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  • 1 day ago
Paul Mescal and Jessie Buckley react to Hamnet Awards Buzz Report by Mccallumj. Like us on Facebook at http://www.facebook.com/itn and follow us on Twitter at http://twitter.com/itn
Transcript
00:00I don't know, we'll just see what happens.
00:02I'm very proud to be in this film with Jessie.
00:05It was pretty an intense, like, yeah, emotional experience.
00:12In lots of ways, you know, in some ways when you watch a film for the first time,
00:17you're being flooded with memories, but also you're getting new memories
00:20because now, you know, it's been through an edit,
00:24there's like sound, there's like a grade,
00:27there's like so many things that has elevated something
00:31that you are unconsciously inside of.
00:33And so you have a kind of like a three degree burns experience.
00:40And then I guess seeing this family, seeing this mother,
00:46whilst also being on the precipice of becoming a mother myself
00:49and was pretty extraordinary and very intense.
00:55And I, I, I sobbed, but I, it was a lot.
01:02It was, it was, yeah, beautiful.
01:05I find that young people, especially children,
01:08are actually easier to work with
01:11in those kind of emotionally charged environments
01:15because most of them are closer to the animal part of us.
01:23You know, they're very instinctual and they're in the present moment.
01:27So once they go through the scene, they shake it off.
01:31I actually find the adults are the ones that we have to pay extra attention to
01:34because as adults, we're more likely to attach narratives
01:38to these emotions and feelings.
01:42Like Jacob, he's a little, like he's a 40 year old man
01:45trapped in an 11 year old's body.
01:46You know, he's, he's very wise and, um, very emotionally intuitive.
01:52As is Olivia and as is Bodhi.
01:54I think we were blessed.
01:55How grief connect us, connects us as human beings,
02:03how grief and loss makes, makes us more compassionate towards each other,
02:08makes us more likely to see from each other's perspective,
02:14um, connects us as much as joy does, if not more.
02:19I try and take my hands off the wheel by the time we get into the scenes
02:22and just let the relationships in the world, you know,
02:27influence whatever comes out.
02:29Um, and coming out of it, I, I have a very simple life.
02:35And coming out of it is like getting in a car, going home,
02:39making a slice of toast, uh, having a cup of tea.
02:43Um, I think you have to have a light touch with this, with work, you know,
02:49have intention, but the lightest of touches.
02:51And, and I don't necessarily want to, I, I, I never want to let go of these things
02:56because they've been such gifts to, like, wake up towards the world in it.
03:03And all of the characters that I've played are etched deeply into my heart.
03:10Um, so it's not about coming in and out of it.
03:13I think it's just about being really.
03:15Yeah, when you make the, this film with, like, huge amount of love.
03:20And I think it, it, it's always satisfying to see that it's not only to, uh, discussing awards,
03:28but to feel like the audience, the, the, the film is resonating with an audience
03:31is incredibly satisfying.
03:32And I'm just very, I'm very proud to be in this film with Jessie
03:37and to be right next to her in terms of watching her deliver this performance.
03:42But, but, but of course it is satisfying and, um, exciting to be, to, to, to be in those conversations.
03:49Hopefully it means that there'll be a longer life for this film with, with, with audiences for sure.
03:54The year with, of Nomadland, it was a very unique year because it was during the pandemic.
04:01So we had a, I had a very different experience than I am experiencing right now.
04:07I couldn't be with people.
04:08So this feels like a new experience to me.
04:12I'm trying to just sit in it and get into the river and be proud as punch to put this film out
04:19and also be beside other great films that have been made and other great performances
04:23that have been created and I don't know, we'll just see what happens.
04:27Yeah.
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