👽😱 INVASION OF THE BODY SNATCHERS | SCI-FI HORROR GANZER FILM DEUTSCH
Sie kommen nachts und ersetzen die Menschen!
Ein Sci-Fi Horror Klassiker! Außerirdische Pods übernehmen die Körper der Menschen - einer nach dem anderen. Niemand ist sicher. Vertraue niemandem! Donald Sutherland in einem ikonischen Paranoia-Thriller. Wer ist noch menschlich?
🎭 Sci-Fi Horror | Alien Invasion | Classic
KEYWORDS: Invasion of the Body Snatchers, body snatchers, Körperfresser, Donald Sutherland, Sci-Fi Horror, alien invasion, Außerirdische, pods, Thriller, ganzer Film Deutsch
#InvasionOfTheBodySnatchers #BodySnatchers #Körperfresser #DonaldSutherland #SciFiHorror #AlienInvasion #Außerirdische #Thriller #GanzerFilm
Sie kommen nachts und ersetzen die Menschen!
Ein Sci-Fi Horror Klassiker! Außerirdische Pods übernehmen die Körper der Menschen - einer nach dem anderen. Niemand ist sicher. Vertraue niemandem! Donald Sutherland in einem ikonischen Paranoia-Thriller. Wer ist noch menschlich?
🎭 Sci-Fi Horror | Alien Invasion | Classic
KEYWORDS: Invasion of the Body Snatchers, body snatchers, Körperfresser, Donald Sutherland, Sci-Fi Horror, alien invasion, Außerirdische, pods, Thriller, ganzer Film Deutsch
#InvasionOfTheBodySnatchers #BodySnatchers #Körperfresser #DonaldSutherland #SciFiHorror #AlienInvasion #Außerirdische #Thriller #GanzerFilm
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KurzfilmeTranskript
00:00:00.
00:00:22Oh, Dr. Hill.
00:00:23Dr. Bassett?
00:00:24Oh, where's the patient?
00:00:26I hated to drag you out of bed at this time of night.
00:00:28Will you let me go while there's still time?
00:00:30You'll soon see why I did.
00:00:34Doctor, will you tell these fools I'm not crazy?
00:00:37Make them listen to me before it's too late!
00:00:39I'll listen to you.
00:00:41Let him go.
00:00:47Who are you?
00:00:48I'm Dr. Hill from the State Mental Hospital.
00:00:50I am insane!
00:00:51Let him go!
00:00:53Listen.
00:00:54Doctor!
00:00:55Now, you must listen to me.
00:00:57You must understand me.
00:00:58I'm a doctor, too.
00:00:59I am not insane.
00:01:00I am not insane.
00:01:01All right, all right.
00:01:02Now, suppose we just sit down over here, Dr. Bunnell,
00:01:04and you tell me what happened.
00:01:06Well, it started.
00:01:11For me, it started last Thursday.
00:01:14In response to an urgent message from my nurse,
00:01:17I'd hurried home from a medical convention I'd been attending.
00:01:21At first glance, everything looked the same.
00:01:25It wasn't.
00:01:26Something evil had taken possession of the town.
00:01:29These two.
00:01:30Here you are.
00:01:31Thank you, sir.
00:01:32Thank you.
00:01:33Thank you.
00:01:34Pardon me, Mr. Mac.
00:01:35Doc!
00:01:36Hiya, Sally.
00:01:37Hi.
00:01:38Welcome home.
00:01:39I'm glad you're back.
00:01:40How's Mickey and the baby?
00:01:41Well, they're fine, but it seems that everybody else is the same.
00:01:43It looked the same.
00:01:44It wasn't.
00:01:45Something evil had taken possession of the town.
00:01:47These two.
00:01:48Here you are.
00:01:49Thank you, sir.
00:01:50Thank you, sir.
00:01:51Thank you.
00:01:52I'm back.
00:01:53How's Mickey and the baby?
00:01:54Well, they're fine, but it seems that everybody else in San Mara needs a doctor.
00:01:56No?
00:01:57We've got an office full of patients.
00:01:58Oh, no.
00:01:59And my first day back?
00:02:00Well, some of them have been waiting for two weeks.
00:02:02Why didn't you send them to Percy or Carmichael like I told you to?
00:02:05Well, most of them wouldn't go.
00:02:06They want to see you.
00:02:07Oh?
00:02:16What's the matter with you?
00:02:17They wouldn't say.
00:02:18You know, usually, people can't talk enough about what's ailing them.
00:02:21For instance, Wally Eberhardt was in twice and called three times about something, but he wouldn't tell me what it was.
00:02:27That's funny.
00:02:28Neither would anyone else, from Becky Driscoll down to that fat traffic cop, Sam Jancic.
00:02:32Becky Driscoll?
00:02:34I thought she was in England.
00:02:36She got back a few days ago, and she wanted to see you.
00:02:40Are you still interested?
00:02:42My interest in married women is strictly professional, or yours would have been a lost cause long ago.
00:02:48How was the convention?
00:02:50Wonderful.
00:02:51They wept with envy when I read my paper.
00:02:53Jimmy!
00:02:54What's the matter, Mrs. Grimaldi?
00:02:56It's nothing.
00:02:57He just don't want to go to school.
00:02:58Well, if I were you, I'd have a talk with his teacher.
00:02:59Yeah, I will when I get time.
00:03:00What's the matter?
00:03:01Has Joe been sick?
00:03:02No, we gave you the standup.
00:03:03Too much work.
00:03:04Well, the boy's panic should've told me it was more than school he was afraid of.
00:03:21And that littered, closed up vegetable stand should've told me something too.
00:03:25When I last saw it, less than a month ago, it was the cleanest and busiest stand on the road.
00:03:31Das ist verrückt.
00:03:33Sie war in der See-U-2, letzte Woche.
00:03:36Ich versuchte sie zu sehen, aber sie würde nicht.
00:03:39Sie sagte, nur Sie können sie helfen.
00:03:41Es könnte nicht sein, dass es nicht zu ernst ist, glaube ich.
00:03:49Eine Minder-Koncussion, zwei Kommen-Colde und sechs Kanzler-Appointe.
00:03:53Sie hat mich hier für nichts gebracht.
00:03:56Ich verstehe es nicht, Miles. Ich konnte nicht warten, zu sehen Sie.
00:03:59Aber Sie sind noch nicht auf der Frühstück.
00:04:02Sie sind noch nicht auf der Frühstück.
00:04:04Aber Sie sind noch nicht auf der Frühstück.
00:04:06Sie sind noch nicht auf der Frühstück.
00:04:08Und Bill Bittner ist auf der Frühstück.
00:04:11Und, wenn Sie so, wer das ist, dass ich nicht auf der Frühstück habe?
00:04:15Ist Dr. Bennell in?
00:04:17Er ist hier.
00:04:18Sie haben Sie es Zeit, zu sehen Sie?
00:04:20Wenn er nicht, da ist etwas falsch.
00:04:22Sie ist gut.
00:04:26Bekki.
00:04:28Almost five years.
00:04:29It's wonderful to be home again.
00:04:31In a way so long, I feel almost like a stranger in my own country.
00:04:36I hope you don't mind my coming without an appointment.
00:04:38Not at all.
00:04:39What'll you have?
00:04:40We're pushing appendectomies this week.
00:04:42Oh, Mars.
00:04:43I don't know, maybe I climb around too much.
00:04:46Pretty soon my patients won't trust me to prescribe aspirin for them.
00:04:50No, seriously, what's the trouble?
00:04:52It's my cousin.
00:04:54Wilma?
00:04:54What's the matter with her?
00:04:58She has a, well, I guess you'd call it a delusion.
00:05:01You know her uncle, Uncle Ira?
00:05:03Sure, I'm his doctor.
00:05:06Well, Mars, she's got herself thinking he isn't her uncle.
00:05:08How do you mean that they're not really related?
00:05:10No, she thinks he's an imposter or something, someone who only looks like Ira.
00:05:14Have you seen him?
00:05:16I just came from there.
00:05:17Well, is he Uncle Ira or isn't he Uncle Ira?
00:05:21Of course he is.
00:05:22I told Wilma that, but it was no use.
00:05:24Please, would you stop by and have a talk with her?
00:05:26Well, Sally says that I'm booked up for the afternoon, but why don't you ask her to come in and see me?
00:05:31I've tried.
00:05:34Um, how about some lunch?
00:05:36I can't.
00:05:36I'm eating Dad in the store.
00:05:43When did you get back?
00:05:44I came back from London two months ago.
00:05:47I've been in Reno.
00:05:48Reno?
00:05:49Reno.
00:05:51Dad tells me you were there too.
00:05:53Five months ago.
00:05:54Oh, I'm sorry.
00:05:56So was I.
00:05:58I wanted it to work.
00:06:01Well, I guess that makes us Lodge Brothers now.
00:06:04Yes.
00:06:06Except that I'm paying dues while you collect them.
00:06:09Miles.
00:06:10Hello, George.
00:06:18How are you?
00:06:20Sam.
00:06:21Hello, Doc.
00:06:21Had it again, eh?
00:06:23My nurse tells me you were in last week and wanted very much to see me.
00:06:26It wasn't anything important.
00:06:29Say, didn't you go to college with us?
00:06:32Quit his second year to get married.
00:06:34Like I wanted us to.
00:06:35Just be thankful I didn't take you seriously.
00:06:38You be thankful.
00:06:40I found out that a doctor's wife needs the understanding of an Einstein and the patience of a saint.
00:06:45And love?
00:06:46I wouldn't know about that.
00:06:48I'm just a general practitioner.
00:06:51Love is handled by the specialists.
00:06:53Well, here's where I leave you.
00:06:56You know something?
00:06:57This is where you left me the last time.
00:07:01Hiya, Johnny.
00:07:02Sally, I'm off.
00:07:11Will you tell the answering service I'll be at home?
00:07:14Good night, Doc.
00:07:15Good night.
00:07:15Hey, I'm coming in here.
00:07:17Come on, Jimmy.
00:07:18Stop all this nonsense and be a good boy.
00:07:20Come on.
00:07:21Hey, hey, hey, hey, hey.
00:07:22Take it easy.
00:07:24Isn't this Jimmy Grimaldi?
00:07:25Yes, Doctor.
00:07:26Can I talk to you in a minute?
00:07:27Sure.
00:07:27You know, I almost ran you down this morning.
00:07:29You've got to be careful when you run out the road.
00:07:30He ran me down.
00:07:31Come on, come on, Jimmy.
00:07:33Come on.
00:07:38Hey, hey, hey, hey, hey, hey, hey, hey.
00:07:40Hey, slow down now.
00:07:41Look, school isn't as bad as all that.
00:07:44School isn't what upsets him.
00:07:45It's my daughter-in-law.
00:07:46He's got the crazy idea she isn't his mother.
00:07:49She isn't.
00:07:49She isn't.
00:07:50Don't let her get me.
00:07:52Nobody's going to get you, Jimmy.
00:08:02How long has this been going on?
00:08:03An hour ago, I found him hiding in the cellar having hysterics.
00:08:06He wouldn't tell me anything until I started to phone his mother.
00:08:09That's when he said Anna wasn't his mother.
00:08:12Could you keep him with you for a day or so?
00:08:13Of course.
00:08:14Give him one of these every four hours during the day.
00:08:16And call me tomorrow and let me know how he's feeling.
00:08:18Yes, doctor.
00:08:19Thank you.
00:08:20No way, Jimmy.
00:08:22Nobody's going to get you, Jimmy.
00:08:31All right, Jimmy.
00:08:32Open your mouth.
00:08:34Shut your eyes.
00:08:36In the words of the poet, I'll give you something to make you wise.
00:08:39That's a good boy, Jimmy.
00:08:43I'm not going home.
00:08:45You're going to stay at your grandmother's house.
00:08:46Would you call his mother and tell her...
00:08:47All right, all right, all right, run along, run along.
00:08:50Everything's going to be all right.
00:08:51You be a good boy now.
00:08:53Come on.
00:08:53Good night, doctor.
00:08:54Good night.
00:08:57Sally, I've changed my mind.
00:08:58I'm not going directly home.
00:08:59I'm going to stop off and see Wilma Lance.
00:09:01Should I call the boy's mother?
00:09:02Yes, call her and tell her what happened and that I suggested.
00:09:05It might be a good idea if the boy spend the night at his grandmother's house.
00:09:08Hello, Miles.
00:09:18Nice to see you, Wilma.
00:09:19Thank you.
00:09:20Let's have it.
00:09:22You talk to him.
00:09:23What do you think?
00:09:24It's him.
00:09:25He's your Uncle Ira, all right.
00:09:27He is not.
00:09:28How is he different?
00:09:38That's just it.
00:09:39There is no difference you can actually see.
00:09:42He looks, sounds, acts, and remembers like Uncle Ira.
00:09:46Then he is your Uncle Ira.
00:09:47Can't you see that?
00:09:49No matter how you feel, he is.
00:09:51But he isn't.
00:09:52There's something missing.
00:09:54He's been a father to me since I was a baby.
00:09:56Always when he talked to me, there was a special look in his eye.
00:10:01That look's gone.
00:10:03What about memories?
00:10:05There must be certain things that only you and he would know about.
00:10:08Oh, there are.
00:10:09I've talked to him about them.
00:10:11He remembers them all down to the last small detail, just like Uncle Ira would.
00:10:16But, Miles, there's no emotion.
00:10:20None.
00:10:21Just the pretense of it.
00:10:23The words, gesture, the tone of voice, everything else is the same, but not the feeling.
00:10:31Memories or not, he isn't my Uncle Ira.
00:10:33Wilma, I'm on your side.
00:10:35My business is people in trouble, and I'm going to find a way to help you.
00:10:39Now, no one could possibly impersonate your Uncle Ira without you or your Aunt Alita or even me seeing a million little differences.
00:10:45I want you to realize that, think about it, and then you'll know that the trouble is inside you.
00:10:53Wilma, where are you?
00:10:55Out on the lawn.
00:10:57Say nothing to her.
00:11:00Why, Miles, I didn't know you were here.
00:11:03Welcome home.
00:11:04Hello, Mrs. Lentz.
00:11:05Did you ask Miles to stay for dinner?
00:11:07Can't tonight.
00:11:08I'm making spoon bread.
00:11:09Please, don't tempt me.
00:11:11Well, maybe next time.
00:11:13Wilma, where are my glasses?
00:11:14I think I saw them on the mantelpiece.
00:11:16I'll go with you.
00:11:29Miles, am I going crazy?
00:11:31Don't spare me.
00:11:32I've got to know.
00:11:33No, you're not.
00:11:33Even these days, it isn't as easy to go crazy as you might think.
00:11:37But you don't have to be losing your mind to need psychiatric help.
00:11:42I'd like you to see a doctor friend of mine.
00:11:45Psychiatrist?
00:11:46Dan Kaufman.
00:11:48I'll make an appointment for you tomorrow.
00:11:52All right.
00:11:54But it's a waste of time.
00:11:56There's nothing wrong with me.
00:11:57We'd better break this up or he'll start wondering.
00:12:06Wondering what?
00:12:07If I don't suspect.
00:12:09You've been a big help and I don't want you to worry about me.
00:12:12Or you either.
00:12:13I'll be all right.
00:12:14Sure you will.
00:12:15Staying here, Becky, or may I drive you home?
00:12:18Would you like me to stay?
00:12:19Of course not.
00:12:20Good night.
00:12:22Good night.
00:12:22Good night.
00:12:27Nice having Becky back again, eh, boy?
00:12:36Sure is.
00:12:43In the back of my mind, a warning bell was ringing.
00:12:46Sick people who couldn't wait to see me then suddenly were perfectly all right.
00:12:50A boy who said his mother wasn't his mother.
00:12:52A woman who said her uncle wasn't her uncle.
00:12:54But I didn't listen.
00:12:55Obviously, the boy's mother was his mother.
00:12:57I'd seen her.
00:12:58And Uncle Ira was Uncle Ira.
00:13:00There was no doubt of that after I'd talked to him.
00:13:03Was?
00:13:04He is Ira.
00:13:05Of course he is.
00:13:06What do you mean?
00:13:07It's just that Wilma's so positive.
00:13:10Will she be all right?
00:13:11Oh, I think so.
00:13:13I'm a doctor, according to my diploma, but I don't really know what Wilma's trouble is.
00:13:17I could start talking psychiatric jargon, but it's out of my line and in Dan Kaufman's.
00:13:21I wish you didn't have to go home for dinner.
00:13:26I don't.
00:13:28Dad's eating out with a friend.
00:13:31I could pick you up at seven.
00:13:34Well.
00:13:35It's summer and the moon is full, and I know a bank where the wild time grows.
00:13:40The wild time grows.
00:13:41You haven't changed a bit.
00:13:43Whoop!
00:13:59Whoa, watch out.
00:14:00Sorry.
00:14:00Hey, Miles, why don't you get back?
00:14:02This morning.
00:14:03How are you, Danny?
00:14:04This is Miss Driscoll, Dr. Kaufman, our one and only psychiatrist.
00:14:07How do you do?
00:14:07Watch out what you say.
00:14:08Ed, you remember Becky.
00:14:09I should.
00:14:10I brought her into the world.
00:14:11You did us all a favor.
00:14:12Hello, Dr. Percy.
00:14:13This saves me a phone call.
00:14:14I've got a mixed up kid and a woman who need a witch doctor.
00:14:17The boy says his father isn't his father, and the woman says her sister isn't her sister.
00:14:21That's pretty close.
00:14:23I knew you'd been studying hypnosis, but when did you start reading minds?
00:14:27He doesn't have to read them.
00:14:28I've sent him a dozen patients since it started.
00:14:30Well, what is it?
00:14:31What's going on?
00:14:32I don't know.
00:14:32A strange neurosis.
00:14:34Evidently contagious.
00:14:35An epidemic mass hysteria.
00:14:37In two weeks, it's spread all over town.
00:14:40Well, what causes it?
00:14:41Worry about what's going on in the world, probably.
00:14:45Make room for Wilma Lentz tomorrow, will you, Danny?
00:14:47Send her in around two.
00:14:49Good night.
00:14:50So long, Danny.
00:14:50Well, this is the oddest thing I ever heard of.
00:15:00Let's hope we don't catch it.
00:15:02I'd hate to wake up some morning and find out that you weren't you.
00:15:06I'm not the high school kid you used to romance, so how can you tell?
00:15:09You really want to know?
00:15:10You're Becky Driscoll.
00:15:23Hey, Santa Mary's looking up.
00:15:26Has ever since you got back.
00:15:28Is this an example of your bedside manner, doctor?
00:15:31No, ma'am.
00:15:32That comes later.
00:15:33Good evening, doctor.
00:15:46What happened to the crowd tonight?
00:15:48I don't know.
00:15:48It's been this way for two or three weeks now.
00:15:51Well, at least we don't have to wait for a table.
00:15:54Take your pick.
00:15:55In here or here.
00:15:57Here, I think.
00:15:58Shall we?
00:16:00Where's the band?
00:16:01All business started falling off, so I had to let them go.
00:16:04There's the jukebox, though.
00:16:05Shall we dance?
00:16:07I hope you didn't let the bartender go.
00:16:09I am the bartender.
00:16:11Martinis?
00:16:11Two.
00:16:12Dry.
00:16:14Uh, very dry.
00:16:18Miles, I don't care what Dr. Kaffner says, I'm worried.
00:16:22You are in the capable hands of your personal physician.
00:16:26Oh, doctor.
00:16:28Oh, there's our evening.
00:16:30Sorry.
00:16:31Thanks.
00:16:36Dr. Bunnell.
00:16:37Jack Belichick wants you to come to his house right away, doctor.
00:16:41He says it's urgent.
00:16:44Thank you.
00:16:46Better hold those drinks.
00:16:48Emergency.
00:16:50Well, at least they called before we ordered dinner.
00:16:52How hungry are you?
00:16:53I can wait.
00:16:54Maybe quite a while.
00:16:55I'll go with you.
00:16:56Sorry.
00:16:58We'll be back later.
00:17:15There's Jack.
00:17:15Hello, Jack.
00:17:30What's the matter?
00:17:30Teddy's sick?
00:17:31No.
00:17:32Miles, thank heaven.
00:17:33I thought you'd never get here.
00:17:35Well, if you're not sick, who is?
00:17:36Nobody.
00:17:38Well, then why did you drag me away from my dinner?
00:17:40Well, you won't believe it, Miles, until you see it for yourself.
00:17:42Hello, Becky.
00:17:43Good to see you again.
00:17:43Hello, Becky.
00:17:44Would you be able to forget that you're a doctor for a while?
00:17:53Why?
00:17:53I don't want you to call the police right away.
00:17:56Quit acting like a writer.
00:17:57What's going on?
00:17:58Maybe you can tell me.
00:17:59You're the doctor.
00:18:11Miles, put the light on over the pool table.
00:18:14Go on.
00:18:27Pull it down.
00:18:44Well, what do you make of it?
00:19:13Who is he?
00:19:17I have no idea.
00:19:25It's face, Miles.
00:19:26It's fake.
00:19:27It's like the first impression that's stamped on a coin.
00:19:31It isn't finished.
00:19:32You're right.
00:19:33There's all the features, but no details, no character, no lines.
00:19:37That's no dead man.
00:19:38Have you got an ink pad around the house?
00:19:41Should be one of the desk one.
00:19:43I want to take the corpse's fingerprints.
00:19:45Of course it's a dead man.
00:19:46What else could it be?
00:19:46I don't know, but I've got a feeling that, well, this sounds crazy, but if I should do an autopsy, I think I'd find every organ in perfect condition.
00:19:56It's just as perfect as the body is externally.
00:20:04Everything in working order.
00:20:06All set to go.
00:20:07Hold it there, will you?
00:20:08He's blank.
00:20:17Waiting for the final finished face to be stamped onto it.
00:20:21But whose face?
00:20:23Tell me that.
00:20:25I think we could all use a drink.
00:20:30Bourbon all right?
00:20:31Fine.
00:20:32Love me, thanks.
00:20:34Miles, answer me.
00:20:35Whose face?
00:20:36I haven't the slightest idea, honey.
00:20:38Have you?
00:20:39How, uh, how tall would you say that thing is?
00:20:43Oh, 5'10", thereabouts.
00:20:46How much does it weigh?
00:20:47I don't know, it's pretty thin.
00:20:49Maybe 140 pounds.
00:20:51Jack's 5'10 weighs 140 pounds.
00:20:54Ow!
00:20:56Teddy, will you stop talking nonsense?
00:20:59I'm sorry, darling.
00:21:00Come on, let's have that hand.
00:21:01But it isn't nonsense.
00:21:03Becky, you don't think it's nonsense, do you?
00:21:06Well, of course it is.
00:21:07Jack's standing here in front of you.
00:21:08Of course I am.
00:21:10Bleeding to death.
00:21:11Excuse me, just a minute.
00:21:12You know what?
00:21:14I'm afraid you may live.
00:21:18Yeah, this should fix it.
00:21:20Miles, don't you think we should call the police
00:21:22and have them take their dead body out of here?
00:21:24I'm afraid it isn't just a dead body.
00:21:27Thanks.
00:21:31I wonder if there's any connection.
00:21:44What do you mean?
00:21:45There's something strange going on in Santa Mira.
00:21:49Dr. Kaufman calls it
00:21:50an epidemic of mass hysteria.
00:21:54Becky's cousin's got it, for one.
00:21:56She thinks that her uncle and her aunt
00:21:58aren't her uncle and her aunt.
00:22:00There's several cases of such delusion.
00:22:02Now, this isn't you yet,
00:22:05but there is a structural likeness.
00:22:10It's fantastic, but there must be some reason
00:22:12why this thing is in your house.
00:22:13Would you be willing to sit up with your strange friend
00:22:15and see what his next move is?
00:22:17If nothing happens by morning, call the police.
00:22:20If something happens, call me, will you?
00:22:24You know I will.
00:22:24Good night.
00:22:33Take it easy.
00:22:34Sure.
00:22:35Now, nothing's going to happen.
00:22:36Good night, Ben.
00:22:37Well, if it does,
00:22:38it'll make a charming, blood-curdling mystery story.
00:22:40I was careful not to let Becky know,
00:22:51but for the first time, I was really scared.
00:22:53Dan Kaufman's explanation of what was wrong in town,
00:22:56mass hysteria,
00:22:57couldn't explain away that body on Jack's billiard table.
00:23:04Come on.
00:23:10Come in while I turn the lights on.
00:23:17You're a forward wench dragging me
00:23:18into a dark hallway to be kissed.
00:23:20I'm dragging you into a dark hallway
00:23:22because I'm scared of the dark tonight.
00:23:24In that case, I'd better stay and tuck you in.
00:23:27That way lies madness.
00:23:30What's wrong with madness?
00:23:32Madness.
00:23:34Now, good night.
00:23:40Well, it's about time you two got home.
00:23:45Dad, what are you doing in the basement this time of night?
00:23:48Working in my shop.
00:23:49How about a nightcap doc?
00:23:50No thanks, it's kind of late.
00:23:52I'll take a rain check.
00:23:53Good night.
00:23:54Good night.
00:23:56Good night.
00:23:57Good night, Miles.
00:24:10It's you!
00:24:35It's you!
00:24:36No, no, you mustn't go near it.
00:24:38Get out of here, please!
00:24:41Please!
00:24:47What happened, Jack?
00:24:48Teddy says there's a thing in our place.
00:24:50It's me right under the cut of my hand.
00:24:52Sit down, baby.
00:24:52I didn't wait to look.
00:24:54It's alive!
00:24:55It's alive!
00:24:57The hand was cut and bleeding
00:24:59in the position of the body.
00:25:01It changed!
00:25:02Here, take this.
00:25:05What's it?
00:25:06What's it?
00:25:06What's it?
00:25:06What's it?
00:25:07What's it?
00:25:07What's it?
00:25:07What's it?
00:25:08What's it?
00:25:08I'll call Danny Coughlin.
00:25:30Hello, Danny.
00:25:32Yeah?
00:25:33Something's happening.
00:25:34I've got to see you right away.
00:25:36Will you get over here as fast as you can?
00:25:38It's important.
00:25:40Oh, okay.
00:25:45He's on his way.
00:25:46I'll make some coffee and be right with you.
00:25:48Good deal, Miles.
00:25:49Thanks.
00:25:52Miles, what about Becky?
00:25:53Do you think she's all right?
00:25:54Dad, what are you doing in the basement this time of night?
00:26:07I'm working in my shop.
00:26:11I don't know what it was.
00:26:13Call it a premonition, but suddenly I had the feeling that Becky was in danger.
00:26:17I had to get to her as quickly as possible.
00:26:19I was going to ring the bell, but then I had a hunch I'd better be careful.
00:26:34I was going to ring the bell, but then I had a hunch I'd better be careful.
00:26:45Something was wrong in this house.
00:26:46It's okay.
00:26:47Let's go.
00:26:56It's okay.
00:26:57Untertitelung des ZDF, 2020
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00:34:33Wasn't there any more?
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00:34:42untertitelung des ZDF, 2020
00:34:43Untertitelung des ZDF, 2020
00:34:46undersed z
00:34:49hâng, 2020
00:34:51Das war der Gessner-South-Pasture zwei Stunden später.
00:34:54Jetzt, los geht's!
00:34:56Los geht's!
00:35:05Well, du wirst.
00:35:07Pick up the marbles.
00:35:15Good morning.
00:35:16Good morning.
00:35:18Orange juice.
00:35:21Thank you.
00:35:23How do you like your eggs?
00:35:25Oh, any way you like it.
00:35:27Boil, two minutes.
00:35:29Two minutes?
00:35:30Mm-hmm.
00:35:31Okay.
00:35:33You know...
00:35:35Dragging you out of bed in the middle of the night was a lot of trouble, but...
00:35:38it was worth it.
00:35:40Now, seriously.
00:35:42What was that?
00:35:44Who is it?
00:35:49It's a gas man.
00:35:51Morning, Doc.
00:35:53Good morning, Charlie.
00:35:56I guess I'm a little jittery.
00:35:58Not getting enough sleep.
00:35:59Well, I won't be bothering you anymore.
00:36:01Putting a meter outside on the patio.
00:36:03Okay.
00:36:04The eggs will be hot, Bob.
00:36:06Did you do this for your husband?
00:36:08Mm-hmm.
00:36:09Didn't your wife do this for you?
00:36:11Oh, yes.
00:36:12She liked to cook.
00:36:14That's one of the reasons why I'm single.
00:36:16I never was there when dinner was on the table.
00:36:19Well, take my advice and don't get mixed up with the doctor.
00:36:23There's seldom at home.
00:36:24What would you say if I told you I was already mixed up with the doctor?
00:36:28I'd say it was too good to be true.
00:36:31Things like this can happen all of a sudden.
00:36:33What's so all of a sudden about two people who've known each other most of their lives?
00:36:39Good morning.
00:36:40Oh, good morning.
00:36:41I thought I smelled some coffee. Why don't you give me a call?
00:36:44I didn't want to wake Teddy.
00:36:45Oh, she's wide awake.
00:36:47Got a good sleep.
00:36:48Good.
00:36:49But I don't feel that she should go home right away, Miles.
00:36:52Would you mind taking in a couple of boarders for a while?
00:36:56Or do you have something else in mind?
00:36:59Well, I was toying with an idea, but you can stay.
00:37:03Hey, Jack.
00:37:05Thank you, doll. Take it up to Teddy.
00:37:14Miles, did you make that appointment for me with the psychiatrist?
00:37:20Yes, two o'clock.
00:37:22I don't need him. I feel like such a fool.
00:37:25I woke up this morning and everything was all right.
00:37:27You don't know how relieved I am.
00:37:29Oh, yes, I do.
00:37:30Listen, would you give Becky a call and tell her about it?
00:37:32She was worried about you.
00:37:33All right.
00:37:34She's at my house.
00:37:35At your house? Why?
00:37:36Well, it's a long story, but she'll tell you all about it.
00:37:55Becky's still at his house.
00:38:01All right.
00:38:02Good morning.
00:38:05Good morning, Sally.
00:38:07Take a peek at what's in the reception room.
00:38:14In a little while we go home.
00:38:16In a little while, Jimmy.
00:38:22He certainly made a quick recovery.
00:38:28I guess we all have.
00:38:30But driving home, I had a lot of questions and no answers.
00:38:34How could Jimmy and Wilma seem so normal now?
00:38:37Surely I had done nothing to cure them.
00:38:39Maybe they wanted me to feel secure, but...
00:38:42Why?
00:38:45Well...
00:38:46Hope you didn't forget the steaks.
00:38:47I never forget anything.
00:38:49Don't worry about him. He's completely housebroken.
00:38:52I need a martini, Bec.
00:38:54I need a roll.
00:38:55Doesn't matter. I want to pour it on the charcoal.
00:38:57I can't get this stuff to burn.
00:38:58Oh, the martini isn't dry enough.
00:39:00I'll get you something to start it.
00:39:02For drinking purposes.
00:39:05You're looking ship-shape.
00:39:07Thank you, sir.
00:39:08Here we are.
00:39:09Here, boy.
00:39:17Here we are.
00:39:19Here.
00:39:21Here.
00:39:22Jack!
00:39:43Jack!
00:39:52Jack!
00:39:53Jack!
00:39:54Jack!
00:39:55Jack!
00:39:56Jack!
00:39:57Jack!
00:39:58Jack!
00:39:59Jack!
00:40:00Jack!
00:40:01Jack!
00:40:02Jack!
00:40:03Jack!
00:40:04Jack!
00:40:05Jack!
00:40:06Jack!
00:40:07Jack!
00:40:08Jack!
00:40:09Jack!
00:40:10Jack!
00:40:11Jack!
00:40:12Jack!
00:40:13Jack!
00:40:14Jack!
00:40:15Jack!
00:40:16Jack!
00:40:17Jack!
00:40:18Jack!
00:40:19Jack!
00:40:20Jack!
00:40:21Jack!
00:40:22Das ist nicht gefährlich.
00:40:24Wir haben das letzte Nacht in deinem Haus.
00:40:26Ihr Blank war nicht richtig.
00:40:28Nicht bis du schlusses.
00:40:32Miles, wenn die Veränderung war,
00:40:36wirst du eine Unterschiede?
00:40:38Es muss sein. Wilma hat es.
00:40:40So hat er.
00:40:42So hat er.
00:40:44Mein Vater.
00:40:48Das muss sein, was er in der Cellar war,
00:40:50was er.
00:40:52Das war's.
00:40:54Aber ich dachte, es war mir,
00:40:56weil ich so lange war.
00:40:58Sie müssen, alle von ihnen.
00:41:00Wir werden alle von ihnen.
00:41:02Wir müssen alle Gebäude, alle Haus in der Stadt.
00:41:04Men, Frauen und Kinder müssen uns beobachten.
00:41:06Wir haben ein Phoning zu machen.
00:41:08Ich werde hier stehen.
00:41:10Und nicht die Polizei!
00:41:12Nick Rivett hat nicht einen Körper auf einem Haystack.
00:41:14das war eine große Rolle in der Szene.
00:41:16Das war's.
00:41:18Bist du fang an?
00:41:20Vielleicht kann er mit dir helfen.
00:41:21Dann muss er, dass er nachher ist.
00:41:22Dann?
00:41:23Aber ich könnte vielleicht auch mal oder zu listen.
00:41:25Was wird es?
00:41:26Die Hilfe!
00:41:28Ich hoffe, dass es sich in Sanmira gefangen ist, wenn es nicht möglich ist.
00:41:39Operator.
00:41:40Hallo, das ist Dr. Bonnell.
00:41:41Das ist eine Anmerkung.
00:41:42Ich möchte mit dem Federalen Bureau von Investitionen in Los Angeles sprechen.
00:41:45Kannst du sie glauben?
00:41:46Ich habe es.
00:41:48Woher kommen sie von?
00:41:49So viel hat sich in den letzten Jahren herausgefunden ist, dass alles möglich ist.
00:41:53Vielleicht sind die Ergebnisse von Atomic Radiation auf planten oder animalen.
00:41:58Some weird alien organism.
00:42:00A mutation of some kind.
00:42:02So why should they take the form of people, of us?
00:42:04I don't know.
00:42:06Whatever it is, whatever intelligence or instinct it is that can govern the forming of human flesh and blood out of thin air is fantastically powerful.
00:42:16Beyond any comprehension.
00:42:17Ligment.
00:42:18All that body in your cellar needed was a mind.
00:42:21And it was...
00:42:22And it was taking mine while I was asleep.
00:42:24I could take that pitchfork myself and...
00:42:26On your call to Los Angeles, doctor, they don't answer.
00:42:30Well, try again.
00:42:31That office is open day and night.
00:42:33If they've taken over the telephone office, we're dead.
00:42:35Is that me?
00:42:52Oh, T.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O.O
00:43:22This is an emergency, emergency.
00:43:26Now look, there's been...
00:43:27Operator, get me a better connection.
00:43:31I'll try, Doctor.
00:43:34It's no use. All the Los Angeles circuits are dead.
00:43:37All right, try Sacramento.
00:43:39Give me the state capital. I want to talk to the governor.
00:43:44The Sacramento circuits are busy, Doctor.
00:43:47I'll call you back.
00:43:50All right.
00:43:51All right, I'll wait for your call.
00:43:57I'll take the phone outside.
00:44:03Jack!
00:44:04Come, they've got the phone.
00:44:06Now you and the girls, get in your car and make a run for it.
00:44:08First time you get to, yell for help.
00:44:10What about you?
00:44:10In a little while, that phone is going to ring.
00:44:12If there's nobody here to answer it, they'll know we've gone and blocked the roads out of town.
00:44:15I'll stall them until you're out of reach.
00:44:16Well, then what are you going to do?
00:44:17Try and find out what's in back of this.
00:44:19I'm staying.
00:44:19No.
00:44:20Miles, don't ask me to leave you.
00:44:24Jack, get going.
00:44:25Miles, I can't leave you.
00:44:26Look, somebody's got to go or we don't get any help.
00:44:28Please, let's get out of here.
00:44:29Well, watch out for yourselves.
00:44:33Go over by the phone.
00:44:35Stay there.
00:44:36If it rings, call me.
00:44:36Go over by the phone.
00:44:37Go over by the phone.
00:44:54Go over by the phone.
00:44:57Untertitelung des ZDF für funk, 2017
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00:46:57What's the matter?
00:47:27We better make it to Sally's house
00:47:37I wasn't sure now there was anyone I could trust, but I took a chance and drove to Sally's anyway
00:47:52When I saw several cars in front of the house, I decided to play it safe
00:48:03What's wrong?
00:48:10Probably nothing
00:48:11But we're not going in there until I'm sure it's safe
00:48:13Slide over under the wheel
00:48:14I mean, get out of here fast if anybody shows up looking for us
00:48:17The baby is asleep yet, Sally?
00:48:33Untertitelung des ZDF für funk, 2017
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00:52:36We can't close our eyes all night
00:52:54We may wake up changed
00:52:56to something evil and inhuman
00:52:59In my practice I've seen how people have allowed their humanity to drain away
00:53:05Only it happens slowly instead of all at once
00:53:08They didn't seem to mind
00:53:11But just some people, Miles
00:53:13All of us, a little bit
00:53:15We harden our hearts, grow callous
00:53:18Only when we have to fight to stay human do we realize how precious it is to us
00:53:24How dear
00:53:26As you are to me
00:53:30Maybe that's Jack trying to find us
00:53:44He'd know better than to use the phone
00:53:46Where is he?
00:53:51Why doesn't he come?
00:53:52Just like any Saturday morning
00:54:05Glenn Perlman
00:54:08Bill Bittner
00:54:10Jim Clark and his wife Shirley and their kids
00:54:13People I've known all my life
00:54:15What time is it?
00:54:197.45
00:54:20Yeah, I know
00:54:23It's too early to be so busy
00:54:25What are they doing here?
00:54:29There's the answer
00:54:30There must be strangers in town
00:54:33They've been waiting for the bus to come to go
00:54:35There isn't another one through here until 11
00:54:37They've been waiting for the bus to come to go
00:55:07They've been waiting for the bus to come to go
00:55:37Pixley
00:55:38Kester
00:55:39Crescent City
00:55:41If you have Crescent City families
00:55:44Step over to truck number one
00:55:46Crescent City
00:55:47The first truck
00:55:49Red Bank
00:55:51All with Red Bank families or contacts
00:55:54Go to truck number two
00:55:56All with Red Bank families or contacts
00:55:59Truck number two
00:56:00Havenhurst
00:56:01The third truck
00:56:03Rapidhurst
00:56:04The third truck
00:56:05Milltown
00:56:06The third truck
00:56:08Milltown
00:56:09The third truck
00:56:10Milltown
00:56:11The third truck
00:56:12Dali spring
00:56:13Tommy Spring, the third truck.
00:56:17Tommy Spring, the third truck.
00:56:19Das ist der Stadt und all die Stadt rund um uns.
00:56:23Es ist eine Malignan-Disease über den ganzen Land.
00:56:27Das ist alles für heute.
00:56:28Wir werden wieder morgen bereit.
00:56:43Ich kann nicht warten für Jack noch mehr.
00:56:47Stay hier.
00:56:47Aber Sie sind nicht gehen, oder?
00:56:48Ich muss ihn.
00:56:50Oh, wait, wir sind hier safe.
00:56:55Ich bin hier.
00:56:56Ich hoffe, wir sind nicht zu late.
00:56:58Jack, danke Gott.
00:57:01Jack, das ganze Stadt hat sich über den Pads.
00:57:03Nicht ganz.
00:57:04Es ist noch du und Becky.
00:57:06Miles, es wäre so leichter gewesen, wenn du zu Hause hast.
00:57:10Relax, wir sind hier zu helfen.
00:57:13Sie wissen besser als das.
00:57:16Wo du willst uns zu putt?
00:57:17Würde du sie sehen, dass sie großartig sind?
00:57:19Nein, danke.
00:57:20Put sie in da.
00:57:21Es ist nichts zu befragen.
00:57:23Wir werden nicht zu verhören.
00:57:24Aber wenn du verstehst, dann bist du froh.
00:57:27Remember, wie Teddy und ich foughten gegen ihn?
00:57:29Wir waren falsch.
00:57:31Du meinst Teddy nicht mind?
00:57:32Natürlich nicht.
00:57:33Sie fühlen sich genau wie ich.
00:57:35Let's gehen!
00:57:35Wir gehen, wir werden nicht zurück.
00:57:37Wir können nicht, du gehen.
00:57:38Du bist gefährlich.
00:57:40Don't fight es, Miles.
00:57:41Es ist kein Wunsch.
00:57:42Sooner oder später, du musst du zu Hause gehen.
00:57:46Ich warte für dich in der Halle.
00:57:48Miles, du und ich sind Menschen, wir können verstehen, was passiert.
00:57:54Ich denke, nur ein paar Monate назад,
00:57:56Santa Mera war wie in jeder anderen Stadt.
00:57:58Menschen mit nichts, aber Probleme.
00:58:00Dann kam ein Problem.
00:58:02Das sind aus der Straße.
00:58:32Only while you're asleep, they'll absorb your minds, your memories,
00:58:37and you're reborn into an untroubled world.
00:58:41Where everyone's the same?
00:58:43Exactly.
00:58:45What a world.
00:58:47We're not the last humans left.
00:58:50They'll destroy you.
00:58:53Tomorrow you won't want them to. Tomorrow you'll be one of us.
00:58:57I love Becky. Tomorrow will I feel the same.
00:59:04There's no need for love.
00:59:07No emotion. Then you have no feelings. Only the instinct to survive.
00:59:13You can't love or be loved, am I right?
00:59:15You say it as if it were terrible. Believe me, it isn't.
00:59:18You've been in love before. It didn't last. It never does.
00:59:23Love. Desire. Ambition. Faith.
00:59:28Without them, life's so simple. Believe me.
00:59:31I don't want any part of it.
00:59:33You're forgetting something, Miles.
00:59:35What's that?
00:59:37You have no choice.
00:59:44I guess we haven't any choice.
00:59:46Good.
00:59:53I want to love and be loved.
01:00:00I want your children.
01:00:03I don't want a world without love or grief or beauty.
01:00:06I'd rather die.
01:00:08No.
01:00:09No.
01:00:10Not unless there's no other way.
01:00:15Why didn't they just give us a shot or a sleeping pill or something?
01:00:20A drug stall of mine. Maybe that's the reason.
01:00:33Oh, no. It wouldn't work.
01:00:35I might get one or even two, but I couldn't possibly get three of them.
01:00:38You're forgetting something, darling. Me.
01:00:40It isn't three against one. It's three against two.
01:00:42Give me enough.
01:00:45No.
01:00:46No.
01:00:55Wait.
01:01:16Vielen Dank.
01:01:46Go over by the desk.
01:02:16What's going on in there?
01:02:26Miles.
01:02:27Unlock the door.
01:02:29Miles, open the door.
01:02:30Open the door, Miles.
01:02:31Miles.
01:02:32What's going on in there?
01:02:52What's going on in there?
01:03:04What's going on in there?
01:03:06Well, that does it.
01:03:21The only other way is out the front door in this barn will be somebody watching.
01:03:24We'll have to chance.
01:03:41Keep your eyes a little wide and blank.
01:03:42Show no interest or excitement.
01:03:48Hello, Sam.
01:03:49We're finally with you.
01:03:50They were supposed to let me know that Chief said he had phoned the station and then I'd
01:03:57get the call.
01:03:58He phoned, but the line was busy.
01:03:59He's calling again now.
01:04:05Ah!
01:04:06Watch out!
01:04:07I'm sorry, Miles.
01:04:12Miles.
01:04:13I'm sorry, Miles.
01:04:14Call.
01:04:15Oh, you guys.
01:04:16Come in there.
01:04:17Come in there.
01:04:18Tell me, Miles.
01:04:19Oh! Watch out!
01:04:25I'm sorry, Miles.
01:04:49I'm sorry, Miles.
01:04:55I'm sorry.
01:05:01I'm sorry, Miles.
01:05:07Das ist Janzek.
01:05:09Sie haben eine Weile der Sirene aufgemacht.
01:05:11Das ist Janzek.
01:05:13Sie haben es geschafft.
01:05:15Das ist Janzek.
01:05:17Sie haben die Sirene aufgemacht.
01:05:19Das ist Janzek.
01:05:21Sie stellen es auf.
01:05:23Die Sirene ist auf.
01:05:25Das war's für heute.
01:05:55A few steps more.
01:06:11Come on, they went this way.
01:06:25They're over there.
01:06:55They're over there.
01:07:25They're over there.
01:07:55I can't, I can't, Miles, I can't, I can't go on.
01:08:07Yes, you can.
01:08:09I can't, I can't, I can't.
01:08:21I can't, I can't.
01:08:33I can't, I can't.
01:08:45I can't, I can't.
01:08:57I can't, I can't.
01:09:09I can't, I can't.
01:09:10I can't.
01:09:11I can't.
01:09:12I can't.
01:09:13I can't.
01:09:14I can't.
01:09:15I can't.
01:09:16I can't.
01:09:17I can't.
01:09:18I can't.
01:09:19I can't.
01:09:20I can't.
01:09:21I can't.
01:09:22I can't.
01:09:23I can't.
01:09:24I can't.
01:09:25I can't.
01:09:26I can't.
01:09:27I can't.
01:09:28I can't.
01:09:29I can't.
01:09:30I can't.
01:09:31I can't.
01:09:32get you.
01:09:33Get up.
01:09:34Get up.
01:09:46Not the tunnel.
01:09:47All right, everybody outside.
01:09:49Come on, check the hills.
01:09:50Everybody move.
01:09:55Miles, I can't stay awake much longer.
01:10:01Vielen Dank, Schlag.
01:10:04Ich denke, sie sind alle weggegangen.
01:10:07Wir müssen beginnen, oder wir werden nicht weitergehen.
01:10:31Ich denke, sie sind alle weggegangen.
01:11:01Ich denke, sie sind alle, dass sie nicht so gut sind.
01:11:08Ich habe nie gehört, dass sie so gut ist.
01:11:10Das heißt, wir sind nicht diejenigen, die zu wissen, was Liebe ist.
01:11:14Bleib hier und ich bin, dass sie so human sind.
01:11:18Bye, darling.
01:11:31Wenn sie nicht an anden.
01:11:32Ich denke, sie sind alle, dass sie nicht so gut ist.
01:11:34Ich denke, sie sind alle weggegangen.
01:11:35Sie sind alle weggegangen.
01:11:36Sie ist alle weggegangen und wir können auch in diesem Kozen aufhören.
01:11:39Sie sind alle weggegangen.
01:11:40Ihr habt nur, sie sind alle weggegangen.
01:11:43Untertitelung des ZDF, 2020
01:12:13Untertitelung des ZDF, 2020
01:12:43Untertitelung des ZDF, 2020
01:13:13Untertitelung des ZDF, 2020
01:13:43Untertitelung des ZDF, 2020
01:14:13Untertitelung des ZDF, 2020
01:14:15Untertitelung des ZDF, 2020
01:14:47Untertitelung des ZDF, 2020
01:14:49Untertitelung des ZDF, 2020
01:15:19ZDF, 2020
01:15:21ZDF, 2020
01:15:53Untertitelung des ZDF, 2020
01:15:55Untertitelung des ZDF, 2020
01:15:57Untertitelung des ZDF, 2020
01:15:59Untertitelung des ZDF, 2020
01:16:01Untertitelung des ZDF, 2020
01:16:03Untertitelung des ZDF, 2020
01:16:05Untertitelung des ZDF, 2020
01:16:07Untertitelung des ZDF, 2020
01:16:09Untertitelung des ZDF, 2020
01:16:11Untertitelung des ZDF, 2020
01:16:13Untertitelung des ZDF, 2021
01:16:15Untertitelung des ZDF, 2021
01:16:17Untertitelung des ZDF, 2020
01:16:19McLaren, 2019
01:16:21Das war's für heute.
01:16:51Geh auf, Felix!
01:17:01Du glaubst nicht ein Wort.
01:17:03Es ist fantastisch, aber es ist passiert.
01:17:05Keine Ahnung, ich kann etwas machen.
01:17:07Geh auf den Telefonn.
01:17:09Geh für Hilfe!
01:17:11Was ist das?
01:17:21Finde ich, was du mit dir?
01:17:23Wenn es ein Schmerzen ist, ist es ein Schmerzen.
01:17:25Natürlich ist es ein Schmerzen.
01:17:27Platt aus dem anderen Welt zu überleben.
01:17:29Man ist ein March Hare.
01:17:33Was haben wir hier?
01:17:35Er ist ein Schmerzen.
01:17:37Ein Schmerzen.
01:17:39Ein Schmerzen.
01:17:41Er ist ein Schmerzen.
01:17:43Was haben wir hier?
01:17:45Er hat einen Schmerzen.
01:17:47Er hat einen Schmerzen.
01:17:49Der Ruby ist eine Schmerzen.
01:17:51Er hat einen Schmerzen.
01:17:53Er hat ihn ausgewachsen.
01:17:54Eine Schmerzen.
01:17:55Er hat einen Schmerzen und seine Probleme verbunden.
01:17:57Er hat einen Schmerzen.
01:17:58Er hat die Schmerzen und andere Schmerzen geschehen.
01:18:00Er hat einen Schmerzen.
01:18:02Wir haben ihn alles in der O.R.
01:18:03Ein Schmerzen.
01:18:04Was etwas?
01:18:06Ich weiß das.
01:18:08Ich habe wollt.
01:18:09Sie haben nichts wie sie.
01:18:11Erdrängchen.
01:18:12Sie sehen, wie wahnsinnig große Zeidpods.
01:18:14Seidpods?
01:18:16Der ist weg?
01:18:17Santa Mera.
01:18:24Get on your radio and sound it all points along.
01:18:26Block all highways, stop all traffic...
01:18:28...and call every law enforcement agency in the state.
01:18:32Operator, get me the Federal Bureau of Investigation.
01:18:35Yes, it's an emergency.
01:18:47The Federal Bureau of Investigation
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