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Young And Beautiful
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00:00:00¡Gracias!
00:00:30¡Gracias!
00:01:00¡Gracias!
00:01:30¡Gracias!
00:01:32¡Gracias!
00:02:02¡Gracias!
00:02:32¡Gracias!
00:02:37¡Gracias!
00:02:38¡Porque, si se ANценara no es un edificio aquí新 coincido porasons!
00:02:43¡Conantas invidios!
00:02:44Es una foto.
00:02:47Soy el presidente Hermann Klein.
00:02:49Soy muy blicoso.
00:02:53Check out all those flowers.
00:02:54Puedes ir a la cámara, y después de eso...
00:02:56Good job.
00:02:57I only got one pair of feet.
00:02:58That's all Napoleon had, or Caesar, or Alexander the Great.
00:03:00So hop on it.
00:03:01You worry about your feet later.
00:03:03All right.
00:03:04Pierre.
00:03:05I want that speaker's table set up right.
00:03:07Put your soul into this, Pierre.
00:03:09It's a big moment.
00:03:09Oui, oui, Mr. Preston.
00:03:14Jake, keep those newspaper men from falling asleep, will you?
00:03:19Right.
00:03:20Burn these over the wires, baby, to Miss June Dale,
00:03:23care of the Wampus Chris Hotel.
00:03:24Will Rogers, Senator Borough, Wallace Beery,
00:03:27Jimmy Walker, Mary Pittsburgh, Cole Muni, and Mussolini.
00:03:30They sure are a nice bunch of telegrams.
00:03:32They ought to be precious.
00:03:33I wrote them myself.
00:03:38Come on, come on.
00:03:39Get the letter to your who's it.
00:03:41Gee, boy, she's been running me ragged all day.
00:03:43Let me take a breather, will you?
00:03:44Ah, breathe on your day off.
00:03:45Check those music cues with Ted Fiorita.
00:03:47And Sammy, see if all the girls are in the dressing room.
00:03:52Hey, Preston.
00:03:53Hey, come here.
00:03:54I want to see you.
00:03:55Hi, boss.
00:03:58Hello, Miss Klein.
00:03:59Did you call me, boss?
00:04:00Sure, boss.
00:04:02And as I understand it, you're still working for me, ain't it?
00:04:04Why, certainly just because I've been a little busy with the Wampus,
00:04:07I don't see why you're busy with the Wampus.
00:04:09You know your desk is already covered over with cobwebs?
00:04:11Now, what harm can a few cobwebs do?
00:04:13You let me worry about that, Mr. Klein.
00:04:15Tomorrow at the Crankadon, I'll be back at the studio giving my all for Superba.
00:04:18You know, I got a good mind to fire you.
00:04:21This time, permanently.
00:04:23Suppose we talk about you for a change, Mrs. Klein.
00:04:25If I may say so, you're looking exceedingly well,
00:04:28and the bloom of youth still lingers in your cheeks.
00:04:30Say, Preston, I pay you to soft-soap the public, not my wife.
00:04:34Herman, don't aggravate yourself.
00:04:36Remember your acidosis.
00:04:38A true old word was never spoken, Mrs. Klein.
00:04:40There's nothing like aggravation to encourage acidosis.
00:04:47Chickens, please.
00:04:48When you get an eyeful of these Wampus baby scars,
00:04:52I'll guarantee your mind won't be on your stomach.
00:04:55I must join the gentlemen of the press.
00:04:57I want to make sure they give Superba Films a plug into Morris paper.
00:05:01Good.
00:05:02Remember, Mr. Klein,
00:05:04the interests of Superba pictures are always closest to my heart.
00:05:07I go to sleep figuring out new ideas to glorify our product.
00:05:11I wake up in the morning figuring out new ways
00:05:14to spread the name of Superba over the world.
00:05:16Morning, noon, and night at Superba.
00:05:18Pictures with soap.
00:05:23I'm getting sick of these banquets.
00:05:26Ah, gentlemen.
00:05:27Hello, loudspeaker.
00:05:28Well, what's new at that mecca of the arts?
00:05:30Suburba pictures deep.
00:05:31Oh, why bother me about that, Tintai Patrick?
00:05:33But there's the girl here tonight that's the biggest thing since Garbo.
00:05:36Get a lot of her.
00:05:37And the name is June Dale.
00:05:38And take a tip from your Uncle Abner.
00:05:40Now, keep your eyes on June Dale tonight.
00:05:42Never heard of her.
00:05:43Ah, but you will.
00:05:44Boss.
00:05:46Boss, one of the girls hasn't shown up yet.
00:05:48We think something's happened to her.
00:05:50Which one is it?
00:05:52I forgot to ask.
00:05:54Don't forget to remind me to punch you in the nose.
00:05:56All right.
00:06:00Two to one, the Dizzy Dame went to the wrong hotel.
00:06:02Oh, thank you.
00:06:08I don't want to give a word of it.
00:06:12Ah!
00:06:12Mr. Pratt, Dad, my mom has speciality now.
00:06:15All right, say this.
00:06:18Who hasn't shown up?
00:06:19June Dale.
00:06:20June, where's Catherine?
00:06:21Catherine?
00:06:21Here I am.
00:06:22Did you call her house?
00:06:23No, she left before I did, right after she got her note.
00:06:26By note?
00:06:26I didn't send any note.
00:06:27Maybe something's happened to her.
00:06:29Maybe she's been kidnapped.
00:06:30Kidnapped?
00:06:30Let me get out of here.
00:06:33Did you see the note?
00:06:34No, but you said it was from Bob.
00:06:36What's your address?
00:06:37One, 138.
00:06:39June Dale's disappeared.
00:06:41No.
00:06:43June Dale's disappeared.
00:06:46Get the police.
00:06:46June Dale's been kidnapped.
00:06:48Who's been kidnapped?
00:06:50June Dale.
00:06:51Yes.
00:06:51Disappeared.
00:06:52White satin gowns.
00:06:59Ladies and gentlemen, sorry to interrupt, but Miss June Dale, popular Walpuss baby star,
00:07:03has disappeared.
00:07:04If there's any hint you can give the police in our city-wide search, it would be greatly appreciated.
00:07:09Look.
00:07:10June.
00:07:10June, darling.
00:07:12Where have you been?
00:07:13Oh, who is grateful?
00:07:15Two men jumped into my car.
00:07:17I screamed and I bought them, but they hid me.
00:07:20What do they look like?
00:07:22Oh, I don't remember.
00:07:23It was so dark.
00:07:25I was so confused.
00:07:27I...
00:07:27Oh, leave her alone.
00:07:28Can't you see she's upset?
00:07:30Oh.
00:07:31June.
00:07:31June.
00:07:32Miss Dale has stayed here.
00:07:34And no wonder.
00:07:35There's a way.
00:07:35There's a way, folks.
00:07:37There's a way.
00:07:38Come on, there's a way.
00:07:39I'm sorry, but you'll have to get out of the way, then.
00:07:42What a story.
00:07:44The whole thing was wrong.
00:07:45Remember what they looked like.
00:07:46Are you going to be all right?
00:07:46Do you have any idea who they were?
00:07:48Have a tiny heart.
00:07:49Give her a chance.
00:07:49Get everybody out of here.
00:07:51Yeah, get out of here.
00:07:52Get out of here.
00:07:53Get out of here.
00:07:53Get out of here.
00:07:54Get out of here.
00:07:54Get out of here.
00:07:55Get out of here.
00:07:55Get out of here.
00:07:59You, too.
00:08:00Me?
00:08:01Yes, you.
00:08:04How was I?
00:08:05You were terrific.
00:08:09This is front-page stuff, June.
00:08:11You'll have your pretty face in every paper.
00:08:13You'll be in the newsreel with the president, Max Baer, and Amy.
00:08:16Oh, I was scared stiff all through.
00:08:17Oh, you gave a marvelous performance.
00:08:19Bernhardt couldn't have done better.
00:08:21Bob, do I have to keep on with these crazy publicities done?
00:08:27Of course.
00:08:28It's part of the movie merry-go-round.
00:08:30Stars aren't born.
00:08:31They're made.
00:08:31And it's headlines that make them.
00:08:33You can do anything with the headlines.
00:08:35Oh, I'm not underrating you, June.
00:08:37You're a great little trooper.
00:08:38All you need is a break, and you're unable to be on every marquee from Maine to California.
00:08:45You make it sound so easy, but I'm kind of worried.
00:08:49You let me do the worrying, will you?
00:08:51Now, how about turning on a little of that sunshine personality?
00:08:55A little bit tired, aren't you, sweet?
00:08:57No, I'll be all right, dear.
00:08:59You need a little stimulant?
00:09:00I was about a little chaser.
00:09:09No time to get tanked up.
00:09:11You have work to do.
00:09:12Come on.
00:09:13You girls, go on a few minutes, and remember, you don't know what happened.
00:09:17Oh, but, June, I don't see how you can go ahead with all this now.
00:09:21Aren't you too upset?
00:09:22Well, I feel all right, Catherine.
00:09:26I wish I did.
00:09:27Well, darling, don't do that.
00:09:29You'll spoil your makeup.
00:09:31I can't help it.
00:09:33It's like...
00:09:34Like I'd live my whole life through this one night.
00:09:38There's nothing to be afraid of.
00:09:40Oh.
00:09:41What if I didn't make good?
00:09:44Oh, don't be silly.
00:09:4533.
00:09:46That hit town?
00:09:47Certainly not.
00:09:49I was Miss Portland, Oregon.
00:09:51Oh, Portland.
00:09:52Keep away from doughnuts, Fanny.
00:09:54How about it, Wampas, is ready to go?
00:09:56Yes.
00:09:57Well, gather around, Papa.
00:09:58He has some business to tell you.
00:09:59Come on, hurry up.
00:10:00Get around.
00:10:02Now, listen, girls.
00:10:03Paste this in your turban.
00:10:05You're starting up that rickety ladder to success.
00:10:07As Wampas stars, you're halfway there already.
00:10:10But how far you'll get is up to nobody but your own sweet self.
00:10:14Now, go down there tonight and start those producers thinking about contracts.
00:10:17You're on your way.
00:10:18In just a minute, you'll be hearing Ted Fiorito say, this is Ted Fiorito speaking from the
00:10:25banquet given in honor of the Wampas baby stars.
00:10:27Hello, Laurie.
00:10:38Ah, old man, money-bagged himself.
00:10:41Why'd you pop the pull-up one?
00:10:43He's glad to see you go.
00:10:44How are you, Bob?
00:10:45Miss Clayton, this is Mr. Preston.
00:10:48The irrepressible Douglas, surrounded by beauty.
00:10:50Well, what do you think of this year's Wampas election?
00:10:53Well, I'll make it simple.
00:10:54Well, conservatively speaking, these 12 girls' hand-picked two thousand are the loveliest,
00:10:59the most gorgeous bunch of kids you've ever seen.
00:11:02Mr. Preston is a publicity man and he never makes an understatement.
00:11:05Why 12 girls?
00:11:06I thought there were 13.
00:11:07Ah, the 13th super extra special colossal.
00:11:11That's one of Bob's mild recommendations.
00:11:13The name, June Dale.
00:11:15Goodbye.
00:11:15Goodbye.
00:11:17Shall I make a note of that, Gordon?
00:11:18It won't be necessary.
00:11:19I'll remember it.
00:11:21June Dale.
00:11:25Sit down, Sammy.
00:11:26No.
00:11:27Yeah.
00:11:29Well, Bob, how are you enjoying your little affair?
00:11:33I know that came straight from the heart.
00:11:40Ladies and gentlemen, I'm here in the guise of a fortune teller.
00:11:45I see 13 girls.
00:11:47I predict a marvelous, glorious future for them all.
00:11:52And after Don Raymond sings your song, especially written for this occasion, I shall interrupt from time to time.
00:11:57Take it, maestro.
00:11:58Here in my memory, I see a garden, a moonless garden, and the one I love.
00:12:17And the one I love
00:12:22How I love to paint this pretty picture
00:12:27For you're the one, dear
00:12:31That I'm dreaming of
00:12:37A pretty girl
00:12:42A lovely evening
00:12:46To dreamy eyes
00:12:49Like stars above
00:12:53To loving arms
00:12:56Beyond conceiving
00:12:59To willing lips
00:13:03That crave for love
00:13:06Just try to picture
00:13:09The pretty picture
00:13:12A world of romance
00:13:16So full of bliss
00:13:20A pretty girl
00:13:23A lovely evening
00:13:27What could be sweeter
00:13:30And sweeter
00:13:33Miss Jean Carman
00:13:37Argan's answer to the beauty problem
00:13:39Wait until you see June Dale, boss
00:13:40The way I feel
00:13:41I ought to see a doctor
00:13:42Miss Judith Arlan
00:13:48The homemade star from Hollywood
00:13:49Miss Dorothy Drake
00:13:52Some more California sunshine
00:13:54Miss June Dale
00:13:59As fresh and fair
00:14:00There is a day in June
00:14:01That was a mild recommendation
00:14:13Miss Lucille Lund
00:14:17As radiant as a flower
00:14:18From the hills of Washington
00:14:19Miss Leoma Judge
00:14:24Society's contribution to the art
00:14:26Miss Betty Bryson
00:14:30Another California flower
00:14:32Miss Anne Hubby
00:14:38Of the Indiana Hubby
00:14:40Miss Jean Gale
00:14:47San Francisco glories
00:14:48In the Golden Gate
00:14:49And Jean
00:14:50Miss Hazel Hayes
00:14:52Golden-voiced beauty
00:14:53From Paris
00:14:54Miss Leona R. Keith
00:14:59Fresh breeze
00:15:00From Indianapolis
00:15:01Miss Catherine Williams
00:15:05A budding star
00:15:06From Seattle
00:15:07Miss Lou Anne Meredith
00:15:11The Southern Peach
00:15:12From Dallas, Texas
00:15:13Miss Leona R. Keith
00:15:28Miss Leona R. Keith
00:15:29Miss Leona R. Keith
00:15:29Miss Leona R. Keith
00:15:31Miss Leona R. Keith
00:15:32Miss Leona R. Keith
00:15:32Miss Leona R. Keith
00:15:33Miss Leona R. Keith
00:15:33Miss Leona R. Keith
00:15:34Miss Leona R. Keith
00:15:35Miss Leona R. Keith
00:15:35Miss Leona R. Keith
00:15:36Miss Leona R. Keith
00:15:37Miss Leona R. Keith
00:15:37Miss Leona R. Keith
00:15:38Miss Leona R. Keith
00:15:39Miss Leona R. Keith
00:15:40Miss Leona R. Keith
00:15:40Miss Leona R. Keith
00:15:41Miss Leona R. Keith
00:15:42Miss Leona R. Keith
00:16:54¡Gracias!
00:18:15¡Es triste, esperes!
00:18:38No, no, no, no, no, no.
00:19:08No, no, no, no, no, no, no.
00:19:38No, no, no, no, no, no, no, no.
00:20:08Maybe we can get together on a little deal.
00:20:13That's five bucks I owe you, Margie.
00:20:15And believe me, you made a great Mr. Hostangle.
00:20:19Okay, Bob.
00:20:21Let's try some pictures.
00:20:33Hold it. That's got it.
00:20:38Oh, it's all green.
00:20:39Oh, it's all green.
00:20:39Oh, it's all green.
00:20:40Oh, it's all green.
00:20:41Oh, it's all green.
00:20:42Oh, Jenny.
00:20:43Oh, you're flying.
00:20:43Oh, you're flying.
00:20:44That's an awesome.
00:20:50What's that, Brad?
00:20:52Well, if I have to pose for any more pictures, I'm going to scream.
00:20:56I wonder what magazine will print this one.
00:20:58It'll probably wind up in Whiz-Bang, dearie.
00:21:01Well, you ought to be thrilled by all this, Catherine.
00:21:04Oh, I suppose so.
00:21:05Well, I don't fancy myself much as being a bathing beauty.
00:21:09I've dreamed of such different things, like Juliet, Heather Gabler, Roxanne.
00:21:19Oh, all this is so different.
00:21:24Oh, have patience, darling.
00:21:26I've spent most of my life preparing for Grand Opera.
00:21:29Here I am in a bathing suit, too.
00:21:31Hazel, after they see you act, maybe they'll let you sing.
00:21:35Don't you think a highball would help take off the chill?
00:21:36Oh, no, thank you.
00:21:38I think we've taken too much advantage of your hospitality already.
00:21:41Oh, not nearly, though.
00:21:43I'll tell you something if you promise not to betray my confidence.
00:21:47The only reason I permitted Bob to use my pool was to see you.
00:21:52Oh, that's funny.
00:21:54Why so?
00:21:54Well, Bob and I happen to be engaged.
00:21:58Oh, I'm sorry.
00:21:59I'm not.
00:22:00Hi there, girl.
00:22:07How are you?
00:22:07Hello, Jean.
00:22:08I'm looking for a gal named June.
00:22:10Won't I do?
00:22:11Jean sounds something like June.
00:22:13Not to me.
00:22:14Where's June?
00:22:15Behold.
00:22:17Ah.
00:22:20Hi, Bob.
00:22:22Got heaps, big news.
00:22:24Big cheap client-signed contract with Warp with Stamboos.
00:22:27They'll face Preston, one smart guy.
00:22:30Pretty soon catch him weed-balling, lots of Warp with me.
00:22:34They'll face Preston, he's crazy.
00:22:36What is it, Bob?
00:22:43Oh, Bob, you're marvelous.
00:22:45How did you do it?
00:22:46Believe it, another glass of my carbonate.
00:22:49This is just for one picture, June,
00:22:50but when the producers see you on the screen,
00:22:52they'll all be fighting for you.
00:22:55My grand June got a contract.
00:22:56Is there so?
00:22:57Uh-huh.
00:22:58Well, I've just heard the good news.
00:23:00Congratulations.
00:23:01I know you'll make good.
00:23:02Thank you.
00:23:03Were you able to do anything for any of the other girls?
00:23:06Catherine?
00:23:07Leave it to Dynamite Preston.
00:23:08I'll get them something if I have to go on a diet of my carbonate.
00:23:13Oh, that's wonderful, June.
00:23:15I know you'll be a big hit.
00:23:16Say, I want you to know, June,
00:23:18I'm terribly happy for you.
00:23:21Thank you, Catherine.
00:23:22I know you mean it.
00:23:24June, I'll be congratulating you.
00:23:26Okay, girls, okay.
00:23:27Now get dressed.
00:23:28We have to hop over to the Brown Derby
00:23:29and take some publicity still.
00:23:30We'll probably wind up there as waitresses.
00:23:32There might be more money in it.
00:23:34Good boy.
00:23:36Obama, I want to congratulate you, too.
00:23:38Not much of a trick
00:23:39selling a girl like June to anybody.
00:23:41Oh, I know that.
00:23:42I'm congratulating you
00:23:43on being engaged to a girl like June.
00:23:46Oh, that.
00:23:47You shouldn't tell anybody about us, June.
00:23:50About us?
00:23:51Our engagement.
00:23:52It's bad dope letting the public in on the know.
00:23:54Why?
00:23:55Well, we have to make it look
00:23:56as though you're still doing a solo act.
00:23:58It's better publicity.
00:24:00Can't you ever get publicity off your mind?
00:24:03After all, this doesn't mean anything to me
00:24:06unless you and I are...
00:24:06No, right, sweet.
00:24:08I don't mean anything to anybody.
00:24:10And after all,
00:24:11you've got to get around to dances and parties
00:24:13and go up with big shots like Gordon Douglas.
00:24:15Oh, it's a swell copy for the columnist.
00:24:18And there's no harm in it.
00:24:21There might be a fact, Bob.
00:24:23Are you trying to arouse
00:24:24the green-eyed monster in me?
00:24:26Fear not, fair gal.
00:24:27Nothing shall kill
00:24:28daredevil Preston's love for thee.
00:24:30Oh, Bob, why don't you be yourself?
00:24:35Forget that you're a press agent
00:24:36and that I'm an asterisk.
00:24:37Ah, do I know how to forget?
00:24:40Mm, this is much better.
00:24:43Okay, honey.
00:24:44Tonight we go for a nice little ride.
00:24:46No publicity, no pictures,
00:24:48and I might even talk a little baby talk.
00:24:51Mr. Preston, sometimes you're almost human.
00:24:56That's the Don Juan in me.
00:25:00And that's not for publication.
00:25:02Oh, Bob, look out!
00:25:04You hurt?
00:25:05No, just scared.
00:25:08Boy, what a story!
00:25:10I'm sick of being poor
00:25:32and wearing rags on a time at night.
00:25:35I'm sick of being poor
00:25:37and wearing...
00:25:38Oh, no.
00:25:39I'm sick of being poor.
00:25:41Poor.
00:25:42I'm wearing rags all the time.
00:25:44I don't mind something...
00:25:45Oh, I'm so frightened
00:25:47I can't even think the lines.
00:25:50Oh, I've waited months for this opportunity.
00:25:54Now that it's really come,
00:25:55I don't see how I can go through with it.
00:25:57Carolyn, darling,
00:25:57you've got to get hold of yourself.
00:25:59I'm trying so hard to.
00:26:01Listen here.
00:26:02When you're a big star
00:26:03and you see your name in life,
00:26:05you're going to look back
00:26:06and laugh at this silly nervousness.
00:26:08Well, I can't help it now.
00:26:11And this means everything I ever wept for.
00:26:14Why, June,
00:26:15if anything would go wrong,
00:26:18it would mean I'd have to go home.
00:26:20A failure.
00:26:20Oh, please, darling.
00:26:22Well, I couldn't stand going back like that.
00:26:25I couldn't...
00:26:26they'd all be laughing at me.
00:26:30Salutations.
00:26:30Well, baby starlets,
00:26:31today's a great day.
00:26:32Starting your first picture.
00:26:33How are you feeling, honey?
00:26:34All right.
00:26:37Brakes up, Katherine.
00:26:38Your big moment has arrived.
00:26:39Why, Klein himself is coming down
00:26:40to get a good look at you two.
00:26:41Mr. Klein?
00:26:42Why, sure.
00:26:43Give plenty.
00:26:44This is it.
00:26:45Hey, you want it on the set, girls?
00:26:46Oh, all right.
00:26:47We'll be right down.
00:26:48Couldn't you see the poor girl
00:26:58was nervous enough
00:26:59without you making it any worse
00:27:00by calling her attention to it?
00:27:02Oh, she'll be all right.
00:27:04Now, don't let the camera fight on you
00:27:05because after this initiation,
00:27:06you'll have it licked.
00:27:08I hope so.
00:27:10But after it's all over,
00:27:12couldn't we go to some quiet place?
00:27:14Just the two of us.
00:27:16Not tonight, honey.
00:27:17I've dated you up.
00:27:18You're supposed to go to the Grove.
00:27:19Douglas is costing a big party for the gang.
00:27:21Well, aren't you going?
00:27:23No.
00:27:23There's plenty of time for me, honey.
00:27:25Fine.
00:27:25Come on.
00:27:26Get the moves on.
00:27:27What is this?
00:27:27A picture studio or a coffee glass?
00:27:29Stop the delay.
00:27:29Let's have some action.
00:27:30Hold on, you lugs.
00:27:31Give us some light.
00:27:32Come on, hit him.
00:27:33Put a cell on that 18.
00:27:35Flood that spot.
00:27:36What are we waiting for?
00:27:38Come on.
00:27:40Everybody's standing around.
00:27:41Here you are, boss.
00:27:45Have a cigarette.
00:27:46Thank you.
00:27:54Strike this table.
00:27:55I'll take it.
00:27:56Miss Dale?
00:27:57Miss Williams?
00:27:58Set, please.
00:27:59Darling.
00:28:00Have you got your lines set?
00:28:05Yes, sir.
00:28:07Okay.
00:28:07It's a simple scene.
00:28:08We'll take it.
00:28:14Place it.
00:28:14All right.
00:28:21Turn him over.
00:28:33Mark it.
00:28:34106.
00:28:35Take one.
00:28:37All right.
00:28:38All right.
00:28:38Start your action.
00:28:39If I don't find a job soon, I'm not going to have these shoes left.
00:28:46Can you imagine me looking for work and I bare feet?
00:28:48And I...
00:28:49I can't stand living here any longer.
00:28:54I...
00:28:54Cut.
00:28:57Not quite so much tragedy, Miss Williams.
00:28:59We're not doing East Lynn.
00:29:00I'm sorry.
00:29:01That's a great help.
00:29:02Let's try it again.
00:29:06You have to take it easy.
00:29:08Mark it.
00:29:10106.
00:29:11Take two.
00:29:15106.
00:29:16Take four.
00:29:18106.
00:29:18Take seven.
00:29:21106.
00:29:21Take nine.
00:29:24106.
00:29:25Take ten.
00:29:25If I don't find a job soon, I'm not going to have any shoes left.
00:29:31Can you imagine me looking for work and my bare feet?
00:29:34And I can't stand being poor and wearing rags all the time.
00:29:39If I don't find something soon, I'll...
00:29:42Help.
00:29:44Help.
00:29:44Help.
00:29:45Help.
00:29:46Hey, wait a minute now.
00:29:47Stop it.
00:29:48We've fooled around enough with these girls.
00:29:50Oh, please, Mr. Klein.
00:29:51Give her another chance.
00:29:54Everyone's unnerving her.
00:29:5510 takes is enough chances.
00:29:57This ain't an act in schools.
00:29:59Get out.
00:30:00Outside.
00:30:04Oh, please, Mr. Klein.
00:30:06And you're fired.
00:30:07You're both fired.
00:30:09You heartless fool.
00:30:11You don't give anyone a chance.
00:30:13Turning there, criticizing and ridiculing.
00:30:16All of you looking on and just daring someone to make good.
00:30:21Nearly laughing behind our back.
00:30:23There's nothing human and seasoned about any of you.
00:30:27That's enough.
00:30:27Put her out of the studio here.
00:30:30I'd like to see any one of you put her out.
00:30:32And as for you, Klein, you old windbag.
00:30:33You keep your mouth shut out.
00:30:34I'll take out your false teeth and bite you in the back.
00:30:37Preston, you were through.
00:30:39You understand?
00:30:40Fight.
00:30:40For good.
00:30:41Why, you old esceptic.
00:30:42I wouldn't work for you if I had to starve.
00:30:44You've double-crossed everybody, including your own stomach.
00:30:46Oh, Kathleen.
00:31:06The local girl gets break in Hollywood.
00:31:09There it is.
00:31:10Hollywood.
00:31:11Hollywood.
00:31:11We've got to get out of here, Bob.
00:31:15Away from all this.
00:31:17Okay, honey.
00:31:19Tomorrow we'll drive to Huma and get married.
00:31:22Then it's just Mr. and Mrs. Preston against the whole cockeyed world.
00:31:27I won't be afraid.
00:31:28As long as we're together, I don't care what happens.
00:31:31Beginning right now, it's just us.
00:31:33The army with banners.
00:31:37Don't forget that.
00:31:39I won't.
00:31:41In the morning, we'll clear our stuff out of that cheap studio,
00:31:44and then it's just you and me.
00:31:48And the open road.
00:31:58Come in.
00:32:00Oh, hello, Dick.
00:32:01Is this on the level?
00:32:09As level as a ruler.
00:32:11But you've been fired before, and you never left.
00:32:13I worked plenty hard for that time in La Green.
00:32:15All I ever got was abuse.
00:32:16What you could use is a good stiff drink.
00:32:19Why, if it wasn't for me, his junk would still be playing in the sticks.
00:32:22I'd build up all the talent he's got.
00:32:25I'll come back Wednesday when you give this with Slides.
00:32:27You'll never get this act again at these prices.
00:32:29Talk about an act!
00:32:32You want to get a load of yourself reading the riot act to his nibs.
00:32:35What do you mean?
00:32:36Well, when the fireworks broke loose yesterday, they kept the cameras running.
00:32:39And your payoff to climb came through like a second act climax.
00:32:44Well, let me get a look at that, Horace, you.
00:32:45Oh, I want to hear myself telling that old hyena where he gets off.
00:32:51Come on.
00:32:56How do you feel now, huh?
00:32:58I feel high.
00:32:59Oh, boy, is that something.
00:33:03Listen, Dick.
00:33:03Has Plank seen those rushes yet?
00:33:05If he ever takes a squint at that, all our heads will drop in the basket.
00:33:10Hennessey, where are you taking that film?
00:33:12Sure, and I'm burning it up.
00:33:13I have a wife and six kids.
00:33:14I'll get you a job for life if you run that the next time the plan comes in the projection room.
00:33:18I can get you set tomorrow with Hofstangl for twice the dough.
00:33:22Well, I don't know.
00:33:24Here's a cash bonus.
00:33:25My lad, I'm beginning to think there's something stirring in that dynamic brain of yours.
00:33:34That's the phyllo vans in you, son, my lad.
00:33:37Hello, Mr. Klein.
00:33:38Sure, this is Hennessey speaking from projection room number eight.
00:33:42Mike, why do you bother me in the middle of the day?
00:33:44The director didn't show up, Mr. Klein, so I'll be wanting an okay on the scenes we took yesterday.
00:33:49I also does a blackface act, my honey child.
00:33:53Sure, right away, Mr. Klein.
00:33:55Thank you.
00:33:56Come on, Dick, let's go.
00:33:57I'm going to get a peek at that old button while the show goes on.
00:34:01If I don't get a job soon, I won't have any shoes left.
00:34:05Can you imagine me looking for work in my bare feet?
00:34:08Your bare feet again?
00:34:10Stop, be fooled around and not.
00:34:11I went through all these yesterday.
00:34:13Well, I guess there's some stuff following that you ought to see.
00:34:17Ten takes is enough, Kansas.
00:34:19This ain't an act in school.
00:34:20Get out.
00:34:22Outside, go on, outside.
00:34:23Oh, my God.
00:34:25You're both fine.
00:34:28You heartless fool.
00:34:29You don't give anyone a chance.
00:34:31Standing there, criticizing and ridiculing.
00:34:34All of you looking around and daring someone to make good.
00:34:38You're laughing behind our backs.
00:34:40There's nothing decent or human about any of you.
00:34:44Stop it.
00:34:45Stop it.
00:34:47It's wonderful.
00:34:48It's magnificent.
00:34:49She's terrific.
00:34:51By chimney, I've discovered another headbird.
00:34:53He couldn't discover a hole in his bed.
00:34:56She's got everything.
00:34:58Voice.
00:34:58Fire.
00:34:58I've never seen such an acting.
00:35:01Get me Bob Preston.
00:35:02Quick.
00:35:02He's been fired.
00:35:03Fired?
00:35:04Who fired him?
00:35:05What is he?
00:35:06Well, never mind.
00:35:07Where is he now?
00:35:08He's in his office packing.
00:35:09Packing?
00:35:10Packing?
00:35:10Packing.
00:35:10Oh, Bob.
00:35:22Are you going for a little weekend trip somewhere?
00:35:25I have my pride.
00:35:26You fired me for the last time, Mr. Klein.
00:35:30I fired you before for the last time.
00:35:34Bob, you take everything so serious.
00:35:36You've got to remember, you know, sometimes I'm a little, what do you call it, eccentric.
00:35:40There's another name for being eccentric, and to put people like that in a bug house.
00:35:45You will have your little joke.
00:35:48You can always make me laugh.
00:35:53You know, yesterday, I guess I was a little angry.
00:35:56You know, all day my stomach ain't so good, but that dyspastic made me cross.
00:36:02Well, I want to apologize to you because I want to make it up to you.
00:36:07Tell you what I do.
00:36:08You send for that, what's that girl's friend of yours name?
00:36:12Who are you talking about?
00:36:13June Dale.
00:36:15You send for June Dale, and to show you my heart's in the right place, I sign it up for
00:36:20a long contract at $150 a week.
00:36:23I say at $175 a week.
00:36:35Didn't you hear me say something?
00:36:36I heard they say something, but it wasn't enough.
00:36:38$200.
00:36:39$200.
00:36:40There's no use wasting time.
00:36:42Hofstangl's no piker.
00:36:43He'll pay real money.
00:36:44Hofstangl?
00:36:46Is that your attitude you're selling me out to my worst competition?
00:36:49Of all the producers in town, you've got to pick Hofstangl.
00:36:52Bob, I didn't start to do something like that to me.
00:36:59Listen, Bob.
00:37:01Now, let's be reasonable.
00:37:04How do you spell reasonable?
00:37:05Hmm?
00:37:05How do you spell reasonable?
00:37:08Oh, that's T-H-R-W-E-H-U-N-D-R-E-D.
00:37:14The wrong spelling.
00:37:18Sit.
00:37:20Now, listen, Bob.
00:37:23We're old friends.
00:37:25Let's sit down and talk it over.
00:37:28Here you are, Bob.
00:37:32Have a perfecto.
00:37:33Now.
00:37:46Try them tears, gal.
00:37:47The old homestead saved.
00:37:48I got the papers.
00:37:50You are now a contract player with feature buildings for superb pictures at 500 smatters per week.
00:37:55Bob.
00:37:56Here it is in black and white, sealed with the emperor's crest.
00:37:59Now, watch our smoke, baby.
00:38:00A new star flashes across the heavens.
00:38:02June Dale.
00:38:05Bob, all this is very wonderful, but...
00:38:08What's that dark cloud on your unfair brow?
00:38:13Well, how about you, Lord?
00:38:15You and me.
00:38:16And the open room.
00:38:18That'll have to wait a little while, my sweet.
00:38:21Oh.
00:38:22Now, relax, darling.
00:38:24And close those bright eyes of yours.
00:38:25Come on, close them.
00:38:30Now, open your eyes and say...
00:38:31Oh, Bob!
00:38:32Oh, Bob!
00:38:35Is it pretty?
00:38:36Oh, lovely.
00:38:40That's to show you I really need this.
00:38:42Oh, Bob!
00:38:42Oh, Bob!
00:38:43Oh, Bob!
00:38:44Oh, Bob!
00:38:45Oh, Bob!
00:38:46Oh, Bob!
00:38:47Oh, Bob!
00:38:48Oh, Bob!
00:38:49Oh, Bob!
00:38:50Oh, Bob!
00:38:51Oh, Bob!
00:38:52Oh, Bob!
00:38:53Oh, Bob!
00:38:54Bob!
00:38:55I won't mind.
00:38:56As long as we're together.
00:38:58But I'll turn on that fertile Preston imagination, and before I'm finished, they'll be naming streets
00:39:02after you, lipsticks, powder, and even a good five cent cigar!
00:39:06Let's get going, baby!
00:39:07I want a crack that night edition!
00:39:09Oh, Bob!
00:39:10Oh, Bob!
00:39:11Oh, Bob!
00:39:12Oh, Bob!
00:39:13Oh, Bob!
00:39:14Oh, Bob!
00:39:15Oh, Bob!
00:39:16Oh, Bob!
00:39:17Oh, Bob!
00:39:18Oh, Bob!
00:39:19Oh, Bob!
00:39:20Oh, Bob!
00:39:21Oh, Bob!
00:39:22Oh, Bob!
00:39:23Oh, Bob!
00:39:24Oh, Bob!
00:39:25Oh, Bob!
00:39:26Oh, Bob!
00:39:27Oh, Bob!
00:39:28Oh, Bob!
00:39:29Oh, Bob!
00:39:30Oh, Bob!
00:39:31Oh, Bob!
00:39:32Oh, Bob!
00:39:33Oh, Bob!
00:39:34Oh, Bob!
00:39:35Oh, Bob!
00:39:36Oh, Bob!
00:39:37Oh, Bob!
00:39:38¡Gracias!
00:40:09All right, buddy, wrap it up.
00:40:11OK, Bob.
00:40:14You tire out awfully fast lately, whenever I want to put over a publicity stunt.
00:40:18Well, it's not just that, Bob.
00:40:20But if you'd look in your memo book, you'd see that we had a date this afternoon to go to the beach.
00:40:25Sure, I know, but...
00:40:26Oh, darling, we'll have such fun.
00:40:28We'll buy some weenies and find a quiet spot, light a fire, and...
00:40:32Bob! Bob!
00:40:34Say, what's the matter that you're here yet?
00:40:36You're going to be at the airport at 2 o'clock.
00:40:38We were just about to barge out.
00:40:40Mr. Klein, what was that you said about an airport?
00:40:45Didn't he tell you?
00:40:46Why, Henri Briand arrives, the new French star, bigger than Chevalier.
00:40:50Relax, Mr. Klein. We'll be there on time.
00:40:53Well, never mind the poetry. You get down to the airport.
00:40:56You had no intentions of taking me to the beach this afternoon, and you know it.
00:40:59But this is big, June. Every foreign paper will have it.
00:41:02Come on, honey, now. Come on. Don't get me.
00:41:03All right, Mr. President. Let's go, June.
00:41:20Don't move. Hold it right where you are.
00:41:22All right, June.
00:41:24I extend to you the greeting of the superb pictures.
00:41:27We want you to feel that you have come to Friends
00:41:29who will do everything to make your say with us, both enjoyable and memorable.
00:41:32Welcome to Hollywood.
00:41:33Friends! Friends! Friends!
00:41:39My dear, thank you.
00:41:41You are my first impression of Hollywood, and I like it very much.
00:41:49Friends! Friends! Friends!
00:41:53Friends!
00:41:56And then you go to the Friday morning breakfast club.
00:41:58That's at 8 o'clock in the morning.
00:41:598 o'clock, Maudieu. I do not know such an hour.
00:42:02You get to know it very well.
00:42:05Okay, let's take it. All right.
00:42:07Still?
00:42:08Now on Tuesday, you go to the Pacific Golf Championship Tournament.
00:42:12But I do not play golf.
00:42:14Doesn't matter. You can wear knickers. No one will ever know the difference.
00:42:16At what time does these golf start?
00:42:19At 7 a.m.
00:42:21Mason, if possible.
00:42:22When do you find time to leave in this mad place?
00:42:25You don't.
00:42:26Unless you can find a few minutes between work and publicity gag.
00:42:29People who can't take it shouldn't be in this game.
00:42:32And someone told me it was an art.
00:42:36Just one more, Harry. Make it snappy.
00:42:37I have to make a publicity reel with Chris Dale and the heavyweight champ back at the studio.
00:42:46Mark, the champ.
00:42:47Hiya, champ.
00:42:48It is the champ. What a man.
00:42:50Hi, kid. You're pretty lucky to work at a picture with me. You know that, don't you?
00:42:53Champ, this is Mr.
00:42:54Oh, never mind. Everybody knows me.
00:42:56What was that?
00:42:58Just the Indian love call.
00:43:00Oh, I thought it was something else.
00:43:03Come on, come on, let's go. I ain't good all day.
00:43:06I gotta write a story about all the dames that are nuts about me.
00:43:09Oh, so you're a casanova.
00:43:12Oh, that guy. He's a pushover.
00:43:14I knocked him out and left him around last week.
00:43:18We're ready any time you are, champ.
00:43:20I want that back.
00:43:22Come on, let's go, baby. And don't pull your punches.
00:43:26That's the stuff, June. This is the honey.
00:43:29The public will eat this up.
00:43:31Movie star takes boxing lessons from champ.
00:43:34Can you hear me?
00:43:35Now watch out. Watch yourself.
00:43:36Whoa!
00:43:38What is this, Paderewski? Where are you going?
00:43:41Well, you see, we were told to deliver this piano to this studio.
00:43:44Now, where do you want it?
00:43:45Oh, I don't want it. Suppose you ask over at the...
00:43:48Oh, get out of here, will you?
00:43:50Come on, Atlas, and pick up your feet.
00:43:52Hey, wait a minute.
00:43:56Hey, what's the matter of you? Can't you see where you're going?
00:43:57Can we get on with this, please?
00:44:00Don't be in a rush, babe.
00:44:01I like your comfort.
00:44:03Okay, let's have the action.
00:44:04Camera.
00:44:07Cut.
00:44:08Now in the next one, champ, you put your arm around the waist like that.
00:44:11Hey, I'm beginning to like this an awful lot.
00:44:13I got a good one.
00:44:14How about one of those clinches where I'm giving you that clock table business?
00:44:18Hey, that's no way to treat it, champ.
00:44:21No.
00:44:24There you go, by the bell.
00:44:30Well, Laudale is certainly letting her hair down these days.
00:44:34Maybe she'd like to play Tarzan.
00:44:36You're coming along, Joan.
00:44:46That was a great display of temperament.
00:44:48This has worked for me, too, you know.
00:44:50I can't figure out why you have any score coming.
00:44:52Don't talk to me like that, Bob.
00:44:54You've been mooning around for the last two weeks,
00:44:56giving me a bunch of dirty looks and acting like I was poisoned for you.
00:44:59What if I have?
00:45:00We can't go anyplace without someone yelling at me for pictures.
00:45:04I'm sick and tired of being mauled over,
00:45:06of being Queen of the May and Finkel's Diamond Girl.
00:45:10Well, if it wasn't for all that, you'd be still playing bits.
00:45:13Every stunt I pull, I met more people went into the movies to see you.
00:45:16That's just it.
00:45:18I'm not too near your sweetheart anymore.
00:45:21I'm just a bunch of headlines.
00:45:22Nothing more than a Bob Preston creation.
00:45:25Anything you've done for me has been a great big build-up
00:45:29for your own great talents as press agents.
00:45:32That's a cute way of putting it.
00:45:34That's all you've had in your mind.
00:45:36And you know it.
00:45:38It's so sense trying to kid ourselves.
00:45:41We've lost something.
00:45:43Something that was really important to me.
00:45:46We'll never get it back.
00:45:48Maybe I have been a little rough on you.
00:45:50Oh, let's forget all this and go somewhere tonight.
00:45:53Just you and me.
00:45:55I've heard that one before, Bob.
00:46:02I'm through.
00:46:13Come in.
00:46:16Oh, hello, Gordon.
00:46:17If you're busy, I'll turn right around and walk out.
00:46:19No, don't be silly.
00:46:20Come in.
00:46:21The arena's back at the grove.
00:46:27How am I going tonight?
00:46:29And that, if my memory serves me, is the 21st time I've asked you.
00:46:33All right, Gordon.
00:46:35But I warn you, I won't be the life of the party.
00:46:37There's not going to be a party.
00:46:39Just you and me.
00:46:40I'd like that.
00:46:43Call for me at nine.
00:46:44Right.
00:46:46I'm sorry, but I have to get ready now.
00:46:48Of course.
00:46:49Nine o'clock.
00:46:49There's not a place to put this.
00:47:12I could think of a good place.
00:47:15Say, Stooges, where does this thing belong?
00:47:17Stooges?
00:47:18Say, who do you...
00:47:19Why...
00:47:19Why...
00:47:20Who are you Stooges?
00:47:22Stop drizzling, will you?
00:47:23Where does this thing go?
00:47:25Get out of here.
00:47:26Go on.
00:47:26Get out of here.
00:47:27Get out, you loafers.
00:47:28What are you arguing with the guy for?
00:47:30Come on.
00:47:31Now, listen.
00:47:32You better step on it, because I've got lots of work to do.
00:47:35Come on, now.
00:47:38Take it easy.
00:47:38Get a left.
00:47:40Atta boy, Atlas.
00:47:41Atta boy.
00:47:42Atta boy.
00:47:43Hey, what are you trying to do?
00:47:44Break the piano?
00:47:46It pushed me.
00:47:47It pushed you.
00:47:49It pushed you.
00:47:50I never saw the likes of it in my life.
00:47:54You know, you're getting away with murder.
00:47:57The only reason you got the job is because you're my wife's first husband.
00:48:01You.
00:48:02Well, I...
00:48:03But you didn't have to divorce her, did you?
00:48:09Oh, Mr. Klein.
00:48:10Well, well, well, what do you want?
00:48:12A hundred dollars on account.
00:48:13On account of what?
00:48:14On account of the fact I'm going to sell you a song.
00:48:18Are your songs as good as your jokes?
00:48:21I just pulled this one out of the fire.
00:48:23Boy, this is hot.
00:48:24I call it, uh, Hush Your Fuzz.
00:48:27Oh, get this.
00:48:29Hush your fuzz.
00:48:30Hush your fuzz.
00:48:31Love and kisses were made for us.
00:48:33Hey, wait a minute.
00:48:34Wait a minute.
00:48:34Did you pull that out of the fire?
00:48:36Yes, sir.
00:48:37Put it right back again.
00:48:40Look.
00:48:41Hush your fuzz.
00:48:42Hush your fuzz.
00:48:43Go on.
00:48:43Hush your own fuzz and get it.
00:48:45Go ahead.
00:48:45Pull out.
00:48:46Mr. Klein, please hear it all the way through.
00:48:48Say, girls, you want to hear my new song?
00:48:50I just sold it to Mr. Klein.
00:48:52He's crazy about it.
00:48:54No, thanks.
00:48:56Hey, boy, just a minute.
00:48:57Put that piano down here.
00:48:58I want to run through a number.
00:48:59Put her down, Atlas.
00:49:02Now, take it easy.
00:49:03Hold it a little to the left.
00:49:05Atta boy.
00:49:06Now, look out now.
00:49:07Take it easy.
00:49:08Fine.
00:49:08Now, let her down slow.
00:49:10Atta boy.
00:49:12Atta boy.
00:49:13Now, you're getting there.
00:49:14Slow.
00:49:15Take it easy.
00:49:16A little to the left.
00:49:17That's fine.
00:49:18Now, you did it, Atlas.
00:49:29Open it up.
00:49:33Where is the key?
00:49:35Huh?
00:49:36Where is the key?
00:49:37Oh, the key.
00:49:38Yeah.
00:49:39I have to.
00:49:45What am I looking for?
00:49:47The key.
00:49:48The key.
00:49:49Yeah, the key.
00:49:50I had a key when I...
00:49:51The key.
00:49:52I have to find out a key when I...
00:49:53I can't always...
00:49:55I have to...
00:49:55I have to...
00:49:56I have to find it.
00:50:00If you let go of my hand, I want to find the key.
00:50:03You know anything about my hand?
00:50:05What's going on here?
00:50:19What's going on here?
00:50:27Oh!
00:50:28Oh!
00:50:41Oh!
00:50:41Oh!
00:50:41Oh!
00:50:42Oh!
00:50:43¡Ah!
00:51:13Oh, I guess that's why I was limited.
00:51:27Open her up.
00:51:28Huh?
00:51:29Open her up.
00:51:30I gotta find out a way.
00:51:43This will kill you.
00:51:52Johnny worked on a system, gave each sweetie a tell, and whenever he kissed him, if they
00:52:01hollered, he'd yell.
00:52:02You've got to listen to reason, the moon is shining above, that's the reason, it's just
00:52:09a season for love.
00:52:10So, hush your blood, hush your blood, love and kisses were made for us, love and kisses
00:52:18were true, waiting for you and me.
00:52:22What a thrill, what a thrill, though you're thrilling against your will, you'll be saying
00:52:27it's great, maybe you'll wait and see.
00:52:31It's not so tough when this love stuff gets into our heart, not so worse to just rehearse
00:52:38the principles are true, let's hush your blood, hush your blood, love and kisses were made
00:52:45for us, love and kisses were made for us, love and kisses were true, waiting for you and me.
00:52:50Not bad, huh?
00:52:52That's hot, Steve.
00:52:53Hit it again.
00:52:54Wait a second.
00:52:55Hey, boys, put that table down.
00:52:57Come on, Gene.
00:52:57Let's do that new routine.
00:53:02Okay, Stevie, travel always blows.
00:53:04Let's do that new routine.
00:53:06Okay, Stevie, travel always blows.
00:53:08Hey, everybody.
00:53:17Hey, I love you.
00:53:21Hey, I love you.
00:53:26Hey, I love you.
00:53:31¡Gracias!
00:54:01¡Gracias!
00:54:31¡Gracias!
00:55:01¡Gracias!
00:55:06¡Nos vemos!
00:55:20¡Gracias!
00:55:22¡Gracias!
00:55:27¡Gracias!
00:55:29Here's my wagon to a star, but the old crate broke down.
00:55:33Oh, I get it.
00:55:34A beautiful lady gave you the ozone.
00:55:37Right you are, Mr. Bones.
00:55:38Right she was.
00:55:40I ruined her whole life.
00:55:42I forgot she was just a kid that wanted to have some fun.
00:55:46I broke her heart.
00:55:47I had it coming, all right.
00:55:50Who's the other guy?
00:55:51Don't say that, you hear?
00:55:52There's no other guy that couldn't be.
00:55:54I'm the only menace.
00:55:56Don't you say anything about her.
00:55:57Joan Dale's on the level, you understand?
00:55:59Let's have another meal.
00:56:14And a villain still for sooner.
00:56:16And a very nice villain, too.
00:56:20Joan, I feel I ought to tell you why I've been so persistent the past few weeks.
00:56:25I've noticed that you haven't been as happy as a happily engaged girl ought to be.
00:56:30Is there anything wrong between you and Bob?
00:56:33We've quarreled.
00:56:42Is there anything other than a three on these dice?
00:56:45Oh, there he is.
00:56:48Let's have a drink.
00:56:49Oh, hello, big boy.
00:56:52Look at you here.
00:56:53Oh, how have you been drinking?
00:56:54Very happy to see all of you.
00:56:56They're the new generation of the motion picture great.
00:56:59Now, congratulate every single one of you.
00:57:01I don't like this place.
00:57:05Oh, yes, dear.
00:57:07Come on, Pop.
00:57:08Let's go someplace where we can dance.
00:57:09Oh, I don't want to dance.
00:57:11I want to sit down.
00:57:12Would you like to sit down, Pop?
00:57:14Yes, if you don't mind.
00:57:16Enjoy yourself.
00:57:17Come on, everybody.
00:57:18We're all going to...
00:57:19I'll take the responsibility, and if I fail to make you happy, it won't be from lack of effort on my part.
00:57:37I know that.
00:57:40Well, there's me any question of you making up your mind.
00:57:43Gordon, I'd like to think about it.
00:57:47I...
00:57:47I'm not quite sure.
00:57:49Oh, please understand.
00:57:51I don't want to hurt you.
00:57:53But you see, well, right now, even the way I feel about Pop,
00:58:00if he were to come back and tell me he's sorry and promise that things would be different,
00:58:05well, I don't know just what I'd do.
00:58:11Well, let's leave it this way for the time being.
00:58:14Of course, I'm not going to stop loving you or asking you to marry me.
00:58:17Did you see the kids tomorrow?
00:58:19Game or something.
00:58:20Play a problem a little later.
00:58:22Oh, boy, am I going to have a good time.
00:58:24I'll fight, are you?
00:58:26Can't we have a better table?
00:58:27I don't like this place.
00:58:28It ain't noisy either.
00:58:29I think it's swell.
00:58:30Oh, that's fascinating.
00:58:31Monsieur.
00:58:33Tell me, Bob, is it true?
00:58:35Is what true?
00:58:36A little bird in the studio restaurant this afternoon
00:58:38happened to see a rising young star, Jilt, her handsome young mother.
00:58:43Let's not talk about that.
00:58:45Oh, don't be so downhearted.
00:58:48I know a girl who would appreciate some good publicity.
00:58:51Oh, it's publicity you want, huh?
00:58:54Well, I can give you plenty.
00:58:55I can do anything with a headline.
00:58:57I can even break your heart.
00:59:00Whatever you did, I wouldn't treat you the way June has.
00:59:04Lay off the incense, Sheila.
00:59:06I know you.
00:59:07June's 100%.
00:59:08Whatever she did, she did on the level.
00:59:15Well, I don't blame her.
00:59:18I think I'd throw you over for a couple of million dollars.
00:59:21What are you saying?
00:59:24There's the reason you got your closing notice.
00:59:26Get a picture of that, Bob.
00:59:31It'll make great publicity.
00:59:34Nice headlines, too.
00:59:37Money wins again.
00:59:39Well, maybe it's just because you don't look well in a high hat.
00:59:45Must feel swell to have some other guy beat your time.
00:59:50Where are you going, Bob?
00:59:51Don't leave us.
00:59:52Sir Douglas is the reason for the big farewell scene, huh?
01:00:01Please, Bob.
01:00:02You're drunk.
01:00:03Sure I'm drunk.
01:00:04That's the reason I see everything so clear.
01:00:06You didn't have nerve enough to tell me you wanted to marry us a doll, did you?
01:00:10I think you've said enough, Preston.
01:00:12You're an ideal pair, and this is great.
01:00:14Yes, sir.
01:00:15It's a great yawn.
01:00:17Pasadena playboy wins movies, sir.
01:00:19You're a great little actress, all right.
01:00:22I really believe what you said this afternoon.
01:00:25Sure, and I was tamping up to fall for it.
01:00:27I taught you a lot, didn't I?
01:00:29There's no headlines of just marrying a guy like me, is there?
01:00:32Please, take me out of here.
01:00:34You're always running out on me, aren't you?
01:00:36Preston, that's enough.
01:00:38Wait a second.
01:00:38There's a lot more I want to say to you.
01:00:46Where's your telephone?
01:00:47Look, I'm sober enough to know this is a great story.
01:00:50She's getting ready to leave.
01:01:15She's on stage three.
01:01:16June, we've got to talk.
01:01:41There's nothing to say, Bob.
01:01:42Yes, there's so much.
01:01:45I bet you love your staff, and I'm sorry for it.
01:01:49June, you've got to listen to me.
01:01:52Sweet.
01:01:53We've meant too much to each other.
01:01:55You can't forget that.
01:01:56I'm going to marry Gordon.
01:01:58We're flying to Yuma this afternoon.
01:02:01You're not fooling me for a minute, June.
01:02:02You're not marrying him because you love him.
01:02:03It's despite me.
01:02:04I'm marrying him for his money, and for all the publicity I can get out of it.
01:02:09June, darling, please listen to me.
01:02:12I'm pleading with you to forgive me for anything I've said.
01:02:15You can't marry him.
01:02:17I love you too much.
01:02:19And you love me.
01:02:20There's no sense kidding yourself about that.
01:02:23You can't run away and marry anybody just because we've had a battle.
01:02:25I don't love you anymore, Bob.
01:02:28Oh, June.
01:02:29Now, will you let me go?
01:02:30I won't let you go, do you hear?
01:02:33Please, Bob.
01:02:35June.
01:02:37I just want to ask you one question.
01:02:39And I know you'll answer me on the level.
01:02:42Do you love Gordon?
01:02:53Abby, dear?
01:02:55I want you to be sure you know that.
01:02:57Yes, I know that.
01:02:59And I am sure.
01:03:04Oh, here we are.
01:03:05Hey, X-free paper, read all that.
01:03:08I guess that's our plane over there.
01:03:14Hey, X-free paper, read all that.
01:03:17Hey, X-free paper, read all that.
01:03:19X-free paper.
01:03:21Hey, X-free paper, Bob, press and jump down with her.
01:03:23X-free paper.
01:03:25Oh, boy.
01:03:25He's in the Hollywood Hospital.
01:03:40All right.
01:03:41Oh, hurry, hurry.
01:03:42Hollywood Hospital.
01:03:42Please, John, hurry.
01:03:43I told you, and you can tell it to your grandchildren, you can do anything with a headline.
01:03:52Here you are, son.
01:03:53Take the rest of those papers and burn them.
01:03:54Come on, let's roll up.
01:03:55I've got to get to the hospital before she does.
01:04:04I should have known he'd do something desperate.
01:04:06He's so stubborn.
01:04:08Here's some pictures up for me.
01:04:09Run a special front page.
01:04:10Cost me 200 bucks, but it's worth a million.
01:04:13Genius, I call it.
01:04:15Genius.
01:04:32This is coffee grinders.
01:04:34You might recognize it.
01:04:35I'm a sick man, doctor.
01:04:44Hurry up.
01:04:45Give me a room.
01:04:45Where do I go?
01:04:46What do I do?
01:04:47How do I know?
01:04:48I'm only the painter.
01:04:49Give me a room, quick.
01:04:57I'm sick.
01:04:58Why?
01:04:58The doctor.
01:04:59What is it?
01:04:59I thought Jason, I missed exhaustion.
01:05:01I've got to have a room.
01:05:02Ow!
01:05:03Oh!
01:05:04Quick!
01:05:04Ow!
01:05:05What room can we give him?
01:05:06Quiet, 231.
01:05:07I like this way.
01:05:10In case anybody calls, my name is Bob Teston, and I'm a very, very sick man.
01:05:19You get into bed.
01:05:28I'll get the doctor.
01:05:32Bob, can't you?
01:05:32What room is he?
01:05:33231.
01:05:34Do you all right?
01:05:34How is he?
01:05:35He's a very sick man.
01:05:39No!
01:05:42Bob, darling.
01:05:44I love you, June.
01:05:46Oh, Bob, my sweet.
01:05:47There never was anyone but you.
01:05:50Kiss me, honey.
01:06:04Bob!
01:06:06I love you.
01:06:06I'll admit it was just a soul to get you back.
01:06:08I love you.
01:06:09I didn't want to see you do anything that you'd be sorry for.
01:06:11Please forgive me.
01:06:12I love you.
01:06:13We'll get married right away.
01:06:14I love you.
01:06:15Please give me a little smile to tell me that you're not angry.
01:06:17I love you.
01:06:18Bob, you're not angry.
01:06:19You're a madman, an absolute raving lunatic.
01:06:23But I love you.
01:06:26I love you.
01:06:27What about this marriage business?
01:06:30I have it all fixed up, darling.
01:06:31I know just what you want.
01:06:32We're going to Antonata.
01:06:34Moonlight, soft breezes, beautiful music.
01:06:37Just you and me.
01:06:39Oh, Bob, I don't want one of these moving marriages.
01:06:42Sweetheart, it's just going to be a quiet little wedding.
01:06:46Oh, Bob, I don't want one of these things.
01:06:48Oh, Bob, I don't want one of these things.
01:06:49Oh, Bob, I don't want one of these things.
01:06:50Oh, Bob, I don't want one of these things.
01:06:51Oh, Bob, I don't want one of these things.
01:06:52Oh, Bob, I don't want one of these things.
01:06:53Oh, Bob, I don't want one of these things.
01:06:54Oh, Bob, I don't want one of these things.
01:06:55Oh, Bob, I don't want one of these things.
01:06:56Oh, Bob, I don't want one of these things.
01:06:57Oh, Bob, I don't want one of these things.
01:06:58Oh, Bob, I don't want one of these things.
01:06:59¡Qué ha!
01:07:02¡Qué ha!
01:07:04¡Qué ha!
01:07:05¡Qué ha!
01:07:10¡Buy, Jimony!
01:07:11¡You should be a star the first time I ever saw her!
01:07:13¡The first time you saw her, you fired her!
01:07:16¿Can I help her if I'm a little bit eccentric?
01:07:18ha ha ha
01:07:19ha ha ha
01:07:20ha ha ha
01:07:21ha ha ha
01:07:23ha ha ha
01:07:24ha ha ha
01:07:24ha ha ha
01:07:25ha ha ha
01:07:26ha ha ha
01:07:27ha ha ha
01:07:27ha ha ha
01:07:27ha ha ha
01:07:28That certainly was a quiet little wedding
01:07:30But Lenny, you know we have a lot of friends
01:07:33What's that? The convoy?
01:07:41Believe it or not, I made a tie-up with the army
01:07:44Bob, you're slipping
01:07:47What do you mean?
01:07:48You forgot to let the baby in on them
01:07:51You think so?
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