- 1 week ago
Category
😹
FunTranscript
00:00It's time for you
00:02Mom?
00:03Listen, listen.
00:05Listen, listen, understand the story.
00:07What do I do?
00:08It's bad.
00:10How many times do you go to a month?
00:12No, it's not 10 times.
00:14Don't do more shopping in a month.
00:16Don't do more shopping in a month.
00:18What do I do?
00:20Do you have to buy these chocolates?
00:22When you're hungry,
00:24you become a dinosaur girl.
00:26But when we eat,
00:28no, no, no.
00:30Everyone makes it.
00:32My heart makes it a day.
00:34I call her.
00:36What do you understand Gopi?
00:38I'm scared.
00:40I'm scared.
00:42What do you think?
00:46Maafi, Maafi.
00:48Maafi.
00:50Maafi.
00:52Maafi.
00:54Maafi.
00:56Maafi.
00:57Maafi.
01:03Maafi.
01:05Maafi.
01:27I am retired Colonel Kaushik, I fought for 71.
01:33But did you come to a pension?
01:35No, I came to write F.I.R.
01:39You are Sharmaji?
01:41Sharmaji, what are you doing?
01:44Tell yourself yourself.
01:47Yes, I have come to the police station.
01:51I am in Sharma's Sharmy.
01:54Don't think about it.
01:56Don't think about it.
02:02Yes, my name is Sharmaji.
02:05You have written F.I.R.
02:08We will pay for F.I.R.
02:11Are you asking Rishwath?
02:14You are watching.
02:16Your staff is asking for F.I.R.
02:19Why did I fight for 71?
02:22Hey, Uncle Ji.
02:23Why did I fight?
02:24Why did I fight for a fight?
02:26And the other one,
02:28Look at our children.
02:30Look at how many men are.
02:31No, they are.
02:32Why did I fight for a fight for a fight?
02:34And the other one,
02:35Why did I fight for a fight for a fight?
02:39Why did I fight for a fight for a fight?
02:41Okay.
02:42I will give you money.
02:43Okay.
02:44Okay.
02:45I will give you money.
02:46Come on, Sharmaji.
02:47All right.
02:49Let's go, Sharmaji.
02:51All you have to let Dr yeah, that's me.
03:07Ne't come or exercise me.
03:09Or I don't have to eat all your weight.
03:12Or I don't have to take your money.
03:14Sorry.
03:15Sorry, madam.
03:15Sorry.
03:21Hello, I've got money and I've got money.
03:25Very good, very good.
03:28Madam, I'm coming.
03:30I'm coming, I'm coming, I'm coming.
03:32Will you eat?
03:33Eat it.
03:36Yes, that's the same thing.
03:38I don't know.
03:40Yes, Madam, that's...
03:42Oh, no, no, no, no, no.
03:50You don't have to ask any other questions.
03:54No, that's our marriage.
03:56Oh, you've got to write her?
03:58No, no, after marriage.
04:02You've got to write her?
04:04No, no, after marriage we'll go to Dubai.
04:09Oh, you need to write F.I.R. to your wife.
04:13No, you don't understand.
04:15When we were going to Gowna again, we were going to go.
04:19And when Gowna finally arrived,
04:22we went to take a film to take a film.
04:26Sharma Sharmi, Shah Rukh Khan.
04:29But when Jagat Tokis arrived,
04:31he saw that the balcony of the ticket was opened.
04:34So what did you do? You went to the stall?
04:36No, no.
04:37I can't see a picture with a girl in the stall.
04:41We were thinking,
04:43what did we do?
04:44We got a man.
04:45He asked us,
04:46do you want a balcony ticket?
04:48We said, yes, absolutely.
04:50He asked,
04:51do you want a gold class or a silver class?
04:53We asked Sharma Sharmi,
04:55what is this?
04:56He said,
04:57do you want a sofa in the gold class?
04:59Do you want anything else?
05:01Do you want a torch here?
05:03What is this?
05:04What is this?
05:05What is this?
05:06What is this?
05:07We went to Sharma Sharmi,
05:08and got a ticket for $5,000.
05:12And we reached the cinema.
05:14But Madam went there and saw something else.
05:17That man was in front of the Jagat Tokis.
05:21He also put the picture on the balcony of the house.
05:24And he also put the picture on DVD.
05:27So, our baby,
05:29we went to the house,
05:30and we went to the house,
05:31in the Sharma Sharmi.
05:32Okay.
05:33In our relationship,
05:35this is so big,
05:36interesting,
05:37long-lapada,
05:38and I don't know anything about it.
05:40Why don't you leave the house?
05:42Yes.
05:43Madam,
05:44my name is Tag 4 Ticketia.
05:46Absolutely free.
05:48Hmm.
05:49And this is my son.
05:51Absolutely free.
05:53Okay,
05:55Rastlila,
05:56I've kept it.
05:57Look, Madam,
05:58there's nothing to do with me.
06:00Okay.
06:01I've kept all the money
06:03so much,
06:04and in one place,
06:06there's nothing to do with me.
06:08But, Madam,
06:09what can I do with this?
06:10The Jagat Tokis,
06:11with the Jagat Tokis,
06:13is my understanding.
06:14That I'll send the ticket
06:16and I'll send the ticket
06:18and I'll show the film
06:20on DVD.
06:21Yeah.
06:22Haha.
06:23That was also
06:24a gold class.
06:25If you have any doubt,
06:26then you can ask the Tokis
06:28and ask them.
06:29Hmm.
06:30Oh, that will come too.
06:31You'll show the money.
06:32I'll show the money.
06:33Come on.
06:34Come on.
06:35Come on.
06:36Come on.
06:37Come on.
06:38Come on.
06:39Come on.
06:40Come on.
06:41Madam,
06:42why did you call me
06:43Savere Savere?
06:44Why don't you just
06:45introduce yourself first?
06:46Well,
06:47Madam,
06:48my name is Bhartan Dhu
06:49Bhaskar Houseful Savere Savere.
06:50Hmm.
06:51Why?
06:52No,
06:53you're a bad guy.
06:54You're a bad guy.
06:55You're a bad guy.
06:56You're a bad guy.
06:57Both brothers and sisters.
06:58Madam,
06:59what is that I'm working on
07:00in the balcony?
07:01Now,
07:02I have a pact that
07:03whoever you want to see
07:04in the gold-class balcony
07:05they can pay tickets.
07:06Why?
07:07That's right.
07:08Now,
07:09I'm a theater,
07:10Madam.
07:11So,
07:12I can pay tickets
07:13as I want.
07:14You're a bad guy.
07:15You're a bad guy.
07:16You're a bad guy.
07:17You're a bad guy.
07:18You're a bad guy.
07:19Why?
07:20That's right.
07:21That's why I can't do anything
07:22I can't do anything.
07:27I'll give you my hair.
07:29Look, Madam,
07:30don't do that.
07:31Absolutely free.
07:32Madam,
07:33we'll give you a good guy.
07:34No!
07:35If you're a good guy,
07:37we'll give you a good guy.
07:39Now,
07:40go and
07:41go and
07:42get the same thing
07:43and get the same thing.
07:44Get the same thing.
07:45Yes,
07:46and then
07:47what happens
07:48because
07:49Madam,
07:50Madam,
07:51the case
07:52is
07:53good.
07:54Sorry.
07:55Sorry.
07:56Sorry.
07:57Sorry.
08:03Let's go.
08:09What is this?
08:17This is about
08:191 month before ticket.
08:21Absolutely free.
08:221 month before?
08:25What was you doing from 1 month?
08:26You sitting still awake?
08:28Why didn't you come back?
08:29Why would you send them to me?
08:31I'll show you
08:32the animal from the open balcony.
08:34Oh,
08:35Then I got a tie-fled.
08:36Now I'm going to go there and I'm going to be a shame.
08:38No!
08:39This statement is not enough.
08:41Madam, I think that it's not something else.
08:44Madam, you can ask this.
08:48Why?
08:49What I have frauded with you?
08:54Madam, I told her that this is a balcony ticket.
08:57I told her that this is a balcony ticket.
08:59I told her that this is a balcony ticket.
09:03Come on, come on, come on.
09:05What?
09:06What did she say?
09:08Yes, she said that.
09:10Pull me!
09:12Madam, I said that she will have a sofa there.
09:15Yes.
09:17It was a door?
09:19Yes.
09:20There wasn't a torch there?
09:22No.
09:23Madam, what does the film show on DVD?
09:25What does it matter?
09:26At the end, she will marry a heroine.
09:28No.
09:29At the end, she will die at the end.
09:33Mother, I think she has seen the whole film.
09:36Yes, she has seen the whole film in Sharma.
09:39Is it that Sharukhan has made such a lot of work?
09:42She met her in the bandstand and asked her,
09:44tell her what happened in Sharma's end.
09:46She can't tell her that we haven't seen the whole film.
09:49How bad it feels, right?
09:51Yes.
09:52In the whole room, a tweet from Karan Johar,
09:55who met him on the bandstand.
09:57Madam, Madam, Madam.
09:59Madam, Madam.
10:00This is not a joke.
10:01It was also a joke.
10:02Sharma, Sharmi.
10:04Sangeetkar has made so much love and so hard.
10:07And if I don't know how bad it is,
10:09then how bad it will be in Sharma, Sharmi?
10:12Yes.
10:13The truth is,
10:14this is the truth of Nadeem,
10:15which will tell her.
10:17You tell her.
10:18You tell her,
10:19when her baby was on the bandstand,
10:22she stopped her.
10:23Sharma, Sharmi.
10:25If I stop her and feel bad,
10:28then...
10:29...
10:31...
10:32...
10:33...
10:34...
10:35...
10:36Madam, Madam, Madam.
10:37First of all,
10:38what is the guarantee that the girl with her baby,
10:40she was the baby?
10:42If we were to see the picture with her baby,
10:45then how can we see the picture with her baby?
10:47How can we see the picture with her baby?
10:50I went straight to the station,
10:52she picked up her baby
10:53and came to the cinema with the picture with her baby.
10:55Listen, Madam.
10:56Listen.
10:57She picked up her baby.
10:59She didn't pick up her baby.
11:02She received her baby.
11:06Oh, yeah.
11:09That's it.
11:10She pushed her baby.
11:11She threw her baby.
11:12She took her baby.
11:13She took her baby.
11:14Yaaay.
11:15I got them.
11:37What happened?
11:39No, you have to use these bulb rupee chokte
11:42and how many are you going to get zero to zero?
11:44What's wrong with you?
11:45Mamma, you're feeling very bad.
11:48Yes, madam.
11:49We have done this with the sharm of money.
11:52That's not okay.
11:53No!
11:54I've always been so happy that I've been so happy with you.
11:58Oh!
11:59Oh!
12:00Your hair has been real-life. Very good.
12:04Don't worry, you can't do anything.
12:06You've been so happy with the sharm of your mind.
12:09We've been so happy with you.
12:11The sharm of the sharm of that sharm of the sharm of the sharm of the sharm of the sharm.
12:14Aeb!
12:15Don't be able to help us.
12:17No, no, no, no.
12:18No, no.
12:19We'll do your help.
12:21You will help.
12:23Yes, sir.
12:26What is it that today's your idea is to come to our minds?
12:29No, madam, your idea is only to come to my mind.
12:32Shut up.
12:34Remain in your place, fatty.
12:36Look some back.
12:37Hey, hey, hey, hey, hey, hey.
12:40Madam, you called us, Samiris, Samiris.
12:42Why, Samiris?
12:43Why, Samiris?
12:44I'm thinking that if you give a little deal,
12:47you can have a deal here.
12:48What deal?
12:49My friend is in England.
12:52He's a man in England.
12:53He's a man in his mind,
12:55that he will become a multi-pilex in India.
12:59So, I was thinking,
13:01I was thinking,
13:02that our big man,
13:04who can become a big man,
13:06who can become a big man,
13:08or even become a multi-pilex,
13:09that he will become a multi-pilex.
13:11What do you say?
13:13If you want a deal, madam,
13:14then the house will be full-interested, Samiris.
13:16What happened?
13:17Yes, sir.
13:18Very good.
13:19Then the party will come.
13:20Then the party will come.
13:21You will get to meet each other.
13:24Mr. Tommy, welcome.
13:25Come on, Mr. Tommy.
13:27Mr. Tommy, welcome.
13:28Mr. Tommy, welcome.
13:29Mr. Tommy, welcome.
13:30Mr. Tommy, welcome.
13:31Mr. Tommy, welcome.
13:32Mr. Tommy, welcome.
13:33Mr. Tommy, welcome.
13:34Mr. Tommy, welcome.
13:35Mr. Tommy.
13:36Mr. Tommy.
13:37Mr. Tommy.
13:38Mr. Tommy.
13:39Mr. Tommy.
13:45Mr. Tommy, what are you doing?
13:47Mr. Tommy, what are you doing?
13:49Did you meet Mr. Tempo Tikatia?
13:51Absolutely free.
13:52And this is Mr. Bharatendu Bhaskar.
13:54Houseful Saveri, Saveri.
13:57This is Mr. Tommy, my friend from England, the Kararapati.
14:02Are they from England?
14:05Are they eating water?
14:10Well, Mr. Tommy, like in India,
14:13they said that I have to eat water.
14:15That's why I have to eat water.
14:17The water looked so good, so good
14:20that the water took 1,000,000 dollars
14:23and killed him in the face.
14:251,000,000?
14:27I'm going to say that
14:30your land, the Shinima land,
14:33there is a manhus' house in it.
14:35I want to kill it.
14:37How do you kill it?
14:39Give him 5,000,000 dollars.
14:41Kill it, kill it.
14:43I will give you 20,000,000 dollars for his cinema hall and
14:4620% partnership in the front two rolls.
14:49Kill it, kill it, kill it, kill it.
14:51I will give you 20,000,000 dollars for his cinema hall
14:54and 20% partnership in the front two rolls.
14:58Kill it, kill it, kill it, kill it!
15:00Hey, stop!
15:01Hey, stop!
15:03So, when I'm still here,
15:05what will I do now?
15:06That's right.
15:07You two will come tomorrow.
15:08Tomorrow, we will be full legal.
15:10You will send it.
15:11And then,
15:12take your bag with notes.
15:14Take it away.
15:15Take it away.
15:16Mr. Tommy.
15:18Mr. Tommy.
15:19Mr. Tommy,
15:20how do you feel your acting?
15:22Absolutely delicious.
15:24Absolutely delicious.
15:25Absolutely delicious.
15:48Hey, Sharma Ji.
15:49Are you in lock-up?
15:50Are you in lock-up?
15:52Why are you in lock-up?
15:53Why are you in lock-up?
15:54They are locked in lock-up.
15:57They are locked in the lock-up.
15:58That's why.
15:59But, look, Uncle.
16:00You've already closed the lock-up.
16:03After the day,
16:04we are locked in lock-up.
16:05And they are also without the lock-up.
16:07Why did I have a fight with Sunny Kattr?
16:09How would you know Uncle
16:11why did you have a fight with Sunny Kattr?
16:13I haven't been born yet.
16:14My childhood was 1970.
16:16Shut up!
16:17Okay.
16:19What are you doing?
16:20What are you doing?
16:21Everything is wrong.
16:22Oh, Uncle.
16:23Please don't disturb.
16:24There is a very big deal here.
16:26Come, Mr. Tommy.
16:27Tommy, come.
16:28Come, Tommy.
16:29Come, Tommy.
16:30Madam.
16:31This is the deal's paper.
16:36And here is the notes of the bag.
16:39No, don't worry.
16:40It's me.
16:41Tommy.
16:42Do it.
16:43Very good.
16:44It's done.
16:45Sign the paper.
16:46And this is your notes of the bag.
16:47Open.
16:48Open.
16:49Open.
16:50Hey.
16:51Hey.
16:52Hey.
16:53Hey.
16:54Hey.
16:55Hey.
16:56Hey.
16:57Hey.
16:58Hey.
16:59Hey.
17:00Hey.
17:01Hey.
17:02Hey.
17:03Hey.
17:04Hey.
17:05Hey.
17:06Hey.
17:07Hey.
17:08Hey.
17:09Hey.
17:10Hey.
17:11Hey.
17:12Hey.
17:13Hey.
17:14Hey.
17:15Hey.
17:16Hey.
17:17Hey.
17:18Hey.
17:19Hey.
17:20Hey.
17:21Hey.
17:22Hey.
17:23Hey.
17:24Hey.
17:25Hey.
17:26Hey.
17:27Hey.
17:28Hey.
17:29Hey.
17:30Hey.
17:31Hey.
17:32And you, don't want to be able to do anything.
17:37Madam, you can't do anything legally.
17:40So, you're legal stuff that you both will be able to do.
17:45I'll build a whole house and all the other people.
17:50I'll build a whole house for children's playground.
17:53How's the idea?
17:54Very good.
17:55Madam, forgive me.
17:57I'll get you absolutely free.
18:00I'm proud of you, son.
18:28Good, I'm a young man.
18:31Thank you, son. Come here, Sharma.
18:34Come here, uncle. This will open.
18:37Oh, sorry, sorry.
18:39Come here, come here.
18:41Come here.
18:43Come here.
18:44Come here.
18:45Come here.
18:46Why?
18:47He's going out first from the lock-up.
18:50That's why.
18:51That's why.
18:52He's also ashamed.
18:53Thank you, madam.
18:57Today, in my life,
18:59I'm a very...
19:00Oh, oh, oh!
19:01Come here.
19:02No, no, no.
19:03No, no.
19:04Okay, come here.
19:05Come here.
19:06Come here.
19:07Come here.
19:08Come here.
19:09Come here.
19:10Come here.
19:11Please, disperse.
19:12You're a very big love.
19:14You're going to uniform and castle.
19:15Wow.
19:16No.
19:17Come here.
19:18I'll help you.
19:19I'll help you.
19:20How do you help me?
19:21Mm-hmm.
19:22Look, you've done it.
19:23We've done it.
19:25You've done it.
19:26You've done it.
19:27You've done it.
19:28You've done it.
19:29You've done it.
19:30You've done it.
19:31What a lot of you've done it.
19:33You've done it.
19:34Look, we've come here.
19:35You've done it.
19:36You've done it.
19:37I will marry with an angry gori.
19:39You've done it.
19:40You've done it.
19:41Ravampuri's Gori.
19:42Tick tock.
Be the first to comment