- hace 2 días
El ayatero Nicolás, es decir un vendedor de objetos usados en Tepito, convive con tres esposas La jarocha, Pili y Beti, en una sola casa y aun se da tiempo para buscar una cuarta entre las proveedoras de su mercancía. Llegan de visita los padres de La jarocha y las demás se tiene que hacer pasar por hermanas del ayatero pero en la noche todas quieren dormir con él. Los suegros descubren las mañas de su yerno y se llevan a su hija. El ayatero extraña a La jarocha, se vuelve impotente y por ello las otras esposas lo abandonan. Entonces vuelve La jarocha y declara que todo fue una trampa para quedarse ella con su hombre.
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CortometrajesTranscripción
00:00:00Music
00:00:30Music
00:01:00What happened? What happened, Filipino?
00:01:23Ingenuity, Mr. Chueco, ingenuity
00:01:25It's the same thing, man
00:01:26What happened, Chabelita? How are you?
00:01:28Good
00:01:28What? Did he finally decide to leave these prisons?
00:01:31Yeah
00:01:32That
00:01:33Okay, let me see how they are
00:01:35What do you think of them?
00:01:37They're better, but...
00:01:38Open your paw
00:01:39Come on, I'll give you a big deal for the whole lot.
00:01:43I'll leave them for you at twenty, little dog.
00:01:46Oh, Chabelita, of course!
00:01:49Oh
00:01:50Here you go, my queen.
00:01:52There it is
00:01:53Bye
00:01:54Bye
00:01:55Oh, goodbye, Chabelita
00:01:57Man, I'm suffocating in there
00:01:59Oh, what a sin you have with girls!
00:02:02And they're all chubby too
00:02:04Yes, with all of them
00:02:05Come on, come on, my Quirino
00:02:08Viginio, Mr. Chueco, Viginio
00:02:10Look, grandma, I have a lot of offers for you.
00:02:16Come here
00:02:17Come here
00:02:18Oh, look, they give you more of this
00:02:21Yeah
00:02:22And the little paw
00:02:23Let's see
00:02:23Just look at this beauty
00:02:24Hey?
00:02:25What is that?
00:02:26Like what?
00:02:27That works here, look.
00:02:28So that it tightens there, huh
00:02:32Press there
00:02:33And loosen up already.
00:02:34Does it loosen up?
00:02:35Uh-huh
00:02:36He should take me out, right?
00:02:38Well, it's not the same, but it feels the same.
00:02:40So now you know
00:02:42Hey?
00:02:43So that you can press here and stay
00:02:45Yes, yes, yes
00:02:46Big-breasted, then
00:02:47That
00:02:47Oh, that's so cool.
00:02:49Do you like it?
00:02:50Yeah
00:02:51There it is
00:02:51And I have them in various colors, look!
00:02:53Yeah?
00:02:54Oh, give me one of each color
00:02:56One of each color?
00:02:57No, well take them all, man
00:02:59Should I take them?
00:02:59What's more, I'd even give him my little paw, you see.
00:03:02Yeah?
00:03:02All for 40
00:03:03For 40?
00:03:0540
00:03:05Oh, that's so cool.
00:03:08Oh, really?
00:03:10Ah
00:03:10It's an offer, I mean, no, you can't deny it's an offer
00:03:13Yes, it's cheap.
00:03:14Oh, well, since it's you, I'll give you 50.
00:03:18Uh-huh
00:03:19Thank you
00:03:20Thank you
00:03:21Ah, there it is
00:03:23Me, me, me, how did you do it, sir?
00:03:25That?
00:03:25Ah, well I say
00:03:26Oh, well it's really easy, it's just a matter of convincing her
00:03:28Yes, convince her, ma'am.
00:03:29If you create your own palera
00:03:30Which palera?
00:03:32I don't even know her.
00:03:32Well, how can you ask for 40 and give him 50?
00:03:35Well, what's that got to do with me?
00:03:37To you
00:03:38See you there
00:03:39I'm entrusting the business to you.
00:03:40Yeah
00:03:40Abused
00:03:41Yes, yes
00:03:41Pay close attention to how they charge and what they pay.
00:03:44Yes, yes
00:03:44See you there
00:03:44And how do you do it, sir?
00:03:47And I'm all about the old ladies
00:03:48That?
00:03:49As?
00:03:49So, why do you think they call the Czech?
00:03:52Well, because of the shady deals he makes
00:03:54Now close
00:03:54Let's see
00:03:55It's in a corner
00:03:56I don't understand
00:03:58What do you mean you don't understand?
00:03:59Corner unit, what?
00:04:00No, I don't know.
00:04:00Well, she has it on its side
00:04:02Chamble strip
00:04:03Oh, is it crooked?
00:04:04No, how crooked?
00:04:05If you don't play the music
00:04:06No, no, no
00:04:07Sideways, sideways
00:04:08Well, how do you know that?
00:04:10What do you mean you don't know?
00:04:11Well, if you go to the bathroom with him
00:04:12You turn to your right side
00:04:13It gets you wet
00:04:14And on the other side
00:04:15There is no danger
00:04:16But I'm not focusing on those things.
00:04:17I think this is a bad flower
00:04:19I don't know
00:04:20Look, here comes the neighbor
00:04:31Ah, that's great!
00:04:32Good evening, neighbor
00:04:38Ah, how are you, neighbor?
00:04:41Good night
00:04:42How are you doing, neighbor?
00:04:44How are you, neighbor?
00:04:45Good night
00:04:46How are you doing?
00:04:47How are you doing?
00:04:49How have things been?
00:04:51No, well, crooked, crooked
00:04:53You already know.
00:04:54It will straighten out
00:04:56No no
00:04:56Leave it like that
00:04:58Nothing else
00:04:59So that...
00:05:00Neighbor
00:05:01Let's see when he goes to the house
00:05:02So that you can sign the consent letter
00:05:04The letter of persuasion?
00:05:06Consent
00:05:08Ha, ha, by consent
00:05:09So that?
00:05:10From the phone
00:05:11Oh, and for the phones.
00:05:13Clear
00:05:13You see how they are.
00:05:14They gave us a hard time the other day, didn't they?
00:05:18That?
00:05:19A long
00:05:20That?
00:05:20Long distances
00:05:22Ah, distances
00:05:23Ha ha ha
00:05:24That is, quite long distances, right?
00:05:26He says, I received the receipt for last month
00:05:28And this together
00:05:29No, they're sons of bitches.
00:05:31And we still don't even have a phone.
00:05:33Look
00:05:34No
00:05:34Oh, ha
00:05:36Well, um, with your permission
00:05:38Come in, neighbor
00:05:39Hope you're doing well, neighbor.
00:05:41Thank you
00:05:42Little neighbor
00:05:43With permission
00:05:44That's the challenge
00:05:45Yes, yes
00:05:46With permission
00:05:48Come in, neighbor
00:05:49Hello good
00:05:49You will pass too
00:05:52Now yes
00:05:53Yeah I know
00:05:53I'll open the little door for them
00:05:56Excellent
00:06:02That there is nothing
00:06:03It just can't be.
00:06:05I can't work at this pace
00:06:08I can't stand it
00:06:10Every time I change one thing
00:06:13I have to change it for a reclining one
00:06:15And while she is lying down
00:06:17Thank goodness
00:06:18But the last one was standing still.
00:06:21Ah
00:06:22My menisci even loosened up
00:06:25My penis is sweating
00:06:27And I no longer feel the kundalini anywhere
00:06:31My love
00:06:33I'm so glad you arrived
00:06:34My life
00:06:35No, my love
00:06:36No incense, my love
00:06:38Yeah
00:06:39You know how much incense excites me
00:06:41That's why
00:06:42But yes, yes
00:06:44I'm tired, my love.
00:06:46Oh, my love
00:06:47I'm really tired.
00:06:48I'll take it off for you right now.
00:06:49Tired
00:06:50Yes, that's the bad part.
00:06:51You're taking it away from me, my love.
00:06:52I wanted to rest.
00:06:53I'm coming from work, my life
00:06:55Don't throw me anymore
00:06:56Don't throw me anymore
00:06:57Because I can't be held responsible for myself, my love.
00:06:58Oh yes, my love
00:06:59And right now
00:06:59Let me
00:07:00I'm going to make you enjoy yourself a lot
00:07:02Yes, I know
00:07:02You're going to make me enjoy myself so much, my love
00:07:04But remember, I'm tired.
00:07:07I'm tired of you, my love
00:07:09Yes my love
00:07:09Yeah
00:07:10In the end, it's all esoteric, isn't it?
00:07:13Yes my love
00:07:13Wow
00:07:14I'm going to give myself all the pyramid energy, my life
00:07:18All pyramid energy, yes
00:07:19Yes my love
00:07:20Let the sphinx get the better of me, my love
00:07:22My love
00:07:23Let the sphinx get the better of me
00:07:24Soybean
00:07:25No, I take out the beans
00:07:27Besides, I'm very tired, my love.
00:07:29Oh, my love
00:07:29But how tiring.
00:07:31Oh, don't say everything
00:07:32Well, he didn't
00:07:33But I do, my life
00:07:35No
00:07:35Oh, my love
00:07:38I'll bring you your ginseng and royal jelly right now, my love.
00:07:41To throw us out
00:07:42I'll be right back
00:07:43And bring me the crutches too, my love
00:07:48It just can't be
00:07:51I won't last much longer like this.
00:07:54He can't keep working like this.
00:08:02And fulfilling my responsibilities at home as I should.
00:08:05I'm dying
00:08:12I'm dying
00:08:14One more
00:08:16And I'm dying
00:08:17I'm not telling.
00:08:19Oh
00:08:20Me
00:08:22I am a dead man
00:08:25Guess who I am
00:08:27Because of the smell
00:08:28It must be the roach.
00:08:30Ah
00:08:31How did you recognize me?
00:08:33Oh, my love
00:08:34That smell of red snapper
00:08:35The Veracusan style is unmistakable
00:08:37My sweetheart
00:08:39We're about to have dinner.
00:08:41Yeah
00:08:41Yeah?
00:08:42But first you have to earn your dinner
00:08:45But the thing is
00:08:47I don't feel like eating red snapper right now, my love.
00:08:50No, kid
00:08:51No, man, that one less.
00:08:53What are garlic shrimp?
00:08:56Patricia
00:08:57You want to kill me
00:08:59You do it on purpose
00:09:01You know how much garlic shrimp excites me
00:09:04Yours, my shark
00:09:07Bite my fins
00:09:10A
00:09:14Two
00:09:16Three
00:09:18You were better than a north wind in Veracruz
00:09:28You looked like a hurricane
00:09:31Yeah
00:09:32You earned your garlic shrimp
00:09:37Octopus
00:09:39I'm going to make her little chick
00:09:43To my father-in-law
00:09:45To my father-in-law
00:09:46A little more
00:09:58When will it stop him?
00:10:01These women are going to kill me
00:10:02This job is going to kill me
00:10:05What I need is to eat
00:10:09Everyone wants chaca chaca
00:10:12But nobody feeds me
00:10:15I want some food
00:10:17I want some food
00:10:19Oh, Rupert, my love
00:10:27You've arrived at the perfect time, my love
00:10:30Wait for me, I'll prepare everything together right now.
00:10:32What happened, my love?
00:10:34Where are my pills?
00:10:35To sleep, Betty
00:10:37So why do you want them?
00:10:38For sleeping
00:10:40Daddy
00:10:41Look, I'll get your cock ready.
00:10:44Yeah
00:10:44A calamate with a wand
00:10:46And for another little thing, you know, the push for that judge
00:10:51Yeah
00:10:51The damiana that makes you feel like me
00:10:54I like it when you do your little act, Dad.
00:10:56My life is broken, my love.
00:11:00Oh, my love
00:11:00No, I break you down
00:11:02No
00:11:03I'll take care of you
00:11:04Let's have dinner
00:11:05Dinner is ready.
00:11:06I want to eat
00:11:06What do you mean, are we going to dinner?
00:11:07No, Dad
00:11:07Yes, I'm leaving
00:11:08No, what do you mean, want to?
00:11:10Hey, my love
00:11:11Come on, my love
00:11:12No, no, no, no
00:11:12Let me go
00:11:13Let's have dinner
00:11:14No no
00:11:15You know you're snooping on me
00:11:17No, Dad
00:11:18Not even touched
00:11:19I want for myself
00:11:20What happened?
00:11:21How do we do it in the evenings, my love?
00:11:23No, love
00:11:24Andale
00:11:24Betty, please
00:11:26What happened?
00:11:27Betty
00:11:27Oh, my love
00:11:28That's how it makes you feel
00:11:28When you start saying Betty
00:11:31Now, no more than you tell me.
00:11:32Baby, baby, baby
00:11:34Vengale
00:11:34Betty, I want to sleep
00:11:36Oh, no way!
00:11:36That?
00:11:37That?
00:11:37That?
00:11:38What a scare, Betty!
00:11:39I thought I had dropped it, my life
00:11:41There it is, right?
00:11:42Okay, let's start playing the little tongue
00:11:44No, no, Betty
00:11:45Touch it and lick it
00:11:47Play it!
00:11:49Betty, don't do that
00:11:51Betty, don't do that
00:11:53My life
00:11:54Oh, yes, that's fine.
00:11:55Don't do that
00:11:56No, no, they can see us here.
00:11:59They can see us
00:12:00Why not?
00:12:01No, no, no
00:12:02That?
00:12:02We put it in the little cushion
00:12:04Which one is he on?
00:12:05Yeah
00:12:06No, Betty
00:12:07We're going to drown
00:12:08No, no, no, no
00:12:09We're going to drown
00:12:10Oh, cushion
00:12:12No, sir
00:12:13Oh, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion, cushion
00:12:17Come on, come on, come on, come on, come on, come on, come on
00:12:22Come to the balls on my necklace
00:12:25Okay, my love, we'll be waiting for you for dinner.
00:12:29Please take care of Betty's trolleybus, she's won the jug again!
00:12:43Hey kid, it's better if they take care of you, this one, look, he got caught in the act and dragged himself around with some old women.
00:12:51Betty, please, we just made love in the bar, don't you remember?
00:12:56Already? I didn't feel anything.
00:13:00Come on, I gave it my all and she tells me she didn't feel anything
00:13:04Please, Paty, Billy, take care of her
00:13:10And what about me if I have to do all the housework and all the cooking?
00:13:14Hey kid, I have to go shopping, go to school, organize this house, do the accounts, no
00:13:20Sure, don't come
00:13:21Don't worry, I already ironed your shirts, Dad.
00:13:26Go away
00:13:29I told you that when you're in that state, don't iron my clothes.
00:13:34That's four shirts that have burned me.
00:13:36What do you want? For you to walk around naked?
00:13:39Or do you stop drinking? Or do you stop ironing?
00:13:44You're right, I'll stop ironing
00:13:47What's done is done, it's done and it's over.
00:13:49Yes, that's true.
00:13:51Let me tell you, I talked to my dad.
00:13:54Oh, and what does my father-in-law say?
00:13:57He plans to come in a few days.
00:13:59Excellent
00:14:00My mom is coming too.
00:14:02Are they traveling together?
00:14:05Of course
00:14:06And which hotel are they going to stay at?
00:14:11Here, with us
00:14:13Are your parents going to be here at the house?
00:14:15Uh-huh
00:14:16So that?
00:14:20They want to meet you
00:14:22But if they don't know I exist
00:14:25They pressured me and... and I had to tell them the truth
00:14:30I think they already knew something, huh
00:14:32You know the problems your parents are going to cause here in the house
00:14:36What will happen to my other two wives?
00:14:39To those I love as I love you
00:14:41What will happen when you want to make love with Pili?
00:14:45Or with Betty
00:14:46I don't lend, my daughter
00:14:49Why didn't you tell them a little white lie?
00:14:53And what did you want me to tell them?
00:14:55What, I don't live here anymore?
00:14:56Or what?
00:14:57Am I single?
00:14:58That? Would that have been okay?
00:15:01Clear
00:15:01But notice that it doesn't
00:15:02I'm as much of a wife as this congresswoman.
00:15:05Listen to me
00:15:06Don't offend me
00:15:08And look at your distance.
00:15:09We all have the right
00:15:11Of course they all have the right
00:15:13Huh?
00:15:13You are my wife
00:15:14You are my wife too
00:15:17They are all my wives
00:15:20But I want to tell you one thing
00:15:22What do they want to achieve?
00:15:24To break this harmony
00:15:26Break this...
00:15:28The happiness that the three of us share
00:15:30The three of you with me
00:15:32Do they want to break that?
00:15:34No
00:15:35No
00:15:35I want you to know
00:15:37Having a family like that
00:15:39Or being a family like that
00:15:41What if not?
00:15:43What happened?
00:15:44Isn't it not the same?
00:15:46The boy takes three
00:15:47What did the boy take from you?
00:15:50Oh, don't get angry, don't get angry
00:15:51Look, so you don't get angry?
00:15:53I'm going to shoot you a few times in the center
00:15:55No, no, I'm not angry
00:15:58But ever since I arrived
00:15:59I have to listen all day long
00:16:00All those things
00:16:01That from here
00:16:02That of sex
00:16:03That of this
00:16:03And you're masturbating
00:16:05He already thinks
00:16:05No, no, no
00:16:06How by masturbating?
00:16:07How is it done?
00:16:07Or if not, with words
00:16:11You always wear sexy things
00:16:12You're the only one who's in that area
00:16:13Okay, okay
00:16:14Yeah, yeah
00:16:14Find yourself a woman
00:16:15So that it doesn't shake so much
00:16:17Ah, look, Ginio
00:16:18If I'm lecturing you
00:16:20It's for your own good.
00:16:21Go, go see this neighborhood
00:16:22It's full of tricks.
00:16:24Hey?
00:16:24If I don't teach you
00:16:26They're going to bring you by boat.
00:16:27They're going to bring it to you on request.
00:16:28They're going to bring you in skewered.
00:16:30In the gamble
00:16:31Well, impaled
00:16:32You'll bring me now
00:16:32With all his things there
00:16:33No
00:16:33Ha, ha, no, go
00:16:35Are you the crooked one?
00:16:45Do you know me?
00:16:47Of course
00:16:48Ah
00:16:49Look, I came to pick up
00:16:52Well, it's easy
00:16:53No, no, no
00:16:54I came to pick up the television.
00:16:56But I'm also going to give him the refrigerator.
00:16:59Ah
00:16:59Okay, but I'll pay you with money.
00:17:01No, please
00:17:06Come here
00:17:07No
00:17:08Come here, little one
00:17:10My ears are ringing with disgust
00:17:12That's the least of it.
00:17:12Oh no
00:17:14And what if her husband arrives?
00:17:16Silly
00:17:17That?
00:17:17I am a widow
00:17:19Oh, really?
00:17:20Well, if it weren't for the dark circles under my eyes
00:17:22I don't see any mourning anywhere.
00:17:23It's that I mourn
00:17:25I carry it within me.
00:17:27Well, come here
00:17:31What am I going to give you?
00:17:32And to offer my condolences
00:17:36Oh, be standing still
00:17:42I stood up
00:17:43And then they praise my carcasses.
00:17:46Oh
00:17:47Oh
00:17:48Oh
00:17:50Oh
00:17:52Oh
00:17:52And this
00:17:59It's a bonus
00:18:00He didn't want to be able to pay Coliner
00:18:05He wasn't interested in the money
00:18:08Mamacitas
00:18:13How lovely
00:18:14How delicious!
00:18:15Oh, boy
00:18:15I wish I were Saint Peter
00:18:16To take them to heaven
00:18:18Oh
00:18:18Hello, very much
00:18:24Good day to you all
00:18:26Big tits
00:18:28Jicamo
00:18:29How are you?
00:18:30Very good
00:18:31Not as well as you guys
00:18:32Mamacitas
00:18:32Oh, Luisito
00:18:33Luisito
00:18:34What's wrong with him?
00:18:35Oh, I'm coming in like a palm tree.
00:18:36By Agustín Lara
00:18:37As?
00:18:38Drunk on sun
00:18:39There will be no other Agustín Lara song.
00:18:43Like which one of you?
00:18:44It's like a little lantern
00:18:45Oh, like a little lantern
00:18:47Mica
00:18:47Oh, I'm telling you, okay?
00:18:49You see, you'll see
00:18:50My cow is drying up
00:18:51I'm not saying
00:18:52My mouth is dry because of my finger.
00:18:54The one with the sun
00:18:55The one with the sun
00:18:56Yes, yes
00:18:56By
00:18:57The finger?
00:19:00No, no, no
00:19:01Because of the sun
00:19:01The sun
00:19:02Here's one
00:19:04Just the way he likes it
00:19:05Large and round
00:19:06So what?
00:19:09Isn't my brother-in-law here?
00:19:10No, no, he's not here right now.
00:19:11He went to attend to business.
00:19:13And didn't he leave us some money there for expenses?
00:19:17Oh, yes.
00:19:18Really
00:19:18Excuse me, I had forgotten.
00:19:20I forgot.
00:19:21Here's some money for you
00:19:22Oh, oh
00:19:25Excuse me, ladies.
00:19:27I would like to introduce you to Regino
00:19:29Sometimes I hit it standing up
00:19:31But sometimes I do raise it
00:19:32And he's not ashamed.
00:19:34The fact that?
00:19:35That name that has
00:19:36No, I think I'm standing on tiptoe
00:19:38No, my name is Eginio
00:19:40Eginio
00:19:40Oh, Eginio
00:19:42Eginio, yes
00:19:42Okay, that's it.
00:19:48May it bring relief, may it bring relief
00:19:50Hey, well
00:19:50My brother-in-law is doing well, isn't he?
00:19:52Yes, yes
00:19:52It's going well, but he doesn't know what it's like.
00:19:54He's always complaining
00:19:55He's being a crybaby
00:19:56Yes, it's loud.
00:19:58He's a screamer, isn't he?
00:19:59Well
00:19:59Well, we're leaving now.
00:20:00Goodbye, guys
00:20:01See you, Regino
00:20:02Bye
00:20:04If you move it the way you beat it
00:20:07What delicious chocolate!
00:20:10Hey, Eginio
00:20:11What do you think of those two old ladies, huh?
00:20:13No, man
00:20:13They are very good
00:20:14Very good
00:20:15What would you do to them?
00:20:17Oh no
00:20:17What wouldn't you do to them?
00:20:19Oh, yes.
00:20:19Well no
00:20:20Eginio, you're very serious.
00:20:22Well, I'm serious.
00:20:23But I'm not sexually retarded.
00:20:25Hey, so which one did you like out of the two?
00:20:28Well, I really liked the Veracruz girl.
00:20:29Because the other one is like a drunk
00:20:31And she's sloppy
00:20:32And also quite bawdy.
00:20:34Just like you
00:20:35So the one you liked was Pati
00:20:37Yes, very good.
00:20:38Tell me, tell me something, Eginio
00:20:39What would you say to win her over?
00:20:42Because I see that you're kind of confused.
00:20:44Well, sometimes, yes
00:20:46But other times, no.
00:20:47And in the town
00:20:47I used to sometimes say compliments like this
00:20:49Let's see what you think.
00:20:50Let's see
00:20:50Blessed be the axe
00:20:52That split the tree
00:20:54Where they got the wood
00:20:56For...
00:20:56No, no, no
00:20:57No, you have to say something nicer to her.
00:20:59Let's see
00:21:00What beautiful eyes you have.
00:21:01How delicate
00:21:02How sweet
00:21:03What a little crib
00:21:03You're so ridiculous
00:21:04You're so ridiculous
00:21:05No no
00:21:06You have to say something ridiculous to him.
00:21:08Like what?
00:21:08Like what?
00:21:09That?
00:21:09I have to tell you
00:21:09Listen to this
00:21:10What a blond coat rack you have
00:21:13To hang my jacket
00:21:15Hey?
00:21:16Cost another
00:21:17Oh!
00:21:19On other occasions
00:21:20We hadn't seen each other, mamacita
00:21:22Okay, that's it.
00:21:23That's practically an insult.
00:21:24Then it's not obvious that you hate women
00:21:26Man
00:21:39Can I help you with anything, mamacita?
00:22:09Oh, dude
00:22:13What's up, dude?
00:22:14Oh, you weren't the one fixing it.
00:22:16You were run over
00:22:17What's your problem?
00:22:18No, no, no
00:22:18What have you brought, man?
00:22:19Okay, die.
00:22:20See you
00:22:21Ponte, die, die
00:22:23Given that?
00:22:24Son of my
00:22:25Alright, son!
00:22:43And now what, Chabelita?
00:22:45Like what?
00:22:45Yes, the other day he issued me a traffic ticket.
00:22:48By the turn signals
00:22:49Before the day before yesterday
00:22:50Because I didn't let a pedestrian cross
00:22:52The day before yesterday
00:22:53Because the matchbox
00:22:54What time is it?
00:22:56What time is it?
00:22:57Now I'm the law, son, huh?
00:22:58Give me the license
00:22:59I'd better take a bite.
00:23:00Damn hand
00:23:01For misery in my house
00:23:03Sundays as early as seven
00:23:04Nothing
00:23:04What do you want the license for, Chabelita?
00:23:06What for?
00:23:07Because I've already been told you're very crooked.
00:23:09Are you walking crookedly?
00:23:11I swear I didn't
00:23:12All my papers are in order
00:23:13No, no, no, no
00:23:14Don't do it
00:23:15You know exactly what I mean
00:23:16And you also have a great figure, wow!
00:23:19Which little body?
00:23:22Which little body?
00:23:23The little female police officer's body
00:23:25And they all say you walk very crookedly
00:23:27Oh, but Chabelita
00:23:29Are you going to make me go to the station for my license?
00:23:33No, no, no, no
00:23:34Which delegation?
00:23:35So?
00:23:35Look, on Thursday
00:23:36Thursday
00:23:37At eight o'clock at night
00:23:39Where?
00:23:40At my place
00:23:41I mean, if you want your license, son
00:23:43Ah, we don't have to go to the delegation anymore
00:23:44Look how cool!
00:23:46Administrative simplification
00:23:48Yeah
00:23:48So, on Thursdays at eight
00:23:50No, Chabelita
00:23:51But the law
00:23:52We must respect her
00:23:54We'll see.
00:23:55Let's see what we can do.
00:23:56Business is slow.
00:23:59Swear to me
00:24:00Crooked Mr.
00:24:01Excuse me
00:24:02But
00:24:02Why don't we rest for a little while instead?
00:24:05As?
00:24:06My best mule is giving up on me
00:24:09No, no, no
00:24:10The thing is, it's already
00:24:11Oh, little man
00:24:12Well, it's been nothing but walking.
00:24:14Walking and nothing.
00:24:15There has been nothing.
00:24:15What time?
00:24:16Because?
00:24:16Well, the crisis is tough, man.
00:24:18People no longer let go of their claws
00:24:20She prefers to mend them
00:24:22The devices, well, even less so.
00:24:23He's going to release them, right?
00:24:24They call him a little devil
00:24:25And may it continue to work
00:24:26Ah, before the halls
00:24:29We were happy
00:24:30Well, there were times
00:24:32We even grabbed
00:24:33New clothes
00:24:34Well, but you can't complain
00:24:36Sooner or later
00:24:37You've always done well, haven't you?
00:24:40Well, yes
00:24:40I know how he does it
00:24:42Because I have seen
00:24:43And they've also told me
00:24:44The clients
00:24:45They fall for me on their own
00:24:47Well, the thing is, one has here
00:24:49Well, just like his personality, right?
00:24:51Like one is
00:24:52No?
00:24:53The feeling
00:24:54And then the singing
00:24:56That's very important.
00:24:57How one goes around advertising the merchandise, right?
00:25:00We have to put everything in, right?
00:25:01I haven't heard it
00:25:02I would really like to hear it.
00:25:04Used clothes
00:25:07Those that sales
00:25:09The shoes
00:25:11No, but what is it?
00:25:13Do you think Manuel
00:25:14He has arrived at the site
00:25:15That is nothing more
00:25:17For yelling like that for no reason?
00:25:19No, sir
00:25:19As?
00:25:20Well, you have to add it
00:25:21As?
00:25:21No, I won't throw him out!
00:25:23You're squeezing, sir
00:25:24That's why it sounds like that
00:25:25Like claws I feel
00:25:26No, no, no
00:25:27Loosen up
00:25:28To create a draft
00:25:30And the vibrato arrives.
00:25:31And look beautiful
00:25:32Let's see, let's see, let's see
00:25:32As?
00:25:33More or less, Mr. Chaco
00:25:34Paper
00:25:36Newspaper
00:25:38Used clothes
00:25:39Let them sell
00:25:41It's pretty.
00:25:42Let them sell
00:25:44Let them sell
00:25:45It's not
00:25:46Let them sell
00:25:47Please pause
00:25:48And then he throws them
00:25:49The one they sell
00:25:49Let them sell
00:25:52Pass me the creams
00:25:54I'm going to make a delivery
00:25:55Well
00:25:56It won't take long, will it?
00:25:58No
00:25:58And it takes a long time
00:25:59Okay, I'll wait in the truck.
00:26:00Well, you'd better go to the truck.
00:26:01See you there
00:26:02Well
00:26:02See you there
00:26:03Okay, have a good one
00:26:04Thank you!
00:26:04Thank you!
00:26:05Thank you!
00:26:05Thank you!
00:26:35Go ahead! It's open!
00:26:42Oh, Checo! I'm so glad you came! Did you bring me the burns?
00:27:08Yes, Rosita.
00:27:09Yeah?
00:27:09Yeah.
00:27:10What's wrong with him?
00:27:10What? Have you never seen a woman before?
00:27:13Well, not like that, never.
00:27:18As well as?
00:27:19Well, as the poet said, that's how good it is.
00:27:25Rosita, here are the creams, but I don't think you'll need them.
00:27:31Well, they're not for me, they're for an aunt who's in Morelia.
00:27:34For an aunt who lives in Morelia.
00:27:36How awful! What a problem!
00:27:38That?
00:27:38Please note that the creams come with a free massage promotion.
00:27:42Uh-huh.
00:27:42And I'm going to have to give you the massage.
00:27:45But why me?
00:27:46Well, I can't exactly go all the way to Morelia to give it to my aunt.
00:27:50Well, yes, you're right, that's true.
00:27:51Right? Also, this massage will do you a lot of good because it will firm up this area here, right?
00:28:00Do you see how? How could I not? If it's there, it's hard and it needs to be fluffy, fluffy.
00:28:07Oh ok.
00:28:08Do you have any hard surfaces besides yourself?
00:28:11Yes, over there at the table if you like, let's go.
00:28:14Come on.
00:28:15Are you following me?
00:28:16Until death.
00:28:18No way, man, this woman is going to melt the creams.
00:28:23Worthy!
00:28:25Worthy!
00:28:26Hey, yes! Your class is about to start!
00:28:29I'm going to get you right on the ball when it comes to caliche!
00:28:32Okay, kid, tell me something.
00:28:36What are you going to put on for the eliminations?
00:28:40For the eliminations?
00:28:41Yeah.
00:28:41I forgive myself, I know, my young man.
00:28:43The truth is that back in the village they were already telling me that the fairs there with the priest and all that was good for the eliminations and for the girls.
00:28:49Really?
00:28:50Look, you're really messing around, but nobody can beat me through that.
00:28:54Okay, you take the first one.
00:28:56Well, look, let's see, for example, tell me, who is the saint who doesn't shrink?
00:29:01I don't know, which one is it?
00:29:04Sanforized.
00:29:05Oh no, don't be a jerk, it's been said a lot, it's very worn out.
00:29:08Another one, another one, another one.
00:29:09No, you're not making fun of me either.
00:29:11Okay, okay, let's see.
00:29:11But, for example, tell me who the saint is.
00:29:14Ah, yes.
00:29:15Okay, so who is the patron saint of fruit?
00:29:17Which is it?
00:29:18Watermelon.
00:29:19Oh, oh, did you see what you're like?
00:29:21Look, clever one, I'm going to tell you one about saints, but one about saints is good.
00:29:26Who is the patron saint of pregnant women, of those with big bellies?
00:29:30Uh, well, I don't know, which one is it?
00:29:32That's right, Santiago.
00:29:34Ah, Santiago.
00:29:36Well, I don't understand, I don't understand.
00:29:37No, how can I not understand?
00:29:38Look, now, please pay attention.
00:29:40I'm going to make you the king of double entendres.
00:29:42The king of tatacha and caliche.
00:29:44Oh, but they don't bring a towel because he's kind of too small.
00:29:47Well, I wasn't very prepared for the massage, but let me tell you about the creams.
00:29:54But if it's not as good as you say, there won't be a second time, right?
00:29:58Oh, of course not.
00:29:59Well.
00:30:00I'll see him soon.
00:30:01Yes, of course it helps me.
00:30:04Face down?
00:30:04Upside down, to start with, right?
00:30:06No, Mom.
00:30:07Because it's the...
00:30:10Is this okay?
00:30:11No, man, it's wonderful like this.
00:30:13It's the best, isn't it?
00:30:15Because the cream tie is important.
00:30:17Yeah.
00:30:18Otherwise, please excuse my anxiety.
00:30:20It's mostly about warming up the muscle.
00:30:24The muscle, okay?
00:30:26Uh-huh.
00:30:26A little bit of cream.
00:30:29Let's see.
00:30:31Uh, so...
00:30:35Yeah.
00:30:37And do you have a boyfriend?
00:30:39Well, I did have one, but I broke up with him about four weeks ago.
00:30:43Oh, don't tell me.
00:30:44You finished four weeks.
00:30:46Yeah.
00:30:47Oh, and why did that idiot leave her?
00:30:50Oh, well, because the wretch was seeing other women.
00:30:53As?
00:30:54He was seeing other women while you were with him.
00:30:56Yeah.
00:30:57But you do have to be an idiot to do that, right?
00:31:01If nothing else, it's a thing.
00:31:02That's awful.
00:31:04It's the...
00:31:04So he left her for someone else, right?
00:31:09Yeah.
00:31:10And since then you don't chaca chaca.
00:31:14It's that chaca chaca thing.
00:31:16Like what?
00:31:16It's the combination of detergent and washing machine that makes it foam.
00:31:22TRUE?
00:31:22No, I don't understand.
00:31:24How can he not understand?
00:31:25No.
00:31:26Don't you understand?
00:31:27It's like...
00:31:28Well, you haven't seen your boyfriend for five months, right?
00:31:32Not at all.
00:31:33Oh, how delicious.
00:31:35If it's nothing more than a matter of...
00:31:36No, look, what happens is that you, all, all the rudeness, all the offense, all the sex stuff, you must be a really sick person about sex, about those things.
00:31:44How can you say that to me?
00:31:45But you must shut that cesspool you call a brain.
00:31:49That's why they say Mexicans have mental diarrhea.
00:31:52Oh, don't be so harsh on me.
00:31:56No, it's that you have to bring out the color so that they are rosy, like cheeks.
00:32:00Now here to match.
00:32:03Hey?
00:32:04Hey?
00:32:05Already.
00:32:07And what is your favorite hobby, your favorite pastime?
00:32:15Well, what I like most is music.
00:32:19I love music.
00:32:21The music?
00:32:21Uh-huh.
00:32:23Do you like to hear it or play it?
00:32:28Both?
00:32:30Both.
00:32:30Uh-huh.
00:32:31And what instrument does he play?
00:32:33Oh, I love to hold the flute with both hands, put it in my mouth and blow into it little by little.
00:32:42Ah, you say, Rosita, and does anyone else in your family play the flute?
00:32:50No, only I touch it.
00:32:52But my dad plays the piano and my mom plays the bass.
00:32:55It's because his dad must be short.
00:32:57Yes, and my sister plays the trumpet.
00:33:00Oh, her sister likes the trumpet, how nice.
00:33:03No, the trumpet.
00:33:05It sounds the same, it sounds the same.
00:33:07Well, apart from the music of his family, is there nothing else?
00:33:11Because?
00:33:11That's all, nothing more than his family.
00:33:13Well, let's see what day he invites you so we can have a philharmonic gathering and end up, well, all of us picking up an instrument, right?
00:33:21Oh, that would be awesome, wouldn't it?
00:33:23Yes, indeed.
00:33:24We'll do it then, right?
00:33:25Of course.
00:33:28That?
00:33:28Nothing.
00:33:30I'm feeling positive vibes.
00:33:34Uh-huh.
00:33:34But also erotic and sexual.
00:33:37As?
00:33:41And this one?
00:33:43Wow, that's amazing, I'm getting such good vibes.
00:33:48I'm studying the principles of parapsychology.
00:33:52Parapsychology.
00:33:53I love it too.
00:33:56How rude.
00:33:57Just look at that, Rosita.
00:33:59What a coincidence, man.
00:34:00I tell him that destiny is bringing us together little by little.
00:34:03It's bringing us closer to each other.
00:34:06Because we are all the same.
00:34:08You like music, so do I.
00:34:10I like parapsychology.
00:34:12And I also have training in meditation.
00:34:16And also, relax.
00:34:18Very relaxing.
00:34:20Oh, and why don't you teach me more things, huh?
00:34:24I'm going to show you the best part right now.
00:34:26Oh, don't be rude to me.
00:34:28No, it's so it can catch the heat.
00:34:31Oh ok.
00:34:32Don't say that.
00:34:33Why not?
00:34:34I think he is.
00:34:36That?
00:34:36No, man, yes, it's even a bit of a man, I think.
00:34:38What is a manfloro?
00:34:40He doesn't know what it is, that's what they say in the village.
00:34:41You are like, let's say, like a little flower.
00:34:44Eugenio, please, how can I be like a little flower?
00:34:47Well, like a prickly pear cactus without fruit, let's say, like a daisy.
00:34:49A daisy?
00:34:51What's your idea?
00:34:53I'm showing you what the harpur is.
00:34:55That's just how Mexicans are, really.
00:34:57Of double meaning.
00:34:58They really know how they work, huh?
00:34:59You guys are just messing around here and the kid's already blown things up.
00:35:02The kid, Juan?
00:35:03Oh, really? Well, there's nobody here.
00:35:04But what if he has been there?
00:35:04Oh, well yes, they don't even make it anymore.
00:35:07That's why they don't have enough and they want me to support them.
00:35:10And you, Don Felicinio?
00:35:13Eugenio, Mr. Chueco Eugenio.
00:35:15It's the same thing, man, it's not like I really want to work.
00:35:17No, well yes, sir.
00:35:18Yes, yes.
00:35:19Did you already buy what I told you about?
00:35:20Yes, of course, my son.
00:35:21Yes, let's see, here's what I have left.
00:35:24You're coming.
00:35:24Grab the basket and the ayante and go ahead.
00:35:27Okay, very good.
00:35:28And you, Luisito?
00:35:29Luisito, be careful what you buy.
00:35:31Not even with what you pay.
00:35:33No, well I'm careful.
00:35:35The thing is, I'm exhausted.
00:35:36But that's me.
00:35:37Well.
00:35:38But every week he walked around like he was sleep-deprived.
00:35:40Well, I've been up late.
00:35:41That's fine, sir.
00:35:42Well, it's time.
00:35:43Don't worry.
00:35:44Hurry up.
00:35:44Oh, my love, I already told you that I don't like it when you come to me with complaints.
00:35:50Don't give me the whole conversation, okay?
00:35:52Please.
00:35:53The decision has already been made.
00:35:55Well, I don't agree with what you think.
00:35:57My love, you have to do what I tell you.
00:36:01Well, I don't agree that Patricia's parents should come to this house.
00:36:04And definitely not that you should introduce her to your little sister, okay?
00:36:07You have to do what I tell you.
00:36:09I don't like it when Patricia's parents come to the house either.
00:36:11But while they're here, you have to be my sister.
00:36:15What about your mother?
00:36:16You're very young.
00:36:17You have to be my sister.
00:36:19Besides, it's only a few days.
00:36:21It's not the days that worry me the most.
00:36:24My beloved little one.
00:36:25These are the nights, the nights I'm going to spend without you, my love.
00:36:30We'll figure it out, my love.
00:36:32Now go to the kitchen.
00:36:34No, go to the kitchen.
00:36:35Not that you should go all the way to the kitchen.
00:36:37Oh, but also a little ahead, yes, daddy.
00:36:40Can't.
00:36:41I'm going to my home deliveries.
00:36:43These home deliveries are starting to seem very suspicious to me, aren't they?
00:36:51Billy.
00:36:52Billy.
00:36:54Billy.
00:36:56Oh, my love.
00:36:57Thank you, daddy.
00:37:00Billy.
00:37:01Billy.
00:37:02Billy.
00:37:02Billy.
00:37:03Oh.
00:37:03Oh.
00:37:05Yesterday I went to a party, my good Eginio.
00:37:08Excellent, great party.
00:37:10With only very attractive girls.
00:37:12I would have liked you to be there, man.
00:37:15Oh, I'm saving my money.
00:37:17And then you tell me I'm a manfloro.
00:37:20I think you're the backstabber.
00:37:22Why don't you do the aged wine test?
00:37:26Ay, la, la, la, look.
00:37:27Between Mechón and Mechupas they bought a sweet potato.
00:37:31Mechón ate the honey.
00:37:33And Mechupas wasn't hungry.
00:37:36Oh, that reminds me that last night I bought cinnamon, chili, tea, cloves, and lemon.
00:37:46No way, dude.
00:37:47You already learned.
00:37:51Okay, so what?
00:37:52Is everything ready?
00:37:55Yeah I know.
00:37:56I'm already totally ready.
00:37:57Absolutely, Mr. Chueco.
00:37:59That's great, Pipino.
00:38:01Because you're going to have to go alone.
00:38:02I have to go and collect some payments.
00:38:04As you say, Mr. Chueco.
00:38:05Ready.
00:38:05And take that bandana off your head.
00:38:08Because?
00:38:08It looks thick, old.
00:38:11I didn't sleep well, damn it.
00:38:13Oh dear, and he has to go and make his home deliveries.
00:38:17Son, that's incredible.
00:38:18That?
00:38:19Have you started drinking again?
00:38:20Me, what do you think? Please.
00:38:22You know what?
00:38:24What should I do? Take some cough syrup.
00:38:27Ah, it smells really strange.
00:38:29Let's see.
00:38:31Son, syrup.
00:38:33And that bottle?
00:38:34Oh my God.
00:38:36Hijoíno.
00:38:37Where did this come from?
00:38:41Okay, okay, okay.
00:38:42Don't play dumb.
00:38:43That's why they don't progress, damn it.
00:38:45As the saying goes.
00:38:47He who is born to be a flowerpot ends up full of worms.
00:38:49Come on, you, tell him another one of those sayings he's been saying.
00:38:53Which?
00:38:54That laziness is the mother of a good life, right?
00:38:56No, no, no. I said, idleness.
00:38:59Okay, okay.
00:38:59Okay.
00:39:00Shut up about his rope.
00:39:01Okay.
00:39:01Alright, that's it, son.
00:39:07Oh, crying.
00:39:08Chabelita, good evening.
00:39:28Hello good.
00:39:28What do you think?
00:39:30I'm here for my license.
00:39:32Really?
00:39:33Yeah.
00:39:33Don't tell me.
00:39:35Yes, Chabelita.
00:39:36Oh, what a shame.
00:39:38Well, go in, talk to him.
00:39:39Well, as I was saying, Chabelita, I've come for my...
00:39:44Oh, Chabelita, I've come for my license.
00:39:48Yes, but it's not so easy to get the license.
00:39:51Well, I think so, because look, you're going to have dinner guests.
00:39:54and I'm just here to waste your time.
00:39:55Maybe he's their commander and he'll even take me in the boat.
00:39:58Oh no.
00:39:59No?
00:40:00Dinner is for you.
00:40:03For me?
00:40:04Yeah.
00:40:05But my license.
00:40:06No, no, no, no, don't get on my case, eh.
00:40:08So, relax.
00:40:10I'm going to give you a test first.
00:40:12An exam on what?
00:40:13Well, just passing through.
00:40:15He doesn't answer, command yourself.
00:40:16What do we do?
00:40:18Let's go there.
00:40:21Oh.
00:40:21Oh, that's great, isn't it?
00:40:24Don't tell me that, Chabelita, it really makes me blush.
00:40:27Oh, what a guy.
00:40:29No, I just want my license.
00:40:31So, how do you put it in reverse?
00:40:33No, how do I reverse it?
00:40:34Does it thunder?
00:40:35No.
00:40:36So?
00:40:36But the thing is...
00:40:37The first one?
00:40:39I put the first one in properly.
00:40:41And the second one?
00:40:42No, that's when things really get interesting.
00:40:43Because?
00:40:43Well, it grates on me.
00:40:45Oh no.
00:40:46But I recover on the third try.
00:40:47No, wait for me.
00:40:48TRUE.
00:40:49Chabelita, please.
00:40:50That?
00:40:50That's all...
00:40:51OK that's fine.
00:40:53Let's do it, but as a duckling.
00:40:55But I don't know how much of a duck it is.
00:40:57Like a little duck, because I sing quickly.
00:41:00Oh, I hope you stay such a jerk.
00:41:02No, no, Chabelita, please!
00:41:05Come on!
00:41:05Cabelita!
00:41:06Sign!
00:41:07Sign!
00:41:07Sign!
00:41:08I'm coming, I'm coming, I'm coming!
00:41:13Go!
00:41:16What's the matter?
00:41:29His eyes are like tomatoes
00:41:32Oh, what can I tell you!
00:41:36My boyfriend Hector left to visit his family two months ago.
00:41:40And he hasn't returned
00:41:42Don't worry, he'll come back.
00:41:45No, no, I already went to see his village to find out what had happened
00:41:49He never arrived; it seems the truck he was in crashed.
00:41:52And what do you plan to do?
00:41:54The first thing would be to get rid of all his things, right?
00:41:58You're doing the right thing, that way you won't have any more memories of him.
00:42:00The dead to the grave and the living to the bread
00:42:04Oh, what a coincidence!
00:42:13Let's see how much I can get for Hector's clothes
00:42:15Let's see if they can give you some comfort.
00:42:17Oh yes, that's a great comfort!
00:42:18That's what I need
00:42:19The changing room!
00:42:22The changing room!
00:42:24Used clothes!
00:42:26Young man, young man, come on, okay?
00:42:28Me, miss? I mean, excuse me, me, young man?
00:42:30Yes, you
00:42:31Ah, yes
00:42:33Come in
00:42:33Yes, tell me, young man
00:42:37I want to show you a few things, come in.
00:42:38Yes, of course, thank you.
00:42:40Thank you, young man.
00:42:43Come in, come in
00:42:44Good afternoon, sir
00:42:46Good afternoon
00:42:46Come in
00:42:47Thank you
00:42:48Thank you
00:42:49What is your name?
00:42:53I
00:42:53Iginio Barba
00:42:55Baby bottles to serve you, sir
00:42:57Iginio
00:42:58What a beautiful name!
00:42:59Would you like a soft drink?
00:43:02No, not right now
00:43:03Thank you so much
00:43:03I just had a bowel movement and I'm
00:43:05Already
00:43:06A little drink?
00:43:07Not right now, thank you very much, sir.
00:43:08Lower the things
00:43:10Oh yes!
00:43:11I'll be right back
00:43:12Hey, what is it?
00:43:15Is that your little boy?
00:43:16No, no, no, no
00:43:17He is my patient
00:43:18I am a doctor
00:43:20Psychiatrist
00:43:21Ah, doctor, nice to meet you, doctor.
00:43:23Nice to meet you
00:43:24Nice to meet you
00:43:25And how are sales?
00:43:26Well, you know, we're already on it
00:43:28Oh, oh, oh, oh
00:43:29Why so little?
00:43:30Don't be unruly
00:43:31And you expect me to comfort you?
00:43:34Give me the television
00:43:35Oh, yes.
00:43:37Yes, I'm also interested in television, yes.
00:43:38Oh, then stop giving me whatever you want to give me.
00:43:40Oh, I'm trying to convince him to give you comfort.
00:43:43Oh, yes.
00:43:44Oh, by the way
00:43:46Do you know what a donkey and a television have in common?
00:43:49Oh no
00:43:50No, no, damn it
00:43:51No
00:43:52How is it similar? How?
00:43:53In that both have four legs and twenty-three inches
00:43:56I like double entendres, don't I?
00:44:01And do you know what it's not like?
00:44:03No
00:44:03No
00:44:04The television is forty-five inches.
00:44:07And the donkey has them too, but effective ones.
00:44:09Well, I'd better go and you can sort yourselves out.
00:44:16Oh, but I
00:44:16Twenty-three inches
00:44:17And her clothes are going to open
00:44:19Oh, I don't have any bread left.
00:44:22Dad
00:44:31Dad!
00:44:34Welcome, kid!
00:44:36Beloncita, just look how handsome he is!
00:44:38What, does it come alone?
00:44:39No, here comes the old woman carrying the suitcases.
00:44:43Stop it, pass it!
00:44:47That!
00:44:50That?
00:44:52Welcome, Mom!
00:44:56Here's your funny mom.
00:45:00Yes, we carried the suitcases, right?
00:45:03Hey, how hot is it in this city?
00:45:05It's more than in the port.
00:45:07I don't like.
00:45:07I don't like.
00:45:13This is my father-in-law!
00:45:15This is my father-in-law!
00:45:17Is this your husband?
00:45:18In part, right?
00:45:19On the other side, where is it?
00:45:20So this is your husband.
00:45:22Yes, yes.
00:45:23That meatball is called Chilpachogre.
00:45:25But from Jaiva, from Jaiva.
00:45:27What is this?
00:45:27My brother, my brother, he's doing well in the kitchen.
00:45:32I'll introduce them to you right now.
00:45:34Excuse me.
00:45:36Let's see, he might be interested in them.
00:45:38Oh yeah, damn it, everything's here.
00:45:40Son of a joker!
00:45:44Already!
00:45:45Bring the piece to life!
00:45:47That?
00:45:47It won't leave me alone!
00:45:49Give me my...
00:45:50That's enough!
00:45:51Oh, you know what?
00:45:52Beatriz should keep her warm, otherwise you'll spill your sodas from the meal.
00:45:55But how do they...?
00:45:56No, love!
00:45:57Well, you're just going to give me soft drinks!
00:45:59Okay, that's enough!
00:46:00Yes, yes, yes!
00:46:01We'll get some soft drinks in a bit, and that's it...
00:46:04They are my sisters, our...
00:46:06TRUE?
00:46:07That?
00:46:07Should I beat the crap out of your sister-in-law?
00:46:09No, Mom, please!
00:46:10No, please, I'll break it!
00:46:12Don't let me have my...
00:46:13Okay, okay, calm down, let it be!
00:46:15Oh, we're going to buy sodas and stuff right now!
00:46:18Does that sound good to you?
00:46:19Oh, my life!
00:46:20Good afternoon!
00:46:22Oh, my life!
00:46:23Befi!
00:46:23The bow!
00:46:25No, girl!
00:46:25Evil me, please!
00:46:27What happened, my love?
00:46:28Oh, yes, these are your sisters-in-law!
00:46:30Yeah!
00:46:31They're Lebanese!
00:46:33Yes, yes!
00:46:34We are the Lebanese!
00:46:35Yes, yes!
00:46:36And we welcome them with kisses on the cheek!
00:46:39Very good!
00:46:40No, no, no!
00:46:41No no!
00:46:41No, not me!
00:46:42I really like you!
00:46:43Mmm, no, now you're going to make me happy...
00:46:46Hmm!
00:46:46No no!
00:46:47That...
00:46:47No no!
00:46:47Don't read my names!
00:46:50Alright!
00:46:50So, let's get some drinks and something to eat, not just red snapper or shrimp.
00:46:55Whatever you want...
00:46:56Let's go!
00:46:58Awesome!
00:46:59Yeah I know!
00:46:59Awesome!
00:47:00Awesome!
00:47:01And now I've just arrived from the balcony to...
00:47:03And the band to dance to!
00:47:05And the Holy Pope already said it, and he said it to your face!
00:47:09Only Veracruz is beautiful!
00:47:13That's my Luis!
00:47:17Worth!
00:47:18If I fell into a puddle of milk, would you pull me out?
00:47:22I miss you!
00:47:24Step back!
00:47:25The blow gives warning!
00:47:26If you go up on the roof, yes!
00:47:29Manuela, she's your sister, right?
00:47:30Oh, yes!
00:47:31Oh, if you see her!
00:47:32Can you blind it for me while you're at it?
00:47:33I'll pass you, I'll pass you, I'll go through you, I'll roll up my sleeves and even perfume it for you!
00:47:37And how did that turn out?
00:47:39It's raining?
00:47:40Is it there?
00:47:41The one that bothers you?
00:47:42The one that gives you indigestion?
00:47:45Those are the jackets I like.
00:47:47Do me a favor and shut up because I'm going to put you in your place.
00:47:50The milk from the flatbed truck has arrived.
00:47:52Pull this finger!
00:47:53Let's see!
00:47:54Oh!
00:47:55Already!
00:47:57But forget that you have a big point in your game.
00:47:59No, no, no!
00:48:00There it was!
00:48:01There it was!
00:48:01That's where ingenuity dies!
00:48:02There it was, huh!
00:48:05Gee!
00:48:06What is life?
00:48:07The thing is, I had just arrived from the provinces and was healthier.
00:48:10But I had to learn the double entendres and that kind of homosexual language you guys speak and all that in order to be able to understand you.
00:48:18But here I am, a hairdresser of chores now.
00:48:22And what have you been doing all this time?
00:48:24Wow, ingenuity!
00:48:25What am I going to do with this luck I have?
00:48:29Luck?
00:48:29But what luck?
00:48:30The problem is that because you're so focused on words and double entendres, you're not taking action.
00:48:34There you are, Yaragan!
00:48:35Mine and mine alone!
00:48:36Look, maybe I'm right.
00:48:38I've always told you that what you need is a woman so you don't go around jerking off on the rooftop anymore.
00:48:42Ah, Kabbalah, Kabbalah!
00:48:44Who do you think I'm dating?
00:48:45Oh!
00:48:46Don't tell me it's with the pati.
00:48:47Yes, with the pati!
00:48:49Why don't you go out with Betis?
00:48:50That's how we make the quartet.
00:48:52Well, you know, it's not a bad idea, is it?
00:48:54I've always liked Betis.
00:48:56Well, I'm not saying you're very sick.
00:48:58Hello hello!
00:48:58Don't mess with my mom.
00:48:59Ah!
00:49:00Ah!
00:49:00Good morning.
00:49:20Good morning.
00:49:21Good morning.
00:49:21Good morning.
00:49:22Everything is ready, boss.
00:49:24I'm ready too.
00:49:25Oh, that's great.
00:49:26You know what?
00:49:26That?
00:49:27Sit in this one.
00:49:28What happened?
00:49:29No, no, I can see him in this armchair, tired.
00:49:31You know what?
00:49:32I'm going to give you a nice cold one, okay?
00:49:35Oh, thank you.
00:49:36Thank you.
00:49:38Ah!
00:49:39Oh!
00:49:40Tenant?
00:49:41No, no, ingenuity.
00:49:42Ingenio, ingenio, señor Chueco.
00:49:44No, you too.
00:49:46Look, go to the address on this paper.
00:49:49Ah, there comes the man, you attack him and say,
00:49:53I'll give you ten thousand pesos for all the broken electrical appliances.
00:49:56Now, if you start haggling, then go up to twenty-five, but no more.
00:50:04Luisito, you're in charge of the business.
00:50:06Pay attention, son.
00:50:08Yes, yes, yes, yes.
00:50:08No, one thing.
00:50:10If you make the deal on electrical appliances, you're going with Tritino.
00:50:14No, no, ingenuity, ingenuity.
00:50:15Well, that's him, dude.
00:50:17What happened?
00:50:17You go with him and they bring the equipment and store it in the truck.
00:50:22I'm going to give you an extra little perk.
00:50:25Ah, you know what, boss?
00:50:26Yes, I already put all the items in his briefcase, everything he asked me to get.
00:50:30Oh yes, that's right.
00:50:32No, but I'm very tired.
00:50:33Keep it yourself.
00:50:34No, look.
00:50:35I haven't slept well.
00:50:36No, that's not it.
00:50:37What I'm going to recommend is this.
00:50:40What's that?
00:50:41What is it?
00:50:42They are excellent pills.
00:50:45They are egg-based.
00:50:47Oh, Luisito, I eat six eggs a day.
00:50:50No, no, but not these eggs.
00:50:52But these are donkey eggs.
00:50:54And from a stud bull.
00:50:57And why purple?
00:50:58Well, can't you see they're all crushed up, mashed?
00:51:00So.
00:51:00Oh, oh, oh.
00:51:02That's right, donkey eggs.
00:51:04Donkey-like?
00:51:05No, he gets me all with that.
00:51:07What you need is a psychiatrist.
00:51:10Hey, go.
00:51:13I'm tired, not crazy.
00:51:15Well, I've read that people like you,
00:51:18who are like very womanizing, like very lecherous,
00:51:21Sometimes they suffer from what is called latent homosexuality.
00:51:27What's that?
00:51:29What else?
00:51:30What else?
00:51:31What else? What else? What else?
00:51:32Doctor, the worst part is that...
00:51:37The thing is...
00:51:39No more umbrellas.
00:51:44And since when are umbrellas no longer allowed?
00:51:49For a week now.
00:51:53And how often did you do it before?
00:51:55Ah, when I was happy I used to do it two or four times.
00:52:01And when I ate well, it was six times a day.
00:52:04Within a week?
00:52:04No, daily.
00:52:08Diary.
00:52:10Diary.
00:52:11This...
00:52:12This can't be.
00:52:14Is that right, doctor?
00:52:16With this power...
00:52:17And no more umbrellas.
00:52:19And what does his wife think?
00:52:23Well...
00:52:25Betty, since she's always in the water, doesn't notice.
00:52:30But, Daddy and Pili...
00:52:32How am I going to fulfill my promises?
00:52:34They won't leave me alone.
00:52:37And which one of them is his wife?
00:52:40The three of them.
00:52:42All three?
00:52:45Yeah.
00:52:46Do you have three wives?
00:52:48Yes, doctor.
00:52:50Three wives.
00:52:53And married under both laws.
00:52:56And I inform you...
00:52:57That there will be a fourth one soon.
00:53:00Four.
00:53:02Let's see...
00:53:04Talk about your childhood.
00:53:06Let's see.
00:53:07Yes, yes.
00:53:08Okay, doctor.
00:53:10I was a...
00:53:11He's a normal child.
00:53:13Swallow.
00:53:14But he was already marked by destiny.
00:53:17In elementary school, the girls just stared at me.
00:53:21And they offered me their cake.
00:53:24Hey?
00:53:25The ham one, the cheese one.
00:53:26But the one I liked the most.
00:53:28It was the one with refried beans.
00:53:32And then in high school it was worse.
00:53:35A teacher.
00:53:39A teacher!
00:53:40She was the one who made me crooked.
00:53:43The crooked one like...
00:53:44How are you here?
00:53:45No, you say that...
00:53:48He messed me up because...
00:53:50One day we stayed in the living room during recess.
00:53:54And we were at the reception on the desk.
00:53:57When the principal opens the door...
00:54:00The teacher throws herself out.
00:54:03And that's where I stayed.
00:54:04Chamble shot.
00:54:08Chamble shot.
00:54:13His time is up.
00:54:17I'm going to get her a prescription...
00:54:20Some pills for black people.
00:54:23No, better prescribe something that will lift my spirits.
00:54:26Oh, what a day.
00:54:30What a day.
00:54:31No, man.
00:54:32The arrival of my in-laws.
00:54:33Then came the fight with drunk Betty.
00:54:36Then came the reconciliation with the three of them.
00:54:38I'm making love there.
00:54:39I'm tired.
00:54:41And tomorrow, as a bonus...
00:54:42I'm going for a run with Rosita.
00:55:01Yes, Rosa.
00:55:02Pink.
00:55:03Stop it because apart from giving me a heart attack, you're going to make me dizzy, woman.
00:55:07How awful.
00:55:08What vitality she has.
00:55:11What's wrong with you?
00:55:13That?
00:55:14No, nothing.
00:55:15The bugles.
00:55:17Forget it.
00:55:18Let's continue.
00:55:19So what?
00:55:19Do you like music or not?
00:55:20Ah, yes, I do like it.
00:55:22But more than liking music, what I like is singing.
00:55:27Sing.
00:55:27Analyze the lyrics of the songs.
00:55:30It's just so interesting.
00:55:32Or don't you think so?
00:55:34For example, that song that says Lalo whistled like a cow.
00:55:38Which one is that?
00:55:38That's what it says, look.
00:55:39Around six in the afternoon, I whistle Lalo like Tora.
00:55:47You don't let yourself down.
00:55:48Oh, the pancron.
00:55:50My life, test your strength.
00:55:52One day you're going to kill me with a shove.
00:55:54Oh, I wasn't even planning on coming, you know.
00:55:55As?
00:55:56Were you planning to come?
00:55:58You were going to miss the best part.
00:55:59The good part is coming.
00:56:01Well, weren't you going to give me lessons in parapsychology or something?
00:56:04Of course.
00:56:06Well, tell me what to do.
00:56:07It's very simple.
00:56:08Do you know how to relax?
00:56:10No.
00:56:10No.
00:56:11It loosens the body.
00:56:13You're crazy.
00:56:15Loosen up, don't mess with me.
00:56:17Oh ok.
00:56:18Watch how I do it.
00:56:24Did you see?
00:56:24Already.
00:56:25That's loosening up the body.
00:56:27That.
00:56:27Good.
00:56:28Inhale.
00:56:29Close your eyes.
00:56:31Relax.
00:56:34Perfect.
00:56:35Good.
00:56:36Now, inhale.
00:56:39Yeah.
00:56:40And she loosens her little leg.
00:56:43Exhale.
00:56:44And relax the other little leg.
00:56:48Inhale.
00:56:49Relax your tummy, okay?
00:56:54What's wrong with you, kid?
00:56:55Oh, no, nothing.
00:56:58The bugles.
00:57:00Hey, why don't we go to my truck?
00:57:03Ah, we'll stay here.
00:57:05No, not here.
00:57:06It's going to look like we're doing push-ups.
00:57:08Ah, I should have known.
00:57:10Just so you know, I'm a woman from the provinces.
00:57:13Oh, don't worry.
00:57:14In the truck I have a rebos and a charro hat with braid.
00:57:19And we're going to the Pachuca highway.
00:57:22There's a motel over there attached to a stable.
00:57:24And in smells, among the smells of cows and alfalfa, we can make love.
00:57:29And I don't wear spurs so as not to offend you.
00:57:32What do you think you are, you happy wretch?
00:57:35Super Rosa, measure your strength.
00:57:38Hey, I'm told that Mr. Chueco isn't coming this time, right?
00:57:59Well, I don't think so, because it's too late.
00:58:00So, how's the sale going?
00:58:03So, the sight, right? Good.
00:58:05Yeah?
00:58:06Yeah.
00:58:06Well, do you give him everything you earn?
00:58:10Well, Eugenio.
00:58:11Look, how can I put it?
00:58:13There are moments in a man's life...
00:58:17To be honest no.
00:58:18The thing is, I've gradually gotten the hang of it...
00:58:23...and one of these days I'm going to become independent, Mom.
00:58:25Yes, yes, Eugenio.
00:58:28Don't start it, don't start it, okay?
00:58:30Then I'll leave it for you in Irapato and you won't be able to handle it, Mommy.
00:58:32No, no, that's it, that's it.
00:58:34Well, I'm here now.
00:58:36Now, do I go in or not?
00:58:39No, well I have to go in.
00:58:40Yesterday I left my bag and my lamps there.
00:58:42But this is the old lady who wants to give me a refrigerator.
00:58:47The sacrifices one has to make for work.
00:58:52I'm going inside.
00:58:54So, do you like playing dice?
00:58:56Dice?
00:58:57I don't know.
00:58:58How do you play dice?
00:58:59To the...
00:58:59Come on, Eugenio.
00:59:05Come here, I'm going to show you a little secret.
00:59:07Let's see, let's see.
00:59:13Luis!
00:59:14What happened, boss?
00:59:16Tedrazini!
00:59:16Here we are, everything is ready, right?
00:59:18Yes, Mr. Chueco, what happened?
00:59:20Oh, sorry.
00:59:21Let's get everything sorted out, let's go, shall we?
00:59:23Yes, let's go now.
00:59:24Well, I'm tired now, sir.
00:59:25Yeah.
00:59:38What's wrong, Mr. Chueco?
00:59:40No, no, the bugle.
00:59:42What, what?
00:59:43I heard some trumpets.
00:59:46Look, Rosa, so you can see that I really love you, I'm going to confess something else to you.
00:59:53What thing?
00:59:54What, you have a child or what?
00:59:55No, two little things.
00:59:58Two children?
00:59:58No, um, two wives.
01:00:02So you want me to be the third wife?
01:00:05No, my love, what do you think?
01:00:06The fourth.
01:00:08It's just that before those two little things, there was already another little thing.
01:00:11He is the most despicable person I have ever met in my life.
01:00:13Oh, with a hundred, my life!
01:00:22How do you want it?
01:00:23How do you want it?
01:00:23Hand?
01:00:25Did you know?
01:00:26How would you like to deliver?
01:00:27No, I just came to...
01:00:28A bit?
01:00:29No, I came to give an account to the crooked one and to ask for his hand in marriage.
01:00:34The crooked hand?
01:00:36But she already gave it?
01:00:37No, no, no, no, Betty.
01:00:40To ask for her hand in marriage.
01:00:42I use the crooked hand to heal.
01:00:47And does this Asalian parakeet look like a chili pepper on my Betty's hand?
01:00:51Where did this handsome guy come from?
01:00:55Was her grandmother pretty?
01:00:56No, no, no.
01:00:57Be more careful, you old fool.
01:01:00Hopefully, but not for his mole.
01:01:02Guys, today, no violence, please.
01:01:06No violence.
01:01:08If you're going to start opening your mouth,
01:01:10I'm going to use the edge of my knife.
01:01:13That's lovely!
01:01:15Okay, Betty, see you another day, alright?
01:01:18The Pope already said it.
01:01:19Only Veracruz is beautiful.
01:01:22The grass is dry, isn't it?
01:01:24What a rich source of violence!
01:01:26What a rich source of violence!
01:01:26What a rich source of violence!
01:01:26What a rich source of violence!
01:01:26What a rich source of violence!
01:01:27You know that the devil handles the weapons.
01:01:30Don't you think he was very rude to Luisito?
01:01:33Do you think he was rude?
01:01:35I think so.
01:01:36And who is this washed-up social climber you are?
01:01:38Oh, so, do you know a crooked worker?
01:01:42Ah, well tell him he doesn't show up around here anymore
01:01:46Because you've already found a man.
01:01:47that will approach your son.
01:01:50You don't say.
01:01:51I consider myself...
01:01:52I consider myself...
01:01:55I consider myself...
01:01:56You don't say.
01:01:57Well, Fortune Weeps!
01:02:00It already came out.
01:02:04Plenty, plenty!
01:02:05He has a squint in his eye.
01:02:08Now he wants to blow the other one on me, daughter.
01:02:10No, I'm going to tell my mom.
01:02:12That?
01:02:12No, you don't have to be, you don't have to be.
01:02:14I'm telling Betty
01:02:15who has already found a man
01:02:16He loves her like a father does, right?
01:02:18Yes, of course.
01:02:20Careful, careful, it hurts.
01:02:21Let's go, kid, let's go.
01:02:24See you, Betty.
01:02:26If it weren't for the old folks being here,
01:02:28It's my turn for a blanket today.
01:02:30But no way.
01:02:31A deal's a deal, right?
01:02:33Listen to me.
01:02:35That wasn't the deal.
01:02:38The deal was that with the old folks
01:02:40We were going to pretend to be sisters.
01:02:43You must demand your rights.
01:02:47You're right.
01:02:49Of course I'm right!
01:02:50Follow me!
01:02:51What, what, what?
01:02:53Follow me, Betty!
01:02:55Oh!
01:02:55Oh!
01:02:55Oh!
01:02:56Oh!
01:02:58Oh!
01:02:58Oh!
01:02:58Oh!
01:03:00Oh!
01:03:01Oh!
01:03:02Oh!
01:03:03Oh!
01:03:04Oh!
01:03:05Oh!
01:03:21Oh!
01:03:26Good!
01:03:27What went right with my in-laws?
01:03:29Today it's my turn
01:03:30Hey?
01:03:32And why did you bring the trolleybus?
01:03:34Look, shut up
01:03:35I've come to accompany her
01:03:37But we agreed that they would lend it to me today.
01:03:40But nothing else during the day
01:03:41But my parents are going to find out
01:03:44Clear
01:03:45She's right.
01:03:46Don't pretend
01:03:47We just have to keep up appearances when they're around.
01:03:52My tails
01:03:53Oh well, kid
01:03:55You're left without a big bowl
01:03:56Without red snapper
01:03:58Without red snapper
01:03:59Well, now that the red snapper is gone
01:04:02I'll have a papaya with granola
01:04:04Hmm!
01:04:13Egoritas!
01:04:14Lack of word
01:04:15Ah!
01:04:16Ah!
01:04:26With these Doritos I just ate
01:04:36I'm bringing the shrimp that I'm going to leave dry before wetting it.
01:04:40Where is Gretita?
01:04:57Let's have a Dorito to warm up
01:05:00Where?
01:05:02Ah!
01:05:02Ah!
01:05:03Ah!
01:05:04In a good area!
01:05:05Reach it!
01:05:07Do you want a Dorito?
01:05:09No?
01:05:10I'm going to drink it to your health, eh
01:05:11Oh, they don't get laid that much, they'll miss me!
01:05:15Two minutes until my turn!
01:05:18I'm fishing! I'm fishing!
01:05:21What's happening to you?
01:05:27Oh, my love!
01:05:29Look, Pilarina!
01:05:32I'm fishing! No! Wait!
01:05:37Give her up! She's her mother!
01:05:40Oh! A dirty girl rebelling with her own brother!
01:05:43No, no, no! That one!
01:05:44Shut up, you drunkard!
01:05:45Of course, two names, two old women!
01:05:47Oh, ma'am, don't think badly of me! I'm sure we're very good little sisters!
01:05:50Yes, yes, yes!
01:05:51Little sisters!
01:05:52Yes, we are sisters!
01:05:53No more, we're already warming the bed!
01:05:55Yes, it's just a warm one!
01:05:57Shut up, you filthy, degenerate, infested pig!
01:05:59Look at that snout!
01:06:01Anchorite!
01:06:02That?
01:06:04Anchorite!
01:06:06My trumpet is crooked!
01:06:08Witch!
01:06:09You'll see, you'll see with my husband!
01:06:11Don the breeze!
01:06:12Don the breeze!
01:06:13Don the breeze!
01:06:14You have no mother!
01:06:15Son!
01:06:16Petita!
01:06:20The woman who tries me once always demands more!
01:06:24Old!
01:06:26Old!
01:06:27Son of a...
01:06:28Old!
01:06:29Old!
01:06:30Old!
01:06:31Old!
01:06:32Old!
01:06:33Old!
01:06:34Old!
01:06:35What an unpleasant mix-up!
01:06:37She's so hot I thought she was your mom!
01:06:40Exact!
01:06:41But what is this?
01:06:42Let's get out of here quickly!
01:06:43Yeah!
01:06:44Nothing happened!
01:06:45What do you mean nothing happened?
01:06:46Of course not!
01:06:47But!
01:06:48To the port!
01:06:49Let's get out of here!
01:06:50It wasn't good until you guys arrived!
01:06:52What is this?!
01:06:54My God!
01:06:55No!
01:06:56It wasn't an insect!
01:06:57It wasn't an insect!
01:06:58I'll kick the crook's ass!
01:07:00No!
01:07:01No!
01:07:02Don't be a clown!
01:07:03This is serious!
01:07:04Let's go!
01:07:05No!
01:07:06I won't break it, girl!
01:07:07Wait for me!
01:07:08Wait for me!
01:07:12Look, take a drag my love!
01:07:14No!
01:07:15No!
01:07:16I won't break it, girl!
01:07:17I won't break it, girl!
01:07:18I won't break it, girl!
01:07:19I won't break it, girl!
01:07:37I won't break it, girl!
01:07:43No!
01:07:44Who?
01:07:55Go!
01:07:58What happened, neighbor?
01:08:03May I come in?
01:08:05I was expecting it.
01:08:06But not so soon and not so late
01:08:09No, no, no, is your husband there?
01:08:12No, it's not.
01:08:13Oh, how wonderful, if not what's useful, imagine the poor thing
01:08:16Oh, neighbor
01:08:18What's wrong, neighbor?
01:08:20No, what happens
01:08:21Wait for me, neighbor
01:08:23Neighbor, already
01:08:24No, neighbor
01:08:26My mother-in-law is a total lunatic
01:08:28Oh, but why?
01:08:30They want to kill me.
01:08:31Poor
01:08:32For nothing more than that, because he found me in bed with Betty, with Billy
01:08:36His sisters?
01:08:37Just look, that's all.
01:08:38Oh, they were probably chatting
01:08:41There was a man, we were in the...
01:08:43No, yes, we were talking, Juan
01:08:45Okay, so what does the other one want?
01:08:49The other one, the other one
01:08:51What? Which other one?
01:08:53Like what other one? My mother-in-law
01:08:54Your mother-in-law?
01:08:56Well, she was the one who chased me and hit me.
01:08:58And since I'm used to having my rounds with you
01:09:00As soon as I saw that he was going to throw the left hook at me
01:09:03I'm covering myself down here because I know you'll tape me down and then down
01:09:07And here I am covering myself up, and guess what?
01:09:08That?
01:09:08He hit me up top, man, I'm going to give his name there
01:09:11Just look at how he left me
01:09:13Oh yes, that's very good.
01:09:14Well, but fortunately, and thanks to that incident
01:09:17My life, Patty no longer exists
01:09:20Does it no longer exist?
01:09:22Patty no longer exists
01:09:23My love
01:09:24Swear it to me
01:09:24I swear, her parents and she left the house, my love
01:09:28Inks
01:09:29Now
01:09:30Hey?
01:09:31Instead of being fourth, you're going to be third.
01:09:33Oh no, but I want to be first, my love
01:09:38No, I'd like you to be first too.
01:09:40But you don't join the army as a general.
01:09:42You enter as a sergeant
01:09:44You have to climb the ladder little by little.
01:09:46Winning my affection
01:09:48Treating me well
01:09:49Making my enchiladas
01:09:51Ironing my clothes
01:09:52You have to earn it, my love
01:09:54Besides, you'll earn it quickly because I love you.
01:09:56I love you, Rosa
01:09:58Do you love me?
01:10:00Very much, my life
01:10:01Oh
01:10:02Condolence
01:10:03Clear
01:10:04Oh, little one
01:10:14Can we go home?
01:10:16Well
01:10:16Let's go home, it's raining, my love
01:10:18Let's go, my love
01:10:19Let's go, my love
01:10:20Look, Pilar
01:10:24She brought it with great enthusiasm.
01:10:27You're a miserable wretch
01:10:29Wretched, polygamous, and rotten
01:10:32Why are they saying these things to me?
01:10:35There weren't four of us in this house
01:10:37I'm bringing her in as a replacement.
01:10:39Yeah
01:10:40Yes, it has all the types
01:10:43I said substitute
01:10:45I said that too.
01:10:47The thing is, they're just jealous.
01:10:51They never think of me
01:10:53So, do you know what I do on Sundays?
01:10:56I'm sure you don't go to mass.
01:10:58Of course not
01:11:00That's why I brought her here
01:11:01For Sundays
01:11:03Look, take this
01:11:04Because after a while you'll want another one
01:11:06For holidays
01:11:07Clear
01:11:08Because?
01:11:09Because it's been three days already and I've only been here for one.
01:11:11My life
01:11:12The thing is, on Sundays
01:11:14It's my day off
01:11:15Then that day
01:11:17I'm not getting out of bed
01:11:19We can do a morning show
01:11:21Then she wakes up
01:11:23And what do you think in the end?
01:11:24One for adults?
01:11:25Don't even think about it.
01:11:26You can't anymore
01:11:28The thing is, you
01:11:31You fall asleep
01:11:32Be quiet!
01:11:35Don't say timid things
01:11:36The antigene estrada
01:11:38Mine
01:11:39Furthermore, what a lack of respect!
01:11:41How dare you bring the other one?
01:11:43To this sacred home
01:11:45And what if he doesn't brag about you?
01:11:47Why don't I know?
01:11:48Not even with the sound of the black woman
01:11:49Not at all, not at all
01:11:51Okay, that's enough.
01:11:52I already told you.
01:11:53I brought her because there were four of us.
01:11:55And we're going to continue being four.
01:11:56To maintain that balance
01:11:58Have you ever felt like you lacked something?
01:12:01Did you run out of granola?
01:12:02Incense?
01:12:04Papaya?
01:12:04The banana?
01:12:05Strawberries?
01:12:07From here?
01:12:09What's up?
01:12:10What's up?
01:12:10Like what?
01:12:11Have you ever been without your Cuba?
01:12:13No, I don't know.
01:12:14That's what we were missing
01:12:15That I would give myself the only thing
01:12:18That gives me pleasure
01:12:19Yeah
01:12:19So what are they demanding?
01:12:22Shall I tell you?
01:12:22Shall I tell you?
01:12:24Tell him too
01:12:25Okay, we'll talk later.
01:12:27And how does it feel?
01:12:31Bad, doctor
01:12:32Very badly
01:12:34I think that if things continue like this
01:12:37I'm going straight into bankruptcy
01:12:41But why?
01:12:44Doctor
01:12:45Doctor, yes
01:12:48When I was in my prime
01:12:52I could change
01:12:55A refrigerator
01:12:57For just a little bit of a side
01:13:00And this week
01:13:03This week
01:13:06I haven't been able to get it out
01:13:08Not even a pair of shoes
01:13:11As I told you
01:13:14He must abstain from having sex with his women
01:13:17Not even one a day
01:13:21No
01:13:21Per week
01:13:25No
01:13:27Manuelita
01:13:30Less
01:13:31Let's do one thing
01:13:34Yes
01:13:35We'll be waiting for you.
01:13:36And we don't hear any noise?
01:13:38Yeah
01:13:38We'll leave you alone, right?
01:13:40Yeah
01:13:40We're going
01:13:41Let's hear
01:13:42No, you haven't made noise.
01:13:43It stays there
01:13:44Pink
01:13:47That?
01:13:50No
01:13:50What do you have?
01:13:54Can't
01:13:55But why can't you?
01:13:57It's because you don't like me anymore.
01:13:58That?
01:13:58No, no, no
01:13:59That's not it, my love
01:14:01The thing is
01:14:02It must be nerves
01:14:03From the first time
01:14:04Which first time?
01:14:05I am the first
01:14:06And he was healed
01:14:07Look
01:14:12Look
01:14:14Look
01:14:16That's why there was no sound
01:14:20He's just giving it his all.
01:14:22Yes, we're not ungrateful at all.
01:14:24No, but nothing has happened.
01:14:26Yeah?
01:14:27What do you mean nothing happened?
01:14:28Nothing has happened
01:14:29Powerless
01:14:31Yeah
01:14:31Powerless
01:14:33It's already there
01:14:33Let's go
01:14:34I'd better go with myself
01:14:36Clear
01:14:36What happened to me?
01:14:37Yes, we support you.
01:14:38Come on
01:14:39Come here, mother
01:14:39Let's go
01:14:40Let's go
01:14:40Let's go
01:14:40Let's go
01:14:41Let's go
01:14:42Let's go
01:14:43It's a luco
01:14:47I swear you'll have a good time
01:15:05Re good with you
01:15:06Me too
01:15:07I repeated, but it's more
01:15:08Hey
01:15:09Why don't we run away?
01:15:12No no
01:15:12Come on, look
01:15:13We already escaped
01:15:15We already made love
01:15:16I'll suck you off there
01:15:17No no
01:15:18Escape
01:15:19Pirarnos
01:15:20And leave
01:15:21In one word
01:15:22Take me with you
01:15:24Dad
01:15:25No no
01:15:25No, I have to speak
01:15:28With your brother-in-law
01:15:29With my brother-in-law?
01:15:31Yeah
01:15:31I'm telling you the truth
01:15:34Tell me
01:15:34He's not my brother-in-law, that's for sure.
01:15:37And why is that?
01:15:39My old man
01:15:40As?
01:15:41And the pati?
01:15:44Your mom?
01:15:45And the pili?
01:15:47Your old lady
01:15:48No, well then that one isn't crooked
01:15:51He is crooked
01:15:52And so that he gets rid of it
01:15:54Yes, I'm coming for you.
01:15:55But you know what?
01:15:56I'm going to go through the script
01:15:58So that she goes for the pili
01:16:00He likes a rest
01:16:01And so the four of us leave.
01:16:03Ah, the four of us live better.
01:16:05Hey, one thing
01:16:07Have your flasks ready
01:16:10My love
01:16:11I always have them ready.
01:16:13You wretch, you kid, you idiot!
01:16:15You take advantage of my fifth
01:16:16Idiot, hypothetical, this fool!
01:16:19Load up!
01:16:20See what?
01:16:20Are you going to leave the door?
01:16:22Crazy!
01:16:22Is she crazy?
01:16:23See what?
01:16:24Of course she's crazy
01:16:24See what?
01:16:25It's good that he left.
01:16:27Because it has a character of...
01:16:28Doesn't the way she screams count?
01:16:30No!
01:16:30Girls, we're here
01:16:31We're coming with you
01:16:32That's how it is
01:16:33And what are you doing here?
01:16:35Go work at the bazaar
01:16:36We've come for the old ones
01:16:39Hey?
01:16:39By the truck
01:16:41The truck?
01:16:41By the truck
01:16:43And you're even going to give us a DANA (a type of flood), you little rascal.
01:16:46Oh, they're bringing down my old ladies and even my business!
01:16:49Betty!
01:16:50It just can't be!
01:16:52Betty!
01:16:54Luis!
01:16:54See you there!
01:16:56Chichueco!
01:16:57Wait, ingenuity!
01:16:59Tell me
01:16:59Iginio of your...
01:17:01No, dog!
01:17:01No, dog!
01:17:02Like you?
01:17:03No, dog!
01:17:03They're taking my women away!
01:17:04They're taking over my business!
01:17:05Don't hold on!
01:17:07Don't leave me alone!
01:17:08Don't leave me alone!
01:17:09They're going to leave me all to myself, all to myself!
01:17:12They left me alone!
01:17:15Only!
01:17:16And now?
01:17:19What am I going to do with myself?
01:17:22So used to his daughter, when you're her
01:17:24So well-formed
01:17:28So...
01:17:30There, dude!
01:17:33Doctor!
01:17:35What are you doing here?
01:17:38Waiting for you
01:17:39Oh, dude!
01:17:42No, doctor, this...
01:17:44I would prefer to stay alone, doctor
01:17:47Yes, it's because my women have just left me.
01:17:50And to be honest, I prefer to be alone, doctor.
01:17:52What worries you about women?
01:17:54How could I not be worried?
01:17:56What am I going to do without women, doctor?
01:17:57We are better
01:17:59Come
01:17:59Hey?
01:18:00Come
01:18:00Guachinago!
01:18:05Guachinago!
01:18:07Guachinago!
01:18:08That doesn't ring a bell.
01:18:09Boy!
01:18:11I'm here now!
01:18:15Little cemillito!
01:18:16It's great that you're here!
01:18:17It's great that you're here!
01:18:18I was about to eat an octopus
01:18:20Oh!
01:18:20I rescued you!
01:18:21Ah!
01:18:22So what?
01:18:23I'd eat a donkey!
01:18:26Oh!
01:18:26It's not a bad idea.
01:18:27Hahaha!
01:18:30Oh!
01:18:31I'm so glad I'm back!
01:18:33Martin!
01:18:33That?
01:18:34Are you here?
01:18:35And your parents?
01:18:37Was it in Veracruz?
01:18:38No, guys
01:18:39And everything is fine.
01:18:40My parents' anger
01:18:42It was a prepared plan.
01:18:43So I can be alone with you.
01:18:46Just look at that!
01:18:49The one who seemed more
01:18:50It came out more
01:18:51Well, there are only two more to go.
01:18:55And we return
01:18:55No, crooked
01:18:56And from here on
01:18:58I'll take it from you.
01:18:59No more in conduct
01:19:03Leave the rest as it is.
01:19:06Perfect!
01:19:07Sharpie!
01:19:07iedzálo!
01:19:08Thanks for watching!
01:19:38Thanks for watching!
01:20:08Thanks for watching!
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