- 5 days ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
Category
😹
FunTranscript
00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30Then why lie?
00:31I don't trust me.
00:32I don't trust me.
00:46I don't trust me.
00:48I don't trust you.
00:50I don't trust you.
00:52You're not reluctant to say.
00:54Oh, oh, oh.
00:55Oh, oh.
00:57I'd better get back to work, Mum.
01:14Like you always say,
01:17those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:27I'll be back tomorrow.
01:57Uncle?
02:01Charlie.
02:12How is she? Still the same?
02:16I hate seeing her like this.
02:19Ruled the roost when we were kids.
02:21Terrified over I was.
02:24Yeah, it's a shadow of my sister in there.
02:29Heard about your promotion.
02:32Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah, I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:49To.
02:53Charlie.
02:54Charlie.
03:01You ain't heard this from me, but, uh...
03:05Piccolani's family.
03:07They're being difficult.
03:11I'll try and keep it off your patch,
03:12but there's a storm coming.
03:14You cause me any problems,
03:20I'll put you away.
03:22Family or not.
03:28Ooh.
03:30Is that a threat, son?
03:43You thrill.
03:44Ciao, sair.
03:45Cory.
03:47The on that ship.
03:48Oh, yeah.
03:50Yes, ваш?
03:51Hey.
03:52Bye.
03:53Bye.
03:55Bye.
03:56Bye.
03:57Bye.
03:59Bye.
04:01Bye-bye.
04:03Bye.
04:07Bye-bye.
04:11There were so many tattoos from, but I think my favorite animals were the giraffes.
04:22Especially when they nibbled the zookeeper's hair.
04:25I like the elephants, apart from when she went to the toilet.
04:29Yes, very unladylike.
04:33I wish I could miss school every day.
04:35My father used to say, too much fun's bad for your health.
04:38I went to skip school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa Crofts?
04:47Well, he would have been had he found out, but I never told him.
04:52In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:04I hear Mrs. Bambury's making soup for tea.
05:09It's always turnip.
05:10I hate turnip.
05:12So do I.
05:12Papa, Inspector Blake?
05:33Is everything all right?
05:35Yes.
05:36Why shouldn't it be?
05:37Oh, we're a little late.
05:41More than a little.
05:43You were supposed to take her home two hours ago.
05:44I'm sorry.
05:46We lost track of time.
05:47Mrs. Bambury was worried.
05:48She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:53You should have sent a message.
05:55Oh, you're right.
05:56I'm sorry.
05:58We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02Get your things.
06:09I really am sorry.
06:10What did you say?
06:12Thank you, Miss Garlick.
06:13It's my pleasure.
06:14We'll do it again soon.
06:15We can go back to the zoo.
06:17Of course.
06:19I'll see you tomorrow.
06:22You will.
06:23Yeah, three weeks.
06:38No one saw anything. Not even a landliding.
06:58No, sir.
07:08The girl who rents this room, what's her name?
07:23Natalia Lorenzo.
07:37Scotland Yard switchboard, how may I direct your call?
07:42Putting you through. I have a Detective Simons from Oldgate.
07:48Yes, sir.
07:54That's me done. See you in the morning.
07:58Night.
08:00Scotland Yard switchboard, how may I direct your call?
08:06Ivy, how's things?
08:07Oh, busy. Since we lost you, things have been more ectic than ever.
08:11But I've been promised a couple more secretaries and I heard a rumour we're getting a manager too.
08:15How are you getting on?
08:17It's alright, but I miss you and the other girls.
08:19It's so quiet sometimes.
08:21I managed to read Little Dorrit in three days and I'm a slow reader.
08:25I haven't even managed to take a lunch break this week, let alone read.
08:30What about your husband's book?
08:32How is it, by the way? Any better?
08:34Don't ask.
08:36Ready, is he?
08:38It's Miss Summers at work, remember?
08:40Yes, of course.
08:42Detective Willows has taken me to Barron's.
08:45Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind, but Mr Potts will be here shortly to see me home.
09:14Almost an hour I waited for Barnabas. Then I came home to find him on that damn typewriter.
09:19Apparently he'd lost track of time.
09:22Well, he wasn't the only one.
09:24I didn't get Sophia home when I should have, which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me. That little girl is everything to him.
09:31Would it make me feel even more guilty?
09:34It's not like Barnabas at all. He's normally so punctual.
09:39So am I.
09:40Yet another rejection of my memoirs.
09:45Whilst we very much enjoyed your book,
09:49we do not feel that our publishing house is the right home for your work.
09:53Well, I'm utterly befuddled.
09:55If they very much enjoyed my book, why won't they publish it?
10:01I should get to work.
10:03Perhaps it's just a kind of phrase they use in all such letters.
10:11What do you mean?
10:12Well, the others all said the same type of thing, didn't they?
10:15We enjoyed your book, but we're not looking for new authors.
10:18We enjoyed your book, but we have something similar.
10:20But that's exactly my point. They enjoyed my book.
10:24Every single one of them has.
10:25Don't know what the problem is.
10:27It's an utter mystery indeed.
10:29Perhaps you should take a break from the writing.
10:32Break? Why?
10:35So you don't get too stale?
10:37Give yourself time to clear your head.
10:39Then what would I do in the meantime?
10:47Absolutely not.
10:49I will not go back to that mortuary until Mr Wormsley
10:52has offered me a full and satisfactory apology.
10:56And all this I shall not be moved.
11:09Message from Miss Carlet.
11:12Would that have been me? Thank you.
11:21I can't stand another day of him mooning about the house.
11:24Someone needs to speak to him about his book.
11:26I don't suppose you would...
11:27No, no. And no.
11:30Who's that from?
11:32Someone rather surprising.
11:39I want to hire you.
11:50Go on.
11:51I've got a missing chorus girl.
11:53With a lodging room that looks like Smithfield slaughterhouse.
11:56Blood everywhere and no body.
11:59The girl's name was Natalia Lorenzo.
12:03The name rang a bell so I asked around
12:05and it turns out she had two regular gentleman callers.
12:09One was a high-ranking member of the Galanes crime family
12:12and the other...
12:16was my uncle.
12:18Dylan Cooper?
12:19Word on the street is my uncle took exception to his girl
12:22seeing his rival and put a bullet in her.
12:25Which makes him our prime suspect.
12:28Which puts you in a rather difficult position.
12:30Any other statements of the bleeding obvious you want to make?
12:35I see if emotion hasn't improved your manners, Charlie.
12:39There was a bloodied handprint left at the scene
12:40the size of a man's hand.
12:42If my uncle was going to kill someone,
12:44which no doubt he has done in the past,
12:46there wouldn't be a shred of evidence left behind.
12:49So you don't think he's guilty?
12:51That you can't share that with your men?
12:53If the coppers in London want to put Dylan Cooper away
12:55regardless of the evidence.
12:56The other half are in his pocket.
12:57No.
12:58There's...
13:03There's something else.
13:09My mum.
13:10She's not well.
13:11So?
13:14If I'm gonna send a little brother to the gallows,
13:17I need to be sure.
13:20Which is why I want to hire you.
13:23Because for all your faults, Miss Scarlet,
13:25and God knows there are many,
13:27you're someone I can trust.
13:33I think.
13:37Duplicate copies of the investigation so far.
13:45One more thing.
13:48If word got out that I was trying to prove my uncle's innocence.
13:53No one's to know that you hired me.
13:55You do this job and you do it well.
13:59There'll be a lot more work coming your way.
14:08City police covers an area we've yet to tap into.
14:12Blackfriars, St. Paul's, Smithfield.
14:15Could mean a whole new revenue stream.
14:18So I assume this case is highly confidential
14:20and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:26No one at all.
14:28Even if they're in the same line of business
14:31and we may feel compromised by our feelings towards them,
14:33even though...
14:34Lawrence, if you're attempting to give a coded message about myself
14:36and Inspector Blake, at least try to be subtle.
14:39No, no.
14:41I'm just saying...
14:42Well, don't.
14:44I'm perfectly capable of keeping client confidentiality,
14:46even with Inspector Blake.
14:48But then I shall say no more.
14:49But may I just say...
14:53No, you may not.
14:58Thank you, sir.
15:06A single shot to the chest.
15:08I can't see an exit wound.
15:12The bullet must still be in the body.
15:13No body.
15:15No identification.
15:19I know who he is, sir.
15:20It's Philip Galanis.
15:25You sure?
15:26He was brought in when I was at Bow Street.
15:29Twelve charges.
15:30None of them stuck.
15:31Friends in high places.
15:32Indeed.
15:33I heard of trouble brewing between the Galanis family and the Cooper gang.
15:39Philip Galanis was the top brass in the family, if this is the Cooper gang.
15:43The order must have come from High Arp.
15:46We need to bring in Dylan Cooper.
15:50Good afternoon.
15:51I wondered if you could help me.
15:52It's about a friend of mine.
15:53Natalia Lorenzo.
15:54I don't know her.
15:59She's in love.
16:13I'm not angry because...
16:14Good afternoon.
16:16I wondered if you could help me.
16:17It's about a friend of mine.
16:21Oh, I heard it on good authority that she used to dance here.
16:26I said I don't know her.
16:37This is for a whiskey.
16:39And this is for any information that you might have.
16:43What use is money if I'm dead?
16:45Are you aware of the Hospitality and Gaming Act of 1874?
16:53It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:59Any failure to have said license may result in a hefty fine or indeed closure.
17:04I know this because my husband works for the licensing commission.
17:08You don't have an husband.
17:10Then you don't have a license.
17:12Look.
17:16I ain't seen her.
17:19But...
17:20You know someone who has.
17:32Please make yourself known!
17:40Anything?
17:41Yes, sir.
17:44Doesn't look like anyone's been here for a while, sir.
17:48Let's cross this place off our list.
17:50How many safe houses can one man have?
17:52Cooper's got deep pockets.
17:55Put your weapons down!
17:56Drop your weapons and get on the floor!
17:58This is your final warning!
17:59Put down your weapons!
18:00On the floor now!
18:02We are police officers!
18:03Tower away, you bloody idiot!
18:05Philip Galanis was shot in a lodging house in Fenchurch Street.
18:20That's my patch!
18:21And his body was found in Farringdon, which is my jurisdiction.
18:23Not if the crime was committed on City of London Territory!
18:26You don't know that it was!
18:28Afraid I do!
18:29Ballistics report!
18:35The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:42You're stepping on my toes, Inspector Blake!
18:45And you carried out a raid on Scotland Yard Turf without giving me prior warning, Inspector Phelps!
18:49Like I said, I didn't have time!
18:54We need to work together on this, Charlie.
18:56I've told you everything I know.
18:58This Natalia was shacked up with Philip Galanis.
19:02He turned up dead in an alley, and her body's still missing.
19:05You've left out a vital bit of information.
19:07Your uncle was also seeing this young woman.
19:09Which is why me and my men came looking for him!
19:11Bloody hell!
19:12We're going round his circles here!
19:21We have checked all of Cooper's regular haunts.
19:23His house.
19:24His club.
19:25Do you have any idea where he might be?
19:29If I did, I wouldn't be raiding his safe house, would I?
19:41If you've got something to say, say it.
19:55Blake!
19:59Yes, he's here.
20:00Hold on.
20:01It's one of your men.
20:09What?
20:16Right.
20:26I need to go.
20:28We haven't finished.
20:30Phelps.
20:32Charlie!
20:33Was that meant to be funny?
20:34Ringing me at Scotland Yard.
20:35No.
20:36No.
20:37No.
20:38No.
20:39No.
20:40No.
20:41No.
20:42No.
20:43No.
20:44No.
20:46No.
20:47No.
20:48No.
20:49No.
20:50No.
20:51No.
20:52No.
20:53No.
20:54No.
20:55No.
20:56No.
20:57No.
20:58No.
20:59No.
21:00No.
21:01Well, I'll go back to Scotland Yard.
21:04I've been killed Golanus and you know it.
21:06Do I?
21:08Else you wouldn't have hired that lady Detective.
21:11You've been having me followed?
21:13No.
21:14I always have you followed, Charlie.
21:25Should be with your Dad soon.
21:27That's the last place she'd want to be.
21:30Couldn't stand the old bugger.
21:38Why are you in hiding if you weren't the shooter?
21:42Well, I know what people are saying.
21:44The Golanus was seeing my girl, so I killed them both.
21:47I mean, don't get me wrong.
21:49If I'd have known that degenerate had gone anywhere near her,
21:51I'd have gladly put a bully in him, but I didn't know.
21:53So I didn't kill either of them.
21:55So who did?
21:57Not a clue.
21:57But I need time to talk to the Golanus family.
22:03Things haven't been good lately.
22:04I need to sort it out.
22:05It's about my business.
22:06Have you asked me to stall the investigation?
22:08I'm being set up.
22:11And you know that.
22:14I'll find out who did it.
22:16I just need time.
22:19You owe me this boy.
22:23When he was a nipper.
22:23And your dad passed away and your mum couldn't put food on the sable.
22:31It was it kept you out of workhouse.
22:32You're best I can do is keep this meeting to meself.
22:46But anything else that comes up, you're on your own.
22:47Even if...
22:48Get your heralds here!
23:00Come on, get your heralds!
23:02Right, Dr. Fred!
23:03Good afternoon.
23:07I'm looking for a friend of mine, Natalia Lorenzo.
23:12I have it on good authority that she dances here.
23:18I'm busy.
23:20You're aware of the Hospitality and Gaming Act of 1874?
23:24What?
23:24It states that any venue with outside drinking facility requires a public liability license.
23:32I've already told him what I know.
23:34Told who?
23:36Him.
23:36What are you doing here?
23:45What are you doing here?
23:47I'm looking for a missing showgirl.
23:49As are you, it seems.
23:54I thought this case was in the City of London jurisdiction.
23:58It's more complex than that.
24:00I take it you're working for Phelps?
24:02I'm sorry, Alexander, but I think it's better that we stop this conversation.
24:07You need to tell me what you know.
24:09I can't.
24:13I'm running a business.
24:15We've been through this before.
24:16This isn't a missing horse, Eliza.
24:17This is a murder.
24:19And if we're to be together, you can't keep hiding things from me.
24:22Things?
24:25I need to get back to work.
24:26What things?
24:28Telling me you went to the seaside to visit your aunt when in fact you were meeting Patrick Nash.
24:31I knew you'd been stewing on that.
24:33I have to be able to trust you.
24:34And I have to be able to respect the wishes of my clients.
24:39This isn't about me working the case.
24:41This is about me working for Phelps, isn't it?
24:43Oh, that'd be ridiculous.
24:44Your competitiveness is clouding your judgement, and might I add, making you rather childish.
24:47Says the adult who forgot to bring my daughter home one time.
24:53I need to get back to work.
24:57As do I.
25:01The landlord of the indigo sun confirmed that Natalia Lorenzo is very much alive.
25:21She collected the wages that she was owed.
25:23She was in a bad way, sweating feverish, a bandage across her shoulder.
25:29He asked her what had happened, but she didn't want to say.
25:32He thinks that she got on the wrong side of Cooper and somehow managed to escape.
25:37The crime scene report states that a bullet was found in the wall of the room.
25:43So perhaps it passed through her shoulder and into the wall.
25:45Hmm.
25:46Well, if she was shot, she'd need medical attention.
25:50And wanting to lie low, she wouldn't go to a doctor.
25:53It's their duty to inform the police when treating a gunshot wound.
25:56That depends on the doctor.
26:04A list of qualified doctors and surgeons who work on the wrong side of the law.
26:09This is Patrick's handwriting.
26:11Yes, that list was compiled by Mr. Nash himself after an unfortunate incident with a shotgun.
26:16Daniella's husband.
26:17Let's hope that one of these doctors treated our Natalia Lorenzo.
26:25Let's start looking in the morning.
26:32I want a list of every quack doctor with a criminal conviction.
26:36Anyone who might tend to a bullet wound and not report it.
26:38Yes, sir.
26:39And get yourself over to city police.
26:41I see if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:45What?
26:47Evening, gents.
26:53This is my lawyer, Mr. Torrey.
26:55We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:08I'm a businessman.
27:11I own two casinos and a number of companies linked to the hospitality trade.
27:15I know exactly what you are, Mr. Cooper.
27:18In great detail.
27:19So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this matter to bed.
27:31How thoughtful of you.
27:34Talked me through your movements yesterday.
27:35Well, I spent a morning at my club to Silver Lane.
27:40After that, I went to visit my poor sister at St. Agatha's Hospital.
27:44Then I did a stock check at my new pub in Hackney.
27:48All of which can be confirmed.
27:49By your men?
27:50No, by my work colleagues.
27:53Tell me about Natalia Lorenzo.
28:04She's a young lady that I've known for a few years.
28:06And the nature of your relationship?
28:20My lawyer says that I'm not obliged to answer that question.
28:23Well, then I shall answer it for you.
28:32I think you were romantically involved with Miss Lorenzo.
28:37And when you found out she was betraying you with a member of a rival gang,
28:42you went to her lodging rooms and shot her and her lover, Philip Kalanis.
28:45You dumped his body in the street and left Natalia to die.
28:52But unfortunately for you, she survived.
28:59That's quite an imagination you've got here, Inspector Blake.
29:02It's pure fantasy, of course.
29:06Has she got any evidence to back it up?
29:13No, I thought not.
29:16So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:23Looks like I'll only be paying you for half a day, Mr. Torrey.
29:27Would you mind stepping outside for a minute?
29:34Inspector?
29:41Well, I do hope this is an end to the matter.
29:44No, Mr. Cooper, it very much is not.
29:48It would be a mistake to make an enemy of me, Inspector Blake.
29:51But a friend, I would welcome that with open arms.
29:57You might have enough friends.
29:58Eight, Kempton Lane, isn't it?
30:08Lovely place you've got here.
30:11Must be very nice for you and your little girl to live so near the path.
30:15Get out.
30:21With pleasure.
30:21What do you want for now?
30:25One day.
30:26Wait.
30:27But you're going to be a tourist cause of the city.
30:31Have you got a tourist?
30:34No, I'm not.
30:36I'm not where you're going to be.
30:36Leave me, I need one place.
30:38Oh, yeah, that's what you're going to be.
30:39I'm not where you're going.
30:40They're going to be a tourist today.
30:40We'll be next to that place.
30:41I want you to be a tourist.
30:43This place is where the place is going to be.
30:43You're going to take a tourist.
30:44We're going the rest, you're going to walk you through.
30:45I do not see a tourist, but you're going to be here.
30:46I don't know what you're going to be.
30:48If I wanted to apologize, would it be better in writing or in person?
30:58Um, in person?
31:04Well, that's a relief. I have terrible handwriting.
31:09I was angry and frustrated. I say things that don't mean when I feel that way.
31:13I can't imagine what that's like.
31:18Well, what you said, there was some truth in it.
31:25I don't always tell you everything just like you don't always tell me.
31:29It's the nature of our jobs.
31:33Which is even more difficult to navigate now that there's an ass.
31:37Ass?
31:39I like that.
31:43I've booked that little place south of the river for dinner.
31:46Oh, sounds perfect.
31:47I'll get my things.
31:50How was your day?
31:52Rough.
31:53Which is why I wanted to see you.
31:55Do you need my help?
31:57I wanted to see you because I wanted to be with you, Eliza.
32:03To take the sting out of my day by finishing it with you.
32:05Does that help?
32:17Always.
32:18Well, that was a waste of time.
32:29Are you sure that man was even a doctor?
32:31I think he may have been a veterinarian.
32:33Well, either way, he hasn't seen our missing showgirl.
32:35You can cross them off the list.
32:36So that is three down, six left to try.
32:39Who's next?
32:40Dr Hudson on Church Street.
32:42So, how was last night?
32:47Last night?
32:48You said you had dinner with Inspector Blake?
32:51Uh, yes.
32:52Very nice, thank you.
32:53Oh, it was very nice.
32:53Yeah, it was good.
32:54Good food, good wine.
32:56Good conversation.
32:58Yes.
33:00Conversation about what, exactly?
33:01I didn't tell Inspector Blake that we're working for Phelps.
33:05Good.
33:06Because he already knows.
33:07What?
33:09He saw me questioning that landlord that I was telling you about.
33:12Eliza, it's supposed to be a confidential investigation.
33:15Yes, I am aware of that.
33:17What's done is done.
33:19There's no point ruminating on it.
33:21Like you're doing now.
33:22Still, I'd be a lot happier if you told me everything you were doing.
33:25Oh, would you?
33:27No, on second thoughts, let's leave things to say off.
33:31It was a lovely evening.
33:38The food was delicious.
33:39I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:45Surprised your head wasn't turned.
33:47I couldn't take my eyes off you.
33:50Is that true?
33:51Or are you just trying to butter me up?
33:54Both.
33:56Give us a kiss.
33:58What, in here?
33:59Yes, here.
34:01Detective Brilloes.
34:09Mrs Potts.
34:10The advert for the new office manager.
34:12I've got copies going up all over the yard,
34:14but I want you to call the evening papers with the wording for the classifieds.
34:18Wanted.
34:18Manager for the clerical office, Scotland Yard.
34:20You should apply, Ivy.
34:22Keep reading.
34:22The gentleman in question.
34:26Why can't it be a lady?
34:27You could do that job, standing on your head.
34:29I've got enough to worry about as it is.
34:32One day a woman will run this whole place.
34:36What's funny about that?
34:41I'd better get on.
34:41Can I help you, madam?
34:56I need to speak to Inspector Blake.
34:59Sir?
35:01Mrs Burnbury?
35:02What's happened?
35:07It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:16What do we do if he hasn't seen Natalia?
35:19We move to Plan B.
35:20Which is?
35:21No idea.
35:22Well, that's the address.
35:22Yes.
35:26He doesn't look like a doctor.
35:29No, but he does.
35:30That's her.
35:37That's Natalia Llorente.
35:40Should we help?
35:42He doesn't look good to be forcing her.
35:56The inspector's daughter's gone missing.
35:58Knock on every door of every street.
36:00Within a three mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
36:05Scale of the area.
36:06Every inch.
36:08Understood?
36:09Yes, sir.
36:10Yes, sir.
36:10Off you go.
36:17We heard about the inspector's little girl.
36:19We've come to help.
36:20How many of you?
36:21One of us girls in the office.
36:22About a dozen.
36:22Go to Gladstone Park.
36:25It runs adjacent to Inspector Blake's house.
36:27Perhaps his little girl went there and got lost.
36:29Inspector Blake must be out of his mind.
36:31Won't worry.
36:31If anything's happened to that little girl.
36:33Oh, just the person.
36:34Go and tell the girls.
36:35I'll join you in a moment.
36:36Barnabas, this is not a good time.
36:38I should be very quick, my child.
36:40I just wanted to share the most wonderful news.
36:43I've decided to write a novel.
36:46Never mind that now.
36:47I need your help.
36:48Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
37:00She's probably grown by now.
37:01Never fear, my dear.
37:02They do not call me eagle-eyed pots for nothing.
37:04They don't call you that at all, Barnabas.
37:06Excuse me.
37:07Have you seen a little girl in her own dark hair, blue eyes, about this big?
37:11Sorry.
37:14So, um, what do you think about my idea to write a novel?
37:17Barnabas.
37:18As I've said many times, what I think is that you need to get your old job back.
37:24Huh?
37:24Oh, excuse me.
37:26Have you seen a little girl, dark hair, blue eyes, about this big?
37:29No.
37:30What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:35Barnabas, I only say this because I love you.
37:38You have many skills, but writing is not one of them.
37:45You said you enjoyed my memoirs.
37:46You said I was a wonderful writer.
37:49I was being nice.
37:51There's a reason no one wants to publish it.
37:55I'm sorry.
37:57That's the truth.
38:00Excuse me.
38:02Have you seen a little girl?
38:04Dark hair, blue eyes.
38:05Is that this tall?
38:06No.
38:16Miss Scarlet.
38:18Oh, good.
38:18You got my message.
38:19You want to update me on the case here, at Scotland Yard?
38:23Something's happened, and in Inspector Blake's jurisdiction.
38:25Don't tell me Blake knows I've hired you.
38:28It's my duty to inform him, as well as you.
38:31And it's your duty to keep to client confidentiality.
38:36Miss Scarlet, we had an agreement.
38:39Detective Willows, have you seen Inspector Blake?
38:42Have you not heard?
38:43Heard what?
38:44Is it true?
38:57Has the big one missing?
38:58She didn't come home from school.
39:00Michael Simmons, you're with me.
39:01Whatever you need, just ask.
39:03You want to help, then tell me where your uncle is.
39:06What's he got to do with him?
39:07Well, it's got Cooper written all over it.
39:09It's...
39:10Could it be him?
39:37Have you taken her?
39:38The inspector's kit!
39:40What you're talking about, boy?
39:56Where's Cooper?
39:57We ain't over yet.
39:58All right, take them outside and question them.
40:00Yes, sir.
40:02Has he got my daughter?
40:06How should I know?
40:07I will ask you one more time.
40:08That's Cooper got my daughter.
40:12You're deaf.
40:14How should I know?
40:21Where is she?
40:24Where is she?
40:25Sir!
40:27The founder.
40:28Very good.
40:45We're looking for an office manager.
40:49I think you should apply, young lady.
40:52Sophia.
40:53She went to the British Museum.
41:08She got lost on the way home.
41:11Was found by an officer wandering the streets.
41:14Thank you, Mrs. Potter.
41:15I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:26Good day, Miss Watts.
41:28Good day, Sophia.
41:29Sophia.
41:30I went to the zoo to see if she'd gone back there.
41:58No, no, they found her.
41:59She's safe and well.
42:00Ivy sent you a message to let you know.
42:03Ivy?
42:04Not Inspector Blake.
42:05What difference does it make?
42:08Where was she?
42:09I'll get to that in a minute.
42:10Keep that on.
42:11I've sent a message to Inspector Phelps.
42:12You ought to join him.
42:13Why?
42:15I found something on the Cooper case.
42:20Thank you, sir.
42:28I told you I don't know nothing about a kid.
42:38We're not here about that.
42:42Lady detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:52Well, the innocence of killing Philip Galanis, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
43:08We found a financial trail between you and Dr. Marsh.
43:12Your own personal doctor.
43:13You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:23Never has been.
43:24She's the daughter of an old mate.
43:27The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years' hard labour.
43:34Pretty well killed him.
43:35He died a month after he'd come out.
43:36So, yeah, she's been like a daughter to me.
43:43So it didn't go down well when you discovered her affair with Galanis?
43:48Tried to warn her against it, but she's that strong young girl.
43:53I think they thought they were some kind of Romeo and Juliet.
43:57But he didn't treat her right.
43:59He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:03Well, if she shot him in self-defence, and there's no reason for her to go on the run.
44:09Try telling that to the Galanis family.
44:14So.
44:18You two can do what you want.
44:21I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:30Okay.
44:33Where's Natalia now?
44:35She got on a boat from St. Catherine's docks.
44:38And I don't know where.
44:39I told her it was safer.
44:40I didn't in the event that something like this happened.
44:45So.
44:46You want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55Boss.
44:55Boss.
44:55Boss.
44:55Boss.
44:56Boss.
44:57Boss.
44:57Boss.
44:57Boss.
44:57Boss.
44:57Boss.
44:57Boss.
44:58Boss.
44:58Boss.
44:59Boss.
44:59Boss.
44:59Boss.
44:59Boss.
45:00Boss.
45:00Boss.
45:00Boss.
45:01Boss.
45:01Boss.
45:01Boss.
45:02Boss.
45:03Boss.
45:04Boss.
45:05Boss.
45:06Boss.
45:07Boss.
45:08Boss.
45:09Boss.
45:10Boss.
45:11Boss.
45:12Boss.
45:13Boss.
45:14Boss.
45:15Boss.
45:16Boss.
45:17Boss.
45:18Boss.
45:19Boss.
45:20Boss.
45:21Boss.
45:22Boss.
45:23Boss.
45:24Boss.
45:25Boss.
45:26Boss.
45:27Boss.
45:28Boss.
45:29Boss.
45:30Come along, ladies. There's work to be done.
45:38Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments, my jaw.
45:44I only wish to say how profusely sorry I am for my recent behaviour.
45:48I just want you to be happy, Barnabas.
45:51And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:55Find myself a proper job.
45:56But not back at the mortuary.
45:57I believe it's time for a fresh start.
46:02And I know exactly where.
46:03Oh, that's wonderful. Where did you have mine?
46:06Here, of course.
46:08Scotland Yard.
46:12It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Potts, this job is tailor-made for you.
46:22Manager of the clerical office.
46:24Hmm?
46:24Here, where I work.
46:27Call it fate.
46:29Call it kismet.
46:30Either way, it was meant to be.
46:32And we will work together every single day.
46:36Why, don't that be marvellous, sir?
46:39Marvellous.
46:39Marvellous.
46:40Knock, knock.
46:48Knock, knock, knock.
47:01Inspector Phelps.
47:17How's your little one?
47:19Happy to be home.
47:23Just got her off to sleep.
47:27I'm sorry I lost my temper earlier.
47:30I'd have done the same.
47:31I'd have done the same.
47:36Full report on Aglarni's case.
47:38It was Natalia who shot him.
47:40Cooper was just protecting her.
47:42You could pursue Cooper on obstruction of justice or...
47:50You could take a look through this little lot.
47:55I've been building a case against my uncle for a few years now.
47:59My hands were tied before, but now...
48:05My old mum died today.
48:11He's all yours.
48:13I'm sorry for your loss.
48:19Wish I'd like to come in.
48:20Well, you're not good company at the minute.
48:26But maybe a pint on a ghost next week.
48:29You're buying, of course.
48:31Don't know her always.
48:31Charlie.
48:38See, the problem that you gentlemen have got is I've got a lucky face.
48:58You, unlucky face.
49:00You, not so lucky face.
49:02You, very unlucky face.
49:03But this, look, other than...
49:05Right.
49:10Inspector Blake, please.
49:23Dylan Cooper.
49:27What now?
49:31We've got a warrant for your arrest.
49:33On what charge?
49:37You may want to get yourself comfortable, Mr Cooper.
49:40It's quite a long list.
49:42It's quite a long list.
49:42We've got a warrant.
50:09Oh, my God.
50:09Oh, my God.
50:11Alexander, you're early. I haven't had a chance to change yet.
50:16Would you mind if we cancelled dinner?
50:20I should be with Sophia.
50:22Of course. I could come to you or...
50:25She went to the British Museum.
50:28She said you miss school once to go there.
50:30Well, yes, but I didn't mean for her to do the same.
50:35She's a child, Eliza.
50:38She has no mother to guide her.
50:40You must realise how much she looks up to you.
50:42I'm... I'm sorry. I didn't... I didn't think.
50:48Are you blaming me for what happened?
50:55I lost control today.
50:57I could have lost my job.
50:59I can't afford to do that.
51:02I am all Sophia has, and it is down to me to keep her safe.
51:05To make sure there is food on the table and a roof over her head.
51:16What are you trying to say?
51:23That I need time to think.
51:25Perhaps some time apart we'll do us both good.
51:33Sorry.
51:33Sorry.
51:33I'll kick in.
51:43I...
51:43I...
51:43I...
51:44I...
51:54I...
51:54What is typical foresight?
52:13Brace yourself.
52:14You're about to discover.
52:17Something rather exciting.
52:19What more does one need?
52:22How splendid.
52:24And it will be all that you've dreamed of.
52:34And more.
52:42I don't lie to you, Alexandra.
52:43Do you have any idea how hard it was for me to come and see you today?
52:47Mob has gathered outside the prison.
52:48The phone lines are dead.
52:50We are shutting down Scotland Yard.
52:51No one comes in, no one goes out.
52:53You cannot leave me in here.
52:55Blake!
53:00Visit our website for videos, newsletters, podcasts, and more.
53:09And join us on social media.
53:12The DVD version of this program is available online and in stores.
53:16This program is also available with PBS Passport and on Amazon Prime Video.
53:20The Pathplan.
53:20This program is available on Spotify.
53:21For love, people visit us and on Spotify.
53:21This program is going to play a few more fun pieces.
53:23I love you.
53:23It might be tirar funny to you.
53:24You can find that on the internet.
53:25You can find us.
53:26Bye, thank you.
53:26Bye, thank you.
53:28Bye, الله.
53:29Bye.
53:29Bye, bye.
53:31Bye.
53:31Bye, bye.
53:31Bye, bye.
53:33Bye, bye bye.
53:34Bye, bye.
53:36Bye, bye, bye.
53:37Bye, bye, bye, bye.
53:39Bye, bye.
53:40Bye, bye, bye.
53:41Bye, bye, bye.
53:44Bye, bye, bye.
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