of money.
03:27I got a lot of money.
03:29We will use the car, and we will have our job of our job.
03:33Then we will accept it.
03:35But Pushpa ji...
03:36No, nothing.
03:37Look, I'm stuck on the pedal and I'm tired.
03:40I want to sit in the car and I need to learn driving.
03:44So, I'm going to the school from today.
03:50You don't have to take these things.
03:53Why?
03:54This is the knowledge, Pushpa ji.
03:56Once you have something to buy, you will get more money from these companies.
04:01You have to take a mobile, you have to take a charger, you have to take a cover, you have to take a car, you have to drive.
04:08Then what do you want to do?
04:09Take the name of God and do your work, like I'm doing.
04:13Let's go, I'm going to leave.
04:14Sharma ji, it will come soon.
04:17And in the evening, you will have to take some good stuff for food.
04:22Sharma ji, it will come soon.
04:24It's okay.
04:25It's okay.
04:26Hmm...
04:27Let's go, you are going to leave.
04:28I'm going to leave my house at home.
04:30Sharma ji, it's a business that has been done well.
04:33I will be able to sit in the car and drive with the driving.
04:37Arr...
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05:20Why did she come here?
05:22She didn't tell her.
05:23But, Mom, if she comes first, we have to welcome her very well.
05:27No need to go. Please.
05:29Don't worry about it.
05:30I will set my house well and make it a good thing for her.
05:34Thank you, my Pashpa Rani.
05:39I'm going to go to Kaitri Ma Annu's house.
05:42But why?
05:50Where is the bell?
05:55What?
05:56I mean, the car is fine.
05:58But the car is less than the bell.
06:01Do you want to learn the deriving in the truth?
06:04You don't need to make your house well.
06:06But just tell me about it.
06:08This is not a car.
06:10This is my family.
06:12And what a bad thing is in this tuk-tuk-ki?
06:14Look at its color.
06:16Look at its headlight.
06:18Look at its bumper.
06:19Look at the tuk-tuk-ki.
06:21Look at its cars.
06:23It will be a duplex.
06:25And I think this is a good thing.
06:28This is a bit of an old age.
06:29It's a good thing.
06:30It's a good thing.
06:31It's a good thing.
06:34It's a good thing.
06:35It's a good thing.
06:38Madam, you know the features of advanced cars.
06:41I was going to sit in the car.
06:44If you sit in the car,
06:45you don't have water in the car.
06:47If you sit in the car,
06:49you don't have water in the car.
06:51And there was a dual control system.
06:53Two clutch, two brakes.
06:55And there was safety in the car.
06:58What is the brake system?
07:04Don't tell me.
07:05You don't know the brake and clutch.
07:07Why do you give me all these?
07:10This is the same thing.
07:11You teach me.
07:11Come here.
07:14Get rid of the brake.
07:19Put the belt on the car.
07:21This.
07:21Yes, yes.
07:22Right.
07:27Now, I'm telling you what I'm telling you.
07:29I'm telling you.
07:30It's called the gear.
07:32It's called the gear.
07:34It's called the gear.
07:35It's called the gear.
07:36It's called the first.
07:36It's called the back.
07:37It's called the second.
07:45It's called the gear.
07:50I've told you to talk about your mother,
07:51but you don't have to say anything more.
07:53Sir, you're here, I'm telling you.
08:04It's you there.
08:05When you fail,
08:07the gear begins to sit and ask forgiveness.
08:08So, that's why I wanted to tell you.
08:10You are the only thing for me.
08:11But I wanted to say all the things that happened really.
08:13That happened the career.
08:15I'll just tell you.
08:16It's been changed from a career man's function.
08:18I'm sorry.
08:19So, you're hurt.
08:21Sir, you have to tell me.
08:22It's my fault too.
08:24After seeing the dress, I have to confirm you.
08:26I'm very sorry.
08:29Anu, you're asking me to forgive?
08:31Yes, sir. It's my fault too.
08:34I had a lot of expectations for you.
08:40Anu, whatever happens, you can't forget it.
08:43Sir, I have to try to forget it.
08:46But it's not necessary that every time our try is good.
08:49I'm sorry, sir. I'm talking to you in the beach.
08:54But today, I'm going to come to my home.
08:57So, can I go to my home soon?
08:59Sure. But who is your special guest?
09:03Maa.
09:07In this case, Arya should not know anything.
09:10This is just you and me.
09:13I'm going to come to my mom.
09:16That's why.
09:17Dean.
09:18Thank you, sir.
09:25Maa.
09:47Maa.
09:48Maa.
09:49Maa.
09:50Maa.
09:51Maa.
09:52Maa.
09:53Maa.
09:54Maa.
09:55Maa.
09:56Maa.
09:57Maa.
09:58Maa.
09:59Maa.
10:00Maa.
10:01Maa.
10:02Maa.
10:03Maa.
10:04Maa.
10:05Maa.
10:06Maa.
10:07Maa.
10:08Maa.
10:09Maa.
10:10Maa.
10:11Maa.
10:12Maa.
10:13Maa.
10:14Maa.
10:15Maa.
10:16Maa.
10:17Maa.
10:18Maa.
10:19Maa.
10:20Maa.
10:21What have you done, madam?
10:23What have you done, madam?
10:24What have you done?
10:26Madam, it will be accident, madam.
10:28What have you done?
10:29What are you doing?
10:30Madam, we will go back.
10:31I don't know how much the car will be dropped.
10:33Please go.
10:39What have you done, madam?
10:41What have you done, madam?
10:42No, no, no, no, no.
10:44There was a car in the parking lot.
10:45There was no one in the parking lot.
10:47It was nothing inside.
10:48No one was missing.
10:49But it was a car.
10:50I didn't want to run away.
10:51Who is left?
10:52Who is left?
10:53No, no.
10:54No, no.
10:55No, no.
10:56No, no.
10:57No, no.
10:58No, no.
10:59No, no.
11:04Who's left?
11:05Who's left?
11:13I made all the money,
11:14the parcel of the parcel.
11:15The parcel of the person who gave the parcel.
11:16That's good.
11:17You're right, but you don't think
11:18that all the money in your office
11:19began with you.
11:20What is it?
11:21It is, you have to leak the details
11:22and their addresses.
11:23I think that anyone who needs it.
11:26Who can do it?
11:28Who is Meera, madam?
11:29Who is Meera, madam?
11:30Meera, madam?
11:31What is your fault, Samir?
11:34You don't even say?
11:35Meera, I love Meera,
11:36and they expressed their feelings.
11:38You did.
11:39Can you say that
11:40Do you know that they are doing everything for you and R.A. Sir?
11:43What do you need to do with R.A. Sir?
11:45They are very close to R.A. Sir.
11:47What do you mean?
11:48It means that I called me to call my mother at home.
11:52And when I went there, you saw me.
11:55And this is a diary.
11:56When she was in a lottery from Africa, she was sent to me.
11:59And it is written, with love to me.
12:02But what does this prove?
12:04That R.A. Sir, without my mother, there is something necessary.
12:08But it is very necessary.
12:10There is respect, care, friend.
12:12There is an appreciation for her.
12:14This is the proof that she loves me to call my mother.
12:17She is crazy.
12:18I know R.A. Sir.
12:20She can't do anything from you.
12:22And what do you do with me to call her?
12:24What do you do with me to call my mother?
12:26Besides my mother, there is a lot of R.A. Sir.
12:29Because she is so good.
12:30You did not say that.
12:31You did not say that.
12:32Yes.
12:33But it is so, that I want to call her care in a different way.
12:36She wants to be able to call her.
12:38And you are the only one number.
12:39You do not understand.
12:40Do you understand me?
12:42Yes.
12:43Do not make her work.
12:44Do not think about it.
12:46What I am saying, Simmo.
12:48I am saying that.
12:49The R.A. Sir is going to be the same.
12:51I should only concentrate on that.
12:54I am so excited about it.
12:56I am so excited and happy, Simmo.
12:58I am so excited, Simmo.
12:59Today, I am going to come home first.
13:01Mom?
13:02Who is my mother?
13:04R.A. Sir's mother.
13:05And look, there is no one with her.
13:08There is no one with her.
13:09There is no one with her.
13:10There is no one with her.
13:11You know, Simmo.
13:12You know, Simmo.
13:13The person who goes to the temple,
13:14has a different peace and peace.
13:16I have a feeling with her.
13:18I feel like I am sitting with her.
13:20I am so happy with her.
13:22I am so excited.
13:24Do you know what I am thinking?
13:25In our preparation, she needs to be able to show her love and joy.
13:29She is ready to prepare well.
13:31Then, I will be fine.
13:32Put it aside.
13:33And the other side of her,
13:34the other side of her,
13:35the other side of her,
13:36just focus on the preparation.
13:38Good idea, Simmo.
13:43She has made her mother's mother
13:45and the other side of her.
13:48After the summer,
13:49she will give her up and down.
13:52Where is she?
13:54Where are you?
13:55I'm telling you to come soon, I'm staying alone.
13:59I'll ask you to call me.
14:13What's going on?
14:15Are you okay?
14:19Why are you feeling so angry?
14:22No, where are you?
14:24Pushpaji, you're not hurting yourself.
14:30It's warm, right?
14:32It's warm?
14:33Yes.
14:34People are coming out of clothes, clothes, clothes and clothes.
14:38And you're feeling warm.
14:41I'm coming out soon.
14:43Your mother is going to come.
14:47Pushpaji,
14:48What?
14:49Why are you looking at her eyes?
14:52Maybe you're not coming out of murder?
15:01I was just joking.
15:03Why are you looking at her eyes?
15:04Sharmaji,
15:05Don't do anything about her.
15:06Don't do anything about her.
15:07I'm a very serial type of lady.
15:10She's not serial.
15:11She's serious.
15:12My English is Mubarak.
15:14Don't become the queen of Elgabeth.
15:17Don't do anything to me.
15:18Don't do anything to me.
15:19Don't do anything to me.
15:20Why are you doing her?
15:21Why are you fighting the police?
15:22Why should you do the police?
15:24Why should I not let her look at her then?
15:25Who does that look at her?
15:26Sharmaji, Sharmaji?
15:27Come and come and let me open her.
15:29Alright.
15:30What?
15:31All right.
15:33Come on.
15:35Come on.
15:37Come on.
15:39Come on.
15:41What happened?
15:43You cried like this.
15:45Why are you so upset?
15:47You are breaking these days.
15:53Why did you put time on?
15:55You were looking at expressions you were watching
15:57that you were looking for the police.
15:59Police?
16:00The police don't come after this.
16:03Which one?
16:09Mom and Dad, let them leave you.
16:11I told you that you are going to call today.
16:13We are going to welcome you very well.
16:15No need to stay in the community.
16:16We are going to do a lot of preparation.
16:18Tell me about it.
16:19Everything is ready.
16:20Now we are going to take the milk.
16:25Before the bus came,
16:27the mother is also going to come.
16:34Hello?
16:35Mr. Arya's mother is coming home.
16:37So you have to get the news.
16:40I was going to call you this.
16:43Whatever happens,
16:45but Arya's mother is not going to reach her home.
16:49You have to take the responsibility.
16:51Madam, you told me.
16:53It's done.
16:54Never mind.
16:55I will get the help of Arya's mother.
16:59I will be the mother of Arya's mother.
17:00I will have to enter the love story.
17:04I will come home with Arya and Arya's mother family.
17:05I am here.
17:07I am here.
17:09I am here.
17:11I am here.
17:13I am here.
17:15I am here.
17:17I am here.
17:19I have no idea.
17:21I don't like it.
17:23I am here.
17:25But I am surprised,
17:27without telling you.
17:29If the story is my mother's story.
17:31Without going,
17:33I have met in the temple.
17:35Without going, I have helped us.
17:37Without going, I have all of them.
17:39Without going, I have all of them.
17:41Which is our right answer to them?
17:43Which is the right answer to them?
17:52Mother, your story?
17:54Yes.
17:55Where?
17:56She is a person who is familiar with.
18:00Mother, you are out of the temple.
18:02I will leave you.
18:03Let's go.
18:04No, no, no.
18:05You are coming from the office.
18:06You are tired.
18:07I will go to the driver.
18:12Tell me.
18:13Did you talk to Anu or not?
18:17We will.
18:18In fact,
18:19I have told you,
18:20that Anu had a little trouble with her.
18:22She exchanged the parcel.
18:24Look.
18:25I said,
18:27you are tired.
18:28You are tired.
18:29You are tired.
18:30I have told her.
18:31But Anu is tired.
18:35You are tired.
18:36No, no.
18:37I know you are tired.
18:38I am tired,
18:39but I will kiss you anyway.
18:40I am tired.
18:41You are tired.
18:42You are tired, you are tired.
18:43I am tired.
18:44Maa?
18:49Maa?
18:53Maa?
19:04Maa.
19:05What are you doing?
19:06Maa.
19:07I don't know.
19:08Maa.
19:09Maa.
19:10Maa.
19:11Maa.
19:12Maa.
19:13Okay.
19:14You're going to go.
19:15But you're going to go quickly.
19:19I don't know if I'm going to get better,
19:21but I'm going to get you.
19:23I mean, I'll go quickly.
19:37Let's go.
19:38The food is ready.
19:39The food is ready.
19:42Anu.
19:43It's good.
19:44It's ready.
19:46Do you know?
19:47Yes.
19:48I'm going to get out of the food.
19:51Yes.
19:52I'm going to get out of the food.
19:58I'm going to get out of the food.
20:00I'm going to get out of the food.
20:02Hey, hey, Puchwa Ji, where are you going?
20:07He is coming!
20:08He is coming.
20:09He is coming to the first time in the house.
20:11He is going to get the gift.
20:12He isn't going to go there.
20:13Listen, listen.
20:14Take the money.
20:15Take the money.
20:16Take the money.
20:17Yes.
20:18Who is the mother?
20:20Hello, mother has arrived?
20:23I am not going to reach you until your lover.
20:26The driver is saying that the driver is making a car difficult to bring in.
20:29There is no way.
20:30There is no way there is no way.
20:33Do a job.
20:34You send me your location.
20:36Or do that.
20:37I'll guide you on the phone.
20:39Why?
20:40Stop there.
20:41I don't want to take you alone.
20:42Just wait outside the gate.
20:44Okay.
20:46I'll take my mom.
20:47Come on.
20:56Listen.
20:57Stop this.
20:59I don't want to take you alone.
21:09And I'll take you alone.
21:11And when you think of me,
21:12't do it,
21:13I'm gonna take it to you.
21:16Always say nothing.
21:17Page 2 of 3.
21:19Alright.
21:21Little girl named
21:22Oh my God Name
21:23I need you too.
21:24Be careful,
21:25not anything
21:28seem to be a reward that
21:29Mom!
21:30Mom!
21:31Mom!
21:32Mom!
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