- 5 minutes ago
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Short filmTranscript
00:00The End
00:30and even $210,000.
00:35And more come tomorrow.
00:404.30.
00:44It's almost sundown.
00:56If he thinks the place is closed,
00:58he'll go away.
01:28If he thinks the place is closed,
01:30he'll go away.
01:31I'll go away.
01:32I'll go away.
01:33I'll go away.
01:34I'll go away.
01:35I'll go away.
01:36I'll go away.
01:37I'll go away.
01:40So it's you.
01:41You frightened me.
01:42All right.
01:43You can come in.
01:44Nobody else.
01:45Nobody else gets in.
01:46Do you hear?
01:47Nobody.
01:48Nobody.
01:49Nobody.
01:50Nobody.
01:51Nobody.
01:52Nobody.
01:52Nobody.
01:53Not232.
02:11Mr. Spengler.
02:18Mr. Spengler,
02:20I've been waiting for you.
02:23Where... where did you come from?
02:26Oh, now, really, Spengler,
02:29you know better than to ask me that.
02:32I can't see you. Where are you?
02:43Here, you miserable little miser, waiting for you.
02:48I've been waiting a whole year.
02:52But you've got to give me a little more time.
02:55Just a little more time?
02:58Of what, Spengler? Counting your useless money?
03:01Mammon creases Midas.
03:03You're all alike, barren and sterile.
03:08You can't take me now.
03:10For the first time in my life I have something.
03:13At least let me enjoy it.
03:16Enjoy it?
03:18What does a miser know of pleasure?
03:22It is better to live than to just die rich.
03:26A bargain is a bargain, however,
03:30and your time was up at sundown.
03:34Come with me.
03:38Come with me.
03:42Your money won't help you now.
03:47Spengler!
03:49The name of our story is The Devil's Ticket.
03:55It has to do with an artist.
03:58And they tell us that one picture is worth a thousand words.
04:02You will see...
04:17McDonald Carre.
04:20Joan Tetzel.
04:24Patricia Medina.
04:29And John Emery.
04:32Patricia Medina and John Emery now there's a rose gallery if I ever saw one
04:47and I can assure you they're up to no good as you'll find out for yourself if
04:53you have the courage to stay with us
05:02you
05:32Hector, you're not eating.
05:38Oh, sorry.
05:47It's good soup.
05:49Maybe I'm sick of soup.
05:53Something's wrong.
05:55A woman's intuition.
05:59The painting didn't go well today, did it?
06:01Oh, yes, my dear. The painting went very well today.
06:04I can hang it on the wall along with all the others.
06:07And then what? Look at them.
06:10It's been two years since I had a showing. Two years!
06:12But the critics liked your work.
06:16Yes, the critics. They said I was a finished artist.
06:19How right they were.
06:22Where are you going?
06:23Why do I always go when I'm sick of soup? To Spangler, of course.
06:26You've pawned just about everything we own.
06:29What about the silverware?
06:31You can't stop the gun for wedding presents.
06:43Spangler has it all.
06:44I know.
06:56I swore I'd never pawn any of my paintings.
07:01Poor but proud, that's me.
07:03Loving a garret and all that sort of thing.
07:05Well, that's finished.
07:06But, Hector, not the still life.
07:07But, Hector, not the still life.
07:10Why not? It's only a masterpiece.
07:13If we have to.
07:15Don't let him cheat you now.
07:17Oh, Spangler, how can you say that?
07:19He knows an original Hector vein is worth $1,000.
07:21So, maybe you'll give me $10 for it.
07:24So, why don't you say that?
07:26To the toilet.
07:26For those of you, Mr. Spangler, how's that?
07:26I don't know.
07:27I don't know.
07:27I don't know.
07:28I don't know.
07:29I don't know.
07:29I don't know.
07:30Mr. Spangler?
07:50Mr. Spangler?
07:59Yes?
08:00Yes?
08:04I have taken my place.
08:07Mr. Spangler is finished.
08:09I have taken his place.
08:12How can I serve you?
08:15I'd like to get a loan on this.
08:19Perhaps if we could have a little more light.
08:22I do not need the light.
08:29You painted this?
08:31Yes.
08:32Ah, I see. You are a realist.
08:34I approve of that, young man.
08:36We must all face reality.
08:38That's why I'm here.
08:40Yes, indeed.
08:42There's abstractionist painters now.
08:44They're trying to escape.
08:46And, of course, there is no escape.
08:48I'm beginning to find that out.
08:50Those bearded young fellows with their stupid scrawls.
08:53I don't understand their work at all.
08:55I sometimes think they must paint with their beards.
08:59But this...
09:02This is real painting.
09:05You like it?
09:07Yes.
09:09The shoes look like shoes.
09:12You have an unusual talent.
09:17What will you offer me for the picture on a lawn?
09:20Nothing.
09:22Nothing?
09:24I do not deal in paintings.
09:27But it's all I have to pawn.
09:30Don't be so sure, Hector Vane.
09:33You know me?
09:35Your signature's on the painting.
09:37It tells me many things.
09:40Those old shoes.
09:42Poverty.
09:44You must be very poor.
09:47You should be rich.
09:48Famous.
09:49That's what I want, yes.
09:50But right now, I'll settle for $10 in cash.
09:54Don't be a fool.
09:55You can have anything you want.
09:57Everything.
10:02Who are you?
10:04Your benefactor.
10:06The one who can give you all that you desire.
10:09What the devil do you mean?
10:11Now, now, let's not mention any names.
10:23It's ridiculous.
10:25But the next thing I know, you'll be trying to get me to sell you my soul.
10:30Not sell, Mr. Vane.
10:33If you prefer, you can pawn it with me.
10:36Pawn it?
10:37You mean a regular...
10:40Pawn ticket deal for 90 days?
10:43That sounds like a reasonable length of time.
10:48Think it over, Mr. Vane.
10:51Fame.
10:52Riches.
10:53Whatever you desire.
11:03I don't believe it.
11:04You'll see.
11:08Suppose I agreed.
11:09Then what?
11:10How could I redeem my pledge?
11:12Very simply.
11:14By painting a picture for me.
11:17What's the matter with this picture?
11:18It's good.
11:19Ah, but that's a still life, Mr. Vane.
11:22Not really suitable for my collection at all.
11:25Now, we will talk about that later,
11:27after I fulfill my part of the bargain.
11:31Now, uh...
11:33Will you be good enough to sign your name?
11:49Just sign my name?
11:50That's all.
11:51Just a legal precaution.
11:52Legal?
11:53Oh, don't scoff, Mr. Vane.
11:54In my time, I had dealings with many lawyers.
11:55Sign here, please.
11:56Excellent.
11:57Here is your ticket.
11:59Excellent.
12:01Here is your ticket.
12:02Redeemable at sundown.
12:04On the 5th of April.
12:05Deemable at sundown.
12:06On the 5th of April.
12:23Here is your ticket, redeemable at sundown on the 5th of April.
12:40Is this all I have to show for you? Just an ordinary pawn ticket?
12:46It's all you'll need, Mr. Vane. It's all you'll need.
12:53It's all you'll need, Mr. Vane.
13:23Darling?
13:27Yes?
13:29Darling, darling, darling.
13:32Marie, what's wrong?
13:33Wrong. There's nothing wrong. Everything's right.
13:36He just called on the landlady's phone. He wants to see you right away tonight.
13:39Who?
13:40Well, Eppert, your art dealer, he talked to Howard Lanson about your work.
13:46You mean the Lanson art gallery, that Lanson?
13:48Yes.
13:50He's planning a one-man show for you next month.
13:54Eppert says he's ready to buy six of the big oils now, particularly the still life, and he knows it during the show.
14:00He can sell at least a dozen more.
14:06Isn't it wonderful?
14:09Yes.
14:11Wonderful.
14:15Did you sell the still life?
14:17No.
14:18No, I didn't sell the still life.
15:48Ah, Mr. Vane, an unexpected pleasure.
15:53I didn't think I'd be seeing you this soon.
15:57Is everything satisfactory?
16:00It's a dream.
16:01Life is a dream, Mr. Vane.
16:03I don't see how you do it.
16:04The show, the sales, and now these wealthy people who buy my pictures.
16:12What do you know?
16:14They're even giving me tips in the market.
16:17I promised you fame and riches.
16:20And you promised me.
16:22That's why I'm here.
16:24I thought if I came a month in advance...
16:29Not quite a month now.
16:32Twenty-six days, Mr. Vane.
16:35Just twenty-six more days.
16:37I know, but there's no need for you to wait.
16:41You have the picture for me?
16:43Where is it?
16:44Why, it's in my studio, of course.
16:47I painted it especially for you.
16:48It's a beautiful landscape.
16:51Landscape?
16:54Landscape?
16:55That's very clever of you, my dear sir.
16:58Very clever indeed.
17:00I didn't mean to be clever.
17:01I don't want a landscape, Mr. Vane.
17:04My agreement calls for me to make a choice.
17:07I want you to paint a portrait.
17:09One of those portraits that you alone can paint.
17:12A portrait that captures the soul.
17:15The soul?
17:16Why do you keep insisting on the soul?
17:18For a very good reason.
17:20Because I hold your soul in porn.
17:22Unless you redeem it with another soul, I shall claim possession.
17:26Full possession.
17:29That means somebody else would be...
17:30You made the bargain, Mr. Vane.
17:33So it's your soul against another.
17:47I can't believe it.
17:50It's like a nightmare.
17:52Life is a nightmare, Mr. Vane.
17:57There's no other way.
17:59Don't take it so hard, my friend.
18:02I'm not limiting you.
18:04Whose portrait you give me doesn't matter in the least.
18:07Just as long as you paint faithfully.
18:10So that your genius will mirror the soul of the sitter.
18:15That would be murder.
18:18Worse than murder.
18:19Yes.
18:21Is that so terrible?
18:23Perhaps there's someone you would like to get rid of.
18:27Paint his portrait and satisfy us both.
18:3126 days, Mr. Vane.
18:34You have just 26 days.
18:37Oh, Hector, you're not eating.
18:56I'm sorry.
19:03Something's wrong.
19:13No.
19:14Everything's fine.
19:15I'm just not hungry.
19:17Where are you going?
19:21To the studio.
19:23The studio.
19:27Out.
19:27You know, with all the money you've made, I don't know why you want to keep that old place.
19:35For sentimental reasons.
19:37Besides, it has north light.
19:39North light?
19:41What difference does that make at night?
19:42I don't understand what's come over you lately.
19:46Sleeping half the day and only painting in the evenings.
19:50You don't understand me, period.
19:57That overcoat.
20:00Why do you keep on wearing such a shabby old thing?
20:03For the same reason I keep the studio.
20:06Sentiment.
20:06You haven't been very sentimental lately.
20:21Maybe I've changed.
20:24Good night.
20:35Good night.
20:36Good night.
21:06You're so sentimental.
21:18How can I help it?
21:21You treat all your models this way.
21:24I never had a model like you before.
21:27Back to your easel, lover.
21:29Nodger.
21:34Nodger.
21:35Nodger, darling.
21:37You're supposed to be a painter, not a sculptor.
21:40you keep treating me like a joke what else am i to do hiding away with me here in this crummy
21:50little garret then running off to that big penthouse of yours must give you a million laughs
22:10is that a joke is it no no i never knew i could feel this way about anyone prove it how i'm going to
22:25mexico for a year on april the third come with me april third i can't
22:34your wife giving a tea party for some of her rich friends it isn't that it'll take me just a couple
22:45of weeks longer go on keep asking for more time i know that technique well i'm sorry darling i have
22:51made my reservations but i'll need more time to straighten out my affairs i'm sick of that word
22:56affairs i'm talking about marriage so am i i thought i wanted money and fame all the while
23:08what i really wanted was you
23:10never mind the analysis darling save that for the psychiatrist
23:18psychiatrist of course psychiatrist could be the answer the answer to what
23:30it could be the answer to everything
23:34what more can i say
23:47sounds a little wild doesn't it i've heard wilder yes and your patience you don't consider yourself
23:55my patient no what i've told you happens to be the truth the truth as you see it as i've lived it
24:03what is truth puntus pilot asked that question long ago the closest we've come to an answer is that
24:11there are two kinds of truth objective and subjective yours is subjective what you see in your own mind
24:19i told you this pawnbroker actually exists everything really happened of course it's all a matter of
24:28how you interpret them what's your interpretation doctor coincidence you met this man he played upon
24:34your suggestibility there's nothing supernatural about it
24:38he's the devil he told you this not in so many words
24:45does he have horns no
24:47a tale no of course not i see but you think he's satan but everything he's promised came true
24:53why because he promised
24:55well because it would have come true anyway
24:57you've been a painter for many years you told me yourself that sooner or later success was bound to come
25:04that pawnbroker had nothing to do with what happened
25:08but he has my soul
25:10did he go to that art gallery and force them to have a showing
25:12did he influence the critics
25:15how could he make people purchase your paintings
25:18think a moment
25:19you'll see that he had no part in it at all
25:21you don't understand he has my soul
25:23only if you want to believe he does
25:26only if you believe in him
25:27you don't
25:30in the old days they called it demonic possession
25:33today we know that evil spirits and devils
25:36don't enter human minds
25:39or human bodies
25:40we recognize schizophrenia
25:42the paranoid syndrome
25:44in other words i'm not crazy but the pawnbroker is
25:47from your description he would appear to be mentally disturbed
25:50but what shall i do
25:51my advice to you is to do nothing
25:54absolutely nothing
25:56just stay away from him
25:57but you don't understand
25:59if you could only see him you'd know
26:01you'd feel better if i saw him
26:04would you just go to the pawn shop and see for yourself
26:07perhaps on one condition
26:09what
26:09that you consent to regular treatment
26:13but i thought you said there was nothing wrong with me
26:16i told you there was nothing supernatural involved in your problem
26:19but there is a problem
26:21your immediate situation
26:24with your wife with this girl
26:25don't you believe you need treatment
26:30yes i need help
26:34miss dexter will set up a schedule of appointments
26:41but you promised you'll go see the pawnbroker
26:45well ordinarily
26:48i'd have no ethical right to interfere
26:50but as your physician
26:53yes
26:54i'll see him
26:55thank you doctor
26:56thank you
26:59it's wonderful
27:11you seem terribly gay tonight
27:16it's a celebration
27:17and what are we celebrating my running away to mexico
27:22we're celebrating our running away to mexico
27:26margaritas from monterey
27:40tequias in tosco
27:54salute to the brave bull
27:56siesta and sonora
27:57siesta and sonora
27:58and pick passion flowers and such a meal
28:01it sounds wonderful though
28:05it sounds too good to be true
28:08but it is true
28:10tell me tomorrow hector
28:13marcia
28:16why don't we leave now
28:19and go up to the studio
28:21tomorrow
28:25dr frank
28:34dr frank
28:39good day mr vane
28:49the doctor
28:50where is he
28:53let us say
28:54that he has been detained by another appointment
28:57permanently detained
28:59what are you doing here
29:02i could ask you the same question
29:05you should be working
29:07working
29:09working
29:09yeah
29:09you owe me a painting
29:11remember
29:12and don't waste your time
29:15sending doctors
29:16or policemen either
29:17just deliver the portrait
29:20you have only
29:2313 days left
29:25mr vane
29:2613 days
29:31he's been
29:33he's been
29:37at the same time
29:41so
29:45he's been
29:51I've been waiting over an hour for you. Where have you been?
30:07You're drunk.
30:11What happened? What's the matter?
30:15And what's the matter?
30:19It's all finished.
30:21Please make sense.
30:23Nothing makes sense. Nothing.
30:27I thought I was imagining things.
30:31Out of my mind.
30:33But it's real.
30:37I wish I were out of my mind!
30:41Darling, what did happen? What's the matter?
30:46I can't go.
30:51I said I can't go.
30:53I heard you.
30:55And now I'm waiting to know why.
30:58Something came up.
31:04I've got to paint a picture.
31:07I can't help it, I promise.
31:11You don't believe me.
31:13It's true.
31:15Here.
31:16Let me show you.
31:18I've got to redeem this ticket.
31:20I've got to paint a masterpiece.
31:22A masterpiece!
31:24Look at your hands.
31:25You couldn't paint anything.
31:27How much painting have you done since you've known me?
31:30I was to be your model, remember?
31:33Your model?
31:34Oh, that's a laugh.
31:36All right, if you must paint, paint me.
31:41Let me be your masterpiece.
31:44No.
31:46No, I couldn't paint you.
31:49You don't understand.
31:52Yes, I do.
31:53I understand perfectly well.
31:54It's all a pack of lies.
31:55It's just an excuse.
31:56You couldn't paint anyone.
31:57No, listen to me.
31:58I'm through listening.
32:00You'll never leave her, will you?
32:06Leave who?
32:07I'm talking about your wife.
32:09Isn't that?
32:10Marie's got nothing to do with it.
32:11Yes, she has.
32:12She's got everything to do with it.
32:13Who else is there to hold you back?
32:15Roger, I love you.
32:16I love you.
32:17I love you.
32:18I love you.
32:19Go back to her.
32:23Go back to that stupid wife of yours.
32:25Maybe she can help you solve your problems.
32:31Marie.
32:35My wife.
32:40Maybe she can solve my problems.
32:47I love you.
33:00Here, let me help you.
33:12Darling.
33:18Oh, this old coat.
33:20After a while on earth, don't you buy yourself a new one?
33:23We haven't got time.
33:24From now on, we're going to be too busy.
33:26That's why I stayed down at the studio the past few days.
33:29I wanted to plan everything very carefully.
33:31I know.
33:32You told me when you called.
33:36I've missed you.
33:38Well, cheer up.
33:39You won't have to miss me any longer.
33:42From now on, I'll be painting right here at home.
33:45Is that the surprise you were talking about on the phone?
33:49Only a part of it.
33:51I'm going to do a portrait.
33:54But you haven't wanted to do portraits for years.
33:59I know.
34:00But this is going to be my masterpiece.
34:03You'll see.
34:08Have you chosen a model?
34:11Yes.
34:16You.
34:19You're going to paint my portrait?
34:22Believe me.
34:23For the picture I have in mind, I wouldn't paint anyone but you.
34:41You're going to rain on the face of the hair, telling me you.
34:43Please spray your portrait?
34:46You're pouring your portrait.
34:47You're seeing the baking.
34:48You're celebrating myider.
34:49You're staring in your propia face.
34:51I have a great feeling.
34:53I'm going to put your f
36:06Darling, you've finished.
36:10I think I got what I want.
36:16No, I've never spent a happier ten days in all my life.
36:19Ten days?
36:20Today is April 3rd.
36:23That's right, it is.
36:25April 3rd.
36:26When are you going to tell me?
36:28Tell you what?
36:29Who you painted the picture for and why you had to finish it in such a hurry.
36:33You'll find out very soon.
36:35Promise?
36:36I promise.
36:37I promise.
36:38Here.
36:39Here.
36:40What's that for?
36:41Model's fees.
36:42Oh, darling, no.
36:43Please, I want you to have it.
36:44You've been cooped up here day after day under such a strain.
36:49I want you to run downtown and buy something pretty.
36:50Anything you'd like.
36:51Oh, but Hector, I don't need...
36:52You heard what I said.
36:53Run along.
36:54Please.
36:55Oh, darling.
36:56You're so good to me.
36:57You're so good to me.
37:27darling you're so good to me i knew you wouldn't run off to mexico without me
37:35the painting's finished
37:38where's your wife
37:47i sent her off shopping i wanted you to see the picture
37:54so you'd know i was telling the truth
37:56come on
38:03what do you think
38:08it's the best thing i've done isn't it
38:10look at the coloring
38:12the life
38:13so that's it
38:15what's wrong
38:17you painted her
38:19of course i had to
38:20what do you mean you had to
38:22you'd never paint me would you
38:25hate her because you love her you've always loved her
38:28that's not true
38:29this is the truth
38:31this portrait
38:32i can see what went into it all the love all the feeling
38:37you don't understand that's my masterpiece
38:39masterpiece
38:46masterpiece
38:49i hate her
38:51i hate her
38:53i hate her
38:54i hate her
38:56I'm sorry.
39:01I'm sorry.
39:11Hello.
39:13Just a reminder, Mr. Vane.
39:18You have 48 minutes left.
39:21Just a reminder, Mr. Vane, you have 48 hours left.
39:2848 hours.
39:37What can I do?
39:42What can I do?
39:51Darling? Darling, are you all right?
40:19Come in.
40:21Oh, you were asleep. I'm sorry.
40:28It's all right, darling.
40:31The painting's all finished.
40:33May I look now?
40:34Don't touch it.
40:36Hector, please tell me what this is all about.
40:40You've been locked in here for two days and two nights painting steadily.
40:44I've been so worried.
40:45You won't have to worry any longer.
40:48We're going to be all right.
40:50Oh, yes, of course we are.
40:53But can't you explain?
40:55What time is it?
40:56A little after three.
41:01Three o'clock.
41:09April 5th.
41:10All right, Marie.
41:24You're entitled to know everything.
41:26I'll tell you the whole story this evening.
41:29This evening?
41:30After sundown.
41:40You trust me, don't you, darling?
41:43Of course.
41:44I always have.
41:45Then wait.
41:47In a few hours, I'll be free.
41:49We'll both be free.
41:51We...
41:51How would you like to take a trip?
41:57Just the two of us.
41:59You mean a vacation?
42:01Yes.
42:02Oh.
42:04Could we go to Mexico?
42:05No.
42:06No.
42:08Not Mexico.
42:11Suppose we flew to Paris.
42:15Paris.
42:16You really mean it.
42:18It's spring, isn't it?
42:20Oh, how wonderful.
42:23Oh, darling, why don't you rest a while,
42:26and I'll go out right now and make all the arrangements.
42:28All right, darling.
42:29I'll go out right now.
42:59I'll go out right now.
43:09Hector, darling, wake up.
43:11Huh?
43:13It's all right.
43:14I'm awake.
43:16What time is it?
43:18Quarter to six.
43:21Quarter of six.
43:23Yes, I just got back.
43:25I've made all the arrangements,
43:26and I've bought some wonderful things.
43:29What's the matter?
43:31I have to go out. I've got an appointment.
43:33What appointment?
43:35I must deliver this new painting.
43:37It's very urgent. I can't afford to be late.
43:39Darling, you have a visitor.
43:41He was waiting at the door when I came in just now.
43:43Strange man. He says he has business with you.
43:47Strange man?
43:49Where is he?
43:51I invited him in to wait.
43:57Is something the matter?
43:59No.
44:03It's all right.
44:05Tell him to come in.
44:07In here?
44:09Yes.
44:15Good evening, Mr. Vane.
44:17It is evening, you know.
44:19I'm sorry I was detained.
44:21I accept your apology.
44:23You know why I'm here.
44:27Good evening.
44:33Is it ready?
44:35Yes.
44:37Excellent.
44:39And may I see it?
44:41You may.
44:43Here.
44:49See for yourself.
44:51What the...
45:03What trickery is this?
45:05You asked for the portrait of any living person.
45:07Anyone.
45:09You said give me my portrait.
45:11Well, there it is.
45:13Your portrait.
45:15You...
45:17You can't cheat me.
45:19I'm not cheating you.
45:21Don't deny that I painted your soul.
45:23Look, it's leering out of the canvas at you.
45:25Take your hideous soul and get out of here.
45:29I have given the devil his too.
45:33I never believed it possible that a mortal should trick me thus.
45:39Then you admit it.
45:41Yes, I do.
45:43You thought you had me, didn't you?
45:45You thought I'd sell my soul and that of my wife, didn't you?
45:49Well, let's bring the two of us together again.
45:56What are you waiting for?
45:58It's your portrait.
45:59Take it and get out.
46:01Well, uh...
46:03Just one thing.
46:05I must ask you to return my porn ticket.
46:09Of course.
46:11Marie.
46:13Get my overcoat, will you please?
46:15It's in the closet.
46:16I know.
46:27You sent Dodger to me, didn't you?
46:29Yes.
46:30Women are often my allies.
46:32I thought so.
46:34But it didn't work.
46:36See, I discovered something.
46:38I love Marie just as much as she loves me.
46:42Woman's love is damnation.
46:46This time it's salvation.
46:50Here you are.
46:52I didn't want to spend all our money on me.
46:55I wanted you to have something new for our trip too, so...
46:58I finally got rid of that old overcoat.
47:02Marie, where is it?
47:03Well, it was so shabby.
47:07What did you do with that old coat?
47:11I burned it.
47:14You burned it?
47:15You burned it.
47:29No!
47:30I told you women were often my allies.
47:32your coat is gone and the ticket is gone too and only the ticket redeems you from me
47:43you've done your part you've burned it and now it's his turn to burn
48:02damnation Mr. Bain
48:32Mr. Bain
49:02Mr. Bain
49:04Mr. Bain
49:06Mr. Bain
49:08Mr. Bain
49:10Mr. Bain
49:12Mr. Bain
49:14Mr. Bain
49:16Mr. Bain
49:18Mr. Bain
49:20Mr. Bain
49:22Mr. Bain
49:24Mr. Bain
49:26Mr. Bain
49:28Mr. Bain
49:30Mr. Bain
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