- 3 days ago
Lying in Wait (2001) is a psychological thriller directed by D. Shone Kirkpatrick, featuring Rutger Hauer, Virginia Madsen, and Thomas Newton.
Category
🎥
Short filmTranscript
00:00:00This is the end.
00:00:26This is what it looks like.
00:00:33I thought it would be different.
00:00:37Baby's mother told me how in the old days TV stations used to sign off,
00:00:43go off the air every night.
00:00:46They play the national anthem, fly the flag, and fade into nothing.
00:00:53I should be so lucky.
00:00:56This has all gone through Detective.
00:00:58This is the end.
00:01:03This is the end.
00:01:07This is the end.
00:01:10This is the end.
00:01:15This is the end.
00:01:19This is the end.
00:02:28Baby says he remembers the day I was born.
00:02:32He was six, so maybe it's true.
00:02:36We grew up together.
00:02:38Two lost souls.
00:02:40Naturally, we fell in love.
00:02:44Baby's mother was gone and summer was passing.
00:02:47In August, you drowned in the smell of cumin and the sounds of the choir bells from St. Charles.
00:02:53We had survived a terrible storm, and now we were alone in our perfect world.
00:03:02But you're never really alone.
00:03:08There's always something out there lurking.
00:03:12Baby!
00:03:13Waiting.
00:03:16Baby!
00:03:16Baby!
00:03:19Baby!
00:03:20Baby!
00:03:22Did you see him yet?
00:03:23Who?
00:03:24The new people.
00:03:27No, I wasn't even paying attention.
00:03:28Why didn't you call me back last night?
00:03:33Uh, I got busy.
00:03:38Watching TV?
00:03:39So was I.
00:03:41We could have talked about it while it was happening.
00:03:42It would have been fun.
00:03:43Do you have dance class or something?
00:03:46Elle?
00:03:48I'm quitting.
00:03:49Mother's threatening to send me to Paris.
00:03:51To a school there.
00:04:00You never put any people in your paintings.
00:04:03I paint what I see.
00:04:05Well, you should put me there.
00:04:08God damn it.
00:04:08Elle, God damn it.
00:04:09But it all worked out.
00:04:10We are going to have a mad, passionate affair
00:04:13that will end when I fly to Paris
00:04:16to become a famous dancer.
00:04:18Ooh, they're here.
00:04:22I heard they paid full price for that dumb gun.
00:04:31Nouveau riche.
00:04:32You don't even know what that means.
00:04:36Ooh.
00:04:40I wasn't impressed.
00:04:44Yeah, well.
00:04:46So, what are we going to do tonight?
00:04:49Forgive me.
00:05:11I love you very much.
00:05:18I love you very much.
00:05:39What I really want you to do
00:05:41is to sell this house.
00:05:43I'm not selling the house.
00:05:45It's my mother's house.
00:05:47It's been six months since she died.
00:05:50Look, I know how long it's been, okay?
00:05:52You just did your damn job properly.
00:05:55You never listen to me, baby.
00:06:00Elle, come in.
00:06:01It's open.
00:06:03There is no money in the trust fund.
00:06:05Very well.
00:06:06Am I interrupting?
00:06:07Am I interrupting?
00:06:10Keith Miller?
00:06:12You're, uh, new next door neighbor?
00:06:15Robert Horne, Whitman Securities.
00:06:18Uh, this is, uh, baby Gordon.
00:06:20Pleasure to make your acquaintance.
00:06:24I'd better go.
00:06:26Bob, what about lunch?
00:06:28Remember you always buy me lunch?
00:06:30Remember what I said.
00:06:33Welcome to the neighborhood.
00:06:37Whitman Securities.
00:06:38I've heard of them.
00:06:40Is Sue Gordon your mom?
00:06:42Yeah.
00:06:43My condolences.
00:06:45She was an awesome talent.
00:06:47Yeah, thank you very much.
00:06:48You know, my wife, Vera, she's, uh, she fell in love with this neighborhood.
00:06:53Old Houses.
00:06:55Old Hollywood.
00:06:57She's an, uh, editor for an architectural magazine.
00:07:01Yeah, look, I'm actually expecting someone, so I...
00:07:03She just loves houses.
00:07:07Me, I, I love people.
00:07:10Cats, dogs, horses.
00:07:12Just yesterday, I saw this amazing girl on her bicycle, riding little circles.
00:07:19The wind in her hair, her nose perked up in the air, and half a smile.
00:07:25And legs.
00:07:27You've never seen such legs.
00:07:31Yeah, I, yeah, I have no idea who you're talking about.
00:07:39What?
00:07:42We, we should have dinner sometime.
00:07:53Mrs. Brown's daughter, 72 to 77.
00:07:57Baby's mom was an extra neighbor, and she had a dog.
00:08:00A ratty little poodle.
00:08:02Named Baby!
00:08:06Baby was named after a poodle.
00:08:09It wasn't even my mom's dog.
00:08:11You belong to the prop, man.
00:08:12Oh, God.
00:08:14Well, at least it wasn't Lassie.
00:08:16Ah!
00:08:22People think because you're an actress, you like people.
00:08:25My mom hated everybody.
00:08:28Hated acting.
00:08:30Said the only reason she did it was to make enough money so that people would leave her alone.
00:08:34Did that include you?
00:08:35She loved to paint.
00:08:41She would lock herself in the studio for days at a time.
00:08:46You must have been lonely.
00:08:48You can be surrounded by people and still be lonely.
00:08:52I could never be alone.
00:08:59I get cold at night.
00:09:03My feet, especially.
00:09:05I've always had L.
00:09:10No, not like that.
00:09:12When everything's got really crazy with my mom, I could always count on L.
00:09:17She's pure.
00:09:18Everybody grows up.
00:09:32You're a nice girl.
00:09:34Pretty.
00:09:36You're not going to be a model, are you?
00:09:39Models are morons.
00:09:41I'm not a moron.
00:09:42I'm a dancer.
00:09:44Jez?
00:09:45No.
00:09:50Ballet?
00:09:52Maybe.
00:09:58Modder?
00:10:00No.
00:10:02Okay.
00:10:03I'll give up.
00:10:12Come on.
00:10:13Try it.
00:10:15And what does baby do?
00:10:29I take care of the house, mostly.
00:10:31That's what I'm good at.
00:10:33Taking care of things.
00:10:35Looking after stuff.
00:10:38Would you look after me?
00:10:40I'm good at.
00:10:40I'm good at.
00:10:40I'm good at.
00:10:41I'm good at.
00:10:42I'm good at.
00:10:42I'm good at.
00:10:43I'm good at.
00:10:44I'm good at.
00:10:44I'm good at.
00:10:45I'm good at.
00:10:46I'm good at.
00:10:47I'm good at.
00:10:47I'm good at.
00:10:48I'm good at.
00:10:52I work all day.
00:10:56And Keith is, um, wherever he is.
00:11:00Just keep an eye on things, okay?
00:11:04Sure.
00:11:05I think you should know
00:11:14I am pledged to baby
00:11:16forever
00:11:18Lucky bastards
00:11:31My mom's home, check my breath
00:11:33Smells like wine
00:11:35Al, knock it off
00:11:37Keith was flirting with me
00:11:39Go home
00:11:41But I told him he was wasting his time
00:11:44Just kiss me once, baby
00:11:46Just once, for real, please
00:11:48Go home and go to bed
00:11:50I suppose Vera's more your type
00:11:53You're drunk, Al
00:11:55You're gonna fall in love with her, aren't you?
00:12:03Don't leave me alone
00:12:11Now leave me alone
00:12:11Don't leave me alone
00:12:14I have to go home
00:12:16Khaled by
00:12:21song
00:12:23I've got to go
00:12:29Wow
00:12:30So
00:12:30I'll go
00:12:31ahead
00:12:32Let's go.
00:13:02Let's go.
00:13:32Let's go.
00:13:33Where are you going?
00:13:34Uh, out.
00:13:35Nice wheels.
00:13:36Can I get a lift?
00:13:41So, uh, what happened to your car?
00:13:44I had an unfortunate collision with the garbage truck.
00:13:47I asked this one to $1,200 in cash before they even fix it.
00:13:52Won't your insurance cover that?
00:13:54I don't have insurance.
00:13:55I don't believe in it.
00:13:56Do you want to go for a drink?
00:14:00By the way, I had lunch with your Mr. Horn.
00:14:08I suggested some international markets.
00:14:10Get you more bang for your buck.
00:14:13I don't like risk.
00:14:20There's risk everywhere.
00:14:22A lot of people are going to get hurt today just by staying home and taking a bath.
00:14:28I like showers.
00:14:29What do you do?
00:14:30I mean, what is your job?
00:14:31How do you make money?
00:14:32I used to work for the studios in development.
00:14:33But Hollywood's gotten so conservative, it wasn't fun anymore.
00:14:35And I don't give a shit about money.
00:14:37I don't understand what you mean.
00:14:38I'll show you.
00:14:39Come on.
00:14:40So you bet on horses for a living?
00:14:41Sometimes, yeah.
00:14:42Pick a number.
00:14:43Between one and two.
00:14:44Between one and two.
00:14:45One.
00:14:46One.
00:14:47One.
00:14:48One.
00:14:49One.
00:14:50One.
00:14:51One.
00:14:52One.
00:14:53One.
00:14:54One.
00:14:55One.
00:14:56One.
00:14:57One.
00:14:58One.
00:14:59One.
00:15:00One.
00:15:01One.
00:15:02One.
00:15:03One.
00:15:04One.
00:15:05One.
00:15:06One.
00:15:07Eight.
00:15:08Are you joking?
00:15:09No.
00:15:10Pick a number.
00:15:11Um, I don't know.
00:15:13Uh, seven.
00:15:14Which is tail.
00:15:155, 2, 1.
00:15:16I like it.
00:15:17I'll be right back.
00:15:28$1200…
00:15:29Winnow recherche.
00:15:33You put $1200 on my pick?!
00:15:36life without risk is dumb
00:15:39yeah but Keith that $1,200
00:15:41was for your car
00:15:42money is good for
00:15:45one thing
00:15:46it can buy
00:15:49a moment
00:15:50a precious
00:15:52moment of fleeting happiness
00:15:54and if you're lucky that moment
00:15:57can change your life
00:15:58so you're saying that if number seven
00:16:01wins it'll change my life
00:16:02it should change my life
00:16:04look at her lines
00:16:09the muscles underneath her skin
00:16:11how she moves
00:16:13I can hear her moan from here
00:16:16Keith we're in the lead
00:16:17come on
00:16:21come on witches
00:16:21make her win
00:16:24come on witches
00:16:24come on witches
00:16:26come on witches
00:16:27come on witches
00:16:29come on
00:16:30win
00:16:31if your heart is pounding you know you're doing something right here feel
00:16:45trust
00:16:46that's what it's all about
00:16:47why can't I come
00:16:50because it's a party for grown-ups and you're not a grown-up
00:16:53like you are
00:16:54whatever
00:16:55well can I stay here tonight
00:16:59my mom has a date
00:17:00yep
00:17:01just don't eat all the ice cream
00:17:03I will if I want
00:17:05yeah whatever
00:17:07nice try with the strap
00:17:08I'll talk about
00:17:10baby
00:17:11where's Elle
00:17:12listen the bar's out from back
00:17:16no
00:17:17oh
00:17:17have I
00:17:32no
00:17:33I'm going to get you a beer, okay?
00:17:57Okay.
00:17:57Meet George.
00:17:59This is baby, my lucky charm.
00:18:01You must be the painter.
00:18:05Vera told me about you.
00:18:08I'm George.
00:18:09And this is Lellis.
00:18:16You two know each other?
00:18:18I've never seen him before in my life.
00:18:21But I did see your mother's show when I was a kid.
00:18:26Baby.
00:18:29That's the first time I've heard that.
00:18:31I'm not a kid.
00:18:32I'm not a kid.
00:18:35Rude.
00:18:37The show sucked.
00:18:39We'll see.
00:18:41I'm not a kid.
00:18:44I'm not a kid.
00:18:48I can't find any Siouxs.
00:18:50I'm calling you.
00:18:51Don't.
00:18:53I'm not a kid.
00:18:54I'm not a kid.
00:18:55I'm not a kid.
00:18:56I'm not a kid.
00:18:57I'm not a kid.
00:18:58I'm not a kid.
00:18:59I hate parties. I hate hosting parties.
00:19:11Want to dance with me?
00:19:12I don't know how to dance.
00:19:15Put your hands on my hips.
00:19:16There.
00:19:18That's it?
00:19:18That's it.
00:19:26Cool.
00:19:30I suppose I should be jealous, but I just don't think they'd do that to me.
00:19:37And I saw you met George.
00:19:41Sweet.
00:19:43Stay away from George. Be careful, George.
00:19:45And everyone here.
00:19:46Especially me.
00:19:50You behave.
00:19:52I finally get you alone, and this is what you want to talk about?
00:19:55A baby is a...
00:19:57charming you, man.
00:19:59And boring.
00:20:03I want you to make love to him.
00:20:06Why?
00:20:08No.
00:20:09You do it.
00:20:11It's not the same.
00:20:12Now that you have the key to my apartment,
00:20:15I'll expect you to do.
00:20:17He's got this big house all to himself.
00:20:21It's nice, you know.
00:20:23Give it a shot.
00:20:24I'll be sure we'll go home.
00:20:26Give it a little closer.
00:20:31Give it a little closer.
00:20:31Give it a little closer.
00:20:32Give it a little closer.
00:20:33Give it a little more salad.
00:20:38He needs a good woman.
00:20:41He needs a mother.
00:20:43Are you going to come?
00:20:45I doubt it.
00:20:46Are you following me?
00:20:57Excuse me.
00:21:04Vera tells me she wants a divorce.
00:21:06So, give it to her.
00:21:12Marry me.
00:21:14Come on, Lois.
00:21:18I love her.
00:21:19I'm committed to her.
00:21:21It's...
00:21:21It's the end of work.
00:21:23It's a real great commitment, Keith.
00:21:30Fucking me.
00:21:32What's that supposed to mean?
00:21:35God, you're a bastard.
00:21:37I was looking for you.
00:21:59You haven't had that chance to celebrate.
00:22:02Come on.
00:22:03Drink up.
00:22:03Here.
00:22:06Two.
00:22:08Which is tail?
00:22:11Hmm.
00:22:21I'm leaving.
00:22:24I found you a woman.
00:22:27No, thank you.
00:22:30It's very special.
00:22:31What makes you think that I want Lois?
00:22:36I wasn't talking about Lois.
00:22:38I was talking about my wife.
00:22:46You're drunk.
00:22:48Hmm.
00:22:49I want the fountain of youth.
00:22:57I'll trade you, Vera.
00:23:00For L.
00:23:09Are you serious?
00:23:10No.
00:23:17No.
00:23:19No, look.
00:23:20You don't belong here.
00:23:22Maybe you should go home.
00:23:23And, uh...
00:23:25Don't...
00:23:27Don't touch my wife.
00:23:30Okay?
00:23:30Okay.
00:23:30Baby.
00:23:42Are you leaving?
00:23:48Is something wrong?
00:23:53You wanted me to look after things?
00:23:54I want to look after things.
00:23:55I want to look after things.
00:23:56I want to look after things.
00:23:57I want to look after things.
00:23:58I want to look after things.
00:23:59I want to look after things.
00:24:00I want to look after things.
00:24:00I want to look after things.
00:24:01I want to look after things.
00:24:01I want to look after things.
00:24:02I want to look after things.
00:24:02I want to look after things.
00:24:03I want to look after things.
00:24:03I want to look after things.
00:24:04I want to look after things.
00:24:04I want to look after things.
00:24:05I want to look after things.
00:24:05I want to look after things.
00:24:06I want to look after things.
00:24:07I want to look after things.
00:24:08I want to look after things.
00:24:09I want to look after things.
00:24:10I want to look after things.
00:24:11I want to look after things.
00:24:12Yeah, come join the party.
00:24:35Mara?
00:24:45Mara?
00:24:49Showtime!
00:24:52Mara?
00:24:54Mara?
00:24:56Come on, wait a minute, where do you think you're going?
00:24:59Out of here, anywhere, away from you, don't even touch me!
00:25:02Mara, look, away from me!
00:25:04Damn you!
00:25:06Oh gee, come back my bed!
00:25:09What was that doing?
00:25:11Alright.
00:25:13Where are we going?
00:25:15I may live happily ever after!
00:25:34Dr. Riley, OR2.
00:25:41Dr. Riley, OR2.
00:25:43Dr. Riley, OR2.
00:25:45Dr. Riley, OR2.
00:25:46Here are the three more.
00:25:48I can't believe you.
00:25:51Dr. Riley, OR2.
00:25:54I can't believe you.
00:25:55Dr. Riley, OR2.
00:25:57Dr. Riley!
00:26:00Do you want to see your party?
00:26:01Dr. Riley, OR2.
00:26:02He's at St. Paul's Hospital.
00:26:32Doctor's name is Sessions. No, I left a message, but I sent you all the paperwork. I understand that.
00:26:46I'll get it. I'll get it.
00:26:47Oh, thank you.
00:26:49Then fax me what you need and... right.
00:26:58Detective Marshall looking for Mrs. Miller?
00:27:00Hello?
00:27:04Detective Marshall. We spoke yesterday.
00:27:07Oh, of course.
00:27:09This is baby Gordon. He lives next door. He's helping me.
00:27:13Baby.
00:27:14I'll just put this away.
00:27:18Please, come in.
00:27:19Miss Miller, how long have you and your husband been married?
00:27:36Six years in December.
00:27:38You're having a party.
00:27:41There's a fight. You get in the car. He gets in. You drive off, right?
00:27:48Keith grabbed the wheel.
00:27:52I don't know how it happened. It just happened.
00:27:56It was my fault.
00:27:58It was an accident.
00:27:58Okay.
00:27:58What was the fight about?
00:28:05It was personal.
00:28:09Mrs. Miller, look.
00:28:11Your blood alcohol was...
00:28:15Oh, three. It's nothing.
00:28:18I'm just asking these questions because, you know, I gotta do the paperwork.
00:28:21Keith was drunk.
00:28:23And I was angry.
00:28:26Well, he was definitely drunk.
00:28:28He registered, uh...
00:28:30One six.
00:28:33Probably saved his life.
00:28:34Uh, but there was a, uh, uh, an insurance policy.
00:28:42Life insurance. No disability.
00:28:45Heh. Too bad.
00:28:48Consider it.
00:28:49It wasn't the first time Keith was drunk.
00:28:52And it wasn't the first time I was angry.
00:28:57If you're asking me if I drove the car into the tree intentionally...
00:29:01No, no, no. I'm... I'm... I'm very sorry for what happened to your husband.
00:29:04Have you got any news? Is he still in a coma?
00:29:07Yes, but they can't say what's going to happen.
00:29:10It's still too soon to know how bad it is.
00:29:13Okay.
00:29:16Well, LAPD extends its sympathies, Mrs. Miller.
00:29:20Vera.
00:29:22Mike.
00:29:24You know, uh...
00:29:26First girl I ever kissed was named Vera.
00:29:32You remember those things.
00:29:34So, you live next door?
00:29:45Yeah.
00:29:46Yeah.
00:29:47Convenient.
00:29:49Don't forget your laundry.
00:29:55I thought Keith didn't believe in insurance.
00:29:57He didn't.
00:29:58You can't trust cops, you know.
00:30:07After my mother's accident...
00:30:09You had thought I killed her.
00:30:14Uh, yes.
00:30:15This is, uh, regarding account number 19.
00:30:18What's it?
00:30:18Keith?
00:30:39Keith?
00:30:39I'm so sorry.
00:31:00Vera said I should read to you.
00:31:02I can't believe in the news.
00:31:03I'll let you know.
00:31:03You have to go.
00:31:04I can't believe in the news.
00:31:04But I'm so sorry.
00:31:04I can't believe in the news.
00:31:09Around quitting time...
00:31:10Todd Hackett heard a great din on the road outside his office.
00:31:13an army of cavalry and foot was passing it moved like a mob a little fat man
00:31:22darted around the corner of the building in pursuit of the army
00:31:27stage nine bastards stage nine screamed through a small megaphone
00:31:32help me nurse nurse keith fractured his skull in the accident we had to remove a piece of it
00:31:52to relieve the swelling but there was major tissue damage to both frontal lobes which
00:31:56affect speech coordination memory he talked to me the subdural hemorrhaging ruptured blood vessels
00:32:05his eyes are open you saw that he's no longer in a coma he's in what we'd call a persistent
00:32:13vegetative state he said help me he can't speak the tests prove that but you never know one day
00:32:25keith may sit up recite the gettysburg address now if you'll excuse me yeah
00:32:30this is a miller residence you know what to do after the beep
00:32:44hi vera it's uh it's baby
00:32:50look i feel uh really bad about the other night and i i feel responsible
00:32:59answer machine
00:33:02hey it's okay the girl let me in
00:33:07i've been trying to reach vera for days but she won't return any of my calls so i figured
00:33:12you live next door to her you must know what's going on
00:33:16no you would have to ask her
00:33:19now you shouldn't feel responsible
00:33:23we've all warned keith about his drinking
00:33:26he drinks
00:33:28beer gets pissed
00:33:30it's all just a terrible accident
00:33:33you'll have to excuse me
00:33:36i have a lot of work to do
00:33:37i'm putting together a show at the gallery downtown
00:33:42it's a young artist mostly unknown
00:33:44you've done some amazing work
00:33:47really
00:33:49absolutely
00:33:51who did the ones downstairs
00:33:55your mother was a tv actress
00:34:05ah some film
00:34:09startling image
00:34:13i like that very much
00:34:15baby i'm back
00:34:21i can see myself out
00:34:24would you please tell vera to call me
00:34:28and think about the show
00:34:30baby you're very talented
00:34:33baby
00:34:36why did you let that guy into my mother's house
00:34:43you said that you were expecting him what show
00:34:45an art show at some gallery
00:34:48oh my god that is so cool
00:34:51hello
00:35:04don't blame yourself for what happened
00:35:07you only did what i asked
00:35:09did you just get home
00:35:11yeah
00:35:12they're sending him home
00:35:16keith
00:35:17um
00:35:19is he
00:35:20is he better
00:35:21no it's cheaper for the insurance company
00:35:23i've only got three weeks to get the house ready
00:35:26hire a nurse
00:35:28i'll help you
00:35:29i'll take care of it
00:35:32it's what i do remember
00:35:35good night baby
00:35:42sleep well
00:35:44sleep well
00:35:45welcome home
00:35:55i think he's very happy to be home
00:36:11i don't know
00:36:17i want to use the one of your house
00:36:19no don't sell that one
00:36:20i'll get my mom to buy it
00:36:21how much do you think i should charge
00:36:26i don't know
00:36:27i don't know
00:36:27ask george
00:36:28baby
00:36:33hey lewis
00:36:34i don't know how
00:36:38or why
00:36:40but i know you had something to do with this
00:36:42something to do with keith's accident
00:36:45ow
00:36:46what are you talking about
00:36:48you want vera
00:36:50i know it
00:36:52and keith knew it
00:36:54is everything alright in here
00:36:57everything's fine vera
00:37:02everything's super
00:37:04the doctor said that
00:37:20it would be good to have something in your hand
00:37:24they said that you can hear
00:37:39this is how
00:37:42he'll put up this bed
00:37:45are you faking
00:37:57are you faking
00:37:57hello
00:38:15working on your show
00:38:18what's up
00:38:20well miss sanders can't make it today
00:38:22and i called the agency
00:38:23and the replacement is sick
00:38:24i've got a deadline
00:38:26i've got a meeting
00:38:28with the insurance company
00:38:29you want me to take care of keith
00:38:31could you
00:38:32i'll be right over
00:38:34i don't know what i'd do without you
00:38:36this brings back a lot of memories of my mother
00:38:42too many
00:38:44come on
00:38:48open
00:38:48there you go
00:38:51see i told you it wasn't that hot
00:38:54my mother used to like a lot of sugar
00:38:56with her
00:38:56she said it tasted better
00:38:57there you go
00:39:00open
00:39:00stop
00:39:02leave me
00:39:04leave me this crap
00:39:05what are you doing
00:39:12calling dr sessions
00:39:16what for
00:39:18because you're talking
00:39:20don't
00:39:22i'm not going to talk to that moron
00:39:25you're the only one i'm going to talk to
00:39:27come back here
00:39:28do me a favor
00:39:31yeah
00:39:32check out my cap
00:39:34it's itching
00:39:35right in the front
00:39:39scratching
00:39:40there
00:39:41how does it look
00:39:43it looks
00:39:48good
00:39:49when was it like being in a coma
00:39:53you can hear everything
00:39:58but you can't wake up
00:40:01though you wait
00:40:02and wait
00:40:02you start thinking
00:40:05first thing that comes to mind
00:40:06is food
00:40:07then you think about sex
00:40:10the women you had
00:40:13women you wanted to have
00:40:16but their touch
00:40:19their kisses
00:40:19the smell of their skin
00:40:22what do you need
00:40:28what do you need
00:40:28keep
00:40:28let's start with
00:40:42some real food
00:40:43oh man
00:40:51i can't tell you how good this is
00:40:55oh oh oh
00:40:58oops
00:40:58come on
00:40:59don't you think we should tell vera
00:41:01tell her what
00:41:04i'm gonna get better
00:41:06i can't vote
00:41:10this is gonna take a bit of time
00:41:14good
00:41:14at the party
00:41:18at the party you told me
00:41:21that i was
00:41:22ah
00:41:22i'm sorry
00:41:23i was an asshole
00:41:25i was drunk
00:41:27why me
00:41:29why not george
00:41:31or
00:41:32or lois
00:41:33cause i can trust you
00:41:35did you get the punch i asked you
00:41:38dad
00:41:39right
00:41:41here
00:41:43come on
00:41:46let's go
00:41:47where
00:41:48i wanna go see lois
00:41:50find out what the bitch told vera
00:41:52lois this is your mother
00:42:09you never called me back
00:42:11and i'm still waiting
00:42:12lois
00:42:13hey this is dave penn
00:42:14i met you
00:42:16the other day
00:42:17at 72 market street
00:42:18anyway i was wondering
00:42:19if you wanna
00:42:21the other day
00:42:21yeah
00:42:22so
00:42:33what
00:42:34i'm
00:42:34good
00:42:35now
00:42:43now
00:42:47How did you get in here?
00:42:57Keith, uh, Keith wanted me to give you your key back.
00:43:02Put it in the mail next time.
00:43:05Out.
00:43:06Uh, Keith, Keith wanted me to, uh, to ask you what you told Vera.
00:43:14Who the hell do you think you are?
00:43:17Get out of my house.
00:43:19He wanted me to, uh, to ask you.
00:43:22Call him the cops.
00:43:24Look, if you don't believe me, ask him yourself.
00:43:27Uh.
00:43:27Have you lost your f***ing mind?
00:43:48Does Vera know you have him out?
00:43:52Do the doctors know?
00:43:57Look, you f***ing little weasel.
00:43:59I don't know what the hell you think you're doing.
00:44:01He wanted to talk to you.
00:44:10I'm calling Vera.
00:44:12She owes me a cigar.
00:44:23Oh my f***!
00:44:25Is she dead?
00:44:27Of course she's dead, Keith.
00:44:28Of course she's dead.
00:44:30Come on.
00:44:30What the hell did you do?
00:44:32I don't know.
00:44:33I want to feel your heart.
00:44:35I gotta, please.
00:44:37I...
00:44:38I, uh...
00:44:40I did everything.
00:44:43You know, I'm okay.
00:44:43Nobody's perfect.
00:44:46Everybody has their flaws.
00:44:49Little things that drive you crazy.
00:44:52The baby didn't see what was really happening.
00:44:56But I wasn't blind.
00:44:59My eyes were wide open.
00:45:00What have you two been up to?
00:45:21Something terrible's happened.
00:45:24Lois committed suicide.
00:45:26Please don't leave me alone.
00:45:38He's asleep.
00:45:42My mother was a heavy smoker.
00:45:44Is that how she died?
00:45:46No.
00:45:48She had chronic pain.
00:45:51So she took a lot of pills.
00:45:52And one day...
00:45:56She mixed them up on accident.
00:46:01I'm sorry.
00:46:06Sometimes it's better when people die.
00:46:09If they're suffering.
00:46:13I'm sorry.
00:46:14I didn't mean Keith.
00:46:15No, no.
00:46:16Of course not.
00:46:18Keith looks better every day.
00:46:20You think so?
00:46:29You know, when I married Keith...
00:46:31I was looking for a father.
00:46:38At least that's what my...
00:46:40shrink said.
00:46:44And instead...
00:46:46I got a little boy.
00:46:47And now he's helpless as a baby.
00:46:53It would be funny if it wasn't so sad.
00:46:57It'll get better.
00:47:00I miss him, though.
00:47:05Especially...
00:47:07Sleeping with him.
00:47:08Feel.
00:47:17You're freezing.
00:47:19I told you.
00:47:20I told you.
00:47:28Oh, it feels so good.
00:47:30I don't know what terrible thing I've done to deserve this.
00:47:38I don't know what terrible thing I've done to deserve this.
00:47:38I don't know what terrible thing I've done to deserve this.
00:47:39I don't know what terrible thing I've done to deserve this.
00:47:40I don't know what terrible thing I've done to deserve this.
00:47:41I don't know what terrible thing I've done to deserve this.
00:47:42I don't know what terrible thing I've done to deserve this.
00:47:43I don't know what terrible thing I've done to deserve this.
00:47:44I don't know what terrible thing I've done to deserve this.
00:47:45I don't know what terrible thing I've done to deserve this.
00:47:46I don't know what terrible thing I've done to deserve this.
00:47:47I don't know what terrible thing I've done to deserve this.
00:47:48I don't know what terrible thing I've done to deserve this.
00:47:49I don't know what terrible thing I've done to deserve this.
00:47:50I don't know what terrible thing I've done to deserve this.
00:49:21You sell on these?
00:49:31I'm in a show.
00:49:33The Fletcher Gallery.
00:49:34Me and my mom.
00:49:35You know, I know people, right?
00:49:44So, uh, Lois Davis jumps off of her balcony.
00:49:48Suicide.
00:49:50But she doesn't leave a note.
00:49:51She doesn't call any friends.
00:49:55She doesn't, uh, talk about suicide.
00:49:59Maybe she fell.
00:50:00Yeah, maybe.
00:50:05But, uh, we found a key in her hand.
00:50:09A key to her apartment.
00:50:13And, uh, the key had Keith's fingerprints all over it.
00:50:19Now, uh, you were with Keith, right?
00:50:22That's right.
00:50:24That's right.
00:50:27Lois came over here?
00:50:31No.
00:50:34You guys go anywhere?
00:50:35You and Keith?
00:50:35Maybe over to her house?
00:50:38Nope.
00:50:38But you knew Lois.
00:50:43Huh?
00:50:46We met once at a party.
00:50:48Um, Keith introduced us.
00:50:50He wanted to set me up.
00:50:52Lois isn't my type.
00:50:55Vera your type?
00:50:55I'm sorry.
00:51:00Sorry.
00:51:02It's a habit.
00:51:03Uh, you meet somebody, you expect the worst.
00:51:08You're just a friend helping her out.
00:51:10That's right.
00:51:13Well, she's the one I really feel sorry for in all this.
00:51:15Vera.
00:51:19Husband's whacked out.
00:51:21No chance of recovery.
00:51:25O'Keefe, uh, O'Keefe was playing a shell game with the IRS.
00:51:31That's his style.
00:51:33That's what he does.
00:51:39So, what kind of game is he playing now?
00:51:47Now, if he'd have died,
00:51:50she would have been able to keep the life insurance.
00:51:53A million.
00:51:55But as it is, uh, she's just stuck with this, uh, thing.
00:52:01She loves him.
00:52:03Yeah.
00:52:05Love, guilt.
00:52:09She'll get over it.
00:52:12You don't know Vera.
00:52:15I know people.
00:52:15Now, the monitor's on, and you have the number to the gallery.
00:52:28And, baby, we have to go.
00:52:36I feel like my mom's watching.
00:52:38She's not.
00:52:45I feel like my mom's watching.
00:52:57I feel like he's with it.
00:52:58I know, but I'm so sorry.
00:52:59I'm so sorry.
00:53:08Isn't it honest, to be so honest, I'm bad, I'm honest, you're the best, best, best,
00:53:15sometimes it's great to be a hand.
00:53:20What a night.
00:53:21Congratulations, George.
00:53:23Congratulations, baby.
00:53:24You're a very successful exhibit.
00:53:25You know what that means?
00:53:26It means lots.
00:53:28Toast.
00:53:34To Keith, who brought us all together.
00:53:36And you lost.
00:53:40This way, Mr. Haystack.
00:53:52You know, I could have gone my whole life without seeing this happen.
00:54:06Is it true you and Lois were having an affair?
00:54:22Maybe that's your secret.
00:54:25You know just what to say.
00:54:26What to do.
00:54:47Can you feel that?
00:54:49Can you feel that?
00:55:13Can you feel that?
00:55:35Can you feel that?
00:55:39Oh, my God.
00:56:09Hey, Jeff, what's your buddy?
00:56:18Special delivery, sweetheart.
00:56:20I always dreamed of a night like this.
00:56:26Your dream's coming true.
00:56:29And the best part is you being here.
00:56:36I wish I could kiss you.
00:56:39If you can.
00:56:47Oh, my God.
00:56:51Keith.
00:56:55What are you doing?
00:57:00Oh, my God.
00:57:02What are you looking at?
00:57:16Only in LA, bro.
00:57:18Good.
00:57:19Good.
00:57:19It's okay.
00:57:21It's okay.
00:57:22God damn it, Elle.
00:57:29What are you thinking?
00:57:31The guy came by.
00:57:33He said he was supposed to pick up Keith.
00:57:34He was paid and everything.
00:57:36Are you stupid?
00:57:37You can't just give him to anybody.
00:57:40God damn it.
00:57:41Wait.
00:57:41You dumped this on me.
00:57:44And then you went off with her.
00:57:47So, fuck you.
00:57:52I'm sorry I hurt you.
00:57:54Everything's different, baby.
00:58:07I want things to be the way they were.
00:58:13Just you and me.
00:58:14That cop.
00:58:25Would you help me with this?
00:58:30You can't continue like this.
00:58:32And what would you have me do?
00:58:33Well, he is not going to get any better.
00:58:36You've been talking to the doctors.
00:58:38Would you stop punishing yourself?
00:58:40It was an accident.
00:58:41How can you be so sure?
00:58:44How can I be so sure?
00:58:46He can't feel you.
00:58:48He can't hear you.
00:58:50You don't know that.
00:58:51He can't fucking touch you.
00:58:55He's gone.
00:58:57He no longer exists.
00:58:58Would you look at him?
00:59:01He's a shell.
00:59:03He's an empty fucking shell.
00:59:04And you have got to put him away.
00:59:06You can go now, George.
00:59:15You save yourself.
00:59:18Before it's too late.
00:59:20I said you can go now, George.
00:59:31We'll be fine.
00:59:34Everything's going to be fine.
00:59:36I'm sorry.
00:59:50This is a lot of money.
00:59:52Well, yeah, minus my 20% plus 10% finder's fee.
00:59:55I mean, that's standard.
00:59:56No.
00:59:57No, it's great, George.
00:59:59Thank you very much.
01:00:00Yeah, you know, I got offers and a couple of other pieces, but I think, you know, let's
01:00:03hold out until the price goes up.
01:00:04You're the boss.
01:00:06You know, if we had a few more pieces, I could do a catalog.
01:00:09We'd do something, uh, something very classy.
01:00:10How many do you need?
01:00:13I know five would be nice, but four would suffice.
01:00:17I had no problem.
01:00:19He would do that?
01:00:22He'd forge your mother's work?
01:00:27Forge?
01:00:28I thought you meant my work.
01:00:34Oh, darling.
01:00:36Nobody's interested in your stuff.
01:00:39It's your mother's paintings they want.
01:00:41I mean, that's what I can set up.
01:00:42No one wants my work.
01:00:47Well, you know, darling, there's nothing personal.
01:00:50It's just you and not a dead TV star.
01:00:55You want me to forge my mother's work?
01:00:59I want you to search the house.
01:01:01I want you to search the attic.
01:01:03I want you to search the garage.
01:01:05I want you to search the bloody basement of your house.
01:01:06I want you to get me some Sue Gordon originals.
01:01:12It could mean a lot more of these.
01:01:18Are you going to think about it?
01:01:30Hello?
01:01:33Vera?
01:01:35No.
01:01:38George is right here.
01:01:41He sold some paintings.
01:01:43Gave me a check and everything.
01:01:46Yeah.
01:01:47A lot.
01:01:50Shoo!
01:01:52I'll wait for Baby.
01:01:53Oh, don't be absurd.
01:01:54I can watch Keith.
01:01:55I've been watching him longer than you've been alive.
01:01:58Riverbrook?
01:01:59No, I've never heard of it.
01:02:02Look, Vera, don't worry about it.
01:02:05No, I'll check it out.
01:02:06I don't mind.
01:02:07I so ought to have you silent, mute.
01:02:13Now you are a burden to us all.
01:02:22Look at yourself.
01:02:23You need a shave, you need a bath, you need a bloody skull.
01:02:36I suppose the plate will go here.
01:02:42Vera, I care about what happens to Keith.
01:02:45Oh, my God.
01:02:47Oh, my God.
01:02:54Keith!
01:02:56George, stop!
01:02:59No.
01:03:02Keith, stop it!
01:03:05Damn it!
01:03:06I...
01:03:07I can't swim!
01:03:10Baby!
01:03:11I have to help him.
01:03:41Please!
01:03:43Al, I need help!
01:03:46Al!
01:03:48Help me!
01:03:50Al!
01:03:51Please help me!
01:03:53Al!
01:04:02Nurse Springsing, please report to pathology.
01:04:06Where am I?
01:04:08Here at the hospital.
01:04:09You're here for observation.
01:04:15I want to go home.
01:04:17You can't.
01:04:19You have to stay here for one night.
01:04:23George tried to kill me.
01:04:26Just relax.
01:04:28Come on, La Possa.
01:04:32You're all I've left.
01:04:34Dr. Peter Blake, 2-1-1.
01:04:38Dr. Peter Blake, 2-1-1.
01:04:46Baby.
01:04:49How's Keith?
01:04:50He's fine.
01:04:52Condition is stable.
01:04:53Look, I told the police...
01:04:54I read your statement.
01:04:54Funny choice you made, uh, down there at the bottom of that pool.
01:05:00Rescuing Keith instead of George.
01:05:03I mean, uh...
01:05:05George is making you money, right?
01:05:07And Keith...
01:05:09Keith is...
01:05:11You tell me.
01:05:14Can I go?
01:05:18Sure.
01:05:19Say hi to Vera for me, too.
01:05:31You're not hungry?
01:05:32Does Keith seem different to you?
01:05:43What do you mean?
01:05:45His face.
01:05:48His eyes.
01:05:53Christ, I must be losing my mind.
01:05:55Let's get out of here.
01:06:24Vera!
01:06:25Vera, wait!
01:06:38Vera.
01:06:41Get away from me!
01:06:46Here, you go.
01:06:47Sit over there.
01:06:55You made me love you.
01:07:08I didn't want to do it.
01:07:12I didn't want to do it.
01:07:17You made me love you.
01:07:22And all the time you thought.
01:07:26I guess you always knew it.
01:07:31You made me happy sometimes.
01:07:36You made me happy sometimes.
01:07:39You made me happy sometimes.
01:07:43But...
01:07:44There were times...
01:07:46That...
01:07:48You made me feel...
01:07:52And they weren't even happy sometimes.
01:08:17Just saying...
01:08:18Well...
01:08:18It's okay, shh, it's okay.
01:08:48What was it like when your mother died?
01:09:10I don't remember.
01:09:14But I wish he was dead.
01:09:18He blames me.
01:09:27I can see it in his eyes.
01:09:29He scares me.
01:09:32I won't let him hurt you.
01:09:35I won't let anybody hurt you.
01:09:41I bought a gun.
01:09:44Because I'd rather die than have him keep staring at me.
01:09:48We'll put him in a home.
01:09:51And I'll pay for it.
01:09:54I can't take your money.
01:09:59Aaron, please.
01:10:01Please stay with me.
01:10:04I have to go home.
01:10:06I'm going home.
01:10:13I'm going home.
01:10:20I'm going home.
01:10:21I'm going home.
01:10:24Look, he requires constant supervision.
01:10:53And Vera can't do that.
01:11:00I know how she feels.
01:11:02I had to take care of my mother.
01:11:06You should know that.
01:11:07You were there.
01:11:09I know what you did to your mom.
01:11:14She's using you.
01:11:17She bought a gun, Elle.
01:11:22I'm in love with her.
01:11:26Are you coming?
01:11:47Mr. Gordon, Nancy Cray, I'll be giving you the tour.
01:11:51Great.
01:11:53Baby Gordon?
01:11:54Long story.
01:11:57Well, we offer 24-hour supervision, three different meal plans to fit your budget.
01:12:03What type of injury?
01:12:04Head injury.
01:12:05Well, we do like to pair off our long-term guests to disability and level of communications.
01:12:11Miss Cray, I'm Mr. Epstein.
01:12:14He hates taking his bath.
01:12:16Ah, I understand.
01:12:18Please excuse me, okay?
01:12:19Okay.
01:12:20Just a moment.
01:12:21Hello.
01:12:35Hello.
01:12:43Hi!
01:12:47Hi!
01:12:49Hi!
01:13:01Hi!
01:13:03Hi!
01:13:05Hi!
01:13:09Hi!
01:13:21Hi!
01:13:23Hi!
01:13:25Hi!
01:13:27Hi!
01:13:29Hi!
01:13:31Hi!
01:13:35Hi!
01:13:45Hi!
01:13:47Hi!
01:13:48Hi!
01:13:49Hi!
01:13:50Hi!
01:13:51Hi.
01:13:52Hi.
01:13:53Hi!
01:13:57Here outside.
01:14:04what's my better half want she's scared she's afraid you blame her for the
01:14:12accident can't call her dumb I'm worried about her
01:14:18don't be you don't understand she's in a lot of pain really what about me do you
01:14:29know what it feels like lying in your own shit all day TV droning top of that I
01:14:37have to listen to you and her in the room next door and why are you telling me
01:14:45this why is she not here it doesn't matter because I'm taking care of things
01:14:52now you why are you laughing I love her and she loves me
01:15:13she's incapable of love she's using you
01:15:19you're jealous she needs a man not a boy you're wrong well ask Mike the
01:15:28detective what's that supposed to mean it means why you're taking care of me and
01:15:36my shit she's taking care of it you're lying I smell him when she comes in at
01:15:45night it tucks me in
01:15:48I smell it
01:15:52coffee
01:15:54onion
01:15:56shh
01:15:58it's human nature to want to
01:16:15protect the one you love to keep bad things away you try and you try but in
01:16:23reality it's like being in a car accident the way everything suddenly seems like
01:16:31slow motion and there's nothing you can do so you just sit back and wait for the
01:16:40crash
01:16:41crash
01:16:47oh
01:16:49hey
01:16:50yeah
01:16:51yeah
01:16:52yeah
01:16:53yeah
01:17:06yeah
01:17:07yeah
01:17:08yeah
01:17:10yeah
01:17:11yeah
01:17:14What?
01:17:15Got this with you?
01:17:16No.
01:17:38Maybe you scared me.
01:17:40I thought it was Keith who scared you.
01:17:43What are you doing out here?
01:17:45I didn't want to miss you.
01:17:50Do you want to come in?
01:17:51No.
01:17:54I want to smell you.
01:17:57Why, baby?
01:17:59Because I saw you at the taco stand with that cop.
01:18:03Were you following me?
01:18:06I saw you with him.
01:18:08You want to smell?
01:18:09Do you smell good?
01:18:10I'm tired.
01:18:11I'm going out.
01:18:12No, listen.
01:18:13Keith said you'd smell like the cop, but you smell fresh.
01:18:16And I was worried.
01:18:17Wait.
01:18:18Keith spoke to you?
01:18:19Baby.
01:18:20We had a few conversations.
01:18:21No.
01:18:22No.
01:18:23No.
01:18:24No.
01:18:25No.
01:18:26No.
01:18:27No.
01:18:28No.
01:18:29No.
01:18:30No.
01:18:31No.
01:18:32It smells good.
01:18:33No.
01:18:34No.
01:18:35No, listen, Keith said you'd smell like the cop, but you smell fresh.
01:18:39And I was worried.
01:18:40Wait, Keith spoke to you?
01:18:44Baby.
01:18:48We had a few conversations.
01:18:51Oh, my God.
01:18:53It's not that simple.
01:18:58What did he say to you?
01:18:59He told me about George and Lois.
01:19:09I understand why he killed them.
01:19:13Keith killed George and Lois?
01:19:16Yeah.
01:19:18Who else?
01:19:25I want to see my husband.
01:19:27No, baby, baby.
01:19:28Vera, please.
01:19:28You didn't let me go.
01:19:30Vera, just let me go.
01:19:31I have to tell you something.
01:19:36Vera, please.
01:19:38Vera, please just listen.
01:19:40Vera.
01:19:41Listen.
01:19:42Keith is not well.
01:19:44He's sick, okay?
01:19:45He is sick.
01:19:47My mother was sick.
01:19:49And I understand what that's like.
01:19:52It's an illness that doesn't get any better.
01:19:56He thinks he knows you.
01:19:57But I understand you.
01:20:04He is always fucking telling me what to do.
01:20:08And he's not going to do it anymore.
01:20:13Okay.
01:20:14Because I am in control now.
01:20:17My mother understood that.
01:20:25And now Keith will, too.
01:20:31You set me free, Vera.
01:20:35Vera and I have decided to go away.
01:20:53I wanted to tell you.
01:20:54Vera.
01:20:55No!
01:20:59Vera.
01:21:00Hey.
01:21:04Oh, my God.
01:21:05Vera.
01:21:08Vera?
01:21:10Oh, my God.
01:21:12Vera.
01:21:13Vera, please.
01:21:14Vera.
01:21:15Vera.
01:21:16Vera.
01:21:17Vera.
01:21:18Oh, my God.
01:21:20I need help.
01:21:38I need the police.
01:21:40I think she's dead.
01:21:41What are you doing?
01:21:43Where did you get that?
01:21:45Hurry.
01:21:45Hurry.
01:21:46He's got a gun.
01:21:47I've had it, Keane.
01:21:51I'm going to tell him.
01:21:53I'm telling him about George and Lois.
01:21:56Now, Vera.
01:21:59It is your fucking fault.
01:22:07Stop it!
01:22:09It was you.
01:22:10You killed them.
01:22:11It was you.
01:22:16You killed them, baby.
01:22:19You took him to Lois's.
01:22:20I saw you.
01:22:22It was your hands on the controls.
01:22:25You pushed George in the pool.
01:22:27I watched you.
01:22:29Keane, Taylor.
01:22:30He can't speak.
01:22:33It's all my fault.
01:22:35I should have stopped you.
01:22:40I thought that if I loved you enough, it would be all right.
01:22:46It would make sense.
01:22:49For Mom, she deserved to die for what she put you through.
01:22:53But the others, they didn't deserve it.
01:22:56Let's cut to the chase.
01:22:59She can't hear me.
01:23:00I stopped talking a long time ago.
01:23:06Remember?
01:23:07You were in my head.
01:23:09He's a man.
01:23:11Help me, Lois.
01:23:13I thought that love would win in the end.
01:23:17I thought that love would conquer all of us.
01:23:19I want her.
01:23:21Shut up!
01:23:25Shut up!
01:23:27Lady, stop it!
01:23:29Shut up!
01:23:30Baby, stop it!
01:23:31Baby, stop it!
01:23:33You can't have her.
01:23:36Baby, please!
01:23:39Stop!
01:23:40Please!
01:23:42Don't make me do it!
01:23:45She's pure.
01:23:45She's pure.
01:23:45You remember this.
01:24:04This is where we started.
01:24:13The cops never charged me with anything.
01:24:17They said I did society a favor.
01:24:23Newspapers and TV told the story over and over.
01:24:27Then it faded away into nothing.
01:24:36The truth is...
01:24:38We're left with the things we wanted all along.
01:24:42I'm sorry.
01:24:43I'm sorry.
01:24:43I'm sorry.
01:24:43I'm sorry.
01:24:59I'm sorry.
01:24:59No beginning and end.
01:25:06No perfect world.
01:25:09Al.
01:25:11You were looking to find in the blink of a light.
01:25:27You were waiting to find
01:25:38In the blink of a light
01:25:40You were blinded by reality
01:25:44You were getting too close
01:25:49To a family ghost
01:25:51She had hoped you would never see
01:25:55She'd leave you seeing stars
01:25:59Radiant by far
01:26:01You were the bitter end
01:26:04Empty future plans
01:26:07She could really be
01:26:10Waking up on your black screen
01:26:15On your black screen
01:26:21She could be who she wants
01:26:27And you should see her in mind
01:26:29Silent textures she adds to your dreams
01:26:34And you're the lens of your mind
01:26:38You must pretend that you're blind
01:26:40All the secrets and lies are real
01:26:44She leaves you seeing stars
01:26:48Radiant by far
01:26:51The world within her hands
01:26:53Empty future plans
01:26:56She could really be
01:26:59Waking up on your black screen
01:27:04On your black screen
01:27:10From your black screen
01:27:15From your black screen
01:27:21There's a voice in your hand
01:27:24Resurrecting the dead
01:27:27You will tear the emotion you see
01:27:31She was brought up all night
01:27:35In a church-driven life
01:27:38On a diet of coke and cafe
01:27:42Yeah, yeah, yeah
01:27:46Yeah
01:27:47Yeah
01:27:50発射
01:27:52Star
01:27:56ötTwo
01:27:57רת
01:27:58Two
01:27:59Who's
01:28:00nin'
01:28:01Star
01:28:02One
01:28:05One
01:28:05Two
01:28:06Three
01:28:06Star
01:28:07Three
01:28:08Others
01:28:08covery
01:28:10The world fit her house
01:28:12And the future plans
01:28:15She could really be
01:28:18Waking up from your black sea
01:28:23From your black sea
01:28:29From your black sea
01:28:34From your black sea
01:28:39I know people
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