Interview: 'ಕಾಂತಾರ ಮೂಲ ಚಿತ್ರಕ್ಕೂ ಪ್ರೀಕ್ವೆಲ್​ಗೂ ತುಂಬಾನೇ ವ್ಯತ್ಯಾಸವಿದೆ' - ಮೈಮ್ ರಾಮ್ ದಾಸ್ ಸಂದರ್ಶನ - video Dailymotion

ETVBHARAT

ಮಂಗಳೂರಿನ ಕಲಾವಿದ ಮೈಮ್ ರಾಮ್ ದಾಸ್ 'ಕಾಂತಾರ ಚಾಪ್ಟರ್​​ 1'ರ ಭಾಗವಾಗಿದ್ದು, ಈಟಿವಿ ಭಾರತದ ಜೊತೆ ಅನುಭವ ಹಂಚಿಕೊಂಡಿದ್ದಾರೆ.

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00:00I am here in this town.

00:04I am here in the city of Asanis.

00:09I started in the town of Asanis.

00:12There were a people and a people,

00:15and some people,

00:18and people,

00:19and other people,

00:21and other people.

00:23I have a lot of people.

00:26I have heard from the cinema in the past five years, and I have heard from the cinema in the past five years.

00:33The first part of the R.M.B.C. is a chapter of the first chapter.

00:37Since the first five years, the people who have participated in the Sankit Aniradha, the Sankit Aniradha, and the first part of the film.

00:46We have recorded records in the first place.

00:51To be continued...

01:21He thought about these stories as well, we don't know how to take pictures of these stories.

01:27But the story is there, the story of Rischabt Shetty.

01:32The stories of the story, but the story of Rischabt, were described as well as the story in the story of Rischabt Shetty.

01:40They also have a lot of people who are interested in this area with a lot of people.

01:46They are not interested in the people.

01:50If they are interested in the audience, they will be interested in the audience.

01:58They will be interested in the audience.

02:03you have to do this job in the evening of a single day and take care of the police.

02:12I did not know that, but we spent four years in the chapter 1 and 3 years of shooting.

02:35I had never seen the faces, but it was an interesting story.

02:42I worked with a film and worked with a film.

02:49I worked with a film and I worked with a film.

02:55I worked with a film and I worked with a film.

02:59There was a shooting in Kantaar cinema.

03:06There was a night shift, there was a night shift, there was a night shift, there was a night shift.

03:16The eravoor had eaten him at twenty cinema in the film, where Prakash Tu-ここ and Deepak Rayya were both there.

03:31But in the soorten, we missed anyth same morning than the sound of ausa in the mahiós.

03:40The Kanta 1 chapter came about Kanta 1, and in the back there was another kathara.

03:47One of the cases was to get in touch on Kanta 1.

03:53Every single day came to Kanta 1, and the street was a king.

03:58Every single day came to get to Kanta 1.

04:04Even as he came to the Kanta 1.

04:09Even though I was a child with a mentor and I needed a great mentor.

04:16I was a kid and I was a kid who was a kid and I was a kid.

04:23I was a kid and I was a kid and I was a kid.

Interview: 'ಕಾಂತಾರ ಮೂಲ ಚಿತ್ರಕ್ಕೂ ಪ್ರೀಕ್ವೆಲ್ಗೂ ತುಂಬಾನೇ ವ್ಯತ್ಯಾಸವಿದೆ' - ಮೈಮ್ ರಾಮ್ ದಾಸ್ ಸಂದರ್ಶನ

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Interview: 'ಕಾಂತಾರ ಮೂಲ ಚಿತ್ರಕ್ಕೂ ಪ್ರೀಕ್ವೆಲ್​ಗೂ ತುಂಬಾನೇ ವ್ಯತ್ಯಾಸವಿದೆ' - ಮೈಮ್ ರಾಮ್ ದಾಸ್ ಸಂದರ್ಶನ

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Interview: 'ಕಾಂತಾರ ಮೂಲ ಚಿತ್ರಕ್ಕೂ ಪ್ರೀಕ್ವೆಲ್ಗೂ ತುಂಬಾನೇ ವ್ಯತ್ಯಾಸವಿದೆ' - ಮೈಮ್ ರಾಮ್ ದಾಸ್ ಸಂದರ್ಶನ