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02:07İzlediğiniz için teşekkür ederim.
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04:44But he's not at the point where he's saying where I went wrong.
04:50He's saying to himself, how do I get out of this?
04:54Maybe I can convince some witnesses that I'm not the guy who I am.
05:00Eventually, he's going to get to the point where he's going to ask himself,
05:03how did I get myself into this situation?
05:06Bad boy was rising up.
05:36Got a little lab right here, you know, where I cut my deals and all that.
05:39Got my little headset, just living out a dream, you know what I'm saying?
05:42One time, Sean was in his office, and I'm in a little cubbyhole around the corner.
05:47He buzzes me.
05:50So I get up, and I go in with my papers and go.
05:53A girl is giving him a blowjob at the desk.
05:57He wanted me to see that.
05:58He wanted me to see her face.
06:00And then he was able to get her to do that right then and there in the office.
06:04She leaves.
06:05I'm, what did you want me for?
06:07Ah, I didn't want you for anything.
06:10That was the beginning for me to see, this is what's going on here.
06:15Can everybody here make some noise for B.I.G. for bringing it back to the East?
06:19So the C's for all of this was early on.
06:23And that came from people in the industry co-signing his activity because it brought money in.
06:36I don't know if y'all niggas know this.
06:37The Juicy with platinum.
06:39Big Pumper with platinum.
06:42In your ear remix with platinum.
06:45That whole bad boy thing was so big.
06:49Faith Evans.
06:50Gonna be first lady on Puff Daddy's lady.
06:52Total.
06:54Biggie.
06:57In Greg Mann.
06:59The thing over here is Greg Mann.
07:00It was a consistent back-to-back-to-back-to-back.
07:06So let me just give you a day in the life of Puff Daddy.
07:12Gets up from wherever he stayed that night.
07:17Heads to the office two hours late.
07:19You might have somebody pulling him over saying, hey, ain't you in that video?
07:22Ain't that you?
07:23Oh, yo, here go a demo.
07:24Puffy's over there.
07:25Yo, what's up, Puff?
07:27How you doing, baby, bruh?
07:28Just doing all that piece.
07:29Had the big baseball bat cell phones.
07:30And the phone might ring.
07:32Such and such is on the phone calling from jail.
07:35Yo, I'm coming home.
07:36You might have a group standing in front of the office,
07:39already with the microphone ready to sing,
07:41you love me, I love you,
07:43just to get their shot at Puffy.
07:46Everybody wants to see him.
07:48He is now the new gateway into music.
07:53You're going to take all of this power and money you're getting now
07:56and play by the rules?
07:59No, I'm the rule now.
08:00I am the exception to the rule.
08:04One down, bad boy.
08:04Turn it up, bad boy.
08:06I'm about to say, Puff Daddy.
08:08You know what I'm saying?
08:09Yo, I'm behind you.
08:10One day, it seemed like out of the blue,
08:14my door opens up.
08:17Sean walks in.
08:19He had a baseball bat.
08:21Had a big attaché suitcase with the snaps on it.
08:25The stocks were there.
08:27We in a fucking hustle.
08:28We in a grind.
08:29Do your job.
08:30Whatever your...
08:30He wanted me to sign my 25% over.
08:34And Diddy's over me like this.
08:36He wants to stop that.
08:38He wants it now.
08:40I'm not going to stay fucking lying down.
08:42I'm not.
08:42I can't do that, man.
08:43He said, there's a business deal I need to take care of.
08:46I need to do this.
08:47I need to get this all on one side,
08:48but I'll give it back to you.
08:50I'm going to give it back to you.
08:52I'm going to give it back to you.
08:52This shit ain't fucking funny.
08:53That's the problem.
08:54You don't know how to be a accountant.
08:56And he threatened until I did.
09:01People always say to me,
09:04why would you do that?
09:06Why did you do that?
09:09Like, that was, you know...
09:11I didn't want to give it back.
09:16I wanted to stay in good graces.
09:18I still wanted to be at the company.
09:21It wasn't like he was firing me.
09:22But I was definitely confused by it.
09:27It might sound strange,
09:30but if you've ever built something
09:31and you want it to last,
09:35you think about how to make it last.
09:47I want to know who's been naughty at night
09:49with the device turning grown men in tomorrow.
09:52I thought he was kind of cool at first,
09:54and then we started seeing some things.
09:59Craig started becoming disenchanted.
10:03I want to congratulate Craig Mack
10:04on his Grammy nomination.
10:06No question.
10:07Yes, baby, yeah.
10:07That's cool.
10:09Yo, you got nominated for a Grammy,
10:11but we had no money.
10:14If you look at Bad Boy,
10:16Bad Boy didn't sell enough records
10:18to explain his wealth.
10:21but enough artists were on the label
10:24that sold enough records to explain his wealth.
10:28Sean's trick was,
10:31I'm going to make you a star.
10:32You sign, follow the money.
10:34That's what you're going to try to do
10:35as hard as you can.
10:36You're going to try your best,
10:38and we know you're going to try your best.
10:40So you sign your deal,
10:41we gave you your advance.
10:42At Uptown,
10:42that's the only money the artists have ever seen,
10:45that first advance.
10:46Andre had to wait it.
10:47He never saw anything else.
10:48Did he pick that up?
10:49He made it even tighter.
10:52Don't leave the girl around me,
10:53true player for real.
10:55Let's pump that deep.
10:56It's a shell game.
10:58You hide everything that is an earning.
11:01You confuse the earnings.
11:03And now I own everything.
11:05You'll go out into the world,
11:06and the shell game,
11:07you'll be looking for your money
11:08for the next 20 years.
11:10Sean did that to every artist.
11:12You're in the studio.
11:15Now you have to recoup
11:16for being in the studio.
11:18Puff owns the studio,
11:21and I have four sessions
11:22which you owe me $400,000.
11:25If Puff records a song with his artist,
11:28he pays himself.
11:31If he's in your video,
11:32he pays himself.
11:34He insert himself into their videos.
11:37A video come on,
11:38you'll be like,
11:38I fucking hate that guy.
11:40As an artist,
11:41you can go number one.
11:43Song is being played
11:43all over the nation,
11:45but you don't have the money
11:46to go to it
11:47because you're not making
11:48the proper money
11:50off of your royalties.
11:53Craig and I hit a point
11:55where we were fucked up.
11:57No money, nothing.
11:58Hell, I was getting money
12:00from my father
12:01to take care of the house.
12:05We were all at, like,
12:07somebody's album release party,
12:09and Craig's gonna tell Puff
12:11to give him a few dollars
12:12and he'll hit him back
12:13once he went and did this show.
12:14He literally went in his pocket
12:16and pulled out
12:18a knot of money this big
12:21and gave him $100 bill.
12:25You really just don't give a fuck.
12:29I think Sean had an envy
12:34for his own artists.
12:36He was jealous of their talent
12:37and wondering, like,
12:39this talent is wasted
12:40on people who don't even
12:41really know what to do.
12:43And if I had that talent
12:45in my know-how, wow.
12:47That's interesting
12:48because a lot of people
12:48Puffy's age
12:49want to grab this mic
12:51and rap,
12:52but Puffy,
12:52you wanted to do other things
12:53and you're doing a lot of them.
12:55Can you talk about his skills
12:56as a rapper?
12:57Sucks.
12:58He has zero talent musically.
13:00Nothing.
13:00He don't know how to discuss.
13:01He don't know nothing about R&B.
13:02He don't know none of that stuff.
13:03He used to ask me
13:04to always be there
13:05on the sessions
13:06because I would tell the truth.
13:08I'd be like,
13:08that's not it.
13:10People would be there like,
13:11yeah, that was tight.
13:11That was tight.
13:12I'd be like,
13:13look, yo, for real,
13:14you got a lot of people
13:15who just tell you anything.
13:16That sucked.
13:18It doesn't sound good
13:19and it makes no sense.
13:22But he always wanted
13:23to be an artist.
13:25We're about to just
13:26drop our R&B stuff.
13:27The Puff Daddy album.
13:29Yeah, what about
13:29the Puff Daddy solo project?
13:31Yeah, we don't like
13:31to talk about that.
13:32Hey, Puffy,
13:32we won't get to this.
13:34Sean used other methods
13:37and ways to get
13:38the way he had to go.
13:40Big on strategy,
13:42big on swag.
13:44All of those things
13:45became important.
13:47When it boiled down
13:47to the music,
13:49even if I didn't touch it,
13:50I showed you what to do.
13:51So that's what he was.
13:53Damn, you know what I'm saying?
13:53That whole bad boy
14:01was built on him.
14:03You cannot take that from him.
14:07But I think that Puffy
14:08wanted the light
14:09like he always wanted.
14:11From dancing,
14:12the whole night you see
14:13anybody that's boasted
14:14and loud like that,
14:14they want to be in the spotlight.
14:17It wasn't like no secret,
14:18that's what he wanted.
14:19Six foot three,
14:22335 pound,
14:25Suge Knight
14:25has managed to become
14:27the head of
14:27a hundred million dollar
14:28record company.
14:29It's the record label
14:30at ground zero
14:31of the whole
14:31gangster rap phenomenon,
14:33Death Row Records.
14:35Suge was about that money,
14:37but he didn't want to be
14:38in that limelight,
14:39like Puff.
14:41He had his own lane.
14:43You're a big guy
14:44and there are people
14:45who are afraid of you.
14:47There's probably people
14:47who are afraid of you.
14:48Back in 1988,
14:50the person who did
14:51the greatest job
14:52of protecting me
14:52was the head of my security
14:53at the time,
14:54Suge Knight.
14:55Right now,
14:56I'm on the heartbreak tour
14:57with Bobby Brown,
14:58a new addition,
14:58and we've been out
14:59We're about to get
15:00on the tour bus
15:01and these dudes
15:02came over
15:03and they was like
15:03talking crazy.
15:04Y'all niggas this,
15:05y'all niggas that,
15:06this, this, this.
15:09And I seen Suge
15:10kind of just turn this way
15:12and gave him one of these.
15:15Bam!
15:16Like that.
15:17And knocked dude
15:18down the hill
15:19and it looked like
15:20a cartoon.
15:21Dude was rolling
15:21down the hill.
15:22Boom, boom.
15:22It's Tim's K-ball.
15:25He's a street dude.
15:26He's a real street dude.
15:27But Suge knew talent
15:29and he knew the business.
15:31They took me on tour
15:32and I learned how
15:33every person
15:35who's writing songs
15:36is getting beat
15:37out their money
15:37like they're publishing.
15:39He was able to
15:40dovetail that into
15:41starting Death Row Records.
15:43One, two,
15:44bring it to the phone.
15:46Snoop Doggy Dog
15:47and Dr. Drake
15:47is at the door.
15:49Death Row can be
15:50bigger than Motown
15:51or Sony
15:52or Warner Brothers.
15:53Death Row's gonna be
15:54the biggest record company
15:55there is.
15:57Chronic Album's
15:57the foundation.
15:58Before Bad Boy,
16:00Death Row was the most
16:01successful label
16:02in the business.
16:03From the depths
16:03of the sea
16:04back to the block
16:05Snoop Doggy Dog
16:06Sean had admired
16:08Death Row
16:08and wanted us
16:10to emulate them.
16:13And that was my job.
16:15How do I make
16:16Bad Boy
16:16equal to success
16:18of Death Row?
16:19And of course
16:20my eyes was like
16:21this, Death Row?
16:22They had a head start.
16:24They had artists,
16:25they picked superstars up
16:26from other indie labels.
16:27We're starting off.
16:29Me and him
16:29were friends.
16:31Wow.
16:31Yeah, yeah.
16:32He would pick me up
16:33from the airport.
16:34You know,
16:34I was just networking
16:35with the brother
16:36and show me a lot of love.
16:38You know,
16:38I really had thought
16:39we were cool.
16:41Me and Puffy,
16:42we used to run around
16:42with each other.
16:43He was getting in the business,
16:44I was in the business.
16:46Living life without fear.
16:48Only a few years later,
16:50Bad Boy,
16:51Death Row.
16:52Death Row is the label
16:53that pays me.
16:54The two hottest labels,
16:58but I would look over
16:59at Death Row and say
17:00they're taking care
17:00of their artists
17:01better than we are.
17:03They're putting your head,
17:05fuck the artists.
17:07And my thing was opposite.
17:08It's about me and my people.
17:10Fuck you.
17:12Craig wasn't happy there.
17:15Death Row was courting him
17:16because Shud was opening up
17:18a Death Row East
17:19and it was found out.
17:22Shot by the finger.
17:24Yes.
17:30It's the Source Hip Hop Music Awards!
17:34The Source Awards
17:35was happening
17:36in New York City.
17:42Come on, New York!
17:44And behind the scenes,
17:45people were running
17:46back and forth
17:47to the next dressing room,
17:48to the next dressing room,
17:49which were in trailers
17:50parked outside
17:52of Madison Square Garden.
17:54How important is it
17:55to have the Source Awards?
17:57Let me just wait in front.
17:58You got that?
17:59Come on, man.
18:00Who bagging on the door like that?
18:01You're telling me?
18:02Dog, what is the deal, man?
18:04Keep the door closed!
18:06And it escalated with words
18:07from the podium
18:08at the awards show.
18:10Any artist out there
18:11want to be an artist
18:12and want to stay a star
18:13and don't want to have
18:15to worry about
18:15the executive producer
18:16trying to be
18:17all in the videos,
18:19all on the record,
18:21dancing.
18:22Come to Death Row.
18:23I'm the executive producer
18:33that our comment
18:34was made about
18:35a little bit earlier.
18:36But check this out.
18:38Contrary to what other people
18:39may feel,
18:40I would like to say
18:41that I'm very proud
18:43of Dr. Dre,
18:44of Death Row,
18:45and Shook Knight
18:45for their accomplishments.
18:47You know what I'm saying?
18:47I'm a positive black man
18:49and I make music
18:50to bring us together,
18:52not to separate us.
18:53And all this East and West
18:54that need to stop.
18:55So give it up
18:56for everybody
18:56from the East and the West
18:57that won tonight.
18:59One love.
19:01Sean wants to present strength.
19:03He wants to show coolness.
19:07And then there's a side of him
19:08that's all out dark.
19:10He processes things differently.
19:15He remembers every slight.
19:18Once again, y'all,
19:20please give it up
19:21for all the nominees.
19:36Before I signed with Bad Boy,
19:38I was working
19:39at the door of the club
19:41in Platinum House.
19:45Every Friday,
19:45we had a bad boy party.
19:47So Puff was there.
19:50Shook Knight came that night
19:51with his friend Jake.
19:53And I was working the door.
19:54Shook was looking for Puff.
19:59Sean would try
20:01to go after people's side chicks,
20:04like a girl in Atlanta
20:06that Shook was dealing with.
20:08Sean wanted me
20:11to take $50,000
20:12out of the overhead account
20:15so he could buy her
20:16a diamond necklace,
20:18wooing her
20:19because she was Shook's
20:21side piece in Atlanta
20:22when he came there.
20:23real police officer
20:28in a real police uniform
20:29came and got on the safe.
20:32I said, man, you took the homie,
20:34we're going to tear this mother up.
20:36He said, well, I got to throw him out.
20:37I said, for what?
20:38He said, he was puppy.
20:40Shook and Jake
20:41is being escorted
20:42out the club
20:44by the off-duty
20:47officer we always had
20:49there moonlighting.
20:51Jake comes out,
20:52Shook come out,
20:53Puff come out.
20:54Everybody's outside.
20:56A man appeared
20:57with one hand
20:58behind his back
20:59and he was holding
21:01a pistol.
21:04He touched Jake
21:05with the pistol
21:06and he looked at Shook
21:08like this
21:09and was shooting
21:10Shook's friend
21:11like this.
21:12and he shot him
21:14five times.
21:18Shook
21:18grabbed a hold
21:20to Puffy
21:21in the chokehold
21:22and put him
21:23in the front of him
21:24like this.
21:25So he was
21:25moving Puff around
21:26like this
21:27in case you shoot him.
21:29You're going to shoot Puffy.
21:29You're not going to shoot me.
21:34Puff was like,
21:36it's going to be all right,
21:37man.
21:37It's going to be all right.
21:39Shook said,
21:40what you mean
21:40it's going to be all right?
21:42He said,
21:42tell your mama
21:43it's going to be all right.
21:45Tell your kids
21:46it's going to be all right.
21:48And then the shooter
21:50ran.
21:54Ambulance came
21:55and took Jake
21:56to the hospital.
21:58A couple of days
21:59later, he died.
22:02That's what started
22:03the East Coast,
22:04West Coast war.
22:05was going to be all right.
22:06Get back.
22:06Get back.
22:06Please.
22:06Excuse me.
22:06Excuse me.
22:07Excuse me.
22:07Excuse me.
22:08Excuse me.
22:08Excuse me.
22:09Excuse me.
22:09Excuse me.
22:09Excuse me.
22:10Excuse me.
22:10Excuse me.
22:10Excuse me.
22:11Excuse me.
22:11Tupac Shakur,
22:12out of the hospital
22:13after surgery
22:13from bullet wounds,
22:15is convicted
22:15on sex charges.
22:17After Puck
22:18is shot
22:19in Quad's studio,
22:20he had the rape case.
22:21A New York jury
22:23convicted the rapper
22:24of first-degree
22:25sexual abuse
22:25but acquitted him
22:26of more serious charges.
22:31Since your period
22:32of incarceration
22:33at Clinton
22:33Correctional Facility,
22:36have you taken the time
22:37to reflect
22:37on your gangster
22:38thug image?
22:41Puck and Big
22:42were friends
22:43at one time.
22:44But then once
22:45Puck was in jail,
22:47Bad Boy
22:48and all of his associations
22:50were nemesis.
22:51When I'm in jail,
22:54strangers is telling me,
22:56yo, you don't know?
22:57Big your old boy
22:58shot you.
22:59Because they bragging.
23:00They telling
23:01they n**** in jail.
23:02Yo, we just got Puck.
23:03Woo-woo-woo-woo-woo.
23:05Once the conflict happens,
23:08Puck needed someone strong
23:10that was going
23:12to stand with him.
23:14And it just so happened
23:16that Suge
23:17had his own issues
23:19with Puffy.
23:19so Suge went to jail
23:22and visited him.
23:24The whole s***
23:25is like
23:26some mob s***
23:27into Tupac,
23:30a young captain.
23:33I'm gonna join
23:34the family, dog.
23:35Get me out.
23:36Suge Knight first signed
23:40Tupac to a recording
23:41contract when Tupac
23:42was in this New York
23:43state prison,
23:45unable to come up
23:45with the million dollars
23:47needed for bail
23:47while his lawyers
23:49appealed a 1995
23:50conviction for sexual
23:52assault.
23:52I want everybody
23:55to give a big
23:56welcome
23:57from
23:58Tupac.
24:02Out on bail,
24:03rapper Tupac Shakur
24:04has rushed to market
24:05double album
24:05All Eyes on Me
24:06debuts at number one
24:07on this week's
24:08Billboard chart.
24:08With the addition
24:09of Tupac,
24:10there's no way
24:10y'all can stop us now.
24:11N**** say bad boy,
24:13and I say
24:15fuck them all.
24:16We're coming to
24:17the East Coast
24:17to prove
24:17there is no fear.
24:19Overthrow the government
24:20y'all got right now,
24:21which is bad boy
24:21and all that bullshit,
24:23and we will bring
24:23a new government here
24:24that will feed
24:25every person in New York.
24:26Cool, man.
24:27All right, man, fix.
24:28Thanks a lot.
24:30Sean tried everything
24:31to get Biggie upset.
24:33He had to go at him
24:35with business.
24:36This guy came at us.
24:38I was more
24:38in a mind frame of
24:39keep your mouth shut, big.
24:43You know what I'm saying?
24:44Just don't feed into it.
24:47If you feed into it,
24:48it's gonna do nothing
24:49but escalate.
24:50You know what I'm saying?
24:51Biggie never wanted
24:52to be an enemy to Pac.
24:54As things was coming
24:55from the West Coast,
24:56Biggie did not want
24:58to give any shots back.
25:01When Pac was producing
25:02All Eyes on Me,
25:03he called us and said,
25:05I just fucked
25:06fake evidence,
25:08Big's wife.
25:10We was like, what?
25:11First of all,
25:12fuck your bitch
25:12and the clique you claim
25:13Westside when we ride
25:15come equipped with gang
25:16You claim to be a player
25:17but I fucked your wife
25:18We bust up
25:19But that's not true at all.
25:21Biggie stole my husband
25:22legally.
25:23I am having his baby.
25:24No, I'm not.
25:25Sean kept putting
25:26pressure on Biggie.
25:27You gotta answer back.
25:30Tupac had me pissed off,
25:31you know what I'm saying?
25:33And the rumors
25:34that's spreading
25:35is on some tip
25:37like we set him up.
25:38You know what I'm saying?
25:39And that's crazy.
25:40The East Coast,
25:41West Coast thing
25:42was invented, period.
25:44Because no matter what,
25:45we all went to the East,
25:46they came here,
25:47went to the West,
25:47whatever,
25:47they wasn't arguing
25:49with each other.
25:50We was able to roam.
25:51Fuck Biggie,
25:52fuck Bad Boy
25:53as a staff,
25:54record label,
25:54and as a motherfucking crew.
25:56It was this Bad Boy
25:57in death row.
25:58Who shot you?
25:59And that right there
26:01put people in danger
26:02because it made people
26:04be like, F you, F you.
26:05and people started
26:06doing stuff
26:06for no reason
26:07because it's just people
26:09that want to ride
26:10for each other.
26:11And then look what happened.
26:17Doing the street thing.
26:19My affiliation
26:20was with
26:21the Mansfield hustlers.
26:24Today,
26:25we go by
26:28Mansfield Gangster Crips now.
26:31Police say
26:32that drugs and violence
26:33are being spread
26:33by two longstanding rivals
26:35in the Los Angeles
26:36youth gang scene.
26:38Groups who call themselves
26:39Crips and wear blue colors
26:40and Bloods who wear red.
26:43Did you guys
26:44provide protection?
26:47Sean Combs
26:48was a friend.
26:51Christopher Wallace
26:52was a friend.
26:54And, you know,
26:55when we're hanging out
26:56with our friends,
26:57we're going to protect
27:00our friends.
27:01So they knew.
27:03and they were
27:04our associates.
27:06You got beef with them,
27:08you got beef with me.
27:10Period.
27:11A number of reports
27:12have come out
27:12that Bad Boy Entertainment
27:13had actually hired Crips
27:14for security work
27:15out on the West Coast.
27:16Is that true?
27:16Um, we've never hired Crips
27:21or any other gang faction
27:23to do security for us.
27:25It would be extremely
27:26unintelligent
27:27to hire
27:28a gang,
27:29some gangs
27:30to do security for you.
27:31A lot of the New York guys
27:33come out to L.A.
27:35Zip is a person
27:36that I know
27:37that was
27:39Puffy's man.
27:40That was his guy.
27:41Eric Von Zip
27:44is a drug lord
27:45from Harlem,
27:46but Sean
27:47told me
27:48he was his uncle.
27:49He might have known
27:50Janice on the fringe.
27:52He might have known
27:52Sean's father
27:53from those days.
27:55Zip
27:56had a relationship
27:57with the Southside Crips,
27:59and then he also
28:00had a relationship
28:01with us.
28:02Sean said
28:04Zip can give us
28:05protection
28:05going back and forth
28:07to L.A.
28:08because he was
28:09in with the Crips,
28:10and we had a beef
28:11with Suge Knight
28:13and the Bloods.
28:14Knight dresses
28:15in all red,
28:16the colors
28:17of the drug-dealing
28:18Bloods street gang.
28:20One of the death row
28:22people got jumped
28:23by someone
28:25at a mall,
28:27and that someone
28:28was from
28:28Southside Crips.
28:30One of the Crips
28:31tried to take
28:32a death row chain.
28:34I think that was
28:35an order from Bad Boy.
28:36That was an order
28:36from Puff,
28:37because it was specific.
28:40We want a death row chain.
28:43Introducing the one
28:44and only
28:44Iron
28:45Mike Tyson!
28:52Everybody got
28:53what they wanted
28:54to in that.
28:55People got to see
28:56Tyson
28:57knock a motherfucker
28:58out.
29:00And Tyson
29:00with a left hook
29:01and Selden
29:02is down.
29:03It's over
29:03in the first round!
29:07That's probably
29:08the reason
29:09that the guy
29:09was all fucked up
29:10in a lot of shit
29:11from the fight night.
29:12You seen a Tyson fight?
29:14You want to fight.
29:21At the fight,
29:25the guy who was
29:27ripped off
29:27for the death row chain
29:29is with
29:30Suge and Pac.
29:32He just
29:32whispers to Pac,
29:34that's him.
29:36Hey, hey, hey!
29:39It was Orlando Anderson
29:40from
29:41Southside Crips
29:42who was
29:44connected with Pac.
29:45next to him.
29:46Next thing I know,
29:46I see Pac like,
29:47phew!
29:50Took the niggas down.
29:59That was the
30:00foundational moment
30:02when all this
30:03was getting out of control.
30:04of the death row.
30:05I'm out of room one right now.
30:08I got a couple guys shot
30:09and he's medical ASAP.
30:15Rapper Tupac Shakur
30:16was shot in the chest
30:17late...
30:17...this morning shot
30:18multiple times
30:19in the chest
30:19in a drive-by shooting.
30:20Death row record label owner,
30:22Marion Shug Knight,
30:23was also in the car,
30:24but his injuries
30:25were minor.
30:26Craig called me up.
30:28It was late.
30:28He was out there
30:31at the fight
30:32because he was supposed
30:33to have performed
30:34at some club
30:35that Shug owned.
30:39And I guess Tupac
30:39was supposed
30:40to come through.
30:41He was like,
30:42how come Tupac
30:44just got shot?
30:46Craig was, like, scared.
30:48Who was he scared of?
30:50Probably Puff.
30:52He ended up
30:53not going
30:54to death row
30:55after that.
30:58Hi, I'm Tabitha Soren
31:00with MTV News.
31:01Controversial rapper
31:02and actor Tupac Shakur
31:03has died
31:04in a Las Vegas hospital
31:05of complications
31:06from several...
31:07I was in jail.
31:08I was in jail
31:09when he got shot.
31:11There was a lot
31:12of niggas in jail
31:13that were celebrating
31:14Pac's death.
31:17I'm glad that, uh,
31:18I didn't kill anybody
31:20or anybody killed me.
31:22But I damn sure
31:23came close.
31:26Police in Las Vegas
31:27say they have
31:28no motive
31:29for this latest shooting.
31:30But the rapper's
31:31troubled past
31:32will certainly
31:32be part
31:33of the investigation.
31:36Do you know
31:37who was responsible
31:38for the killing
31:39of Tupac Shakur?
31:40No, I don't.
31:43I think that Sean now
31:44in my mature mind
31:47had a lot to do
31:48with the death
31:49of Tupac.
31:50in 2006,
31:59I was recruited
32:00to work a task force
32:02that was going to look
32:04at a cold case investigation.
32:06At the time,
32:07Tupac's murder
32:08was an unsolved case.
32:11Gang crimes oftentimes
32:12are difficult to solve
32:14because you don't get
32:14cooperating witnesses.
32:16They want to stick
32:18to a code
32:18that typically entails
32:20not cooperating
32:21with law enforcement
32:22and then taking matters
32:23into your own hands.
32:25It ain't my job
32:26to snitch on nobody
32:28because I would never
32:28snitch on nobody.
32:30We had built
32:31a narcotics case
32:32against Keefee Dee.
32:34Keefee Dee was kind of
32:35the shock caller
32:36for the Southside Crips.
32:38He was the most
32:38prominent drug dealer.
32:40He was very influential
32:41in his gang.
32:43His nephew,
32:44Orlando Anderson,
32:45was a very well-known
32:47violent gang member.
32:50Tupac Shakur
32:50had assaulted
32:51Orlando Anderson
32:52just after
32:54the Mike Tyson fight.
32:56So Keefee Dee
32:57was potentially looking
32:58at a life sentence
32:59for federal drug trafficking.
33:02We wanted to question him
33:03about his potential role
33:05in the murder
33:05of Tupac Shakur.
33:07We let him know
33:08that he could potentially
33:09mitigate some of the damages
33:11if he wanted to come in
33:12and talk to us.
33:14And the U.S. attorney
33:15agreed that they'd
33:17allow Keefee Dee
33:18to do a proffer session.
33:20Keefee, today what
33:21we're going to do,
33:21we're just going to go
33:22over with a fine-tooth comb
33:24through the Las Vegas incident.
33:25We do have to
33:26emphasize to you
33:28it's determined
33:29that some of these details
33:30are incorrect
33:31and everything's
33:32off the table.
33:33A proffer session
33:34is when a person
33:35facing criminal charges
33:37can answer questions
33:39wherein self-incriminating
33:40information
33:41would not be used
33:42against him
33:43in a criminal prosecution.
33:45It doesn't mean
33:46they have any kind
33:47of immunity.
33:49Hey, I want to say
33:51this though too.
33:53I feel like I said
33:54that day,
33:55don't bullshit me
33:55and I won't bullshit y'all.
33:57You know what I'm saying?
33:58In the year prior
33:59to the murder
34:00of Tupac Shakur,
34:02he has had several
34:04conversations
34:04with Sean Combs.
34:06I met him
34:07and he gave a party
34:08at
34:087 o'clock
34:11down in Salomonica.
34:12That's where I met
34:12the first day
34:13I met Paul.
34:15Sean Combs' affiliation
34:17with the Southside Crips
34:18came by way
34:19of a New York
34:21street figure
34:21known as Zip.
34:24Zip set up
34:25the introduction
34:26between Combs
34:27and Keefe D
34:28and then they developed
34:30their own relationship.
34:31and Zip and Dukes
34:33he said,
34:34this is my boy.
34:34What are you going to do?
34:35This is my friend.
34:36This is my nephew.
34:36That's my boy.
34:37My boy.
34:38This is Pup.
34:40And after that
34:40they used my car
34:41on the video.
34:42Which car was I?
34:44The 64 Chevy I have.
34:47Every time a love
34:48can't chew
34:49that's low.
34:50What color was it?
34:51Blown.
34:52I was out there
34:52on the video
34:53when Pup was driving
34:54the car.
34:55Usher for her
34:55song or whatever.
34:56He was in a Laker uniform
34:57and he had the little
34:58kid dancing on my car
34:59when he got back.
35:00and it was fucked up
35:02and he had to
35:03he paid
35:03to get it repainted.
35:10Pup,
35:10he caused their phone
35:11and he wanted to speak to me.
35:13They gave it up.
35:14He didn't teach it to her.
35:15And then I
35:15he gave us some tickets
35:17and I brought the crew.
35:18I want to hear
35:20a new flavor,
35:20ain't you here?
35:21I want to hear
35:22a new flavor.
35:23Jacket, jacket,
35:25yeah.
35:25To all the ladies
35:26in the place.
35:27Keefe D
35:28says that Sean Combs
35:29kind of makes
35:30this general announcement
35:33while they're all
35:34inside of a hotel room
35:36after a musical event.
35:39So it's Harrell,
35:40Puffy,
35:41Zip,
35:41you.
35:42About 40-something
35:43soft-siders.
35:44Yeah.
35:45That was stupid
35:46as hell too,
35:47you know.
35:49Shit,
35:49he said he would
35:50kill us anything
35:51for no dudes there,
35:52you know.
35:52Tupac and Suge,
35:53you mean?
35:54Yeah.
35:54And he said
35:55in front of all
35:56those people
35:56I couldn't believe
35:57you know what I'm saying?
35:58All home full of cribs.
36:02So this is after
36:02Jake got killed.
36:04So he was on point,
36:05he was worried
36:05about something happening.
36:06Yeah.
36:07He had miles off
36:08about a bunch
36:08of different stuff
36:09so he was scared.
36:10He was scared to death.
36:11Yeah.
36:12Okay.
36:13Then there's
36:13a more specific incident
36:15that takes place
36:16at a deli
36:16on Sunset Strip
36:17in Los Angeles,
36:18a place called
36:19Greenblatt's Deli.
36:20What made it a specific,
36:22like, hey,
36:22I'm serious,
36:23I want you guys
36:24to kill these guys?
36:25when he told me
36:27at the Greenblatt's.
36:29When we got there
36:30we were laughing at him
36:31because he was just
36:32broad as such a dick,
36:34to suck every dick
36:35in there.
36:35He was all up
36:36kissing or whatever,
36:37we was laughing
36:37like a motherfucker.
36:38Like, man,
36:39what you laughing at, dog?
36:40Man, don't just come out
36:42here and get in
36:42any broad, dog.
36:44I took him downstairs
36:45and he's like,
36:46man, I gotta get rid
36:47of those dudes, man.
36:49It's gonna be a problem.
36:50It was after he made
36:54the record.
36:55Hit him up,
36:55came out.
36:56Yeah, yeah,
36:56that pissed him off.
37:01Yeah, we were
37:02on a million.
37:05He tells you,
37:06seriously, man,
37:06I need to get rid
37:07of these guys.
37:07I mean, he's looking
37:08at you in the eyes
37:09and he's like,
37:10scared.
37:10Yeah.
37:11You tell him,
37:12we'll do it for a million
37:13and he's like,
37:14okay, I'll do it
37:16for a million?
37:17Yeah.
37:17He agrees,
37:17he's shaking
37:18on him or something
37:18like that?
37:19Yeah.
37:20He says that
37:35when Las Vegas happens
37:36and they're all
37:37out there
37:38and his nephew
37:39gets assaulted
37:39by Tupac,
37:40they're like,
37:40this is the
37:41perfect occasion.
37:42We got this.
38:00It's your perfect
38:01opportunity, baby.
38:03That was zip-conning?
38:04Yeah.
38:04Because of what happened
38:05with the name?
38:06Yeah, yeah.
38:06The vehicle that Zip
38:23was driving that night
38:24reportedly had
38:25what we call
38:25a trap in it,
38:27which is a concealed
38:28compartment
38:29where you can place
38:30a gun.
38:31and it's a difficult
38:33thing to find.
38:35Zip had driven
38:36that car
38:37to Las Vegas.
38:39A few days before
38:41Tupac was murdered,
38:42Sean requested
38:43that we rent cars
38:46and have multiple drivers
38:49drive clear across the
38:52country to this fight.
38:55But I arranged
38:56through my budget
38:58to make that trip
38:59happen for those drivers.
39:01and to this day
39:03it stands out
39:03in my mind.
39:05Why did we rent
39:06multiple cars?
39:08Why did we hire people
39:09from Harlem
39:10and other locations
39:11to drive?
39:16You tell us if,
39:17hey, we're going to go
39:18handle this shit
39:18or whatever?
39:19Yeah, they asked,
39:20like, if y'all want us to talk,
39:22I'm like,
39:22we know where them
39:23motherfuckers at.
39:24They were telling us
39:24they're going to be
39:25at the 662 Club.
39:27Two cars go to 662?
39:28Yeah.
39:29The van and the Cadillac.
39:31They didn't show up.
39:32We waited about 15,
39:3420 minutes.
39:34They didn't show up.
39:36So they was like,
39:37let's go get some liquor.
39:39And we came up
39:40to Harlem
39:41at the Las Vegas
39:43Willow Art.
39:44And, oh, shit.
39:45Here they come in
39:46that BMW.
39:47They can't get cars.
39:48On their way
39:49to the club,
39:50Suge is blaring
39:51his music too loud.
39:53He gets pulled over
39:54by some police officers.
39:56They essentially,
39:57you know, say,
39:58just turn down your music,
39:59no big deal.
40:00and it's at this
40:01point in time
40:02that Suge
40:03and Tupac
40:04see these girls.
40:06Like, they're Suge,
40:07Suge.
40:08Like, the police
40:08were going through
40:09his car
40:09or something or another.
40:10And then the traffic
40:12was stopped
40:13and then they got
40:13in the car.
40:14Did you see
40:15who was with Suge?
40:16Um, I thought
40:17it was Tupac.
40:18And then he was like,
40:19come on,
40:20come go with me.
40:21Come go with us.
40:22We're going to 662.
40:24Ambrose.
40:25Tupac!
40:26Tupac!
40:26I was like,
40:27there you go.
40:28Just wanted to do that.
40:30And we just pulled up
40:31on the side
40:31and checked every car
40:32and see where they was.
40:33So what directed
40:34your attention to him
40:35with some girl
40:36shouting at Tupac?
40:37Tupac!
40:38He gave us up away.
40:39Otherwise,
40:40it would have gone away.
40:42And he leaned over
40:44on the window
40:45and we rolled around
40:45the window and popped.
40:48Should have looked over
40:49and he sees you.
40:49if you knew
41:05who killed Tupac,
41:06would you tell the police?
41:08Absolutely not.
41:11I'm going to park the car
41:12and I'll put the gun
41:14on the tire and look.
41:15Where'd you guys go?
41:16When it smoked weed and rain.
41:18Yeah, where?
41:19I don't tell.
41:20I don't tell.
41:20I'm partying the room.
41:22And they pulled up
41:23in the ambulance
41:23while we were standing
41:24right there.
41:26Take our bullshit.
41:27You guys on the street
41:28with what?
41:29We on Las Vegas Boulevard
41:30at the crosswalk
41:31and they pulled up
41:32the ambulance
41:33right next to us.
41:34And we came on the car already?
41:36We took two back
41:37and she'll get in the car.
41:38This is close.
41:40Did they see you?
41:41They couldn't see.
41:42We didn't give a fuck.
41:43I'm talking about
41:44the ambulance
41:45and parked right here.
41:46Right next to us.
41:47That shit was
41:48as funny as a moment.
41:49Come on!
41:52And I have ever
41:53told nobody this to remember.
41:56So you get back to LA
41:57and the next day
41:58Zip calls you
41:59and says,
41:59meet me at the hot
42:00when the place we're at.
42:02We're going to melt her.
42:02Into my peace.
42:04You guys go over there.
42:04Zip shows up.
42:05You guys,
42:06what happens to that?
42:07People call it.
42:08Was that us?
42:09He told them,
42:09yeah, it was us.
42:10On Zip's phone
42:11or your phone?
42:11Oh, Zip phone.
42:12and Zip gives you
42:14the phone?
42:15Yeah.
42:16People say,
42:17well,
42:17he was happy
42:18or they all shit.
42:20And did you ask him
42:20about his money?
42:21When you're going to get paid
42:22or whatever?
42:22No, I don't know
42:23how to say that
42:24on the phone.
42:24Zip,
42:25go get our cash.
42:27Okay,
42:28so you tell Zip
42:28we need to get paid.
42:30What does Zip say?
42:31I'm going to go back home
42:32and have a...
42:32Yeah,
42:32I'll get back with y'all.
42:34Yeah.
42:34According to Keefy D,
42:38he was never compensated
42:39for the murder.
42:42But he said
42:43that a partial amount
42:45of the money
42:45was intended
42:46to be forwarded
42:47to him
42:48through Zip
42:49to the tune
42:50of about $500,000.
42:52The million dollar
42:54solicitation amount,
42:56only half of it
42:57was fulfilled
42:58because only Tupac
42:59and not Suge
43:01was killed.
43:03Keefy D
43:03has a conversation
43:05with Darius Rodgers
43:06with D-Mac.
43:07He don't like the D-Mac
43:08to do this
43:09with D-Mac right there.
43:12And D-Mac says
43:13there had been
43:14a payment
43:15from Combs
43:16to Keefy D,
43:18but it had gone
43:19through Zip
43:20and then that money
43:21was never forwarded.
43:26We're just hoping
43:27and waiting
43:28to see
43:28what kind of progress
43:29Las Vegas would make
43:31with Keefy D's
43:33cooperation.
43:33Nothing really happens.
43:39Ultimately,
43:40Zip dies
43:41from cancer.
43:42Thank you for coming
43:43out to Zips
43:44and I want everybody
43:45to know that
43:46when you come here,
43:47we want to keep
43:48the peace.
43:49And Orlando Anderson
43:50is shot and killed
43:51in 1998.
43:53So,
43:54it's really Keefy D
43:55and Puffy Combs
43:57are the last men standing.
43:58They can be held
43:59accountable
44:00for Tupac Shakur's murder.
44:01waiting,
44:14patiently looking
44:14to see if that's you.
44:15thing that's going on.
44:17I will see you
44:18here in the R.
44:19in the R.
44:20in the R.
44:20in the R.
44:21in the R.
44:21in the R.
44:22in the R.
44:22in the R.
44:23İzlediğiniz için teşekkür ederim.
44:53İzlediğiniz için teşekkür ederim.
45:23İzlediğiniz için teşekkür ederim.
45:53İzlediğiniz için teşekkür ederim.
46:23İzlediğiniz için teşekkür ederim.
46:25İzlediğiniz için teşekkür ederim.
46:27İzlediğiniz için teşekkür ederim.
46:29İzlediğiniz için teşekkür ederim.
46:31İzlediğiniz için teşekkür ederim.
46:33İzlediğiniz için teşekkür ederim.
46:35İzlediğiniz için teşekkür ederim.
46:37İzlediğiniz için teşekkür ederim.
46:39İzlediğiniz için teşekkür ederim.
46:41İzlediğiniz için teşekkür ederim.
46:43İzlediğiniz için teşekkür ederim.
46:45İzlediğiniz için teşekkür ederim.
46:47İzlediğiniz için teşekkür ederim.
46:49İzlediğiniz için teşekkür ederim.
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46:55.
47:25İzlediğiniz için teşekkür ederim.
47:27İzlediğiniz için teşekkür ederim.
47:29İzlediğiniz için teşekkür ederim.
47:31İzlediğiniz için teşekkür ederim.
47:37İzlediğiniz için teşekkür ederim.
47:39İzlediğiniz için teşekkür ederim.
47:41İzlediğiniz için teşekkür ederim.
48:11İzlediğiniz için teşekkür ederim.
48:41İzlediğiniz için teşekkür ederim.
49:11İzlediğiniz için teşekkür ederim.
49:41İzlediğiniz için teşekkür ederim.
50:11İzlediğiniz için teşekkür ederim.
50:41İzlediğiniz için teşekkür ederim.
51:11İzlediğiniz için teşekkür ederim.
51:43İzlediğiniz için teşekkür ederim.
55:45İzlediğiniz için teşekkür ederim.
56:45İzlediğiniz için teşekkür ederim.
57:47İzlediğiniz için teşekkür ederim.
57:49İzlediğiniz için teşekkür ederim.
57:51İzlediğiniz için teşekkür ederim.
57:53İzlediğiniz için teşekkür ederim.
58:23İzlediğiniz için teşekkür ederim.
58:53İzlediğiniz için teşekkür ederim.
59:23İzlediğiniz için teşekkür ederim.
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