- 2 months ago
Plot. A series of inexplicable accidents befall the development of the world's first supersonic airliner, the SST1 – a man falls victim to a homicidal air stewardess and two women perform separate acts of sabotage during tests. The Air Ministry calls on Hugh "Bulldog" Drummond to investigate.
Category
🎥
Short filmTranscript
00:00:00Some girls do have the power to corrupt and destroy you.
00:00:25They'll take you, and they'll break you, or they'll make you a king.
00:00:32They'll bring you the summer when winter is due.
00:00:40It is truly quite amazing the things that some girls do.
00:00:51Senior Aerodynamics Engineer.
00:00:55Yes, Mr. Petersen.
00:01:16Expecting turbulence, are we?
00:01:17No, sir.
00:01:18No, sir.
00:01:20Some girls do satisfy you, but they'll all mystify you.
00:01:42They'll pray for you, and some will do anything you desire.
00:01:49There's no doubt about it.
00:01:52It's proved to be true.
00:01:56There is nothing in the world that can do what some girls do.
00:02:05You'll be right.
00:02:07I know.
00:02:23Fuselage.
00:02:27Yes, Mr. Petersen.
00:02:30I don't know.
00:03:00I don't know.
00:03:30There's just one rule to this glamorous game.
00:03:39It cannot be played alone.
00:03:44Gee, Mr. Drummond, that was fantastic.
00:04:00Now for the engines.
00:04:19Yes, Mr. Peterson.
00:04:29The countdown continues from 85, 84, 83, 82, 81, 80, 79, 78, 77, 76, 75,
00:04:5969, 68, 67, 66, 65, 64, 63, 62, 61, 60, 59, 58, 57, 56, 55, 54, 53,
00:05:2951, 50, 49, 48, 47, 46, 45, 44, 43, 42, 41, 40.
00:05:4737, 36, 35, 34, 33, 32, 31.
00:06:01Yeah!
00:06:03Ow!
00:06:17Clumsy brute.
00:06:18Look what you've done.
00:06:1913, 12, 11, 10, 9, it'll wash off, 7, 6, 5, 4, 3, 2, 1.
00:06:36There she blows.
00:06:40And what a beaut.
00:06:41Your drink, sir.
00:06:56Oh, gee, Mr. Drummond. Me having a drink with you. Gosh.
00:07:04What is it?
00:07:05Well, pretty strong. It's a bull shot.
00:07:11Gosh. Tastes like beef soup.
00:07:21It is beef soup.
00:07:25Is it?
00:07:26Well, little of it is. The rest's vodka.
00:07:31Hello, darling. Wasn't it lovely?
00:07:41Wow.
00:07:45Do you do that, Mr. Drummond?
00:07:47Do what?
00:07:48The eye.
00:07:49Good heavens, no. Don't do things like that to girls.
00:07:55I bet they're both spies.
00:07:57Well, as a matter of fact, you're completely right.
00:07:59You see the one, um, the one with the glasses?
00:08:04She's Hungarian.
00:08:06The eyes are disguised, of course.
00:08:08Ah, yes.
00:08:09Damn clever, these Hungarians.
00:08:10Wow.
00:08:12Actually, she's working for us now.
00:08:14Because she's madly in love with you.
00:08:16Well, what do you think?
00:08:18What does it feel like to be a hero, Mr. Drummond?
00:08:21Careful.
00:08:22What?
00:08:23That's my bad knee.
00:08:25Oh, no, really, Mr. Drummond.
00:08:27You are a hero.
00:08:29Why, you caught that man that killed the Secretary of State.
00:08:32And then you went and kidnapped all those tanks.
00:08:34And then you caught that other man who...
00:08:46Oh, Hungarians.
00:08:48Oh, oh, oh, I'm sorry, Mr. Drummond.
00:08:51But, gee, if ever you need a girl Friday, I'll do it.
00:08:55Well, now's your chance.
00:08:59Me?
00:09:05Mr. Drummond's holiday office speaking.
00:09:09Mr. Drummond's secretary.
00:09:15Oh, oh, oh, I'm sorry.
00:09:19It's your secretary.
00:09:20Good, Terry.
00:09:23Hello, Miss Crum.
00:09:24Miss Crum.
00:09:25What?
00:09:29The SST-1.
00:09:32Webb.
00:09:34Right.
00:09:35I'll be there as soon as possible.
00:09:36You have to go home.
00:09:38When you gotta go.
00:09:39You gotta go.
00:09:41Oh.
00:09:50Mr. Drummond.
00:09:51Do I look like Mr. Drummond?
00:09:52Where is he?
00:09:53Who are you?
00:09:54I'm his daily.
00:09:55Who are you?
00:09:57Miss Mary, you do?
00:09:59I am a cookery school.
00:10:00Oh.
00:10:04I am one of them from the bar.
00:10:06Want辮ем没有?
00:10:07Well, in the hall which he will come up from the band of�� treasury ,
00:10:11Who are you?
00:10:13I'm his daily. Who are you?
00:10:18Miss Mary? You?
00:10:21I'm a cookery at school.
00:10:23Oh.
00:10:26Have I got a light?
00:10:28I don't approve of smoking. It ruins the taste buds.
00:10:33Where is Mr. Drummond?
00:10:35Is it important?
00:10:36Yes, it is.
00:10:41You have to stand still for it to go away.
00:10:57You can tell me if you like.
00:10:59I'm his confidential daily.
00:11:01When are you expecting him back?
00:11:03I'm not. He's gone on holiday.
00:11:05Why didn't you say so? When did he leave?
00:11:07Two days ago. He went for a fortnight.
00:11:09He changed his mind, though. He's coming back today.
00:11:12Oh. In that case, I'll just leave him a note.
00:11:18Will you be sure to see that he gets this as soon as he gets back?
00:11:23It's your greatest airplane ever, Mr. Mortimer.
00:11:27In fact, I think it's the greatest ever built.
00:11:29We know the Prime Minister wants you to have a knighthood.
00:11:31Oh, congratulations.
00:11:32Yes, but unfortunately, I'm afraid it isn't possible. Not yet. The Home Office.
00:11:36What have they to do with aircraft design, sir?
00:11:39It isn't that. It's, uh, they say you're breaking the law.
00:11:42Oh, indeed, do they?
00:11:44Well, I can assure you, sir, that I have never broken the law to my knowledge.
00:11:48Well, you're classified, old chap, and so is your briefcase. Official Secrets Act.
00:11:52Well, I've always been of the opinion that my secrets are safer in the custody of someone who knows and understands them.
00:11:58Me?
00:11:59Oh, but if somebody kidnaps you and your notes are with you...
00:12:03Now, look here, Sir Dudley. I mean, uh, Mr. Mortimer.
00:12:06With that briefcase under your arm, you're in danger with every step you take.
00:12:09Now, look, old chap, we haven't told you, but there's been a couple of accidents recently.
00:12:12We were getting worried about anything happening to you.
00:12:16So we've been trying to insure you for five million pounds.
00:12:19Only we can't get anyone willing to accept the risk, not while you walk around with that briefcase.
00:12:24Five million?
00:12:25Oh, you're worth it. We couldn't replace you.
00:12:27No.
00:12:29I was thinking it's not very much.
00:12:32Well, all right.
00:12:35Good day, gentlemen.
00:12:36Oh, all right.
00:12:38Now, this must be locked away, sir.
00:12:41That's very important.
00:12:42What about that?
00:12:43It's welded, sir, for safety.
00:12:46Good day, gentlemen.
00:12:49He's right, you know. He is worth more than that.
00:12:57Yes, sir!
00:12:58It's getting easier for the people who are.
00:12:59Yes, sir!
00:13:00What about that?
00:13:02It's a way for him to be.
00:13:03Yes, sir, sir!
00:13:05Oh, man, sir!
00:13:06Oh, boy.
00:13:07Oh, man, sir!
00:13:08Oh, man!
00:13:09I'm tired, sir!
00:13:10I'm tired, sir!
00:13:11Oh, man.
00:13:22Oh, boy.
00:13:23No!
00:13:24Oh, man.
00:13:26Sir Dudley Mortimer, Lord Mortimer.
00:13:56Is something wrong?
00:14:09Did you have a breakdown?
00:14:10Oh, did you have a puncture?
00:14:13Maybe he ran out of water.
00:14:14Oh, yes.
00:14:16My dear young lady, even I know that water does not drive a car.
00:14:19Oh, look.
00:14:23Here.
00:14:24Look.
00:14:25Oh, petroleum.
00:14:26Oh, poor little man.
00:14:28What will you do?
00:14:29Oh, don't worry.
00:14:29We'll tow you, won't we?
00:14:30I don't want to tow.
00:14:31Get the rope, Pandora.
00:14:32I will not be towed.
00:14:33It's all right.
00:14:34No, I'm going to push.
00:14:35I'm going to push.
00:14:36Take the handbrake off, will you?
00:14:38Put that rope away.
00:14:40Put it away, I say.
00:14:41Now, stop, stop.
00:14:42I'm perfectly capable of managing this myself.
00:14:46In you go, little man.
00:14:48We'll take care of you.
00:14:54Stop, stop, stop.
00:14:55How dare you, stop it, stop.
00:14:57I'll have all you do, young ladies.
00:15:05Stop, how dare you?
00:15:07Stop, Archer.
00:15:16Stop.
00:15:17Bye-bye.
00:15:29Drive carefully, Mr. Mortimer.
00:15:36Ah!
00:15:37Ah!
00:15:37Ah!
00:15:38Ah!
00:15:39Ah!
00:15:39Ah!
00:15:39Ah!
00:15:40Ah!
00:15:41Ah!
00:15:41Ah!
00:15:42Ah!
00:15:42Ah!
00:15:43Ah!
00:15:43Ah!
00:15:44Ah!
00:15:44Ah!
00:15:45Ah!
00:15:45Ah!
00:15:46Ah!
00:15:51Pull!
00:15:54Damn.
00:15:56Well, Hugh, what do you make of it?
00:15:58Well, it ought to be too late for sabotage.
00:16:00The prototype's been built, it flies, and the contract's been signed.
00:16:04Pull!
00:16:07Good shot.
00:16:08But they can still cancel the contract until the end of next month.
00:16:11Pull!
00:16:15That's funny.
00:16:16Somebody's shooting my clays.
00:16:17Yes, oh, chap, you are.
00:16:19You know, if this news gets about...
00:16:21Hey!
00:16:21You shooting at my birds?
00:16:23No.
00:16:24Aren't you?
00:16:24No.
00:16:25Aren't you?
00:16:26Pull!
00:16:29Great Scott, I think that's the most amazing bit of trick shooting I've ever seen.
00:16:32Hello there, please.
00:16:34It is Baroness Helga, is it not?
00:16:37Look, Hugh, if this contract's cancelled, the country stands to lose a thousand million pounds in exports.
00:16:46You've got to do something about it.
00:16:47I'll do my best.
00:16:48Ah, my dear Torrenson.
00:16:49Lord Dunbury.
00:16:50May I present Major Newman.
00:16:52Major Newman, Lord Dunbury.
00:16:54And, er...
00:16:55Oh, Hugh Drummond.
00:16:56I thought you'd met.
00:16:57THE Hugh Drummond.
00:16:58We should have met sooner.
00:17:00On business, but this is much nicer.
00:17:03Er, business?
00:17:04You ensure some of my aeroplanes.
00:17:07One of them has just crashed.
00:17:10Meine Schöner.
00:17:12I think you owe me an apology, madam.
00:17:15But your friend had missed.
00:17:17I hoped to save you the shame.
00:17:19Oh, my dear girl.
00:17:20Mr. Drummond's a better shot even than you.
00:17:22I'm the duffer.
00:17:23Better shot than me, I doubt.
00:17:25But we could see.
00:17:27You will come and visit me soon, Mr. Drummond.
00:17:30Torrenson Experimental Aerodynamics.
00:17:33Dombury will tell you.
00:17:35Right. I'll be down tomorrow.
00:17:42Torrenson?
00:17:43Oh, they're gliders, sailplanes.
00:17:44They've done some research for us.
00:17:46They had a good firm, not very big.
00:17:47Something crashed?
00:17:48Oh, just one of his gliders.
00:17:49Not very important.
00:17:50Not one of his...
00:17:53Well, I'll see you there, perhaps.
00:17:55Bye.
00:18:01You are a good shot.
00:18:03I'm also a good cook.
00:18:06That is our dinner.
00:18:07Fresh?
00:18:08Pheasants are supposed to be hung for a week, you know.
00:18:11I'm a very good cook.
00:18:14You'll never know they were fresh.
00:18:17You were a good cook.
00:18:18I'm a good cook.
00:18:27I'm a good cook.
00:18:28well why why what why sit halfway up a tree middle Surrey shooting at my clay
00:18:45pigeons in order to come back here go to bed with me I wanted to see how good a
00:18:53shot you were better than most men and what's the end product supposed to be
00:19:02must there be one shooting often ends up in somebody getting killed you know
00:19:13what's your mind packing all right thank you
00:19:30hello flicky you forgot to your ski
00:19:42flicky flicky I bet they're a pushover once I get him up here now flicky listen to me I
00:19:55don't want to seem inhospitable but don't I even get a drink champagne or beef
00:20:04soup a bull shot over there I'll make one flicky how long were you thinking of
00:20:12staying in London that is until my aunt's better your aunt yes she broke her leg
00:20:22isn't that marvelous well you see there's no one to take care of her except for me
00:20:28that's why I'm here but she won't need me all the time so I can be free to help you
00:20:38who's Angela my dear oh well she left a note for you it says mr. drummond telephone oh you have
00:20:59company why didn't you say something flicky the bedroom my bed she's off the phone now
00:21:29gosh she was in a hurry what do we do now
00:21:56flicky that's sort of a silly question isn't it well the first thing we do is take a coat off and we draw a bath
00:22:09ah um mr. mr. drummond what do you like for breakfast in the morning my aunt she may be waiting up for me
00:22:16flicking well for a farm for tunnel you make a damn good ski instructor your aunt doesn't exist does she
00:22:26hmm mayfair double eight six seven what's that Claridge's
00:22:32Hey!
00:22:58There's a finger on there.
00:23:01Don't let go till I tell you.
00:23:12What is it?
00:23:14Plastic explosive.
00:23:16Enough to blow the whole place to smithereens.
00:23:19And you and me with it.
00:23:22I see she replaced the telephone mic.
00:23:30With that.
00:23:33One word in here.
00:23:36And poof.
00:23:39After you.
00:23:48Hello?
00:23:49Hello, Mr. Drummond?
00:23:50Bang!
00:23:51One, two, three.
00:23:55Crack!
00:23:56Well done, Major Newman.
00:23:57Right in the bow.
00:23:58So sorry to have the idea.
00:24:00Relax the egg wing, Commander.
00:24:02Relax the egg.
00:24:03Now then, come along.
00:24:04All together then.
00:24:06One, two, three.
00:24:08Relax.
00:24:09Crack!
00:24:10One, two, three.
00:24:11Relax.
00:24:12Crack!
00:24:13That's it.
00:24:16Oh dear.
00:24:17We'll have to do better than that, Mr. Torrenson.
00:24:19I will try, Miss Mary.
00:24:27Little egg behind the ear.
00:24:29Thank you, dear lady.
00:24:31Sir.
00:24:32Why don't you watch Major Newman?
00:24:36He does it so well.
00:24:38Show him, Major Newman.
00:24:40There.
00:24:42Now.
00:24:43You try.
00:24:44You try.
00:24:50Oh dear.
00:24:51Time to stop.
00:24:52Never mind.
00:24:53Tomorrow we'll start whipping.
00:24:58Whipping our gold and sweet, nature-nurtured eggs into a lovely creamy froth.
00:25:04I can't wait.
00:25:05But for the moment, back to our responsibilities.
00:25:08And don't forget my aprons.
00:25:11You will do your homework, won't you, Mr. Torrenson?
00:25:14Well done, Major.
00:25:16A special diploma for you, my boy.
00:25:20Eleven o'clock tomorrow, then.
00:25:22Good night.
00:25:23Bless you, Bishop.
00:25:44Kills the taste buds.
00:25:46A merciful death.
00:26:06Hello, dear little man.
00:26:08Miss Mary?
00:26:10Miss Mary?
00:26:26Miss Mary?
00:26:27Miss Mary?
00:26:30Mrs. Mary?
00:26:36Mrs. Mary?
00:26:45All right, you can come out now.
00:26:48What the hell are you doing here?
00:26:50Well, the note your cleaning lady left you.
00:26:53So you decided to play private eye, did you?
00:26:56But I just got here as you drove up.
00:26:57Well, let's see if she's upstairs, sure.
00:27:07Hey, why a cookery school?
00:27:10Firstly, 500 guineas a course.
00:27:12Secondly, it's a good front,
00:27:14and it provides the sort of clients that it...
00:27:17pays to inform on.
00:27:21Whew!
00:27:24Who's been after what?
00:27:25Yes, I don't know.
00:27:28The only thing likely to interest a thief around here
00:27:31would be nasty gossip.
00:27:33Maybe.
00:27:35Maybe they're after his diary, then.
00:27:39Maybe, you're right.
00:27:41But I don't think Mrs. Mary is that obvious.
00:27:47All the same.
00:27:49You could be on the right track.
00:27:56Now, what do you make of this, hmm?
00:27:58Hey, look here.
00:28:02Wing Commander Aston's Christmas party.
00:28:05Strip poker before...
00:28:06Strip poker before...
00:28:08Yeah, I don't think that's very suitable for you.
00:28:11Uh, and, uh, and the boat.
00:28:15Wouldn't mean anything to me.
00:28:17Don't say anything about my Baroness, either.
00:28:20Or the SST-1.
00:28:22That's what you mean.
00:28:24Eh, clever little thing, aren't you?
00:28:27And have a look down there.
00:28:28I don't think...
00:28:31It's true though...
00:28:33When I look down there, I saw her.
00:28:35I was like, hey.
00:28:37Such a man.
00:28:39Always young.
00:28:41I didn't know why someone like this.
00:28:43I didn't know it.
00:28:45Right there, no?
00:28:47I think that's what I was the case of the other house.
00:28:49You haven't, I didn't know.
00:28:51No, I wasn't married.
00:28:53But there was no, I didn't know it.
00:28:54It was long after me.
00:28:55That's miss Mary still warm
00:29:17His friends must have been here very recently
00:29:19What do you make of that?
00:29:26H.D. Tor. Glid. Dang.
00:29:31What?
00:29:33I think it's a warning of some kind, Flicky.
00:29:36That gliding is dangerous.
00:29:46You have looked through the parachute yourself, my dear.
00:29:49Mr. Drummond is far too valuable to lose.
00:29:51Oh, yes, sir. I packed it myself.
00:29:57You say it broke up in the air, Mr. Torrenson.
00:30:00My experts tell me so.
00:30:02Though somebody had beaten it with a club as it was flying.
00:30:05One would need a very big club to smash that, eh?
00:30:09Well, we shall have to see what happens.
00:30:16Good luck, Mr. Drummond.
00:30:20Thick-thick-thick-thick-thick-thick-thick-thick-thick-thick.
00:30:23Let's get back to the cranks.
00:30:25Don't you say it back to me?
00:30:26Good luck.
00:30:28Good luck.
00:30:29Good luck.
00:30:30Good luck.
00:30:31Seize at 4,000 feet, sir.
00:30:32All right.
00:30:33All right.
00:30:39I've got it.
00:30:40I've got it.
00:30:41Good luck.
00:30:42What did I do?
00:30:43I've got it.
00:30:44He's got it.
00:30:45All right.
00:31:15You are out of sight now, darling.
00:31:45He's releasing now.
00:32:15Drummond sailplane to control.
00:32:24Drummond sailplane to tower.
00:32:30Hello, Drummond sailplane. Come in, please.
00:32:40He's broken off.
00:32:42He's broken off.
00:32:54He's broken off.
00:33:04He's broken off.
00:33:06He's broken off.
00:33:11He's broken off.
00:33:28There he goes.
00:33:34Oh, poor lamb.
00:33:43Do you know I think someone cut the ripcord of his parachute?
00:33:49He's trying to open it by hand.
00:34:04How much longer?
00:34:17Oh, seconds.
00:34:19Good morning.
00:34:39Good morning.
00:34:40Good morning, Morgan.
00:34:49You drowned?
00:34:50Uh-uh.
00:34:51You have the worst stiff neck I ever see.
00:34:53Yeah, you can say that again.
00:35:00You can do that again.
00:35:02Um, tell me, what did you find out about Torrenson?
00:35:04Torrenson?
00:35:05He comes to the sauna.
00:35:06I give him a massage.
00:35:07He goes home.
00:35:08Sometimes I don't see him for weeks.
00:35:10And when he's not in England, he's in North Africa.
00:35:15North Africa?
00:35:17He didn't mention a man called Barouche, did he?
00:35:20Barouche, Barouche.
00:35:21He talks about Barouche.
00:35:22He meets him too in North Africa.
00:35:23And, um, something about a boat.
00:35:24Osprey Three?
00:35:25Yes, that's it.
00:35:26A very fast boat, he said.
00:35:27Uh, he mentioned somebody else called Carpenter.
00:35:29And, um, something about a boat.
00:35:32Osprey Three?
00:35:33Yes, that's it.
00:35:34A very fast boat, he said.
00:35:36Uh, he mentioned somebody else called Carpenter.
00:35:39Peterson.
00:35:40Peterson.
00:35:41Is that any help?
00:35:44Birgit, I absolutely adore you.
00:35:49You do?
00:35:50Mm-hmm.
00:35:51And, uh, and now, I'm gonna rush off.
00:35:54You're sure you love me?
00:35:56Yes, sir.
00:35:57Yes, sir.
00:35:58No, sir.
00:35:59No, sir.
00:36:00No, sir.
00:36:01No, sir.
00:36:02No, sir.
00:36:03No, sir.
00:36:04No, sir.
00:36:05No, sir.
00:36:06No, sir.
00:36:07You're sure you love me so?
00:36:10Well, I, uh, I can't prove it in front of the NATO's, can I?
00:36:19You're next, Major Newman.
00:36:43Hello?
00:36:45Tell him I'll be down in a minute.
00:36:48Yes?
00:36:54Boo.
00:37:04Boo?
00:37:09It's me.
00:37:10I know it's you.
00:37:12How do you know it's me?
00:37:14You didn't even look.
00:37:16How do you like my dress?
00:37:20Just the thing for following me around in.
00:37:22Hmm, I thought so.
00:37:24Where are we dining?
00:37:26We aren't dining anywhere.
00:37:28I've made other arrangements.
00:37:32Aw, shucks.
00:37:36You must admit it was a good idea, though.
00:37:38I was even on the same plane with you and you didn't spot me.
00:37:41Oh, how could I?
00:37:43You've got a black wig and dark glasses on.
00:37:45Now, if you'll excuse me, I'm gonna rush off.
00:37:49Help yourself.
00:37:51Oh, you've got a black wig.
00:37:52There.
00:37:53Come on.
00:37:55Flicky?
00:37:56Yes?
00:37:57You know, everybody's got a home somewhere.
00:37:59Why don't you go to yours?
00:38:01There's a good girl.
00:38:02I can't.
00:38:03It's too far away.
00:38:05Flicky.
00:38:06hungry
00:38:08Well try the hotel restaurant excellent. I want to go out
00:38:13Go to the Casbah with you. There's a restaurant there
00:38:17Where the sheep's eyes are a richly rewarding experience?
00:38:25Sheep's eyes
00:38:26Yeah, ah
00:38:28Mr. Drummond, how do you do you from the British Embassy? Oh, yes
00:38:34I hope I won't shock you old chap, but you'll find me a bit of a fallout, you know this way, please
00:38:38I think you mean dropout. Do I? Oh, yes, I do. My name's Carruthers, by the way, peregrine Carruthers, but you can call me Butch
00:38:44Is that yours? Yes, super, isn't she? Positively psychedelic. I hope you're safe
00:38:50That's what mother keeps worrying about. Who cares, Mr. Drummond? Get with it
00:38:55live dangerously
00:38:57Uh, what does his Excellency think about your swinging image? I don't know. He doesn't say. Wonder why not? He's mommy's brother
00:39:07I don't know. He's my brother
00:39:21Here's your invitation. Lord Dunberry leading on. It's a pre-race party
00:39:26Pre-race what for? Power boats, International Gold Cup tomorrow
00:39:31Who's lady mandolin? Oh expatriate society type always in the cheap press
00:39:35Yes. Yachts, the Riviera, money to burn.
00:39:38Last time it was a herald party. Great fun. Come as your favourite eunuch.
00:39:42I'm glad it was last time. I've been overdressed.
00:39:45Uh, Bruce be there?
00:39:47Oh, I can't say, old chap.
00:39:49Where do you fit in?
00:39:50Me? Oh, I've been assigned as your bodyguard.
00:39:53Good grief.
00:40:01Look out!
00:40:05When will they learn to drive on the left?
00:40:09Mads!
00:40:11Oh, it's a magic of making.
00:40:13Lovely, sweet.
00:40:15Darling, darling, give me a drink, will you?
00:40:18It'll be sweet.
00:40:20Tazzle!
00:40:21Ah!
00:40:30Who's the contact, Butch?
00:40:32No idea, old chap. I presume they'll reveal themselves.
00:40:34If you look at some of these dresses, it won't be long now.
00:40:39Yes, I see what you mean.
00:40:41Well, I'll be around if you need any protection.
00:40:44Thank you, Butch.
00:40:52Mr. Drummond?
00:40:53Yes?
00:40:54Mr. Drummond?
00:40:55Mr. Drummond?
00:40:56Mr. Drummond?
00:40:57Oh, yes, of course.
00:40:58Reggie!
00:40:59Come here at lunch!
00:41:00Cool, baby.
00:41:01Cool, baby.
00:41:02Cool, baby.
00:41:03Good evening, Mr. Drummond.
00:41:04Good evening, Mr. Drummond.
00:41:05Sorry to have kept you waiting.
00:41:06Ugh.
00:41:07Ugh.
00:41:08Forgive me, Mr. Drummond.
00:41:09Sorry to have kept you waiting.
00:41:10Forgive the uproar out there.
00:41:11My party will suit my purpose.
00:41:12Thank you, Mr. Drummond.
00:41:13Oh, no, no.
00:41:14I can't wait, Mr. Drummond.
00:41:15No!
00:41:16We're not going to be in the room.
00:41:17No, no, no, no, no.
00:41:18No, no, no.
00:41:19No, no, no, no, no, no, no.
00:41:20No, no, no, no, no, no.
00:41:21No, no, no, no, no, no, no, no, no, no.
00:41:22It's not going to be in the room.
00:41:23Butch, I can't wait.
00:41:24Good evening, Mr. Drummond.
00:41:34Sorry to have kept you waiting.
00:41:36Oh, forgive the uproar out there.
00:41:40My party suits my purpose.
00:41:42People think I'm a fool, and they talk and talk and talk.
00:41:46Now, Mr. Barouche, Dunbury put an urchant on it,
00:41:50but I'm afraid we haven't been able to do much.
00:41:54Very nice.
00:41:59Mysterious person, Barouche.
00:42:02But you'll see for yourself.
00:42:04He's definitely coming here tonight.
00:42:08Who's Kruger?
00:42:11Built this boat.
00:42:14Osprey III?
00:42:15Mm-hmm.
00:42:15He's expected to win the Gold Cup tomorrow.
00:42:17What's his connection with Barouche?
00:42:19We're not sure.
00:42:21Except at one of my parties,
00:42:23Kruger boasted he could take Barouche for half a million if he wanted to.
00:42:27Something about Barouche buying the Osprey.
00:42:29Half a million?
00:42:31That's an awful lot of money for a boat.
00:42:33Could he be buying anything else as well?
00:42:35Possibly.
00:42:36You see, Kruger's father was a scientist
00:42:38doing advanced work on infrasound.
00:42:41He died last year.
00:42:43Police think it was murder.
00:42:45There was no proof.
00:42:45Infrasound?
00:42:48What's that?
00:42:49Subsonic vibrations.
00:42:51You can't hear it, but it's there.
00:42:53It can destroy life very quickly.
00:42:56Kruger's father was trying to find out
00:42:57how to control and direct it.
00:42:59And what's Torrenson got to do with all this?
00:43:02We've drawn a blank there.
00:43:04Oh, except that Torrenson often flies down to meet Barouche.
00:43:07Barouche.
00:43:11Yes?
00:43:15Barouche has just arrived.
00:43:30Girl, you look gorgeous.
00:43:33Angel, fetch me a drink.
00:43:35My own party, and I'm dying the thirst.
00:43:38Over there.
00:43:42Darling man.
00:43:44I'm honoured.
00:43:46My sheik of the desert.
00:43:48So exciting.
00:43:49So mysterious.
00:43:51Oh, you must meet Mr. Drummond.
00:43:54He's just popped down from London for the race.
00:43:57Ah, Drummond.
00:43:59Your reputation precede you.
00:44:02Insurance, isn't it?
00:44:04That's correct.
00:44:05We must have a lot of things in common, Mr. Drummond.
00:44:10Love for the subdued, for example.
00:44:13Lady Mandeville's parties.
00:44:15Good evening, Mr. Drummond.
00:44:25Surprise, surprise.
00:44:28Your aim's gone to pop, Baroness.
00:44:30My aim is perfect.
00:44:32Dead center.
00:44:33Just that you drilled the wrong heart.
00:44:35Oh, don't be so egocentric, darling.
00:44:38You're not the only interest I have.
00:44:40Oh, you mustn't say things like that.
00:44:41You make me jealous.
00:44:44That's a Grunig, Mark VI.
00:44:46Special Swedish target pistol.
00:44:49Virtually guarantees you a bullseye.
00:44:51Only one problem.
00:44:53Fires just one shot at a time.
00:44:55But I might have reloaded.
00:44:57I'll take a chance on that.
00:44:58I won't.
00:45:02You see, it was loaded after all.
00:45:06To you, Mr. Drummond.
00:45:07You see, Mr. Drummond.
00:45:37What?
00:45:49Hello, Mr. Krueger.
00:45:50What do you want?
00:45:51I've told your boss already we've done our bit of business,
00:45:54and that's that.
00:45:55He didn't get everything.
00:45:57He didn't get the boat.
00:45:59That's his tough luck, huh?
00:46:01But he wants it.
00:46:02Another chance, baby.
00:46:03Now, scram.
00:46:04What's that?
00:46:08That's little Pandora's box.
00:46:26Is this Krueger's boat house?
00:46:28Yes, it's over there.
00:46:29Silly Mr. Krueger.
00:46:32Is he dead?
00:47:02That's strange.
00:47:07I'll mark on him.
00:47:09He's like Miss Mary.
00:47:11Well, thank heavens he's not British.
00:47:14Well, he's not my responsibility, you see.
00:47:17I kill him, though.
00:47:20What's so important about a boat?
00:47:22Sound waves, could that be it?
00:47:25What do you mean?
00:47:26Well, young Kruger there was always talking about sound waves.
00:47:32Powdered glass.
00:47:38Of course.
00:47:39Infrasound.
00:47:41That's it.
00:47:43History was always going on about infrasound, yes.
00:47:45Well, is there some emergency lighting here?
00:47:48Yes.
00:47:50What was that?
00:48:05That's infrasonic sound.
00:48:08Directed down through these holes in the hull.
00:48:10Breaks up the water friction.
00:48:11Makes the boat slide faster.
00:48:12And hey, presto, you've won the race.
00:48:14No wonder he was bummed off.
00:48:15No wonder he was bummed off.
00:48:17No need to murder a man and stop him cheating.
00:48:20All you've got to do is to report him to the race committee.
00:48:22But what makes you so sure that he will come himself?
00:48:25I know him.
00:48:26He will.
00:48:27He will.
00:48:28But what makes you so sure that he will come himself?
00:48:30I know him.
00:48:31He will.
00:48:32Look for him.
00:48:33Look for him.
00:48:34Will all competitors for the international good?
00:48:37Yes.
00:48:38See?
00:48:39I know him.
00:48:40You've got to do it.
00:48:41Yes.
00:48:42I've got to do it.
00:48:43I don't get to do it.
00:48:44You've got to do it.
00:48:45I'm sorry.
00:48:46That you've got to do it.
00:48:47No need to murder a man.
00:48:48No need to murder a man.
00:48:49Stop him cheating.
00:48:50All you've got to do is to report him to the race committee.
00:48:52But what makes you so sure that he will come himself?
00:48:55Look for him.
00:49:00We're all competitors for the International Gold Cup.
00:49:04Proceed to the start, boy.
00:49:06Oh, look! There!
00:49:08That is enough to go.
00:49:14Yes. Put him down.
00:49:17I say it's terribly exciting playing, decoy.
00:49:27I feel just like one of those stuffed ducks.
00:49:44Five seconds to go.
00:49:46Four, three, two, one.
00:50:16I say!
00:50:18Do you think we can stop for a moment?
00:50:20Didn't you say live dangerously, Butch?
00:50:22Yes.
00:50:23Well, live dangerously.
00:50:24That's interesting.
00:50:25No!
00:50:26No!
00:50:27No!
00:50:28No!
00:50:29No!
00:50:30No!
00:50:31No!
00:50:32No!
00:50:33No!
00:50:34No!
00:50:35No!
00:50:36No!
00:50:37No!
00:50:38No!
00:50:39No!
00:50:40No!
00:50:41No!
00:50:42No!
00:50:43No!
00:50:44No!
00:50:45No!
00:50:46No!
00:50:47No!
00:50:48No!
00:50:49No!
00:50:50No!
00:50:51No!
00:50:52They're trying to cut us off.
00:51:22They've switched on the sonic.
00:51:52They're trying to cut us off.
00:52:22They're trying to cut us off.
00:52:52They're trying to cut us off.
00:53:22Baroness Helga, five o'clock, one mile.
00:53:28Estimated time of arrival, three minutes.
00:53:31Received.
00:53:31Central, out.
00:53:35Is this what you're after?
00:53:36Don't touch it!
00:53:38Turn it off!
00:53:42Slow down or I'll shoot!
00:53:56If you shoot me, we'll never stop in time.
00:53:59You look a mess.
00:54:26You look a mess.
00:54:32You look a mess.
00:54:36You look a mess.
00:54:39Whee!
00:55:03Well, not really used to roughing it, Baroness.
00:55:07It won't be for long.
00:55:09And it's a comfortable place to die.
00:55:14Oh!
00:55:15Do you mind?
00:55:39Move.
00:55:44Hmm.
00:55:45Curse a little.
00:55:46Come on.
00:55:46Come on.
00:55:47Move.
00:55:47Come on.
00:55:48Move.
00:55:48Come on.
00:55:49Move.
00:55:50Come on.
00:55:51Move.
00:55:52Come on.
00:55:53Come on.
00:55:54Move.
00:55:55Come on.
00:55:56Move.
00:55:57Come on.
00:55:58Come on.
00:56:07You wait here.
00:56:13Two against one, Mr. Drummond.
00:56:14Hmm.
00:56:15You don't want to miss the manager, though, do we?
00:56:22A drink, sir?
00:56:23Black and white and water, please.
00:56:25Black and white and water.
00:56:27No ice.
00:56:28No ice.
00:56:29No ice.
00:56:30Right away, sir.
00:56:31And you, sir?
00:56:32Nothing.
00:56:33Nothing for me, thank you.
00:56:35Black and white and water.
00:56:44This way, please.
00:56:45Hmm.
00:56:46Not bad.
00:56:47Little less water next time.
00:56:54Oh, dear.
00:56:55That reminds me.
00:56:56His Excellency is expecting us for dinner.
00:56:57My dear Carruthers, don't be alarmed.
00:57:10Ah, Mr. Drummond.
00:57:13How very nice of you to come.
00:57:16Thank you, ladies.
00:57:19You're not Barouche at all.
00:57:21You're Torrenson, aren't you?
00:57:22Oh, no, no.
00:57:23He's Barouche.
00:57:24I saw him shot.
00:57:27I saw him.
00:57:32Torrenson.
00:57:33The killing of Barouche was a necessity.
00:57:35There was too much curiosity.
00:57:38A coup de théâtre, my dear sir.
00:57:41Would you care for something to drink?
00:57:44Mr. Drummond?
00:57:45It's inevitable, I suppose.
00:57:47This desire to disguise yourself.
00:57:50What do you mean?
00:57:51The whole civilized world finds Carl Peterson
00:57:55totally repulsive.
00:57:58You seem to have reached the same conclusion.
00:58:03Who is this Carl Peterson?
00:58:05You are.
00:58:06I can smell you.
00:58:08You think you're so damn clever, don't you, Drummond?
00:58:11But I'll show you.
00:58:12I'll show you.
00:58:13This, this island on the crossroads of the Mediterranean.
00:58:19From here I will control the whole destiny of the world.
00:58:25Ridiculous. You can't even control your own temper.
00:58:27Turn on Gomez and then there's no limits.
00:58:35Whoa.
00:58:37Whoa.
00:58:45Come on, Carruthers.
00:58:50We won't keep H.E. waiting any longer, must we?
00:58:53Don't move, Mr. Drummond.
00:58:57Drop it.
00:58:59Hello, Flicky.
00:59:01I wonder what had happened to you.
00:59:03I missed you.
00:59:04I shan't miss you.
00:59:07So very slowly.
00:59:09Back down there.
00:59:13And we're all changed for dinner.
00:59:15Shall we, gentlemen?
00:59:17Shall we?
00:59:18Yes.
00:59:22The telegram you were expecting, Carl.
00:59:25Thank you, my dear.
00:59:26How do you like the clothes we provided for you, Mr. Drummond?
00:59:30Excellent. They might have been made for me.
00:59:32They were, my dear fellow.
00:59:34They were.
00:59:35History repeats itself.
00:59:37Napoleon dreamt of the entire universe thronging to his door.
00:59:40Now I shall fulfill his dreams.
00:59:43Dressed as the Duke of Wellington.
00:59:44And, of course, my dear fellow, never back a loser.
00:59:52What's a nice girl like you doing in a dump like this?
00:59:56Never, not even in England, have I ever come across a hotel where the service met with my satisfaction.
01:00:02So I built and staffed my own.
01:00:07Ah, Pandora.
01:00:09I'm sure you'd prefer something a trifle more exotic, wouldn't you, my dear?
01:00:13You know my taste.
01:00:14And what about you, Flicky, with your sweet tooth?
01:00:17I think she deserves a little reward for having looked after you so nicely, don't you think?
01:00:23I thought working for you was its own reward.
01:00:26I can't eat that stuff.
01:00:27Why don't you give it to Pandora?
01:00:31Do you think you should, darling?
01:00:33It's terribly bad for the complexion.
01:00:35I have a perfect complexion.
01:00:38You see, Mr. Drummond, to get perfect service, one needs total single-mindedness.
01:00:44Thank you, sir.
01:00:52See what I mean?
01:00:54Ordinary servant would have panicked, started to scream.
01:00:59Not my girls.
01:01:07Hello, Central.
01:01:08Ready for number nine.
01:01:11Go.
01:01:11Message received.
01:01:14Number seven, Keese.
01:01:29They're wrong!
01:01:37Air pull!
01:01:39I can't swim!
01:01:40I can't swim!
01:01:41I can't swim!
01:01:44I can't swim!
01:01:45I can't swim!
01:01:58Remarkable girls, aren't they, Mr. Drummond?
01:01:59You see that in training?
01:02:01I wonder what for?
01:02:10Control, Mr. Drummond.
01:02:11Perfect control.
01:02:12These girls can do anything.
01:02:16Jerks!
01:02:17Jerks!
01:02:18Jerks!
01:02:19Jerks!
01:02:20Jerks!
01:02:21Titty-hoo!
01:02:22Jerks!
01:02:23Titty-hoo!
01:02:24Jerks!
01:02:25Titty-hoo!
01:02:26Central, it's yoiks and tally-ho, not jerks and titty-hoo.
01:02:33This one's slightly more stupid than some, that's why she's having extra training.
01:02:40Now watch her take this.
01:02:49Fantastic.
01:02:50Autor's landing.
01:02:54I think she's hurt.
01:02:56Central.
01:02:58Number seven needs reactivating.
01:03:00Reactivating immediately.
01:03:03She's better.
01:03:08Very interesting.
01:03:10Aren't they all like that?
01:03:12That one's so stupid. She's almost human.
01:03:15Must give you somebody to talk to when you want to feel superior.
01:03:18Please, sir. Can I have this one to practice with?
01:03:21Why don't she get her riding right first?
01:03:26Is there something wrong with him?
01:03:28Is there something wrongly programmed?
01:03:30Look here. I really must protest.
01:03:32This just isn't decent.
01:03:34What about you, Mr. Drummond?
01:03:36Would you care to give us a little tuition in the art of seduction?
01:03:40Well, have a try.
01:03:42That's all right.
01:03:44That's all right.
01:03:46Just relax.
01:03:48On your neck.
01:03:50I think you do remember your British.
01:03:52Got there at last, Drummond.
01:03:54Well, there has to be some method of controlling them, doesn't there?
01:03:58But I must say I didn't expect to find something as simple as a switch.
01:04:02Hardly simple, Mr. Drummond.
01:04:04Hardly simple, Mr. Drummond.
01:04:06You've heard of artificial legs, artificial hands.
01:04:08Well, my girls have artificial brains.
01:04:10Well, I must say I didn't expect to find something as simple as a switch.
01:04:14Hardly simple, Mr. Drummond.
01:04:16You've heard of artificial legs, artificial hands.
01:04:18Well, my girls have artificial brains.
01:04:20Surgically implanted, of course.
01:04:22I've termed the operation robotizing, for want of a better word.
01:04:26Oh, my god.
01:04:28Oh, my god.
01:04:30Oh.
01:04:32Oh, my god.
01:04:34Oh, my god.
01:04:36Oh, my god.
01:04:38Oh, my god.
01:04:40Oh, my god.
01:04:42Oh, my god.
01:04:44Oh, my god.
01:04:45Oh, my god.
01:04:46Oh, my god.
01:04:51Sorry, sir.
01:04:52I don't know what happened.
01:04:54You're passed out in the heat of passion.
01:04:56Once they've been fully trained and programmed,
01:04:58you won't be able to tell the difference between my girls
01:05:01and the communal garden variety.
01:05:03Except, of course, that they'll be under my control.
01:05:16They've been trained as weightlifters.
01:05:17They think big.
01:05:18Yes, but apart from giving you somebody to live with who tolerates your nastiness, what's the point of it all?
01:05:33Oh, the point.
01:05:35Eight million pounds, Mr. Drummond.
01:05:37That's the point.
01:05:39A great deal of money.
01:05:41Here we have the operation, sir.
01:06:06Has this one had the treatment?
01:06:09Your lovely spy?
01:06:11No.
01:06:12She's supervising the installation of the booster mechanism on my little toy.
01:06:16Thanks to you for getting me the boat.
01:06:18What does your little toy do?
01:06:23The SST1.
01:06:25That now feels pretty well guarded now. You won't get near it again.
01:06:29I don't need to.
01:06:31Pandora, would you show Mr. Drummond how the prototype works?
01:06:35Mr. Drummond, would you put your glass down, please?
01:06:42Move a little back.
01:06:46Hold it.
01:06:54In for sound.
01:06:56So you've gone right off explosives now, have you?
01:07:00Yes.
01:07:01Unfortunately for Pandora, she does so enjoy a good bang.
01:07:08Will you offer Mr. Drummond another drink, my dears?
01:07:11Black and white?
01:07:12We've bought her.
01:07:13No ice.
01:07:14Quite correct.
01:07:15We're ready, Carl.
01:07:16You see, Mr. Drummond, until I could get hold of that boat, I couldn't quite work out how to employ Pandora's little gadget for long-range destruction.
01:07:26But now, when the SST1 takes off tomorrow, I turn on my projector, and the infrasonic waves will totally jam the supersonic control system of the plane.
01:07:37What do you want to do that for?
01:07:39Eight million pounds.
01:07:41That's my fee for when the plane's contracts are cancelled.
01:07:44And are we going to see this happen on your screen?
01:07:47Oh, yes.
01:07:48Yes, tomorrow morning.
01:07:49That's the last thing either of you will see.
01:07:52After that, I'm going to use it on you.
01:07:55I'm going to use it on you.
01:07:56I'm going to use it on you.
01:08:01Were you spying on us?
01:08:03No, ma'am.
01:08:05Mr. Drummond said you looked through the keyhole.
01:08:09Did you?
01:08:10No, ma'am.
01:08:19I switched her off.
01:08:21Good.
01:08:25Happy now?
01:08:29Yes.
01:08:30I don't like it watched.
01:08:41Hey.
01:08:43Do you have a light?
01:08:56I only want to light.
01:09:06I am like your last cigarette.
01:09:11A special treat for the condemned.
01:09:14Dangerous to smoke in bed, you know.
01:09:19That Helga is with him.
01:09:21She could have you.
01:09:23Oh, yes.
01:09:24She's so selfish, that one.
01:09:26I told her it was my turn.
01:09:30It makes me so terribly cross.
01:09:37Why don't you try me?
01:09:40You are not like him.
01:09:43Well, you could pretend, couldn't you?
01:09:46No, no, I'm sorry.
01:10:00But I promise you, once you know how, it's very good.
01:10:05Yes, I'm sure.
01:10:07But look, are you sure you're not a robot?
01:10:10Oh, dear.
01:10:11You want your robot?
01:10:12Yes.
01:10:13Why?
01:10:14Well, you see, I promised my mother I wouldn't, but I mean, if you were a robot, then that would be all right, wouldn't it?
01:10:18But Mummy will never know.
01:10:19Oh, I...
01:10:20No.
01:10:21Oh, I say.
01:10:22Mummy never told me about this.
01:10:24No.
01:10:25No.
01:10:27Oh, I say.
01:10:29Mummy never told me about this.
01:10:30No.
01:10:32Oh.
01:10:33Oh.
01:10:35Oh.
01:10:36I say.
01:10:37Mummy never told me about this.
01:10:38What?
01:10:39Oh!
01:10:41Oh, no!
01:10:42Oh, no!
01:10:43Oh, no!
01:10:44Oh, no!
01:10:46Oh!
01:11:08Oh, my God.
01:11:38Oh, my God.
01:12:08Oh, my God.
01:12:38Must you be so rough, darling?
01:12:49Oh, I thought you'd never get here.
01:12:51Who are you double-crossing this time?
01:12:52I had to make contact.
01:12:54Peterson's watching all the time.
01:12:56All right.
01:12:59Now you've got me, what do you want?
01:13:01C.I.A.
01:13:03C.I.
01:13:03Who?
01:13:04Washington thought you needed looking after.
01:13:07How sweet of them.
01:13:09You must think I'm a bigger fool than I look.
01:13:11If you don't believe me, why did you come here instead of trying to swim for it?
01:13:15Curiosity.
01:13:16The fact that the nearest place to swim to, 200 miles away, they're not that strong.
01:13:22Look.
01:13:24Peterson still trusts me.
01:13:26Do you want my help or not?
01:13:28Well, how'd you get the job in the first place?
01:13:30You just call him up and ask?
01:13:31Two years ago, Peterson needed a girl who spoke Russian.
01:13:35I do.
01:13:36Hmm.
01:13:36Suppressor's intact.
01:13:40Only thing, no gas.
01:13:44They think of everything, don't they?
01:13:46Almost everything.
01:13:48Yes.
01:13:52If you shoot me, I'll shoot your fragile girlfriend.
01:13:55And you wouldn't like that, would you?
01:13:57For many reasons, yes.
01:13:58I think I would.
01:14:00Give me that gun.
01:14:02Or I'll shoot the darling little traitor.
01:14:04I wouldn't if I were you.
01:14:20Drummond!
01:14:22Drummond!
01:14:34If Baroness Helga had alerted Control, then we would have been certain of his death.
01:14:50All right.
01:14:55Hello, Control.
01:14:56Control.
01:14:57Have they finished searching the grounds yet?
01:14:59Continue.
01:15:00Search.
01:15:02Out, out, out, out, out.
01:15:03Central, Drummond is not in the kitchen.
01:15:12Over there.
01:15:15Sit down.
01:15:16Sit down.
01:15:16Number seven reporting.
01:15:38No sign of Drummond.
01:15:40Out.
01:15:40They've searched everywhere, Carl.
01:15:43My aim is still perfect.
01:15:45I must have killed him.
01:15:46What a pity.
01:15:47I would have liked him to have seen the show.
01:15:49It's about to start at any minute.
01:15:50Hello, central.
01:16:10Number seven reporting.
01:16:11Hello, central.
01:16:12Hello, Central. Number 7 reporting from the kitchen area. Drummond is... not here.
01:16:26Hello, Central. Recall all units. Seal all doors immediately. We're about to commence operations.
01:16:33All numbers report central doors and windows sealed immediately.
01:16:39Operating about to commence. See you later, handsome.
01:16:48See you later, handsome.
01:17:05Helga, would you get me a shot of Major Newman, please?
01:17:08Yes, Carl.
01:17:14Who's that?
01:17:15The man who's going to pay me when that lovely plane goes up in smoke.
01:17:19There you are, Major Newman. Your boys may be damn clever, but they'll never do the plane like that.
01:17:23Eight million pounds. That's not bad, is it? How monstrous.
01:17:34Rather depends on whose side you're on, dear chap, doesn't it?
01:17:37I mean, talking about money like that. Like a tradesman.
01:17:40I mean, talking about money like that. Like a tradesman.
01:17:43There's no matter how money like that, Sam.
01:17:46No, no, no, nothing, is it?
01:17:50Usually, it's about Jacob.
01:17:51Indeed.
01:17:53Two years ago, he was holding onto the cuisine.
01:17:56Things like that were notanginghem.
01:17:58We were just going to be a restaurant or a container back.
01:18:02london was picked up on Sue 오�아 A,
01:18:05I don't know.
01:18:35Nearly ready, Carl.
01:18:46Now.
01:19:03Do you see what's happening?
01:19:05Their plane is supersonic.
01:19:06Our little toy is subsonic.
01:19:08I've jammed their controls.
01:19:09They can do nothing.
01:19:11They will continue to climb,
01:19:13and no one will ever know what happened.
01:19:35They will continue to
01:19:45go away.
01:19:46They will not continue to
01:19:51go away.
01:19:51Oh, my God.
01:20:21Stop it. Stop it at once, I say.
01:20:26I think I owe myself displeasure.
01:20:28No, don't.
01:20:30I was only going to tickle him.
01:20:32Have you gone mad?
01:20:33Use this in here and you'll jam the destructor, you fool.
01:20:51Oh, my God.
01:21:21Oh, my God.
01:21:52Ah, coming. Just in time.
01:21:54They've almost gone into orbit.
01:21:55That's it. Turn it off.
01:21:56Try and make me.
01:21:57He can't use that. It'll jam the destructor.
01:21:59He said so.
01:22:01Keep that destructor going.
01:22:02Yes.
01:22:04Right.
01:22:04I'm going to walk up to you,
01:22:08take that out of your hand,
01:22:10and I'm going to turn off your little toy.
01:22:12Stop. Take another step and I'll kill you.
01:22:13You kill me.
01:22:15You're going to blow your eight million pounds, old boy.
01:22:17Hello, Central.
01:22:30All numbers to report to the rooftop immediately.
01:22:36Let's go.
01:22:41Identity contracts for that plane will be cancelled after all.
01:22:46Stop it!
01:22:50Stop it!
01:22:52Stop it!
01:22:53Stop it!
01:22:55Stop it!
01:22:56Stop it!
01:22:56Stop it!
01:22:57Stop it!
01:22:57Stop it!
01:22:58Stop it!
01:22:58Stop it!
01:22:58Stop it!
01:22:59Stop it!
01:23:00Stop it!
01:23:00Stop it!
01:23:01Stop it!
01:23:02Stop it!
01:23:02Stop it!
01:23:03Stop it!
01:23:03Stop it!
01:23:04Stop it!
01:23:04Stop it!
01:23:05Hello, Central.
01:23:09Numbers 1 through 6 to eliminate numbers 8 through 13, immediate and urgent.
01:23:13And numbers 8 through 13 to eliminate numbers 1 through 6, immediate and urgent.
01:23:17Where's that little machine gotten to?
01:23:19Upstairs. Too dangerous a toy for you and me.
01:23:21Oh, but I thought if you...
01:23:22And Central.
01:23:23Number 7 to pick up the infrasonic manual destructor and dispose of it.
01:23:33Come on.
01:23:35Come on.
01:23:49Female of the species, Carruthers.
01:23:53Mr. Drummond.
01:24:01Hello, Number 7.
01:24:03I thought Central told you to dispose of that horrid thing.
01:24:09That's just what I'm doing.
01:24:11Why don't you dispose of it somewhere else?
01:24:13Hmm?
01:24:14Here.
01:24:15Here.
01:24:25Oh.
01:24:26Thank you very much.
01:24:29Now.
01:24:30Let's see if this will open the boathouse, shall we?
01:24:33Look, look, look, look.
01:24:34Right here.
01:24:35Oh, good show.
01:24:36Ah.
01:24:37Ah.
01:24:38Ah.
01:24:39Aha.
01:24:40Now you hold that.
01:24:41Okay.
01:24:42Please.
01:24:43Please.
01:24:44Please, please, please, be very, very, very careful.
01:24:45Then don't look.
01:24:46Okay.
01:24:47Ooh.
01:24:48Oh.
01:24:49Ooh.
01:24:50Ooh.
01:24:51Ooh.
01:24:52Ooh.
01:24:53Ooh.
01:24:54Ooh.
01:24:55Oh.
01:24:56Ooh.
01:24:57Oh
01:25:27That was fantastic. Yes, it was rather wasn't it
01:25:47Sorry, mr. Drummond, but when you're playing Madhahari anything goes not the CIA how surprising
01:25:55You couldn't possibly be working for that Russian organization. Could you how did you guess now? Get away from the boat
01:26:06Are you Russian? Oh, sorry peregrine, but we don't have him for sound
01:26:11At least we didn't but that's marvelous. Why didn't you tell me?
01:26:16It's just about the only thing I can do speak Russian. I mean
01:26:19I
01:26:23Mr. Drummond, will you tell his exasie, please? I'm not defecting just taking leave of absence to improve my Russian relations
01:26:30I
01:26:34We'll never forgive you
01:26:54Who are you working for who do you think
01:27:00Some girls do
01:27:06Some girls do
01:27:08Satisfy you
01:27:10But they'll all mystify
01:27:12You
01:27:14They'll prill you and some will do
01:27:16Anything you desire
01:27:18There's no doubt about it
01:27:22It's
01:27:24It's room to be true
01:27:26There is name
01:27:28In the world
01:27:30Can do
01:27:32What some girls do
01:27:36do
01:27:38...
01:27:40...
01:27:42...
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