Watch Season 6 Episode 04 “The Art of Deception” of Miss Scarlet & The Duke — full English dub. In this episode, Eliza Scarlet and Inspector Blake are drawn into a web of lies when a renowned art dealer is found dead under suspicious circumstances. As they delve deeper into the world of art forgery and deceit, they uncover a dangerous conspiracy that threatens their investigation and their lives. Don’t miss this thrilling mystery filled with betrayal, secrets, and high stakes.
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#MissScarletAndTheDuke #VictorianDrama #CrimeMystery #PeriodCrime #EnglishDub #S6E04 #ArtOfDeception #DetectiveSeries #TVSeries2025 #MysteryDrama
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Short filmTranscript
00:00I'd better get back to work, Mum.
00:15Like you always say, those streets won't stay safe
00:22without your Charlie keeping an eye out.
00:31I'll be back tomorrow.
00:55Uncle?
00:58Charlie?
01:00How is she?
01:11Still the same?
01:13I ain't seen her like this.
01:16Ruled the roost when we were kids.
01:18Terrified whoever I was.
01:20Yeah, there's a shadow of my sister in there.
01:25Heard about your promotion.
01:27Detective Inspector Phelps of the City of London Police.
01:31Bet your mum's proud of you.
01:33And I am.
01:34Yeah.
01:35Yeah.
01:36I'll bet.
01:37No, I am.
01:39You've done well for yourself, boy.
01:41Good on you.
01:44Tom.
01:48Charlie.
01:49You ain't heard this from me, but, uh, the Galamis family.
02:01They've been difficult.
02:02I'll try and keep it off your patch, but there's a storm coming.
02:11You cause me any problems, I'll put you away.
02:16Family or not.
02:17You'll know.
02:22Ooh.
02:23Is that a threat, son?
02:29There were so many tattoos from, but I think my favourite animals were the giraffes.
02:33Especially when they nibbled the zookeeper's hair.
02:36I like the elephants, apart from when she went to the toilet.
02:41Yes, very unladylike.
02:44I wish I could miss school every day.
02:46My father used to say too much fun's bad for your health.
02:50I once skipped school without telling him.
02:53I spent the day with the ancient Egyptians at the British Museum.
02:56Was your papa cross?
02:58Well, he would have been had he found out, but I never told him.
03:01In fact, you're the only person that I've told.
03:06Now, I needed a little bit of paperwork, and then we can head home.
03:11Why don't you read?
03:13Yes, this.
03:15I hear Mrs. Banbury's making soup for tea.
03:18It's always turnip.
03:20I hate turnip.
03:22So do I.
03:31Papa!
03:32Inspector Blake!
03:33Is everything alright?
03:34Yes.
03:35Why shouldn't it be?
03:37Oh.
03:38We're a little late.
03:39More than a little.
03:40You were supposed to take her home two hours ago.
03:41I'm sorry.
03:42We lost track of time.
03:43Mrs. Banbury was worried.
03:44She was expecting Sophia home for tea.
03:45Turnip soup, I believe?
03:46You should have sent a message.
03:47Oh, you're right.
03:48I'm sorry.
03:49We had a wonderful time at the zoo, didn't we, Sophia?
03:50We saw the giraffes and the elephants and...
03:51I'll get your things.
03:52Hi.
03:53I'm sorry.
03:54I'm sorry.
03:55What did you say?
03:56Thank you, Miss.
03:57It's my pleasure.
03:58We'll do it again soon.
03:59We can go back to the zoo.
04:00Of course.
04:01You're on a little bit of a thing.
04:02Oh, I'm sorry.
04:03But I'm sorry.
04:04You're fine.
04:05You're fine.
04:06You're fine.
04:07I know.
04:08I'm fine.
04:09I know.
04:10You're fine.
04:11I'm fine.
04:12You're fine.
04:13I know.
04:14You're fine.
04:15I know.
04:16You're fine.
04:17I know.
04:18I know.
04:19You're fine.
04:20I know.
04:21That's fine.
04:22back to the zoo? Of course. I'll see you tomorrow. You will.
04:52No one saw anything. Not even a landlady. No, sir.
05:06The girl who ranks this room, what's her name? Natalia Lorenzo.
05:36Scotland Yard switchboard, how may I direct your call?
05:44Putting you through. I have a Detective Simons from Oldgate.
05:49Yes, sir. That's me, done. See you in the morning.
05:59Night. Scotland Yard switchboard, how may I direct your call?
06:06Hello, Ivy. How's things?
06:08Oh, busy. Since we lost you, things have been more active than ever.
06:11But I've been promised a couple more secretaries and I heard a rumour we're getting a manager too.
06:16How are you getting on?
06:17It's alright, but I miss you and the other girls. It's so quiet sometimes.
06:21I managed to read Little Dorrit in three days and I'm a slow reader.
06:25I haven't even managed to take a lunch break this week, let alone read.
06:29What about your husband's book? How is it, by the way? Any better?
06:33Don't ask. Ready, is he?
06:37It's Miss Summers at work, remember?
06:39Yes, of course.
06:42Detective Willows has taken me to Barron's.
06:44Oh, very nice.
06:45Would you like us to escort you out, Mrs Potts?
06:47Oh, that's kind, but Mr Potts will be here shortly to see me home.
06:51Yes.
07:12Almost an hour I waited for Barnabas. Then I came home to find him on that damn typewriter. Apparently he'd lost track of time.
07:19Well, he wasn't the only one. I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
07:25That doesn't surprise me. That little girl is everything to him.
07:29Don't make me feel even more guilty.
07:31It's not like Barnabas at all. He's normally so punctual.
07:35So am I.
07:36Yet another rejection of my memoirs.
07:41Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
07:48Well, I'm utterly befuddled. If they very much enjoyed my book, why won't they publish it?
07:53I should get to work.
08:03Perhaps it's just a kind of phrase they use in all such letters.
08:06What do you mean?
08:07Well, the others all said the same type of thing, didn't they?
08:10We enjoyed your book, but we're not looking for new authors.
08:13We enjoyed your book, but we have something similar.
08:15But that's exactly my point. They enjoyed my book. Every single one of them has.
08:20Don't know what the problem is. It's an utter mystery indeed.
08:24Perhaps you should take a break from the writing.
08:26Break? Why?
08:28So you don't get too stale? Give yourself time to clear your head.
08:35Then what would I do in the meantime?
08:40Absolutely not.
08:42I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
08:49And of this I shall not be moved.
08:58Message from Miss Scarlet.
09:04Would that have been me? Thank you.
09:13I can't stand another day of him mooning about the house.
09:15Someone needs to speak to him about his book.
09:17I don't suppose you would.
09:18No, no. And no.
09:21Who's that from?
09:23Someone rather surprising.
09:28I want to hire you.
09:40Go on.
09:41I've got a missing chorus girl.
09:43With a lodging room that looks like Smithfield slaughterhouse.
09:46Blood everywhere and no body.
09:49The girl's name was Natalia Lorenzo.
09:51The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
09:58One was a high ranking member of the Golanus crime family and the other was my uncle.
10:06Dylan Cooper?
10:08Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her.
10:13Which makes him our prime suspect.
10:16Which puts you in a rather difficult position.
10:17Any other statements of the bleeding obvious you want to make?
10:22I see if emotion hasn't improved your manners Charlie.
10:26There was a bloodied handprint left at the scene the size of a man's hand.
10:30If my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
10:36So you don't think he's guilty?
10:38But you can't share that with your men?
10:40If the coppers in London want to put Dylan Cooper away regardless of the evidence.
10:43The other half are in his pocket.
10:45Hmm.
10:49There's something else.
10:52My mum, she's not well.
10:57So?
11:00If I'm gonna send her little brother to the gallows, I need to be sure.
11:05Which is why I want to hire you.
11:09Because for all your faults, Miss Scarlet, and God knows there are many.
11:13You're someone I can trust.
11:19I think.
11:21Duplicate copies of the investigation so far.
11:30One more thing.
11:32If word got out that I was trying to prove my uncle's innocence.
11:37No one's to know that you hired me.
11:41You do this job and you do it well.
11:44There'll be a lot more work coming your way.
11:46City police covers an area we've yet to tap into.
11:56Blackfriars, St Paul's, Smithfield.
11:59Could mean a whole new revenue stream.
12:02So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
12:07You assume correctly?
12:09No one at all.
12:11Even if they're in the same line of business, then we may feel compromised by our feelings towards them, even though-
12:17Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
12:21No, no.
12:23I'm just saying-
12:24Well, don't.
12:26I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
12:30But then I shall say no more.
12:34May I just say-
12:35No, you may not.
12:39Thank you, sir.
12:47A single shot to the chest.
12:49I can't see an exit wound.
12:52The bullet must still be in the body.
12:55No identification.
12:59I know who he is, sir.
13:01Philip Galanis.
13:02You sure?
13:06He was brought in when I was at Bow Street.
13:08Twelve charges.
13:10None of them stuck.
13:11Friends in high places.
13:12Indeed.
13:16I heard of trouble brewing between the Galanis family and the Cooper gang.
13:19Philip Galanis was the top brass in the family, if this is the Cooper gang.
13:24The order must have come from high up.
13:25We need to bring in Dylan Cooper.
13:26We need to bring in Dylan Cooper.
13:28Yes!
13:29Yes!
13:30Yay!
13:31Yay!
13:33Yay!
13:34Yay!
13:35Good afternoon.
13:37I wondered if you could help me?
13:38It's about a friend of mine.
13:39Good afternoon.
13:49I wondered if you could help me.
13:51It's about a friend of mine.
13:53Natalia Lorenzo.
13:57Don't know her.
13:59I heard it on good authority that she used to dance here.
14:03I said I don't know her.
14:09This is for a whiskey.
14:15And this is for any information that you might have.
14:19What use is money if I'm dead?
14:24Are you aware of the Hospitality and Gaming Act of 1874?
14:29It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
14:34Any failure to have said license may result in a hefty fine or indeed closure.
14:40I know this because my husband works for the licensing commission.
14:43You don't have an husband.
14:44And you don't have a license.
14:48Look.
14:50I ain't seen her.
14:53But.
14:54You know someone who has.
14:56Please, make yourself known.
15:13Anything?
15:14No, sir.
15:18Doesn't look like anyone's been here for a while, sir.
15:22Let's cross this place off our list.
15:23How many safe houses do one of mine have?
15:25Cooper's got deep pockets.
15:28Put your weapons down!
15:29Drop your weapons and get on the floor!
15:31This is your final warning.
15:32Put down your weapons!
15:33On the floor now!
15:35We are police officers!
15:36Power away, you bloody idiot!
15:37Philip Galanis was shot in a lodging house in Fenchurch Street.
15:52That's my patch!
15:52And his body was found in Farringdon, which is my jurisdiction.
15:55Not if the crime was committed on City of London Territory!
15:58You don't know that it was.
15:59Trade, I do!
16:00Ballistics report!
16:01The bullet that was pulled from Natalia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
16:13You're stepping on my toes, Inspector Blake!
16:16I carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
16:19Like I said, I didn't have time!
16:24We need to work together on this, Charlie.
16:26I've told you everything I know.
16:29This Natalia was shacked up with Philip Galanis.
16:32He turned up dead in an alley, and her body's still missing.
16:35You've left out a vital bit of information.
16:36Your uncle was also seeing this young woman.
16:38Which is why me and my men came looking for him!
16:40Bloody hell!
16:42We're going round his circles here!
16:49We have checked all of Cooper's regular haunts.
16:52His house.
16:53His club.
16:55Do you have any idea where he might be?
16:57If I did, I wouldn't be raiding his safe house, would I?
17:02Hmm.
17:09If you've got something to say, say it.
17:23Blake!
17:26Yes, he's here.
17:27Hold on.
17:28It's one of your men.
17:32What?
17:42Right.
17:52I need to go.
17:54We haven't finished.
17:56Phelps.
17:58Charlie!
17:58Charlie!
17:58Charlie!
18:02Was that meant to be funny, ringing me at Scotland Yard?
18:12I didn't kill Galamis, and you know it.
18:30Do I?
18:30Well, she wouldn't have hired that lady detective.
18:34You've been having me followed.
18:36I always have you followed, Charlie.
18:47She'll be with your dad soon.
18:49That's the last place she'd want to be.
18:52Couldn't stand the old bugger.
18:53Why are you in hiding if you weren't the shooter?
19:03Well, I know what people are saying.
19:06The Galamis were seeing my girl, so I killed them both.
19:09I mean, don't get me wrong.
19:10If I'd have known that degenerate had gone anywhere near her, I'd have gladly put a bullet in him, but I didn't know.
19:15So I didn't kill either of them.
19:17So who did?
19:18Not a clue.
19:20But I need time to talk to the Galamis family.
19:24Things haven't been good lately.
19:25I need to sort it out.
19:26It's better than business.
19:27If you're asking me to stall the investigation...
19:29I'm being set up.
19:31And you know that.
19:34I'll find out who did it.
19:36I just need time.
19:39You owe me this boy.
19:42When he was a nipper.
19:45When your dad passed away and your mum couldn't put food on the table.
19:50It was it kept you out of workhouse.
19:52The best I can do is keep this meeting to meself.
20:04But anything else that comes up, you're on your own.
20:06Even if...
20:07I'm looking for a friend of mine.
20:28Natalia Lorenzo.
20:30I have it on good authority that she dances here.
20:35I'm busy.
20:37Aware of the Hospitality and Gaming Act of 1874.
20:41What?
20:42It states that any venue with outside drinking facility requires a public liability license.
20:48I've already told him what I know.
20:50Told who?
20:52Him.
21:00What are you doing here?
21:02What are you doing here?
21:04I'm looking for a missing showgirl.
21:07As of you, it seems.
21:11I thought this case was in the City of London jurisdiction.
21:14It's more complex than that.
21:16I take it you're working for Phelps.
21:19I'm sorry, Alexander, but I think it's best that we stop this conversation.
21:22You need to tell me what you know.
21:24I can't.
21:24I'm running a business.
21:29We've been through this before.
21:31This isn't a missing horse, Eliza.
21:32This is a murder.
21:34And if we're to be together, you can't keep hiding things from me.
21:37Things?
21:39I need to get back to work.
21:40What things?
21:42Telling me you went to the seaside to visit your aunt when, in fact, you were meeting Patrick Nash.
21:44I knew you'd been stewing on that.
21:46I'll have to be able to trust you.
21:48And I have to be able to respect the wishes of my clients.
21:53This isn't about me working the case.
21:54This is about me working for Phelps, isn't it?
21:56Don't be ridiculous.
21:57Your competitiveness is clouding your judgment, and, might I add, making you rather childish.
22:00Who says the adult who forgot to bring my daughter home on time?
22:06I need to get back to work.
22:07As do I.
22:28The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
22:33She collected the wages that she was owed.
22:35She was in a bad way.
22:37Sweating feverish, a bandage across her shoulder.
22:40He asked her what had happened, but she didn't want to say.
22:43He thinks that she got on the wrong side of Cooper and somehow managed to escape.
22:48The crime scene report states that a bullet was found in the wall of the room.
22:53So perhaps it passed through her shoulder and into the wall.
22:56Well, if she was shot, she'd need medical attention.
23:00And wanting to lie low, she wouldn't go to a doctor.
23:03It's their duty to inform the police when treating a gunshot wound.
23:06That depends on the doctor.
23:13A list of qualified doctors and surgeons who work on the wrong side of the law.
23:19This is Patrick's handwriting.
23:20Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
23:25Danny Jealous husband.
23:25Let's hope that one of these doctors treated our Natalia Lorenzo.
23:33Let's start looking in the morning.
23:40I want a list of every quack doctor with a criminal conviction.
23:43Anyone who might tend to a bullet wound and not reported.
23:46Yes, sir.
23:46Get yourself over to City Police.
23:49See if Inspector Phelps is willing to share any new information on Dylan Cooper.
23:53What?
23:56Evening, gents.
24:00This is my lawyer, Mr. Torrey.
24:02We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
24:07I'm a businessman.
24:17I own two casinos and a number of companies linked to the hospitality trade.
24:22I know exactly what you own, Mr. Cooper.
24:24In great detail.
24:25So these false allegations have costed me money, so my lawyer recommended that I come in here
24:33and answer any questions you may have so that we can put this matter to bed.
24:36How thoughtful of you.
24:39Talk me through your movements yesterday.
24:42Well, I spent a morning at my club, the Silver Lane.
24:45After that, I went to visit my poor sister at St. Agatha's Hospital.
24:49Then I did a stock check at my new pub in Hackney, all of which can be confirmed.
24:54By your men?
24:55No, by my work colleagues.
25:03Tell me about Natalia Lorenzo.
25:07She's a young lady that I've known for a few years.
25:11And the nature of your relationship?
25:13My lawyer says that I'm not obliged to answer that question.
25:29Well, then I shall answer it for you.
25:31I think you were romantically involved with Miss Lorenzo.
25:37And when you found out she was betraying you with a member of a rival gang, you went to her lodging rooms and shot her and her lover, Philip Kalanis.
25:47You dumped his body in the street and left Natalia to die.
25:53But unfortunately for you, she survived.
25:56It's quite an imagination you've got here, Inspector Blake.
26:03It's pure fantasy, of course.
26:05Unless you've got any evidence to back it up.
26:13No, I thought not.
26:16So, you've got my alibi, which can be easily checked unless there's anything else.
26:20I think I'm free to go.
26:21Looks like I'll only be paying you for half a day, Mr. Torrey.
26:26Would you mind stepping outside for a minute?
26:33Inspector.
26:40Well, I do hope this is an end to the matter.
26:43No, Mr. Cooper, it very much is not.
26:47It would be a mistake to make an enemy of me, Inspector Blake.
26:51But a friend, I would welcome that with open arms.
26:55I have enough friends.
27:01Eight.
27:03Kempton Lane, isn't it?
27:06Lovely place you've got here.
27:08Must be very nice for you and your little girl to live so near the path.
27:13Get out!
27:18With pleasure.
27:21If I wanted to apologize,
27:48would it be better in writing or in person?
27:53Um,
27:54in person?
27:59Well, that's a relief.
28:00I have terrible handwriting.
28:04I was angry and frustrated.
28:05I say things that don't mean when I feel that way.
28:08I can't imagine what that's like.
28:09Well, what you said, there was some truth in it.
28:19I don't always tell you everything just like you don't always tell me.
28:23It's the nature of our jobs.
28:26Which is even more difficult to navigate now that there's an ass.
28:30Ass?
28:31I like that.
28:36I've booked that little place south of the river for dinner.
28:39Oh, sounds perfect.
28:40I'll get my things.
28:43How was your day?
28:44Rough.
28:45Which is why I wanted to see you.
28:47Do you need my help?
28:48I wanted to see you because I wanted to be with you, Eliza.
28:55To take the sting out of my day by finishing it with you.
29:06Does that help?
29:09Always.
29:09Well, that was a waste of time.
29:20Are you sure that man was even a doctor?
29:22I think he may be the veterinarian.
29:24Well, either way, he hasn't seen our missing showgirl.
29:26You can cross them off the list.
29:27So that is three down, six left to try.
29:30Who's next?
29:31Dr. Hudson on Church Street.
29:35So, how was last night?
29:37Last night?
29:38You said you had dinner with Inspector Blake?
29:41Uh, yes.
29:42Very nice, thank you.
29:42Oh, it was very nice.
29:43Good food, good wine.
29:46Good conversation.
29:47Yes.
29:49Conversation about what, exactly?
29:52I didn't tell Inspector Blake that we're working for Phelps.
29:54Good.
29:55Because he already knows.
29:56What?
29:58He saw me questioning that landlord that I was telling you about.
30:01Why is that?
30:02It's supposed to be a confidential investigation.
30:04Yes, I am aware of that.
30:06What's done is done.
30:07There's no point ruminating on it.
30:09Like you're doing now.
30:10Still, I'd be a lot happier if you told me everything you were doing.
30:13Oh, would you?
30:15No, on second thoughts, let's see if things are safe.
30:17It was a lovely evening.
30:25The food was delicious.
30:26I've never been anywhere so fancy.
30:28Me neither.
30:29I felt quite out of place next to all those fine ladies.
30:32This brush red wasn't turned.
30:34I couldn't take my eyes off you.
30:35Is that true?
30:38Or are you just trying to butter me up?
30:41Both.
30:43Give us a kiss.
30:45What, in here?
30:45Yes, here.
30:46To take to Brillo's.
30:55Mrs. Potts.
30:56The advert for the new office manager.
30:58I've got copies going up all over the yard,
31:00but I want you to call the evening papers with the wording for the classifieds.
31:04Wanted.
31:04Manager for the clerical office, Scotland Yard.
31:06You should apply, Ivy.
31:07Keep reading.
31:09The gentleman in question.
31:11Why can't it be a lady?
31:13You could do that job, standing on your head.
31:14I've got enough to worry about as it is.
31:17One day a woman will run this whole place.
31:20What's funny about that?
31:25I'd better get on.
31:38Can I help you, madam?
31:40I need to speak to Inspector Blake.
31:43Sir?
31:45Mrs. Burnbury?
31:48What's happened?
31:50It's Sophia.
31:55So, last and hopefully not least, a Dr. Marsh.
31:59What do we do if he hasn't seen Natalia?
32:01We move to plan B.
32:03Which is?
32:03No idea.
32:05That's the address.
32:05He doesn't look like a doctor.
32:11No, but he does.
32:19That's her.
32:19That's Natalia Lorento.
32:21Should we help?
32:23He doesn't look good to be forcing her.
32:25No.
32:25The inspector's daughter's gone missing.
32:39Lock on every door of every street within a three-mile radius of Inspector Blake's house
32:43and his daughter's school on Eastbury Way.
32:45Scale of the area.
32:47Every inch.
32:47Understood?
32:50Yes, sir.
32:51Off you go.
32:57We heard about the inspector's little girl.
32:59We've come to help.
33:00How many of you?
33:01Well, there's girls in the office.
33:02About a dozen.
33:03Go to Gladstone Park.
33:05It runs adjacent to Inspector Blake's house.
33:07Perhaps his little girl went there and got lost.
33:09Inspector Blake must be out of his mind.
33:10Don't worry.
33:11If anything's happened to that little girl.
33:12Oh, just the person.
33:13Go and tell the girls.
33:14I'll join you in a moment.
33:15Barnabas, this is not a good time.
33:18It should be very quick, my child.
33:19I just wanted to share the most wonderful news.
33:22I've decided to write a novel.
33:24Never mind that now.
33:26I need your help.
33:33Sophia has long dark hair, blue eyes, about this tall, what she was when I last saw her.
33:38She's probably grown by now.
33:39Never fear, my dear.
33:40They do not call me eagle-eyed pots for nothing.
33:42They don't call you that at all, Barnabas.
33:44Excuse me.
33:45Have you seen a little girl on her own, dark hair, blue eyes, about this big?
33:49Sorry.
33:51So, um, what do you think about my idea to write a novel?
33:55Barnabas, as I've said many times, what I think is that you need to get your old job back.
34:01Huh?
34:01Oh, excuse me.
34:03Have you seen a little girl, dark hair, blue eyes, about this big?
34:06No.
34:07What makes you think I need my job back?
34:08Look, my novel will be published, I'm sure of it.
34:11Barnabas, I only say this because I love you.
34:15You have many skills, but writing is not one of them.
34:21You said you enjoyed my memoirs?
34:23You said I was a wonderful writer.
34:25I was being nice.
34:27There's a reason no one wants to publish it.
34:31I'm sorry.
34:32That's the truth.
34:35Excuse me.
34:37Have you seen a little girl?
34:39Dark hair, blue eyes, about this tall?
34:41No.
34:42Miss Scarlet.
34:52Oh, good.
34:53You got my message.
34:54You want to update me on the case here, at Scotland Yard?
34:57Something's happened, and in Inspector Blake's jurisdiction.
35:00Don't tell me Blake knows I've hired you.
35:01It's my duty to inform him as well as you.
35:05And it's your duty to keep the client confidentiality.
35:09Miss Scarlet, we had an agreement.
35:12Detective Willows, have you seen Inspector Blake?
35:15Have you not heard?
35:16Heard what?
35:17Is it true?
35:29Is the big one missing?
35:30She didn't come home from school.
35:32Michael Simmons here with me.
35:34Whatever you need, just ask.
35:36You want to help, then tell me where your uncle is.
35:38What's he got to do with him?
35:39Well, this has got Cooper written all over it.
35:41Could it be him?
36:07Have you taken her?
36:09The Inspector's kit!
36:10What's he talking about, boy?
36:25Where's Cooper?
36:27We ain't over yet.
36:28All right, take them outside and question them.
36:30Yes, sir.
36:32Has he got my daughter?
36:35How should I know?
36:36I will ask you one more time.
36:37Has Cooper got my daughter?
36:40You're dead.
36:43How should I know?
36:50Where is she?
36:52Where is she?
36:53Sir!
36:55We found her.
36:56There.
37:13Very good.
37:15We're looking for an office manager.
37:16I think you should apply, young lady.
37:19Sophia!
37:20Papa!
37:21Papa!
37:30She went to the British Museum.
37:35She got lost on the way home.
37:37Was found by an officer wandering the streets.
37:39Oh, thank you, Mrs. Potts.
37:42I told him who my father is.
37:44He says you're a very important man, Papa.
37:49Let's get you home.
37:51Good day, Mrs. Potts.
37:53Good day, Sophia.
37:55Sophia!
37:55Sophia!
37:55Sophia!
37:57Sophia!
37:58Sophia!
37:59Sophia!
38:00Sophia!
38:01Sophia!
38:02Sophia!
38:03Sophia!
38:04Sophia!
38:05Sophia!
38:06Sophia!
38:07Sophia!
38:08Where have you been?
38:19Looking for Sophia.
38:20I went to the zoo to see if she'd gone back there.
38:22Well, no, they found her.
38:23She's safe and well.
38:24Ivy sent you a message to let you know.
38:26Ivy?
38:28Lord Inspector Blake?
38:29What difference does it make?
38:31Where was she?
38:32Yeah, well, I'll get to that in a minute.
38:33Keep that on.
38:34I've sent a message to Inspector Phelps.
38:35You ought to join him.
38:36Why?
38:37I found something on the Cooper case.
38:57I told you I don't know nothing about a kid.
39:00We're not here about that.
39:04Lady Detective, I assume.
39:07So the word is that you've been hired to prove my innocence.
39:11So I do hope your presence here means that you've done just that.
39:15Well, innocence of killing Philip Galanis, but of obstruction of justice, your hands are
39:20dirty, Mr. Cooper.
39:21It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
39:28We found a financial trail between you and Dr. Marsh, your own personal doctor.
39:33You paid him to patch up your girl, didn't you?
39:40She's not my girl.
39:42Never has been.
39:44She's the daughter of an old mate.
39:47The fella did a long stretch inside, but he kept his mouth shut.
39:51Ten years' hard labour, pretty well killed him.
39:54He died a month after he'd come out.
39:58So yeah, she's been like a daughter to me.
40:00So it didn't go down well when you discovered her affair with Galanis?
40:06Tried to warn her against it, but she's that strong young girl.
40:11I think they thought they were some kind of Romeo and Juliet.
40:15But he didn't treat her right.
40:17He was a drunk and a bad one.
40:19If she hadn't got his gun, he'd have killed her.
40:22Well, if she shot him in self-defense, then there's no reason for her to go on the run.
40:26Try telling that to the Galanis family.
40:31So...
40:35You two can do what you want.
40:38I'll just deny it all.
40:39And any link to Dr Marsh can be explained away.
40:42He'll never stand up in court.
40:44Especially as you have half the judges in London in your pocket.
40:50Where's Natalia now?
40:52She got on a boat from St Catherine's docks.
40:54And I don't know where I told her it was safer that I didn't
40:57in the event that something like this happened.
41:00So, you want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
41:08Be my guest.
41:10Boss.
41:10Is she a mother?
41:29She passed.
41:34I'm sorry, son.
41:36Sorry.
41:37Sorry.
41:37Sorry.
41:37Sorry.
41:40Come along, ladies.
41:48There's work to be done.
41:51Hey.
41:53Oh, Barnabas.
41:54I am rather busy.
41:54I'll give you just a few moments, my jaw.
41:56I only wish to say how profusely sorry I am for my recent behaviour.
42:01I just want you to be happy, Barnabas.
42:03And I don't think writing makes you happy.
42:05Well, I'll give it up forthwith.
42:07Find myself a proper job.
42:08But not back at the mortuary.
42:09I believe it's time for a fresh start.
42:14And I know exactly where.
42:15Oh, that's wonderful.
42:16Where did you have mine?
42:17Here, of course, Scotland Yard.
42:24It was pinned on the notice board in the corridor.
42:26As I happened upon it, I thought, Barnabas Pops, this job is tailor-made for you.
42:32Manager of the clerical office.
42:33Hmm?
42:34Here.
42:35Where I work.
42:36Call it fate.
42:37Call it kismet.
42:38Either way, it was meant to be.
42:39And we all worked together every single day.
42:40Might that be marvellous, sir?
42:41Marvellous.
42:42Marvellous.
42:43And we all worked together every single day.
42:46Might that be marvellous?
42:47Oh, marvellous.
43:12Inspector Phelps.
43:26How's your little one?
43:28Happy to be home.
43:31Just got her off to sleep.
43:35I'm sorry I lost my temper earlier.
43:38I'd have done the same.
43:42Full report on a Galani's case.
43:46It was Natalia who shot him.
43:48Cooper was just protecting her.
43:50You could pursue Cooper on obstruction of justice or...
43:54You could take a look through this little lot.
44:02I've been building a case against my uncle for a few years now.
44:06My hands were tied before but now...
44:10My old mum died today.
44:18He's all yours.
44:21I'm sorry for your loss.
44:25Would you like to come in?
44:26Oh yeah, well...
44:27You're not good company at the minute.
44:31But maybe a pint and a ghost next week.
44:35You're buying, of course.
44:36Don't know her always.
44:36Charlie.
44:42See the problem that you gentlemen have got is I've got a lucky face.
45:02You, unlucky face.
45:04You, not so lucky face.
45:05You, very unlucky face.
45:07Right.
45:15Respectfully.
45:16Respectfully.
45:16Dylan Cooper
45:26What now?
45:34We've got a warrant for your arrest
45:35On what charge?
45:39You may want to get yourself comfortable, Mr Cooper
45:41It's quite a long list
45:46I haven't had a chance to change it
46:16Would you mind if we cancelled dinner?
46:20I should be with Sophia
46:21Of course
46:23I could come to you
46:24She went to the British Museum
46:26She said you missed school once to go there
46:29Well
46:30Yes, but I didn't mean for her to do the same
46:33She's a child, Eliza
46:36She has no mother to guide her
46:39You must realise how much she looks up to you
46:40I'm
46:42I'm sorry, I didn't think
46:44Are you blaming me for what happened?
46:53I lost control today
46:54I could have lost my job
46:56I can't afford to do that
46:59I am all Sophia has
47:01And it is down to me to keep her safe
47:03To make sure there is food on the table
47:08And a roof over her head
47:09What are you trying to say?
47:20I need time to think
47:22Perhaps some time apart will do us both good
47:26Sorry
47:29Sorry
47:30I want to do that
47:42Hope, hope
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