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'ಸುದೀಪ್ ಜೊತೆ ತೆರೆ ಹಂಚಿಕೊಂಡಿರೋದು ಅದೃಷ್ಟ': ಮಾರ್ಕ್ ನಟಿ ರೋಶಿನಿ ಪ್ರಕಾಶ್ ಸಂದರ್ಶನ
ETVBHARAT
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12 hours ago
ತೆಲುಗಿನ 'ಸಪ್ತಗಿರಿ ಎಕ್ಸ್ಪ್ರೆಸ್' ಮೂಲಕ ನಟನಾ ವೃತ್ತಿಜೀವನ ಆರಂಭಿಸಿದ ಕೊಡಗಿನ ರೋಶಿನಿ ಪ್ರಕಾಶ್, ಸದ್ಯ ಸುದೀಪ್ ಮುಖ್ಯಭೂಮಿಕೆಯ 'ಮಾರ್ಕ್' ಚಿತ್ರದಲ್ಲಿ ಪ್ರಮುಖ ಪಾತ್ರ ವಹಿಸಿದ್ದಾರೆ. ಕನ್ನಡತಿಯ ಸಂದರ್ಶನ ಇಲ್ಲಿದೆ.
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00:00
What is your opinion about Roshini and Kavloodari?
00:10
How do you think about Roshini and Kavloodari?
00:26
How do you think about Roshini and Kavloodari?
00:34
I think that was a lucky point.
00:38
I think that was a good point.
00:40
I think that was a good point.
00:42
I think that was a good point.
00:44
I think that was a good point.
00:46
I think that was a good point.
01:00
I think that was a good point.
01:02
I think that was a good point.
01:04
I think that was a good point.
01:14
I think Roshini was still a good point.
01:26
I think that was a good point.
01:28
How do you like this?
01:30
Do you like your father and your father?
01:34
Or do you like your production house?
01:40
I don't think we've done it in the past.
01:44
I've never done it.
01:46
I've never done it.
01:48
I've never done it.
01:50
But I've never done it.
01:54
I can't do anything I can do in this film.
01:58
I can't do anything that I can't contribute.
02:03
So I can't deal with justice in my mind.
02:09
I can't deal with the production house.
02:13
I can't deal with the director.
02:15
I can't deal with the number one.
02:18
There are very few points.
02:20
and the on and said it to me China get a cut a production of Sumba production of
02:25
there Allah and then some budget or model model that projects it run on a
02:29
no can't talk with any account of a gala now non-martial and the colleague
02:34
as one billy cotton so on fellow on city non-bellion colleague a better
02:39
go to Jassi to the cat that I would like to murder that up so as a artist
02:44
So, I just said, go ahead.
02:53
In the Mark teaser, how did you talk about your father?
02:59
My father is very good.
03:03
In my career, I used to play roles.
03:07
I think it's a strong character, so I'm going to talk about it.
03:16
Yes, mom.
03:17
When we talk about a lot of people, we talk about a lot of people.
03:22
We talk about a lot of people.
03:25
We talk about a lot of people.
03:27
We talk about a lot of police cops here.
03:32
How did you get to work with this film?
03:40
I did not work with this film.
03:45
It was the first production of the film.
03:51
I think the film was one of the first teams.
04:01
our own like
04:03
Hemant or a cinema like on certainly you did and then ignore cut it through a large waste to respect
04:08
good matters the draw respect or than telek
04:11
Edith and I love no Hague a chorus bacon tower and mine circuit quality through Hagen
04:15
I don't know and now I love to get good conduct a martin entity and then I'm not
04:20
certain they're not okay certainly breaks itaga not caravan arch on table
04:25
I could a lot of people tomorrow I'm with the cocktail the author and well to buy there and also
04:31
There are many other technicians like Advaitha, Charanraj, etc.
04:36
I am very happy to talk about the talent.
04:43
I think I have a career graph for my career.
04:50
I am very happy to talk about the cinema.
04:53
Do you have time to meet Puneet-sar?
04:59
Puneet-sar is very special.
05:04
Puneet-sar is the first production of Kaulutari and Lucky Man.
05:09
It's a big part of the cinema.
05:14
Puneet-sar is a small part of our family.
05:19
It's not all.
05:24
Puneet-sar is the first production of Kaulutari.
05:31
The production of Kaulutari is all the same.
05:36
minimum to much another than I'm gonna talk to that is a point train and our
05:41
production was in an uncut sick and the safety and sick and town the respect and
05:47
payment which are anger for the in a good photo or in a little you know when
05:52
our dad and we know usually the cinema industry again and okay some I don't know
05:55
okay that right but put it's a production of Zalvandina and that are
05:59
feel like you know in fact release add mele bear a bear a other rocker son
06:03
I put a cut children of Haley core TV in a retip on a release are you on the
06:07
thing level and the production was in the call bandito a store and the attention
06:12
quarter a in our bono and or against police are gifted knowledge your world
06:18
cinemas but it's my mother or except bandaga or Gustav agar and the TV shows
06:23
but Gala matter to Ravagelana no non in a little the Kinta or a leader a or it
06:27
or a matter to the red and I know case cut I didn't even day jog the link condona
06:32
then I want to do which are so Adelan and can cut down getting no yes ma'am in
06:37
under the Roshini euro Ilon can add to my Martira alone to tell you cinema
06:42
Marta long tailgo Tamil to my smartra Jatikon's web series Koda Martira
06:46
Bollywood gave over on the Bollywood's in my head on a model on the how
06:50
kashakalena wiki kumbaditya hey again huggy no la but as an artist none can you
06:56
French cinema model on journal and order but Martini then again are the streets to
07:00
within one bear bear a language is a lack matter of the can and go kasha
07:03
to get a model can and kite art in your body you know like none my thought of
07:11
process are they to another Tamil Telugu oh very a partial Arun and yellow kasha
07:16
Bollywood's in the same way I have said I don't want to use a word because a
07:18
of course I have said I can't imagine that I can't imagine that a lot of
07:19
the realistic work that they are doing right now would be doing it right now with
07:24
a long time has been looking at the idea of the I am so yet to have a
07:26
I can't imagine that we can't imagine that the person who did the
07:29
business in our society was designed or the people who did the best
07:31
in the future we can't do our business I can't imagine that another artist that
07:34
is a dream the person who did the business has been cultivated on the
07:37
chain of the process that you have been able to look at this
07:40
If we have to go to the city of Maldabeku, I will never forget about it.
07:41
I will never forget about the city of Maldabeku.
07:42
But, it's so important that if we touch this story, it's not a real story.
07:46
But, I know that we will be able to go to the city of Maldabeku.
07:49
But, I will never forget about it, but we will learn more about it.
07:55
And, in our own story, we will learn about stories about our past.
08:01
So in this case, we are doing a real story.
08:03
And we are doing a real story, inspiring.
08:07
We are doing a real story.
08:08
And others, I am saying that we are not getting good.
08:12
We are doing a real story.
08:15
We are doing a strong, gray-shaped character.
08:20
We are doing a sports role.
08:23
Because I am very active in sports.
08:26
I am not doing a sports practice.
08:30
So I will be good at it.
08:32
So that's it.
08:34
But what do you do in sports?
08:36
You can do free time at 10 a.m.
08:39
I am going to do badminton,
08:42
I am going to do the gym,
08:44
I am going to do swimming,
08:45
I am going to do cycling,
08:46
I am going to do running.
08:48
Oh.
08:49
I usually do a lot of things.
08:53
I usually do trekking.
08:55
I usually do a lot of things.
08:57
I usually do a lot of things.
08:59
What do you do in the future?
09:05
I am going to do the cinema industry.
09:09
But I am going to do the first thing
09:11
to do the cinema industry.
09:15
I have a lot of opportunities.
09:19
In Australia, I have a scholarship in Australia,
09:25
so I have a lot of things.
09:27
Why do you doliamo from theisi?
09:29
And now I have an opportunity to do what you do.
09:31
I have a lot of opportunities in a cinema.
09:33
So when I have a lot of opportunities,
09:35
I have to go for it.
09:37
So for which I do,
09:38
I am going to love the cinema industry.
09:40
I am going to do the same feel.
09:42
So I want to go for it.
09:43
So, in the first few days,
09:45
I am going to do the same.
09:46
I will be able to get it from the first day.
09:48
Okay, nice.
09:49
Mark cinema.
09:50
You will be able to get a new film in the next day.
09:54
Yes, this is the same project.
09:56
It is a pre-production stage.
09:58
We will be able to get a lot of attention.
10:01
But we will be able to get the most incredible characters.
10:05
Thank you so much.
10:07
Thank you so much.
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