- 2 days ago
Miss Scarlet and The Duke - Season 6 Episode 4 -
Bad Blood
Bad Blood
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😹
FunTranscript
00:00You've not fallen out with Inspector Blake. You've fallen in.
00:03When we're working together, it's best that you treat me as you would one of your men.
00:06You can be polite in our private time.
00:08For 30 years I have given to the city mortuary, and now I'm unemployed.
00:12I assume the elderly aunt you were supposedly visiting doesn't exist.
00:16Don't you trust me?
00:17Of course I do.
00:18Then why lie?
00:30Oh, I see it.
00:36.
00:42.
00:47.
00:49.
00:51.
00:53.
00:54.
00:55.
00:56.
00:57.
00:59I'd better get back to work, Mum.
01:14Like you always say,
01:17those streets won't stay safe
01:20without your Charlie keeping an eye out.
01:29I'll be back tomorrow.
01:57Uncle?
01:59Charlie.
02:12How is she?
02:14Still the same?
02:16I ain't seen her like this.
02:19Ruled the roost when we were kids.
02:21Terrified whoever I was.
02:24Yeah, it's a shadow of my sister in there.
02:26I heard about your promotion.
02:32Detective Inspector Phelps of the City of London Police.
02:35Bet your mum's proud of you.
02:37And I am.
02:39Yeah.
02:40I'll bet.
02:41No, I am.
02:43You've done well for yourself, boy.
02:46Good on you.
02:49Tom.
02:49Charlie.
03:01You ain't heard this from me, but, uh...
03:03Piccolani's family.
03:06They've been difficult.
03:10I'll try and keep it off your patch, but there's a storm coming.
03:17You cause me any problems,
03:20I'll put you away.
03:22Family or not.
03:23Oh, is that a threat, son?
04:31I wish I could miss school every day.
04:35My father used to say too much fun's bad for your health.
04:39I went to skip school without telling him.
04:42I spent the day with the ancient Egyptians at the British Museum.
04:46Was your papa cross?
04:47Well, he would have been had he found out, but I never told him.
04:51In fact, you're the only person that I've told.
04:57Now, I need to do a little bit of paperwork, and then we can head home.
05:01Why don't you read?
05:03Yes, this.
05:06I hear Mrs. Bambury's making soup for tea.
05:09It's always turnip.
05:10I hate turnip.
05:11So do I.
05:31Papa!
05:32Inspector Blake?
05:33Is everything all right?
05:35Yes?
05:36Why shouldn't it be?
05:39Oh.
05:40We're a little late.
05:41More than a little.
05:43You were supposed to take her home two hours ago.
05:44I'm sorry.
05:46We lost track of time.
05:47Mrs. Bambury was worried.
05:48She was expecting Sophia home for tea.
05:50Turnip soup, I believe?
05:51You should have sent a message.
05:55Oh, you're right.
05:56I'm sorry.
05:57We had a wonderful time at the zoo, didn't we, Sophia?
06:00We saw the giraffes and the elephants and...
06:02Get your things.
06:09I really am sorry.
06:10What did you say?
06:12Thank you, Miss Garlick.
06:13It's my pleasure.
06:14We'll do it again soon.
06:15We can go back to the zoo.
06:17Of course.
06:19I'll see you tomorrow.
06:21You will.
06:36So, uh, don't worry.
06:38Yeah, three weeks.
06:51No-one saw anything.
06:57Not even a landlady.
07:00No, sir.
07:01The girl who rents this room, what's her name?
07:23Natalia Lorenzo.
07:24Scotland Yard switchboard.
07:38How may I direct your call?
07:39Detective Simons.
07:40Detective Greg.
07:42Putting you through.
07:43I have a Detective Simons from Oldgate.
07:46Simon.
07:46All right, please.
07:47Yes, sir.
07:48Thank you, Miss Simons.
07:49That's me, Dunn.
07:56See you in the morning.
07:57Night.
07:59Shh.
08:00It's got the in-yard switchboard.
08:01How may I direct your meeting?
08:05Hello, Ivy.
08:07How's things?
08:07Oh, busy.
08:08Since we lost you, things have been more ecter than ever.
08:11But I've been promised a couple more secretaries.
08:13And I heard a rumour we're getting a manager, too.
08:15How are you getting on?
08:17It's all right.
08:18But I miss you and the other girls.
08:19Oh.
08:19It's so quiet sometimes.
08:21I managed to read Little Dorit in three days.
08:24And I'm a slow reader.
08:25I haven't even managed to take a lunch break this week, let alone read.
08:30What about your husband's book?
08:32How is it, by the way?
08:33Any better?
08:34Don't ask.
08:36Ready, Izzy?
08:38It's Miss Summer's at work.
08:39Remember?
08:40Yes, of course.
08:43Detective Willows has taken me to Barron's.
08:45Oh, very nice.
08:46Would you like us to escort you out, Mrs Potts?
08:48Oh, that's kind.
08:49But Mr Potts will be here shortly to see me home.
08:51Almost an hour I waited for Barnabas.
09:16Then I came home to find him on that damn typewriter.
09:20Apparently he'd lost track of time.
09:22Well, he wasn't the only one.
09:24I didn't get so fear home when I should have, which didn't go down very well with Inspector Blake.
09:28That doesn't surprise me.
09:30That little girl is everything to him.
09:31Well, don't make me feel even more guilty.
09:35It's not like Barnabas at all.
09:37He's normally so punctual.
09:39So am I.
09:42Yet another rejection of my memoirs.
09:45Whilst we very much enjoyed your book, we do not feel that our publishing house is the right home for your work.
09:54Well, I'm utterly befuddled.
09:55If they very much enjoyed my book, why won't they publish it?
09:58I should get to work.
10:08Perhaps it's just a kind of phrase they use in all such letters.
10:12What do you mean?
10:13Well, the others all said the same type of thing, didn't they?
10:16We enjoyed your book, but we're not looking for new authors.
10:19We enjoyed your book, but we have something similar.
10:21But that's exactly my point.
10:23They enjoyed my book.
10:24Every single one of them has.
10:26Don't know what the problem is.
10:27It's an utter mystery indeed.
10:30Perhaps you should take a break from the writing.
10:33Break? Why?
10:35So you don't get too stale?
10:38Give yourself time to clear your head.
10:42Then what would I do in the meantime?
10:47Absolutely not.
10:49I will not go back to that mortuary until Mr Wormsley has offered me a full and satisfactory apology.
10:55Do you.
10:57I will not.
10:58I shall not be moved.
10:58Message from Miss Carlet.
11:12Would that have been me? Thank you.
11:21I can't stand another day of him mooning about the house.
11:24Someone needs to speak to him about his book.
11:26I don't suppose you would.
11:27No, no. And no.
11:28Who's that from?
11:32Someone rather surprising.
11:45I want to hire you.
11:49Go on.
11:51I've got a missing chorus girl.
11:53With a lodging room that looks like Smithfield Slaughterhouse.
11:56Blood everywhere and no body.
11:58The girl's name was Natalia Lorenzo.
12:02The name rang a bell so I asked around and it turns out she had two regular gentleman callers.
12:08One was a high-ranking member of the Golanus crime family and the other was my uncle.
12:18Dylan Cooper?
12:19Word on the street is my uncle took exception to his girl seeing his rival and put a bullet in her, which makes him our prime suspect.
12:27Which puts you in a rather difficult position.
12:29Any other statements for the bleeding obvious you want to make?
12:33I see promotion hasn't improved your manners, Charlie.
12:37There was a bloodied handprint left at the scene the size of a man's hand.
12:42Now, if my uncle was going to kill someone, which no doubt he has done in the past, there wouldn't be a shred of evidence left behind.
12:49So you don't think he's guilty?
12:50But you can't share that with your men?
12:52You know, if the cop was in London, want to put Dylan Cooper away regardless of the evidence.
12:56Yeah, the other half are in his pocket.
12:58There's something else.
13:09My mum, she's not well.
13:13So, if I'm going to send her little brother to the gallows, I need to be sure.
13:20Which is why I want to hire you.
13:23Because for all your faults, Miss Scarlet, and God knows there are many,
13:27you're someone I can trust.
13:33I think.
13:38Duplicate copies of the investigation so far.
13:45One more thing.
13:48If word got out that I was trying to prove my uncle's innocence.
13:53No one's to know that you hired me.
13:57You do this job and you do it well, there'll be a lot more work coming your way.
14:02The city police covers an area we've yet to tap into.
14:13Blackfriars, St Paul's, Smithfield.
14:16Could mean a whole new revenue stream.
14:18So I assume this case is highly confidential and no one must know that Inspector Phelps has hired us.
14:24You assume correctly?
14:27No one at all, even if they're in the same line of business and we may feel compromised by our
14:33feelings towards them, even though-
14:34Lawrence, if you're attempting to give a coded message about myself and Inspector Blake, at least try to be subtle.
14:38No, no, I'm just saying-
14:42Well, don't.
14:43I'm perfectly capable of keeping client confidentiality, even with Inspector Blake.
14:47But then I shall say no more.
14:49May I just say-
14:53No, you may not.
14:54Thank you, sir.
15:06A single shot to the chest.
15:08I can't see an exit wound.
15:12The bullet must still be in the body.
15:15No identification.
15:19I know who he is, sir.
15:20Philip Galanis.
15:25You sure?
15:26He was brought in when I was at Bow Street.
15:29Twelve charges, none of them stuck.
15:31Friends in high places.
15:32Indeed.
15:36I heard of trouble brewing between the Galanis family and the Cooper gang.
15:40Philip Galanis was the top brass in the family, if this is the Cooper gang.
15:44The order must have come from High Arp.
15:50We need to bring in Dylan Cooper.
15:51Good afternoon.
16:12I wondered if you could help me.
16:14It's about a friend of mine.
16:16Natalia Lorenzo.
16:20Don't know her.
16:21Oh, I heard it on good authority that she used to dance here.
16:26I said I don't know her.
16:37This is for a whiskey.
16:39And this is for any information that you might have.
16:43What use is money if I'm dead?
16:44Are you aware of the Hospitality and Gaming Act of 1874?
16:54It states that any venue putting on music, dancing, theatrical production requires a performing rights license.
16:59Any failure to have said license may result in a hefty fine or indeed closure.
17:03I know this because my husband works for the licensing commission.
17:08You don't have an husband.
17:10And you don't have a license.
17:11You don't have a license.
17:13Look, I ain't seen her.
17:19But...
17:19You know someone who has.
17:21You don't have a license.
17:28You don't have a license.
17:29Please! Make yourself known!
17:39Anything?
17:40Yes, sir.
17:44Doesn't look like anyone's been here for a while, sir.
17:48Let's cross this place off our list.
17:50How many safe houses can one man have?
17:52Cooper's got deep pockets.
17:55Put your weapons down!
17:56Drop your weapons and get on the floor!
17:58This is your final warning! Put down your weapons!
18:00On the floor now!
18:01We are police officers!
18:03Show away, you bloody idiot!
18:15Philip Galanis was shot in a lodging house in Fenchurch Street.
18:19That's my patch!
18:20And his body was found in Farringdon, which is my jurisdiction.
18:23Not if the crime was committed on City of London Territory!
18:26You don't know that it was.
18:27Afraid I do! Ballistics report!
18:34The bullet that was pulled from Italia Lorenzo's wall came from the same gun that fired the bullet that killed Philip Galanis!
18:42You're stepping on my toes, Inspector Blake!
18:44And you carried out a raid on Scotland Yard turf without giving me prior warning, Inspector Phelps!
18:48Like I said, I didn't have time!
18:53We need to work together on this, Charlie.
18:55I've told you everything I know.
18:57This Natalia was shacked up with Philip Galanis.
19:01He turned up dead in an alley, and her body's still missing.
19:04You've left out a vital bit of information.
19:06Your uncle was also seeing this young woman.
19:08Which is why me and my men came looking for him! Bloody hell!
19:11We're going round his circles here!
19:13We have checked all of Cooper's regular haunts, his house, his club.
19:26Do you have any idea where he might be?
19:28If I did, I wouldn't be raiding his safe house, would I?
19:31If you've got something to say, say it.
19:48Blake!
19:49Yes, he's here.
19:50Hold on.
19:51It's one of your men.
20:04What?
20:09Right.
20:16I need to go.
20:28We haven't finished.
20:30Phelps.
20:32Charlie!
20:46Was that meant to be funny, ringing me at Scotland Yard?
21:01I didn't kill Galanis, and you know it.
21:05Do I?
21:06Else you wouldn't have eyed that lady detective.
21:10You've been having me followed?
21:12No.
21:13I always have you followed, Charlie.
21:24She'll be with your dad soon.
21:26That's the last place she'd want to be.
21:28Couldn't stand the old bugger.
21:30Why are you in hiding if you weren't the shooter?
21:40Well, I know what people are saying.
21:42The Galanis was seeing my girl, so I killed them both.
21:46I mean, don't get me wrong.
21:48If I'd have known that degenerate had gone anywhere nearer,
21:50I'd have gladly put a bullet in him, but I didn't know.
21:52So I didn't kill either of them.
21:54So who did?
21:56Not a clue.
21:58But I need time to talk to the Galanis family.
22:02Things haven't been good lately.
22:03I need to sort it out.
22:04It's better business.
22:05Have you asked me to stall the investigation?
22:07I'm being set up.
22:09And you know that.
22:13I'll find out who did it.
22:15I just need time.
22:18You owe me this boy.
22:22When he was a nipper,
22:24and your dad passed away,
22:26and your mum couldn't put food on the table.
22:30It was it kept you out of the workhouse.
22:37The best I can do is keep this meeting to meself.
22:44If there's anything else that comes up,
22:46you're on your own.
22:47Even if...
22:58Get your heralds here!
23:00Come on, get your heralds!
23:02Good afternoon.
23:08I'm looking for a friend of mine,
23:10Natalia Lorenzo.
23:12I have it on good authority that she dances here.
23:17I'm busy.
23:19You're aware of the Hospitality and Gaming Act of 1874?
23:23What?
23:25It states that any venue with outside drinking facility
23:27requires a public liability license.
23:29I've already told him what I know.
23:33Told who?
23:35Him.
23:44What are you doing here?
23:46What are you doing here?
23:47I'm looking for a missing showgirl.
23:53As are you, it seems.
23:55I...
23:56I thought this case was in the City of London jurisdiction.
23:58It's more complex than that.
24:00I take it you're working for Phelps?
24:02I'm sorry, Alexander, but I think it's better
24:04that we stop this conversation.
24:06You need to tell me what you know.
24:08I can't.
24:12I'm running a business.
24:14We've been through this before.
24:15This isn't a missing horse, Eliza.
24:16This is a murder.
24:18And if we're to be together,
24:19you can't keep hiding things from me.
24:21Things?
24:23I need to get back to work.
24:25What things?
24:27Telling me you went to the seaside to visit your aunt
24:28when in fact you were meeting Patrick Nash.
24:30I knew you'd been stewing on that.
24:32I have to be able to trust you.
24:34And I have to be able to respect the wishes of my clients.
24:39This isn't about me working the case.
24:40This is about me working for Phelps, isn't it?
24:42Oh, that'd be ridiculous.
24:43Your competitiveness is clouding your judgement,
24:45and might I have, making you rather childish.
24:47Says the adult who forgot to bring my daughter home one time.
24:53I need to get back to work.
24:57As do I.
25:13The landlord of the Indigo Sun confirmed that Natalia Lorenzo is very much alive.
25:21She collected the wages that she was owed,
25:23but she was in a bad way.
25:25Sweating feverish, a bandage across her shoulder.
25:29He asked her what had happened, but she didn't want to say.
25:32He thinks that she got on the wrong side of Cooper
25:35and somehow managed to escape.
25:37The crime scene report states that a bullet was found in the wall of the room.
25:41So perhaps it passed through her shoulder and into the wall.
25:45Hmm.
25:46Well, if she was shot, she'd need medical attention.
25:49And wanting to lie low, she wouldn't go to a doctor.
25:53It's their duty to inform the police when treating a gunshot wound.
25:56That depends on the doctor.
26:03A list of qualified doctors and surgeons who work on the wrong side of the law.
26:09This is Patrick's handwriting.
26:10Yes, that list was compiled by Mr. Nash himself
26:12after an unfortunate incident with a shotgun.
26:15Down a jealous husband.
26:19Let's hope that one of these doctors treated our Natalia Lorenzo.
26:24Let's start looking in the morning.
26:25I want a list of every quack doctor with a criminal conviction.
26:35Anyone who might tend to a bullet wound and not reported.
26:38Yes, sir.
26:39Get yourself over to City Police.
26:40See if Inspector Phelps is willing to share any new information on Dylan Cooper.
26:45What?
26:49Evening, gents.
26:51This is my lawyer, Mr. Torrey.
26:55We'd like to discuss the unfounded accusation that I'm somehow connected to your murder investigation.
27:01I'm a businessman.
27:10I own two casinos and a number of companies linked to the hospitality trade.
27:15I know exactly what you are, Mr. Cooper.
27:18In great detail.
27:21So these false allegations are costing me money, so my lawyer recommended that I come in here and answer any questions you may have so that we can put this man out to bed.
27:30How thoughtful of you.
27:33Talked me through your movements yesterday.
27:37Well, I spent a morning at my club to Silver Lane.
27:39After that, I went to visit my poor sister at St. Agatha's Hospital.
27:43Then I did a stock check at my new pub in Hackney.
27:47All of which can be confirmed.
27:49By your men?
27:51No, by my work colleagues.
27:52Tell me about Natalia Lorenzo.
28:03She's a young lady that I've known for a few years.
28:07And the nature of your relationship?
28:09My lawyer says that I'm not obliged to answer that question.
28:26Well, then I shall answer it for you.
28:31I think you were romantically involved with Miss Lorenzo.
28:36And when you found out she was betraying you with a member of a rival gang,
28:41you went to her lodging rooms and shot her and her lover, Philip Kalanis.
28:46You dumped his body in the street and left Natalia to die.
28:51But unfortunately for you, she survived.
28:57Hmm.
28:59That's quite an imagination you've got here, Inspector Blake.
29:01It's pure fantasy, of course.
29:05Unless you've got any evidence to back it up.
29:12No, I thought not.
29:15So, you've got my alibi, which can be easily checked unless there's anything else.
29:20I think I'm free to go.
29:22Looks like I'll only be paying you for half a day, Mr. Torrey.
29:26Would you mind stepping outside for a minute?
29:32Inspector?
29:41Well, I do hope this is an end to the matter.
29:44No, Mr. Cooper, it very much is not.
29:48It would be a mistake to make an enemy of me, Inspector Blake.
29:52But a friend...
29:55I would welcome that with open arms.
29:56You might have enough friends.
29:57Hmm.
30:03Eight.
30:05Kempton Lane.
30:06Isn't it?
30:08Lovely place you've got here.
30:10Must be very nice for you and your...
30:13little girl to live so near the path.
30:16Get out!
30:17With pleasure.
30:18With pleasure.
30:19With pleasure.
30:21TAKE SONIA FORD
30:26TAKE SONIA FORD
30:31If I wanted to apologize, would it be better in writing or in person?
30:58Well that's a relief. I have terrible handwriting. I was angry and frustrated. I say things that don't mean when I feel that way.
31:13I can't imagine what that's like.
31:19What you said, there was some truth in it. I don't always tell you everything just like you don't always tell me.
31:29It's the nature of our jobs. Which is even more difficult to navigate now that there's an ass.
31:36Us. I like that. I've booked that little place south of the river for dinner.
31:45Oh, sounds perfect. I'll get my things. How was your day?
31:51Rough. Which is why I wanted to see you.
31:54Do you need my help?
31:56I wanted to see you because I wanted to be with you, Eliza.
32:02To take the sting out of my day by finishing it with you.
32:14Does that help?
32:17Always.
32:27Well that was a waste of time. Are you sure that man was even a doctor?
32:31I think he may have been a veterinarian.
32:33Well either way, he hasn't seen our missing showgirl. He can cross them off the list.
32:36So that is three down, six left to try.
32:39Who's next?
32:40Dr Hudson on Church Street.
32:45So how was last night?
32:47Last night?
32:48You said you had dinner with Inspector Blake?
32:50Er, yes. It was very nice, thank you.
32:52That was very nice, yes. Good food, good wine, good conversation.
32:57Yes. Thank you.
32:59Conversation about what, exactly?
33:02I didn't tell Inspector Blake that we're working for Phelps.
33:05Good.
33:06Because he already knows.
33:07What?
33:09He saw me questioning that landlord that I was telling you about.
33:12Why is that? It's supposed to be a confidential investigation.
33:14Yes, I am aware of that.
33:16What's done is done.
33:18There's no point ruminating on it.
33:20Like you're doing now.
33:21Still, I'd be a lot happier if you told me everything you were doing.
33:24Oh, would you?
33:26No, on second thoughts, let's leave things to say off.
33:36It was a lovely evening.
33:37The food was delicious.
33:38I've never been anywhere so fancy.
33:40Me neither.
33:41I felt quite out of place next to all those fine ladies.
33:44Surprised your head wasn't turned.
33:47I couldn't take my eyes off you.
33:50Is that true?
33:51Or are you just trying to butter me up?
33:54Both.
33:56Give us a kiss.
33:58What in here?
33:59Yes, here.
34:08Detective Brilloes.
34:09Mrs Potts.
34:10The advert for the new office manager.
34:12I've got copies going up all over the yard,
34:14but I want you to call the evening papers with the wording for the classifieds.
34:17Wanted.
34:18Manager for the clerical office Scotland Yard.
34:20You should apply, Ivy.
34:21Keep reading.
34:23The gentleman in question.
34:25Why can't it be a lady?
34:27You could do that job standing on your head.
34:29I've got enough to worry about as it is.
34:31One day a woman will run this whole place.
34:35What's funny about that?
34:40I better get on.
34:41Can I help you madam?
34:55I need to speak to Inspector Blake.
34:59Sir.
35:01Mrs Burnbury.
35:04What's happened?
35:07It's Sophia.
35:12So, last and hopefully not least, a Dr Marsh.
35:16What do we do if he hasn't seen Natalia?
35:19We move to plan B.
35:20Which is?
35:21No idea.
35:22Well, that's the address.
35:27He doesn't look like a doctor.
35:29No, but he does.
35:37That's her. That's Natalia Llorente.
35:40Should we help?
35:42He doesn't appear to be forcing her.
35:56The inspector's daughter's gone missing.
35:59Knock on every door of every street within a three mile radius of Inspector Blake's house and his daughter's school on Eastbury Way.
36:04The scale of the area. Every inch.
36:08Understood?
36:09Yes, sir.
36:10Off you go.
36:17We heard about the inspector's little girl. We've come to help.
36:19How many of you?
36:20One of us girls in the office, about a dozen.
36:23Go to Gladstone Park. It runs adjacent to Inspector Blake's house. Perhaps his little girl went there and got lost.
36:29Inspector Blake must be out of his mind, won't worry.
36:31If anything's happened to that little girl.
36:33Oh, just the person.
36:34Go and tell the girls. I'll join you in a moment.
36:36Barnabas, this is not a good time.
36:38It should be very quick, my chore.
36:40I just wanted to share the most wonderful news.
36:43I've decided to write a novel.
36:44Never mind that now. I need your help.
36:55Sophia has long dark hair, blue eyes, about this tall what she was when I last saw her.
36:59She's probably grown by now.
37:01Never fear, my dear. They do not call me eagle-eyed pots for nothing.
37:04They don't call you that at all, Barnabas.
37:06Excuse me, have you seen a little girl on her own dark hair, blue eyes, about this pig?
37:10Sorry.
37:13So, um, what do you think about my idea to write a novel?
37:17Barnabas, as I've said many times, what I think is that you need to get your old job back.
37:23Huh?
37:24Oh, excuse me, have you seen a little girl, dark hair, blue eyes, about this pig?
37:29No. What makes you think I need my job back?
37:32My novel will be published, I'm sure of it.
37:35Barnabas, I only say this because I love you.
37:37You have many skills, but writing is not one of them.
37:44You said you enjoyed my memoirs.
37:47You said I was a wonderful writer.
37:49I was being nice.
37:51There's a reason no one wants to publish it.
37:54I'm sorry.
37:57That's the truth.
38:00Excuse me.
38:02Have you seen a little girl?
38:04Dark hair, blue eyes, is that this tall?
38:06No.
38:16Miss Scarlet.
38:18Oh, good. You got my message.
38:20You want to update me on the case here, at Scotland Yard?
38:23Something's happened, and in Inspector Blake's jurisdiction.
38:25Don't tell me Blake knows I've hired you.
38:28It's my duty to inform him as well as you.
38:32And it's your duty to keep to client confidentiality.
38:36Miss Scarlet, we had an agreement.
38:39Detective Willows, have you seen Inspector Blake?
38:42Have you not heard?
38:44Heard what?
38:45Is it true?
38:57Is the big one missing?
38:58She didn't come home from school.
39:00Michael Simmons here with me.
39:02Whatever you need, just ask.
39:04You want to help, then tell me where your uncle is.
39:06What's he got to do with him?
39:08Well, this has got Cooper written all over it.
39:09Could it be him?
39:37Have you taken her?
39:38The inspector's kit!
39:40What you talking about, boy?
39:56Where's Cooper?
39:58We ain't over yet.
39:59Right, take them outside and question them.
40:01Yes, sir.
40:03Has he got my daughter?
40:06How should I know?
40:07I will ask you one more time.
40:08That's Cooper got my daughter!
40:12You're deaf.
40:14How should I know?
40:22Where is she?
40:24Where is she?
40:25Sir!
40:27The founder.
40:37There.
40:38Very good.
40:39We're looking for an office manager.
40:40I think you should apply, young lady.
40:42Sophia!
40:43Papa!
40:44Papa!
40:45She went to the British Museum.
40:46She got lost on the way home and was found by an officer wandering the streets.
40:50Thank you, Mrs. Potts.
40:51Thank you, Mrs. Potts.
40:52I told him who my father is.
40:53He says you're a very important man, Papa.
40:56Let's get you home.
40:57Let's get you home.
40:58Thank you, Mrs. Potts.
40:59I told him who my father is.
41:00He says you're a very important man, Papa.
41:01Let's get you home.
41:02Good day, Mrs. Potts.
41:03Good day, Sophia.
41:04She went home to the British Museum.
41:06She got lost on the way home.
41:09She went to the British Museum.
41:10She got lost on the way home and was found by an officer wandering the streets.
41:13Thank you, Mrs. Potts.
41:16I told him who my father is.
41:18He says you're a very important man, Papa.
41:23Let's get you home.
41:26Good day, Mrs. Potts.
41:29Good day, Sophia.
41:34Where have you been?
41:55Looking for Sophia.
41:57I went to the zoo to see if she'd gone back there.
41:58No, they found her.
41:59She's safe and well.
42:00Ivy sent you a message to let you know.
42:03Ivy.
42:04Well, Inspector Blake.
42:05What difference does it make?
42:08Where was she?
42:09I'll get to that in a minute.
42:10Keep that on.
42:11I've sent a message to Inspector Phelps.
42:12You ought to join him.
42:13Why?
42:15I found something on the Cooper case.
42:17I told you I don't know nothing about a kid.
42:38We're not here about that.
42:42Lady Detective, I assume.
42:45So the word is that you've been hired to prove my innocence.
42:49So I do hope your presence here means that you've done just that.
42:52Well, innocent of killing Philip Galanis, but of obstruction of justice, your hands are dirty, Mr. Cooper.
43:02It was Natalia Lorenzo that killed Philip Galanis, and you've been protecting her.
43:06We found a financial trail between you and Dr. Marsh, your own personal doctor.
43:13You paid him to patch up your girl, didn't you?
43:20She's not my girl.
43:22Never has been.
43:24She's the daughter of an old mate.
43:25The fella did a long stretch inside, but he kept his mouth shut.
43:32Ten years' hard labour.
43:34Pretty well killed him.
43:35He died a month after he'd come out.
43:39So, yeah, she's been like a daughter to me.
43:43So it didn't go down well when you discovered her affair with Galanis.
43:47Tried to warn her against it, but she's that strong young girl.
43:52I think they thought they were some kind of Romeo and Juliet, but he didn't treat her right.
43:59He was a drunk and a bad one.
44:01If she hadn't got his gun, he'd have killed her.
44:04Well, if she shot him in self-defence and there's no reason for her to go on the run.
44:09Try telling that to the Galanis family.
44:14So.
44:18You two can do what you want.
44:20I'll just deny it all.
44:22And any link to Dr. Marsh can be explained away.
44:25He'll never stand up in court.
44:27Especially as you have half the judges in London in your pocket.
44:33Where's Natalia now?
44:35She got on a boat from St. Catherine's docks.
44:38And I don't know where.
44:39I told her it was safer that I didn't in the event that something like this happened.
44:43So, you want to waste your time chasing after a young woman who shot her drunk to stop him beating her to death?
44:53Be my guest.
44:54Boss.
44:55Is she a mother?
45:15Is she a mother?
45:15She passed.
45:18I'm sorry, son.
45:22Sorry.
45:23Come along, ladies.
45:34There's work to be done.
45:37Wait.
45:39Oh, Barnabas, I am rather busy.
45:42I'll give you just a few moments of my joy.
45:44I only wish to say how profusely sorry I am for my recent behaviour.
45:48I just want you to be happy, Barnabas.
45:51And I don't think writing makes you happy.
45:53Well, I'll give it up forthwith.
45:55Find myself a proper job.
45:56But not back at the mortuary.
45:57I believe it's time for a fresh start.
46:02And I know exactly where.
46:03Oh, that's wonderful.
46:04Where did you have mine?
46:06Here, of course.
46:09Scotland Yard.
46:12It was pinned on the notice board in the corridor.
46:15As I happened upon it, I thought, Barnabas Potts, this job is tailor-made for you.
46:20Manager of the clerical office.
46:24Who?
46:24Here, where I work.
46:27Call it fate.
46:29Call it kismet.
46:30Either way, it was meant to be.
46:32And we all worked together every single day.
46:36Why, that'd be marvellous, sir.
46:39Marvellous.
46:39Marvellous.
47:03TURNED TURNED
47:15Inspector Phelps?
47:17How's your little one?
47:19Happy to be home.
47:23Just got her off to sleep.
47:27I'm sorry I lost my temper earlier.
47:30I'd have done the same.
47:33Full report on Aglarni's case.
47:38It was Natalia who shot him.
47:40Cooper was just protecting her.
47:42You could pursue Cooper on obstruction of justice or...
47:50You could take a look through this little lot.
47:56I've been building a case against my uncle for a few years now.
48:00My hands were tied before but now...
48:05My old mum died...
48:08Today.
48:12He's all yours.
48:16I'm sorry for your loss.
48:17You wish I'd like to come in.
48:20Well...
48:22You're not good company at the minute.
48:26But...
48:27Maybe a pint and a ghost snake sweet.
48:30You're buying of course.
48:31Don't know her always.
48:34Charlie.
48:38See the problem that you gentlemen have got is I've got a lucky face.
48:58You unlucky face.
49:00You not so lucky face.
49:01You very unlucky face.
49:02But this.
49:03Look, have a look.
49:05Look at that.
49:10Right.
49:12Inspector Blake.
49:23Dylan Cooper.
49:28What now?
49:32We've got a warrant for your arrest.
49:33On what charge?
49:37You may want to get yourself comfortable Mr Cooper.
49:40It's quite a long list.
49:41It's quite a long list.
50:12Alexander, early.
50:14I haven't had a chance to change yet.
50:17Would you mind if we cancelled dinner?
50:21I should be with Sophia.
50:23Of course.
50:24I could come to you or...
50:25She went to the British Museum.
50:28She said you miss school once to go there.
50:31Well...
50:32Yes.
50:33But I didn't mean for her to do the same.
50:36She's a child, Eliza.
50:39She has no mother to guide her.
50:40You must realize how much she looks up to you.
50:43I'm...
50:44I'm sorry.
50:45I didn't think.
50:49Are you blaming me for what happened?
50:56I lost control today.
50:58I could have lost my job.
51:00I can't afford to do that.
51:03I am all Sophia has and it is down to me to keep her safe.
51:06To make sure there is food on the table and a roof over her head.
51:15What are you trying to say?
51:17Trying to say?
51:24That...
51:25I need time to think.
51:28Perhaps some time apart we'll do us both good.
51:33Sorry.
51:34Yes.
51:36...
51:44Up, up!
51:45What is typical foresight?
52:12Brace yourself, you're about to discover.
52:18Something rather exciting.
52:19What more does one need?
52:22How splendid.
52:31And it will be all that you've dreamed of, and more.
52:41I don't lie to you, Alexander.
52:43Do you have any idea how hard it was for me to come and see you today?
52:46Mob is gathered outside the prison.
52:48Phone lines are dead.
52:49We are shutting down Scotland Yard. No one comes in, no one goes out.
52:52You cannot leave me in here!
52:54Blake!
52:55We'll see you next time!
52:56We'll see you next time!
52:57We'll see you next time!
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53:12The DVD version of this program is available online and in stores.
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