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She's young, sexy and dangerous. Debbie is the new girl in class with a skill for turning heads. From the moment she arrives in town following her parents' untimely death, Debbie sets her sights on her teacher, the high school heartthrob.

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00:10:51garage. Get moving. Idle hands. Do the devil's work.
00:11:21Good morning.
00:11:46Bam! Bam!
00:11:51Now, don't dawdle after school. I want that attic finish before supper. You hear me?
00:12:01Yes, Grandma.
00:12:03Hey, guys. What's up?
00:12:06Nice dress!
00:12:08Woohoo!
00:12:22Ha-ha-ha-ha-ha-ha!
00:12:32This man is just what he says he wants to be. And if I think about it, this man stands close to what I see is me. I couldn't know without it. I hear, I see, I draw, I see.
00:12:56Having trouble with your locker? I can handle it.
00:13:06Good morning, Greg.
00:13:08Good morning, Mr. Rinaldi.
00:13:10You guys are done.
00:13:12Yeah, it's cool. We're just playing a little game. See you later.
00:13:16You must be new.
00:13:18Yes.
00:13:20These lockers can be tricky sometimes. Let me give it a try.
00:13:24Thank you, Mr. Rinaldi.
00:13:36You better get to first period. You're late. I'll see you later.
00:13:40Cute, huh?
00:13:44Yes, he is.
00:13:46You better put your tongue back in your mouth. He's way too old for you.
00:13:50Really?
00:13:52Yeah. I'm Janie.
00:13:54Debbie, hey.
00:13:56What does Mr. Rinaldi teach?
00:13:58Creative writing. I'm in his first period class. It's a total bitch.
00:14:02Where are you from?
00:14:04Is he a writer?
00:14:06Yeah, I guess.
00:14:08Cool.
00:14:10All right.
00:14:20Hey.
00:14:22Hey.
00:14:23Did you get Rinaldi first period?
00:14:24Yes.
00:14:25Cool. Class together.
00:14:27So, um, what are you doing later?
00:14:29Come on.
00:14:31You understand what I mean?
00:14:32You're sure?
00:14:33Is Rinaldi?
00:14:34Yes.
00:14:35Hi.
00:14:36Oh, hi.
00:14:37Call me Peter.
00:14:38Oh.
00:14:39Peter.
00:14:40Uh, I'm gonna be in your first period career.
00:14:43Writing class tomorrow.
00:14:45Mr. Rinaldi, a little help?
00:14:47Oh, if you want to, you can set it down the ground and roll it this way.
00:14:51Okay, Mr. R. Just try and hang on, and I'll come over there and grab it.
00:14:58You know, Todd, if you spend half as much time on your homework as you do on this basketball court, you might actually graduate sometime this century.
00:15:06Oh, don't hold your breath, Pete. Homework's for pussies.
00:15:10Oh, I'm sorry, Todd. Did you say one-on-one?
00:15:13Well, Todd, there goes your ass.
00:15:16Yeah, right, Megan.
00:15:17It's Megan?
00:15:19What's with the Malibu Barbie?
00:15:22That's Megan.
00:15:24She's perfect. Just ask her.
00:15:26My money's on Mr. Rinaldi.
00:15:29I don't want to take your money, Megan.
00:15:31I'll tell you what, Todd.
00:15:32What say we don't make this about money?
00:15:35How about we say that if you win, you pass my class. No questions asked. No more homework. No more hassles.
00:15:41And if I lose?
00:15:42You start applying yourself. And you give me no less than an A.
00:15:47An A?
00:15:48Yeah, an A.
00:15:50What's the matter, Todd? You afraid you're gonna strain something?
00:15:54Take it out.
00:15:58Yeah, Peter, kick his ass!
00:16:00All right, Todd. Come on now, let's go.
00:16:03Let's go!
00:16:04Come on!
00:16:08Oh, come on, Todd!
00:16:13Whoo!
00:16:15Sorry, Mr. R.
00:16:16You okay?
00:16:17No.
00:16:18So long, homework.
00:16:19Yeah, sure, Todd.
00:16:20We're not playing with them.
00:16:42We should be educating them app playing with them.
00:16:47All right, go!
00:16:50Go!
00:16:52Go!
00:16:53Go!
00:16:54Go!
00:16:55Go!
00:16:56Go!
00:16:58Go!
00:16:59Go!
00:17:00Go!
00:17:01Go!
00:17:02It's my ride.
00:17:03Debbie Hove, what's the score?
00:17:0714-8.
00:17:0814-8.
00:17:09Peter.
00:17:10And what's your name?
00:17:12I'm Debbie Strand.
00:17:14I'm in your creative writing class tomorrow.
00:17:16Cool.
00:17:19Oh, Todd, believe you owe me an A.
00:17:27Hey, baby.
00:17:32You playing with the boys again?
00:17:34Well, the girls.
00:17:36He's madly in love with her.
00:17:41Take me shopping.
00:17:46Take me shopping.
00:18:16Take me shopping.
00:18:19Very cute.
00:18:21You like?
00:18:22Yeah.
00:18:24Whoa.
00:18:26No problem.
00:18:27Just, um, let me know if someone's coming.
00:18:34So, where to next?
00:18:37Let's see.
00:18:38We could, um...
00:18:40Oh, wait a second.
00:18:41Okay.
00:18:41Okay.
00:18:46I'm gonna have to fake it.
00:18:49So sad if you don't, if you don't, if you don't.
00:18:52Stop being nice.
00:18:54Thirsty.
00:18:54Somniloquist.
00:19:07S-O-M-N-I-L-O-Q-U-I-S-T.
00:19:12Someone who talks in their sleep.
00:19:14What's up, guys?
00:19:23Hold these.
00:19:24Just kidding.
00:19:27You, uh...
00:19:28You did the autopsy on the Strand matter?
00:19:31Strand?
00:19:31Burn victims.
00:19:32Oh, yeah.
00:19:35There's a lot of assembly required on that one, guys.
00:19:37More like an inventory, actually.
00:19:41Well, they were both burnt so badly, there was barely any tissue left at all.
00:19:44Did you tell if either victim suffered from a stab wound?
00:19:47Stab wound?
00:19:48Yeah.
00:19:48Well, I don't know.
00:19:50You know, so little tissue, it's really tough to tell.
00:19:53Now, if the blade had nicked a bone, I might be able to find that.
00:19:56I thought this was an accidental death.
00:19:59Can you take another look?
00:20:01Yeah, I could take an extra look, but, uh...
00:20:04We're gonna have to delay the release of the remains to the family.
00:20:08Someone's gonna have to break the good news to them.
00:20:10Oh, that's no problem.
00:20:11We'll take care of it.
00:20:13Okay.
00:20:14Okay.
00:20:18Cool place.
00:20:26Yeah, come on.
00:20:31Look.
00:20:32City.
00:20:33Huge.
00:20:34Got a refrigerator.
00:20:38Heavy as can be.
00:20:41And everywhere I go.
00:20:45It goes with me.
00:20:47I'll start to...
00:20:48Fucking crazy.
00:20:51Yes.
00:20:52I'm generous.
00:20:54Now you don't have to bar them up?
00:20:56Cool.
00:20:57Ooh.
00:20:59I need to celebrate.
00:21:01You're bad.
00:21:02In a good kind of way.
00:21:08You're friends.
00:21:10Or married people.
00:21:17Come on.
00:21:18Come on.
00:21:28La.
00:21:28La tuya.
00:21:29La tuya.
00:21:30La tuya.
00:21:31All right.
00:21:40Oh, I am so glad you came home early.
00:21:53I made cookies.
00:21:54They're just cooling off now.
00:21:57Oh, look who's come to see you.
00:21:59Your mother actually brought her a friend.
00:22:01I think he was your teacher, huh?
00:22:10Hi, Deb.
00:22:19Oh, shit.
00:22:23My grandmother's gonna hemorrhage.
00:22:40Where have you been, young lady?
00:23:02Answer me.
00:23:03Where have you been?
00:23:05With a friend.
00:23:06Who?
00:23:07Just a girl from school.
00:23:09A girl you met at school.
00:23:11And I suppose her parents don't mind her being out all hours of the night.
00:23:15It's only 8 o'clock.
00:23:16Don't you dare use that kind of tone with me.
00:23:19You were supposed to be home four hours ago to finish that job in the attic.
00:23:24I lost track of time.
00:23:26I'm sorry.
00:23:29Oh, well.
00:23:31Well, Debbie, these things happen.
00:23:33I mean, you're young.
00:23:35You're full of life.
00:23:36But if you want to remain in this house, you better learn to give me the respect I deserve.
00:23:42Now, when I tell you something, I mean it.
00:23:45And you better obey me and be on time.
00:23:48God damn it.
00:23:48You're hurting me.
00:23:49How dare you use that language in this house.
00:23:52You're not gonna turn out of the foul mouth trap your mother was.
00:23:55Oh, no, no, no.
00:23:57I'm gonna teach you a little discipline.
00:24:00Now, you sit in there and you think what you have done.
00:24:03Tomorrow, you'll clean the garage and the attic.
00:24:07I'm gonna teach you a little discipline.
00:24:37But I never get what's good to the store.
00:24:40And I go running down the aisle where the wine is laughing and yelling as I break them all.
00:24:46Woo!
00:24:54Woo!
00:24:55Now, Joy can't deal with the spiritual world at all.
00:24:57So, what she is symbolizing is, is the non-believer.
00:25:01So, we have the devil and we have a non-believer.
00:25:04Good morning, Mr. Strand.
00:25:06Good morning.
00:25:07Class, this is Debbie Strand.
00:25:09She's a new student.
00:25:09Woo!
00:25:12Good job!
00:25:13All right, settle down.
00:25:16Just settle down.
00:25:17Thanks for helping me yesterday.
00:25:19You're welcome.
00:25:20Please, take a seat.
00:25:27Oh, my.
00:25:30Okay.
00:25:31Moving on.
00:25:32Uh, Miss Wright, could you pass out this list of possible themes for tomorrow's homework?
00:25:36Okay, now, getting back to what we were talking about.
00:25:42Joy is the intellectual.
00:25:43Her wooden leg represents Joy's soul.
00:25:46Now, what if he takes her...
00:25:47Sorry.
00:25:48...from the school room and takes her into the barn, opens his briefcase...
00:25:52What a spaz.
00:25:59Sorry.
00:26:00Hey!
00:26:01What are you laughing at?
00:26:05Megan, are you all right?
00:26:07Yes.
00:26:08I'm fine, thank you.
00:26:14Okay, don't forget to write a page in your journals for tomorrow.
00:26:17Miss Strand, you need to start one.
00:26:19Oh, and last call for the garage sale on Saturday.
00:26:22Anything you want to get rid of, bring to my place.
00:26:24We're going to be there all day.
00:26:26I also need one kind-hearted volunteer to help me Saturday.
00:26:30I will.
00:26:31I will.
00:26:31Great.
00:26:32Two volunteers.
00:26:33Very cool.
00:26:34Okay.
00:26:35Great.
00:26:35I'll see you Saturday.
00:26:37See you.
00:26:37Okay.
00:26:38I don't care.
00:26:38I don't care.
00:26:38I don't care.
00:26:38I don't care.
00:26:49I don't care.
00:26:50Someday I'll make up your mind.
00:26:54And I'm no different.
00:27:01And they get me to sleep by.
00:27:06Between the trees.
00:27:08I want to talk to you, Strand.
00:27:11Piss up rope, Megan.
00:27:13It's Megan with two E's.
00:27:17Two E's.
00:27:19I know what you're up to.
00:27:22What?
00:27:26Come on.
00:27:28What am I up to?
00:27:32Megan.
00:27:36Well, I know what you are.
00:27:40You're a little bitch.
00:27:41Don't show up on Saturday.
00:27:45You or the Freak.
00:27:57Excuse me, miss.
00:27:59Debbie?
00:28:01Who are you?
00:28:03Joe Rosales, LAPD.
00:28:04This is my partner, Phil Archer.
00:28:07What do you want?
00:28:08Debbie, we need to talk to you about the, uh, I know it's only been a few days, Debbie.
00:28:13I really have to go.
00:28:14I realize this must be tough for you, but we'd really like to talk about the fire.
00:28:18I don't want to talk about it.
00:28:19Debbie, the sooner we talk about this, the sooner we can put the whole matter behind us.
00:28:24I really don't want to talk about it.
00:28:29Oh, yeah, she's going to be a lot of fun.
00:28:31Yes?
00:28:38What do you want?
00:28:39Mrs. Long?
00:28:40Mrs. Long, yeah?
00:28:41Oh.
00:28:42I was Detective, uh, Rosales and Archer.
00:28:45Uh, we're sorry for your loss.
00:28:46I know this is a tough time, but if we could speak to Debbie about the fire for Joe...
00:28:49No, you may not.
00:28:50That poor child has been through enough.
00:28:52Now it's time to put this in the past.
00:28:55Ma'am, we feel like we still have some unanswered questions.
00:28:57Questions?
00:28:59Grieving mother.
00:29:01Poor thing.
00:29:04Anhydrous.
00:29:06A-N-H-Y-D-R-O-U-S.
00:29:09Without water.
00:29:18Met Janie, thank God.
00:29:20More importantly, Peter.
00:29:22The first time I saw you, the heat in your eyes.
00:29:25I knew you were different.
00:29:27What are you making?
00:29:55Pepper steak, broccoli, salad.
00:29:59Oh, my.
00:30:02No.
00:30:03No, I just got out of the shower.
00:30:05Oh, that's gonna stop me.
00:30:07Come on, I'm hungry.
00:30:08I'm hungry, too.
00:30:09My hair's wet.
00:30:12So?
00:30:13I don't know.
00:30:14I gave it a shot.
00:30:15Honey, is the stove on?
00:30:22Honey, is the stove on?
00:30:22Honey, honey, we need a bath.
00:30:49Okay.
00:30:49Okay.
00:30:50Okay.
00:30:51Let's go.
00:30:51Alright, I'm sorry.
00:30:57I'm sorry.
00:30:57What?
00:31:27I am looking forward to this weekend.
00:31:46You are?
00:31:47Yes.
00:31:49An entire weekend to ourselves.
00:31:52Well, sort of.
00:31:55I have two students coming over to help out.
00:31:58What?
00:31:58Wait.
00:32:00What are you talking about?
00:32:02I'm talking about the garage sale on Saturday.
00:32:04I have two students from my first period coming over to help out.
00:32:07No.
00:32:09No.
00:32:10We are going to the desert this weekend.
00:32:13Honey, I changed my whole flight schedule around.
00:32:16Shit!
00:32:17Uh-huh.
00:32:19Oh, man.
00:32:20I am so sorry.
00:32:23It's okay.
00:32:24Don't be sorry.
00:32:26Just postpone the garage sale.
00:32:27I can't postpone it.
00:32:29I have commitments to the art department.
00:32:30I have two students giving up their Saturday.
00:32:32I can't.
00:32:34Hmm.
00:32:36This happens all the time, and, uh...
00:32:39Oh, come on.
00:32:39It doesn't happen all the time.
00:32:41Oh.
00:32:42Yeah.
00:32:42Well...
00:32:43What about my sister's wedding?
00:32:47I had 35 final papers to grant.
00:32:50Besides that, I don't like your sister.
00:32:52Hmm.
00:32:55Okay?
00:32:56I really hate your sister.
00:33:05I'll make it up to you.
00:33:08You know what?
00:33:09I...
00:33:09I got it.
00:33:13Where are you going?
00:33:14I'm going to see if I can trade shifts with another flight attendant.
00:33:17I need some time away from you.
00:33:22Marilyn.
00:33:22Hey, Greg, hop in.
00:33:44I'm walking today, guys.
00:33:45All right.
00:33:46Later.
00:33:47I need some help.
00:34:14Shouldn't you be with your jock-itch friends?
00:34:16I just wanted to walk my new neighbor to school.
00:34:25Be nice.
00:34:46Is this fun for you?
00:34:51Fun?
00:34:52Yes.
00:34:52You don't know what fun is.
00:35:00It's fun.
00:35:07I can't.
00:35:07I can't.
00:35:09I can't.
00:35:09I can't.
00:35:21I can't.
00:35:23I can't.
00:35:23I'll be making it to the garage soon.
00:35:53I'll be making it to the garage soon.
00:36:23He's gone for the day.
00:36:24Your business?
00:36:26Former teacher of yours, Mr. Roberts.
00:36:29Died recently in a fire.
00:36:32Now, maybe you can help us.
00:36:35Possibly.
00:36:36Do you remember a student by the name of Debbie Strand?
00:36:39She just transferred out of here last week.
00:36:41Yes, she left something of an impression here.
00:36:44How's that?
00:36:45She had a nasty crush on Mr. Roberts.
00:36:47How long did that go on?
00:36:51Oh, months.
00:36:52She was finally suspended when Mr. Roberts complained that she had been stalking him.
00:36:57Stalking?
00:36:58Oh, the whole thing turned into quite a soap opera, especially when he got involved with Debbie's mother.
00:37:03What on earth is going on here?
00:37:27Nothing.
00:37:28I was just playing with Bebe.
00:37:29What do you have there?
00:37:31Let me see.
00:37:32They're just clothes.
00:37:34Well, where did you get these?
00:37:38Answer me!
00:37:40I bought them.
00:37:40Don't you lie to me!
00:37:44I told you, I bought them!
00:37:46And where are you hiding the other things at home?
00:37:48I know there's more, but where are they, you sneaky little sneaky?
00:37:52Get upstairs and finish packing that trunk!
00:37:55I don't know.
00:38:25Hi, B.B.
00:38:40Hey.
00:38:42Come on.
00:38:45Yes, that's good.
00:38:48Oh, yeah.
00:38:50Bye.
00:39:01Hasta la vista, B.B.
00:39:20Yeah, who is it?
00:39:41It's Debbie.
00:39:43Oh, hi. Come on in.
00:39:45Hello?
00:39:48Yeah, come on in here.
00:39:55Hi.
00:39:56Hi.
00:39:57Sorry I'm late.
00:39:59No, actually, I'm early.
00:40:01Thanks for helping out.
00:40:03Would have been nice if Megan could have made it too,
00:40:05but I'm sure we'll manage.
00:40:08She's such a cluck.
00:40:10I broke her leg.
00:40:11Don't you have any compassion?
00:40:14I didn't mean anything by it.
00:40:17Whatever.
00:40:21Are you mad at me?
00:40:24No.
00:40:27No, I'm not mad.
00:40:29I had a really bad night.
00:40:32My girlfriend and I were, uh,
00:40:35things aren't what they should be.
00:40:38I'm sorry.
00:40:40No.
00:40:41No, I shouldn't be taking a bet on you.
00:40:45Friends?
00:40:46Friends.
00:40:47Great.
00:40:48Well, let's sell some junk.
00:40:49Okay.
00:40:50Okay.
00:41:25This isn't for milk, this is for cream.
00:41:46Alta Dina Dairy, $10.
00:41:48No, $5.
00:41:51Two.
00:41:52Two?
00:41:52Okay.
00:41:55How much for a lunch box is it?
00:42:02Glitter?
00:42:03I don't know.
00:42:13Hey, you.
00:42:14Hey.
00:42:15What are you doing, girl?
00:42:16I thought I'd come check out the junk.
00:42:18Debbie, does this work?
00:42:27I don't know.
00:42:29Peter!
00:42:30Hey, Jenny.
00:42:31You come to help us out?
00:42:33Yeah, right.
00:42:34Does it work?
00:42:35Wait, that's a cool tattoo.
00:42:37I don't know.
00:42:38Here.
00:42:39Let's try it out.
00:42:40It works.
00:42:50$10.
00:42:52Why don't I get one of you grabbing his ass?
00:42:55What?
00:42:58I'm not doing anything.
00:43:00Cool picture, huh?
00:43:01Baby?
00:43:05Where are you, sweetheart?
00:43:11Baby?
00:43:13Where are you, sweetheart?
00:43:15Baby?
00:43:15Mommy's got a biscuit for you.
00:43:19Mommy's got a biscuit for you.
00:43:24Seventy-six, seventy-seven, seventy-eight, a hundred and seventy-eight dollars.
00:43:49Get out!
00:43:51We make a good tan.
00:43:54Yeah, we do.
00:43:57I'll get it.
00:43:59Thanks.
00:44:08It's locked.
00:44:09Sorry.
00:44:10The spare key's under the pot.
00:44:17Hi, it's Peter.
00:44:18Leave a message.
00:44:21Peter.
00:44:22There's a flu bug going around.
00:44:23Some of the girls are out sick.
00:44:24I'm gonna pick up a couple more flights, so I don't know when I'll be back.
00:44:28Probably Monday.
00:44:29We need to talk.
00:44:30Bye.
00:44:31Bye.
00:44:32Message erased.
00:44:37Erased.
00:45:14Who was it?
00:45:32No one.
00:45:34It was the wrong number.
00:45:44What are you doing?
00:45:50Where's the bathroom?
00:45:51It's right there.
00:45:52Thanks.
00:45:52That door's screwy.
00:46:05Let me get it.
00:46:05Well, thanks for helping me today.
00:46:18You were great.
00:46:20My pleasure.
00:46:26So I guess I'll see you Monday.
00:46:29Yeah, I'll see you.
00:46:31I'll see you Monday.
00:47:01Where have you been?
00:47:26I was at church praying for my mother.
00:47:29Oh, pray.
00:47:32Isn't that nice?
00:47:34Don't you lie to me, you blasphemous slut.
00:47:37You've been out carousing.
00:47:38Carousing?
00:47:40I was out with a friend.
00:47:42Oh, a friend?
00:47:43Are all your friends deviant men twice your age?
00:47:47What are you talking about?
00:47:48Giving your body to men.
00:47:51You're a whore just like your mother.
00:47:52Don't call me that.
00:47:54I'm nothing like her.
00:47:55Don't you dare talk back to me.
00:47:57I saw him.
00:47:57He's the one.
00:47:58The one you've been writing to.
00:47:59I'm talking about this.
00:48:02How dare you?
00:48:03This is my house.
00:48:05And I will not have this immoral behavior in it any longer.
00:48:08Now, I am calling the police.
00:48:10Then I am calling the school and reporting this devil, Peter.
00:48:14Then I'll call that Asian woman and have you put in a reform school.
00:48:20You're not going to do anything.
00:48:23What?
00:48:24Spare the rod.
00:48:25Spoil the child.
00:48:26Is that the idea?
00:48:27Is this how you raised my mother?
00:48:30No wonder she was such a fucking bitch.
00:48:33Oh, please don't.
00:48:36Please don't.
00:48:37I'm sorry, Grandma.
00:48:39Did I hurt you?
00:48:40Oh, please don't.
00:48:45I can't talk to you.
00:48:47I've hurt you.
00:48:49I've mercy on me.
00:48:52Fuck mercy.
00:48:53You never showed any mercy.
00:48:54My mother never had any mercy.
00:48:56And now I don't have any mercy.
00:48:59It's a family thing.
00:49:00Oh.
00:49:10Fiona sure has been generous.
00:49:14She's very excited about this mission.
00:49:16Careful, this thing weighs a ton.
00:49:18Yeah.
00:49:19I remember she said that if she were younger, she'd love to go herself.
00:49:22Oh, she is.
00:49:24Spiritually, of course.
00:49:27Tell Fiona we missed her at church.
00:49:29And that we're all praying for a speedy recovery.
00:49:31Uh-huh.
00:49:32Uh-huh.
00:50:02What props for the children to stray so?
00:50:12I don't mind by the devil's workshop.
00:50:15But show them that Satan is not the way.
00:50:19Marilyn?
00:50:41Marilyn?
00:50:43Marilyn?
00:50:43Marilyn?
00:50:43I didn't expect you back so soon.
00:50:53I certainly didn't expect this.
00:50:57You have no idea how glad I am to see you.
00:51:01Glad to see you too.
00:51:03What the hell are you doing here?
00:51:06Taking your shower.
00:51:08You know what I mean. How did you get in here?
00:51:10Don't you have any conditioner?
00:51:12How did you get in here?
00:51:13Your spare key, remember?
00:51:18Yeah, I remember.
00:51:20No, don't. You stay right there.
00:51:23We will discuss this when you're dressed.
00:51:39Hello?
00:51:40Marilyn?
00:51:41Yeah, yeah, no, I'm fine.
00:51:45Where are you?
00:51:50No, no, I'm sorry.
00:51:51You just caught me a little bit off guard.
00:51:54So where are you?
00:51:58No, no, I didn't.
00:51:59You left a message here.
00:52:00Peter?
00:52:05Yeah.
00:52:05Yeah.
00:52:06Yeah, that sounds great.
00:52:07No, it sounds great.
00:52:09Okay.
00:52:11I'll see you tomorrow.
00:52:12Yeah, me too.
00:52:14Bye.
00:52:16So how's Marilyn?
00:52:18So how's Marilyn?
00:52:23You have to leave.
00:52:26Peter.
00:52:27This one wasn't fun.
00:52:30Apparently you think there's more to our relationship than there is.
00:52:33I saw the way that you looked at me the other day.
00:52:42I don't know what kind of a schoolgirl fantasy you've got concocted for us, but you have to understand something right now.
00:52:48There is nothing going on here.
00:52:58There is something.
00:53:00No, there is nothing going on here.
00:53:03There is nothing going on here.
00:53:04There is nothing going on here.
00:53:05There is nothing going on here.
00:53:06There is nothing going on here.
00:53:08There is nothing going on here.
00:53:16Hey, everybody.
00:53:21Sit down.
00:53:23Open your readers to page 212.
00:53:25That's Young Goodman Brown by Hawthorne.
00:53:28Read that while I get organized.
00:53:30We'll discuss it when you're done.
00:53:31you're done these are for you well mr. monsoor this is so sudden they're not
00:53:50for me who right back what's the problem they were sent to my room by mistake I
00:54:08assumed they were for me and I opened the card I thought you were still seeing
00:54:15Marilyn I am she must be very understanding no this is a student a student are you
00:54:21out of your mind it's not what you think it might be in your interest not to go
00:54:25to prison for buffing your student I mean we all have our little fantasies I just
00:54:29don't think you should act on them I am NOT buffing my student yes the flowers are
00:54:35for your diction and penmanship
00:54:38miss mcgray you're late
00:54:46hi it's Peter leave a message
00:55:08hey I'm arriving at six I got a great idea dinner at umberto's around eight let me
00:55:16know I'm at two one two five five five oh one eight three room eight seventy six
00:55:22yes hello hi I'd like to leave a message for room eight seven six please please hold thanks
00:55:42miss Nakashi can I help you
00:55:50Joe Rosales LAPD homicide it's my partner Phil Archer I was wondering if we could talk to you about
00:55:57Debbie Strand sure how can I help we need some family background information not much I can tell
00:56:05you anything would be helpful well she's a minor that stuff is confidential
00:56:10yeah you mind please
00:56:16we're not looking to hurt anybody we have an open investigation with this fire incident
00:56:27and nobody wants to talk about it now I don't want to call the DA and drag this kid and her
00:56:31grandmother into court if I don't have to
00:56:33off the record otherwise we do the court and DA thing
00:56:39what do you want to know
00:56:44it is true this love you'll see with your beautiful stare that sees only me I will stay in your arms till forever meets
00:57:06what do you want you weren't school today make sure you're feeling okay obviously you are thanks for caring so much where's the witch she's asleep so you should leave asleep asleep asleep
00:57:11oh good and she won't hear us I'm seeing someone Oh
00:57:17What do you want?
00:57:21You weren't at school today.
00:57:22I want to make sure you're feeling okay.
00:57:24Obviously, you are.
00:57:26Thanks for caring so much.
00:57:28Where's the witch?
00:57:29She's asleep, so you should leave.
00:57:32Asleep?
00:57:34Oh, asleep.
00:57:36Well, good.
00:57:37She won't hear us.
00:57:38I told you, I'm seeing someone.
00:57:41Oh, yeah, who?
00:57:43You don't know him.
00:57:44Yeah, because he doesn't exist.
00:57:46Yes, he does.
00:57:48Yeah, who, Mr. Rinaldi?
00:57:53Oh, bingo.
00:57:55Yeah, I think I nailed it.
00:57:56I've seen the way you look at him.
00:57:58Every chick in school has a crush on him.
00:58:00It's that poetry bullshit.
00:58:04It's not a crush.
00:58:06It's serious.
00:58:08You're nuts.
00:58:10You know, he doesn't even know you exist.
00:58:12Really?
00:58:12Then what was he doing with me Saturday?
00:58:14Oh, because you helped him with this garage sale nutbag.
00:58:18That's what everyone thinks we did.
00:58:22Oh, really?
00:58:25Well, then why don't you show me what he's been teaching you?
00:58:28I'm not interested.
00:58:29Well, then if you're having an affair with Mr. Rinaldi, I better have a talk with Principal Saunders.
00:58:36You know, it's just not right, his corrupting a minor and all.
00:58:41So that's where we're at?
00:58:45Yeah.
00:58:45Let's see what we can work out.
00:58:53Let's see what we can work out.
00:58:53This is gross.
00:59:11Let's go to your bedroom.
00:59:12No, my grandmother will hear us.
00:59:15But it smells like that bug spray stuff.
00:59:17But, uh, I like bug spray.
00:59:36Hey.
00:59:40Take it easy.
00:59:41Come on.
00:59:41Stop it.
00:59:47You're worth it.
00:59:47Look, I'll get you a new one.
00:59:53Look, maybe we shouldn't do this.
00:59:54Look, what the fuck is wrong with you?
00:59:57What?
00:59:57You're not getting out of this now.
01:00:01Stop it.
01:00:02Stop.
01:00:04No, stop.
01:00:05Please.
01:00:05Shut up.
01:00:06Shut up.
01:00:07Let me help you with that.
01:00:29Answer.
01:00:32Answer.
01:00:32Answer.
01:00:32Answer.
01:00:37Answer.
01:00:38Answer.
01:00:38Answer.
01:00:38Answer.
01:00:38Answer.
01:00:38Answer.
01:00:38Answer.
01:00:39Answer.
01:00:39Answer.
01:00:40Answer.
01:00:40Answer.
01:00:41Answer.
01:00:42Answer.
01:00:42Answer.
01:00:43Answer.
01:00:44Answer.
01:00:44Answer.
01:00:45Answer.
01:00:46Answer.
01:00:46Answer.
01:00:47Answer.
01:00:48Answer.
01:00:48Answer.
01:00:49Answer.
01:00:50Answer.
01:00:51Answer.
01:00:52Answer.
01:00:53Answer.
01:00:54Answer.
01:00:55Answer.
01:00:56Answer.
01:00:57Answer.
01:00:58Answer.
01:00:59Answer.
01:01:00Answer.
01:01:01Answer.
01:01:02Answer.
01:01:03Answer.
01:01:04Answer.
01:01:05Answer.
01:01:06Answer.
01:01:07Answer.
01:01:07It's a cheek-off one.
01:01:23Damn.
01:01:28No means no. Don't you guys get that?
01:01:31What is it? You stop understanding English when you get a hard-on?
01:01:37No. It's too bad your macho friends can't see you now.
01:02:07Oh, Marilyn. I'm so sorry about the other night.
01:02:19Shh.
01:02:25Oh, Marilyn.
01:02:29I'm so sorry about the other night.
01:02:31Shh.
01:02:33Okay, watch Em.
01:02:35Oh, gonna be fucking be super soon.
01:02:37Ugh.
01:02:45Oh, my God.
01:02:47Oh, my God.
01:03:17Oh, my God.
01:03:47Peter.
01:03:54Yes.
01:03:55Have you got a moment?
01:03:57I'm running really late, Joyce.
01:03:58This won't take long.
01:04:07Have a seat.
01:04:12How are you doing, Peter?
01:04:13Fine.
01:04:15I could use a little more sleep, but otherwise no problems.
01:04:18Everything okay at home, then?
01:04:20Yeah, perfect.
01:04:22Uh-huh.
01:04:25Joyce, if this is all you want to talk about, can we do it late around late for class?
01:04:29Peter, sit down.
01:04:31Okay.
01:04:34Peter, it's been brought to my attention that you may be getting a little too involved with your students.
01:04:40What has that pompous ass been telling you?
01:04:44What pompous ass would that be?
01:04:47Mansour?
01:04:49Mansour and I didn't talk about you.
01:04:51Is there something he knows that I should be aware of?
01:04:55Peter?
01:04:56Peter?
01:04:56No.
01:04:59Peter, I heard about the basketball game.
01:05:04Come on, Peter.
01:05:06Gambling for grades.
01:05:07The basketball game?
01:05:14Oh!
01:05:16Oh, yeah.
01:05:18Rather unorthodox, don't you think?
01:05:20Not to mention setting a bad precedent, perhaps?
01:05:23Yeah.
01:05:25I guess I see your point.
01:05:27Good.
01:05:30Thanks, Joyce.
01:05:31Thanks, Joyce.
01:05:32Anytime.
01:05:33Daddy?
01:06:02Daddy?
01:06:02Daddy?
01:06:03Miss Long?
01:06:13Hi, Miss Nikashi.
01:06:18You scared me.
01:06:21Sorry.
01:06:25How's school?
01:06:27Good.
01:06:29Any trouble with Fiona?
01:06:30No. She's okay.
01:06:33Thanks.
01:06:36Oh, my God. What happened to your face? The cup...
01:06:39Nothing. Nothing. I just fell.
01:06:43Debbie, you can tell me. What happened? Was it Fiona?
01:06:47You can tell me.
01:06:49It's really okay.
01:06:51She won't be doing that anymore.
01:06:54So sorry.
01:06:55So sorry.
01:06:58I should have known with your mother's history of abuse.
01:07:03What?
01:07:05I think it's best you come with me now.
01:07:08I like it here. I don't wanna leave.
01:07:11I have to take you out of any abusive situation.
01:07:14And after what those detectives told me, I have no choice.
01:07:16Detectives?
01:07:18Would you like some lemon?
01:07:25I think it's best you come with me right now.
01:07:28I'm sorry, Anna.
01:07:30I just can't do that!
01:07:34I've got a date.
01:07:35May I help you, sir?
01:07:49Yeah.
01:07:51I have a reservation. Rinaldi for 2 at 7.30.
01:07:53Rinaldi, Rinaldi.
01:07:55Yes.
01:07:57The lady's already here.
01:07:59If you would follow me, sir.
01:08:05Here you are, sir.
01:08:15Hello, Peter.
01:08:20How sweet.
01:08:22No, no.
01:08:26These are my new friends.
01:08:28This is Dan, and this is Art, and this is Peter.
01:08:32Hey, Peter.
01:08:33Hey, Peter.
01:08:37If you'll excuse me.
01:08:40Peter, have a seat.
01:08:42Where's Marilyn?
01:08:47She couldn't make it.
01:08:49Who's Marilyn?
01:08:50The other woman.
01:08:53Come on, let's go.
01:08:54I'm gonna take you home.
01:08:56But you just got here.
01:08:58We're having so much fun, aren't we?
01:09:00I said let's go.
01:09:03Why don't you go, Peter?
01:09:05I'll take her home.
01:09:06Why don't you and your friend go back to your Aunt Pasto?
01:09:09She's a minor.
01:09:16Let's go.
01:09:18I don't wanna go.
01:09:20I don't think she wants to go, Peter.
01:09:21It's not your business.
01:09:22I said, come on.
01:09:24Let's go.
01:09:25Come on.
01:09:28I'm making it my business, Peter.
01:09:29I'm making it my business, Peter.
01:09:38Get back.
01:09:40I'm getting out of here.
01:09:42Police!
01:09:43I'm making it my business for 15.
01:09:44I was in the office.
01:09:46I was in the office and I were in the office.
01:09:49I'm making it my business for the whole day, and I've been doing this.
01:09:53I was working for a long time.
01:09:55She was working for a long time.
01:09:58She was working for an hour, and I was working for an hour.
01:10:02Don't let me do that, and you know I made my business.
01:10:04She was working on an hour.
01:10:06She's working on a half.
01:10:08She got me.
01:10:09Jesus, Peter.
01:10:23I know.
01:10:27What the hell's going on?
01:10:32I don't know.
01:10:39I mean, who's that?
01:10:47That's her.
01:10:49Just wait in the car.
01:11:01I've been waiting here forever.
01:11:04Peter, thank God you're all right.
01:11:06Don't.
01:11:06You were so great with those men last night.
01:11:09Listen to me.
01:11:10Peter.
01:11:10Just listen to me.
01:11:11You need some help.
01:11:13Peter.
01:11:14Listen.
01:11:15I'm going to talk to somebody at the school.
01:11:18No, you can't.
01:11:19I don't love you.
01:11:23Don't say that.
01:11:26Peter.
01:11:27It's all right, Marilyn.
01:11:28Just get back in the car.
01:11:34It's her.
01:11:34It's her.
01:11:36That's why you're being like this.
01:11:38This game stops now.
01:13:10And if that is indeed the case, it was probably done with a right-handed sweep like this
01:13:16from behind, and it could have gone deep enough to sever the carotid sheath, in which
01:13:20case, would have stoke dad like that.
01:13:48Mm-hmm.
01:13:49I'm still holding.
01:13:51Cyanometry.
01:13:53Yeah.
01:13:55P-S-Y-A-N-O-M-E-T-R-Y.
01:14:00Blue tissue.
01:14:02Anything blue.
01:14:03I'm gonna try.
01:14:04I'm gonna try.
01:14:05Wrong.
01:14:06S-Y-A-N-O-M-E-T-R-Y.
01:14:08The study of blue light.
01:14:15Gentlemen.
01:14:18Cyanometry.
01:14:20C-Y-A-N-O-M-E-T-R-Y.
01:14:23The study of blue in light.
01:14:28Is there anything else I can do for you?
01:14:33Uh, yeah.
01:14:36Mr. Rinaldi, she's in a meeting right now.
01:14:43Just ignore me.
01:14:46Joyce, I need a minute.
01:14:48We were just going to call for you.
01:14:51Please come in and sit down.
01:14:57Peter, this is detectives Rosales and Archer.
01:15:01They're here because of Debbie Strand.
01:15:03We haven't been able to locate her this morning.
01:15:05And we understand that you were involved with her in some sort of altercation last night.
01:15:10Yeah.
01:15:11I can explain that.
01:15:15Is something...
01:15:16Is she okay?
01:15:17I'd have to say no.
01:15:19She's not okay.
01:15:20What do you think?
01:15:21What do I think?
01:15:22Well, the reason I was coming to talk to Joyce this morning was about Debbie Strand.
01:15:27You see, Debbie believes that she's... that we are in love with each other.
01:15:34Oh, good.
01:15:36Yeah.
01:15:37I've tried talking to her.
01:15:40Nothing gets through.
01:15:42She's obsessed or delusional or something.
01:15:47You haven't done anything to encourage this kind of behavior.
01:15:50No.
01:15:51No, I didn't.
01:15:52But you didn't feel it was necessary to tell Miss Saunders about this.
01:15:54Well, I thought I could handle it.
01:15:56I thought that it was a simple schoolgirl... thing.
01:16:00You don't have kids.
01:16:01I have dozens.
01:16:08This girl's father was killed when she was a child.
01:16:11There was suspicion her mother did it, but never proved out.
01:16:15On top of that, it looks like both her mother and father abused her when she was young.
01:16:20Nothing about this girl is simple.
01:16:25I'm sorry.
01:16:26I have a call for Mr. Rinaldi.
01:16:28It's Debbie Strand.
01:16:31She says it's an emergency.
01:16:45No, Peter.
01:16:48You need to make this real clear.
01:16:49You do what we say, or I cut you to the car.
01:16:53Stay behind me.
01:17:10Debbie.
01:17:11This is Detective Rosales.
01:17:12I've got Peter with me.
01:17:14Go away.
01:17:15I only want to be Peter.
01:17:17He's out here.
01:17:19Come on out.
01:17:20Let me talk about this.
01:17:21No, I don't want to talk anymore.
01:17:22Leave me alone.
01:17:24Debbie, you know we can't leave.
01:17:26We're here to help you.
01:17:27Let me go in there.
01:17:32Let me go first.
01:17:39Debbie?
01:17:40Why don't you...
01:17:43Why don't you...
01:17:46Joe!
01:17:48Why didn't you bring him here?
01:17:50Why won't you love me?
01:17:54Shoot!
01:17:56God damn it, Peter!
01:17:57Get back here!
01:18:01Fuck!
01:18:02This hurts.
01:18:03Debbie?
01:18:04Debbie?
01:18:05Debbie, it's Peter.
01:18:06Open the door.
01:18:07You can trust me, Debbie.
01:18:12I don't want to talk anymore.
01:18:14Debbie, you don't have to do this.
01:18:17You come out of there.
01:18:18I promise I'll stick by you all the way.
01:18:20I know how you really feel.
01:18:22Debbie, I am on your side.
01:18:24I'm on your side.
01:18:25I promise.
01:18:26Officer down.
01:18:27Request backup.
01:18:28Debbie, you come out of there.
01:18:291729 Oxford.
01:18:31Debbie, please come out of there.
01:18:34No!
01:18:56No!
01:18:57No!
01:18:58No!
01:19:00Nothing!
01:19:02No!
01:19:04No!
01:19:05No!
01:19:11Thanks.
01:19:26Oh, my God.
01:19:56Oh, my God.
01:20:26Oh, my God.
01:20:56Oh, my God, no.
01:21:03Oh, no.
01:21:05Oh, my God.
01:21:17What the hell?
01:21:23Come on, come on.
01:21:26Oh, my God.
01:21:32Come on, come on, come on.
01:21:35Come on, come on, come on.
01:21:36Stay with me.
01:21:41You're not going anywhere.
01:21:54Oh, my God.
01:21:55Fuck.
01:21:56Fuck.
01:22:00Fuck.
01:22:01Fuck.
01:22:08Fuck.
01:22:09You bitch.
01:22:18He's mine.
01:22:19Oh, my God.
01:22:20Oh, my God.
01:22:22You're mine.
01:22:26I'm good.
01:22:27I'm good.
01:22:28I'm good.
01:22:30Marilyn, Marilyn, Debbie, no.
01:22:56Marilyn, Marilyn, please be out.
01:22:59Don't move.
01:23:01Officer, there's a girl in here with a knife.
01:23:04Let me see your hand.
01:23:05Now.
01:23:06There's a girl in here.
01:23:07Shut up.
01:23:07Get down.
01:23:09You're making a mistake.
01:23:10Shut up.
01:23:13Get off.
01:23:14This is ruining everything.
01:23:39No.
01:23:42No, no.
01:23:44Forget her.
01:23:45I will in a minute.
01:23:47Debbie.
01:23:49There's no need to kill her.
01:23:54Peter.
01:23:56We need some time alone.
01:23:57I know.
01:24:00I know.
01:24:01I know.
01:24:02It's just you and me, Debbie.
01:24:04It's just you and me.
01:24:16I love you.
01:24:17I love you.
01:24:17I love you.
01:24:42Oh
01:25:02Peter come up here. Oh, Peter come on. Don't die. Okay, okay
01:25:12Oh
01:25:42Oh
01:26:12Oh
01:26:14Oh
01:26:16Oh
01:26:18Oh
01:26:20Oh
01:26:22Oh
01:26:26Oh
01:26:30Oh
01:26:32Oh
01:26:34Oh
01:26:36Oh
01:26:38Oh
01:26:40Oh
01:26:42Oh
01:26:44Oh
01:26:46Oh
01:26:48Oh
01:26:50Oh
01:26:52Oh
01:26:54Oh
01:26:56Oh
01:26:58Oh
01:27:00Oh
01:27:02Oh
01:27:04Oh
01:27:06Oh
01:27:10Oh
01:27:14Oh
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