কলকাতার জাদুঘরে এক হয়ে গেল ভারত-জাপান ! প্রদর্শিত ইয়াকিশিমের বির্বতন

ETVBHARAT

কী এই ইয়াকিশিমে মৃৎশিল্প ? ভারতের মৃৎশিল্পের সঙ্গে এর মিল কোথায় ? জানতে হলে যেতে হবে ভারতীয় জাদুঘরের প্রদর্শনীতে ৷

Transcript

00:00.

00:07.

00:10.

00:15.

00:20.

00:21.

00:26What is the purpose of Amadir Desho and Pottery for storage?

00:31Whether it is storage of food grains, storage of water,

00:34it is the same purpose.

00:37Gradually it has become a form of art.

00:40In Amadir Desho it has become a form of art.

00:43So there are a lot of similarities.

00:45The cultures are different but at the end,

00:47if you see humanity as a whole,

00:49we are all geographically located in different places

00:53but as a whole I would think we have a lot of similarities in our cultures,

00:58a lot of similarities in our heritage.

01:00This is the most important part when we are doing an exhibition

01:04in a place like Indian Museum

01:07where we are talking about our culture, our heritage

01:10and we are talking about an exhibition

01:13which talks about their rich culture and their rich heritage.

01:16I think that is where it is very important

01:18that we understand that humanity as a whole we are all safe.

01:22that we are only geographically apart.

01:27Maybe there are distances but culturally there is a lot of similarity

01:31in our culture and the Japanese culture

01:34or for the matter the culture of different countries

01:37or different people from across the globe.

01:44No, no, no. This is only for exhibition.

01:46Sorry, I am not an expert on this art.

01:50Metamorphosis is very unique.

01:55And always, any kind of art is changing, developing,

02:01changing the shape and everything for long years, through generations.

02:07And some parts are still, you know, there.

02:10Some part is changing.

02:12So always, you know, keeping the good things

02:16and taking the very innovative facts or something new

02:25is a good challenge.

02:28And I think that, hmm, I don't know what actually,

02:33I don't know how to, this kind of ceramics are made.

02:38But, hmm, I really, I am very interested in, to see,

02:44how it was made and how it was developed.

02:47I don't know well about, you know, the influence of the, you know,

02:52mutual influence in this kind of art or, you know, techniques.

02:58But, you know, as all of you know, that in Japan and India,

03:04especially Bengali, Bengal are very close,

03:08but have been very close, you know.

03:10And we have so many greats, Bengal greats,

03:15such as Rabindranath Tagore,

03:19and the last Bihari boss,

03:24and Netaji Chandraboss,

03:26and, of course, that,

03:30Radha Binot Par, Judge.

03:32All of them are very close, very close to Japan.

03:35And I don't know why, other, you know, areas, not much.

03:39Bengal is always very close to Japan.

03:42So, if we go to the San Teniketan,

03:45if we go to Tagore house here in Kolkata,

03:48we always see this kind of, you know,

03:51the, you know, arts there.

03:55And they have, I think they understand each other,

03:59they like each other.

04:01So, in the sense, I think that we have so many, you know,

04:05influence each other.

04:08And you know,

04:09you know,

04:11I really appreciate that.

04:13You know,

04:14really appreciate that.

04:16Thank you very much.

04:17Thank you very much.

04:18Thank you very much.

04:19Thank you very much.

04:20Thanks again.

04:21Thank you very much.

04:22Thank you very much.

04:23You've been to the program and

04:24just appreciate that.

04:25But I am not wanting to receive one of the

04:25Conscientists and the Conscientists.

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