Mohan B Kere interview: 'ದರ್ಶನ್ ಸರ್ ತಂಡದ ಜೊತೆ ಇದ್ದಿದ್ದರೆ ಪಬ್ಲಿಸಿಟಿ ದೊಡ್ಡ ಮಟ್ಟದಲ್ಲಿರುತ್ತಿತ್ತು' ಎಂದು ಡೆವಿಲ್ ಚಿತ್ರದ ಆರ್ಟ್ ಡೈರೆಕ್ಟರ್ ಮೋಹನ್ ಬಿ ಕೆರೆ ಸಂದರ್ಶನದಲ್ಲಿ ತಿಳಿಸಿದ್ದಾರೆ.
00:19This is the first episode of the Chairs episode.
00:25The entire floor is not a PVC mirror, not a original glass.
00:35The glass is a corridor, a light reflection, a glass floor.
00:41It is a set.
00:46You are the first one.
00:49In the foreign episode of the Chairs episode,
00:54we are going to have a fight as usual.
00:59We are not going to have a break on the statums.
01:02We are not going to shoot in the foreign pub,
01:05but we are not going to have permission.
01:07We are going to create the foreign pub.
01:11That is also set.
01:12We are not going to have a fight as usual.
01:17We are going to have a fight as usual.
01:19We are going to have a teaser note.
01:24We are going to have a fight as usual for our film studio.
01:33We are going to have a fight as usual.
01:36We are going to have a fight as usual.
01:39The market is Ramajira Film Studio, Ramajira Film City, Mumbai, and Hyderabad.
01:53We didn't match the dates, but we didn't match the dates outside.
01:59We didn't match the dates outside.
02:07We created a market.
02:13We created a factory in a fight episode.
02:19The factory is the interior of our factory.
02:22We didn't match the dates outside.
02:29We created a factory.
02:31This is the set.
02:33In the top portion, we have a circus set.
02:38We have almost 70-80% set.
02:45The director, Prakash, has a challenge.
02:53What do you think of the set?
02:55What do you think of the set?
02:57Actually, when Prakash was starting,
03:02we didn't have a discussion.
03:05We didn't have a set set.
03:08But Prakash had a test.
03:11We harebellished the old set.
03:12Who did not meet the sets.
03:17We will play the sets.
03:19They did not try to do the sets.
03:21We will try to create a set that way.
03:25When Prakash was the same,
03:26we will try to do certain sets.
03:28When the sets were supported,
03:31we need to use the set.
03:33We had something to create a set that way.
03:36We created the other set that way.
03:37We used to create a set that way.
03:39Actually, we were creative in Sinmantra, but we were able to create a lot of people, but we were able to create a lot of people.
03:54In that sense, what data-based practice does that process with it?
04:04We do the same thing.
04:06One of the things we need to do is set design and design the same thing.
04:17So, we need the discussion about that.
04:19So, I think the director of the group is very hard to say that.
04:27But if someone wants to ask me about my right judgment,
04:31you can't even ask me about the commercial and financial situation.
04:38I'm not going to ask you about the first time I am going to ask you about the first time I'm going to ask you about the first time I will ask you about the first time I'm going to ask you about it.
04:43This is 80% of the movie sets.
04:47I don't know, but I am not ready when I get the same investment.
04:50It seems that they're in the test set.
04:54They are the same fact that they would talk like this and say...
05:00...it's crazy.
05:02Instead, I would have to discuss that with the Muggets set.
05:07The form of yes-de-gist, the form of comparison, to invite people to get the record.
05:12I have to say that there is no separate play of cinema.
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