- 12 minutes ago
Tum se Tum take
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00:00I had a parcel office here for Anu.
00:03There was a Punjabi suit for him.
00:05He had to wear it at the party.
00:07But Anu had a different dress.
00:10He had to wear it at the party.
00:12I don't know how the dress will change.
00:19Sir, if you tell me this first,
00:22then I will make sure Anu has a different dress.
00:24But why didn't you tell me?
00:26Why didn't you fear me that I felt bad?
00:35Was my fear right?
00:37No, sir.
00:38Anu and my life are different.
00:41I am mature.
00:43And how to handle these things,
00:45I know how to handle these things.
00:47Meera, I'm going to tell you what I'm saying.
00:50I hope that you will handle it with the maturity.
00:56This parcel is your signature.
01:00That means that parcel you have received.
01:15Sir, in this office,
01:17I will receive thousands of parcels in the office.
01:20Maybe you feel like you will change this dress.
01:22Right?
01:25No.
01:26Nothing like that.
01:27Sir, it's not a person's name,
01:28but clearly it's a person's fault.
01:31They have a lot of packages.
01:33They will have a wrong label.
01:35And the dress that you have to send Anu,
01:37will have another dress.
01:38And Anu will have another dress.
01:40Maybe you are right, Meera.
01:42Thank you so much.
01:43Thank you so much.
01:44that means that you are not allowed to get married.
01:51Yes.
01:52I cannot expect I should have made a decision.
01:54But it is also wrong to me again.
01:57Why do I have to be killing them every time?
02:05Yes, Kapu Saab.
02:07Give us your address.
02:08We are left out of the house.
02:09Yes.
02:11Hey, Khermi ji.
02:13Where are you from?
02:15How many orders are coming?
02:17And we have to go to the sardines.
02:19You need to go to the sardines.
02:21You should.
02:23I am going.
02:25Kushma ji.
02:27How can I go alone?
02:29It's very strange.
02:31I am alone.
02:33And I am very strange.
02:35I am very tired.
02:37What?
02:38I am tired.
02:40I am tired.
02:42Khermi ji.
02:44I am tired.
02:46Kushma ji.
02:48I am tired.
02:50Whatever you understand.
02:52I don't understand.
02:54Why are you tired?
02:56Why are you tired?
02:58I am not tired.
03:00I am tired from the morning.
03:02I was looking for a good school.
03:04I didn't get one.
03:06I am tired.
03:08I was tired.
03:10I was tired.
03:12I am tired.
03:14I am tired.
03:16You are tired.
03:18The 12,000 rupees over the years.
03:20I took a job.
03:22It's our job.
03:24We use the cars.
03:26Our job will need to be a job.
03:28We have to take any job.
03:30But Pushpa ji?
03:32Everything I am.
03:34I am tired of driving on the bike.
03:36I am to sit at the car.
03:38You have to learn driving, so I'm going to go to the school of today.
03:45The male-class man doesn't need to take things to mehengi.
03:48What?
03:49This is a joke, Pushpa Ji.
03:51Once you take things to mehengi,
03:53then you get the chance to take more things to mehengi.
03:56Take mehengi mobile, take mehengi charger,
03:58take mehengi cover, take mehengi car,
04:01then you have to drive mehengi.
04:03What do you want to do?
04:04Take the name of the god, take mehengi and do my work.
04:07I'm doing it.
04:08I'll leave.
04:09Sharma ji,
04:10you'll come soon.
04:12And in the evening,
04:13you'll take some good stuff for dinner.
04:19Okay.
04:22Let's go.
04:23Anu has worked in your job.
04:25Sharma ji's business has also been done.
04:28I'll be sitting in the car and drive.
04:34I'm going to meet my wife at the first time.
04:39I'm going to help mom and inform youhengi.
04:42That her welcome should be the same way.
04:49Hello?
04:52Hello Anu.
04:53Wait mom, your dad is here at home?
04:55Yes, his dad is here at home.
04:57Yes, he's in the house, but your dad is here at home.
05:00Why are you here?
05:01Yes, so tell her that she's lost her home in the morning.
05:03Why?
05:04Because today's mother is the first time...
05:07I mean, she's mother's mother's mother's first time to come home.
05:11Oh, she's mother's mother's mother?
05:13This is a good thing.
05:15But why did she come here?
05:17She didn't tell her.
05:18But yes, mother.
05:19If she's the first time, we have to welcome her very well.
05:22No need to go home.
05:23Please.
05:24Don't worry, don't worry.
05:25I'll set my house properly.
05:27And I'll make a good thing for her.
05:29I'll make a good thing for her.
05:35I'm going to go home.
05:37But why?
05:49Where are you?
05:50I mean, the car is okay.
05:53But the car is low and the car is low.
05:56In truth, she wants to learn the car.
05:58You don't need to make a car.
06:00But let's talk about the car.
06:02It's not my family.
06:04It's my family.
06:06And what's wrong with this tuk-tuki?
06:08Look at her.
06:10Look at her headlight.
06:12Look at her bumper.
06:14Look at her tuk-tuki.
06:16If you look at her car, she'll eat a duplex.
06:19You understand?
06:20And I think this is a good thing.
06:22It's a little old environment.
06:24It's a good thing.
06:25Like her, she doesn't look good for her.
06:28But she doesn't look good for her.
06:29But I don't look good for her.
06:30I don't look good for her.
06:32Madam, you know the features of advanced cars.
06:35I was going to sit in the car.
06:38If you sit in the car, you don't have water.
06:41If you sit in the car, you don't have water.
06:42If you sit in the seat, you would feel like you were sitting in the car.
06:45And there was dual control system.
06:48Two clutch, two brakes.
06:50And there was all safety in the car.
06:53Brake, kachar and system?
06:57What is this system?
06:58Other than that, you don't even know how to brake and clutch.
07:01If I know this, why do I give you five thousand rupees?
07:04This is the same thing.
07:05You can teach me.
07:06Come here.
07:07Come here.
07:08We'll be able to get rid of the car.
07:14Put your belt now.
07:15Yes.
07:16Yes.
07:17That's the same thing.
07:22Now, what I'm telling you, I'm telling you,
07:25is a glucose.
07:28He says gear.
07:29He has gone, he has gone, and the other.
07:32Come here.
07:40Come here.
07:44Somebody said,
07:45Yes.
07:46I've come to Mr. Ma'am,
07:47I don't know what to say.
07:53Sir, you're here to call me.
07:56When you're wrong,
07:57you have to do something to ask for you.
08:04I'm sorry.
08:06That's why I tried to figure out what happened.
08:10It was because of the career man function.
08:14Sorry.
08:16Okay, sir.
08:17It's my fault too.
08:18After seeing the dress,
08:20I have to confirm you.
08:21I'm very sorry.
08:23If it's my fault,
08:24you're asking me to forgive.
08:25Sir, it's my fault too.
08:29I had a lot of expectations with you.
08:35Whatever happens,
08:36I can't forget you.
08:38Sir, I can't forget about it.
08:40But it's not necessary
08:42that every time our efforts are successful.
08:47I'm sorry, sir.
08:48I'm sorry.
08:49I'm sorry.
08:50But today,
08:51I'm going to come to my home.
08:52So,
08:53can I go to my home soon?
08:56Sure.
08:57But,
08:58who is your special guest?
08:59Mother.
09:00Well,
09:01what are we going to be in this situation?
09:02In this situation,
09:03you should have to know anything about our Aria.
09:05This was just for you
09:06and me.
09:14Bye.
09:44I'm going to go quickly.
09:48It means that Gaitri is going to go to my house.
09:51But why are you going to go to my house?
09:54Where did Aris and Anu come from?
09:58No, no.
10:01Before I stop this work, I will stop.
10:05Hey, madam!
10:07Look!
10:14What have you done, madam?
10:20That was the one who left.
10:22Madam, it will be accident.
10:23What happened?
10:24What happened?
10:25What happened?
10:26Madam, we will go back.
10:27I don't know how much of the car will be in the future.
10:29Hurry up.
10:35What have you done, madam?
10:46There was a car in the parking lot.
10:47There was no one inside.
10:48There was no one.
10:49There was no one.
10:50But there was no one who left the car.
10:53I didn't want to run away.
10:59Who has left my car?
11:08You did all the wrong things.
11:09You gave them wrong.
11:11You gave them wrong.
11:12That's all right.
11:13But you don't think that all the girls in the office are just with you.
11:15What do you mean?
11:16I mean, the details are leaked.
11:18Then the address.
11:19I think that everyone else is necessary.
11:21Who can do it?
11:23Who can do it?
11:24Meera, madam.
11:25Who else?
11:27Meera, madam.
11:28What are you doing, Samir?
11:29You didn't say that?
11:30Meera, I love Aris and she expressed her feelings.
11:33What do you mean?
11:34That's all right.
11:35That's all right.
11:36That's all right.
11:37That's all right.
11:38That's all right.
11:39What do you mean?
11:40What do you mean?
11:41That's all right.
11:42What do you mean?
11:43I mean, you said that
11:44Meera, madam, called me to the house.
11:46And when I went there,
11:48I saw you.
11:49And this is dying.
11:50When they were in Africa,
11:52they were telling me.
11:54And it's written,
11:55With love to Meera.
11:56What does this prove?
11:58What do you mean?
11:59Hey.
12:00In my heart,
12:01without me,
12:02nothing is necessary.
12:03Nothing is necessary,
12:04but nothing is necessary.
12:05There is respect,
12:06care,
12:07friend,
12:08who works,
12:09there is an appreciation.
12:10It doesn't prove that
12:11she loves Meera, madam.
12:12She's crazy.
12:13Look,
12:14I know Aris and I know Aris,
12:15but she can't do it from you.
12:17What do you do with me?
12:18What do you do with Meera, madam?
12:20Besides,
12:21there is no other thing.
12:22There is no other thing.
12:23There is no other thing.
12:24Because she is so good.
12:25You didn't say that.
12:26You didn't say that?
12:27Yes.
12:28But it is so,
12:29that Meera, madam,
12:30wants to take care
12:31in a different way
12:32and you want to take care.
12:33You want to take care of yourself.
12:34And you have to take care of yourself.
12:35You don't understand me.
12:36Do you mind me?
12:37Yes.
12:38Don't try to do it.
12:39Don't think about it.
12:40Don't think about it.
12:42I'm sorry, Sim.
12:43I'm sorry.
12:44Even with the R.A. sir,
12:45the kit pit is on one side.
12:47At this time,
12:48I just need to concentrate on something.
12:50I am so excited and excited, Simmo.
12:53Today,
12:54I am going to come home first.
12:56Mom?
12:58Who's mom?
12:59R.A. sir's mom.
13:01And look,
13:02there is no kit pit with her.
13:04There is only a lot of love.
13:06You know, Simmo,
13:07the person who goes to the temple
13:09has a different peace and peace.
13:11I feel like that.
13:13I feel like I'm sitting with him
13:15and I'm not finished.
13:17I'm so happy, man.
13:18I'm so happy, man.
13:19I'm so happy, man.
13:20Do you know what I'm thinking?
13:21We need to see the love and happiness
13:22in our preparation too.
13:24We have to prepare very well.
13:26That's okay, man.
13:27Keep on the side of me.
13:28And keep on the side of our R.A. sir's
13:29and keep on the side of our R.A. sir's
13:30and keep on the side of our R.A. sir's
13:31and keep on the side of our R.A. sir's
13:32just focus on the preparation.
13:33Good idea, Simmo.
13:34Are you sure that R.A. sir has made
13:39blue honey and with sweet pepper?
13:40Kupushpa Ji comes after the kids
13:41totally, always have them.
13:42Kupushpa Ji comes after we come,
13:43he'll put the 법 prickly
13:45kitchen and pray milk drops
13:48to it.
13:49But Get Thereiny somewhere?
13:50I know,
13:51I'll tell you quickly
13:52I'll tell you later...
13:53I'll ask you to call me the phone.
14:07Pushbhaji.
14:09What's going on? Are you okay?
14:14Yes.
14:15What's your fault?
14:17No, no. Where?
14:19Pushbhaji.
14:20What's your fault?
14:25It's very warm.
14:27It's very warm?
14:28Yes.
14:29You're getting out of sweaters, topsies, mufflers and shoulders.
14:34And you're getting warm.
14:36I'm going to get out of it quickly.
14:38And her mother is going to come.
14:43Pushbhaji.
14:44Why don't you look at her eyes?
14:47Why don't you murder me?
14:49No.
14:56I was like...
14:57I was like a joke.
14:59Sharmaji.
15:00Don't do anything from her.
15:01Don't do anything from her.
15:02I'm a very serial type lady.
15:05She's not serial.
15:06She's serious.
15:07My English is my mother.
15:09You're better than Queen Eljabet.
15:11You're better than Queen Eljabet.
15:12You're better than me.
15:13You're better than me.
15:14Come on.
15:18Is that the police car is not here?
15:20Sharmaji!
15:21Sharmaji!
15:23You're better than me.
15:24I'm going to open it.
15:25Okay.
15:26I'm going to go for this situation.
15:27How are you now?
15:28What happened?
15:29Do you have to be angry so much?
15:32You're missing your children.
15:38What happened?
15:39What happened?
15:40What happened?
15:41You were all die.
15:42Why are you lost your sins?
15:44Why weren't you missing your sins?
15:49Why did you leave the time?
15:50And the expressions are like you thought you were going to be going to be the police.
15:54Police?
15:55The police don't come so long after this.
15:58Which one?
16:04Mom and Papa, you guys are going to leave.
16:06I told you that you are going to be the mother.
16:08We have to welcome you very well.
16:10No need to stay in the community.
16:11We have to do a lot of things.
16:12Don't tell me.
16:14Everything is ready.
16:16Now we have to leave the milk.
16:20Before that, Arya came.
16:22Now her mother is also going to come.
16:29Hello?
16:30My mother, Arya.
16:31Arya's mother is coming to the house of Sharmam.
16:33So you have to get the news.
16:35I was going to call you this.
16:38Whatever happens.
16:41But Arya's mother should not reach the house of Arya.
16:45And you have to take your responsibility.
16:47Madam, you told me.
16:48It's been a work.
16:50I think it's been a work.
16:51It's been a work.
16:52It's been a work.
16:53I thought it was a work.
16:54It's been a work.
16:55I didn't have to get to the house of Sharmam.
16:56I was going to pick up Ours and I'll take her.
16:57On the paper.
16:58I'm going to pick up.
16:59I got to pick up Ours and I'll take the house of Sharmam.
17:00I don't know what to do with my father.
17:05What a big thing is coming out.
17:07I'm going to go out and take a drink.
17:10A drink?
17:12What's that?
17:14I don't like Aria Sir's mother.
17:16I don't like Aria Sir's mother.
17:18I don't like her. It's her favorite.
17:20But without going, I got a little surprised.
17:22Without going,
17:24if this is Aria Sir's mother's mother,
17:26then without going,
17:27she's got three times in the temple.
17:29Without going, she helped us.
17:31And without going,
17:33she gave us all of them.
17:35What's the right answer to them?
17:38What's the right answer to them?
17:47Mom, are you going?
17:49Yes.
17:50Where?
17:51She's...
17:53a person who is here.
17:55Mom, you're out.
17:57I'll leave you.
17:58I'll leave you.
17:59No, no, no.
18:00You're coming from the office.
18:01I'm tired.
18:02I'll take the driver.
18:07Tell me.
18:08Did you talk to Anu or not?
18:12It happened.
18:13In fact,
18:14I knew that Anu had a little bit of trouble.
18:18She exchanged the parcel.
18:20Look.
18:21I told Anu,
18:22you were angry for Anu.
18:24I'm sorry for that.
18:26But Anu is also angry.
18:30I'm not angry.
18:31No.
18:32No.
18:33No.
18:34I know.
18:35You'll be angry.
18:36Mom.
18:37Mom.
18:38Mom.
18:39Mom.
18:44Mom.
18:45Mom.
18:46Mom.
18:47Mom.
18:48Mom.
18:49Mom.
18:50Mom.
18:51Mom.
18:52Mom.
18:53Mom.
18:54Mom.
18:55Mom.
18:56Mom.
18:57What are you doing?
18:58Mom.
18:59Mom.
19:00Mom.
19:01What are you doing now?
19:02I feel like I have something strange.
19:04I have to stop you.
19:08Okay, you have to go.
19:10But you have to go soon.
19:14I have done which good karma you will get.
19:18I mean, I will come soon.
19:31Let's go, the food is ready.
19:34The house is also ready.
19:36Hello?
19:38Let's go, you're ready.
19:40Let's take this.
19:41Yes.
19:42Yes.
19:43I have to leave the food for the food.
19:46Yes.
19:47I will leave this until I leave.
19:53Where did the car go?
19:55I didn't leave the car in the car.
19:58If you are going, Puswagi, where are you going?
20:02He is coming, sir.
20:04My mom is coming to the house.
20:06So, they are going to leave the gift.
20:08Listen.
20:09Let me take the money.
20:10Please take the money.
20:11Who is your mom?
20:16Hello?
20:18What is my mom's coming?
20:19I am going to reach my wife.
20:21The driver says that the car is difficult to buy the car in the car.
20:25And in the clouds of sand, no one can be lost.
20:28Do a job, son.
20:29You send me your location.
20:31Or do that.
20:32I'll guide you on the phone.
20:34Why?
20:35Now stop.
20:36I have to take you alone.
20:37Just take the mall and take the gate out.
20:39Okay.
20:41I'll take you, ma'am.
20:42Come on.
20:51Listen.
20:52Stop this.
20:55Close eyes.
20:58Don't know that.
21:00True eyes.
21:02True eyes.
21:05True eyes.
21:06False eyes.
21:07Holy grey.
21:08True eyes.
21:09Belle.
21:10Remember today?
21:11I walked down the
21:23Unto the sky.
21:24Mom!
21:25Mom!
21:26Mom!
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