- 2 days ago
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00:00Mukherd Singh!
00:02Oh Mukherd Singh!
00:04Where did Red Duty go?
00:06Present! Present ma'am!
00:08Sure! Present!
00:10What was you doing at the table?
00:12I'm drinking.
00:14I mean, we were doing PP Ashan.
00:16Look, today we were playing yoga.
00:18That's why we were sitting at the table
00:20sitting in private and doing PP Ashan.
00:22Hey, Bartij PP Ashan!
00:24PP Ashan is the Ashan
00:26that you sit at the table
00:28When you drink, PP Ashan is the Ashan.
00:30No, what is it?
00:32Your mind, your mind and your day are just
00:34and it's just.
00:36But then you do this Ashan
00:38every day so that your heart will be just
00:40and I will understand.
00:42Of course!
00:44But this Ashan is in private.
00:46We will not leave it in private.
00:48Okay.
00:52Just between you and me
00:54we were not drinking.
00:56If you know what I mean.
00:58You just go, you just go with me,
01:00don't make sure my heart will go out
01:02just get answers.
01:04Do not put your heart, don't put your heart!
01:06Don't put your heart, don't put your heart.
01:08What? Don't talk about it.
01:10You just don't talk about it.
01:12Just talk about it.
01:14You say about it with your heart,
01:16but it means that you get into your heart,
01:182 numbers and you get into your heart.
01:20How many 4200 did you get into your heart?
01:22Why do you get into your heart?
01:24Look, look, look, look, look.
01:25What happened? Tell me.
01:26First call the police.
01:27Yeah, call it.
01:28Hey!
01:30I'm the police.
01:31You're the police?
01:32Okay, brother. Listen to our story.
01:34What's the story? Tell me.
01:35When you took two numbers, you took six numbers,
01:37and then what happened?
01:38Two numbers, six numbers? That's the same thing.
01:40That's the same thing.
01:41No matter what, you didn't give our money.
01:44We didn't give you the money.
01:46Why did you give it to you?
01:47Hey, hey, hey.
01:48Who gave it to whom?
01:50They didn't give it to me.
01:52That's why you have to write a follow-up for them.
01:54Yes.
01:55What, yeah, I'm writing a follow-up for them.
01:58One minute.
01:59If they said to them,
02:00they'll write a follow-up for their books.
02:02Sir, the disc.
02:03Oh, leave it, you're the police.
02:05You're the police.
02:07You don't have to ask questions.
02:08Come on then.
02:09You're the police.
02:13One minute.
02:14Talk about like this in my language,
02:15which is the only word in my excuse.
02:16One minute.
02:18Do not say anything.
02:19Then, please talk to it when the madam will be, okay?
02:22No!
02:25Madam, don't say anything.
02:26This is not a madam, man.
02:29Madam is coming.
02:30When she will come, she will talk all the time.
02:33Okay, shut up.
02:34F.I.I.
02:47You will give your introduction.
02:49This is our dhundae.
02:52Why will they give you a dhundae?
02:54You will give me a dhundae.
02:56We are Gappu.
02:58Who is Gappu?
03:00Who is Gappu?
03:01This is our friend, Pappu.
03:04What is Pappu?
03:06Yes, Gappu.
03:07And we will work in a dhundae.
03:09No!
03:10Because of this person, this is a problem.
03:12Why do you know what your dhundae is?
03:16Oh!
03:17Gappas, baby.
03:18Gappas!
03:19Okay, bye.
03:22This is your daughter?
03:23Yes!
03:25Wow!
03:26What did you maintain?
03:27Isn't he?
03:28Yes, Pappu.
03:29Yes, Pappu.
03:30Pappas!
03:31Pappas!
03:32Pappas!
03:43Oh!
03:44F.I.I..
03:45F.I.I.
03:51Do you want to ask something else?
03:55Yes, Gappu, why don't you give the money?
03:58What is the money you don't have to pay?
04:01Oh, my God!
04:02You have to ask yourself, you have to pay a discount.
04:05Look madam, we tell you,
04:07we are good at pay pay pay.
04:09And every day, we have to pay pay pay pay.
04:12We have to pay pay pay.
04:15We have to pay pay pay.
04:17So, we are looking for our money.
04:20We are looking for our money.
04:22We are looking for the money.
04:24But madam, this is so much,
04:26I have said, what are you looking for?
04:29Take my money and keep it.
04:32How do we get our money?
04:34Our money is a different class, madam.
04:38What is that, madam?
04:39The reservation is always in S2 and in AC2.
04:43Because it is our class, madam.
04:46Yes, madam.
04:47And while keeping this class,
04:48I took the school.
04:51And then...
04:52Then, let's go.
04:54Madam, we tell you.
04:56It's been the case that we take care of them.
04:58So, they said,
04:59let's go to platform number 2.
05:01We said,
05:03No, no, sir.
05:04Today, we will come to platform number 6.
05:06They don't mean it.
05:07And first, they took two numbers.
05:08There will be no car.
05:09There will be no car.
05:10There will be no car.
05:11There will be no car.
05:12There will be no car.
05:13Then, they took us from 6.
05:14Madam, they took us from there.
05:15They took us from there.
05:16They took us from there.
05:17And they didn't give us the money.
05:18Dirty Disco.
05:21Why are they not giving us the money?
05:22How do you give us the money, madam?
05:25He told us that,
05:26when the train came,
05:27we will leave you in the AC-2.
05:28We will leave you in the AC-2.
05:29We will leave you in the Dirty Disco.
05:32Then, let's give us the money.
05:36And when the train came,
05:37Madam, this water is going to eat our food.
05:39We are going to take our food.
05:40So, we are going to stay there.
05:42And this puppy is going to go on the train.
05:44Oh!
05:45They are wrong, madam.
05:48Now, let's tell you,
05:49that the Chirikuta Gun Express
05:51are two.
05:52One up and one down.
05:54There are no differences between the two.
05:55There are no differences between the two.
05:57Now, we are going to go with them.
05:59We are going to go to meet at night.
06:01That's why we are going to be at night.
06:02The Dirty Disco.
06:05Madam, what is your mistake?
06:06So, it's the wrong question.
06:08Bhai, like this, like this,
06:10not the old man.
06:12Not the low-class type,
06:13not the old man,
06:14not the old man,
06:15not the old man,
06:16not the old man.
06:17Not the young man.
06:18Not the young man.
06:19Why do you still want to die again?
06:21But, you're still alive again?
06:23Tomorrow?
06:24Yes, tomorrow we are going.
06:25I am in S2 and this is in AC2.
06:27Tomorrow we are going, right?
06:28So, tomorrow we are going to put you in AC2,
06:33or we will put you under AC2,
06:36and then you give it your money.
06:38Okay?
06:39Clear?
06:40Manjure, when are you saying that?
06:41I will give it to you.
06:42I will give it to you.
06:43I will give it to you.
06:44I will give it to you.
06:45What is this?
06:48What is this?
06:49What is this?
06:50What is this?
06:52It is a type of exercise!
06:53It is not this, but some ways toteê² ï¿½ers only are you coming up.
06:58Um, the Chumma table steps over here!
07:00How dare you!
07:01A bar.
07:0224 hours of money,
07:03how are you thinking aboutasmлам glasses!
07:05No, all who are giving a mówumma?
07:07I am using a shumma-chumma-asana?
07:08No, what is that?
07:11Because there are shumma-chumma-asana,
07:14the hats are men seem to be capable to win
07:18dunno.
07:19Okay, I mean, it's a type of exercise.
07:21This exercise, then you open it and open it up with a lot of energy.
07:28Really?
07:29It's a lot of energy.
07:35No!
07:36It seems that this time it doesn't work.
07:38Right now, look at Gappu and Pappu.
07:40Okay, bye.
07:42Let's go.
07:46What did you do this time?
07:48Madam, we're going to write F.I.R. for this.
07:51What's your name, Pappu?
07:52Yes, Pappu.
07:53I'm going to rap to repeat the telecastron,
07:55who has talked about you again.
07:57Yes!
07:58And why do you write?
07:59F.I.R. didn't run this time.
08:01He didn't run it on your train.
08:04Madam, he ran it on our train.
08:06Our staff also ran it under the seat.
08:08We also gave him money.
08:10But as the Chircota Ganja Express went,
08:13after 7 minutes,
08:15the pool came out of the pool.
08:17So, we pulled the chain of the train.
08:20Because where we were going,
08:22we couldn't even go through the road.
08:24This guy had put us on the wrong train.
08:27Why, Pappu?
08:28Yes, Pappu.
08:30When I arrived to Timar,
08:32you didn't see it.
08:33Where did I see it?
08:34I told you,
08:35he had put us on the wrong train.
08:37What's the matter?
08:39Why did you put us on the wrong train?
08:40Why did you put us on the wrong train?
08:41No, it's not our fault.
08:43No, they didn't tell us
08:44that the Chircota Ganja Express will go down.
08:47We thought that Kalin is now gone.
08:50That's why we left them.
08:52Now tell me, Madam, what am I going to do?
08:54Yes,
08:55I am a police officer on the railway.
08:57I am a police officer,
08:58I am a police officer.
08:59I am a big boy who is running
09:01and running away.
09:02I am going to the city
09:04and go to the train,
09:05and go on the track.
09:06When will you go?
09:07Which train will you go?
09:08I will make a chart.
09:09I will make a chart.
09:10I will tell you,
09:11when will you go next time?
09:12We have to go to the day,
09:13Madam,
09:14we have to go to the day.
09:15Listen to the Kuli Kumar.
09:17It's like that,
09:18everyone has told you
09:22that you,
09:23Madam.
09:24Madam,
09:25you will get married with a Kuli?
09:29No, no, no, no.
09:31Sorry, Madam.
09:32Everyone has told you
09:34that you have granted
09:36that you will not
09:38put the train right away tomorrow.
09:40Say it.
09:41Say it.
09:42Tomorrow,
09:43we will go to Tinglapur Superfast.
09:44Up!
09:45Up!
09:46We will go.
09:47We will get married tomorrow.
09:48Tomorrow,
09:49we will go to Tinglapur,
09:50Shofar Past to come here.
09:52And our guests
09:55will put the train left.
09:56Pull the train...
09:57Pull the train.
09:58Pull the train.
09:59Pull the train left.
10:00Pull the train left.
10:01The first time.
10:10Pull the train.
10:12You will get ready.
10:13Pull the train.
10:14oh
10:16oh
10:34What's happened?
10:36What are you talking about?
10:38Happy birthday, we're celebrating our friends who come here
10:40You're a fool.
10:41Madam, our train fell again.
10:44What are you doing here?
10:48It's not time to reach there.
10:50It's a pain.
10:51It's a pain.
10:53Madam, how much did we reach the time?
10:55We got to reach the door.
10:57We're always there.
10:59Madam, what is there?
11:02There was a girl who was hitting her.
11:05It's a pain.
11:06It's a pain.
11:08That girl was watching us.
11:10That's why we were watching her.
11:12Oh, you're wrong.
11:14Or you're wrong.
11:15Or you're wrong.
11:16Or you're wrong.
11:17Or you're wrong.
11:18What do you think of her?
11:19It's wrong.
11:20Madam, I'll explain you.
11:21As the train fell again,
11:23we told her that this tender will fall from our hands.
11:25That's why we need to reach our hands.
11:27So, she told us that she's a taxi driver.
11:31His name is Parichit.
11:33He will reach us to the next station.
11:37Where we will reach the train.
11:39And our staff will reach our seat.
11:42So, you're sitting in the taxi.
11:45Let me ask you,
11:47I'm sorry.
11:48I'm sorry.
11:49But a little bit, Madam,
11:50we knew that the failure was not so bad.
11:54It was at 2 o'clock, Madam.
11:56We reached the night at 10 o'clock.
11:58We reached the next station.
12:00Until the train didn't know where to reach the train.
12:02No!
12:03It's so bad.
12:04Where did you stay at night?
12:06Where did you stay at night?
12:07Where was the hotel?
12:08There was a small town.
12:10How would there be a hotel?
12:11Madam, we told her that the taxi driver is sitting in the taxi.
12:15And we are sitting down.
12:17So, you sit on the desk.
12:19What do you mean, sit on the desk?
12:21How do we sleep on the desk?
12:23We are not going to sleep on the desk.
12:24We are not going to sleep on the desk.
12:25We were in front of a meeting.
12:26The door was closed.
12:28The door opened a little bit.
12:30The door opened a little bit.
12:32We put our hands in our hands.
12:34We kept a little money.
12:35We said,
12:36hello, never to go for a night.
12:37Just take a little money.
12:38The door opened a little bit.
12:40The door opened a little bit.
12:42The woman stood in front of the defendant.
12:43He was looking at a little bit.
12:44He was shouting.
12:45I was crying.
12:46There are so many women in this room, and all of them have met me, madam.
12:50We've got a piece of paper.
12:53Boy, shrink pen Joe.
12:56No shrink pen Joe tape, small and small,
12:59small and small pieces of paper.
13:02I'll give you the land reserve.
13:04Open everything.
13:07When will you go again?
13:09Madam, tender is a day, so go again tomorrow?
13:12Yes, tomorrow, right?
13:14Tomorrow, tomorrow, you're going to sit in the house,
13:17you're going to sit down the house,
13:19and you're going to give them money.
13:21Okay?
13:22That's a disco.
13:23Please, go and make a six-pack.
13:26Let's go.
13:27Please.
13:28Hey, listen.
13:30Is that the bench showing?
13:32Don't go to the bench.
13:34We're going to talk about it.
13:36F.I.I.
13:38Hey, let's go.
13:40Slow motion.
13:42Don't ask me the meaning of shrink pen Joe.
13:45No!
13:46No!
13:47No!
13:48What?
13:49Yes.
13:50But how can this happen?
13:52It's like it's happening.
13:53Oh, but...
13:54No!
13:55It's like it's not.
13:56Don't do what you're saying, madam.
13:58Okay, bye.
13:59Bye.
14:00Look, baby, Gappu.
14:02This whole world of life is something like this, right?
14:05That's where everyone is running around.
14:08And then, if you don't lose it, you don't lose it.
14:11If you don't lose it, you don't lose it.
14:14So, what do I have to do, madam?
14:17What do you want to do?
14:18My gulgule.
14:19Are you taking your own head here, or I'm taking my hand here?
14:23I'm taking it here, madam.
14:24What a problem, madam.
14:28What a problem, madam?
14:29Is it me talking about your hands?
14:31If you've understood, it can also explain it.
14:35Yes, madam.
14:36F.I.R.
14:38Clear?
14:40Clear.
14:42So, this is the blood of blood and the water.
14:54I don't know, I'm going to fall.
15:06Where are you?
15:08Here you go.
15:12I'm going to die.
15:14Where are you?
15:16Where are you, friend?
15:18That's right.
15:20I met you and I was telling you today.
15:22Madam!
15:24Madam!
15:26Madam! Madam! Madam!
15:28Oh, sweet, sweet.
15:30First or second?
15:32What does it mean?
15:34Is it a girl or a girl?
15:36No, you're late.
15:38No, you're late.
15:40No, you're late.
15:42No, you're late.
15:44No, you're late.
15:46The other is like a lottery.
15:48Madam, my lottery is coming.
15:50What a lottery? Go open and tell me.
15:52Tell me, Gappu, tell me.
15:54Oh, Pappu, I got a contract with that T.C.M.Gard.
15:56What?
15:58Huh?
16:00How can this happen?
16:02I mean, you didn't get there.
16:04So, how did you get your tender?
16:06No, I got it.
16:07The first time that girl got me on the right train.
16:10And my wife is sitting under the seat.
16:12Oh!
16:14Congratulations!
16:16But I think the girl needs appreciation.
16:18She called me and said thank you.
16:20Yes.
16:21Yes.
16:22Yes.
16:23But I don't have a number of kuli.
16:25Pappu, give me a number of kuli.
16:27No, I don't have a number of kuli.
16:29Yes.
16:30No.
16:31Yes.
16:32No, it's not true.
16:33Yes.
16:34I don't have a number of kuli.
16:35Oh!
16:36It's not.
16:37I'm going to take a number of kuli.
16:38What will I do?
16:39One minute.
16:40Madam, what's your number of kuli?
16:41There's a kuli here.
16:42I'll call it here.
16:43Oh!
16:44Come, come, come.
16:45Oh!
16:46Give me your phone.
16:52Tell me your number.
16:53What will you do now?
16:55I'll call it.
16:56Look.
16:57Nine, three, two, four, three, double eight, nine, double five.
17:12Your phone is ringing.
17:19Oh!
17:20Kuli calling.
17:21Yes, kuli calling?
17:23F.I.I.
17:24I am
17:29By story kuch is par kar aki do dost don't know take a dark
17:34By a Kund message, right?
17:36Tiaro Kisajajka Tirenda Jaka na Tender pretend a tender tender tender pa jai
17:41Or do sera na coolie se parsano kena kabi train
17:45Me da kakabai kabi galat train me bejabai kabi taxi me parsano be kabi jhopdi me maara khabae to kabi kai
17:51so we have to ask a copy who is the tender
17:59so we have to ask that the last five tender
18:05that you both have filled with all tenders
18:08are not able to get this
18:11and this is a very harassed
18:13then we have to ask a telephone
18:17copy telephone exchange say so pata chalaki papu or kooli mena jane kis
18:23parkar ke samband hori again a hard time sms not for na phoning na ghani
18:28are you are you are you guys can discuss moral of the story you are
18:33nika a key isne then a dhoka diya kooli ke saat setting karke isne
18:40sara tander thare se hathiya liye now you can abuse him
18:44dar dar isko papu papu madam thank you very much
18:52a jaap ki wajay se meri aankhe khul gayi bhefaltu mein
18:56marna ye papu dhosti ki yaad mein na jane mujh par kitne chalata chappu papu
19:04by don't worry iske to galhe mein padheega tire aur yohja ga laqap ke andar
19:10abhihi niklera iske naam ka panda
19:14ndar
19:15ndar
19:16ndar
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